Podcasts about Rubber Soul

ReferencesNeural Regen Res. 2025 Apr29;21(3):1037–1057.J of Mol&Cell Medicine 2014. 18.10:1927-1937Guerra, DJ. 2025. Unpublished LecturesMozart, WA. 1781. Serenade #11 in E Flat. K375.https://music.youtube.com/watch?v=ZaFD_Z-wE9s&si=ECTsdvnePQeEFZyzLennon/McCartney. 1965. "In My Life" from Rubber Soul lp Beatleshttps://music.youtube.com/watch?v=YBcdt6DsLQA&si=7Nzcy7c843KLTKHW

The Blottos are back, and we don't miss a beat as we tackle a bevy of topics such as the long lost Rubber Soul movie, the importance of the Backstreet Boys at the Sphere, It's a Paul World After All, the Scar Tissue audio book, the potential of seeing Paul in the Hamptons, the state of movie theaters, Modeloritas, and the Epstein files.  Finally, we turn up the volume as we discuss the George non-banger "I Need You."As always, you can find Team Blotto Beatles on Instagram (@blottobeatles) and Twitter / X (@blottobeatles), by emailing us (blottobeatles@gmail.com), or on the web (blottobeatles.com).  We want to hear from you!Please also take the time to rate and review us on Apple podcasts or wherever you get your podcasts.We have a shop!  Grab some merch.  You can always drunk dial us at 1.857.233.9793 to share your thoughts, feedback, confessions, and concerns to be featured in an upcoming episode. Enjoying the show? Buy us a beer via the tip jar (don't forget to include a message telling us what we should drink with the money).You know we're making a list of it, see the canonical, argument-ending list of Beatles songs we are assembling here: http://www.blottobeatles.com & listen to it on Spotify here.Please remember to always enjoy Blotto Beatles responsibly.Peace and Love.Hosts: Becker and TommyExecutive Producer: Scotty C.Senior Director of Sonic Strategies: RBAssociate Musical Supervision: Tim Clark (@nodisassemble)Artist-in-Residence: Colin Driscoll (@theroyal.we)

The Beatles grow up, plug into a sitar, and start writing for themselves.In this episode, the McGuigan Brothers dive into Rubber Soul, the moment everything changes. It's out with the covers and in with confessionals, fuzz bass, and French ballads. Track by track, we unpack Dylan's influence, the invention of album cohesion, and the sharp left turn that set the stage for Revolver and Sgt. Pepper.We also talk about the In My Life piano solo, the Help! leftover that still made the cut, and whether George's songs get enough love. Plus: Matthew's Headphones Moment, Ryan's boldest take yet, and Producer Kate's no-nostalgic rating.

Teun hing de kok uit en kwam gehavend uit de strijd; met een groot wit verband schuift hij aan in de studio. Maar waar is de zijmoot van zijn vinger eigenlijk gebleven? Gijs werd als een kleine jongen te kijk gezet in een Amsterdams etablissement en dat haalde niet het beste in hem naar boven. Hanneke date het liefst onder narcose en we vieren het genot van hard opgepompte fietsbanden. We sluiten af met een gek op YouTube.

ReferencesCancer Letters 2024. Volume 593, 1 July.216930Nature Review Genetics 2019. v. 20. November 657-674.Lennon/McCartney. 1965. "Things We Said Today"https://music.youtube.com/watch?v=NItAlTsPuQg&si=oWlkf4sV9HyT5RezRossini, G. "The Italian Girl in Algiers" Overturehttps://music.youtube.com/watch?v=8pf5MdTZZDI&si=Hgcf6vVpwQE6jJzRLewis & Wright. 1966. "When a Man Loves a Woman." Percey Sledge.https://music.youtube.com/watch?v=KwPxhWU1koE&si=zNuoJIZHb1VARi5_Ballard, H. 1958 "The Twist". For Teen Twisters. lp. Chubby Checkerhttps://music.youtube.com/watch?v=-CCgDvUM4TM&si=UP7Uv8xiQ4keAXBwLennon/McCartney. 1965. "Girl" Rubber Soul lp. Beatleshttps://music.youtube.com/watch?v=-8l3ntDR_lI&si=aF2Z3egYapJm3ijv

Jude Southerland Kessler, renowned John Lennon historian, discusses The Beatles' pivotal moments from late 1965 to early 1966. From Shea Stadium to Rubber Soul and even meeting Elvis, she has stories and songwriting insights you won't want to miss!Purchase a copy of Some Forever: Shades Of Life, Part 2Visit the John Lennon Series website Listen to The Beatles Rubber Soul ---------- BookedOnRock.com The Booked On Rock Store The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:FACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

¡Hola! ¿Cómo estás? Esperamos que muy bien.Si, es un episodio distinto y especial pero también una secuela. Volvimos con las opiniones polémicas y hablamos sobre todo, desde Let It Be Naked a All Things Must Pass pasando por John y Paul, carreras solistas, el slide de George y hasta el stereo de Rubber Soul (!).Además hay sección noticias y charlamos sobre:- El cumple de Ringo- La vuelta de Paul a los escenarios- Despedimos a Ozzy OsbourneQue lo disfrutes*ruido de mate*

On this episode of Vinyl Verdict, Bell, Jamie and Adam listen to Jamie's final pick for Season 3, The Beach Boys' "Pet Sounds". Released in 1966, it was a monumental work that influenced many artists. Inspired by the Beatles' 1965 album "Rubber Soul", Brian Wilson, the creative head of The Beach Boys decided to make an album that surpassed it in every way. The pursuit of perfection meant that the band didn't actually play on many of the songs and instead enlisted many session musicians to complete the album. Initial reactions to the album were decidedly mixed, with fans and critics alike not understanding the new sound and direction for the group. Retrospective reviews of the album are much more favourable, with many citing it as one of the greatest albums of all time. But where will the boys place this album on their rankings? Come along and find out!

It's Ringo's chance to take centre stage on Rubber Soul as What Goes On dolefully shuffles into view. Is this song as doleful as all the other doleful songs Ringo has sung? Is it worthy of inclusion in a list of doleful Ringo songs at all? And is there any other world to describe this song as other than doleful? Doleful. Rankings: Track-by-track Ranking eMail: beatlesstuffology@gmail.com Twitter: @beatles_ology Instagram: beatlesstuffology JG's Blog: Judgementally Reviews… Andrew's Blog: Stuffology   Produced By: State of the art hardware rendered only somewhat useful by JG McQuarrie

