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38 episodes with literary history
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12 episodes with literary history
11 episodes with literary history
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3 episodes with literary history
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Stories here cover Ferrari that sold for $40 million and legendary literary destination you might not know about in Mississippi. Featuring audio from WBEN in Buffalo and Own the Road with Kelli and Bob out of KRLD 1080 in Dallas.
Stories here cover Ferrari that sold for $40 million and legendary literary destination you might not know about in Mississippi. Featuring audio from WBEN in Buffalo and Own the Road with Kelli and Bob out of KRLD 1080 in Dallas.
Stories here cover Ferrari that sold for $40 million and legendary literary destination you might not know about in Mississippi. Featuring audio from WBEN in Buffalo and Own the Road with Kelli and Bob out of KRLD 1080 in Dallas.
Stories here cover Ferrari that sold for $40 million and legendary literary destination you might not know about in Mississippi. Featuring audio from WBEN in Buffalo and Own the Road with Kelli and Bob out of KRLD 1080 in Dallas.
Stories here cover Ferrari that sold for $40 million and legendary literary destination you might not know about in Mississippi. Featuring audio from WBEN in Buffalo and Own the Road with Kelli and Bob out of KRLD 1080 in Dallas.
Stories here cover Ferrari that sold for $40 million and legendary literary destination you might not know about in Mississippi. Featuring audio from WBEN in Buffalo and Own the Road with Kelli and Bob out of KRLD 1080 in Dallas.
Stories here cover Ferrari that sold for $40 million and legendary literary destination you might not know about in Mississippi. Featuring audio from WBEN in Buffalo and Own the Road with Kelli and Bob out of KRLD 1080 in Dallas.
We're heading into this week's stories in a Ferrari that sold for forty million dollars. From there, we're heading to a legendary literary you might not know about in Mississippi. Then, we'll hear all about Nimrods, a new movie that takes viewers on an offbeat journey into the music of Green Day. And to end the show, we've got angry beavers and angry bears on the loose. Featuring audio from WBEN News and Talk in Buffalo, Own the Road with Kelli and Bob out of KRLD 1080 in Dallas, KNX News in Los Angeles, and the Dana & Parks Show out of KMBZ Kansas City.
We're heading into this week's stories in a Ferrari that sold for forty million dollars. From there, we're heading to a legendary literary you might not know about in Mississippi. Then, we'll hear all about Nimrods, a new movie that takes viewers on an offbeat journey into the music of Green Day. And to end the show, we've got angry beavers and angry bears on the loose. Featuring audio from WBEN News and Talk in Buffalo, Own the Road with Kelli and Bob out of KRLD 1080 in Dallas, KNX News in Los Angeles, and the Dana & Parks Show out of KMBZ Kansas City.
We're heading into this week's stories in a Ferrari that sold for forty million dollars. From there, we're heading to a legendary literary you might not know about in Mississippi. Then, we'll hear all about Nimrods, a new movie that takes viewers on an offbeat journey into the music of Green Day. And to end the show, we've got angry beavers and angry bears on the loose. Featuring audio from WBEN News and Talk in Buffalo, Own the Road with Kelli and Bob out of KRLD 1080 in Dallas, KNX News in Los Angeles, and the Dana & Parks Show out of KMBZ Kansas City.
We're heading into this week's stories in a Ferrari that sold for forty million dollars. From there, we're heading to a legendary literary you might not know about in Mississippi. Then, we'll hear all about Nimrods, a new movie that takes viewers on an offbeat journey into the music of Green Day. And to end the show, we've got angry beavers and angry bears on the loose. Featuring audio from WBEN News and Talk in Buffalo, Own the Road with Kelli and Bob out of KRLD 1080 in Dallas, KNX News in Los Angeles, and the Dana & Parks Show out of KMBZ Kansas City.
We're heading into this week's stories in a Ferrari that sold for forty million dollars. From there, we're heading to a legendary literary you might not know about in Mississippi. Then, we'll hear all about Nimrods, a new movie that takes viewers on an offbeat journey into the music of Green Day. And to end the show, we've got angry beavers and angry bears on the loose. Featuring audio from WBEN News and Talk in Buffalo, Own the Road with Kelli and Bob out of KRLD 1080 in Dallas, KNX News in Los Angeles, and the Dana & Parks Show out of KMBZ Kansas City.
We're heading into this week's stories in a Ferrari that sold for forty million dollars. From there, we're heading to a legendary literary you might not know about in Mississippi. Then, we'll hear all about Nimrods, a new movie that takes viewers on an offbeat journey into the music of Green Day. And to end the show, we've got angry beavers and angry bears on the loose. Featuring audio from WBEN News and Talk in Buffalo, Own the Road with Kelli and Bob out of KRLD 1080 in Dallas, KNX News in Los Angeles, and the Dana & Parks Show out of KMBZ Kansas City.
We're heading into this week's stories in a Ferrari that sold for forty million dollars. From there, we're heading to a legendary literary you might not know about in Mississippi. Then, we'll hear all about Nimrods, a new movie that takes viewers on an offbeat journey into the music of Green Day. And to end the show, we've got angry beavers and angry bears on the loose. Featuring audio from WBEN News and Talk in Buffalo, Own the Road with Kelli and Bob out of KRLD 1080 in Dallas, KNX News in Los Angeles, and the Dana & Parks Show out of KMBZ Kansas City.
How well can we ever really know our parents?For Nancy Head Thode, that question became the beginning of an extraordinary journey into the life of her mother, Ann Head, a once widely read mid-century writer whose fiction explored women, marriage, pregnancy, class and independence at a time when many of those subjects were still spoken about carefully, if at all.Ann Head was more than a novelist. She was part of the literary life of Beaufort, South Carolina, and an influential teacher and mentor whose students included a young Pat Conroy, years before he would become the celebrated author of The Great Santini and The Prince of Tides.But to Nancy, she was Mom.In this encore presentation of HarmonyTALK, host Lisa Champeau talks with Nancy about the woman behind the books and Nancy's own journey to understand her. That journey eventually led to Ahead of Her Time: The Trailblazing Life and Literary Legacy of Ann Head, Nancy's biography of her mother.Drawing from journals, family memories, archival material and correspondence, Nancy began piecing together a fuller portrait of a woman who was ambitious, unconventional, creative and complicated.The project also forced Nancy to look again at her own childhood and at the difference between what children see and what adults later come to understand.Nancy brings an unusual perspective to that process. A longtime family psychotherapist and early advocate for family mediation, she has spent much of her professional life helping people understand relationships, conflict and the stories families carry.Now she has turned that careful attention toward her own family.It is a conversation about mothers and daughters, memory, writing, the lives women were expected to lead and what can happen when a daughter decides her mother's story deserves to be told again.
