Podcasts about Medium format

Achtung (Werbung in eigener Sache):  Jetzt mein Buch "Die perfekte Candidate Journey & Experience" unter folgenden Links bestellen: https://link.springer.com/book/10.1007/978-3-662-66875-7 https://bit.ly/3KEgwDF https://amzn.to/3mbzhUO Der inhaltliche Fokus liegt auf Recruiting für mittelständische Unternehmen sowie Startups und darum, wie die Candidate Journey und deren Touchpoints so gestaltet werden können, dass eine hervorragende Candidate Experience möglich wird.   Bastian Koch (Spezialist für E-Learning und Product Director von Sparks) Basti Koch ist Spezialist für E-Learning und Product Director von Sparks, dem Microlearning-Tool aus der Haufe Akademie. Basti absolvierte seinen Master of Science in Instructional Design an der Florida State University, wo er sein wissenschaftliches Fundament in der Didaktik von Weiterbildung aufgebaut hat. Darauf aufbauend half er einem US-Geheimdienst sowie der Londoner Polizei bei der Weiterbildung mittels E-Learning. Seit 2022 treibt er produktseitig das Thema Future Skills bei sparks voran. Alles mit dem Ziel Menschen, Teams und Organisationen die Möglichkeit zu geben, täglich etwas besser zu werden. Dabei entwickelt Basti Lösungen, die nutzerzentriert, effizient und ganzheitlich sind. Sein Ziel ist es, Organisationen und Teams kreativer, produktiver und zufriedener zu machen.   Themen In der GainTalents-Podcastfolge 403 konnte ich mit Bastian Koch (Spezialist für E-Learning und Product Director von Sparks) darüber sprechen, wie Unternehmen eine positive Lernkultur etablieren können. Bei Basti bedanke ich mich recht herzlich für das sehr gute Gespräch und für die vielen guten Tipps zum Thema.  Was gibt es beim Aufbau einer positiven Lernkultur in Unternehmen zu beachten? Warum ist das Thema überhaupt wichtig? Future Readiness und Change Readiness sind die Treiber für kontinuierliches Lernen, Wissensaufbau und Aufbau von Können bei Führungskräften und Mitarbeitenden in Unternehmen Grundlage für Innovationen und mehr Produktivität Lernkultur benötigt eine Art “Wachstumskultur” und benötigt die Unterstützung sowie das Vorleben der Geschäftsführung Drei Dinge sind besonders wichtig für eine positive Lernkultur: Psychologische Sicherheit (Neugierde und “What´s in it for me” bei Menschen muss Wertschätzung erfahren) Führungskräfte müssen mit guten Vorbild vorangehen (Fokus: Stärken stärken und nicht Schwächen ausmerzen) gute und flexible Rahmenbedingungen schaffen (mit Betriebsrat, mit IT, etc.) Tools und Systeme müssen so aufgesetzt sein, dass auch Spaß beim Lernen möglich ist (das richtige Medium/Format ist sehr wichtig) Skalierung (gerade in großen Unternehmen) ist nicht wichtiger als eine gute Lernexperience mit Personalisierung! KI hilft heute hierbei Personalisierte bzw. individualisierte Lerninhalte sind sehr wichtig, um die Lernenden extra zu motivieren (kein “one size fits all”) Wissen ist gut, können ist besser Lerninhalte müssen daher konzeptionell so aufgesetzt sein, dass ein Können nach dem Lernen vorhanden ist Lernkontrolle für den Wissens-/Könnensaufbau etablieren (Produktivität, Retention, Unterschied im Tagesgeschäft?, Durchlaufzeiten, etc.)   #eLearning #weiterbildung #upskill #reskill #Talententwicklung #Peopledevelopment #GainTalentsPodcast   Shownotes Links - Bastian Koch LinkedIn:      https://www.linkedin.com/in/bastiank/ Webseite:     https://www.haufe-akademie.de/digital-suite/sparks? https://www.accenture.com/content/dam/accenture/final/accenture-com/document-2/Accenture-Pulse-of-Change-2024-Index-Executive-Summary.pdf https://www.weforum.org/publications/the-future-of-jobs-report-2025/   Links Hans-Heinz Wisotzky:  Website https://www.gaintalents.com/podcast und https://www.gaintalents.com/blog Buch: https://www.gaintalents.com/buch-die-perfekte-candidate-journey-und-experience LinkedIn https://www.linkedin.com/in/hansheinzwisotzky/ LinkedIn https://www.linkedin.com/company/gaintalents XING https://www.xing.com/profile/HansHeinz_Wisotzky/cv Facebook https://www.facebook.com/GainTalents Instagram https://www.instagram.com/gain.talents/ Youtube https://bit.ly/2GnWMFg

With the bonkers success of the Fujifilm X100VI, it seemed only a matter of time before Fuji made a compact camera based around its GFX medium format line. That's the recently-announced GFX100RF, a new compact-ish, 100 megapixel, fixed-lens, $5,000 camera. We look at the inventions and the tradeoffs incorporated into this high-res entrant into the compact field. (Image: Fujifilm) Hosts: Jeff Carlson: website (https://jeffcarlson.com), Jeff's photos (https://jeffcarlson.com/portfolio/), Jeff on Instagram (http://instagram.com/jeffcarlson), Jeff on Glass (https://glass.photo/jeff-carlson), Jeff on Mastodon (https://twit.social/@jeffcarlson), Jeff on Bluesky (https://bsky.app/profile/jeffcarlson.bsky.social) Kirk McElhearn: website (https://www.kirkville.com), Kirk's photos (https://photos.kirkville.com), Kirk on Instagram (https://instagram.com/mcelhearn), Kirk on Glass (https://glass.photo/mcelhearn), Kirk on Mastodon (https://journa.host/@mcelhearn), Kirk on Bluesky (https://bsky.app/profile/kirkville.com) Show Notes: (View show notes with images at PhotoActive.co (https://www.photoactive.co/home/episode-183-fuji-gfx100rf)) Rate and Review the PhotoActive Podcast! (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) Fujifilm GFX100RF (https://www.fujifilm-x.com/en-us/products/cameras/gfx100rf/) Episode 157: Photos at the High End: Hasselblad 907x/CFV 100C (https://www.photoactive.co/home/episode-157-hasselblad) Fujifilm GFX100RF review: one sensor, nine cameras (https://www.theverge.com/reviews/633769/fuji-gfx-100rf-review-medium-format-compact-camera), The Verge Fujifilm GFX100RF Review: An X100 All Grown Up (https://petapixel.com/2025/03/20/fujifilm-gfx100rf-review-an-x100-all-grown-up/), PetaPixel Leica Q3 vs. FujiFilm GFX100RF size comparison (https://leicarumors.com/2025/03/23/leica-q3-vs-fujifilm-gfx100rf-size-comparison.aspx/), Leica Rumors Episode 159: Fuji X100VI and the Appeal of Small Fixed-Lens Cameras (https://www.photoactive.co/home/episode-159-fuji-x100vi) Subscribe to the PhotoActive podcast newsletter at the bottom of any page at the PhotoActive web site (https://photoactive.co) to be notified of new episodes and be eligible for occasional giveaways. If you've already subscribed, you're automatically entered. If you like the show, please subscribe in iTunes/Apple Podcasts (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) or your favorite podcast app, and please rate the podcast. And don't forget to join the PhotoActive Facebook group (https://www.facebook.com/groups/photoactivecast/) to discuss the podcast, share your photos, and more. Disclosure: Sometimes we use affiliate links for products, in which we receive small commissions to help support PhotoActive.

Medium Format Revisited - Going All In? Season 5 Episode 15. Bringing It All Home returns for an episode dedicated to this question: Would you commit six months or a year to exclusively shooting medium format? Would you be able to make the total switch? Included: Hasselblad 500c, Mamiya C3, RZ67, Pentax 6X7, Kodak Tmax 100 ... Is less more? Also: The joy factor inherent in shooting medium format, the current top ten best seller 120 films on B&H.