Recorded only two days before the great man's passing, this audiobook-style episode is a Brian Wilson diary that covers the 27 sessions it took to accomplish one of his great works, a span of six months that kicks off at the moment in December 1965 when he first heard The Beatles' Rubber Soul and vowed to make the greatest rock record of all time, to Pet Sounds' release in May 1966. I'm joined by the world's foremost Petsoundsologist Chuck Granata, author of the incredible book Wouldn't It Be Nice: Brian Wilson And The Making Of The Beach Boys' Pet Sounds. This episode features a critical cameo by the great Fred Vail.Here's just a few of the many things that Chuck discusses with Discograffiti in this podcast:The Pickwick Bookstore acid flashback that inadvertently provided the initial inspiration for Pet Sounds;The unlikely figure who first introduced Van Dyke Parks to Brian Wilson;The only song on the record that features The Beach Boys playing instruments;The record company's real motivation for releasing “Sloop John B” as a single;How Brian countered record company disinterest in a classic meeting held at Capital HQ;The importance of Bruce Johnston's UK Pet Sounds unveiling;And a beautiful cameo by Fred Vail describing the atmosphere at the mastering session, which was only attended by Fred and Brian's wife Marilyn.There'll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti's Patreon. Don't miss it, or you'll only be getting part of the story. Get it as a one-off, get the full series, or better yet just subscribe.Full Episode: Patreon.com/Discograffiti (available on the Major Tier & up)Free Sneak Peek: linktr.ee/discograffitiSubscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. It's completely free to be a basic member, $1 to get your backstage pass, $5/month for the weekly Sunday show by & for our community, $10 for weekly early release, ad-free, super-extended Director's Cuts of the main show plus access to half our Patreon episode archive, & $20 for Discograffiti's weekly bonus episodes and access to our entire Patreon episode archive. There are now over 300 Patreon episodes.CONNECTJoin our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153Patreon: www.Patreon.com/DiscograffitiPodfollow: ⁠⁠https://podfollow.com/1592182331⁠⁠YouTube Channel: https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhwInstagram: https://www.instagram.com/discograffitipod/Facebook: https://www.facebook.com/Discograffiti/Twitter: https://twitter.com/DiscograffitiOrder the Digital version of the METAL MACHINE MUZAK 2xLP (feat. Lou Barlow, Cory Hanson, Mark Robinson, & W. Cullen Hart): www.patreon.com/discograffiti/shop/197404Order the $11 Digital version of the MMM 2xLP on Bandcamp: https://discograffiti.bandcamp.com/album/metal-machine-muzakOrder the METAL MACHINE MUZAK Double Vinyl + Digital package: www.patreon.com/discograffiti/shop/169954Merch Shop: https://discograffitipod.myspreadshop.com/allVenmo Dave A Tip: @David-GebroeWeb site: http://discograffiti.com/CONTACT DAVEEmail: dave@discograffiti.comFacebook: https://www.facebook.com/hooligandaveInstagram:  https://www.instagram.com/davidgebroe/Twitter: https://twitter.com/DaveGebroeThere is no other Patreon in existence where you get more for your money.  If you're already a member, please comment below about your experience.  www.Patreon.com/discograffiti#chuckgranata #wouldntitbenice #thebeachboys #brianwilson #beachboys #denniswilson #mikelove #carlwilson #music #thehollies #aljardine #thebeatles #brucejohnston #rock #petsounds #brianwilsonrip #goodvibrations #paulmccartney #surf #rocknroll #davidmarks #records #surfing #california #beach #surfrock #discograffiti #metalmachinemuzak #soldiersofsound #andyourdreamscometrue

Bill Miller isn't just Texas' fastest growing BBQ joint this side of that one suburban Manila Kenny Rogers Roasters. No, sir/ma'am! Once upon a time, Bill Miller traded in his Texas, wet-rub BBQ stained hands to prepare something better and more culturally significant than chick'n: a U.S. Beatles album! Longtime Capitol butcher Dave Dexter was (allegedly) too busy running Nixon's campaign to assemble a Beatles album comprised of songs left-over from the British albums “Help”, “Rubber Soul”, and ripped from the not yet released “Revolver”. So that job fell to Bill Miller, the fast-growing Texas BBQ joint. HEARD OF IT, LIB? #Freedumb And in the process, the infamous - yet famously fun-to-spin - final U.S. capitol album of “new” material was released: Yesterday…And Today. (a.k.a. “Yesterday...And Today” for you cassette freaks! We see you! We are you!) This week, Tony & T.J. begin a deep dish of this classic, million selling Beatles album, which was unavailable and out of print from 1992-2014. Along the way, they ask the questions that only two guys with this much weirdo time on their hands would ask, like:

Mit "Pet Sounds" wollten The Beach Boys rund um Brian Wilson das größte Rockalbum aller Zeiten schaffen. Bis heute gilt es als wegweisender Meilenstein der Musikgeschichte. "Pet Sounds" erschien am 16. Mai 1966 als elftes Studioalbum der Beach Boys. Die kalifornische Band bestand aus den Brüdern Brian, Dennis und Carl Wilson, ihrem Cousin Mike Love und dem Schulfreund Alan Jardine. Mit "Pet Sounds" entfernten sie sich von ihrem sommerlichen Surfsound und wandten sich vielschichtigen, komplexen Kompositionen mit lyrischer Tiefe zu. Während der Produktion des Albums war ein Großteil der Beach Boys eigentlich gar nicht dabei. Die Band tourte gerade durch Japan. Nur Brian Wilson, der kreative Kopf der Gruppe, blieb zurück in Kalifornien, um sein Ziel zu erreichen, das beste Rockalbum aller Zeiten zu komponieren. Dabei orientierte er sich am Album "Rubber Soul" von den Beatles, das ein Jahr zuvor erschienen war. Brian Wilson war ein großer Fan des amerikanischen Produzenten Phil Spector, der für die Komposition dichter und orchestraler Klangflächen bekannt wurde, der sogenannten "Wall Of Sound". Spector war unter anderem am Song "Be My Baby" aus dem Jahr 1963 von den Ronettes beteiligt. Wilson bezeichnete das Lied als das beste Popstück, das je geschrieben wurde. Tief beeindruckt von Spectors Arbeit, wollte Wilson ihn jedoch nicht einfach nachahmen. Sein Anspruch war, ihn zu übertreffen. Neben der neuartigen Kompositionsweise finden sich auf "Pet Sounds" viele interessante Instrumente, oder eher Alltagsgegenstände, die zu Instrumenten umfunktioniert wurden. Im gleichnamigen Titelsong "Pet Sounds" spielte der Schlagzeuger die Percussions am Anfang mit zwei leeren Cola-Dosen ein. In "You Still Belive In Me" kommt eine Fahrradhupe zum Einsatz. An anderen Stellen klingen Löffel als Rhythmusinstrumente mit und der letzte Song des Albums, "Caroline, No", endet mit Hundegebell und einem vorbeifahrenden Zug. "Pet Sounds" ist ein einzigartiges Album, das die Musikwelt bis heute prägt. Bei seiner Veröffentlichung blieb der große Erfolg jedoch zunächst aus. Es schien, als hätte Brian Wilson sein Ziel, das größte Rockalbum aller Zeiten zu schreiben, verfehlt. Die Enttäuschung traf den Musiker damals tief. __________ Über diese Songs vom Album "Pet Sounds" wird Podcast gesprochen (22:43) – "Wouldn't It Be Nice"(36:25) – "Pet Sounds"(39:26) – "You Still Believe In Me"(40:07) – "Caroline, No"(45:53) – "Sloop John B"(51:37) – "God Only Knows"(01:02:31) – "I Just Wasn't Made For These Times" __________ Alle Shownotes und weiterführenden Links zur Folge: linkhttps://1.ard.de/the-beach-boys-pet-sounds __________ Ihr wollt mehr Podcasts wie diesen? Abonniert "Meilensteine – Alben, die Geschichte machten"! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