Mary Shelley didn't just create Frankenstein - she helped invent modern science fiction while forever changing the landscape of horror. This episode, we explore her remarkable life: her radical parents, scandalous romance with Percy Shelley, the personal tragedies that shaped her, and the stormy night that gave birth to one of literature's greatest monsters. Along the way, we'll also trace how a novel written by an eighteen-year-old became one of the most influential stories ever told, inspiring centuries of debate about science, humanity, and what it truly means to be a creator. Merch and more: www.badmagicproductions.com Timesuck Discord! https://discord.gg/tqzH89v Want to join the Cult of the Curious PrivateFacebook Group? Go directly to Facebook and search for "Cult of the Curious" to locate whatever happens to be our most current page :) For all merch-related questions/problems: store@badmagicproductions.com (copy and paste) Please rate and subscribe on Apple Podcasts and elsewhere and follow the suck on social media!! @timesuckpodcast on IG and http://www.facebook.com/timesuckpodcast Wanna become a Space Lizard? Click here: https://www.patreon.com/timesuckpodcast. Sign up through Patreon, and for $5 a month, you get access to the entire Secret Suck catalog (295 episodes) PLUS the entire catalog of Timesuck, AD FREE. You'll also get 20% off of all regular Timesuck merch PLUS access to exclusive Space Lizard merch. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
In Max Weber's Studies of Ancient Judaism: The Historical Foundation for a Theory of the Modern Age (Mohr Siebeck, 2002) Eckart Otto provides a history of Max Weber's work on the cultural history of ancient Judaism, a subject on which Weber spent more than 10 years. He shows how closely these studies are linked not only to theology and Jewish studies, jurisprudence and economics, the science of history and philosophy but also to the contemporary discussions surrounding the historico-cultural significance of Judaism for the »spirit of capitalism« and the chances for Judaism to preserve its identity in the conflict between assimilation and Zionism. This conversation is a companion to Željko Stanojević's interview with Eckart Otto about Deuteronomy in the Pentateuch and the Hexateuch: Studies of the Literary History of the Pentateuch and the Hexateuch within the Framework of Deuteronomy. Professor Dr. Dr. h.c. Eckart Otto is a highly distinguished German theologian, biblical scholar, and internationally recognised authority on Deuteronomy, the Pentateuch, biblical law, the Hebrew Bible, and the legal traditions of the ancient Near East. He is Professor Emeritus of Old Testament and Hebrew Bible at Ludwig Maximilian University of Munich. Professor Eckart Otto is also a prominent member of the Editorial Board of the European Hebrew Journal, published by the Institute for Hebrew Language and Literature in Belgrade, Serbia. This interview is hosted by Professor Željko Stanojević, a Serbian-Israeli Hebrew linguist, biblical philologist, lexicographer, translator, and researcher in Semitic languages. He is President of the Institute for Hebrew Language and Literature, Founder and Editor-in-Chief of the European Hebrew Journal, and a host on the New Books Network. European Hebrew Journal Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In Max Weber's Studies of Ancient Judaism: The Historical Foundation for a Theory of the Modern Age (Mohr Siebeck, 2002) Eckart Otto provides a history of Max Weber's work on the cultural history of ancient Judaism, a subject on which Weber spent more than 10 years. He shows how closely these studies are linked not only to theology and Jewish studies, jurisprudence and economics, the science of history and philosophy but also to the contemporary discussions surrounding the historico-cultural significance of Judaism for the »spirit of capitalism« and the chances for Judaism to preserve its identity in the conflict between assimilation and Zionism. This conversation is a companion to Željko Stanojević's interview with Eckart Otto about Deuteronomy in the Pentateuch and the Hexateuch: Studies of the Literary History of the Pentateuch and the Hexateuch within the Framework of Deuteronomy. Professor Dr. Dr. h.c. Eckart Otto is a highly distinguished German theologian, biblical scholar, and internationally recognised authority on Deuteronomy, the Pentateuch, biblical law, the Hebrew Bible, and the legal traditions of the ancient Near East. He is Professor Emeritus of Old Testament and Hebrew Bible at Ludwig Maximilian University of Munich. Professor Eckart Otto is also a prominent member of the Editorial Board of the European Hebrew Journal, published by the Institute for Hebrew Language and Literature in Belgrade, Serbia. This interview is hosted by Professor Željko Stanojević, a Serbian-Israeli Hebrew linguist, biblical philologist, lexicographer, translator, and researcher in Semitic languages. He is President of the Institute for Hebrew Language and Literature, Founder and Editor-in-Chief of the European Hebrew Journal, and a host on the New Books Network. European Hebrew Journal Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies
In Max Weber's Studies of Ancient Judaism: The Historical Foundation for a Theory of the Modern Age (Mohr Siebeck, 2002) Eckart Otto provides a history of Max Weber's work on the cultural history of ancient Judaism, a subject on which Weber spent more than 10 years. He shows how closely these studies are linked not only to theology and Jewish studies, jurisprudence and economics, the science of history and philosophy but also to the contemporary discussions surrounding the historico-cultural significance of Judaism for the »spirit of capitalism« and the chances for Judaism to preserve its identity in the conflict between assimilation and Zionism. This conversation is a companion to Željko Stanojević's interview with Eckart Otto about Deuteronomy in the Pentateuch and the Hexateuch: Studies of the Literary History of the Pentateuch and the Hexateuch within the Framework of Deuteronomy. Professor Dr. Dr. h.c. Eckart Otto is a highly distinguished German theologian, biblical scholar, and internationally recognised authority on Deuteronomy, the Pentateuch, biblical law, the Hebrew Bible, and the legal traditions of the ancient Near East. He is Professor Emeritus of Old Testament and Hebrew Bible at Ludwig Maximilian University of Munich. Professor Eckart Otto is also a prominent member of the Editorial Board of the European Hebrew Journal, published by the Institute for Hebrew Language and Literature in Belgrade, Serbia. This interview is hosted by Professor Željko Stanojević, a Serbian-Israeli Hebrew linguist, biblical philologist, lexicographer, translator, and researcher in Semitic languages. He is President of the Institute for Hebrew Language and Literature, Founder and Editor-in-Chief of the European Hebrew Journal, and a host on the New Books Network. European Hebrew Journal Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion
In Max Weber's Studies of Ancient Judaism: The Historical Foundation for a Theory of the Modern Age (Mohr Siebeck, 2002) Eckart Otto provides a history of Max Weber's work on the cultural history of ancient Judaism, a subject on which Weber spent more than 10 years. He shows how closely these studies are linked not only to theology and Jewish studies, jurisprudence and economics, the science of history and philosophy but also to the contemporary discussions surrounding the historico-cultural significance of Judaism for the »spirit of capitalism« and the chances for Judaism to preserve its identity in the conflict between assimilation and Zionism. This conversation is a companion to Željko Stanojević's interview with Eckart Otto about Deuteronomy in the Pentateuch and the Hexateuch: Studies of the Literary History of the Pentateuch and the Hexateuch within the Framework of Deuteronomy. Professor Dr. Dr. h.c. Eckart Otto is a highly distinguished German theologian, biblical scholar, and internationally recognised authority on Deuteronomy, the Pentateuch, biblical law, the Hebrew Bible, and the legal traditions of the ancient Near East. He is Professor Emeritus of Old Testament and Hebrew Bible at Ludwig Maximilian University of Munich. Professor Eckart Otto is also a prominent member of the Editorial Board of the European Hebrew Journal, published by the Institute for Hebrew Language and Literature in Belgrade, Serbia. This interview is hosted by Professor Željko Stanojević, a Serbian-Israeli Hebrew linguist, biblical philologist, lexicographer, translator, and researcher in Semitic languages. He is President of the Institute for Hebrew Language and Literature, Founder and Editor-in-Chief of the European Hebrew Journal, and a host on the New Books Network. European Hebrew Journal Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biblical-studies
In Deuteronomy in the Pentateuch and the Hexateuch: Studies of the Literary History of the Pentateuch and the Hexateuch within the Framework of Deuteronomy (Mohr Siebeck, 2000; unrevised e-book edition, 2019), Eckart Otto contributes to the study of Deuteronomy, the Pentateuch, the Hexateuch. The book argues that both the Hexateuch and the Pentateuch developed ideas already articulated in the Deuteronomistic form of Deuteronomy. Deuteronomy therefore appears not simply as one component of the Pentateuch, but as a central point of departure for understanding the formation of larger compositions. Otto places Deuteronomy at the centre of the literary history of ancient Israel. Rather than treating Deuteronomy, the Priestly Writing, Joshua, and Pentateuchal traditions as isolated units, he reconstructs the processes through which these texts were connected, revised, and reinterpreted. The combination of the Priestly Writing with Deuteronomy and the Deuteronomistic Book of Joshua produced a Hexateuchal composition extending from Genesis through Joshua. A later Pentateuchal redaction separated the Torah from Joshua and placed Deuteronomy's covenant at Horeb at its centre. The Hexateuch reaches its narrative conclusion with Israel's arrival in the promised land, while the Pentateuch ends with Moses and Israel still outside the land. This makes Torah and covenant, rather than possession of the land, central to Israel's identity. Otto also argues that Hexateuchal and Pentateuchal redactors did not merely use a completed Deuteronomy; they reshaped Deuteronomy itself to serve their conceptions of covenant, law, land, and Israel's relationship with God. Deuteronomy contributed to the emergence of the Hexateuch and Pentateuch, but the later redactions of these larger works also transformed Deuteronomy. Otto connects these literary developments with conflicts among priestly groups in the Persian period and with debates over priesthood, law, authority, identity, and inherited traditions. Through this approach, Otto challenges the traditional separation between Pentateuchal and Deuteronomic research. His study also has implications for the hypothesis of a “Deuteronomistic History,” inviting scholars to reconsider the relationship between Deuteronomy, Joshua, the historical books, the Priestly Writing, and the final form of the Torah. It also contributes to discussions of biblical historiography, authoritative scripture, law and narrative, and the Torah's emergence as Judaism's foundational text. In this New Books Network interview, Professor Otto explains the book's central arguments in his own words. The conversation addresses the relationship between Pentateuch and Hexateuch, the integration of Priestly and Deuteronomistic traditions, the role of Joshua, the covenant at Horeb, and the priestly conflicts that shaped the Torah in the Persian period. This conversation is a companion to Željko Stanojević's interview with Eckart Otto about Max Weber's Studies of Ancient Judaism: The Historical Foundation for a Theory of the Modern Age. Professor Dr. Dr. h.c. Eckart Otto is a distinguished German theologian and biblical scholar, known for his work on Deuteronomy, the Pentateuch, biblical law, the Hebrew Bible, and ancient Near Eastern legal traditions. He is Professor Emeritus of Old Testament and Hebrew Bible at Ludwig Maximilian University of Munich and a member of the Editorial Board of the European Hebrew Journal. This interview is hosted by Professor Željko Stanojević, a Serbian-Israeli Hebraist, biblical philologist, lexicographer, translator, and Semitic-language researcher. He is President of the Institute for Hebrew Language and Literature, Founder and Editor-in-Chief of the European Hebrew Journal, and a host on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In Deuteronomy in the Pentateuch and the Hexateuch: Studies of the Literary History of the Pentateuch and the Hexateuch within the Framework of Deuteronomy (Mohr Siebeck, 2000; unrevised e-book edition, 2019), Eckart Otto contributes to the study of Deuteronomy, the Pentateuch, the Hexateuch. The book argues that both the Hexateuch and the Pentateuch developed ideas already articulated in the Deuteronomistic form of Deuteronomy. Deuteronomy therefore appears not simply as one component of the Pentateuch, but as a central point of departure for understanding the formation of larger compositions. Otto places Deuteronomy at the centre of the literary history of ancient Israel. Rather than treating Deuteronomy, the Priestly Writing, Joshua, and Pentateuchal traditions as isolated units, he reconstructs the processes through which these texts were connected, revised, and reinterpreted. The combination of the Priestly Writing with Deuteronomy and the Deuteronomistic Book of Joshua produced a Hexateuchal composition extending from Genesis through Joshua. A later Pentateuchal redaction separated the Torah from Joshua and placed Deuteronomy's covenant at Horeb at its centre. The Hexateuch reaches its narrative conclusion with Israel's arrival in the promised land, while the Pentateuch ends with Moses and Israel still outside the