Podcasts about Pet Sounds

Esta semana en Toxicosmos celebramos los 60 años de Pet Sounds, de The Beach Boys, disco protagonista del programa. Recordamos su importancia, la figura de Brian Wilson y ese universo emocional tan único, delicado y luminoso que convirtió el álbum en una obra imprescindible de la historia del pop. Además, escuchamos varias de las canciones del álbum, seleccionadas para recorrer algunos de sus momentos más especiales. También conectamos nuestra sección de versiones con ese universo de Pet Sounds gracias a Mazarin y aquel homenaje titulado "Do it again: a tribute to Pet Sounds" publicado hace ahora 20 años y que recogía una buena colección de versiones del mítico disco. Y como si esta conexión no fuera ya suficiente, también escuchamos a Brian Bilston and The Catenary Wires para descubrir un recopilatorio de lo más original: Pet Sounds, que publicará próximamente la compañía inglesa Skep Wax Records y en el que distintas bandas dedican canciones a sus mascotas. En nuestro repaso a la actualidad musical suenan Lightning In A Twilight Hour, Almost Said, Ike Rivers, Pom Femme, Mona et Toi, Russell Collective, Teni Rane, Stephen McCafferty, Hannah B. Jonhson, Half a John, Tower of Foil, Baroo, 7ebra, Nilipek, Barry Walsh, Jeff Vidov y Bernard Côté en el apartado internacional. En el nacional descubrimos lo nuevo de Paco Pecado, Ziro y Venus Astra, además de seguir escuchando el nuevo disco de La La Love You. Coincidiendo con el Mundial de Fútbol, también hacemos hueco al regreso de Escocia a la gran cita futbolística con Belle and Sebastian, que han publicado su particular himno para acompañar a la selección. Una canción que conecta el fútbol con esa sensibilidad tan especial de una de las bandas más queridas de Glasgow. Cerramos el viaje con Alaska y Dinarama recordando a Carlos Berlanga, figura esencial del pop español, en el aniversario de su fallecimiento. Además aprovechamos para felicitar a Alaska por su cumpleaños. Y antes de despedirnos, compartimos una reflexión personal sobre la cancelación y la situación vivida por el Festival de Les Arts, reivindicando la necesidad de defender la cultura, la música en directo y una convivencia real en las ciudades.

Al Jardine is perhaps one of few artists who can say they helped create an entirely new sound that changed popular music forever.In this warm and revealing conversation, the founding member of The Beach Boys looks back on the extraordinary journey that took a group of California teenagers from local surf culture to global music immortality. As Al prepares to tour Australia celebrating the 60th anniversary of the landmark album Pet Sounds, he shares deeply personal memories of growing up alongside Brian Wilson, Carl Wilson and Dennis Wilson. Long before worldwide fame, Al and Brian were football teammates and college friends with a shared love of music, particularly folk, doo-wop and intricate vocal harmonies. Al reveals that the original musical vision for the band wasn't surf music at all. But Dennis Wilson's passion for surfing changed everything. What followed was one of the most remarkable runs in music history. From “Surfin' USA” and “California Girls” to “Good Vibrations,” and “Help Me Rhonda,” The Beach Boys became synonymous with youth, freedom and the California dream. It was Brian Wilson's musical genius that sat at the centre of it all. According to Al, Brian could hear complete arrangements in his head, using the band members as instruments to bring his musical ideas to life. The conversation also explores the personal sacrifices and difficult decisions that shaped Al's life. Al speaks fondly about songs that remain central to every live show, including “God Only Knows,” “Sloop John B” and “Good Vibrations.” He also shares how his son Matt Jardine now performs alongside him, helping recreate the famously difficult Beach Boys harmonies for modern audiences. There are emotional moments too, particularly when discussing Brian Wilson's legacy and passing. Al describes Brian simply as “pure genius,” reflecting on the creative obsession that drove him to constantly compose, arrange and innovate. He credits Brian with pushing the boundaries of pop music while still creating songs filled with emotion and soul. Despite decades of touring, Al remains energised by performing live. He says younger generations are increasingly discovering The Beach Boys' music, proving these songs continue to resonate far beyond the era in which they were created. He also continues writing new material himself, drawing inspiration from his lifelong love of folk music and unfinished songs still waiting to be completed. This interview is not only a celebration of The Beach Boys' extraordinary catalogue, but also a tribute to friendship, creativity and the enduring power of timeless music. More than sixty years after those first harmonies were sung, Al Jardine remains deeply connected to the songs — and the spirit — that helped define generations. Join Sandy Kaye for a fascinating and deeply personal conversation with Al Jardine — founding member of The Beach Boys and one of the voices behind some of the most beloved songs in music history. In this episode, Al discusses:How The Beach Boys originally planned to become a folk music groupDennis Wilson's role in introducing surfing culture into the band's musicThe creation of classics Brian Wilson's extraordinary musical genius and perfectionismThe emotional legacy of Pet Sounds and Brian Wilson's later workTouring Australia with the Pet Sounds BandNew songs and unreleased material Al is still working on today This episode is packed with warmth, humour, nostalgia and incredible behind-the-scenes stories from one of the architects of the California sound.This is a warm, funny and emotional interview with one of rock music's true legends — packed with incredible stories and insights from the soundtrack of our lives.

This week, the guys take you back to 1966 when a monumental album was released by a popular band that decided to take a chance. Deremy and Thomas cover what makes "Pet Sounds" by The Beach Boys such an important and amazing album.Let us know what you think and send us a Game Changer request!Twitter (X): @popculturefiveInstagram: Pop Culture Five PodcastEmail: popculture5pod@gmail.com

Whisp Turlington and Geoff “The Angry Man” Garlock are back in the Rock & Roll RV, where Sammy Hagar still refuses to explain the one true way to rock, Mayor Lee Roth is cutting multiple ribbons on Hog Street, and Big Truck is preparing to hawkcast from the Val Verde Municipal Dump VIP Preview Night. Plus, the kids of Val Verde are being forced to learn Squeeze lyrics before multiplication, which is how you build a better future.This week, comedian and longtime Daily Show writer Matt Koff pulls into Val Verde to promote his special Cat Man, discuss his upcoming shows at Dingbats, and reveal that he grew up in Greg Lake inside a submarine where he was homeschooled under crushing water pressure. Naturally, this leads to duck boats, funnel cakes, dead therapists, Geoff Foxworthy confusion, Punisher cat theories, and the annual Greg Lake sacrifice to the Beast.Also on this week's broadcast:Whisp attends Mayor Lee Roth's second ribbon cutting on Hog Street and waits four hours to find the real ribbon.Val Verde News covers a storm drain duckling, a boardwalk curfew, a confidence-shaken funnel cake stand, and the growing menace of Big Duckling.Hawk Rock News checks in on Pet Sounds, the Eagles' Long Goodbye Act 3, Mike Love's hat, and the rising savings power of the Food Gulch loyalty card.Watch Cat Man here: https://veeps.com/mattkoff/c2a88ddf-64f8-4195-bb57-2c8b4e47cc27Subscribe to 108.9 The Hawk wherever you get podcasts. Watch full broadcasts and clips on YouTube at youtube.com/@1089thehawk. Join the Rock Battalion at 1089thehawk.com. Support the station and keep the Rock & Roll RV full of questionable wine at patreon.com/1089thehawk. And remember, if your child makes art in Greg Lake, stick it in the beast. Hosted on Acast. See acast.com/privacy for more information.