Listeners of The Wolf know that despite the fact that The Wolf lived mere yards (or meters) from Abbey Road, he and Action Jackson aren't huge Beatles fans. While he did go through a Beatles stage in high school, it was really an education on how the band evolved and created some amazing music which is still enjoyed and studied today. However, thanks to a run of 60s rock related movies that ran on Cinemax one night in the 80s, The Wolf became very familiar with Help! as he recorded the movie on VHS and watched it over and over. It was in technicolor, unlike A Hard Day's Night, and showed the boys having fun in exotic locales like Switzerland, The Bahamas, Stonehenge and Buckingham Palace. The seven tunes on the album that were included in the movie all hold up well and are fun to sing along with while you're watching. But the album is the first step moving from being bubble gum pop stars into more respected recording artists. We review the UK version of the album as the US version is shorter with orchestrated score tunes from the movie. The whole first side of the UK album features beloved songs from the movie like the title track, Ticket To Ride, You've Got To Hide Your Love Away and The Night Before. But the second side also features some Beatles classics like Ringo singing Act Naturally, I've Just Seen A Face and the all-time classic Yesterday. It's amazing that the boys were all so young (21-24) and were maturing before our eyes as they were now able to write more robust tunes with more mature themes. Bob Dylan had introduced them to marijuana by now and they'd done their first LSD trips which would show up more on an album from later in 1965, Rubber Soul (and after). But this one has one foot in the old, teenage dream Beatles phase and one in the more mature and experimental Beatles. We can't believe it's turning 60 but we went track x track to celebrate. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Hosts Jim DeRogatis and Greg Kot pay tribute to the late musical genius Brian Wilson, who died at age 82. They'll discuss Wilson's transcendent music, including doing a deep dive on his masterpiece, Pet Sounds.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:The Beach Boys, "I Just Wasn't Made For These Times," Pet Sounds, Capitol, 1966The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967The Beach Boys, "In My Room," Surfer Girl, Capitol, 1963The Beach Boys, "Lonely Sea," Surfin' USA, Capitol, 1963The Beach Boys, "Don't Worry Baby," Shut Down Volume 2, Capitol, 1964The Beach Boys, "Surf's Up," Surf's Up, Brother/Reprise, 1971The Beach Boys, "Still I Dream of It (Original Home Demo, 1976)," Good Vibrations:Thirty Years of the Beach Boys, Capitol, 1993The Beach Boys, "Sloop John B," Pet Sounds, Capitol, 1966The Four Freshman, "I Remember You," Four Freshmen and 5 Trombones, Capitol, 1955The Gamblers, "LSD-25," Moon Dawg!/LSD-25, World Pacific, 1960The Beach Boys, "I'm Waiting for the Day," Pet Sounds, Capitol, 1966The Beach Boys, "Don't Talk (Put Your Head on My Shoulder)," Pet Sounds, Capitol, 1966The Beach Boys, "Let's Go Away for Awhile," Pet Sounds, Capitol, 1966The Beach Boys, "Caroline No," Pet Sounds, Capitol, 1966The Beach Boys, "You Still Believe in Me," Pet Sounds, Capitol, 1966The Beach Boys, "Pet Sounds," Pet Sounds, Capitol, 1966The Beach Boys, "Hang On to Your Ego," Pet Sounds, Capitol, 1966The Beach Boys, "That's Not Me," Pet Sounds, Capitol, 1966The Beach Boys, "God Only Knows," Pet Sounds, Capitol, 1966The Beach Boys, "Little Deuce Coupe," Pet Sounds, Capitol, 1966The Beatles, "Nowhere Man," Rubber Soul, Parlophone, 1965The Beatles, "She's Leaving Home," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Horsegirl, "2468," Phonetics On and On, Matador, 2025See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Listeners of The Wolf know that despite the fact that The Wolf lived mere yards (or meters) from Abbey Road, he and Action Jackson aren't huge Beatles fans. While he did go through a Beatles stage in high school, it was really an education on how the band evolved and created some amazing music which is still enjoyed and studied today. However, thanks to a run of 60s rock related movies that ran on Cinemax one night in the 80s, The Wolf became very familiar with Help! as he recorded the movie on VHS and watched it over and over. It was in technicolor, unlike A Hard Day's Night, and showed the boys having fun in exotic locales like Switzerland, The Bahamas, Stonehenge and Buckingham Palace. The seven tunes on the album that were included in the movie all hold up well and are fun to sing along with while you're watching. But the album is the first step moving from being bubble gum pop stars into more respected recording artists. We review the UK version of the album as the US version is shorter with orchestrated score tunes from the movie. The whole first side of the UK album features beloved songs from the movie like the title track, Ticket To Ride, You've Got To Hide Your Love Away and The Night Before. But the second side also features some Beatles classics like Ringo singing Act Naturally, I've Just Seen A Face and the all-time classic Yesterday. It's amazing that the boys were all so young (21-24) and were maturing before our eyes as they were now able to write more robust tunes with more mature themes. Bob Dylan had introduced them to marijuana by now and they'd done their first LSD trips which would show up more on an album from later in 1965, Rubber Soul (and after). But this one has one foot in the old, teenage dream Beatles phase and one in the more mature and experimental Beatles. We can't believe it's turning 60 but we went track x track to celebrate. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Time for George's first entry into Rubber Soul as JG and Andrew tackle Think For Yourself. Is the song as bitter as it sometimes appears? How does the political angle work? And who's the impost important player on the track? Plus we dive into the postbag for a little correspondence. (Also, apologies for JG's slightly odd sound - thanks to some technical constrains, the sound quality isn't it's usual high standard. Apologies, folks!)   Rankings: Track-by-track Ranking eMail: beatlesstuffology@gmail.com Twitter: @beatles_ology Instagram: beatlesstuffology JG's Blog: Judgementally Reviews… Andrew's Blog: Stuffology   Produced By: Blind Luck and JG McQuarrie

Comedian Amy Matthews joins us this week to chat about her early musical memories, her love of Rubber Soul, and we take a deep dive into the 1978 Bee Gee-fronted mind-melting musical film, Sgt Pepper's Lonely Hearts Club Band. Spoiler: it's less than brilliant.For subscribers, Jack and Robin break down George Harrison's Try Some, Buy Some, from 1973's Living in the Material World. Subscribe via Apple Podcasts or at Patreon.com/personalbeatles.Links of note:You can watch the film here: https://youtu.be/ZwfSfdYMfXs?si=QYh9WFEF-0GhFm3qGary Barlow's big son: https://www.independent.co.uk/voices/gary-barlow-massive-giant-tall-son-b2642537.htmlDavid Bowie's version of Try Some, Buy Some: https://www.youtube.com/watch?v=Svpv6UHA-dwAmy's stuff!WEBSITE: www.amymatthewscomedy.comSOCIALS: @amyfmatthewsSUBSTACK: amyfmatthews.substack.comVINYL PRE-ORDER: www.monkeybarrelrecords.com/product-page/amy-matthews-commute-with-the-foxes Hosted on Acast. See acast.com/privacy for more information.

When you explore the music of The Yardbirds you are really observing the evolution of what would become hard rock.  This group started in 1963 and over its time would engage the talents of three of the greatest guitarists of the rock world:  Eric Clapton, Jeff Beck, and Jimmy Page.  Additional musicians in the group through 1968 were Keith Relf on vocals and harmonica, Jim McCarty on drums, Chris Dreja on rhythm guitar, and Paul Samwell-Smith on bass.  The group was founded in the blues, but over time would explore psychedelic rock, pop rock, and hard rock, with instrumental jams being a signature sound throughout their tenure.Having a Rave Up, also known as "Having a Rave Up with the Yardbirds," is their second American album, and showcases two of their virtuoso guitarists.  The album has one side of studio recordings in which Jeff Beck is the guitarist.  Side two is a compilation of live performances featuring Eric Clapton on guitar.  During a time when most songs were expected to run about three minutes, the Yardbirds would extend these out in live performances to six or seven minutes with instrumental jams known as "rave ups."  The combination of studio and live work is an excellent introduction to The Yardbirds, as the band's strength was in their live performances.  Their studio efforts would improve with the experimentation of Jeff Beck.Jimmy Page would become their guitarist in mid-1966 until their split-up in mid-1968.  He would form a group as "The New Yardbirds" shortly thereafter, which would be renamed shortly thereafter to Led Zeppelin.Rob brings us this study in the origins of rock for this week's podcast. Heart Full of SoulThis song was the first single released by The Yardbirds after Jeff Beck joined the group.  It was written by Graham Gouldman, who would later be the co-lead singer and bassist of 10cc.  The band wanted to include a sitar in the instrumentation for this song, but when things didn't work out for that, Beck experimented with his guitar to duplicate the eastern sound of the sitar instead.You're a Better Man than IThe opening song from the album is also known as "Mister, You're a Better Man than I."  It was written by brothers Mike and Brian Hugg, and is an attempt at a more folk rock song.  The socially conscious lyrics take aim at the hypocrisy of society and politics, stating that you shouldn't judge a person based on superficial appearances or education.Smokestack LightningThe live opener to side two is a cover of an old blues song recorded by American blues artist Howlin' Wolf in 1956.  The inspiration for the title came from watching trains go by at night and seeing the sparks come out of the smokestack.The Train Kept a-Rollin'While Aerosmith's cover may be more famous, this jump blues piece was originally performed by Tiny Bradshaw in 1951.  The Yardbirds played this song during their first American tour in 1965, and Sam Phillips recorded it for them in Memphis later that year.  It closes out side 1 of the album. ENTERTAINMENT TRACK:Main theme from the television action comedy "Batman"This campy superhero show premiered this month. STAFF PICKS:Don't Think Twice, It's Alright by The Wonder Who?Bruce begins the staff picks with a disguise group.  The Four Seasons used the name "The Wonder Who?" for four records released from 1965 to 1967, including this one.  Frankie Valli wasn't happy with his vocals on this song, and he recorded it with a "joke" falsetto voice while trying to break the tension in the studio.  All Your Love by John Mayall & the BluesbreakersLynch brings us a blues song originally recorded by American blues musician Otis Rush in 1958.  Multi-instrumentalist singer-songwriter John Mayall led this group, which included Eric Clapton on guitar and John McVie on bass.  This single is the lead-off track to the debut album "Blues Breakers with Eric Clapton," also known as "The Beano Album" because Clapton is reading a children's comic called "The Beano" on the front cover.My Generation by the WhoWayne's staff pick is the hit that started the trajectory for the Who.  Guitarist Pete Townshend wrote this song about young rebellion.  Roger Daltrey incorporates a stutter in his vocals to sound like a British mod on speed.  While this song would reach number 2 on the UK charts, it topped out at number 74 on the US charts.Day Tripper by the BeatlesRob features a well known song from the Beatles, recorded during the "Rubber Soul" album sessions but not included on the album itself.  It was released as a double A-side single along with "We Can Work it Out" during a time when the Beatles were under pressure to release a single in time for the 1965 Christmas season.   COMEDY TRACK:The Lurch by Ted CassidyTed Cassidy played Lurch on "The Addams Family," and also performed this novelty song.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Best of Paul McCartney 1970-1990) sans mes commentaires. P.McCartney-Rockestra theme-Back to the egg (79)-GénériqueBeatles-I saw her standing there-Please please me (63)Beatles-And I love her-A hard day's night (64)Beatles-Long tall Sally-Single (64)Beatles-Yesterday-Help ! (65)Beatles-Drive my car-Rubber Soul (65)Beatles-Eleanor Rigby-Revolver (66)Beatles-When I'm sixty four-Sgt Pepper's Lonely Hearts Club Band (67)Beatles-Honey pie-White album (68)Beatles-Hey Jude-Single (68)Beatles-The long and winding road-Let it be (70)P.McCartney-Hot as sun/Glasses/Maybe I'm amazed-McCartney (70)P.McCartney-Too many people-Ram (71)P.McCartney-Tomorrow-Wild life (71)P.McCartney-Jet-Band on the run (73)P.McCartney-My love-Red rose speedway (73)P.McCartney-Live and let die-Single (73)P.McCartney-Magneto and Titanium man-Venus and Mars (75)P.McCartney-Silly love songs-At the speed of sound (76)P.McCartney-Mull of kintyre-Single (77)P.McCartney-With a little luck-London town (78)P.McCartney-Reception/Old Siam Sir-Back to the egg (79)P.McCartney-Wonderful Christmastime-Single (79)P.McCartney-Coming up-II (80)P.McCartney-Here today-Tug of war (82)P.McCartney-Ballroom dancing/Be what you see (link)-Tug of war (82)P.McCartney-Say say say (feat. M.Jackson)-Pipes of peaces (83)P.McCartney-Press-Press to play (86)P.McCartney-My brave face-Flowers in the dirt (89)P.McCartney-Rockestra theme-Back to the egg (79)-Générique