land. This makes Torah and covenant, rather than possession of the land, central to Israel's identity. Otto also argues that Hexateuchal and Pentateuchal redactors did not merely use a completed Deuteronomy; they reshaped Deuteronomy itself to serve their conceptions of covenant, law, land, and Israel's relationship with God. Deuteronomy contributed to the emergence of the Hexateuch and Pentateuch, but the later redactions of these larger works also transformed Deuteronomy. Otto connects these literary developments with conflicts among priestly groups in the Persian period and with debates over priesthood, law, authority, identity, and inherited traditions. Through this approach, Otto challenges the traditional separation between Pentateuchal and Deuteronomic research. His study also has implications for the hypothesis of a “Deuteronomistic History,” inviting scholars to reconsider the relationship between Deuteronomy, Joshua, the historical books, the Priestly Writing, and the final form of the Torah. It also contributes to discussions of biblical historiography, authoritative scripture, law and narrative, and the Torah's emergence as Judaism's foundational text. In this New Books Network interview, Professor Otto explains the book's central arguments in his own words. The conversation addresses the relationship between Pentateuch and Hexateuch, the integration of Priestly and Deuteronomistic traditions, the role of Joshua, the covenant at Horeb, and the priestly conflicts that shaped the Torah in the Persian period. This conversation is a companion to Željko Stanojević's interview with Eckart Otto about Max Weber's Studies of Ancient Judaism: The Historical Foundation for a Theory of the Modern Age. Professor Dr. Dr. h.c. Eckart Otto is a distinguished German theologian and biblical scholar, known for his work on Deuteronomy, the Pentateuch, biblical law, the Hebrew Bible, and ancient Near Eastern legal traditions. He is Professor Emeritus of Old Testament and Hebrew Bible at Ludwig Maximilian University of Munich and a member of the Editorial Board of the European Hebrew Journal. This interview is hosted by Professor Željko Stanojević, a Serbian-Israeli Hebraist, biblical philologist, lexicographer, translator, and Semitic-language researcher. He is President of the Institute for Hebrew Language and Literature, Founder and Editor-in-Chief of the European Hebrew Journal, and a host on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies
In Deuteronomy in the Pentateuch and the Hexateuch: Studies of the Literary History of the Pentateuch and the Hexateuch within the Framework of Deuteronomy (Mohr Siebeck, 2000; unrevised e-book edition, 2019), Eckart Otto contributes to the study of Deuteronomy, the Pentateuch, the Hexateuch. The book argues that both the Hexateuch and the Pentateuch developed ideas already articulated in the Deuteronomistic form of Deuteronomy. Deuteronomy therefore appears not simply as one component of the Pentateuch, but as a central point of departure for understanding the formation of larger compositions. Otto places Deuteronomy at the centre of the literary history of ancient Israel. Rather than treating Deuteronomy, the Priestly Writing, Joshua, and Pentateuchal traditions as isolated units, he reconstructs the processes through which these texts were connected, revised, and reinterpreted. The combination of the Priestly Writing with Deuteronomy and the Deuteronomistic Book of Joshua produced a Hexateuchal composition extending from Genesis through Joshua. A later Pentateuchal redaction separated the Torah from Joshua and placed Deuteronomy's covenant at Horeb at its centre. The Hexateuch reaches its narrative conclusion with Israel's arrival in the promised land, while the Pentateuch ends with Moses and Israel still outside the land. This makes Torah and covenant, rather than possession of the land, central to Israel's identity. Otto also argues that Hexateuchal and Pentateuchal redactors did not merely use a completed Deuteronomy; they reshaped Deuteronomy itself to serve their conceptions of covenant, law, land, and Israel's relationship with God. Deuteronomy contributed to the emergence of the Hexateuch and Pentateuch, but the later redactions of these larger works also transformed Deuteronomy. Otto connects these literary developments with conflicts among priestly groups in the Persian period and with debates over priesthood, law, authority, identity, and inherited traditions. Through this approach, Otto challenges the traditional separation between Pentateuchal and Deuteronomic research. His study also has implications for the hypothesis of a “Deuteronomistic History,” inviting scholars to reconsider the relationship between Deuteronomy, Joshua, the historical books, the Priestly Writing, and the final form of the Torah. It also contributes to discussions of biblical historiography, authoritative scripture, law and narrative, and the Torah's emergence as Judaism's foundational text. In this New Books Network interview, Professor Otto explains the book's central arguments in his own words. The conversation addresses the relationship between Pentateuch and Hexateuch, the integration of Priestly and Deuteronomistic traditions, the role of Joshua, the covenant at Horeb, and the priestly conflicts that shaped the Torah in the Persian period. This conversation is a companion to Željko Stanojević's interview with Eckart Otto about Max Weber's Studies of Ancient Judaism: The Historical Foundation for a Theory of the Modern Age. Professor Dr. Dr. h.c. Eckart Otto is a distinguished German theologian and biblical scholar, known for his work on Deuteronomy, the Pentateuch, biblical law, the Hebrew Bible, and ancient Near Eastern legal traditions. He is Professor Emeritus of Old Testament and Hebrew Bible at Ludwig Maximilian University of Munich and a member of the Editorial Board of the European Hebrew Journal. This interview is hosted by Professor Željko Stanojević, a Serbian-Israeli Hebraist, biblical philologist, lexicographer, translator, and Semitic-language researcher. He is President of the Institute for Hebrew Language and Literature, Founder and Editor-in-Chief of the European Hebrew Journal, and a host on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion
In Deuteronomy in the Pentateuch and the Hexateuch: Studies of the Literary History of the Pentateuch and the Hexateuch within the Framework of Deuteronomy (Mohr Siebeck, 2000; unrevised e-book edition, 2019), Eckart Otto contributes to the study of Deuteronomy, the Pentateuch, the Hexateuch. The book argues that both the Hexateuch and the Pentateuch developed ideas already articulated in the Deuteronomistic form of Deuteronomy. Deuteronomy therefore appears not simply as one component of the Pentateuch, but as a central point of departure for understanding the formation of larger compositions. Otto places Deuteronomy at the centre of the literary history of ancient Israel. Rather than treating Deuteronomy, the Priestly Writing, Joshua, and Pentateuchal traditions as isolated units, he reconstructs the processes through which these texts were connected, revised, and reinterpreted. The combination of the Priestly Writing with Deuteronomy and the Deuteronomistic Book of Joshua produced a Hexateuchal composition extending from Genesis through Joshua. A later Pentateuchal redaction separated the Torah from Joshua and placed Deuteronomy's covenant at Horeb at its centre. The Hexateuch reaches its narrative conclusion with Israel's arrival in the promised land, while the Pentateuch ends with Moses and Israel still outside the land. This makes Torah and covenant, rather than possession of the land, central to Israel's identity. Otto also argues that Hexateuchal and Pentateuchal redactors did not merely use a completed Deuteronomy; they reshaped Deuteronomy itself to serve their conceptions of covenant, law, land, and Israel's relationship with God. Deuteronomy contributed to the emergence of the Hexateuch and Pentateuch, but the later redactions of these larger works also transformed Deuteronomy. Otto connects these literary developments with conflicts among priestly groups in the Persian period and with debates over priesthood, law, authority, identity, and inherited traditions. Through this approach, Otto challenges the traditional separation between Pentateuchal and Deuteronomic research. His study also has implications for the hypothesis of a “Deuteronomistic History,” inviting scholars to reconsider the relationship between Deuteronomy, Joshua, the historical books, the Priestly Writing, and the final form of the Torah. It also contributes to discussions of biblical historiography, authoritative scripture, law and narrative, and the Torah's emergence as Judaism's foundational text. In this New Books Network interview, Professor Otto explains the book's central arguments in his own words. The conversation addresses the relationship between Pentateuch and Hexateuch, the integration of Priestly and Deuteronomistic traditions, the role of Joshua, the covenant at Horeb, and the priestly conflicts that shaped the Torah in the Persian period. This conversation is a companion to Željko Stanojević's interview with Eckart Otto about Max Weber's Studies of Ancient Judaism: The Historical Foundation for a Theory of the Modern Age. Professor Dr. Dr. h.c. Eckart Otto is a distinguished German theologian and biblical scholar, known for his work on Deuteronomy, the Pentateuch, biblical law, the Hebrew Bible, and ancient Near Eastern legal traditions. He is Professor Emeritus of Old Testament and Hebrew Bible at Ludwig Maximilian University of Munich and a member of the Editorial Board of the European Hebrew Journal. This interview is hosted by Professor Željko Stanojević, a Serbian-Israeli Hebraist, biblical philologist, lexicographer, translator, and Semitic-language researcher. He is President of the Institute for Hebrew Language and Literature, Founder and Editor-in-Chief of the European Hebrew Journal, and a host on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biblical-studies
Narrator: Thomas Jones
Episode Description:In this episode of Conceptually Speaking, I sit down with Dr. Joseph Allen Boone, Professor Emeritus of English at the University of Southern California, to discuss his new book from Columbia University Press, The Melville Effect: A Literary Afterlife Across the Arts. According to Boone, we are living through a second Melville revival. The first, in the 1920s, was engineered by critics who pulled Melville out of obscurity and streamlined him into an American answer to European modernism. Our current renaissance is being driven by artists working in painting, collage, performance, musical theater, video, fiction, and more besides. Our conversation works through why Melville has been “having a moment” as it were. Part of the answer he offers is thematic, since a novel that already contains globalism, extraction, ecological collapse, and racial encounters will feel resonant with our current moment despite when it was authored. The larger part, however, is shaped by its form. Moby-Dick opens with a dictionary page, moves through etymologies and epigraphs borrowed from the commonplace book tradition, drops in a sermon, a Shakespearean soliloquy, a play script, legal affidavits, and parodic scientific taxonomy, and absorbs the whole media explosion of the 1840s and 50s along the way. Boone calls this aesthetic hybridity, and it is one the reasons Melville is legible as a companion to artists who work in our era of pastiche, collage, mashup, and remix. We also get into the pedagogical stakes, including an inspiring call for more arts integration and multimodal approaches to teaching canonical works.Key Concepts from the Episode:Aesthetic HybridityMelville's formal promiscuity could be seen as an exploration of the way form shapes content, which is the same question contemporary multimedia artists are asking about their creative use of diverse media and materials.Boone borrows the counterpane scene as his governing metaphor. Ishmael wakes unable to distinguish the crazy quilt from Queequeg's tattooed arm, and that indistinction, where the parts refuse to resolve into a pattern but cohere anyway, describes both Melville's method and the work being made from him.Consider how you might bring aesthetic hybridity into your classroom. What different mediums and materials could you bring into the patchwork quilt of your own curriculum?Literary History as AfterlifeThe reason literary history reads as dead is that we treat it as exclusively retrospective. Boone's counterclaim is that it is also progressive, continually reconstituted by whoever is currently reading and remixing it.The project of extending a text's afterlife cannot be accomplished through genuflection and submission. Instead, readers and creators should see themselves as participating in an ongoing production or a work and its related legacy.Consider what it might look like to have your students participate in the ongoing production of a text's literary afterlife. How might you balance scaffolding their ability to engage with the text and giving them agency to take it new places?Gaps as Sites of InquiryAbsence functions as invitation. Melville gives Mrs. Ahab two sentences in the whole of Moby-Dick, and artists have built collage cycles, a stage production, and a novel out of that gap. Reading what is not present can be a powerful act of critical framing and reading.The same logic drives the queer readings of Pierre, where James Creech's criticism, Maurice Sendak's illustrations, and Elizabeth Schultz's reading of a broom closet in the plates each produce something that is in the text and not in the text at once. Creative and critical readings provide us with the ability to construct new narratives that complicate the legacy of traditional works.Consider the gaps that exist in the literary works that you teach. Who is not featured or mentioned? Who appears briefly and why? How can you invite students to explode those glimpses into something bigger?Regular readers of Becoming Literary will recognize some of my favorite throughlines. This is a conversation about how we can move beyond treating canon as a collection of revered, pedestal placed texts and start treating it as a site of debate and dialogue. It is an invitation to see hybrid interpretive work as a legitimate mode of literary knowledge production, and an opportunity to move the field forward without leaving its past behind. I hope you enjoy the episode and answer its call!Links:The Melville Effect: A Literary Afterlife Across the ArtsDr. Joseph Allen Boone's WebsitePodMatchPodMatch Automatically Matches Ideal Podcast Guests and Hosts For InterviewsSupport the show