On this episode of the Camerosity Podcast, the guys took a suggestion off the top of the Camerosity Suggestion Box™ and dedicated this episode to medium format SLRs.  That's right, finally, an entire episode dedicated to Bronica, Mamiya, Rolleiflex, Kiev, and Norita SLRs (but not that H-brand). Joining Anthony, Paul, Theo, and Mike on this show are returning callers A.J. Gentile, Brian Zeman, Miles Libak, Will Pinkham, and first time callers Andrew Wells, Fernando from Germany, Henry Blanton, Robert Wawrzinek, and Tom Zoss. The show gets off to a quick start with the Bronica system, one that Mike has limited experience with, but the listeners make quick work out of recommending an accessory that Mike immediately decided he needed.  Our love for this Japanese SLR starts with the early S-series, moves into the GS, and finally ETRS series, but one is a clear favorite. Another well received SLR is the Kowa Six which Mike has been tirelessly shooting in the weeks prior to this show, ready to share his thoughts.  Anthony and Andrew both share their strong desires to own a Rolleiflex SL66, and Fernando shares his love for Soviet and East German medium format SLRs. A huge number of "less common" cameras like the KW Reflex Box, VEB WEFO Master Reflex, Fujita Six, Folmer-Graflex National Graflex, and both the horizontal and vertical versions of the Ihagee Exakta 66 get their mentions.  We point out the 6x6 SLR with the fastest medium format lens ever made, who is best to repair Mamiya SLRs, and ponder the age old question, "Why didn't anyone ever make a 6x9 SLR?" We get a little off topic, discussing John Minnick's Aero-Liberator SLRs used by Graham Burnett, Graflex's "Stove Top" SLRs, and Tom Zoss's custom Graflex XL with a very wide Rodenstock lens on it.  Plus, as an added bonus, we cover the only 16mm SLR in any of our collections, the KMZ Narciss SLR! As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. Our next episode will be Episode 80 and we're taking the opportunity to dedicated this episode to cameras of the 80s (you get to pick the century).  The 1980s saw a huge advancement in auto focus SLRs, the use of lightweight plastics, and the beginning of the "bridge camera" era.  If you're fans of gems like the Nikon FM2, Minolta X-700, Leica M6, or the Yashica Samurai, this is the episode for you!  We will record Episode 80 on Monday, October 28th at 7pm Central Daylight Time and 8pm Eastern Daylight Time. In This Episode Mike Owns Two Bronica SLRs / Bronica S2 / Bronica GS-1 Kiev-60 SLR w/ Screw Lens Mount Adapter / ARAX Repaired and Upgraded Cameras Order Matters on the Kiev Cameras / Repairing Kiev SLRs / Kievs with Pentacon Six Mount Paul Declares the Bronica and Kowas to Be Value Leaders / Early Bronica S-Series Bronica S2 Has a Removable Helicoid Which Adds Flexibility / Adapting Other Lenses to Bronicas Mike's Early Review of the Kowa Six /  Kowa 66 Fujita 66 / Kalimar Six / Kodak Duo Six-20 John Minnick and Graham Burnett's Aero-Liberator SLR / Stove Top Graflex SLRs Mike is Working on a Review for the Folmer-Graflex National Graflex KW Reflex-Box is a Box Camera That's Also an SLR Brian GASses Mike into Buying a Winder Grip for the Bronica GS-1 Anthony's Favorite Medium Format SLR is the Rolleiflex SL66 / The Scheimpflug Effect Ihagee Exakta 66 Horizontal and Vertical Cameras Kochmann Reflex-Korelle / Master Reflex Norita 66 and Pentacon Six / The Noritar 80mm f/2 Lens is Faster than Most Medium Format SLR Lenses Repairing the Rolleiflex SL66 / Watching Watch Repair Videos on YouTube / Chris Sherlock's Camera Repair Videos Bill Rogers is a Great Resource for Mamiya SLR Repair / Mirror Stop on the Mamiya 645s How Many People Shoot Both Medium Format Rangefinders and SLRs? Nobody Made a 6x9 SLR / The Fuji 690 Rangefinder Series is as Close as You'll Get Two Huge Cameras are the Gowland Flex and Fuji GX680 What is the Difference Between the Mamiya RB67 and RZ67? KW Pilot 6 / Chinese Great Wall DF Series Tom Zoss's Custom Graflex XL with Rodenstock Wide Angle Lens Mike Likes Vignetting / Bill Rogers for Mamiya Repair / Who is Repairing Retinas Now The Only 16mm SLR We Know About / KMZ Narciss Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

We talk about the beauty of medium format photography, how the variety of cameras gives you more options for great images, graduating from 35mm to medium format, different film backs being a game changer, evolving as a photographer and more!

In this episode of the Beginner Photography Podcast, I chat with nature photographer Christopher Gilbert to dive deep into the importance of matching your gear with your unique photographic style. Christopher switched from medium format to APS-C, not because of sensor size, but to find a system that complements his creative vision. Through our conversation, you'll learn that the technical aspects, like crop factors and lens focal lengths, should enhance your storytelling, not hinder it. I'll share why mastering the settings that suit your needs can transform your shoots, guiding you to choose tools that truly embody your artistic expression. This is a journey to making every click of the shutter count!The Big Ideas:Embrace Simplicity: Your best photos can emerge from using simpler, more intuitive gear. Less complexity allows more focus on capturing moments.Focus on What Matters: Prioritize your vision and expression over technical perfection. Focus on how the photo feels, not just how it looks.Experiment Freely: Allow yourself to make mistakes and learn from them. Each error teaches you something valuable about your own style.Seek Tools That Fit You: Choose gear that complements your way of seeing the world. Your comfort with your tools translates into better photography.Photography Action Plan:Experiment with Different Lenses: Rent or borrow lenses in various focal lengths to explore how they transform the perspective and composition of your photos. Take the same subject and photograph it with different lenses to clearly see the difference each lens makes to the image.Dial in Camera Settings: Start using aperture priority mode to gain better control over depth of field and understand how it affects your photos. Practice shooting in different lighting conditions to learn how ISO and shutter speed interact with aperture.Focus on Composition: Concentrate on incorporating the rule of thirds into your shots to create more balanced and engaging compositions. Try out leading lines, framing, and the use of negative space to add more depth and interest to your photographs.Explore Post-Processing: Download a reputable photo editing software and familiarize yourself with basic adjustments like exposure, contrast, and color correction. Watch online tutorials specific to your software to efficiently learn various editing techniques that can enhance your images.Resources:Follow Chris on Instagram - https://www.instagram.com/fujifilm.christopherLearn What Camera Settings to Use in our free guide!https://perfectcamerasettings.com/ Build Your Dream Photography Business and Keep More of the Money You Earn with CloudSpot Studio.And get my Wedding and Portrait Contract and Questionnaires, at no cost!Sign up now at http://deliverphotos.com/Connect with the Beginner Photography Podcast! Join the free Beginner Photography Podcast Community at https://beginnerphotopod.com/group Send in your Photo Questions to get answered on the show - https://beginnerphotopod.com/qa Grab your free camera setting cheatsheet - https://perfectcamerasettings.com/ Thanks for listening & keep shooting!

What would you do with 100 megapixels? Jeff recently had the opportunity to shoot with the new Hasselblad 907x/CFV 100C, a medium format camera in the form factor of Hasselblad's classic film bodies. This $8,200 (body only, of course) system made him rethink the photographic muscle memory he's developed over the years, as well as the mental-muscle-memory of how to approach making photos. Hosts: Jeff Carlson: website (https://jeffcarlson.com), Jeff's photos (https://jeffcarlson.com/portfolio/), Jeff on Instagram (http://instagram.com/jeffcarlson), Jeff on Glass (https://glass.photo/jeff-carlson), Jeff on Mastodon (https://twit.social/@jeffcarlson) Kirk McElhearn: website (https://www.kirkville.com), Kirk's photos (https://photos.kirkville.com), Kirk on Instagram (https://instagram.com/mcelhearn), Kirk on Glass (https://glass.photo/mcelhearn), Kirk on Mastodon (https://journa.host/@mcelhearn) Show Notes: (View show notes with images at PhotoActive.co (https://www.photoactive.co/home/episode-157-hasselblad)) Rate and Review the PhotoActive Podcast! (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) Hasselblad 907X/CFV 100C (https://www.hasselblad.com/v-system/907x-cfv-100c/) Hasselblad 907X/CFV 100C sample gallery (https://www.dpreview.com/news/9388608295/hasselblad-907x-cfv-100c-sample-gallery) at DPReview What's so special about this $8,200 Hasselblad? (https://www.youtube.com/watch?v=vRbODU9Tz_g), Becca Farsace at The Verge One of the most UNIQUE cameras I've ever used (https://www.youtube.com/watch?v=VAwY5mGgaz4), Manny Ortiz Subscribe to the PhotoActive podcast newsletter at the bottom of any page at the PhotoActive web site (https://photoactive.co) to be notified of new episodes and be eligible for occasional giveaways. If you've already subscribed, you're automatically entered. If you like the show, please subscribe in iTunes/Apple Podcasts (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) or your favorite podcast app, and please rate the podcast. And don't forget to join the PhotoActive Facebook group (https://www.facebook.com/groups/photoactivecast/) to discuss the podcast, share your photos, and more. Disclosure: Sometimes we use affiliate links for products, in which we receive small commissions to help support PhotoActive.