Best of Paul McCartney 1962-1990 (part.1) Beatles-I saw her standing there-Please please me (63)Beatles-And I love her-A hard day's night (64)Beatles-Long tall Sally-Single (64)Beatles-Yesterday-Help ! (65)Beatles-Drive my car-Rubber Soul (65)Beatles-Eleanor Rigby-Revolver (66)Beatles-When I'm sixty four-Sgt Pepper's Lonely Hearts Club Band (67)Beatles-Honey pie-White album (68)Beatles-Hey Jude-Single (68)Beatles-The long and winding road-Let it be (70)P.McCartney-Hot as sun/Glasses/Maybe I'm amazed-McCartney (70)P.McCartney-Too many people-Ram (71)P.McCartney-Tomorrow-Wild life (71)P.McCartney-Jet-Band on the run (73)P.McCartney-My love-Red rose speedway (73)P.McCartney-Live and let die-Single (73)P.McCartney-Magneto and Titanium man-Venus and Mars (75)P.McCartney-Silly love songs-At the speed of sound (76)P.McCartney-Mull of kintyre-Single (77)P.McCartney-With a little luck-London town (78)P.McCartney-Reception/Old Siam Sir-Back to the egg (79)P.McCartney-Wonderful Christmastime-Single (79)P.McCartney-Coming up-II (80)P.McCartney-Here today-Tug of war (82)P.McCartney-Ballroom dancing/Be what you see (link)-Tug of war (82)P.McCartney-Say say say (feat. M.Jackson)-Pipes of peaces (83)P.McCartney-Press-Press to play (86)P.McCartney-My brave face-Flowers in the dirt (89)

La Venganza Será Terrible: todo el año festejando los 40 años Chacarerean Teatre, Palermo Alejandro Dolina, Patricio Barton, Gillespi Introducción • Entrada0:01:27 Segmento Inicial • Viajar a Marte0:06:46 Segmento Dispositivo • Carpinteros y artesanos a lo largo de la historia0:41:15 • "Norwegian Wood (This Bird Has Flown)" ♫ (Toca el TSN) The Beatles, Rubber Soul. Segmento Humorístico • Cosas que pueden matarte Sordo Gancé / Trío Sin Nombre • Presentación • "Mañana Campestre" ♫ (Arco Iris) • "La Vieja Serenata" ♫ (Teófilo Ibáñez/Sandalio Gómez) • "Fields of Gold" ♫ (Sting) • "" ♫ () • "Seguir Viviendo Sin tu Amor" ♫ (Luis Alberto Spinetta) • "Tenderly" ♫ (Walter Gross/Lawrence) Chet Baker • "Hit The Road Jack" ♫ (Percy Mayfield)

This week on The Five(ish) Fangirls Podcast, we're heading back to the swinging '60s to dive into the sounds that helped shape modern music. We're putting the needle down on Rubber Soul, the groundbreaking 1965 album from The Beatles. With its mix of folk rock, soul, and lyrical evolution, this record marked a major turning point in their career—and in popular music as a whole. Join us as we explore the tracks, the stories behind them, and why Rubber Soul still resonates decades later. Plus some fandom news and your feedback! Our Linktree: https://linktr.ee/FiveishFangirls #FiveishFam TIME STAMPS 00:00:25 Intro 00:02:10 News 00:13:34 Feedback 00:22:21 Rubber Soul 01:49:51 Closing Thoughts 01:51:40 Outro Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. 

Evan and Amanda review "Pet Sounds" by the Beach Boys. Listen today to learn how the release of "Rubber Soul" from the Beatles pushed Brian Wilson to create what many consider to be the first concept album in the pop & rock genre. Find us on Instagram and Threads @worstpodonmarsFind us on Facebook @ The Worst Podcast on MarsSend us an email: worstpodonmars@gmail.com

Best of George Harrison 1963-2001 P.McCartney-Rockestra theme-Back to the egg (79)-GénériqueBeatles-Don't bother me-With the Beatles (63)Beatles-Roll over Beethoven-For sale (64)Beatles-I need you-Help! (65)Beatles-If I needed someone-Rubber Soul (65)Beatles-I want to tell you-Revolver (66)Beatles-While my guitar gently weeps-White album (68)Beatles-Something-Abbey Road (69)Beatles-Here comes the sun-Abbey Road (69)G.Harrison-My sweet Lord-All things must pass (70)G.Harrison-Isn't it a Pity-All things must pass (70)G.Harrison-Wah Wah-All things must pass (70)G.Harrison-Give me love (give me peace on Earth)-Living in the Material World (73)G.Harrison-The day the World gets 'round (take 22)-Living in the Material World (50th anniversary) (24-73)G.Harrison-Ding dong-Dark Horse (74)G.Harrison-Dark Horse-Dark Horse (74)G.Harrison-This guitar (can't keep from crying) (Platinium weird version)-Extra texture (read all about it) (75)G.Harrison-The answer's at the end-Extra texture (read all about it) (75)G.Harrison-Beautiful girl-Thirty there & 1/3 (76)G.Harrison-This song-Thirty there & 1/3 (76)G.Harrison-Faster-George Harrison (79)G.Harrison-Your love is forever-George Harrison (79)G.Harrison-Writing's on the wall-Somewhere in England (81)G.Harrison-Baltimore Oriole-Somewhere in England (81)G.Harrison-That's the way it goes-Gone troppo (82)G.Harrison-Got my mind set on you-Cloud nine (87)G.Harrison-Rising sun-Brainwashed (02)G.Harrison-Looking for my life-Brainwashed (02)P.McCartney-Rockestra theme-Back to the egg (79)-Générique

O quadragésimo episódio de Rádio Clube Altamont foi gravado agora, mas tresanda à segunda metade da década de 60. Ora vejamos: ditadura brasileira começa em 64; Rubber Soul é lançado em 65; Brian Wilson começa a mostrar o seu génio em 66. E nós, aqui do futuro, relembramos e analisamos as repercussões presentes de tudo isso. Panda Bear e o seu recente "Sinister Grift", "Ainda Estou Aqui", de Walter Salles e "Rubber Soul" são os objectos escrutinados, nesta amena hora de conversa com música. Rádio Clube Altamont, uma parceria Altamont.pt e Futura - Rádio de Autor.