60 שנה לאחד האלבומים הגדולים בהיסטוריה - “Pet Sounds” של הביצ׳ בויז, ולזכרו של מנהיג הלהקה בריאן וילסון, על ״God Only Knows”, על החלום האמריקאי, משפחה, אהבה ואלוהים.

To mark the 60th anniversary of the Beach Boys' Pet Sounds, Interscope-Capitol has released a limited-edition Definitive Sound Series One Step version of this landmark album. Tom “Grover” Biery, who oversaw the project, tells of its unusual sourcing, which involves the 1972 master of Pet Sounds that was released as part of a double LP with the then-new Beach Boys album Carl and the Passions “So Tough.” Why was that 1972 Pet Sounds so revered, and how did it come to be used here instead of the original 1966 mono master? How does this DSS version differ from the mono/stereo Pet Sounds that Universal's Vinylphyle series just released? Do people buying these new Pet Sounds versions already own multiple copies? (Raises hand...) Biery also produced One-Steps from Dr. Dre, Beck, R.E.M. (as previously discussed on Caropop), Tom Petty, Green Day and Prince and the Revolution, and he explains why the quality justifies the price.

In this episode we're joined by a legend of '60s pop journalism to discuss her days at Rave magazine and her friendships with the stars of that swinging decade. Maureen O'Grady talks about the lucky break that brought her to Boyfriend magazine and her long friendship with the great Penny Valentine. She recalls her early interviews with the Beatles and the Rolling Stones before we digress into the role the UK played in hailing the Beach Boys' Pet Sounds as a game-changing masterpiece. Plus we ask our guest about Rave and its groundbreaking 1967 issue featuring Jimi Hendrix on its over. The conversation concludes with Maureen's reminiscences of the '70s, a decade in which she worked as a publicist for — among many other artists — Gladys Knight, Glen Campbell and, erm, Gary Glitter. We then celebrate Miles Davis' 100th birthday by listening to clips from the late Richard Cook's 1985 audio interview with that dark magus of avant-garde jazz. Jasper and William talk us out with their thoughts on pieces about the importance (or otherwise) of pop lyrics (2001) and the abuse meted out to female partners — from Yoko Ono to Courtney Love — of male rock stars (2025). Many thanks to special guest Maureen O'Grady. Pieces discussed: The Who did you say?, The Flower Game, The Beach Boys Visit the Animals, The Beach Boys: Complex and Intricate, Brian Wilson Remembers Pet Sounds on the Album's 50th Anniversary, Miles Davis audio, No Language, Just Sound — Looking Well Beyond the Lyric Sheet and Yoko Ono is now getting acclaim, but why do rock stars' female partners get so much abuse?.

Remembering the 60th anniversary of the release of “Pet Sounds”.

The conclusion of our look at “Pet Sounds.”

Amaral dicen que han querido lanzar un grito contra la melancolía y a favor de la superación emocional y que hay que aprender a bailar por encima del recuerdo y a decir que no. "No quiero más canciones tristes" forma parte de la banda sonora de la serie “Se tiene que morir mucha gente” y cuenta con los corosAnna Castillo, Macarena García y Laura Weissmah, actrices de la serie. Aparte, escuchamos a los irlandeses Gurriers, a The Beach Boys por el 60º aniversario de "Pet Sounds" y a Tame Impala con el remix de Dracula a cargo de Jennie y Boys Noize.  levitants - SeñalesDUA LIPA - HoudiniTAME IMPALA - Dracula (JENNIE Remix - Boys Noize Disko Version)LOS INVADERS - Super QueenMUSE - HexagonsGURRIERS - Nobody's Coming To Save YouMALA GESTIÓN - SkolDEAR JOANNE - SabalenkaCARLANGAS - Problemas (ft Dear Joanne)NIÑOS BRAVOS -Todo mi PotencialBEACH BOYS - God Only KnowsAMARAL - No Quiero Más Canciones TristesRAYE - Joy (ft. Amma & Absolutely)ANNI B SWEET - Adiós Con AlegríaPOND - TerrestrialsREPION - ColumnasEscuchar audio

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durée : 00:56:13 - Very Good Trip - par : Michka Assayas - Des coupes au bol, des chèvres dressées sur leurs pattes arrière et un son monophonique, ce soir, Michka Assayas nous entraîne pour une visite guidée dans un palais enchanté, celui de "Pet Sounds". - réalisation : Vincent Godard Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Esta semana dedicamos la tertulia a The Beach Boys con motivo del 60 aniversario de su mítico 'Pet Sounds', publicado originalmente el 16 de mayo de 1966.Seis décadas después, 'Pet Sounds' sigue apareciendo en listas de los mejores discos de todos los tiempos, ha inspirado a músicos de distintas generaciones desde los propios Beatles hasta The Lemon Twigs y sigue emocionando a oyentes cuyos padres ni siquiera habían nacido cuando se publicó. Por eso nos preguntamos: ¿Hasta dónde llega su onda expansiva en la música actual?Para debatirlo nos acompañan Adolfo Díaz, cantante y guitarrista de Airbag y Carlos Sánchez, co-creador de las webs Beachboyslegacy.com y BeachBoysconcerts.comY como siempre también hacemos un repaso a algunas efemérides, noticias destacadas de la semana, la agenda de conciertos, los charts, la sección Parecidos Razonables y al final, las recomendaciones de Oído, Visto, Leído.

Singer Matt Berninger from the band The National on his solo album, Celebrated Irish designer Sibyl Connolly's exhibition in Limerick and remembering Pet Sounds by The Beach Boys as it turns 60.

Hoy en La Gran Travesía visitamos el disco Pet Sounds de los Beach Boys, obra cumbre de la historia del pop, con motivo del 60º aniversario de la publicación del álbum (16 de mayo de 1966). ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Alul, Piri, JBsabe, Juan Antonio Méndez Benítez, Antonio Vicente Álvarez, Aida Borrallo, Eduardo Gutiérrez, Rafa Navarro, José Carlos Lozano, Ikatza, Cabe1961, Guillermo Esteban, Diego Román, Raquel, Sergio Rodríguez Rojas, Jose Antonio Moral, Juanito, Octavio Oliva, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Francisco Quintana, Con, Tete García, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