Get Sleepy is now coming to you 5 nights a week! Narrator: Thomas Jones
Watch this episode ad-free by joining the ITBR Patreon! patreon.com/ivorytowerboilerroom-----Pride month continues with our friends from The Gay & Lesbian Review! This month's issue is themed around the Latin phrase "Homo Litterarius" which means "Literary Man." You guessed it! We're looking back on our queer literary history at authors like E.F. Benson who famously signaled queerness in literature in the early 20th century.Queer literary history isn't taught on a broad scale, which is why we took the time to discuss and learn the importance of those who came before us. Linked below are each guest's articles that are each an incredible read. Check out the link's below and show our friends at G&LR some support!Sasha Garwood: E. F. Benson's Lost Romance - The Gay & Lesbian ReviewMatthew Frye-Castillo: On the “Gays Who Kill” Subgenre - The Gay & Lesbian ReviewDomenic DeSocio:Christopher Street Hits Fifty - The Gay & Lesbian ReviewJeremy C. Fox:Pride Issue: Homo Litterarius - The Gay & Lesbian Review-----Follow ITBR on IG @ivorytowerboilerroom and TikTok @dr.andrewrimbyBe sure to subscribe to our YouTube channel where you can watch video episodes of the podcast: https://www.youtube.com/@ivorytowerboilerroomThanks to our following sponsors! To subscribe to The Gay and Lesbian Review visit glreview.org. Click Subscribe and enter promo code ITBRChoice to get a free issue with a subscription purchase. Follow them on IG @theglreview and TikTok @g_and_lrHead to Broadview Press, an independent academic publisher, for all your humanities related books. Use code ivorytower for 20% off your broadviewpress.com order. Follow them on IG @broadviewpress.Thanks to the ITBR team! Dr. Andrew Rimby (Host and Director), Mary DiPipi (Chief Contributor), and Sean Penta (Editor)
Narrator: Thomas Jones
A @Christadelphians Video: **Ai Summary**[Inspiring] Have you ever wondered why modern Bibles sometimes differ—or even appear to miss out verses? In this thought-provoking and wonderfully expositional video, we tackle a subject rarely discussed among believers: **textual criticism**. This is the fifth instalment of our series on Bible versions, and we're diving into the vital difference between *textual criticism* and *higher criticism*.We begin by explaining why translators must care about which manuscript they use—because although God inspired the Scriptures, we still have to ask: which manuscript best preserves that inspired text? Then we reveal why many believers feel uneasy when they first hear the term “criticism.” That unease often comes from confusing textual criticism with **higher criticism**—a deeply flawed 19th‑century German movement rooted in anti‑Semitism, which denies inspiration and tears the Bible apart verse by verse.Higher criticism claims Isaiah was written by two authors (or more), that Daniel was composed after the events it prophesies, and that we cannot be sure Jesus even spoke the parables recorded in the Gospels. As Christadelphians, we reject that approach entirely. The New Testament itself quotes from both parts of Isaiah and calls Isaiah the prophet. We believe the Bible is inspired, harmonious, and trustworthy.This insightful presentation clarifies that **textual criticism is not higher criticism**. Instead, it is the careful, reverent work of comparing manuscripts to recover the most accurate wording of God's Word. Outstanding teaching like this equips you to understand why translations differ—without losing confidence in Scripture.**Chapters** 00:00 – Introduction 01:10 – What Is Textual Criticism? 02:19 – Why We Feel Uncomfortable 03:01 – The Problem of Multiple Manuscripts 04:26 – Higher Criticism Defined 05:00 – Origins and Anti‑Semitism 06:32 – Literary History vs Biblical Claims 07:25 – The “Second Isaiah” Theory 09:28 – Higher Criticism Rejects Prophecy 11:56 – New Testament Affirms One Isaiah 13:05 – Higher Criticism on Jesus' Parables 15:07 – The Jesus Seminar's Quest 17:22 – Assumed Contradictions in Acts and Paul 18:56 – Why Higher Criticism Fails 19:19 – Conclusion: Trusting the Inspired Text**Bible Verse Category**
Can we ever really know who we are? And does self-knowledge come with an incredible cost to ourselves and others? Maybe! We investigate the First Philip K. Dick Adaptation, with a 1962 episode of the British TV show Out of This World on his short story "The Imposter." Plus, we do a medium dive into PKD's life. And there's lots to discuss in the MouthGarf Report! Plus, I See What You Did There! Sources: https://www.youtube.com/watch?v=2NATbmF4Qxc (While labeled "The Cold Equations" this is the audio for "The Imposter") https://en.wikipedia.org/wiki/Impostor_(short_story) https://en.wikipedia.org/wiki/Philip_K._Dick https://web.archive.org/web/20120511082635/http://www.philipkdick.com/media_sfeye87.html https://web.archive.org/web/20170921182200/http://culture.pl/en/article/philip-k-dick-stanislaw-lem-is-a-communist-committee https://www.salon.com/2022/07/23/8-facts-about-philip-k-dick_partner/ Please give us a 5 star rating on Apple Podcasts! Want to ask us a question? Talk to us! Email debutbuddies@gmail.com Listen to Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster. Get some sci-fi from Spaceboy Books. Get down with Michael J. O'Connor and the Cold Family and check out his new compilation The Best of the Bad Years 2005 - 2025 Next time: First Film Directed by Markiplier/Mark Fischbach
My guest today is Eric Weiskott, Professor of English at Boston College. Eric has previously published Meter and Modernity in English Verse, 1350-1650 (U Pennsylvania Press, 2021) and English Alliterative Verse: Poetic Tradition and Literary History (Cambridge University Press, 2016), as well as a chapbook titled Chanties: An American Dream (Bottlecap, 2023). Eric is also a co-editor for the Yearbook of Langland Studies. Today, we are discussing two of Eric's recent books that share a connection to the fourteenth-century English poem Piers Plowman. The first is Cycle of Dreams (Punctum, 2024), a poetry collection that uses motifs, literary devices, and themes of William Langland's surreal poem as a springboard to meditate on the equally surreal experience of political and social life in the twenty-first century. Cycle of Dreams is published by Punctum Books. The second book we are discussing is a new edition of the A-version of Piers Plowman: A New Annotated Edition of the A-Text (U Exeter Press, 2025) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Narrator: Thomas Jones
Narrator: Thomas Jones
Many Disney films adapt works from the Victorian period, which is often called the Golden Age of children's literature. Animating the Victorians: Disney's Literary History (University Press of Mississippi, 2025) explores Disney's adaptations of Victorian texts like Alice in Wonderland, Oliver Twist, Treasure Island, Peter Pan, and the tales of Hans Christian Andersen. Author Patrick C. Fleming traces those adaptations from initial concept to theatrical release and beyond to the sequels, consumer products, and theme park attractions that make up a Disney franchise. During the production process, which often extended over decades, Disney's writers engaged not just with the texts themselves but with the contexts in which they were written, their authors' biographies, and intervening adaptations. To reveal that process, Fleming draws on preproduction reports, press releases, and unfinished drafts, including materials in the Walt Disney Company Archives, some of which have not yet been discussed in print. But the relationship between Disney and the Victorians goes beyond adaptations. Walt Disney himself had a similar career to the Victorian author-entrepreneur Charles Dickens. Linking the Disney Princess franchise to Victorian ideologies shows how gender and sexuality are constantly being renegotiated. Disney's animated musicals, theme parks, copyright practices, and even marketing campaigns depend on cultural assumptions, legal frameworks, and media technologies that emerged in nineteenth-century England. Moreover, Disney's adaptations influence modern students and scholars of the Victorian period. By applying scholarship in Victorian studies to a global company, Fleming shows how institutions mediate our understanding of the past and demonstrates the continued relevance of literary studies in a corporate media age. An audiobook will be available in January 2026. Patrick C. Fleming is a scholar of Victorian studies and children's literature. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Many Disney films adapt works from the Victorian period, which is often called the Golden Age of children's literature. Animating the Victorians: Disney's Literary History (University Press of Mississippi, 2025) explores Disney's adaptations of Victorian texts like Alice in Wonderland, Oliver Twist, Treasure Island, Peter Pan, and the tales of Hans Christian Andersen. Author Patrick C. Fleming traces those adaptations from initial concept to theatrical release and beyond to the sequels, consumer products, and theme park attractions that make up a Disney franchise. During the production process, which often extended over decades, Disney's writers engaged not just with the texts themselves but with the contexts in which they were written, their authors' biographies, and intervening adaptations. To reveal that process, Fleming draws on preproduction reports, press releases, and unfinished drafts, including materials in the Walt Disney Company Archives, some of which have not yet been discussed in print. But the relationship between Disney and the Victorians goes beyond adaptations. Walt Disney himself had a similar career to the Victorian author-entrepreneur Charles Dickens. Linking the Disney Princess franchise to Victorian ideologies shows how gender and sexuality are constantly being renegotiated. Disney's animated musicals, theme parks, copyright practices, and even marketing campaigns depend on cultural assumptions, legal frameworks, and media technologies that emerged in nineteenth-century England. Moreover, Disney's adaptations influence modern students and scholars of the Victorian period. By applying scholarship in Victorian studies to a global company, Fleming shows how institutions mediate our understanding of the past and demonstrates the continued relevance of literary studies in a corporate media age. An audiobook will be available in January 2026. Patrick C. Fleming is a scholar of Victorian studies and children's literature. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Many Disney films adapt works from the Victorian period, which is often called the Golden Age of children's literature. Animating the Victorians: Disney's Literary History (University Press of Mississippi, 2025) explores Disney's adaptations of Victorian texts like Alice in Wonderland, Oliver Twist, Treasure Island, Peter Pan, and the tales of Hans Christian Andersen. Author Patrick C. Fleming traces those adaptations from initial concept to theatrical release and beyond to the sequels, consumer products, and theme park attractions that make up a Disney franchise. During the production process, which often extended over decades, Disney's writers engaged not just with the texts themselves but with the contexts in which they were written, their authors' biographies, and intervening adaptations. To reveal that process, Fleming draws on preproduction reports, press releases, and unfinished drafts, including materials in the Walt Disney Company Archives, some of which have not yet been discussed in print. But the relationship between Disney and the Victorians goes beyond adaptations. Walt Disney himself had a similar career to the Victorian author-entrepreneur Charles Dickens. Linking the Disney Princess franchise to Victorian ideologies shows how gender and sexuality are constantly being renegotiated. Disney's animated musicals, theme parks, copyright practices, and even marketing campaigns depend on cultural assumptions, legal frameworks, and media technologies that emerged in nineteenth-century England. Moreover, Disney's adaptations influence modern students and scholars of the Victorian period. By applying scholarship in Victorian studies to a global company, Fleming shows how institutions mediate our understanding of the past and demonstrates the continued relevance of literary studies in a corporate media age. An audiobook will be available in January 2026. Patrick C. Fleming is a scholar of Victorian studies and children's literature. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