Best of George Harrison Beatles-Don't bother me-With the Beatles (63)Beatles-Roll over Beethoven-For sale (64)Beatles-I need you-Help! (65)Beatles-If I needed someone-Rubber Soul (65)Beatles-I want to tell you-Revolver (66)Beatles-While my guitar gently weeps-White album (68)Beatles-Something-Abbey Road (69)Beatles-Here comes the sun-Abbey Road (69)G.Harrison-My sweet Lord-All things must pass (70)G.Harrison-Isn't it a Pity-All things must pass (70)G.Harrison-Wah Wah-All things must pass (70)G.Harrison-Give me love (give me peace on Earth)-Living in the Material World (73)G.Harrison-The day the World gets 'round (take 22)-Living in the Material World (50th anniversary) (24-73)G.Harrison-Ding dong-Dark Horse (74)G.Harrison-Dark Horse-Dark Horse (74)G.Harrison-This guitar (can't keep from crying) (Platinium weird version)-Extra texture (read all about it) (75)G.Harrison-The answer's at the end-Extra texture (read all about it) (75)G.Harrison-Beautiful girl-Thirty there & 1/3 (76)G.Harrison-This song-Thirty there & 1/3 (76)G.Harrison-Faster-George Harrison (79)G.Harrison-Your love is forever-George Harrison (79)G.Harrison-Writing's on the wall-Somewhere in England (81)G.Harrison-Baltimore Oriole-Somewhere in England (81)G.Harrison-That's the way it goes-Gone troppo (82)G.Harrison-Got my mind set on you-Cloud nine (87)G.Harrison-Rising sun-Brainwashed (02)G.Harrison-Looking for my life-Brainwashed (02)

On this episode of Adventures in Vinyl, Todd and I discuss the eleventh studio album by one of the most critically acclaimed and commercially successful bands of all time. An album originally aimed at beating the Beatles' Rubber Soul, and their inspiring Sergeant Peppers Lonely Hearts Club Band album, it has since taken its place as one of the greatest and most influential Albums in music history by a band that was inducted into the Rock and Roll Hall of Fame in 1988. That band is the Beach Boys, and the album is Pet Sounds.Song of The Week!Handshake Drugs - Wilco - A Ghost Is BornI Wanna Be Adored - The Stone Roses (Self Titled Debut Album)Stump The Barron!Don't Let Me Be Misunderstood - The Animals - Animal TracksThe Beach Boys - Pet SoundsGenre:  Progressive PopRelease Date:  May 16, 1966Producer(s): Brian WilsonLabel:  CapitolLength: 35:57Number of Tracks:  13For more information on the band The Beach Boys visit their website is www.thebeachboys.com .  If you enjoyed this podcast be sure to check us out at our website at www.adventuresinvinyl.com where you can find links to our episodes and through our support section you can find a place to order you very own adventures in vinyl T Shirt.

Celebrating a turning point in the Fab Four's music

Episode: 2450 A Musical Transition: The Beatles 1965-1967.  Today, a great music group changes.

It's time for a fresh new album with a fresh new sound this episode, as JG and Andrew kick off their Rubber Soul discussions with Drive My Car. Does the song prove to be a worthy album opener? Are there any interesting cover versions? Does this truly herald a new period in the band's history? And, perhaps most importantly, why did nobody check out the Beat Bugs episode with this title? Rankings: Track-by-track Ranking eMail: beatlesstuffology@gmail.com Twitter: @beatles_ology Instagram: beatlesstuffology JG's Blog: Judgementally Reviews… Andrew's Blog: Stuffology   Produced By: JG McQuarrie  

ReferencesGlia. 2023 Nov;71(11):2679-2695Cell 2015. 160.6: 1061-1071. March 1Plant Signal Behav. 2017 Jan 19;12(2):e1282022.J Chromatogr B Analyt Technol Biomed Life Sci. 2008 Dec 31;877(26):2696–2708.Lennon/McCartney ;Harrison. 1965. "Rubber Soul"https://music.youtube.com/playlist?list=OLAK5uy_lirCIxLpU2odTVLZ_Sbo1wZaeu5IStivs&si=N74HgIimStlNlTEjQMS. 1968. "Happy Trails"https://music.youtube.com/playlist?list=OLAK5uy_k8UyBDJcEQEHx90leh0EQN9STmouMbuDg&si=WZcMR7h1PPCCpX7R

It may be April Fools Day, but the only fools you'll hear are me and Jeff Harris (Behind The Grooves) talking once again about...The Beatles!In this episode we go back 60 years to the pivotal year of 1965, when The Fab Four released their movie and accompanying soundtrack album for Help!, as well as the other major release of the year, their classic album Rubber Soul.And while Jeff and I attempt to stay on topic, of course we go off in different directions and ponder things such as the connection the Beatles have to Superman circa 1983, and various other zigs where we should zagged!As always with Mr. Harris, a spendid time was had by us and hopefully you'll say the same thing after listening to this podcast!* 

A Gab Four spectacular!    Jon Stone, Lonnie Pena, Martin Quibell and I gathered to talk about the characters and stories in Beatles songs.     They started with covers of folks like Long Tall Sally, and this episode takes us through Rubber Soul, where the band gives us Michelle, the Nowhere Man, and asks about the possibility of exchanging golden rings in favor of getting behind the wheel to "Drive My Car!"

Mike Williams, the creator of the Paul is Dead YouTube channel, unravels the intricate tapestry of the Beatles' cultural significance, which he argues extends far beyond mere musical innovation. Through meticulous documentation and analysis, Mike posits that the ascent of the Beatles was not merely a product of artistic evolution, but rather a calculated orchestration by record companies and media entities aimed at reshaping societal values. This episode explores how the Beatles became the face of a broader cultural manipulation, as well as the challenges of discerning truth in an era where conspiracy theories are becoming mainstream. And we explore the implications of this narrative, particularly in the context of modern pop culture and the role of music as a tool for social engineering. WATCH ON YOUTUBEDOUG WILSON ON CONSPIRACIESWatch HereTAKEAWAYSThe Beatles' rise was part of a calculated cultural shift orchestrated by Tavistock and other institutions."Rubber Soul" marked a pivotal shift, elevating the Beatles through manufactured music and songwriting support.The Beatles' narrative reflects Tavistock's strategy, emphasized by symbols of occultism and mass cultural engineering.Laurel Canyon highlighted a larger story of music's role in societal transformation, as explained by Ian Carroll.Claims of the Beatles writing their own music are questioned, citing professional songwriters behind their hits.The documentary "The Complete Beatles" hints at engineering behind Beatles' success via producer George Martin.CONNECT WITH MIKEYouTubeMain Hub WebsiteMusic WebsiteX/TwitterMENTIONED IN THIS EPISODE"The Memoirs of Billy Shears" by Thomas Uharriet"The Conspirators Hierarchy" by Thomas Coleman"Tavistock Institute" by Daniel Estulin"The Beatles Conspiracy 101""Billy Shears Bloodlines: Presentation"How Do You Sleep?" by John Lennon

Jamie Searle, a.k.a. @jjeromemusic, joined me for Episode No. 154, and I'm grateful for the opportunity to've met him and gotten to know him a little bit.Jamie is a son, a husband, a father, a musician, a songwriter, a producer, and he's the guy that runs The Westport Bowery, so holler at him for any of your booking/entertainment needs for that venue.Our conversation touched on family, growing up, the lenses of perspective and identity, making art, being outdoors, and the love of music, just to name a few topics. While we were in that last neighborhood, we did pause for a moment to look at a few of Jamie's favorite albums, which were these:Rubber Soul (1965), The BeatlesDonny Hathaway & Roberta Flack's self-titled release (1972)Thriller (1982), Michael JacksonNirvana's Nevermind (1991)Malibu (2016), Anderson .PaakJamie's other Instagram handles are @chromaticcontact, @mbandskc, and @westportbowery, so please consider giving his @jjerome account a follow, and -- while you're there -- have a peek at those, too. For more information on what goes on at the Bowery, check them out at thewestportbowery.com.Thank you to Jamie, and to all of you for supporting the show.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are snippets from a Lemon Jelly tune called, "Ramblin' Man," which comes from their 2002 effort, Lost Horizons (c/o XL Recordings LTD).