We would once again like to thank our podcast sponsor, OM SYSTEM! Professional wildlife photographer Andy Rouse recently took the OM-1 Mark II and the M.ZUIKO DIGITAL ED 150-600 F5.0-6.3 IS on safari to Kenya's Masai Mara and Samburu National Parks. Check out his first impressions of both the camera and the lens, and view his photos from the adventure today: Check out explore.omsystem.com/petapixel to learn more about the new OM-1 Mark II, the M.ZUIKO DIGITAL ED 150-600 F5.0-6.3 IS, and the M.ZUIKO DIGITAL ED 9-18mm F4.0-5.6 II. Pre-orders are live right now, with shipments beginning in late February. Every half-decade or so, medium format experiences some kind of "resurgence," and thanks mainly to Fujifilm's excellent GFX 100 II, many photographers might be interested in jumping over to the large sensor cameras. With Hasselblad's update to the 907x system last week, the team discusses where each medium format system resides, who they're for, what are they are good at (and what do manufacturers want them to do), and what the future of medium format might be. Is it doing just fine on its current trajectory? Would it be a fantastic platform to bring back a TLR-style camera body? Is it the one place a DSLR still makes sense? Chris, Jordan, and Jaron debate. We use Riverside to record The PetaPixel Podcast in our online recording studio. We hope you enjoy the podcast and we look forward to hearing what you think. If you like what you hear, please support us by subscribing, liking, commenting, and reviewing! Every week, the trio go over comments on YouTube and here on PetaPixel, but if you'd like to send a message for them to hear, you can do so through SpeakPipe. In This Episode 00:00 - Intro 04:57 - RED's new global shutter camera makes some insane promises. 11:09 - OM System has a new OM-1 Mark II 18:23 - Two new Micro Four Thirds lenses 24:37 - Capture One is laying off staff amid "significant" restructure 27:46 - Hasselblad's 907X gets a 100MP upgrade 31:43 - The State of Medium Format in 2024 50:19 - What have you been up to? 53:48 - Tech support 1:18:44 - Never read the comments

Venturing back into the early days of the Camerosity Podcast, the topic of panoramic cameras came up often on the show, so often that we jokingly referred to ourselves as the widest film photography podcast out there.  As we often do, the gang got distracted in later episodes by various other formats, brands, and special guests, but we thought it was time to revisit our love of all things panoramic and take a ride to Panorama City.  No, not that Panorama City in southern California, but the land of Hasselblad XPans, Fuji G617s, Horizonts, and Noblexes. Joining Anthony, Paul, Theo, and Mike on our wide journey was a motley crew of panoramic enthusiasts, fans, and just passers by.  Returning guests, all the way from Cape Town, South Africa, Dean Blumberg, Ray Nason, Skip Williams, Richard Driver, Andrew Smith, and Mark Faulkner.  Also, first time callers Patrick Rapps, Rudi Berden, and Paul's ex-Fuji rep, Bob Grzesiak were in attendance. Not content with only talking to people who like to use existing panoramic cameras, also joining us from Silvergrain Classics is Marwan El Mozayen who most people in the film community know as helping to bring back a new version of the Widelux F8 swing lens panoramic camera.  With the support of Hollywood A-lister and renowned Widelux fan, Jeff Bridges and his wife Susan, Marwan shares the back story of how he became involved in resurrecting this panoramic classic.  Marwan isn't just some PR guy helping to spread word about his company's project however, as he has extensive knowledge of other panoramic cameras like the Noblex, Soviet Horizonts and many others. We started the show off with what we thought would be a pretty straightforward question, but the topic of what exactly defines an image or camera as panoramic elicited a pretty interesting discussion, relating panoramic still photography to that of cinematography and that angle of view should be considered in addition to physical size. Differences between wide angle panoramic cameras like the Hasselblad XPan and swing lens cameras like the Panoram-Kodak were discussed, along with cropped panoramic, 3D printed masks, how to use a perspective control lens to shoot panoramic digitals, and even some panoramic developing and scanning hacks that make like easier for the hobbyist.  With Marwan on the show bringing back the Widelux, we did a lighting round asking every participant what other cameras you would like to see someone make an attempt at bringing back (who wants to guess what Theo's was?). [label type="warning"]Silvergrain Classics Discount Code: [/label]During the show, Marwan El Mozayen mentioned that listeners of this show get a discount when ordering a copy of issue #19 of their magazine, which features a ton of information about the upcoming re-release of the Widelux.  To receive this discount, use code: WLX10 when ordering. Like all other episodes of the Camerosity Podcast, we were excited to go down the panoramic rabbit hole but had no idea of how deep it would be.  We ventured into some discussions that I could have never imagined, sharing the love and passion for this subset of  photography with a fascinating and very experienced panel of callers. As always, the topics we discuss on the Camerosity Podcast are influenced by you!  We would love to hear from more listeners, especially those who are new to shooting film or collecting cameras.  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. Our next episode of the Camerosity Podcast will be all about "unobtanium cameras", those cameras you never thought you'd get a chance to see, let alone use.  Maybe it's a rare one of a kind prototype, or a common, but REALLY expensive camera that is beyond your budget.  If you can't find or afford it, come on the show and join us for Episode 53, which will be recorded on Monday, July 24th! This next episode will be our Season 2 finale before the gang goes on vacation.  As we did last year, we're taking the entire month of August off to relax, soak in some sun, and maybe even catch up on shooting all of the cool cameras we've all picked up in the past year.  We will return in September! This Week's Episode What Do We Mean When We Say “Panoramic”? / Widescreen in Cinematography Banquet Cameras in the 1900s / Banquet vs Kodak Cirkut Cameras Aspect Ratio as a Starting Point for Panorama / Aspect Ratio vs Field of View as a Way of Defining Panorama Is the Fuji G617 Panoramic or Wide View? Can a Cropped Image be Panoramic? / Cropping Before and After Taking the Image / The Hasselblad XPan and the Noblex 135 S What Makes the Widelux Special? / The Mechanics and Simplicity of a Swing Lens Camera The Original Kodak Panoram / Kodak 3A Using 122 and 616 film in Old Folders for Wider Aspect Ratios Zeiss Super Ikonta 616 and Zeiss Cocarette / 3A Graflex Camera Hack and 3D Printed Adapters for Older Film Types Silvergrain Classics and the Project to Resurrect the Widelux F8 The KMZ Horizont Was the First “Modern” Swing Lens Camera The Shift from Medium Format to 35mm Swing Lens Cameras Under the Widelux Brand Jeff and Susan Bridges and their Love of the Widelux How to Visualize Shooting with a Widelux / Looking to Cinematography Instead of Still Photography for Panoramic Compositional Ideas Depth of Field in Panorama / Using Contact Lenses to Modify Swing Lens Properties The Best and Worst About the Noblex / Every Released Noblex was Really a “Mostly” Working Prototype The Mechanics of Reproducing the Widelux / Swing Lens Camera Repair Horizont 202 The Affordable Swing Lens Alternative Pulling Back the Curtain on the Hasselblad XPan's Reliability Issues Skip's Mamiya Pro S 220 Back with a Mercury 3D Printed Film Gate Adapter Dean's Bronica ETRS Kludge / Skip's Cameradactyl Homunculus 69 Turning to 3D Printing for Wide Aspect Ratio Adapters The Virtues of the Fuji G617 / The G617 goes to the North Pole Paul's Sony A7 RII with a Nikkor Perspective Control Lens for Digital Panoramas Rudi's Zone Image Pinhole 617 / Patrick's Sinhao Wide Aspect Hack Back to Silvergrain Classic and Details on the Release of the New Widelux Lightning round: Pick One Camera you Want to see Brought Back! Minolta XM Motor / Hasselblad XPan / Plaubel 67 / Fuji GW690 / A Miranda That Works / Mamiya 7 / Fuji GX617 / Nikon FM3a / Panon 120 swing-lens / Kodak Medalist / Mamiya 6 Theo's Panora Wide Pic / Minolta P's and Masked 35mm Point and Shoots / Viscawide 16 Lightroom and Photoshop for Panoramic Merging / Flatbed Panoramic Scanning Hacks Panoramic Chromes and AGX Imaging for Pro Level E6 Developing and Scanning Links If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Silvergrain Classics Widelux Revivial - https://silvergrainclassics.com/en/2023/07/the-widelux-revival-project/ Andrew Smith – https://www.youtube.com/channel/UClXrAlbnU3gvdRrJ5gAR4mw Mark Faulkner – https://thegashaus.com/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