This great late-‘60s Lovin' Spoonful tune is the perfect opportunity to answer readers' requests for another little sample from Danny Cox's latest reunion with his old guitar-pickin' buddy Bobby Murnahan. Just listen and at the end this track you'll hear Dan and Bob trading choruses on “(Sittin' Back) Lovin' You.”As reported here last week, Danny and Bobby grew up together in Lawrence County, Ohio. It's rare they can get together these days, but whenever Murnahan travels back this way from his Colorado home — as he did last month — we try to get him to join us in The Flood band room.About the SongThe vehicle for this Cox-Murnahan moment is John Sebastian's 1966 composition, which was the opening track for Hums of the Lovin' Spoonful, the third studio album by Greenwich Village's own folk-rock mavens. Today the disc just barely makes the list of top 50 albums released in that stellar year of rock which saw Bob Dylan's Blonde on Blonde, The Beatles' Revolver, The Beach Boys' Pet Sounds, The Rolling Stones' Aftermath and so many more.Not that Hum was ho-hum. On the contrary, as reported here earlier, that one album spawned four (count ‘em, four) charting singles for the Lovin' lads, including “Summer in the City,” “Rain on the Roof,” “Nashville Cats” and "Full Measure.”And while “Lovin' You” was not among the disc's hit singles for The Spoonful, a month after the album's debut in November 1966, the song was covered by Bobby Darin who took it into the Top 40.After that, the tune also became a successful number for four different female artists, including Anne Murray (1969), Helen Reddy (1973), Dolly Parton (1977) and Mary Black (1983).For more on the history of the song — including a side note on The Flood's early infatuation with it — see our earlier Flood Watch article by clicking here. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Pondering big questions like if Lilah Morgan and Faith Lehane would maybe make out (and why it wouldn't be good for either of them?!) as well as limiting Jenny to five minutes of survivor talk (she somehow did manage to keep it under six). Plus Kids in the Hall, Bleak Midwinters, and Pet Sounds! In Episode Links ⁠Kids In The Hall: He's 45⁠ ⁠In the Bleak Midwinter⁠ ⁠MST3K&J "Hero" ⁠ READ (OR LISTEN TO!) SLAYERS, EVERY ONE OF US ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠bufferingcast.com/book⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ LOCATE YOUR HOSTS UPON THE INTERNET Jenny Owen Youngs | @jennyowenyoungs; ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠jennyowenyoungs.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Kristin Russo | @kristinnoeline; ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠kristinnoeline.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buffering: A Rewatch Adventure | @bufferingcast on socials MUSIC | Theme song and jingles composed and performed by Jenny Owen Youngs | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠bufferingcast.com/music⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ PATREON | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/bufferingcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ MERCH | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠bufferingcast.com/shop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ PODCAST SCHEDULE & EVENTS | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠bufferingcast.com/jennycalendar⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Produced by: Kristin Russo & Jenny Owen Youngs Edited by: Kristin Russo Logo: Kristine Thune We acknowledge that we and our team are occupying unceded and stolen lands and territories. Kristin occupies the Lenape territories of the Esopus Lenape Peoples. Jenny occupies the Wabanahkik territory of the Abenaki and Pennacook Peoples. Learn more about Land Acknowledgments + our continued anti-racist efforts at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠bufferingthevampireslayer.com/justkeepfighting⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

We're joined in the studio by Jonathan Spencer, Laura Slade Wiggins, and Vaylor Trucks from Slightly Famous Somebodies, and the story starts with a simple ask: record one Kevn Kinney song as part of a living tribute. That one track turns into more covers, then a hard pivot into original music, and suddenly the “project” becomes a real band with momentum, a core lineup, and a sound that can stretch from heartfelt rock to something delightfully unhinged.• Whether it's 'Shameless' or 'Pineapple Express' or guest appearances on multiple television shows or the son of an Allman Brother, it makes them all slightly famous• how the name Slightly Famous Somebodies is born from trying to pick the “worst” band name• why Just Pour hits so hard and how confidence changes after a song lives for a while• how Vaylor Trucks joins through a YouTube album-review series and a mutual friend connection• Pet Sounds vs London Calling and how background shapes what we hear• the band's wide influence map from country and Athens rock to jazz fusion and avant-garde• AthFest, 40 Watt Club plans and what makes one-time lineups special• the best feeling in music: recommending something and watching it click for someone elseLearn Something New orRemember Something OldPlease like and follow the Music in My Shoes Facebook and Instagram pagesReach out to us at musicinmyshoes@gmail.comSend us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

From funding the first Record Store Day to producing limited one-step pressings of Pet Sounds, Prince, and Dr. Dre, Tom "Grover" Biery is one of the most influential figures in modern vinyl culture - Hear all about his next adventures with the vinyl artform. Topics Include: Tom "Grover" Biery spent 20 years at Warner Bros. Records He pushed vinyl internally around 2004 when nobody believed in it His boss Tom Wally gave him the green light to proceed First pressings were Kevin Gray and Steve Hoffman catalog titles Warner's vinyl billing exploded from $300K to $5M in 18 months Failure's Fantastic Planet was among the earliest titles he championed Neil Young gave an impassioned in-office speech about the importance of sound That speech directly inspired the "Because Sound Matters" brand name BSM is Warner's audiophile imprint; DSS covers Interscope and Capitol Tom now operates as a consultant to both major label groups His own label, Slow Down Sounds, has been running nearly a decade One-step pressings go lacquer to stamper, skipping generational quality loss Each stamper yields only 500–750 pressings, requiring multiple lacquer cuts Neotech's D2 vinyl compound produces exceptionally quiet, revealing pressings Mastering costs alone run nine times higher on one-step projects Sources are vetted exhaustively — flat masters, tape, or high-res files Artists and managers approve every test pressing throughout the process A newly discovered 1972 Pet Sounds master changed everything for the reissue Chris Bellman confirmed the tape matched a 1972 white label perfectly Only 6,000 copies of the Pet Sounds DSS one-step will ever exist Tom has been transparent about sourcing since 2005, long before the MoFi controversy Quality now ranks second or third in why fans buy vinyl Beck's Morning Phase and Tom Petty's Wildflowers one-steps surprised even skeptics Soul Coughing's Ruby Vroom reissue came from original tapes at Warner Nate lobbies for Frusciante, Jellyfish, Beck's Sea Change, and Marilyn Manson reissues Dr. Dre's The Chronic from tape is among the first hip-hop one-steps Neil Young has still never done a one-step, despite inspiring the whole program Tom was one of the original funders who got Record Store Day off the ground Record stores are reporting their biggest-ever RSD sales figures this year His label Slow Down Sounds is releasing Terry Callier's Occasional Rain this June High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Clint Lanier and Dave McArthur discuss the blockbuster album Sergeant Pepper's Lonely Hearts Club Band.