Originally recorded September 14, 2024. What else is there to say? The Beatles, Rubber Soul! One of the best records of all time, certainly one of the best transitional albums ever, and the theater kids are all over it!

**Disclaimer: First show of the new year, and yeah, I know, I blew it, but I own up to it! The integrity of the list remains!** The fabs sure loved writing songs about their relationships on vacation. As we discussed one of Paul's recently ("For No One"), now it's John's turn. John's ode to infidelity and arson turned into one of the most sublime sonic moments in their catalogue, as well as one of the most influential. George's now iconic sitar part influenced so many other bands of the time to start experimenting with Indian music (The Rolling Stones' "Paint It Black" maybe most famously), and marked the beginning of his and the band's bringing Eastern music to popular Western culture. It's a defining sound of the 60s, and this song may be well the defining song of the Rubber Soul album. Joining us this week is Beatles author and all around lovely person Sara Schmidt! She's the author Dear Beatle People: The Story of the Beatles North American Fan Club and Happiness is Seeing the Beatles: Beatlemania in St. Louis . She's also the brains behind meetthebeatlesforreal.com where she's been archiving Beatles photos and fan stories since 2007. While Apple and so many are telling the history of the band, this is the other side of the coin, the thing that made it work, the fans, and it's a fantastic archive of stories and interactions with the band. Check out the website and Sara's books at meetthebeatlesforreal.com, and if you have a story to share with her, send it over! What do you think about "Norwegian Wood (This Bird Has Flown)" at 78? Too high? Too low? Let us know in the comments on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠find us now on Bluesky!⁠⁠⁠⁠⁠ Be sure to check out ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.rankingthebeatles.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and grab a Rank Your Own Beatles poster, some of our new Revolver-themed merch, a shirt, a jumper, whatever you like! And if you're digging what we do, don't forget to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Us A Coffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!

Musician and self-described Beatles fanatic Jonathan Pretus ranked the entire recorded catalog of the Beatles, because he's a big, big nerd. Then he decided to make a podcast, Ranking The Beatles, to talk with other people and learn about their connection with The Beatles' music. Jonathan and his guests, joined by his co-host/wife Julia (a more level-headed, casual fan) discuss the rankings, what they think makes each song so great (or not-so-great), and see if it really is a fool's errand to try and rank the music of the greatest band of all time.    In this episode, Jack and Jonathan discuss what it's like to run a Beatles podcast, what makes The Beatles's music so special, their thoughts on the upcoming Beatles biopics, and much more.    Follow Ranking The Beatles on social media here: Instagram: https://www.instagram.com/rankingthebeatles/ Facebook: https://www.facebook.com/rankingthebeatles YouTube: https://www.youtube.com/@TheBretonSoundTV   Follow us on all social media, @BeatlesEarth ! For questions/inquires, please reach us at BeatlesOfCourse @gmail. com   ------ #Thebeatles #beatles #beatle #paulmccartney #johnlennon #georgeharrison #ringostarr #60smusic #60s #70smusic #70s #60s70s80s #70s80s90s #90s #iconic #rocknroll #classicmusic #fyp #foryoupage #foryou #recommended #beatlesfans #mclennon #lennon #viralreels #peaceandlove #letitbe #beatlespodcast #podcast #mccartney #starr #harrison The Beatles were a highly influential and globally popular rock band that originated in Liverpool, England. The group consisted of four members: John Lennon, Paul McCartney, George Harrison, and Ringo Starr. The Beatles' journey began in the late 1950s when Lennon formed a skiffle group called The Quarrymen. McCartney and Harrison joined later, and the lineup eventually evolved into The Beatles. Ringo Starr replaced their original drummer, Pete Best, in 1962. The Beatles achieved unprecedented success and popularity during the 1960s, often referred to as the "Beatlemania" era. Their music was a blend of various genres, including rock and roll, pop, and later, elements of Indian music and psychedelia. They wrote and recorded numerous hit songs, becoming one of the most innovative and successful bands in the history of popular music. Some of their most famous albums include: 1. **"Please Please Me" (1963) 2. **"A Hard Day's Night" (1964):** The soundtrack to their first film. 3. **"Rubber Soul" (1965):** Marking a shift toward a more experimental sound. 4. **"Revolver" (1966):** Further experimentation and the use of studio techniques. 5. **"Sgt. Pepper's Lonely Hearts Club Band" (1967):** Widely considered one of the greatest albums of all time. 6. **"The White Album" (1968):** A double album with diverse musical styles. 7. **"Abbey Road" (1969):** Their final studio album, known for its iconic cover and medley of songs. The Beatles' legacy extends far beyond their music. They revolutionized the music industry, set new standards for songwriting, and influenced countless artists across genres. Their impact on popular culture, fashion, and social movements of the 1960s is immeasurable. The Beatles remain one of the most celebrated and enduring musical acts in history.

La banda que lo cambió todo también vivió muchos cambios. Los Beatles en su intensa década en la música protagonizaron invasiones, revoluciones y transformaciones de lo más profundas. El primer gran cambio dentro del grupo y quizá por ello el más importante llegó en 1965 y se tituló Rubber Soul.“Toda nuestra actitud había cambiado para entonces. Habíamos crecido un poco y creo que la hierba había sido muy protagonista en todos nuestros cambios, sobre todo con las letras”, explicaba Ringo. 1965 es el primer gran año de la música como fenómenos de masas que aspira a trascender, a ir más allá de las canciones adolescentes y de los temas de amor. El rock que había nacido una década antes había alcanzado un punto de madurez que se empieza a notar en los discos de aquella cosecha eterna con álbumes que apuntaban más alto y que elevaban el rock como forma artística.Una de esas joyas fue Rubber Soul, el segundo disco de los ingleses en 1965 tras Help. Grabado en cuatro intensas semanas e influido por su encuentro con Bob Dylan, el álbum mostraba un tremendo crecimiento como banda, unas letras más arriesgadas y complejas y el uso del estudio de grabación como un instrumento más.Rubber Soul no tiene por qué ser el mejor disco de los Beatles, pero fue el más importante porque marcó un camino y revolucionó un estilo. Desde este disco los Beatles fueron otra banda.Por todo esto esta semana sentamos en el Sofá Sonoro Rubber Soul y para recordar su historia, contexto y canciones hemos invitado al periodista Ricardo de Querol y a Lucía Taboada.PLAYLIST | Todos los episodios de Sofá Sonoro dedicados a The Beatles

Esta semana tenemos doblete en antena. El sábado volvemos a sentar en el Sofá Sonoro un disco de los Beatles, en este caso Rubber Soul, y el domingo recorremos la historia de Miriam Makeba con Pata Pata, su álbum de 1967.PLAYLIST | Todos los episodios de Sofá Sonoro dedicados a The Beatles