In Episode 31 DDSWTNP get the chance to talk about DeLillo with his friend, colleague, and editor Gerald Howard, whose distinguished career in publishing at Viking Penguin, Norton, and Doubleday spanned nearly 50 years and was marked by his work not only on Libra but important books by David Foster Wallace, Paul Auster, and so many others. We hear Gerry recount first reading the DeLillo of Americana and “Total Loss Weekend” in the 1970s, seeing a book titled “Panasonic” (eventually, White Noise) arrive at Viking Penguin, and having an 800-page manuscript about the JFK assassination later hit his desk. So many great stories mark this episode, including DeLillo's funny “speech” upon receiving the National Book Award for White Noise, his reasons for seeking a new publisher after The Names, the legal reasoning behind the Author's Note at the end of the hardcover Libra, and what Gerry for personal reasons regards as one of the funniest of DeLillo's many funny passages: an editor's remarks to Bill Gray about the literary marketplace in Mao II. Gerry talks as well about Catholicism, DeLillo's massive influence on younger writers, and who, along with DeLillo, comprised his personal “trinity” of greatest authors. And at the end we wish a happy 89th birthday to Don DeLillo! With this interview episode, we also extend the biographical “Lives of DeLillo” series we began with our November 20 releases the past two years. Huge thanks to Gerry for sharing so many remarkable stories, insights, and readings. Be sure to pick up Gerald Howard's new book, The Insider: Malcolm Cowley and the Triumph of American Literature, available this month from Penguin Random House and discussed at the end of this episode. Finally, a note on production: when other technology failed us, we decided to record this interview as a phone call, with obviously a lower sound quality than our listeners are used to. Gerry was wonderfully patient and flexible through it all, and his voice comes through clearly, in a recording that, in its crackles, we'd like to think, captures some spirit of DeLilloan Ludditism. Image of Mao II woodcut in episode cover art is courtesy of Gerald Howard. List of works mentioned in this episode: A. Scott Berg, Max Perkins: Editor of Genius. New York: Dutton, 1978. Don DeLillo, “Total Loss Weekend,” Sports Illustrated, Nov. 27, 1972. https://web.archive.org/web/20110822080327/http://sportsillustrated.cnn.com/vault/article/magazine/MAG1086811/index.htm Gerald Howard, “Stockholm, Are You Listening? Why Don DeLillo Deserves the Nobel.” Bookforum, April/May 2020. https://www.bookforum.com/print/2701/why-don-delillo-deserves-the-nobel-23926 ---. “The Puck Stopped Here: Revisiting ‘Cleo Birdwell' and her National Hockey League Memoir.” Bookforum, December/January 2008. https://www.bookforum.com/print/1404/revisiting-cleo-birdwell-and-her-national-hockey-league-memoir-1406 ---. “The American Strangeness: An Interview with Don DeLillo.” Hungry Mind Review, 1997. https://web.archive.org/web/19990129081431/www.bookwire.com/hmr/hmrinterviews.article$2563 ---. “I Was Gordon Lish's Editor.” Slate, October 31, 2007. https://slate.com/news-and-politics/2007/10/editing-the-infamous-gordon-lish.html ---. The Insider: Malcolm Cowley and the Triump of American Literature. Penguin Random House, 2025. https://www.penguinrandomhouse.ca/books/561292/the-insider-by-gerald-howard/9780525522058 Listeners interested in Gerald Howard's huge impact on publishing in general might turn to the pages about his achievements in Dan Sinykin's Big Fiction: How Conglomeration Changed the Publishing Industry and American Literature (Columbia UP, 2023) and D.T. Max's Every Love Story is a Ghost Story: A Life of David Foster Wallace (Penguin, 2012). A correction: DeLillo's remark on “around-the-house-and-in-the-yard” fiction is from Robert R. Harris's “A Talk with Don DeLillo,” New York Times Book Review, Oct. 10, 1982.
Narrator: Thomas Jones
Art Spiegelman's Maus almost single-handedly elevated comics from throw-away inserts in newspapers to a serious literary art worthy of winning the highest award in book publishing. But it's not an accident that this book is coming back to us now. Maus was swept once again into the public eye three years ago, when the conservative movement to target marginalized stories took aim at the beloved graphic novel. In this episode, we examine how comic book censorship in the 1950s led to the creation of Maus, and eventually shifted the way we tell stories about resistance, memory, and authoritarianism.You can read a transcript of this episode on our website. Further resources:Check out our booklist with books recommended by Art Spiegelman, and more.Read Amy Kurzweil's Flying Couch and Molly Crabapple's Drawing Blood. You can read more about both of them on their websites.Art Spiegelman's comic collaboration with Joe Sacco was published in The New York Review of Books earlier this year. You can check out Sacco's Palestine and his more recent War on Gaza from the library.Learn more about the Comic Book Legal Defense Fund and the history of comic book censorship.Listen to our interviews with Maia Kobabe, author of Gender Queer, and Mike Curato, author of Flamer from our previous series, Borrowed and Banned.Watch Art Spiegelman discuss MetaMaus with Dan Nadel at Brooklyn Public Library.
Book Riot's managing editor Vanessa Diaz joins Rebecca for a discussion about the National Book Awards longlists, authors' big settlement from Anthropic, and exciting adaptation news. Then, Vanessa takes Rebecca on a journey down the literary rabbit hole. Subscribe to the podcast via RSS, Apple Podcasts, and Spotify. Subscribe to The Book Riot Newsletter for regular updates to get the most out of your reading life. Ready for a cozy, bookish autumn? Let Tailored Book Recommendations help you find your next favorite read with handpicked suggestions from professional book nerds. Get started today from just $18! Discussed in this Episode: Anthropic agrees to pay $1.5 billion to settle book piracy lawsuit, but the judge has delayed it, citing concerns 2025 National Book Awards longlists are rolling out Audition is being adapted Annotated episode: The Original Gone Girl Agatha Christie: A Mysterious Life by Laura Thompson Ruth by Kate Riley The Wilderness by Angela Flournoy Murder Takes a Vacation by Laura Lippman The Macabre by Kosoko Jackson This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. Learn more about your ad choices. Visit megaphone.fm/adchoices
It's an action-packed day at the History of Literature! First, Jacke recounts the story of Dr. Johnson racing to the aid of his friend, the playwright Oliver Goldsmith, whose landlady was threatening him with debtor's prison. Naturally, the great critic and dictionary author Johnson found a very literary way to help. Then Jacke is joined by author Ken Krimstein, whose graphic novel Einstein in Kafkaland: How Albert Fell Down the Rabbit Hole and Came Up with the Universe looks at the critical year that Albert Einstein spent in Kafka's Prague. How did these men - one a scientist, the other an artist - approach the world's biggest questions? And finally, Bartholomew Ryan, a scholar who's devoted his life to Fernando Pessoa, stops by to discuss his choice for the last book he will ever read. Will he choose something by Pessoa? Special Announcement: The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with John Shors Travel. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website historyofliterature.com. Or visit the History of Literature Podcast Tour itinerary at John Shors Travel. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate . The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices
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