I don't know if anyone has every covered this album on a podcast but we are going to give it a go. I have heard it's a good album. I am joined by Eric also known as ⁠⁠Fepeste⁠⁠ and ⁠⁠⁠⁠⁠⁠AJ⁠⁠⁠⁠⁠⁠ to talk about one of the greatest and most influential albums of all time Pet Sounds by the Beach Boys as it celebrates a 60 year anniversary.Buy This World Ain't Mine to Change from ⁠Velvet Blue⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CalebTheSpy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Caleb_The _Spy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Instagram⁠⁠⁠The Album Anniversary Podcast⁠⁠⁠ on Facebook⁠⁠⁠⁠⁠⁠The Album Anniversary Podcast⁠⁠⁠⁠⁠⁠⁠ on Patreon⁠⁠⁠⁠⁠The Album Anniversary Podcast⁠⁠⁠⁠⁠ on YouTube⁠⁠⁠⁠⁠CalebTheSpypodcasts@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

That moment when a song is driving you crazy and then suddenly it clicks? That's the energy we bring to Jaguar Ma's Howlin, the 2013 debut that blends indie rock, synthpop, and psychedelic pop with a heavy dose of Manchester influence. We're chasing the details that make this record stick, from layered vocals with a Pet Sounds hint to the buzzing textures that feel like they belong in the mix even when they irritate you. We move track by track through the singles and the deeper cuts, digging into why “Uncertainty” hits so hard, why “The Throw” feels built for a dance floor, and why repetition can be either hypnotic or lazy depending on the song. Along the way we connect the band's choices to bigger listening themes: how mood changes what you hear, how an arrangement can carry a lyric-light track, and why a debut album can earn real acclaim even if the band's run is short. Then we land the plane with our rankings, including the surprises that rise after a few listens and the tracks we think fall into filler territory. If you like album reviews, indie music commentary, synth-driven rock, or just hearing two friends argue about what makes a song work, you'll feel at home here. Subscribe for more, share this with a friend who loves Howlin, and leave a review with your top track from the album.Send us Fan MailSupport the show

That moment when a song is driving you crazy and then suddenly it clicks? That's the energy we bring to Jaguar Ma's Howlin, the 2013 debut that blends indie rock, synthpop, and psychedelic pop with a heavy dose of Manchester influence. We're chasing the details that make this record stick, from layered vocals with a Pet Sounds hint to the buzzing textures that feel like they belong in the mix even when they irritate you. We move track by track through the singles and the deeper cuts, digging into why “Uncertainty” hits so hard, why “The Throw” feels built for a dance floor, and why repetition can be either hypnotic or lazy depending on the song. Along the way we connect the band's choices to bigger listening themes: how mood changes what you hear, how an arrangement can carry a lyric-light track, and why a debut album can earn real acclaim even if the band's run is short. Then we land the plane with our rankings, including the surprises that rise after a few listens and the tracks we think fall into filler territory. If you like album reviews, indie music commentary, synth-driven rock, or just hearing two friends argue about what makes a song work, you'll feel at home here. Subscribe for more, share this with a friend who loves Howlin, and leave a review with your top track from the album.Send us Fan MailSupport the show

Discograffiti is the deep-dive podcast for music obsessives. In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series: it's Chuck's chat with legendary songwriter/singer Jimmy Webb.  This beautiful little interview serves as the perfect palate cleanser before Discograffiti launches into our unprecedented 21-episode Love Series, which kicks off next week. Winning the Grammy Award for Song of the Year at the age of 21, Webb has written multiple platinum-selling songs, including ”Up, Up and Away”, “By The Time I Get to Phoenix”, “MacArthur Park”, “Wichita Lineman”, “Worst That Could Happen”, “Galveston”, and “All I Know”. He had successful collaborations with Glen Campbell, Michael Feinstein, Linda Ronstadt, The 5th Dimension, country supergroup The Highwaymen, The Supremes, Art Garfunkel, Richard Harris, and Carly Simon. He's the only artist ever to receive Grammy Awards for music, lyrics and orchestration. Here's just a few of the many things that Jimmy discusses with Discograffiti in this podcast: What George Martin had told Jimmy about Pet Sounds; The importance of multi-track recording for works like Pet Sounds to even exist; Magic Alex and the freeing possibilities of recording potential during the 1960s, which we now take for granted; Jimmy's favorite song off Pet Sounds; And the fascinating story about Jimmy's prospective project with Frank Sinatra, which unfortunately never got off the ground. The Free Teaser: linktr.ee/discograffiti For the full, ad-free, 39-minute podcast, either subscribe to Discograffiti's Patreon at the Private Tier or higher, or just grab the episode as a one-off at the same link. The Full Podcast: Patreon.com/Discograffiti

Before rock and roll had a name, Al Jardine was helping shape it. In this episode, Michael Crose — self-described boomer and unapologetic music lover — shares his excitement ahead of an intimate evening at Clearwater's historic Capitol Theater, where founding Beach Boy Al Jardine will take the stage at 83 years old. Michael reflects on the legacy of the Beach Boys, the genius of Pet Sounds, and why seeing these artists now isn't about nostalgia — it's about legacy. From Sloop John B to civil rights anthems, Al Jardine's story is one worth celebrating. Grab your flowery shirt. Tonight's going to be a good night.#DailyGrateful #DailyGratefulPodcast #MichaelCrose #AlJardine #BeachBoys #PetSounds #SloopJohnB #SurfMusic #MusicLegacy #BoomersOfInstagram #ClassicRock #LiveMusic #MusicHistory #BrianWilson #ClearwaterFlorida #CapitolTheater #FunFunFun #MusicPodcast #GratefulForMusic #SeeThemWhileYouCan #RockLegends #60sMusic #MusicLovers #PodcastLife #NewEpisode

EP 107 - ALBUM ANNIVERSARIES Part 1 On today's podcast Sam and Rob discuss two albums they love that are coming up on major release anniversaries. Rob talks about the Cranberries album "To the Faithful Departed" released on April 29, 1996 (30 year anniversary). Rob goes track by track and talks a little bit about the late singer Delores O'Riordan and a couple of the videos that were made in support of the singles. Sam talks about the Beach Boys monumental album PET SOUNDS - released May 16, 1966.  This was their 11th studio album and somewhat different than previous releases.  Sam goes into why he loves this album and how it influenced other great musical artists throughout the years since. We'll be releasing a couple of album anniversary podcasts this year including Part 2 next week.  So keep an ear out for them. **** KNOW GOOD MUSIC can be found on Podbean (host site), Spotify, Apple Podcasts, Iheart Radio, Pandora, YouTube and almost anywhere you listen to podcasts. Links to more sources at Link Tree - www.linktr.ee/knowgoodmusic Visit our YouTube Channel where you can see video segments from all of our interviews.  Just search "know good music" Please follow / subscribe & review Follow our Instagram & Facebook pages for info on upcoming podcasts and sometimes extra content TURN off the TV and TURN UP THE MUSIC!