Send us a textBob and Lisa the driving force behind The BellRays stop by to talk about their musical journey, touring, and their latest album, Heavy Steady Go.***Bob and Lisa Kekaula made The BellRays happen in 1990 in Riverside, California but they weren't really thinking about any of this then. They wanted to play music and they wanted it to feel good. They wanted people to WANT to get up, to NEED to get up and check out what was going on. Form an opinion. React.So they took everything they knew about; the Beatles, Stevie Wonder, the Who, the Ramones Billie Holiday, Lou Rawls, Hank Williams, the DB's, Jimmy Reed, and Led Zeppelin (to name a very few to whom “BLUES IS THE TEACHER”) and pressed it into service.Those bands and artists have since become “buzz words”, things to imitate and sound like. That was never The BellRays intention. The BellRays were never about coming up with a “sound”, or fitting in with a scene. It was about the energy that made all that music so irresistible. The BellRays' influences learned from the Blues and then learned how to make it their own. The Beatles wanted to play R&B, converted that energy, and invented “Rubber Soul”. The Ramones were trying to be Del Shannon or Neil Sedaka and out came “Rocket to Russia”.It's an organic trail that flows through Bob and Lisa and the current rhythm section of Pablo Rodas (Lisa and the Lips, Alber Solo) on bass and Craig Waters (Countdowns, Andre Williams, Cody Chestnut) on drums, and comes out honest and urgent. You will learn and you will feel. Blues is always teaching and Punk is always preaching.For more information go to their website: https://thebellrays.com/****If you would like to contact the show about being a guest please email us at Dauna@bettertopodcast.comThis episode is on YouTube:https://youtu.be/19BYiRDY42E Follow us on Social MediaInstagram: https://www.instagram.com/author_d.m.needom/Facebook: https://www.facebook.com/bettertopodcastwithdmneedomHave a question or want to be a guest on the podcast email: dauna@bettertopodcast.comAudio production by Rich Zei of Third Ear AudioIntro and Outro music compliments of Fast SuziUpcoming guests: https://www.dmneedom.com/better-topodcast©2024 Better To...Podcast with D. M.NeedomSupport the showSupport the show

Chris Shaw has delighted and inspired Beatles fans with his jaunty strolls through Pepperland for the past seven years. Here he discusses The Word, from the Rubber Soul album, highlighting the song's musical intricacies, its biblical lyrical allusions, and its significance as a mid-period Beatles masterpiece. He also touches upon his experience with his own podcast, I Am the Eggpod, and its influence on the Beatles podcasting community. Website: https://iamtheeggpod.comSupport the Eggpod on Patreon: https://www.patreon.com/eggpodX.com: https://x.com/IAmTheEggPodInstagram:https://www.instagram.com/iamtheeggpodFollow My Favourite Beatles SongX (Twitter): https://twitter.com/myfavebeatlesFacebook: https://www.facebook.com/MyFavouriteBeatlesSongInstagram: https://www.instagram.com/myfavouritebeatlessongOriginal music by Joe KaneLogo design by Mark Cunningham

I 1963 begynte the Beach Boys å spille større konserter, og med det åpnet enda en inntektskilde seg, og de var på toppen av sin karriere. Det hele ble for mye for Brian Wilson, som etter et sammenbrudd nektet å være med bandet på turne. Etter å ha eksperimentert med LSD, og hørt "Rubber Soul" av the Beatles, bestemte han seg for å lage det beste albumet i historien.  Støtt ekte norsk podcasting på Patreon! Hosted on Acast. See acast.com/privacy for more information.

Send us a textTune in to this episode of "Music In My Shoes" as we unravel the fascinating story behind Neil Young and Crazy Horse's "Hey, Hey, My, My (Into the Black)" and its acoustic counterpart, "My, My, Hey, Hey (Out of the Blue)." Discover how Mark Mothersbaugh of Devo influenced the iconic line "it's better to burn out 'cause rust never sleeps.' We'll also reflect on the generational debates ignited by references to Elvis Presley and Johnny Rotten, celebrating Young's complex legacy as the "Godfather of Grunge."Take a nostalgic stroll through the golden age of rock and pop with us. From the Beach Boys' infectious "I Get Around" to the familiar sound of Peter and Gordon's "A World Without Love," we'll uncover the stories and secrets behind these timeless hits. Relive the vivid imagery of the Drifters' "Under the Boardwalk," the innovative sound of the Zombies' "She's Not There," and the emotive charm of the Shangri-La's "Remember Walking in the Sand." Each song is a testament to the creative genius of these legendary artists and their lasting impact on music history.Our journey continues as we delve into the unique sound of Big Star, drawing connections to the Rubber Soul-era Beatles and The Byrds, and celebrating their influence on bands like The Replacements. We'll share memories of an unforgettable live performance of Billy Idol's electrifying 1984 show at Nassau Coliseum. Finally, we'll reflect on the poignant farewell of the 8G Band on Late Night with Seth Meyers, featuring Bob Mould's intense rendition of "Makes No Sense at All." Join us for a heartfelt tribute to the enduring power of music and the unforgettable memories it creates.Please Like and Follow our Facebook page Music In My Shoes. You can contact us at musicinmyshoes@gmail.com.Learn Something New orRemember Something Old

We've got your Ticket to Ride as we rank all the Beatles albums.  Join us as we discuss and celebrate the greatest albums from the Fab Four.  Whether you're a die-hard fan or just getting started, we'll take a Magical Mystery Tour from Revolver to Let It Be, Abbey Road to Help!, Rubber Soul to Please Please Me, and many more.  

La Venganza de los Lunes, el Eterno Retorno de lo Terrible Alejandro Dolina, Patricio Barton, Gillespi Introducción • Entrada0:02:13 Segmento Dispositivo • La muerte de Pelias0:02:32 • "Pucherito De Gallina" ♫ (Canta Edmundo Rivero, 1958) Música y letra de Roberto Medina, 1951. Segmento Humorístico • ¿Qué hay que hacer para ser azafata de vuelo?0:22:06 Segmento Humorístico • Modales y obligaciones sociales (quede como un rey, usted que es un ordinario)0:39:42 Segmento Humorístico • Tchaikovsky0:56:05 • Viajes emocionantes para ver animales salvajes0:56:30 Sordo Gancé / Trío Sin Nombre • Presentación1:14:55 • "The Word" ♫ (The Beatles, Rubber Soul, 1965) • "Lloró Como Una Mujer" ♫ (José María Aguilar/Celedonio Flores) Canta Julio Sosa. Con Leopoldo Federico y Su Orquesta. • "Can't Help Falling in Love" ♫ (Hugo Peretti/Luigi Creatore/George David Weiss) Elvis Presley, Blue Hawaii, 1961. • "Manoblanca" ♫ (Antonio De Bassi/Homero Manzi, 1941) Orquestra Ángel D'Agostino, 1944. • "Sea" ♫ (Jorge Drexler, Sea, 2001) • "Blue Monk" ♫ (Thelonious Monk, Thelonious Monk Trio, 1954) • "Signed, Sealed, Delivered (I'm Yours)" ♫ (Stevie Wonder, Signed, Sealed & Delivered, 1970)

The Beatles Made a Mistake - Mike Cohn It should be a comfort to each of us to know that we'll probably never make a mistake as big as the one The Beatles made during this week in 1966.Following the critical and sales success of the prior year's “Rubber Soul” album, the Beatles released a new album, “Yesterday and Today,” in June 1966. The album was released in the US and Canada and contained songs that had been withheld from North American versions of other Beatles albums.Musically, it's a solid album featuring “Drive My Car,” “Nowhere Man,” “We Can Work It Out,” “Day Tripper,” and of course “Yesterday.”Where The Beatles went wrong was in the choice of the album art. The cover photo shows all four Beatles wearing white butcher's frocks with decapitated baby dolls and pieces of raw meat in their laps.The photo is in incredibly bad taste even to the less sensitive standards of 1966.I'm sharing this because on this day in 1966, The Beatles admitted their mistake and replaced the cover.I think The Beatles' experience with this botched album cover decision holds four lessons.First, it's important to acknowledge that when a team is moving quickly, team members will make some mistakes. “Yesterday and Today” was The Beatles' twelfth album released in North America in four years.Second, when you make a mistake, be willing to admit it. The Beatles did not blame their label for picking the cover. In fact, band members insisted on the cover over the label's objection.The Beatles said the cover was meant to be a protest against the savagery of the Vietnam War. I've always been skeptical of that as it seemed like an after-the-fact justification, but I appreciate that they owned the mistake.Third, correct mistakes as quickly and cost-effectively as possible. The Beatles corrected their mistake by recalling all the albums and pasting a new cover on top of the original.A few savvy DJs and record store owners did not return all the albums. This created a lucrative collector's market in copies of “Yesterday and Today” with the original cover. I've seen some sell for nearly $40,000.Finally, after correcting the mistake, put the memory aside and move on. After the cover debacle of “Yesterday and Today,” The Beatles went on to make some of their greatest albums including “Revolver,” “Sgt. Pepper's Lonely Hearts Club Band,” the white album, and “Abbey Road.”Mistakes happen. I make them. You make them. Your team makes them. Even The Beatles made mistakes.Let's acknowledge that mistakes will happen when moving quickly. Then, when we do make a mistake, let's own it, correct it, and move beyond it.It's quite possible, as it was for The Beatles, that your best work may follow your biggest mistake, How to connect with AgileDad: - [website] https://www.agiledad.com/ - [instagram] https://www.instagram.com/agile_coach/ - [facebook] https://www.facebook.com/RealAgileDad/ - [Linkedin] https://www.linkedin.com/in/leehenson/