In this episode we dive into everything medium format. Want to know what 120 means? Not sure what the different aspect ratios mean? Having trouble understanding crop factor as it applies to medium format? Are you wondering which camera would be a good entry level medium format camera? Look no further. This is the episode for you.Get 10% off Luminar Neo using the code KEVIN10 or clicking HEREFor more information on the F11 podcast, check out the following links:F11Pod WebsiteFollow us on Instagram!Follow us in Twitter!Check out Kevin Deal's work here:Kevin Deal's WebsiteKevin Deal's InstagramKevin Deal's You TubeCheck out Brandon Gorrie's work here:Brandon Gorrie's WebsiteBrandon Gorrie's InstagramBrandon Gorrie's You Tube

This is The Digital Story Podcast #898, June 6, 2023. Today's theme is "The Roving Medium Format Photographer (Plus Vision Pro)." I'm Derrick Story. Opening Monologue I love self assignments. And my latest one was a gem: road trip to Huntington Beach CA to cover the international reveal of the VW ID.Buzz North American model. In addition to the debut, there was an auto show featuring more than 240 vintage VW microbuses, each with its own personality. And to cover this event? I chose the Fujifilm GFX 100s. What! Yes, that's correct. Find out why on today's TDS Photography Podcast. I hope you enjoy the show.

If you are wondering how medium format compares to APS-C, this video is for you. I put the Fujifilm GFX 50S and the Fujifilm X-H2S to the test in various situations and see how they differ in image quality, autofocus, dynamic range, low light, and video features

When I find myself in times of trouble - Mamiya RZ67 comes to me? Well, sort of. Join us on Bringing It All Back Home for an episode revolving around medium format: the film, the camera combos, the current fave developer, as well as uplifting joy. Included: Ilford HP5 Plus, MAMIYA RZ67, Mamiya Sekor Z 90mm f/3.5 Lens for RZ67, ILFORD ID-11. PENTAX 645, PENTAX-A 45MM, PENTAX-A 75MM 2.8. 120 films: Portra 400 & 160, Gold 200, Fuji 400H. --- Send in a voice message: https://podcasters.spotify.com/pod/show/charles-kershenblatt8/message

Thanks To Wasabi Power

Recording provided by Conserve The Sound. This is part of the Obsolete Sounds project, the world's biggest collection of disappearing sounds and sounds that have become extinct – remixed and reimagined to create a brand new form of listening. Explore the whole project at https://citiesandmemory.com/obsolete-sounds

Recording provided by Conserve The Sound. This is part of the Obsolete Sounds project, the world's biggest collection of disappearing sounds and sounds that have become extinct – remixed and reimagined to create a brand new form of listening. Explore the whole project at https://citiesandmemory.com/obsolete-sounds

Recording provided by Conserve The Sound. This is part of the Obsolete Sounds project, the world's biggest collection of disappearing sounds and sounds that have become extinct – remixed and reimagined to create a brand new form of listening. Explore the whole project at https://citiesandmemory.com/obsolete-sounds

For full show notes and photos: https://allthroughalens.com/2022/06/07/the-greatest-medium-format-camera-ever-made-w-taylor-episode-64/   On this, our penultimate show of the season, we're talking to Taylor (aka @taylarlar on IG) about whether or not you can rediscover home as a photographer (and a bunch of other stuff), we've also gathered a few friends to help us talk about the greatest medium format camera ever made – the Mamiya RB67.  We'll also be reviewing a new book by Liz Potter (@lizpotterphotography on IG), there's the answering machine messages, and lots and lots more! Taylor Today we interview our new best friend Taylor! She's a film photographer from Minnesota, focusing on the idea of home and revisiting previous chapters in her life. We've both admired her work for a long time, and when sorting out a guest for the episode, we both independently picked Taylor! IG: @taylarlar Here is some of her work!   The Greatest Medium Format Camera Ever Made!: The Mamiya RB67 The Mamiya RB67 is the greatest medium format camera ever produced. It is fully manual, requires no battery, and can double as an impact weapon. Weighing only 7lbs, the RB67 is ideal for hiking, a night on the town, or just relaxing at home. And that's what we're doing now. We're not out shooting. No, we're recording a podcast and will tell you everything we can about the RB67. We don't really do the whole gear talk thing, but fortunately we've brought along a few friends who… well, they don't really do it either. But they'll drop by shortly to tell you about their experiences with the greatest medium format camera ever produced! We were helped by a few friends: Jess Hobbs: @jesshobbsphoto; JessHobbs on YT Dave Walker: @davethewalker80 on IG Aly: @alysvintagecameraalley on IG; Aly's Vintage Camera Alley on YT Taylor: @taylarlar on IG Dan Tree: @dantreephoto on IG       Texas Grit by Liz Potter We've had Liz Potter on a few times, and right now there's definitely a bit of buzz about her. Liz is known for shooting panoramic self portraits and Polaroid lifts. But Texas Grit is neither of these.  When a photographer carves out a little niche for herself in a specific corner of the film photography community, it's always fun to see what else they've done. Texas Grit was originally released in 2019. She's reprinted it with a new cover and introduction. Buy the book here: https://www.lizpotterphotography.com/shop IG: @lizpotterphotography     PATREON Thank you to everyone who supports us! Check out our Patreon for bonus episodes, extended interviews, early drops. Tons of stuff! patreon.com/allthroughalens THE CREDITS OF ENDING Music by Last Regiment of Syncopated Drummers Vania: IG, Flickr, Zines Eric: IG, Flickr, Zines, ECN-2 Kits Sara Murphy: IG Charlie: IG, Web; Themselves Press   All Through a Lens: IG, Website, Patreon, Spotify Playlists

Dr. Anja Schürmann. Kulturwissenschaftlerin und Autorin, KWI Essen. Zitate aus dem Podcast: »Im KWI in Essen interessiert uns, wie Wissenschaften arbeiten und wie sie sich verstehen.« »Wissenschaft ist keine Problemlösungsinstanz, die man anrufen kann, wenn man nicht mehr weiter weiß.« »Wir sehen unsere Aufgabe darin, aus allgemeinen Glaubenssätzen Probleme zu identifizieren.« »In meinem Projekt über das Fotobuch versuche ich zu identifizieren, wie Erzählung funktioniert, wenn sie rein visuell vollzogen wird.« »Mein Hauptaugenmerk liegt auf dem visuellen Erzählen.« »Im Fotobuch gibt es wie in der Literatur einen Unterschied zwischen Erzählzeit und erzählter Zeit.« »Fotografie ist nicht nur ein kunsthistorisches Betätigungsfeld.« »Fotografie darf nicht ausschließlich als Kunst gesehen werden.« »Ich finde es sehr schade, dass es in Deutschland sehr wenig Institutionen und Professor*innen gibt, die der Fotografie gewidmet sind als theoretische und interdisziplinäre Entität.« »Wir haben gelernt, das Fotografie instantan, augenblicklich entsteht. Genauso haben wir gelernt, sie schnell wahr zu nehmen.« »Fotografie ist nicht in Sprache auflösbar. Sie hat immer etwas ungesagtes, ungezeigtes, etwas, was man nicht sprachlich mitteilen kann.« »Fotografie ist ein Medium ohne Eigenschaften und kann gleichzeitig viele verschiedene Eigenschaften annehmen.« »Frei nach James T. Campbell: Ein gutes Foto stellt mehr fragen, als es beantwortet.« »Bildung heisst nicht nur lesen sondern auch sehen lernen.« »Egal auf welcher Stufe Bildung muss nicht ausschließlich textbasiert sein.« »Wir müssen uns erstmalig eingestehen, dass wir in einer visuellen Kultur leben.« »In den Augen von vielen bleibt Fotografie ja gleich, Fotografie ist Fotografie und das Medium scheint das gleiche zu sein.« Dr. Anja Schürmann ist seit 2019 wissenschaftliche Mitarbeiterin am Kulturwissenschaftlichen Institut (KWI) in Essen und beschäftigt sich mit dem Medium Fotobuch. 2015 promovierte sie am Institut für Kunstgeschichte der Heinrich-Heine-Universität Düsseldorf mit einer Arbeit zum Thema: »Begriffliches Sehen. Beschreibung als kunsthistorisches Medium im 19. Jahrhundert.«. Darüber hinaus ist sie als Dozentin und Kuratorin tätig. Sie lebt in Düsseldorf. Die Veranstaltung im Rahmen der Biennale düsseldorf photo+ 22.05.22, 12-15 Uhr, FFT Düsseldorf: Fotografie als Politik der Bilder https://www.duesseldorfphotoplus.de/programm/fotografie-als-politik-der-bilder Ausführliche Informationen unter: https://www.kulturwissenschaften.de/ https://www.kulturwissenschaften.de/person/dr-anja-schuermann/ Das angesprochene Fotobuch: Edgar Martins, Mark Durden, What Photography & Inc. have in Common with an Empty Vase, The Moth House 2020. https://themothhouse.com/product/photography-incarceration-common-empty-vase/ Publikationen: Anja Schürmann, Begriffliches Sehen. Beschreibung als kunsthistorisches Medium im 19. Jahrhundert, (Schriften zur modernen Kunsthistoriographie 8), Berlin/Boston 2018. https://www.degruyter.com/document/doi/10.1515/9783110565805/html Anja Schürmann, Steffen Siegel (Hg.): Weiterblättern! Neue Perspektiven der Fotobuchforschung, Themenheft der Zeitschrift Fotogeschichte, Heft 159, Jg. 41 (2021). https://www.fotogeschichte.info/bisher-erschienen/hefte-ab-150/159/ Anja Schürmann, InDesign als Methode? Das Fotobuch und Displays, in: Zeitschrift für Medienwissenschaft, Heft 22: Medium / Format, Jg. 1 (2020), 52–66. DOI: https://doi.org/10.25969/mediarep/13656. Roland Meyer, Operative Porträts. Eine Bildgeschichte der Identifizierbarkeit von Lavater bis Facebook, Konstanz 2019. https://www.wallstein-verlag.de/9783835391130-roland-meyer-operative-portraets.html https://www.duesseldorfphotoplus.de/ https://www.instagram.com/duesseldorfphotoplus/ Episoden-Cover-Gestaltung: Andy Scholz Episoden-Cover-Foto: Valerie Schmidt. https://valerieschmidt.de/

This is The Digital Story Podcast #839, April 19, 2022. Today's theme is "Camera Bag Odd Couple: GFX + MFT." I'm Derrick Story. Opening Monologue I'm planning a couple outdoor preflight camping trips in preparation for our upcoming Eastern Sierra Workshop, and I had to laugh when I looked down into my camera bag. What I saw was the photography version of the Odd Couple. How did I end up here? Stay tuned for the first story on today's TDS Podcast. I hope you enjoy the show.

Σε αυτό το επεισόδιο δε θα μπορούσε να λήψει η σύντομη ανάλυση σε όρο της φωτογραφίας. Αναλύουμε τί είναι τo ISO, πως επηρεάζει τις φωτογραφίες μας και πιο ειναι το ιδεατό. Διαβάστε περισσότερα (εδώ).Φωτογράφος απο το Μίσιγκαν αλλάζει τομέα και πλέον φωτογραφίζει χωρισμένες γυναίκες. Ο κλάδος έχει τρομερή ανθιση ειδικά απο τη στιγμή που ανέβηκε ο ρυθμός των διαζυγίων. Δείτε περισσότερα στοιχεία στο λινκ (εδώ)Photovision 2022 μετα απο ενα χρονο αποχή λόγω του Covid. Τα νεα της φωτογραφίας και οι τελευταιες τάσεις. Υπο την αιγίδα του ΣΕΚΑΦ. Διαβάστε σχετικά εδώ.Νέα κάμερα στα σκαριά απο την Sony. Όλα δείχνουν πως θα είναι η πρώτη Medium Format της εταιρίας. Αναμένετε με ενδιαφέρον καθώς μαζί της θα βγούν και 3 φακοί. Δείτε περισσότερα (εδώ)Photoshop Virtual Summit 2022. Αυθεντίες στη χρήση του photoshop διδάσκουν σε 40 τμήματα τεχνικές και τρικ όσο αφορά το καλύτερο ισως photo editing software.  Διαβάστε το ερθρο (εδώ).Και μην ξεχνάτε.... μπορείται να με ακολουθήσετε σε όλες τις πλατφόρμες (σχετικα λινκς υπαρχουν στο podcast) καθώς επίσης και να συμβουλευτείτε το blog που διατηρώ (εδώ) για περισσότερα νέα αλλά και τεχνικές.Περισσότερα νέα την επόμενη εβδομάδα !!! Καλή σας ακρόαση. Γειά σας !!Support the show

Chelsea & Tony Northrup discuss the rumors of the new Sony Alpha medium format mirrorless camera, with a BIGGER sensor than the Fujifilm GFX cameras. MORE megapixels, too, with up to 200 megapixels... and it has one more trick: A CURVED SENSOR! We discuss the rumors, whether making a medium format camera in 2022 makes any sense, and what we think Sony might actually release. Go to http://squarespace.com/Chelsea & save 10% off your first website or domain with code “Chelsea" Via Sony Alpha Rumors: Subscribe at http://sdp.io/saryt 

On today's episode of the B&H Photography Podcast we talk to an old friend about a new book; two-time past guest Amy Touchette joins us to discuss her book of street portraits. She also brought a friend with her - none other than photographer, Larry Fink. Is it fair to call Fink a photo legend?  We think so, and clearly the people at the Center for Creative Photography seem to think so, because they just acquired his complete archive of work including images from the 1950's to the present, from his acclaimed series “The Beats”, “Social Graces”, “The Vanities” and others.   While this is a roundtable conversation, we start with a few questions about Touchette's book “Personal Ties: Bed-Stuy, Brooklyn”, which she shot over the course of summer strolls through her New York neighborhood. We learn why she started photography in 2001, about her working process with a Rolleiflex twin lens reflex film camera, and why her personal interaction with her subjects/collaborators is paramount in her photography practice. We also talk about crowdsourcing, editorial collaboration, and why Fink wrote the foreword for Touchette's book.   Larry Fink's sixty years of photography work is well-recognized, but his harmonica playing, less so.  We hope to remedy that with this episode, but while at it, we learn how he created an extensive archive of vintage prints and “hustled” to find a home for his life's work. We learn of his Mamiya medium format camera with bellows, his preferred photo paper, and mull on the difference between our two guest's aesthetic style. We also talk about an insider vs. outsider perspective, about the nature of portraiture, and the “revelatory excitement that defies the logic of what a frame could be”.    Join us for this playful yet insightful conversation and have a look at this link for portraiture and WPPI related specials.   Guests: Amy Touchette and Larry Fink Photograph © Amy Touchette For more information on our guests or the gear discussed in this show, please visit https://www.bhphotovideo.com/explora/podcasts

Buying a film camera can be very confusing. After all, you can't really ask questions about the megapixels. Further, the autofocus doesn't have things like face and eye detection. Film cameras let you do things much differently from digital. They're fun! In 2022 though, it's nonsensical to ask yourself the same questions folks did back in the '90s and prior. You could say that your camera took good pictures, but it would be the film that did it along with the lenses. We're diving into the questions you should ask yourself about how to buy a film camera. And I'm sharing my experience from buying them for over a decade. You can view this article and much more with minimal ads in our brand new app for iOS, iPadOS, and Android. Table of Contents Choose the Right Shops (eBay, Blue Moon Camera, and More) Point and Shoot, Rangefinder, or SLR? Medium Format, Large Format, or 35mm? Your Best Bet Is All Mechanical Check Out the Lens System (If There Is One) Choose the Right Shops (eBay, Blue Moon Camera, and More) First off, choose the right shops. If you're wondering how to buy a film camera, don't get it from an awful source. You can't always trust Craigslist. And so let's dive into this a bit more: Some retailers do nothing to prep the camera for resale. Some will buy it straight from a buyer for a stupidly low price, and then sell it straight to you for more than they bought it for. I wouldn't go with any of the big guys unless it's a really big purchase of a camera that's also very rare. Even the people I know who work at the big camera shops don't buy their used film cameras there. Some retailers go as far as revamping and refurbishing the cameras. Blue Moon Camera, our partner for the Rare Camera Store initiative, does this! eBay can have good shops, but be sure to check the ratings. Etsy can be an awesome place to buy cameras if you can get them at the right price. Look around at prices on the market. Don't be afraid to be confrontational. The truth is that you're not going to be sitting there one day when you retire regretting you were confrontational. Hold them accountable. If the store you're looking at is charging more, ask them what's justifying the extra cost. Good shops will be transparent with you. Point and Shoot, Rangefinder, or SLR? There are lots of tough questions you need to answer as far as how to buy a film camera. One of them is about the camera type. A point and shoot will keep things simple. A rangefinder is one of the smallest and most versatile. Plus, they can transition easily into digital if you're reaching for something with Leica M-mount. An SLR can transition into digital too, though a bit poorly these days. SLRs show you what you're getting in the viewfinder, while other cameras give you an approximation. Personally, I reach for point and shoots and rangefinders. There are affordable SLR film cameras, but I've got a good enough experience with modern day mirrorless! Medium Format, Large Format, or 35mm? Here's another big question! What format are you intending to shoot? 35mm is a small format, but if you think about how to buy a film camera and what you're buying it for, it could be the tactile experience. If you're going for 35mm, get it because it feels good, the film you want is easier to get in 35mm, or it's just fun. Otherwise, just go medium format or large format. Most digital cameras can outdo what 35mm film does these days. But medium format can outdo digital in many ways. Your Best Bet Is All Mechanical THIS IS A BIG ONE!!! Cameras with electronics are prone to failure. Some cameras are a combo of both mechanical and electronic. For example, look at the Leica M6 or Leica CL. They're mechanical cameras but the meter uses electronics. If anything, your Leica M6 will just become a Leica M4! Mechanical cameras will also mean that they'll keep working pretty much no matter what. If your camera needs a battery to power the shutter, buy with caution. Check Out the Lens System (If There Is One) S...

In this episode, Simon Murphy shares his Photographic Memory: an image of The Beatles by Linda McCartney. Simon is a photographer based in Scotland and is known for his arresting street images as well as celebrity portraits including the Dalai Lama, Noel Gallagher and John Hurt. We discuss his latest project documenting the most ethnically diverse neighbourhood in Glasgow and finding career success during the pandemic.In conversation with Vogue, Mr Porter & New York Times photographer Jonathan Daniel Pryce aka GarçonJon. Find more info on the guests and photographs mentioned in this episode below:Web:https://photographicmemory.show/Instagram:https://www.instagram.com/garconjon/

In this episode, we're joined by two photographers who work in medium format, Caroline Bell and Bruce Bennett. Bell is joining as a guest host. Bennett was in town for his latest photo series, Love II, which was on view at the Weston Art Gallery from Nov 19, 2021 - Jan 16, 2022. Bennett explores issues of gender, sexuality, race, and socioeconomic status in large-scale black and white photographs. In this interview, we ask Bennett about how he got to this point, what it's like to balance editorial and personal work, his love for film photography, and what he misses most about art school.

One of a kind - beaming in from the ATL.Meet Dom & Alex, the innovative team of teams. With an award winning spice company, woodworking,  and photography business these heads show us Workin For That Snow in the most inspiring way.Dom & Alex talk:growing up in Miami - nobody snows,Beach Mountain - NC,Whistler While You Twerk - the snow community in Atlanta,water in the runs & drinking all the champagne - the Austria adventure,meat tips from the grill master - SLAB GUY,award winning Boûld Ass Seasoning Co. - the low-sodium-rub tailgate banger,wood working with epoxy,YouTube University, Tig welding with Jory Brigham (Framework),denting dirt-bike dates,shooting medium format film to slow the process down,&the photography brain vs the woodworking brainRecorded 12.02.21

A beautiful conversation with a life time Leica user Chaz Niell about his journey into photography [insta : https://www.instagram.com/reddotjournals/ & https://www.instagram.com/reddotjournals/ ] where we talk about Life, Love, and Leica's (C) [SMH Photo Design]. The Pod: 0:01 : The Intro ; 4:10 : Started making photos ; 8:45 : Into Leica ; 10:00 : Photography Major ; 15:19 : Ansel Adams Zone System ; 18:15 : Visiting Cuba ; 19:48 : Medium Format talk ; 25:17 : Using Camera's in unusual ways ; 30:30 : The best thing I learned from school ; 33:33 : Cinematography ; 35:45 : iPhonetography.. The everybody photographer ; 38:05 : Thinking outside the box... The process ; 40:40 : Street Photography introduction ; 43:37 : Traveling into photojournalism ; 53:10 : Appreciate my time with strangers ; 1:00:XX : The Social's ; 1:20:XX : Shooting Leica ; 1:32:XX : Staying Focused on Photography ; 1:37:XX : Projects ; 1:45:XX : My advice for you & me ; 1:54:XX : The Peers ; 1:57:XX : The Final question. Chaz's Photographer recommendation : Hoon Yim [ instagram : https://www.instagram.com/hoon_yim/ ] : Gregory Michael [ instagram : https://www.instagram.com/gregory_michael_photography/ ] : Lee Jeffries [ instagram : https://www.instagram.com/lee_jeffries/ ] : Callie Eh [ instagram : https://www.instagram.com/callie_eh/ ] --- Support this podcast: https://anchor.fm/ricardo-huerta2/support

Episode 350 of the PetaPixel Photography Podcast. Download MP3 -  Subscribe via iTunes, Google Play, email or RSS! Featured: Elinchrom Ambassador Anthony Passant In This Episode If you subscribe to the PetaPixel Photography Podcast in iTunes, please take a moment to rate and review us and help us move up in the rankings so others interested in photography may find us. Show Opener:Elinchrom Ambassador, Anthony Passant. Thanks Anthony! Sponsors: - Fujifilm's 52 weeks of FREE education.  Build Your Legacy with Fujifilm- Get a massive 40% off Picfair Plus with offer code PetaPixel40 at Picfair.com/podcast - Get 20% off at BenroUSA.com with offer code PetaPixel20- Get 20% off at PhottoxUS.com with offer code PetaPixel20- More at LensShark.com/deals. Stories: Fujifilm's GFX50S II is more affordable. (#) Canon quietly raises its prices. (#) PhotoPlus is cancelled with 3 weeks to spare. (#) Fuji's new 35-70mm for its GFX system. (#) Canon's EOS Ra is gone. (#) Fuji's new 23mm f/1.4 for X-mount. (#) Fuji X's new 33mm f/1.4. (#) Connect With Us Thank you for listening to the PetaPixel Photography Podcast! Connect with me, Sharky James on Twitter, Instagram and Facebook (all @LensShark) as we build this community. We'd love to answer your question on the show. Leave us an audio question through our voicemail widget, comment below or via social media. But audio questions are awesome! You can also cut a show opener for us to play on the show! As an example: “Hi, this is Matt Smith with Double Heart Photography in Chicago, Illinois, and you're listening to the PetaPixel Photography Podcast with Sharky James!”

Back in Episode 117, I shared that I had decided the time was right to switch from dSLR to mirrorless, and that I was in the process of researching my camera options. I decided to share that research and decision-making process on the podcast in the hopes that it may provide a less techy, more practical approach to gear decisions in general and mirrorless cameras specifically. Although it took me a bit longer than I'd originally anticipated, I've made a decision and am ready to share it (along with all the factors that led me there)!Special thanks to B&H Photo for answering my many, many questions and supplying rentals for both the Canon & Sony bodies. Special thanks also to Stacey Moore and Fujifilm for talking me through (and loaning me!) the magic of modern-day APSC and digital Medium Format) cameras!_________Like my approach and interested in diving deeper on the business side of things? Sign up here for instant access to my free masterclass to learn my hybrid IPS/online sales strategy that's achieving predictably profitable sales for hundreds of photographers around the world!

Episode 10. Tim Franco explores his Photographic Memory: an image taken at night from the rooftops of a rapidly changing Shanghai.Tim is French but has lived in Asia for 15 years, now residing in Seoul, South Korea. He shares his growth throughout his time there, discussing a few of the key projects he's worked one along the way. This includes 'Metamorpolis' looking at how a largely rural population is struggling to find its spaces into a fast developing city.This year, Tim released his most recent book 'Unperson: Portraits of North Korean Defectors'. This work, shot on expired instant film, shows a new side to his work and he explores how he approached the project as well as sharing the trauma and inspiration from each of his subjects. In conversation with Vogue, Mr Porter & New York Times photographer Jonathan Daniel Pryce aka GarçonJon. Find more info on the guests and photographs mentioned in this episode below:Web:https://photographicmemory.show/Instagram:https://www.instagram.com/garconjon/

There was a day that Medium Format (MF) cameras used to cost as much as a downpayment on the three-bedroom house. And while those days aren't thoroughly over, things today have changed for the better. https://photographypx.com/best-medium-format-camera/ Video https://youtu.be/Hs6UGaNblNE

There was a day that Medium Format (MF) cameras used to cost as much as a downpayment on the three-bedroom house. And while those days aren't thoroughly over, things today have changed for the better.https://buff.ly/3hG2Wjm

This is The Digital Story Podcast #793, June 1, 2021. Today's theme is "Get Serious: The Fujifilm GFX 100S Medium Format Mirrorless." I'm Derrick Story. Opening Monologue When you first pickup the GFX 100S, you know you're playing in a different league. Its heft combined with confidence-inspiring specification builds anticipation that something wonderful is about to happen. And the pictures do not disappoint. The question is: Is this camera for you? We'll explore that topic on today's TDS Photography Podcast. Digital Photography Podcast 793 Tune-In Via Your Favorite Podcast App! Apple Podcasts -- Spotify Podcasts -- Stitcher Podbean Podcasts -- Podbay FM -- Tune In Get Serious: The Fujifilm GFX 100S Medium Format Mirrorless The Fujifilm GFX 100S ($5,999) is a 102MP mirrorless camera featuring a 43.8 x 32.9mm BSI CMOS sensor. It produces files that measure 11,648 X 8,736 pixels, yet feels like a pro caliber DSLR in the hands. I've been shooting with the hefty but amazing GF 80mm f/1.7 R WR lens ($2,299) that provides an effective focal length of 63mm, and the relatively compact Fujifilm GF 50mm f/3.5 R LM WR lens ($999) with a 40mm effective focal length. Both optics are outstanding. Basic specs for the GFX 100S include: 102MP 43.8 x 32.9mm BSI CMOS Sensor X-Processor 4 Image Processor 4K 30fps Video; F-Log Gamma, 12-Bit Raw Out 3.69m-Dot OLED EVF 3.2" 2.36m-Dot Tilting Touchscreen LCD 5-Axis Sensor-Shift Image Stabilization 425-Point Phase-Detection Autofocus ISO 100-12800, Up to 5 fps Shooting 400MP Pixel Shift Multi-Shot 19 Film Simulation Modes 16-bit RAW files Dual Slot SD/SDHC/SDXC (UHS-II) memory In so many ways, it feels like a mirrorless camera. What I thought was interesting was that since I shoot regularly with a Fujifilm X100V, I felt right at home with the GFX 100S. The menu system, controls placement, and general behavior are very similar. Honestly, the GFX felt like its bigger brother. There are differences of course. The GFX tops out at 5 fps burst mode, the picture taking experience is more sounds and feels more like a DSLR, and the lenses are much larger as well. The camera's interaction with the Fujifilm Cam Remote app was just as sure-footed as with the X100V. I especially appreciated the realtime geotagging that the tandem accomplishes with ease. In terms of shooting experience, the autofocusing was both responsive and accurate with both the 50mm and 80mm optics. In addition to click aperture settings, each lens sports the "A" and "C" options that allow you to use automatic mode or customize the aperture changes with the front dial on the camera. Very nice! The camera is very comfortable to hold, especially if you have large hands. The grip is deep and is complemented by an excellent thumb rest on the back. You could hold the camera with one hand and shoot, which is saying something for a medium format machine. I love the back LCD. Not only is it sharp and bright, but it tilts both up and down, and sideways. Very clever and useful. Once again, the camera behaves like a modern mirrorless allowing for easy and fast composition on the back LCD. In fact, it's really fun to shoot this way. The top LCD is also wonderful. You have your choice of white lettering on a black background, or black lettering on a light gray background. So you can use it in any type of lighting. As you might suspect, image quality is outstanding for both Jpegs and RAWs. I very much enjoy editing the files in Capture One Pro 21. So much data to work with! Is this camera for you? I discuss this in the podcast. Capture One announces native M1 support, promises significant performance improvements You can read the entire article on DP Review. Add another high-end photo editing application to the list for Apple M1 Macs. Capture One has announced that Capture One 21 is now ready for Apple Silicon. A new update, available now, allows the popular editor to run natively on the M1 chip. When Apple announced its silicon and the new M1 Macs, which currently comprise MacBook Pro, MacBook Air, Mac mini and iMac models, Apple remarked how simple it was for software to be ported from Intel to Apple's silicon. It was a far deal more complicated for some software, such as Capture One. Capture One says that given the power of Apple's M1 chip, and the 'seismic shift' the new technology represented, it was time to 'completely rethink' its software. To get Capture One running natively on M1 Macs and for it to take full advantage of the hardware, Capture One had to go further than ever before. Capture One had to be rearchitected from the ground up. Today's update a fundamental redesign of the software and one that Capture One believes is well-positioned for the future. As Capture One writes, 'the future looks fast.' Capture One on an M1-powered Mac has many impressive performance improvements. The new Advanced Imported is 50% quicker. Key tools such as Crop and Rotate are twice as fast. Making local edits with brushes and using Style Brushes is smoother than ever. The new Capture One 21 update is available now to all existing users. Editor's note: I've seen tests that report that importing is 30 percent faster with this version of C1P on an M1 compared to the previous version. New Release: Capture One Pro 21 Essential Training Capture One Pro is a complete digital photo management and editing application for professional photographers and serious enthusiasts. Photographers who appreciate outstanding RAW processing, expert color control, and logical organization should consider Capture One Pro for its comprehensive feature set. In this course, professional photographer and instructor Derrick Story helps you learn the basics quickly, then takes you deeper into the application to master its finer points. For seasoned users, Derrick also covers all the new features in version 21, including Speed Edit, the Dehaze slider, and Style Brushes that allow you to enhance specific areas of a photo. To wrap up, he shares tips and techniques that can help you ensure your workflow is as efficient as possible. You can check it out now by visiting LinkedIn Learning. Did You Shoot the Lunar Eclipse? I had clear skies last Wednesday morning allowing me to shoot the lunar eclipse with my Olympus 40-150mm PRO lens and an OM-D E-M5 Mark II camera. You can see the shot here. It made Flickr Explore. Using OI Share made it a wonderful experience. I'll discuss it on the podcast. The New Donation Kit for Carefree Shipping of Found Film Cameras Greg Croasdill recently wrote me this: "My father-in-law passed away recently and I would like to donate his film cameras to the Film Camera Shop. I've heard you speak of this for years on your podcast and now finally I have some good equipment to send you way." If you've discovered a film camera that's no longer being used, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on

In this episode of Good Morning Camera, we're getting on the rumour train and staying on for the entire episode as we discuss some new leaks around Canon cinema solutions, Fujifilm medium format cameras, and another Sony e-mount camera on the horizon. Enjoy!

Bringing It All Back Home returns with an episode about heartbreak, 6 X 7 medium format cameras that stop working for no good reason, the Glory Years of collecting 6 X 7 (now gone), and a possible way to salvage a breakup with a Pentax 6 X 7 that one can no longer trust 18 months after an expensive CLA. --- Send in a voice message: https://anchor.fm/charles-kershenblatt8/message

Hi everybody. Welcome to Episode 54 of the Photography Explained podcast.I’m your host Rick McEvoy and I explain one photographic thing per episode in plain English in less that 10 minutes without the irrelevant detail. I have well over 30 years of experience in photography so I do know what I am talking about!In this episode - What Is A Medium Format Camera?Here is my answerA medium format camera is a camera with a sensor which is larger than a full frame camera. A medium format camera take photos with higher image quality, resolution and detail. As well as having a larger sensor the pixels are larger meaning more light is captured giving increased tonal information. Medium format cameras capture a wider dynamic range than full frame cameras.Listen for more, or check out the transcript and even the blog post - so many ways to find out more!What’s next?Glad you asked! In Photography Explained Podcast 55. What Does DSLR Mean? More Baffling Stuff Explained In Less Than 10 MinutesWhat to ask a question?Head over to the Want Me To Explain Something? page on the Photography Explained website and fill the form in and you are done!Check out my my blogCheck out my photography blog where you will find lots more photography stuff all written by me.Did you enjoy this episode?If you did please do the following, which will help me and not take too much time.·         Rate and review my podcast·         Subscribe·         Tell anyone you think might like my podcastThank you very much for listening and see you on the next episode.Rick McEvoy – Photography Explained Podcast

Join Jason Lanier for episode 20 where he describes his recent interest in shooting with the Fuji mirrorless system. As a long time Sony and Nikon shooter, Jason jumping into the Fuji system has his followers asking why. And this episode delves into that question as he talks about Fuji's crop sensor AND medium format cameras.Jason also shares stories from his recent shoot at the abandoned distillery in Lexington, Kentucky that he did where he shot both Sony and Fuji cameras.He ends the episode by talking about his upcoming photojournalism projects and how he plans on using these cameras to create his work. We thank you for listening and ask you to share this episode if you like it!

012 - Advice Hour (Medium Format) by Branden Stanley, Daniel Gebert, Cody Hilliard, Andy Adames, John-Henry Keenan

Chris Berry shares some initial thoughts on the newly announced Fujifilm GFX 100s camera. https://fujifilm-x.com/global/products/cameras/gfx100s/ Chris on IG: http://www.instagram.com/_christopherberry_

The Fujifilm GFX 100S Medium Format Mirrorless Camera Body is a new generation of large format digital camera, designed to suit a new generation of creators. The post FIRST LOOK! Fujifilm’s Medium Format GFX 100s appeared first on This Week in Photo.

Welcome to the Medium Format podcast where we'll have candid conversations as content creators. 

On this episode of Photo Geek Weekly, Don is joined by Steve Brazill to discuss the latest cameras from Fujifilm, what photo competitions to stay away from, censorship, stock and a nifty little 3D camera. As always, thanks so much for listening! Story 1: Fujifilm GFX 100S offers 100MP in a smaller, less-expensive body (via [...]

On this episode of Photo Geek Weekly, Don is joined by Steve Brazill to discuss the latest cameras from Fujifilm, what photo competitions to stay away from, censorship, stock and a nifty little 3D camera. As always, thanks so much for listening! Story 1: Fujifilm GFX 100S offers 100MP in a smaller, less-expensive body (via [...]

Everything new and Fujifilm related... (including the GFX 100s!!!) Episode 60: In this episode we are joined by our good friend and Fuji X-ambassador Scott Johnson from The Edge photography to discuss the new eye wateringly good offerings from Fujifilm!! Scott has been demoing and trialing the new Fujifilm’s GFX100s since late last year and is absolutely delighted to share his thoughts and findings with us! We talk about the stunning capabilities of this new beast of a camera but also it’s VERY appealing price tag and relatively compact size!! We also catch up with how Scott is getting on dealing with all the new lockdown restrictions and the fact that weddings are currently illegal in England. James has a cancellation to deal with but Ross has had a few new bookings in the last week or two. Enjoy   James Business of Photography Course: https://www.jkbop.com The New Discord Landscape Community: https://discord.gg/TV2NrCg8BE Fuji’s new medium format GFX 100s: https://fujifilm-x.com/global/products/cameras/gfx100s Scott Johnson/The Edge Photography details Fujifilm: https://fujifilm-x.com/global/photographers/scott-johnson Website: https://www.theedgephotography.co.uk Facebook: https://www.facebook.com/theedgepics Instagram: https://www.instagram.com/theedgepics   Got any questions? Send us your questions and thoughts on the show to hello@jameskelly.co or join our Facebook group here and leave your comments, questions or share your images (please do not bombard the page with heaps at a time). Lastly, we would be grateful if you could give the show some love by leaving us a (great 5*) review on iTunes, this will help other photographers find us: goo.gl/6Kam3P The Facebook Group: www.facebook.com/groups/thephotographerscraic Our website: www.thephotographerscraic.com

Welcome to another episode of The Photography Bar. In this episode, we talk about the Disabled Photographers Society print bid. We discuss what really makes a good camera bag. Does Canons new camera compete with Medium Format quality? Do we need to be more careful with how filters and presets are used?   For more information on the Disabled Photographers Society print bid, please visit: https://www.photographyshow.com/disabled-photographers-society-charity-auction   Check back every Monday to be sure that you don't miss a single episode. Hit that subscribe/follow button so you don't miss out. Make sure you follow us on Twitter and like us on Facebook. To get in touch please email chat@thephotographybar.co.uk.  

While mirrorless cameras accelerate into the future, medium format models are hearkening unto the past — and Hasselblad chief among them. Its new digital back fits lenses going back to the '50s, and the tiny 907X camera body is about as lovely a throwback as one can imagine. The new set of systems, announced today, are somewhat different from what most people are used to.

“With each of the studies we've talked about, I've had to have the motivation, the passion, the interest, the fascination with the subject and I've needed to go out and make those photographs.”My introduction to the work of Richard Beaven came via a text message from Jon Wilkening, which read simply “you need to talk to this guy” with a link to his Instagram. I think it took all of two images to realize he was right. Richard's latest project is called All of Us. It's a beautiful body of work — 275 portraits made over the course of a year in the town of Ghent, New York — that manages to capture not only the soul of the town but also the people who call it home. Richard's work is centered around connection, both to his subjects and their environments. And whether he's immersing himself in Trump Country or spending time on small family ranches in rural America, the stories Richard tells through his photographs are in many ways the stories of us all. They are about belonging and being seen for exactly what and who we are. CONNECT WITH RICHARDWebsite: http://richardbeaven.com/Instagram: @richardbeavenTwitter: @richardbeaven MUSICPlease Listen Carefully (Jahzzar) / CC BY-SA 4.0

A little look at the 1920s Ensign Singlo folding camera, and a little chat about using these types of cameras as an entry into the world of medium format film photography. --- Send in a voice message: https://anchor.fm/sootandwhitewash/message

On this episode of The Angry Millennial, we chat with Doug Peterson, wedding photographer and resident nerd & smooth talker at Digital Transitions, or as most everyone calls them, Phase One America. We had the opportunity to sit down with Doug at D/T's office in NYC, which is awesome by the way & definitely something every photographer should check out while in New York. We talk about how cameras are merely tools for photographers to use, the understandable lust some photographers have for medium format, why personal work will always be something to pursue, and even geek out about DSLR vs Medium Format debates, along with much more on this episode of The Angry Millennial. Remember to always use #theangrymillennial on social media + follow @millennialangry on Twitter to ask any questions you'd like any of the upcoming guests to answer during the show.