Wolk mob rejoice and prepare for whiplash! Actor/comedian/internet enfant terrible Ivy Wolk was brutally attacked but still joined us on zoom, quickly followed by the great Al Jardine from the Beach Boys talking Pet Sounds, On Cinema and Mike Love among other topics.Support Office Hours, watch or listen to another hour of today's episode including a question for Tim from Todd Glass, classic rock puns, Doug's Movie Pun game and much more with OFFICE HOURS+, and get tons of additional content at patreon.com/officehourslive with a FREE seven-day trial.Go see Al Jardine and the Pet Sounds Band perform The Beach Boys Love You and much more at the United Theater on Broadway in LA on Friday, February 27. Get tickets here. Go see Todd Glass: The Event of a Lifetime in NY March 5 - 7. Get tickets here.Shop our new merch items at officehours.merchtable.com.Watch the latest season of On Cinema at the Cinema and get tickets to The Certified Five Bags of Popcorn tour before it sells out at heinetwork.tv.Follow Office Hours Live at instagram.com/officialofficehours tiktok.com/@officehourslive & youtube.com/officehoursliveFind everything else officialofficehours.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Discograffiti is the deep-dive podcast for music obsessives. In this episode, we feature the very special next entry in The Chuck Granata Pet Sounds Interview Series: it's Chuck's chat with legendary producer, songwriter, musician, and self-described “rock and roll creep” and Lord of Garbage Kim Fowley. He has been described as "one of the most colorful characters in the annals of rock & roll", and that is truly putting it mildly. Although admittedly he is always in rare form (I can confirm, having had a relationship with him toward the end of his life), he is in the rarest of rare forms in this interview, barely allowing Chuck to get a word in edgewise. The dynamic is delightful right from the off.  He is the single common denominator that links “Alley Oop”, Cat Stevens, The Soft Machine, Bruce Johnston, Kiss, Helen Reddy, John Lennon, Ariel Pink, The Byrds, Motley Crue, Frank Zappa, The Modern Lovers, Alice Cooper, Warren Zevon, The Runaways, and the idea of raising a lighter at a concert. Although this chat careens maniacally off the rails, the main topic of conversation centers on Kim's plan to pave the way for Pet Sounds to make a huge splash amongst the British press and pop star aristocracy. Kim passed away a few years later in 2015, which makes this posthumously released “Chuck Chat” yet another priceless buried treasure.   There'll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti's Patreon. Don't miss it, or you'll only be getting part of the story. Get it as a one-off, or better yet just subscribe. Sneak Peek: linktr.ee/discograffiti For the full, ad-free, 67-minute bonus podcast, either subscribe to Discograffiti's Patreon at the Major Tier or higher, or just grab the episode as a one-off at the same link. The Full Podcast: Patreon.com/Discograffiti No Show Notes available at a separate link for Lieutenants & up.

BV speaks with Mike Love of the Legendary Beach Boys coming to Rt. 66 Casino Feb 21, they chat about how John Stamos got in the band, Brian Wilson's legacy and the making of "Pet Sounds" on News Radio KKOBSee omnystudio.com/listener for privacy information.

The Zombies Odyessey and Oracle (CBS/ Date Records) Released April 19, 1968 (UK, CBS Records); July 15, 1968 (US, Date Records, a CBS subsidiary).Odessey and Oracle is one of those rare albums that feels delicate and meticulously crafted, yet emotionally direct. Recorded in 1967 as The Zombies were quietly falling apart, it captures a band at peak creative focus. Rod Argent and Chris White's songwriting leans into baroque pop textures, jazz-tinged harmonies, and gentle psychedelia, while Colin Blunstone's breathy, vulnerable voice gives the songs an almost dreamlike intimacy. Mellotron, harpsichord, and layered vocals create a chamber-pop atmosphere that feels closer to Pet Sounds than British Invasion rock. Lyrically, the album balances nostalgia (“Beechwood Park”), romantic optimism (“This Will Be Our Year”), and eerie storytelling (“Butcher's Tale”), all wrapped in elegant arrangements. Its closer, “Time of the Season,” adds a sly, groove-driven edge that became their belated hit. Though overlooked at release, the album's lush melodies and emotional subtlety have helped it age beautifully, earning its place as one of the most beloved and quietly influential records of the psychedelic era. (The Zombies Odyessey and Oracle (CBS/ Date Records) Released April 19, 1968 (UK, CBS Records); July 15, 1968 (US, Date Records, a CBS subsidiary).Odessey and Oracle is one of those rare albums that feels delicate and meticulously crafted, yet emotionally direct. Recorded in 1967 as The Zombies were quietly falling apart, it captures a band at peak creative focus. Rod Argent and Chris White's songwriting leans into baroque pop textures, jazz-tinged harmonies, and gentle psychedelia, while Colin Blunstone's breathy, vulnerable voice gives the songs an almost dreamlike intimacy. Mellotron, harpsichord, and layered vocals create a chamber-pop atmosphere that feels closer to Pet Sounds than British Invasion rock. Lyrically, the album balances nostalgia (“Beechwood Park”), romantic optimism (“This Will Be Our Year”), and eerie storytelling (“Butcher's Tale”), all wrapped in elegant arrangements. Its closer, “Time of the Season,” adds a sly, groove-driven edge that became their belated hit. Though overlooked at release, the album's lush melodies and emotional subtlety have helped it age beautifully, earning its place as one of the most beloved and quietly influential records of the psychedelic era. (S6 -Ep 6)

Some pet-owners are talking with their pets using augmentative interspecies communication devices — learning more about what animals want, feel and understand.

You all know "California Girls," "Surfin USA," and "I Get Around." In this episode, we look at some of the "other" tracks on their pre-Pet Sounds albums. Misguided covers, some curio pieces of its time, and some wtf decisions. Enjoy!!

A countdown, a cheer, and then a white bloom in the sky. We start with that January morning when Challenger lifted off with a teacher aboard and a nation watching, and we unpack how a routine launch became a rupture—O-rings, cold air, and the way live TV freezes time. The story isn't just technical; it's personal. Sneaking a screen at work, bargaining for a miracle, and remembering how hope hangs on for a few impossible seconds. From there, we follow the thread of wonder into a brighter palette.Cue the Batman theme. Adam West's deadpan responses and the pulpy poetry of Bam and Pow show how camp can be both silly and exacting. We dig into the Batmobile's improbable lineage—from the 1955 Lincoln Futura.Then it's a crate-dig through the Beach Boys Party album, where Barbara Ann's singalong charm and Dean Torrance's cameo capture a band between eras, loose and luminous before Pet Sounds. We jump to Elton John's Your Song and the city-streaked cinema of Dire Straits' Skateaway—drums, Roy Bittan's piano, and a roller girl writing her own movie. We also get candid about taste with Blondie's shift to The Tide Is High and Rapture.Finally, the volume tilts toward Public Image Ltd.'s Rise and the notorious Album project. “May the road rise with you” meets “anger is an energy,” a split-screen of blessing and bite, wrapped in no-frills packaging that turned the grocery aisle into a design joke.Learn Something New orRemember Something OldPlease like and follow the Music in My Shoes Facebook and Instagram pagesReach out to us at musicinmyshoes@gmail.comSend us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

Discograffiti is the deep-dive podcast for music obsessives. In this episode, Mark Linett takes a deep-dive stroll along with host Dave Gebroe through his entire career, with priceless commentary and stories. Legendary producer and audio engineer Mark Linett is best known for his remixing and remastering of The Beach Boys' catalog. Since 1988, he's been the engineer of choice for Brian Wilson's recordings. In 1996, Linett created the first true stereo mix of Pet Sounds. He's also co-produced nearly all of the band's archival releases, including 1997's The Pet Sounds Sessions, 1998's Endless Harmony Soundtrack, 2003's Hawthorne, CA, and 2011's The Smile Sessions, as well as the Feel Flows (2021) and Sail On Sailor (2022) box sets.  In addition to earning three Grammy Awards, he was nominated for Best Engineered Album for his work on 2004's Brian Wilson Presents Smile. He's also worked with Red Hot Chili Peppers, Jane's Addiction, Los Lobos, Rickie Lee Jones, and Randy Newman.  Here are just a few of the many things that Mark discusses with Discograffiti in this podcast: Mark's first few unillustrious gigs on his path to break into the music industry; His early work milking the Jimi Hendrix catalog; Mark's love of The Beach Boys leading up to his work on Brian's debut 1988 solo album; Mark's genius brainstorm of releasing The Beach Boys catalog as those genius celebrate “two-fer” releases; Assembling The Pet Sounds Sessions and The Smile Sessions; And the serendipitous story of how he wound up in this industry in the first place. The Free Teaser: linktr.ee/discograffiti For the full, ad-free, 104-minute podcast, either subscribe to Discograffiti's Patreon at the Private Tier or higher, or just grab the episode as a one-off at the same link. The Full Podcast: Patreon.com/Discograffiti

Discograffiti is the deep-dive podcast for music obsessives. In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series: it's Part 2 of Chuck's chat with his close friend, legendary bassist Carol Kaye. This time around, they're joined by Chuck's bassist buddy, Ammo. Carol is one of the most prolific bass guitarists in rock and pop music, playing on an estimated 10,000 recordings during a career spanning over 65 years. She actually started doing session work in 1957 on guitar, and after a bassist failed to turn up to a session in 1963, she switched to that instrument, quickly making a name for herself as one of the most in-demand session players of the 1960s. She's appeared on sessions by Frank Sinatra, Simon & Garfunkel, Stevie Wonder, The Supremes, The Temptations, The Four Tops, and The Monkees. The intro on Glen Campbell's “Wichita Lineman”? She came up with that. Of course, that's also Carol plucking away on The Beach Boys albums Today!, Summer Days (And Summer Nights!!), Pet Sounds, and Smile. Most famously, Kaye's bass lines are the driving force behind “Good Vibrations”, one of her many number 1 hits.  Here's just a few of the many things that Carol discusses with Discograffiti in this podcast: What Murry Wilson was like at that time; The love that Chuck Britz had for Brian, especially during his dark time in the 1970s; Carol's views on Paul McCartney's bass playing; Her nightmare story of working with producer Joe Thomas; And Carol's absolutely brilliant way of explaining why Brian's music connected with people in such a big way. Sneak Peek: linktr.ee/discograffiti For the full, ad-free, 54-minute podcast, either subscribe to Discograffiti's Patreon at the Private Tier or higher, or just grab the episode as a one-off at the same link. The Full Podcast: Patreon.com/Discograffiti

Discograffiti is the deep-dive podcast for music obsessives. In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series: it's Part 2 of Chuck's chat with his close friend, legendary bassist Carol Kaye. This time around, they're joined by Chuck's bassist buddy, Ammo. Carol is one of the most prolific bass guitarists in rock and pop music, playing on an estimated 10,000 recordings during a career spanning over 65 years. She actually started doing session work in 1957 on guitar, and after a bassist failed to turn up to a session in 1963, she switched to that instrument, quickly making a name for herself as one of the most in-demand session players of the 1960s. She's appeared on sessions by Frank Sinatra, Simon & Garfunkel, Stevie Wonder, The Supremes, The Temptations, The Four Tops, and The Monkees. The intro on Glen Campbell's “Wichita Lineman”? She came up with that. Of course, that's also Carol plucking away on The Beach Boys albums Today!, Summer Days (And Summer Nights!!), Pet Sounds, and Smile. Most famously, Kaye's bass lines are the driving force behind “Good Vibrations”, one of her many number 1 hits.  Here's just a few of the many things that Carol discusses with Discograffiti in this podcast: Brian's psychological difficulties; A nerd's fantasy: a rundown of her equipment; The corruption she experienced firsthand while working for Motown; The music she liked and didn't like playing; The particularities of the legendary studios in which she recorded; And just setting the record straight in general, about absolutely everything. Sneak Peek: linktr.ee/discograffiti For the full, ad-free, 43-minute bonus podcast, either subscribe to Discograffiti's Patreon at the Major Tier or higher, or just grab the episode as a one-off at the same link. The Full Podcast: Patreon.com/Discograffiti

Ed Ward and Nate Wilcox continue their discussion of Ed's book "The History of Rock & Roll, Volume 2: 1964–1977: The Beatles, the Stones, and the Rise of Classic Rock" with a look at rock & roll's second miracle year when America responded to the Beatles by blending folk and blues with rock & roll. They discuss how Michael Bloomfield electrified Bob Dylan, the Beach Boys making Pet Sounds, Stax hitting its stride, James Brown getting funky, the Beatles dropping acid and the beginnings of the San Francisco scene. ⁠GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Discograffiti is the deep-dive podcast for music obsessives. In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series. Chuck and legendary bassist Carol Kaye are close friends, so this exceptional interview goes incredibly deep in its search for the truth. Carol is one of the most prolific bass guitarists in rock and pop music, playing on an estimated 10,000 recordings during a career spanning over 65 years. She actually started doing session work in 1957 on guitar, and after a bassist failed to turn up to a session in 1963, she switched to that instrument, quickly making a name for herself as one of the most in-demand session players of the 1960s. She's appeared on sessions by Frank Sinatra, Simon & Garfunkel, Stevie Wonder, The Supremes, The Temptations, The Four Tops, and The Monkees. The intro on Glen Campbell's “Wichita Lineman”? She came up with that. Of course, that's also Carol plucking away on The Beach Boys albums Today!, Summer Days (And Summer Nights!!), Pet Sounds, and Smile. Most famously, Kaye's bass lines are the driving force behind “Good Vibrations”, one of her many number 1 hits.  Here's just a few of the many things that Carol discusses with Discograffiti in this podcast: The truth about Mike Love; The first time she crossed paths with Brian Wilson; Working with Murry Wilson; The three times that Carol had Brian and Marilyn over to her house. There'll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti's Patreon. Don't miss it, or you'll only be getting part of the story. Get it as a one-off, or better yet just subscribe…and then we'll all have world peace. Full Episode: Patreon.com/Discograffiti (available on the Major Tier & up) Free Sneak Peek: linktr.ee/discograffiti Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. It's completely free to be a basic member, $1 to get your backstage pass, $5/month for the weekly Sunday show by & for our community, $10 for weekly early release, ad-free, super-extended Director's Cuts of the main show plus access to half our Patreon episode archive, & $20 for Discograffiti's weekly bonus episodes and access to our entire Patreon episode archive. There are now over 300 Patreon episodes.

Discograffiti is the deep-dive podcast for music obsessives. In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series. By now, Beach Boy Bruce Johnston has retired from being interviewed, so this epic, unheard 2001 interview for Chuck Granata's Pet Sounds book is absolutely priceless…especially seeing as his fanboy love for Chuck's Frank Sinatra book wound up contributing to a level of unvarnished honesty that's super-rare for The Beach Boy universe.  Here's just a few of the many things that Bruce discusses with Discograffiti in this podcast: Bruce's opinion of Smiley Smile; What it's like to be scolded in a session and to have it actually make the final mix; Bruce's efforts to promote Pet Sounds in England at the time; Bruce's advice to Chuck on how best to approach the various Beach Boys in order to get the most out of his interviews with them; And the roles that the group members played, both in the vocal blend and in their importance to Brian. There'll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti's Patreon. Don't miss it, or you'll only be getting part of the story. Get it as a one-off, or better yet just subscribe…and then we'll all have world peace. Full Episode: Patreon.com/Discograffiti (available on the Major Tier & up) Free Sneak Peek: linktr.ee/discograffiti Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. It's completely free to be a basic member, $1 to get your backstage pass, $5/month for the weekly Sunday show by & for our community, $10 for weekly early release, ad-free, super-extended Director's Cuts of the main show plus access to half our Patreon episode archive, & $20 for Discograffiti's weekly bonus episodes and access to our entire Patreon episode archive. There are now over 300 Patreon episodes.

Don and Dude return to honor two titans lost in 2025, revisiting albums that capture the creative peaks and lasting influence of Brian Wilson with The Beach Boys and Ozzy Osbourne with Black Sabbath. The episode traces how The Beach Boys Today! and Paranoid reshaped pop and heavy music, revealing how these records still echo through everything from chamber pop to modern metal.The Beach Boys – The Beach Boys Today! (1965) Brian Wilson uses Today! as a turning point, steering the band from surf-and-cars singles into a more introspective, studio-crafted pop world that points directly toward Pet Sounds. Side A delivers bright, radio-ready hooks like "Do You Wanna Dance?" and "When I Grow Up (To Be a Man), "while Side B dives into confessional ballads such as "Please Let Me Wonder" and "She Knows Me Too Well," blending chamber pop arrangements with vulnerable, adult themes.Black Sabbath – Paranoid (1970) Paranoid crystallizes the sound and mood of heavy metal, fusing Tony Iommi's down-tuned riffs, Geezer Butler's ominous lyrics, Bill Ward's jazz-schooled drumming, and Ozzy Osbourne's haunted vocals into a tight, relentless 1970 statement. From the anti-war sprawl of "War Pigs" and the sci-fi tragedy of "Iron Man" to the accidental hit "Paranoid" and the psychedelic "Fairies Wear Boots," the record turns fear, addiction, and apocalypse into riff-driven anthems that defined the genre.Dude is Diggin':The Macks – Bonanza (2025): A volatile, modern rock blast from a Portland band that smashes garage energy, psychedelic noise, and restless experimentation into a noisy, cathartic portrait of contemporary anxiety.Metallica – Reload (1997): A late-'90s reinvention that leans into groove and atmosphere, where hard rock bruisers like Fuel sit alongside moodier cuts like "The Memory Remains," featuring Marianne Faithfull's ghostly guest vocal.Don is Diggin':Just Desserts – Curtains (2025): A reflective, lo-fi-to-full-band set from Larry Fessenden and Tom Laverack that wrestles with post-COVID grief, aging, and small flashes of grace nearly four decades after their debut.The Cure – The Show of a Lost World (2025): A concert film capturing The Cure unveiling Songs of a Lost World in full at London's Troxy, framing the new material in a single, immersive performance.Follow the show on Instagram, Facebook, Threads, and Bluesky @albumnerds, and support by subscribing, rating, reviewing, and sharing. “What we have once enjoyed deeply we can never lose. All that we love deeply becomes a part of us.” – Helen Keller.

Discograffiti is the deep-dive podcast for music obsessives. In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series. It's Chuck's dizzyingly inspired chat with legendary producer Mark Linett, the producer and audio engineer best known for his remixing and remastering of The Beach Boys' catalog. Since 1988, he's been the engineer of choice for Brian Wilson's recordings. In 1996, Linett created the first true stereo mix of Pet Sounds. He's also co-produced nearly all of the band's archival releases, including 1997's The Pet Sounds Sessions, 1998's Endless Harmony Soundtrack, 2003's Hawthorne, CA, and 2011's The Smile Sessions, as well as the Feel Flows (2021) and Sail On Sailor (2022) box sets.  In addition to earning three Grammy Awards, he was nominated for Best Engineered Album for his work on 2004's Brian Wilson Presents Smile. He's also worked with Red Hot Chili Peppers, Jane's Addiction, Los Lobos, Rickie Lee Jones, and Randy Newman.  This is Chuck's lengthy and consistently fascinating interview with Mark from the early 2000's for his Pet Sounds book…stay tuned for my own more recent interview, which covers completely different territory. There'll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti's Patreon. Don't miss it, or you'll only be getting part of the story. Get it as a one-off, or better yet just subscribe…and then we'll all have world peace. Full Episode: Patreon.com/Discograffiti (available on the Major Tier & up) Free Sneak Peek: linktr.ee/discograffiti Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. It's completely free to be a basic member, $1 to get your backstage pass, $5/month for the weekly Sunday show by & for our community, $10 for weekly early release, ad-free, super-extended Director's Cuts of the main show plus access to half our Patreon episode archive, & $20 for Discograffiti's weekly bonus episodes and access to our entire Patreon episode archive. There are now over 400 Patreon episodes.

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The Sly Dog and The Wife share a post concert review of Al Jardine & The Pet Sounds Band!   Tune in and turn it up!

Ever wondered why the “darkest” country songs linger long after the last note fades? We crack open that list and find more than shock value—there's craft, confession, and a lineage of storytelling that made the genre brave. From murder ballads to Whiskey Lullaby, we unpack what makes a song haunt you and why those narratives still matter.Then we sprint through the modern pulse: Jelly Roll's global moment and community work, stacked festival lineups, Abbey Road sessions, and the not-so-silent rise of subtitles in streaming. Captions might sound boring, but they're changing how fans absorb lyrics and stories, especially in a word-first genre like country. We also talk about videos that miss the mark and why listeners instantly sense when visuals don't serve the song.The centerpiece is a rowdy, smart bracket to crown the best album of all time. You sent your picks—Rumours, Abbey Road, Pet Sounds, Tapestry, Van Halen I, The Wall, George Strait, Shania, Garth—and we fought it out. Journey's Escape made a bold run, but Pink Floyd's Dark Side of the Moon took the crown for cohesion, sequencing, and sheer sonic gravity. Along the way, we teased apart “favorite” versus “best,” and what a truly great album must do from first second to last.We close with charts and indie highlights, then an ear-opening A/B test: a studio cut vs an AI-recreated version of the same song. The AI track is polished and passable, but side-by-side it lacks depth, stereo motion, cymbal realism, and those tiny human edges at the ends of phrases that make a vocal feel lived. It's not anti-tech—it's pro-feel. And the mailbag nails the theme: country isn't a costume; it's a culture. Americana is carrying a slice of that soul, and live shows still matter because sweat and risk can't be automated.Hit play for sharp opinions, a few laughs, and a lot of heart. If you enjoyed the ride, follow the show, share it with a friend, and drop your “best album ever” in a review—we'll read the spiciest ones on air.Send us a text Support the showLinks Jay Franze: https://jayfranze.com/ JFS Country Countdown: https://jayfranze.com/countdown/ Contact Contact: https://jayfranze.com/contact/ Socials Instagram: https://www.instagram.com/jayfranze TikTok: https://www.tiktok.com/@jayfranze X: https://x.com/jayfranze YouTube: https://youtube.com/@jayfranze Services Services: https://jayfranze.com/services/ Books Books: https://jayfranze.com/books/ Merchandise Merchandise: https://jayfranze.com/merchandise/ Support Support: https://jayfranze.com/support/ Sponsor the Show: https://jayfranze.com/sponsor/

Our guest today is the man who literally holds the keys to some of the most iconic music in history. Mark Linett is a three-time Grammy-winning producer and audio engineer, he's worked with legends like the Red Hot Chili Peppers, Jane's Addiction, and Randy Newman. But you know him best as the sonic architect for The Beach Boys' incredible catalog—the one who gave us the definitive stereo mix of Pet Sounds and meticulously brought The Smile Sessions to life.  A great guest all around.   We also dive into what scared us when we were young, kinks, and play a game where Mike must decide if he has the same brain as Scott's 5 year old.  Have a listen!

In this episode, Chris and Chris dive into Brian Wilson's life leading up to the creation of The Beach Boys' Pet Sounds and take a closer look at the beautiful and complex “God Only Knows.” Originally released as the B-side to “Wouldn't It Be Nice,” the song wasn't a major hit at the time, but has gone on to become one of the most revered and timeless tracks in pop music history. With Brian Wilson's passing earlier this year, the conversation also reflects on his influence and the emotional weight this song continues to carry nearly six decades later. Chris DeMakes A Podcast is brought to you by DistroKid, the ultimate partner for taking your music to the next level. Get 30% off your first YEAR with DistroKid by signing up at ⁠http://distrokid.com/vip/demakes For bonus episode of The After Party podcast, an extensive back catalog of past After Party episodes, early ad-free releases of new episodes of Chris DeMakes A Podcast, full video versions of episodes, and MUCH more, head to the Patreon at ⁠http://www.ChrisDeMakes.com Follow Chris DeMakes A Podcast on Instagram: ⁠https://www.instagram.com/chrisdemakesapodcast/⁠ Join the Chris DeMakes A Podcast community on Facebook: ⁠https://www.facebook.com/groups/2643961642526928/⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Brian Wilson was the quiet one. The genius in the bathrobe. The ghost at the piano bench. He wrote Pet Sounds, rewrote pop music history, and was nearly destroyed for it. This is the story of how mercy, murder, theft, and family fractured the mind behind the Beach Boys—and how Brian Wilson reclaimed his music, his story, and his soul. For a full list of contributors, visit ⁠⁠⁠disgracelandpod.com⁠⁠⁠ To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at ⁠⁠⁠disgracelandpod.com/membership⁠⁠⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠⁠⁠GET THE NEWSLETTER⁠⁠⁠ Follow Jake and DISGRACELAND: ⁠⁠⁠Instagram⁠⁠⁠ ⁠⁠⁠YouTube⁠⁠⁠ ⁠⁠⁠X⁠⁠⁠ (formerly Twitter)  ⁠⁠⁠Facebook Fan Group⁠⁠⁠ ⁠⁠⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.

Brian Wilson was the quiet one. The genius in the bathrobe. The ghost at the piano bench. He wrote Pet Sounds, rewrote pop music history, and was nearly destroyed for it. This is the story of how mercy, murder, theft, and family fractured the mind behind the Beach Boys—and how Brian Wilson reclaimed his music, his story, and his soul. For a full list of contributors, visit ⁠⁠⁠disgracelandpod.com⁠⁠⁠ To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at ⁠⁠⁠disgracelandpod.com/membership⁠⁠⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠⁠⁠GET THE NEWSLETTER⁠⁠⁠ Follow Jake and DISGRACELAND: ⁠⁠⁠Instagram⁠⁠⁠ ⁠⁠⁠YouTube⁠⁠⁠ ⁠⁠⁠X⁠⁠⁠ (formerly Twitter)  ⁠⁠⁠Facebook Fan Group⁠⁠⁠ ⁠⁠⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

So many *incredible* Inca Mummy Girl emails, plus Jenny gives us a stunning rundown of everything important that has ever happened on Love Island?! Plus, stratovolcanoes, what Dawn was doing in Inca Mummy Girl, and our very first recording for Pet Sounds, "Toe Bean." IN EPISODE LINKS cindi altrive's keynote giles' house in miniature OUR BOOK! OUR BOOK! OUR BOOK IS HEEEEERE! ⁠⁠⁠⁠⁠bufferingcast.com/book⁠⁠⁠⁠⁠ LOCATE YOUR HOSTS UPON THE INTERNET Jenny Owen Youngs | @jennyowenyoungs; ⁠⁠⁠⁠⁠jennyowenyoungs.com⁠⁠⁠⁠⁠ Kristin Russo | @kristinnoeline; ⁠⁠⁠⁠⁠kristinnoeline.com⁠⁠⁠⁠⁠ Buffering: A Rewatch Adventure | @bufferingcast on socials MUSIC | Theme song and jingles composed and performed by Jenny Owen Youngs | ⁠⁠⁠⁠⁠bufferingcast.com/music⁠⁠⁠⁠⁠ PATREON | ⁠⁠⁠⁠⁠patreon.com/bufferingcast⁠⁠⁠⁠⁠ MERCH | ⁠⁠⁠⁠⁠bufferingcast.com/shop⁠⁠⁠⁠⁠ PODCAST SCHEDULE & EVENTS | ⁠⁠⁠⁠⁠bufferingcast.com/jennycalendar⁠⁠⁠⁠⁠ Produced by: Kristin Russo & Jenny Owen Youngs Edited by: Kristin Russo Logo: Kristine Thune We acknowledge that we and our team are occupying unceded and stolen lands and territories. Kristin occupies the Lenape territories of the Esopus Lenape Peoples. Jenny occupies the Wabanahkik territory of the Abenaki and Pennacook Peoples. Learn more about Land Acknowledgments + our continued anti-racist efforts at ⁠⁠⁠⁠⁠bufferingthevampireslayer.com/justkeepfighting⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Opie and the crew for a wild ride at Gebhards Beer Culture, where the conversation veers from crooning about "Blue Christmas" to debating Michael Bublé's lisp and the genius of Brian Wilson's Pet Sounds. The gang dives into pizza controversies, pineapple toppings, and a bizarre beachside Christmas tree fantasy. Things get gritty with Ron's oozing foot reveal—eczema or something worse?—and a heated rant about overblown riots and Broadway musicals (spoiler: Phantom gets no love). From Trump's questionable taste in Les Mis to Fiddler on the Roof sing-alongs, this episode is a chaotic mix of laughs, music trivia, and questionable hygiene. Grab a Miller Lite and tune in for the madness!