Rubber Soul was the sixth studio ablum released by The Beatles in the US and the UK.  The album was largely recorded in October of 1965 over a four week period, and relesed in December of 1965.  The Fab Four had completed their North American tour by August, and had returned to London to compose this album.  It would be the first album they completed without the pressure of commitments to tour, film, or otherwise make public appearances.  Nevertheless, the band was working under tight timelines, intending to release the album before the Christmas sales cycle.  It would go to the top of the album charts and would be one of the biggest albums of 1966, charting at number 3 in the UK and number 4 in the US for the year.The name of the album is a bit of self deprecation.  The term "plastic soul" was used at the time to describe some artists' attempts to duplicate the sound of black American soul music, and the Beatles recognized their efforts as less-than authentic.  It also has a double meaning, referencing the Wellington boot worn in rural northern England.The album  combines elements of folk rock, soul, progressive rock, and the newly-emerging psychedelic sound.  It would set a new standard with rock groups, encouraging the creation of high quality albums rather than just making a string of singles that were merged onto an LP record.  It also shows the increasing maturity of the group in lyrics and music.  Lynch brings us this classic album from one of the greatest rock bands of all time, and friend of the show Mike Fernandez sits in while Bruce is out. Baby You Can Drive My CarThe opening track was written by Lennon and McCartney.  The lyrics are told from the perspective of a woman who expects to be a big star, and offers the man the opportunity to be her chauffeur.  At the end you find out that she doesn't have a car, but at least now she has a chauffeur.  Norwegian WoodIt really isn't possible to have a deeper cut when you're talking about the Beatles, but this may be as close as we can get.  John Lennon is the primary writer - with some contributions from Paul McCartney - and the lyrics discuss an extramarital affair he had in London.  George Harrison plays sitar on this song, and it is the first use of that instrument recorded in a major release in the rock world. In My LifeThe lyrics from this song were written by John Lennon, and is perhaps the first time he wrote a song inspired from his childhood.  George Martin plays the piano on the bridge, but recorded it at half speed.  This creates the tinny harpsicord feel when the song is run at full speed.MichellePaul McCartney is the primary writer of this song, inspired by the popularity of Parisian "Left Bank" culture, and contains french lyrics despite McCartney's lack of fluency in the language.  The music was partially inspired by chet Atkin's finger picking style.  McCartney began writing the song in 1958, and it went to number 1 in France where it was released ahead of the album. ENTERTAINMENT TRACK:The James Bond Theme (from the motion picture “Thunderball”)This was the fourth film in the spy series starring Sean Connery as James Bond.  It was originally planned to be the first film of the series, but was pushed back due to legal disputes. STAFF PICKS:Treat Her Right by Roy Head and the TraitsWayne leads off the staff picks with a short, happy, party song.  While this may have a surf song vibe, the band is from Texas.  The lyrics tell about how a guy is supposed to treat a woman, and the benefits thereof.  The song peaked at number 2, and is the best known song by the group.  Hang On Sloopy by the McCoysRob brings us a song originally recorded by the Vibrations in 1964 with the title "My Girl Sloopy."  A jazz singer in Ohio named Dorothy Sloop inspired the name.  The McCoys version went to number 1 on the pop charts, and would be picked up by a number of garage bands.  Rick Derringer is the front man for the group.California Girls by The Beach BoysMike's staff pick is a well-known song from the album "Summer Days (And Summer Nights!!)" by the group.  Brian Wilson conceived the song during an acid trip, thinking about film scores from Westerns and - of course - girls.Eve of Destruction by Barry McGuireLynch closes out the staff picks with a protest song often covered.  P.F. Sloan wrote this song after the Kennedy assassination, the Gulf of Tompkin military action, and other social upheaval of the early to mid-60's.  American media used this song as an example of what was wrong with youth culture, counterintuitively driving the popularity of the song. INSTRUMENTAL TRACK:Hole in the Wall by The PackersThis jazz instrumental closes out this week's podcast. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

“Michelle” from 1965's Rubber Soul started as a kind of light-hearted party piece. But in McCartney's quest to turn it into a legitimate Beatles song, he went on a bit of a journey to sound not only like a believable French chanteur but also to expand his approach to bass playing, taking inspiration from Motown's James Jamerson. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.See omnystudio.com/listener for privacy information.

Turns out some songs stand on their own, however memorable-slash-horrifying their music video might have been.Written by: Chris CornellProduced by: Michael BeinhornAlbum: Superunknown (1994)Listen/Buy via SongwhipALSO DISCUSSED:"Spoonman" and "The Day I Tried to Live" by Chris Cornell and Soundgarden from Superunknown, 1994Kim Thayil interview at SongfactsNorah Jones' cover of "Black Hole Sun," Live in 2021"In My Life" by Lennon/McCartney from Rubber Soul, 1965The 2021 Strong Songs interview with session guitarist Andrew Synowiec"Tom Sawyer" by Rush from Moving Pictures, 1981----LINKS-----SUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIAIG: @Kirk_Hamilton | Threads: @Kirk_HamiltonNEWSLETTERhttps://kirkhamilton.substack.com/subscribeJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmOUTRO SOLO PLAY-A-LONG:https://soundcloud.com/kirkhamilton/strong-songs-outro-music-no-soloSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube MusicSHOW ART Tom Deja, Bossman Graphics--------------------FEBRUARY 2024 WHOLE-NOTE PATRONSRobyn MetcalfeBrian TempletCesarCorpus FriskyBen BarronCatherine WarnerDamon WhiteKaya WoodallDan AustinJay SwartzMiriam JoySEAN D WINNIERushDaniel Hannon-BarryChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshJezMelanie AndrichJenness GardnerDave SharpeSami SamhuriJeremy DawsonAccessViolationAndre BremerDave FloreyFEBRUARY 2024 HALF-NOTE PATRONSSuzanneRand LeShayMaxeric spMatthew JonesThomasAnthony MentzJames McMurryEthan LaserBrian Johan PeterChris RemoMatt SchoenthalAaron WilsonDent EarlCarlos LernerMisty HaisfieldAbraham BenrubiChristopher BrunoChris KotarbaCallum WebbLynda MacNeilDick MorganBen SteinSusan GreenSean MurphyThirteen71Alan BroughRandal VegterGo Birds!Whit SidenerRobert Granatdave malloyNick GallowayHeather Jjohn halpinPeter HardingDavidMeghan O'LearyJohn BaumanMartín SalíasStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJeff UlmJamieDeebsPortland Eye CareCarrie SchneiderRichard SneddonDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperBruno GaetaKenneth JungAdam StofskyZak RemerRishi SahayJason ReitmanAilie FraserRob TsukNATALIE MISTILISJosh SingerAmy Lynn ThornsenAdam WKelli BrockingtonVictoria Yumino caposselaSteve PaquinDavid JoskeBernard KhooRobert HeuerMatthew GoldenDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanLinda DuffyBonnie PrinsenLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNathan GouwensLauren ReayEric PrestemonCookies250Damian BradyAngela LivingstoneSarah SulanDiane HughesMichael CasnerLowell MeyerStephen TsoneffJoshua HillWenGeoff GoldenPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanDhu WikMelEric HelmJonathan DanielsMichael FlahertyCaro Fieldmichael bochnerNaomi WatsonDavid CushmanAlexanderChris KGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudAmanda FurlottiAndrew BakerAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonEarl LozadaJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo