Podcasts about Rubber Soul

Hey Dude, I celebrate the long and winding journey of my old friend writer/producer Tom Purcell, who booked the ultimate celebrity for the grand finale of The Late Show with Stephen Colbert at the Ed Sullivan Theater. QUOTE: "...he's only my third favorite Beatle." CAST: Stephen Colbert, Jimmy Fallon, The Roots, Jimmy Kimmel, David Letterman, Adam Carolla, Ray Oldhafer, Marc Maron, Ed Sullivan, Tom Purcell, David Cross, Bob Odenkirk, Dan Klass, Stan Hillas, Jamie Kennedy, Leonardo DiCaprio, John Leguizamo, Jim Morrison, The Doors, David Letterman, Paul McCartney, The Beatles, Elvis Presley, Jon Batiste, Elvis Costello, Paul Shaffer, Achilles, Taylor Swift, John Lennon, George Harrison, Ringo Starr LOCATIONS: Hollywood, Hollywood Walk of Fame, North Hollywood, North Hollywood High School, Upfront Comedy Showcase, New York City, Ed Sullivan Theater, Chicago, Second City PROPS: "Unbuckled", The Late Show, Tonight Show, Jimmy Kimmel Live, Podcast Hall of Fame, Ed Sullivan Show, Mr. Show with Bob and David, Jamie Kennedy Experiment, Scream, Romeo + Juliet, Late Night with David Letterman, Hello Goodbye, Odyssey, Illiad, Star Wars, Rubber Soul, Sgt. Pepper, White Album SOUNDS: plane,  Laguna Sawdust Cowbell Chimes  (more cowbell), birds  PHOTO: "Tom Purcell the Coyote" shot with my iPhone XS RECORDED: May 30, 2026  in "The Cafe" under the flight path of the Hollywood Burbank Airport in Burbank, California GEAR: Zoom H1 XLR with Sennheiser MD 46 microphone. TOTAL RUNNING TIME: 23:08 FILE SIZE: ~ 23 MB GENRES: storytelling, personal storytelling, personal journal, journal, personal narrative, audio, audio blog, confessional  HYPE: "It's a beatnik kinda literary thing in a podcast cloak of darkness." Timothy Kimo Brien (cohost on Podwrecked and host of Create Art Podcast) DISCLAIMER/WARNING: Proudly presented rough, raw and ragged. Seasoned with salty language and ideas. Not for most people's taste. Please be advised.

Richard Langston in conversation with David Eastaugh https://feralhouse.com/the-clean/ https://www.amazon.co.uk/Clean-Dreamlife-Need-Rubber-Soul/ In 1978 in Dunedin , New Zealand, the Kilgour brothers, Hamish and David, and their schoolfriend Peter Gutteridge, got together to form a band called The Clean. When Robert Scott joined in 1980, the band found a combination that endured for nearly forty years. The Clean profoundly changed alternative music: hitting the New Zealand charts for months with a single made for 50 dollars, 'Tally Ho!'; helping establish Flying Nun and a music scene independent of the big labels; pioneering a low-fi, do-it-yourself approach to rock music; and touring internationally to influence bands like Pavement and Yo La Tengo. Raw and immediate, this is the story as told by members of The Clean and their inner circle - fellow musicians such as Chris Knox, Martin Phillipps, Graeme Downes and Ira Kaplan, friends and family, pub promoters and sound engineers, and their good friend, Richard Langston. From teenagers in a Dunedin practice room to New York City on 9/11 - this is the band's history as it unfolds.

On this episode, Marc talks with Richard Langston, author of "The Clean: In the Dreamlife You Need a Rubber Soul," published in April of 2026. It's an excellent oral history of the Clean, the band started by brothers David and Hamish Kilgour along with Peter Gutteridge, and then Robert Scott. Langston tells their story thoroughly through interviews with the band and the many New Zealand music figures who surrounded them as well as American bands who played with them, alongside quotes from reviews and interviews during the band's tenure and archival material like their journals and letters.As Richard writes, "Once Hamish Kilgour and Robert Scott also agreed to tell the story, David and I discussed how to go about it, and we agreed on an oral history. We liked that format of storytelling as you can hear the unmediated voices of the different participants, giving it an immediacy and the richness of multiple voices talking about the same events."We hope you enjoy Marc's conversation with Richard Langston!

From a $50 single to global influence, The Clean helped shape the sound and spirit of independent music as we know it.In this episode, we dive into the definitive story of The Clean—formed in Dunedin, New Zealand in 1978 by the Kilgour brothers and their friends—and how their raw, lo-fi approach sparked an entire movement. From the underground success of “Tally Ho!” to their role in building the Flying Nun scene, The Clean's impact can still be heard in bands like Pavement and Yo La Tengo.Featuring an in-depth interview with Richard Langston, author of The Clean: In the Dreamlife You Need a Rubber Soul, we explore the band's story in their own words—through the voices of the musicians, collaborators, and friends who lived it. From early days in Dunedin to international tours and beyond, this is the inside story of a band that changed indie music forever.Purchase a copy of The Clean: In the Dreamlife You Need a Rubber SoulFollow Richard Langston:FacebookInstagram----------

brianturnershow.com, eastvillageradio.comRichard Langston, author of the new Clean biography In The Dreamlife You Need a Rubber Soul, joins The Brian Turner Show. The two will be chatting extensively about this brilliant band's 1978-2016 life, which was punctuated by periods on inactivity but inevitably continual returns that netted them deep and dedicated international fandom. Founded by brothers Hamish and David Kilgour, initial rotating lineups traversed their New Zealand homeland with budget tours, met with degrees of alienation from the established Auckland punk scene. Their psychedelic pastiche contained deep love of Barrett, The Beatles, Velvets, Hendrix, and Arthur Lee, which showed in their rudimentary DIY ethic; a heady formula out of fashionable step and thus triggering retreat back to their Dunedin hometown. However,  surprise success of their first single hitting the top 20 trigged a great leap forward for not only the Kilgours (now joined by future Bats founder Robert Scott), but a newfound communal scene in The Clean's wake that launched not only the Flying Nun label but a score of kindred spirit groups. They eventually achieved notoriety internationally despite periods of pause, and massively influenced a big slab of American indie rock units as well. Langston chronicles the great heights of this band live and on record with dutiful shoutouts to those in their circles who helped elevate them. We'll be playing a bunch of live Clean tracks as well.THE CLEAN - Point That Thing Somewhere Else (live Fulham Greyhound, 88)THE CLEAN - Quickstep (live Gladstone, 81)THE CLEAN - Art School (live Railway, Auckland, 81)THE CLEAN - Side On (live Christchurch, 82)THE CLEAN - Beatnik (live Christchurch, 82)THE CLEAN - Oddity (live Rumba Bar 82)INTERVIEW WITH HAMISH AND DAVID KILGOUR on the show, Nov 2021THE CLEAN - Dunes (live Gronigen, 89)THE CLEAN - Draw(in)g To a (W)hole (live Barcelona 2010)THE CLEAN - Outside the Cage (live Barcelona 2010)THE CLEAN - I Wait Around (live Regent, Dunedin, 2007)INTERVIEW WITH RICHARD LANGSTON - Author of In The Dreamlife You Need a Rubber SoulTHE CLEAN - In The Dreamlife You Need a Rubber Soul (live Barcelona, 2010)THE CLEAN - Whatever I Do Is (live Barcelona 2010)THE CLEAN - Fish (live Sammys, Dunedin, 2000)THE CLEAN - Getting Older (live Maxwells, Hoboken, 2010)THE CLEAN - Hold On To the Rail (live Sammys, Dunedin, 2000)THE CLEAN - At the Bottom (live Sammys, Dunedin, 2000)THE CLEAN - I Can't Stand It (live) - Mashed (Arch Hill, 2008)THE CLEAN - Point That Thing Somewhere Else (Sammys, Dunedin, 2000)

This week on Classic Vinyl Podcast and our Meet The Beatles Series, Justin and Tyler have made it all of the way to The Beatles sixth studio album Rubber Soul. Give it a listen and let us know what you think. 

This week on Classic Vinyl Podcast and our Meet The Beatles Series, Justin and Tyler have made it all of the way to The Beatles sixth studio album Rubber Soul. Give it a listen and let us know what you think. And don't miss next weeks episode of side 2 and our reviews. 

Send us Fan MailTim is joined by journalist, writer and broadcaster Samira Ahmed to explore Rubber Soul's 'You Won't See Me'. The conversation explores the song's double meanings, its portrayal of relationship tension, and McCartney's ability to transform personal experience into art. They also discuss the evolving depiction of women in Beatles songs, the broader social changes of the 1960s, and how Rubber Soul captures a band (and a culture) in transition.Musically, they highlight the track's rich harmonies, inventive structure, and standout bass line, as well as its subtle sophistication beneath an apparently simple surface. Along the way, Samira shares insights from her new BFI Film Classics book on A Hard Day's Night.Guest linksBFI Film Classics: A Hard Day's Night, by Samira Ahmed: https://www.bloomsbury.com/uk/hard-days-night-9781839029394/Samira's website: https://samiraahmed.blogSamira's podcast: https://squarewindow.co.ukSamira on Bluesky: https://bsky.app/profile/samiraahmeduk.bsky.socialSamira on X.com: https://x.com/SamiraAhmedUKFollow My Favourite Beatles SongBluesky: https://bsky.app/profile/myfavebeatles.bsky.socialX (Twitter): https://twitter.com/myfavebeatlesFacebook: https://www.facebook.com/MyFavouriteBeatlesSongInstagram: https://www.instagram.com/myfavouritebeatlessongOriginal music by Joe KaneLogo design by Mark Cunningham

INTERVIEW: Richard Langston on new biography of The Clean 'In the Dreamlife You Need a Rubber Soul' by Zac Hoffman on Radio One 91FM Dunedin

This week on Rush Rash, Chaz and Schatz celebrate 50 years of 2112 with a very special guest—YouTube sensation and all-around Rush whisperer Mike Massé—who drops in (freshly fumigated from the Haggis Shack) to talk about his gorgeous new cover of “Tears.”The guys dig into Mike's creative process, from Mellotron patch-hunting to channeling Geddy's extra-vibrato-when-you-feel-fancy technique, and why sometimes the internet is both your best friend and a chaotic dumpster fire of “release date truth.” (April 1st? March? WHO KNOWS—ROLL THE BONES.)We also:Spin Mike's stunning rendition of Tears in honor of 2112's 50thDebate the actual release date like proper Rush nerdsTake a wild detour into Beatles territory with Mike's Rubber Soul tribute bandBreak down the Rush reunion performance (yes, THAT one)React in real-time like well behaved Cygnus-X1.Net Facebookers (we get into THAT too)Plus:RushCon plansTouring chaos across the US, Europe, and beyondAnd the eternal question: Can you actually have too much Rush? (Spoiler: no, don't be ridiculous.)It's just the right amount of unhinged—exactly how The Professor would want it.THIS WEEK'S SONGEffin A, it's Cygnus X-1 Book Two: Hemispheres. Need we say more? The wheel has spoken - Cygnus X1.Net Facebookers - GET YOUR SHIT TOGETHER. - NEPSCHATZ'S SCRATCH LIST - RUSH TRIBUTE BANDSScratch your itch to hear RUSH music played live by going to check out any of these great RUSH Tribute Bands - these bands are keeping the community and the music alive - the most current, curated, and rockin' list of RUSH Tribute Bands in the world! Yeah!⁠⁠⁠⁠Click here: ⁠Schatz's Scratch List⁠ ⁠⁠⁠⁠(And say it 5 times fast!)GO BONELESSCertified boneless in the state of Ohio by the Boneless Podcasting Network. Go Boneless. Boneless Makes a Better Podcast. Hosted on Acast. See acast.com/privacy for more information.

Mike Smith is joined live in-studio by Missoula-based choreographer and educator Colleen Rosbarsky ahead of Rubber Soul Reimagined, a musical cabaret inspired by The Beatles iconic 1965 album.Presented in collaboration with the University of Montana School of Music and School of Theatre and Dance, the production brings the entire Rubber Soul album to life through live performance, dance, and storytelling. Featuring student vocalists, a live band, and original choreography rooted in 1960s dance styles, the show explores both the music and cultural influence of the era.Audiences can expect a dynamic blend of song, movement, and narrative—including period-inspired go-go dance, scenes highlighting Beatles history, and even a filmed interpretation of “Norwegian Wood.” The production reflects on the enduring legacy of the album and its continued relevance across generations.Rubber Soul Reimagined runs at the Zootown Arts Community Center showroom.

ReferencesSci Rep. 2025 Aug 23;15:30983Experimental & Molecular Medicine 2019. volume 51, Article number: 80Guerra, DJ.2026. Unpublished LecturesCell Reports 2015 10, 2043-2054DOI:(10.1016/jLennon/McCartney, Harrison. 1965. Rubber Soul lp. Beatleshttps://music.youtube.com/playlist?list=OLAK5uy_lirCIxLpU2odTVLZ_Sbo1wZaeu5IStivs&si=TFDYm-Wh8ks7xGSW

Welcome to the show. Some creative people tell stories. Others build entire worlds with language — worlds that allow us to see ourselves, our history, and our moral struggles with greater clarity. Today's guest is one of those rare builders. Jeff Meschel is a playwright, author, and lifelong student of music whose work lives at the intersection of literature, history, and the Jewish experience. Living in Israel, he writes with a perspective shaped by both the ancient pulse of Jewish civilization and the urgent complexities of modern life in the Jewish state. His work spans an extraordinary range — from theater to journalism, from blogging to music criticism — always circling the same enduring questions: Who are we? What shapes us? And what does it mean to create something that lasts? His remarkable novel, The Greatest Band That Never Was, is a deeply imaginative journey into music, memory, and missed possibility. It explores a haunting idea — that history is filled with brilliance that almost happened. Through humor, insight, and cultural reflection, Jeff captures not only the romance of music, but the deeper human longing to leave something behind that endures. As a playwright, Jeff understands that the stage is more than performance — it is a space where ideas breathe, where characters wrestle with truth, and where audiences are invited into conversations that linger long after the curtain falls. Beyond the page, Jeff's life reads like a cultural tapestry. He has interviewed a young Simon and Garfunkel, written about music since the days of Rubber Soul, and even shared a moment — a kiss — with Janis Joplin. His lifelong devotion to music has earned him his own title: Music Promulgator. Today, we'll explore his passion for storytelling, his obsessive love of music, his reflections on identity, and what it means to create art in Israel during deeply consequential times. A husband, a father, a saba, and a truly original voice — Ladies and gentlemen, please welcome Jeff Meschel. Baruch ha'bah. Welcome! ——

Welcome to the show. Some creative people tell stories. Others build entire worlds with language — worlds that allow us to see ourselves, our history, and our moral struggles with greater clarity. Today's guest is one of those rare builders. Jeff Meschel is a playwright, author, and lifelong student of music whose work lives at the intersection of literature, history, and the Jewish experience. Living in Israel, he writes with a perspective shaped by both the ancient pulse of Jewish civilization and the urgent complexities of modern life in the Jewish state. His work spans an extraordinary range — from theater to journalism, from blogging to music criticism — always circling the same enduring questions: Who are we? What shapes us? And what does it mean to create something that lasts? His remarkable novel, The Greatest Band That Never Was, is a deeply imaginative journey into music, memory, and missed possibility. It explores a haunting idea — that history is filled with brilliance that almost happened. Through humor, insight, and cultural reflection, Jeff captures not only the romance of music, but the deeper human longing to leave something behind that endures. As a playwright, Jeff understands that the stage is more than performance — it is a space where ideas breathe, where characters wrestle with truth, and where audiences are invited into conversations that linger long after the curtain falls. Beyond the page, Jeff's life reads like a cultural tapestry. He has interviewed a young Simon and Garfunkel, written about music since the days of Rubber Soul, and even shared a moment — a kiss — with Janis Joplin. His lifelong devotion to music has earned him his own title: Music Promulgator. Today, we'll explore his passion for storytelling, his obsessive love of music, his reflections on identity, and what it means to create art in Israel during deeply consequential times. A husband, a father, a saba, and a truly original voice — Ladies and gentlemen, please welcome Jeff Meschel. Baruch ha'bah. Welcome! ——

In Part 2 of our interview with Adam Holzman, we cover his longstanding work with Steven Wilson, his bands Brave New World and Trifecta, Jane Getter Premonition, Adam’s amazing solo works, his Creative Synthesizer Technique book and some amazing stories of playing with Herbie Hancock and Chick Corea (amongst many others). There’s also a great train wreck story and a funny Miles Davis anecdote to round things out. Part 1 of the interview can be found here. To listen / watch: Audio-only: click on the play button in the audio player above, or: Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel Discussion topics covered during the show (links will open in new tab):   Adam in action with Mona Lisa Overdrive in 1994 Adam and Brave New World at Progstock 2022 The brilliant William ‘Ju Ju’ House Adam Holzman & Brave New World – Spork Adam Holzman – Truth Decay Adam Holzman & Brave New World – The Last Gig Adam Holzman – Zombie Apocalypse The Moog DFAM Steven Wilson – Beautiful Scarecrow Forming Trifecta Trifecta – Clean Up on Aisle Five John Pritchard, Adam Holzman and Rich Damone – The Dawn (Of a New Age)  Joining Steven Wilson’s band (and being nervous about it) Steven Wilson – Raider II The Raven That Refused To Sing (And Other Stories) Discussion of Adam’s approach live and in the studio to his solo on Regret #9 Adam playing his iconic solo live on the song Regret #9 Adam’s co-write with Steven Wilson – Economies of Scale (from the album The Harmony Codex) Steven Wilson – Impossible Tightrope Adam’s keyboard rig with Steven Wilson Adam’s book – Creative Synthesizer Technique Avoiding ‘Preset Purgatory’ Getting to play with hero Jan Hammer Adam playing live with Herbie Hancock, 1988 The non-musical skills required for musical success The Fents – Back in the Saddle Brief chat on Cruise to the Edge and Jane Getter Premonition  Adam jumps into a Tony Levin-less Stick Men gig on Cruise To The Edge 2024 Desert Island Discs (Rock/Pop): Songs in the Key of Life – Stevie Wonder, Starless and Bible Black – King Crimson, Relayer – Yes, Us – Peter Gabriel, Rubber Soul – The Beatles Desert Island Discs (Jazz): Spectrum – Billy Cobham, Birds of Fire – Mahavishnu Orchestra, Tale Spinnin’ – Weather Report, Thrust – Herbie Hancock, Hymn of the Seventh Galaxy – Chick Corea / Return to Forever Key links: Become a member of our YouTube channel and receive extra content Buy some keyboard related merchandise Drop us a line via the website, Facebook, Instagram, Reddit, Threads, BlueSky, TikTok or LinkedIn Complete our audience survey to help us improve! Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations.The post Adam Holzman, Steven Wilson / Miles Davis / Solo Artist (Part 2) appeared first on The Keyboard Chronicles.

If you were stranded on a desert island today, what's the one song you couldn't live without? This week hosts Jim DeRogatis and Greg Kot round up a handful of Desert Island Jukebox picks from previous guests of Sound Opinions. The hosts also review the new albums from Peaches and Danny Brown.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:The Beatles, "In My Life," Rubber Soul, Parlophone, 1965The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Peaches, "No Lube So Rude," No Lube So Rude, Kill Rock Stars, 2026Peaches, "Be Love," No Lube So Rude, Kill Rock Stars, 2026Peaches, "Not In Your Mouth None Of Your Business," No Lube So Rude, Kill Rock Stars, 2026Danny Brown, "Copycats," Stardust, Warp, 2025Danny Brown, "Whatever The Case," Stardust, Warp, 2025Danny Brown, "Book of Daniel," Stardust, Warp, 2025Danny Brown, "All4u," Stardust, Warp, 2025Danny Brown, "Lift You Up," Stardust, Warp, 2025Roxy Music, "Virginia Plain," Roxy Music, Island and Reprise, 1972Soft Machine, "Hope For Happiness," The Soft Machine, ABC and Probe, 1968Spoon, "Let Me Be Mine," They Want My Soul, Loma Vista and ANTI, 2014Rolling Stones, "Emotional Rescue," Emotional Rescue, Rolling Stones, 1980Jeff Tweedy, "Lou Reed Was My Babysitter," Twilight Override, dBpm, 2025Tyrannosaurus Rex, "A Beard of Stars," A Beard of Stars, Regal Zonophone, 1970Tyrannosaurus Rex, "By the Light of the Magical Moon," A Beard of Stars, Regal Zonophone, 1970Afrika Bambaataa and Soulsonic Force, "Planet Rock," Planet Rock (Single), Tommy Boy, 1982The Spinners, "Mighty Love," Mighty Love, Atlantic, 1973The Delfonics, "La-La Means I Love You," La-La Means I Love You, Philly Groove, 1968Kate Bush, "Running Up That Hill (A Deal With God)," Hounds of Love, EMI, 1985Local H, "How's The Weather Down There?," Whatever Happened To P.J. Soles?, Studio.E, 2004Mark Lannigan, "Solitaire," Imitations, Vagrant, 2013Mark Lannigan, "Ugly Sunday," The Winding Sheet, Sub Pop, 1990Nirvana, "Lithium," Nevermind, DGC, 1992Tsunami, "In a Name," Deep End, Simple Machines, 1993The Lemon Twigs, "Any Time Of Day," Everything Harmony, Captured Tracks, 2023Nicholas Krgovich, "Rosemary," Rosemary (Single), Tin Angel, 2018The Butterfield Blues Band, "East-West," East-West, Elektra, 1966The Third Mind, "East West (Live)," Live Mind, Yep Roc, 2025Beach Bunny, "Dream Boy," Honeymoon, Mom + Pop, 2020Redd Kross, "Candy Coloured Catastrophe," Redd Kross, In The Red, 2024See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hello Beatleteers.......Well on this episode on the Beatles...we feature songs from the Rubber Soul album...just done by other groups other than the Beatles. That would have been too easy just to play there album straight thru. But we here give you another view of this album through the versions of other bands.BTW This is the old American version of the Rubber Soul album.RUBBER SOUL LPSide 11. I've Just Seen A Face-Leon Russell2. Norwegian Wood-Jan & Dean3. You Won't See Me-Anne Murray 4. Think For Yourself-Coop, Boyes & Simpson5. The Word-Mindy Smith6. Michelle-Dave & Jonathon Side 21. It's Only Love-Mr. Curt's Camaraderie2. Girl-St. Louis Union 3. I'm Looking Through You- The Wall Flowers 4. In My Life-Jose Feliciano5. Wait-Cara Dillon & Sam Kakeman  6. Run For Your Life-Johnny RiversOutro: Norwegian Wood-The New World Electronic Chamber Ensemble  

Real Beatlefans have been saying it on the DL (#JimmyButler) for years: "Who the hell needs Rubber Soul?" Certainly not “The Beatles Anthology”, which puts nearly as much emphasis on the 1965 classic as they do “The Beatles At The Hollywood Bowl” (Pre-Ron Howard Edition). OK so maybe it's not that bad, but c'mon Apple, it's RUBBER SOUL! (#HeyHey #Rip) For better AND worse, Beatles Anthology 5 is much like its predecessors; chock full of incredibly remastered footage and audio; while missing certain key elements for time or perhaps simply to please a mouse. (SFX: Buzzer) Sorry! “The Mouse”! Come join Tony, T.J., and Casey as we mansplain how men mansplain Beatles stuff, and since the rule of two mansplainings cancels things out, we'll ponder other life quandaries, like:

Helaas leverde 2025 geen langverwachte Rubber Soul Super Deluxe Edition op. Gaat ‘ie er nog komen? Boze tongen beweren dat Apple geen (verliesgevende) boxsets meer wil uitbrengen, maar daar wil Fab4Cast niet aan. De mannen doen alvast een voorzet en verzamelden uit de archieven van Jan-Cees de mooiste outtakes voor een 'Rubber Soul Fantasy Box'. Wil je ons financieel ondersteunen? Word dan Vriend Van Fab4Cast en luister naar exclusieve afleveringen die je alleen als donateur kunt beluisteren! Kijk op https://petjeaf.com/fab4cast voor de mogelijkheden. We zouden je heel dankbaar zijn voor je steun.

What if the sixth album is where artists finally step into their truest selves? We kick off season six by chasing that idea across genres and decades, building a mix from Radiohead, Bruce Springsteen, Kendrick Lamar, Prince, Beyoncé, The Beatles, Jay-Z, John Mayer, The National, Michael Jackson, Foo Fighters, and A Tribe Called Quest. The pattern that emerges is hard to ignore: at album six, craft meets courage, and the results can be seismic.We start with contrasts—Radiohead's brooding There, There and the stark intimacy of Springsteen's Nebraska—spotlighting how restraint can be as bold as maximalism. Kendrick's TV Off punches at the attention economy while delivering meme-worthy flair; Prince's Purple Rain towers as a career-defining epic that still feels alive. We trace personal and cultural stakes in Beyoncé's Formation, then pivot to The Beatles' Michelle to show how Rubber Soul reshaped their sound with subtle, melodic confidence.The timeline gets playful when Jay-Z's '03 Bonnie & Clyde foreshadows what Lemonade would later complicate. We celebrate narrative craft in John Mayer's Walt Grace, sit with The National's vulnerable “45%er” admission, and marvel at Thriller's near-greatest-hits density anchored by Billie Jean. Foo Fighters' The Pretender turns sixth-album freedom into kinetic fuel, and A Tribe Called Quest's We the People closes with legacy, politics, and gratitude—proof that a final statement can still move the culture forward.https://music.apple.com/us/playlist/sam-2026-6th-album-mix/pl.u-1LX0auZaGX7V1. There, There - Radiohead2. Nebraska - Bruce Springsteen3. tv off - Kendrick Lamar featuring Lefty Gunplay4. Purple Rain - Prince5. Formation - Beyonce6. Michelle - The Beatles7. '03 Bonnie & Clyde - Jay-Z featuring Beyonce8. Walt Grace's Submarine Test, January 1967 - John Mayer9. I Need My Girl - The National10. Thriller - Michael Jackson11. The Pretender - Foo Fighters12. We The People.... - A Tribe Called Quest Support the showVisit us at https://www.superawesomemix.com to learn more about our app, our merchandise, our cards, and more!

Episode 272 of Tom Clark's 6M Podcast continues the deep dive into The Beatles Anthology, as Tom Clark and Phil Lindsey review Parts 5 and 6. This episode covers the height of Beatlemania and the beginning of its collapse, from the chaos of Shea Stadium and relentless world touring to the creative leap represented by Rubber Soul and Revolver. The increasing divide between what the Beatles could create in the studio versus what they could reproduce on stage is apparent, as part 6 turns toward controversy, cultural backlash, and the end of touring altogether. How do Parts 5 and 6 capture the moment when the Beatles stopped being a live band and became something entirely new? Dive into that, and a lot more! Subscribe on YouTube: https://www.youtube.com/@boinkstudios Appreciate the content? Support the channel: https://buymeacoffee.com/tomclark Visit us at: https://boinkstudios.com Follow the 6M Podcast: Facebook: https://www.facebook.com/6mpodcast Instagram: https://www.instagram.com/6mpodcast/ Bluesky: https://bsky.app/profile/boinkstudios.bsky.social Listen to Boink Studios' Podcasts: Tom Clark's Main Event: https://podcasts.apple.com/us/podcast/tom-clarks-main-event/id910362334 Bare Mode: A Podcast Review of The Bear: https://podcasts.apple.com/au/podcast/bare-mode-a-podcast-review-of-the-bear/id1828513020 Two Nations Under Ted: A Ted Lasso Podcast: https://podcasts.apple.com/us/podcast/two-nations-under-ted-a-ted-lasso-podcast/id16938703   © Boink Studios 2025

Dans Pop culture, Mathieu Alterman raconte chaque week-end l'actualité qui fait du bien aux yeux, au cœur et aux oreilles. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

ReferencesHepatology.2023 Apr 17;77(5):1654–1669Oncotarget.2017 Aug 22; 8(34): 55967–55983.Can.J.Physiol.Pharmacol. 2025. 103: 208–224 Guerra. DJ 2025. Unpublished LecturesPage, J. 1970 Tangerine LZhttps://music.youtube.com/watch?v=_0Auvlsv860&si=A4mSuCcSwCeF0M4DLennon./McCartney/Harrison. 1966. Rubber Soul lphttps://music.youtube.com/playlist?list=OLAK5uy_lirCIxLpU2odTVLZ_Sbo1wZaeu5IStivs&si=HmFiZGPpBWuz14im Biber , HI. !681 Sonata & in G major C.144https://music.youtube.com/watch?v=kFOD7qM1oNc&si=OiHaskXRsDRbcUDz

Im Dezember 1965 haben die Beatles mit "Rubber Soul" ihr sechstes Studioalbum herausgebracht. In der Geschichte der Band ist das besonders wichtig, weil es einen Wendepunkt markiert. "Rubber Soul" von den Beatles gilt als die Erfindung des Rockalbums, erklärt Frank König. So etwas hatte es vorher noch nicht gegeben: Vor dem Album gab es keine einzige Single. Im Dezember 1965 ist einfach das Album erschienen und hat damit die Musikwelt und die Beatles für immer verändert. 1965 sind die Beatles von einer großen Tour durch die USA zurückgekommen, auf der sie auch Elvis Presley, Bob Dylan und The Byrds getroffen hatten. Die Beatles hatten auf dieser Reise unglaublich viele neue Eindrücke gesammelt. Nach ihrer Rückkehr nach England stand für die Gruppe nicht viel an, abgesehen von vier Wochen Zeit im Studio, um neue Musik zu machen. Ein perfekter Zeitpunkt, um alle Eindrücke richtig zu verarbeiten und zu neuer Musik werden zu lassen. Und mit "Rubber Soul" hatten die Beatles dann wieder so viel Inspirationskraft freigesetzt, dass daraufhin neue (legendäre) Musik entstanden ist. Beach-Boys-Mastermind Brian Wilson hat die Platte zu ihrem eigenen Meilenstein "Pet Sounds" inspiriert. Neue Eindrücke verarbeiten und neue Dinge ausprobieren – beides machen die Beatles auf ihrem Album "Rubber Soul". Das hören wir zum Beispiel auch sehr eindrücklich beim Song "Norwegian Wood" an einem Instrument. Es ist das erste Mal in der westlichen Musik, dass ein Pop- bzw. Folk-Song veröffentlicht wird, auf dem eine indische Sitar zu hören ist. Die hatte George Harrison mit zu den Beatles gebracht. Entdeckt hatte er sie bei den Dreharbeiten zum Film "Help!". In der Zeit bevor die Band für "Rubber Soul" in die EMI-Studios, die späteren Abbey Road Studios, gegangen ist, hatte sich bei den Bandmitgliedern vieles verändert, erzählt Katharina Heinius. Es gab Hochzeiten, Umzüge, Hauskäufe, Nachwuchs und Ähnliches. Dinge, die oft im Leben den persönlichen Blickwinkel verändern und auch bereichern können. "Ich finde, man kann an diesem Album sehr gut ablesen, dass etwas Neues beginnt. [...] Es ist ganz viel Neues zu spüren, aber eben auch noch ein bisschen Tradition, so wie sie eben in den Alben vorher Musik gemacht haben und auch gedacht haben", sagt Podcaster und Musikjournalist Ocke Bandixen über "Rubber Soul". __________ Über diese Songs vom Album "Rubber Soul" sprechen wir im Podcast (13:28) – "Drive My Car" (28:33) – "Norwegian Wood" (46:02) – "Nowhere Man" (56:08) – "In My Life" (01:06:03) – "If I Needed Someone" __________ Alle Shownotes und weiterführenden Links zur Folge "Rubber Soul" findet ihr hier: https://1.ard.de/the_beatles_rubber_soul __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

A smiling John Lennon on Monday Night Football. A blunt 1970 interview that cut through the post‑Beatles haze. A late‑night Bermuda epiphany triggered by the B‑52s. We stitch together these scenes to tell a clear story of return, risk, and the ache of what never happened.We revisit Lennon's sharp takes on early solo albums, then jump to Howard Cosell's halftime chat where “It's always in the wind” floated a reunion hope. From there we follow the thread to Double Fantasy: phone‑call songwriting with Yoko, the decision to interleave their tracks, and the electric but shelved Cheap Trick‑backed version of I'm Losing You. The music reveals a man choosing domestic honesty over spectacle, and that choice rings loud on Watching The Wheels and Beautiful Boy. We also sit with the shock of December 8, 1980—how news broke live on TV, how radio turned into a vigil, and how listeners discovered deep cuts and new meanings in the days that followed.The legacy keeps evolving. Anthology 1 brought Free As A Bird to life from a worn cassette, reminding us that imperfections can feel truer than polish. New restoration tools now separate voices from tape hiss, reframing classics without erasing their warmth, and sparking debate around releases like Now And Then. We dig into early Beatles gems, Pete Best's late payday, and why Rubber Soul still feels like the band's great hinge moment. Seasonal staples make an appearance too—Lennon's reflective Happy Xmas and McCartney's gloriously divisive Wonderful Christmastime—because these songs hold our calendars as much as our hearts.Come for the stories, stay for the connective tissue: how culture, technology, and memory keep Lennon present. If this journey moved you, follow the show, share it with a friend who loves The Beatles, and leave a quick review so more listeners can find these conversations.Learn Something New orRemember Something OldContact us at musicinmyshoes@gmail.com with your own musical memories.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

In celebration of its 60th anniversary, Aaron takes a deep dive into the making of the Beatles' 1965 classic album. 

Un mapa afectivo musical donde conviven nostalgia, ternura y el pulso perdurable del amor en sus distintas formas.A Sunday Kind Of Love, Etta James, At Last!Somethin’ Stupid, Frank Sinatra, Nancy Sinatra, The World We KnewDream a Little Dream of Me, Doris Day, Paul Weston And His Orchestra, Day By Night (with Paul Weston & His Music From Hollywood)L-O-V-E, Nat King Cole, L-O-V-EEverybody Loves Somebody, Dean Martin, Everybody Loves SomebodyLovefool, The Cardigans, First Band On The Moon Put Your Records On, Corinne Bailey Rae, Corinne Bailey RaeAin’t No Sunshine, Bill Withers, Just As I AmLovely Day, Bill Withers, MenagerieKiss Me, Sixpence None The Richer, Sixpence None The RicherBoth Sides Now, Joni Mitchell, CloudsBig Yellow Taxi, Joni Mitchell, Ladies of the CanyonIn My Life, The Beatles, Rubber Soul Overjoyed, Stevie Wonder, In Square CircleFeeling Good, Nina Simone, I Put A Spell On YouHow Deep Is Your Love, Bee Gees, GreatestEscuchar audio

EPISODE 101 - THE BEATLES RUBBER SOUL 60th Anniversary  Sam and Rob review the Beatles album RUBBER SOUL which is celebrating 60 years since it's initial release ... December 3rd in the UK / December 6th in the US. Sam shows up with his gigantic book of Beatles info (it's huge).  While Sam provides the technical side of the recording process Rob will focus more on how much tambourine is on this album.. a little too much.   We find out that Jan Asher was trouble What instrument is Rob's least favorite of any instrument? How long did it take to record the album? How does Ringo play the drums and tambourine at the same time? Did the main character in Norwegian Wood actually burn the house down? What did Capital do to the US release? How long did it take John to write Nowhere Man? What's up with the cover? Is there an anniversary version coming out? and much more! ******* KNOW GOOD MUSIC can be found on Podbean (host site), Spotify, Apple Podcasts, Iheart Radio, Pandora, YouTube  and almost anywhere you listen to podcasts. Links to more sources at Link Tree - www.linktr.ee/knowgoodmusic Help support our Podcast by purchasing some cool merch: https://www.teepublic.com/user/knowgoodmusic Visit our YouTube Channel where you can see video segments from all of our interviews.  Just search "know good music" Please follow / subscribe & review Follow our Instagram & Facebook pages for info on upcoming podcasts and extra content "Turn off the TV.. and Turn up the MUSIC!"

The Wolf & Action Jackson will admit they aren't the world's biggest Beatles fans. Though we appreciate their influence to help create the music we love through generations, we generally don't gravitate towards their albums. However, in researching Rubber Soul as it turns 60 on December 3, we gained new appreciation and respect for the Lads from Liverpool. They had grown up quite a bit in the last few years and found themselves writing more mature lyrics while experimenting with different sounds. The Beatles had met and befriended Bob Dylan and in their second trip to the US had met Elvis and formed mutual admiration societies with The Byrds, Motown and Stax. They experimented with LSD and the boys used to call Rubber Soul the pot album as they partook during the recording. So as they wove all those influencers into their own music, they also started to write more personal songs. Paul exchanged sweet nothings for standoffish goodbyes in songs like You Won't See Me and I'm Looking Through You. A contemplative John Lennon reminisces about growing up (In My Life) and the eternal search for that special someone (Girl). Young George Harrison was ready to step up to the plate with his own mature offerings like Think For Yourself and If I Needed Someone. The album was well received by peers and critics and is considered the point where the album became more than just a larger collection of songs but one statement from a moment in time. Norwegian Wood (This Bird Has Flown) was an international hit about an affair John had. Michelle seems like a sweet ode to a French girl when it was the boys making fun of Paul for trying to speak French at parties to meet girls. Even the big hit Drive My Car is very tongue in cheek about the silliness and pitfalls of fame. Though the oldest of them were 25, The Beatles proved they were more than just cute mop tops with guitars. They were artists pushing the envelope in the studio of what rock music could be. Rubber Soul was that next step in the evolution of the band and rock. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

The Wolf & Action Jackson will admit they aren't the world's biggest Beatles fans. Though we appreciate their influence to help create the music we love through generations, we generally don't gravitate towards their albums. However, in researching Rubber Soul as it turns 60 on December 3, we gained new appreciation and respect for the Lads from Liverpool. They had grown up quite a bit in the last few years and found themselves writing more mature lyrics while experimenting with different sounds. The Beatles had met and befriended Bob Dylan and in their second trip to the US had met Elvis and formed mutual admiration societies with The Byrds, Motown and Stax. They experimented with LSD and the boys used to call Rubber Soul the pot album as they partook during the recording. So as they wove all those influencers into their own music, they also started to write more personal songs. Paul exchanged sweet nothings for standoffish goodbyes in songs like You Won't See Me and I'm Looking Through You. A contemplative John Lennon reminisces about growing up (In My Life) and the eternal search for that special someone (Girl). Young George Harrison was ready to step up to the plate with his own mature offerings like Think For Yourself and If I Needed Someone. The album was well received by peers and critics and is considered the point where the album became more than just a larger collection of songs but one statement from a moment in time. Norwegian Wood (This Bird Has Flown) was an international hit about an affair John had. Michelle seems like a sweet ode to a French girl when it was the boys making fun of Paul for trying to speak French at parties to meet girls. Even the big hit Drive My Car is very tongue in cheek about the silliness and pitfalls of fame. Though the oldest of them were 25, The Beatles proved they were more than just cute mop tops with guitars. They were artists pushing the envelope in the studio of what rock music could be. Rubber Soul was that next step in the evolution of the band and rock. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

As we do every year, it’s time for a full episode of nothing but Beatles covers to get you into the holidays! This year, we’ve got a tribute to Rubber Soul, which turns 60 next month. Enjoy! (65 minutes)

As we do every year, it’s time for a full episode of nothing but Beatles covers to get you into the holidays! This year, we’ve got a tribute to Rubber Soul, which turns 60 next month. Enjoy! (65 minutes)

The Metal Exchange Podcast guys discuss The Beatles' 1965 release, "Rubber Soul".Justin's Recommended Track: In My LifeChris' Recommended Track: Waithttps://www.thebeatles.com/https://www.facebook.com/thebeatlesListen to "Rubber Soul": https://open.spotify.com/album/50o7kf2wLwVmOTVYJOTplm*Become a Member of our Patreon*⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/TheMetalExchangePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠*Purchase our theme song - "The Blade of Nicchi"⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://taliesin3.bandcamp.com/track/blood-sky-the-blade-of-nicchi-feat-micheal-mills⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠*Other Band Mentions*Feather Mountain: https://www.feathermountainband.com/ & https://www.facebook.com/feathermountainbandRoyal Hunt: https://royalhunt.com/ & https://www.facebook.com/royalhuntTimeless Rage: https://timeless-rage.de/ & https://www.facebook.com/timelessrageofficialMegadeth: https://megadeth.com/ & https://www.facebook.com/MegadethCatalyst Crime: https://www.catalystcrime.com/ & https://www.facebook.com/catalystcrimemetalWhitesnake: https://whitesnake.com/ & https://www.facebook.com/Whitesnake.official*Join us at The Metal Exchange*⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/MetalExchange⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://metalexchangepodcast.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/TheMetalExchangePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/groups/metalexchanges⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bsky.app/profile/themetalexchange.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/themetalexchangepodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/user/4tn81zpim10zdl0qu1azagd8o⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Create your ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ today! #madeonzencastrOffer Code: METALEXCHANGE

Greetings from America where it's our annual National-Murder-A-Turkey Week! We here at the UBP Home Office at tropical Meigs Field are beyond grateful for our listeners, our friends, our UBP families, our Patreon subscribers, Kohls Black Friday deals, and US Postal workers, who deserve our respect and a damn TIP around the holidays. This week, we show our gratitude for the many Beatles and solo Beatles projects in 2025, highlighted by the recent release of “Anthology 4”, which presents an exciting chance to buy “Something” (take 39, instrumental strings only) for the second time since 2019. (Who needs “Carnival Of Light” when you can have “Something” (take 39, instrumental strings only) on TWO pricey physical reissues?) The Turkey Trottin Two share their gratitude, and discuss a litany of holiday-themed Beatles news and releases. And they absolutely never sound like grumpy old dudes who'd rather have a deluxe Rubber Soul than a full slab of Threetles vinyl! Plus, in the spirit of the holiday season, they ponder/pander:

Op 14 november 2025 vierde Fab4Cast het 60-jarig jubileum van Rubber Soul met een uitverkocht live-event in Theater Aan De Slinger in Houten. Luister naar een samenvatting van die memorabele avond, waarbij we hebben gekozen voor presentaties en optredens die zonder beeld goed overeind blijven. Featuring Bertolf, Diederik Nomden, Marike Jager, Yorick van Norden, Jac Bico en natuurlijk Jan-Cees, Wibo en Michiel! Wil je ons financieel ondersteunen? Word dan Vriend Van Fab4Cast en luister naar exclusieve afleveringen die je alleen als donateur kunt beluisteren! Kijk op petjeaf.com/fab4cast voor de mogelijkheden. We zouden je heel dankbaar zijn voor je steun.

We are on the road to Episode 100, and number 95 can only start with a voicemail from a bonafide famous person that includes the story of two mice named Gary and Steve.  From there we wonder if the story of the Beatles is a sad song, if the Beatles should have cameos in the Beatles movies, if Sam Whiles is still mad at our takes on seasonal Beatles records, if Paul's demo of this track was recorded on a voicemail to Jane, why the Beatles felt so rushed on Rubber Soul, if you should write breakup songs while staying in your girlfriend's parents home, if an Astin Martin leaves Liverpool at 3pm how long it takes to get to Jane's photo shoot, how many terms Becker has for hi-hats, and where the bounce is in Paul's "You Won't See Me."As always, you can find Team Blotto Beatles on Instagram (@blottobeatles) and Twitter / X (@blottobeatles), by emailing us (blottobeatles@gmail.com), or on the web (blottobeatles.com).  We want to hear from you!Please also take the time to rate and review us on Apple podcasts or wherever you get your podcasts.We have a shop!  Grab some merch.  You can always drunk dial us at 1.857.233.9793 to share your thoughts, feedback, confessions, and concerns to be featured in an upcoming episode. Enjoying the show? Buy us a beer via the tip jar (don't forget to include a message telling us what we should drink with the money).You know we're making a list of it, see the canonical, argument-ending list of Beatles songs we are assembling here: http://www.blottobeatles.com & listen to it on Spotify here.Please remember to always enjoy Blotto Beatles responsibly.Peace and Love.Hosts: Becker and TommyExecutive Producer: Scotty C.Senior Director of Sonic Strategies: RBAssociate Musical Supervision: Tim Clark (@nodisassemble)Artist-in-Residence: Colin Driscoll (@theroyal.we)

Recorded at the Everything Fab 4 Fest on Nov. 7, 2025, our panel discussed the significance of Rubber Soul and how it influenced the solo years.  We took questions from the audience and shared how the success of their solo careers is often unfairly overlooked. NOTE: There were technical issues concerning microphones at the event, and the audio starts a couple of minutes into our session.  Thanks for your understanding!   talkmoretalk.com talkmoresolotalk@gmail.com @talkmoretalk1 https://www.facebook.com/talkmoretalkvideocast https://www.youtube.com/c/TalkMoreTalkASoloBeatlesVideocast

Ce mardi 11 novembre, Marjorie Hache vous a donné rendez-vous pour deux heures de rock riches en émotions et en découvertes. L'émission a débuté à New York en 1977 avec les Talking Heads et leur classique "Psycho Killer", avant de voyager entre les Stranglers, Van Morrison, Jimi Hendrix et les Cardigans. Le coup de cœur du jour revient à Be Your Own Pet, signé sur le label de Jack White, Third Man Records. l'animatrice de RTL2 Pop Rock Station a également célébré les 60 ans de "Rubber Soul", l'album de la maturité des Beatles, avec le titre "Girl". L'album de la semaine, "Cosplay" des Londoniens de Sorry, a poursuivi la soirée avec son univers de pop déstructurée et rêveuse. En nouveauté, Marjorie Hache a mis à l'honneur les Montpelliérains de Headkeyz et leur titre "The Keys". Parmi les autres temps forts : la reprise du jour, "Smalltown Boy" de Bronski Beat revisitée par Paradise Lost, le retour des Dropkick Murphys dans "Foudre" sur RTL2. Talking Heads - Psycho Killer Be Your Own Pet - What A Bitch The Beatles - Girl The Stranglers - Golden Brown The Cardigans - Erase And Rewind The Who - Pinball Wizard Audioslave - Like A Stone Sorry - Echoes Van Morrison - Brown Eyed Girl Dropkick Murphys - Rose Tattoo Stevie Wonder - Free Raye - Where Is My Husband! Paradise Lost - Small Town Boy Cage The Elephant - Ain't No Rest For The Wicked Yeah Yeah Yeahs - Burning Royal Republic - Stayin' Alive ZZ Top - La Grange The Black Keys - Gold On The Ceiling Wet Leg - Mangetout King Harvest - Dancing In The Moonlight The Lemonheads - It's A Shame About Ray Headkeyz - The Keys Jimi Hendrix - All Along The Watchtower Rancid - Fall Back Down Laura Marling - Rambling Man Gorillaz - Dirty Harry The Temptations - Runaway Child Runaway WildHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Episode Description: This Week in Music History - November 10-16 | Pink Floyd, Beatles, Fleetwood Mac & More Join host Buzz Knight and master of music mayhem and music historian Harry Jacobs for another captivating episode of This Week in Music History, covering November 10-16. Dive deep into legendary moments that shaped rock, pop, and cultural history. Featured Music History Highlights: Pink Floyd’s “Wish You Were Here” (Nov 10, 1975) - Discover the untold story behind this iconic album’s #1 UK chart debut and its heartbreaking connection to Syd Barrett, who unexpectedly appeared during recording sessions. Led Zeppelin IV (Nov 12, 1971) - Explore the album featuring “Stairway to Heaven,” “Black Dog,” and “Rock and Roll” that sold 37 million copies worldwide and earned 24x Platinum certification. Beatles’ “Rubber Soul” (Nov 13, 1965) - Harry reveals why this Abbey Road recording remains one of his favorite Beatles albums, featuring classics like “In My Life,” “Norwegian Wood,” and “Michelle.” Fleetwood Mac’s Self-Titled Album (Nov 15, 1975) - Learn about Stevie Nicks’ emotional dedication of “Landslide” to her father and the latest rumors about Lindsay Buckingham’s potential reunion with the band. Additional Topics Covered: • Elton John’s “Goodbye Yellow Brick Road” and the incredible story of “Candle in the Wind” selling 660,000 copies in one day after Princess Diana’s funeral • Freddie Mercury’s final public appearance (Nov 14, 1991) and his AIDS diagnosis announcement • Donna Summer’s disco classic “MacArthur Park” hitting #1 • Jimi Hendrix’s “Electric Ladyland” chart success • John Lennon’s only #1 solo single during his lifetime (you’ll be surprised which song it was!) • Sesame Street’s PBS debut and its cultural impact • Bob Dylan’s “New Morning” album evolution Perfect for: Classic rock enthusiasts, music history buffs, Beatles fans, Pink Floyd devotees, and anyone fascinated by the stories behind legendary albums. Subscribe to Taking a Walk podcast for weekly deep dives into music history with Buzz Knight and Harry Jacobs, your guides through rock and roll’s most memorable moments. #MusicHistory #ClassicRock #PinkFloyd #Beatles #LedZeppelin #FleetwoodMac #PodcastEpisode #TakingAWalk #RockHistory​​​​​​​​​​​​​​​​Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Episode Description: This Week in Music History - November 10-16 | Pink Floyd, Beatles, Fleetwood Mac & More Join host Buzz Knight and master of music mayhem and music historian Harry Jacobs for another captivating episode of This Week in Music History, covering November 10-16. Dive deep into legendary moments that shaped rock, pop, and cultural history. Featured Music History Highlights: Pink Floyd’s “Wish You Were Here” (Nov 10, 1975) - Discover the untold story behind this iconic album’s #1 UK chart debut and its heartbreaking connection to Syd Barrett, who unexpectedly appeared during recording sessions. Led Zeppelin IV (Nov 12, 1971) - Explore the album featuring “Stairway to Heaven,” “Black Dog,” and “Rock and Roll” that sold 37 million copies worldwide and earned 24x Platinum certification. Beatles’ “Rubber Soul” (Nov 13, 1965) - Harry reveals why this Abbey Road recording remains one of his favorite Beatles albums, featuring classics like “In My Life,” “Norwegian Wood,” and “Michelle.” Fleetwood Mac’s Self-Titled Album (Nov 15, 1975) - Learn about Stevie Nicks’ emotional dedication of “Landslide” to her father and the latest rumors about Lindsay Buckingham’s potential reunion with the band. Additional Topics Covered: • Elton John’s “Goodbye Yellow Brick Road” and the incredible story of “Candle in the Wind” selling 660,000 copies in one day after Princess Diana’s funeral • Freddie Mercury’s final public appearance (Nov 14, 1991) and his AIDS diagnosis announcement • Donna Summer’s disco classic “MacArthur Park” hitting #1 • Jimi Hendrix’s “Electric Ladyland” chart success • John Lennon’s only #1 solo single during his lifetime (you’ll be surprised which song it was!) • Sesame Street’s PBS debut and its cultural impact • Bob Dylan’s “New Morning” album evolution Perfect for: Classic rock enthusiasts, music history buffs, Beatles fans, Pink Floyd devotees, and anyone fascinated by the stories behind legendary albums. Subscribe to Taking a Walk podcast for weekly deep dives into music history with Buzz Knight and Harry Jacobs, your guides through rock and roll’s most memorable moments. #MusicHistory #ClassicRock #PinkFloyd #Beatles #LedZeppelin #FleetwoodMac #PodcastEpisode #TakingAWalk #RockHistory​​​​​​​​​​​​​​​​Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

Send us a textA Ticket To Ride (Straight to Chaos)

Bonus episode! Learn all about the upcoming conference saluting the 60th anniversary of Rubber Soul. Conference organizer Ken Womack and two Weeklings (Glen Burtnik and Joe Bellia) gives us a sneak preview of all the main guests, musicians, and discussions that will be part of this event. We also break down what makes Rubber Soul such a groundbreaking album. More about EF4 Fest: https://ef4fest.com/ The Weeklings: https://bobburger.com/weeklings/ Find us: talkmoretalk.com talkmoretalksolo@gmail.com @talkmoretalk1 https://www.facebook.com/talkmoretalkvideocast https://www.youtube.com/c/TalkMoreTalkASoloBeatlesVideocast

Drummer extraordinaire Denny Seiwell has led a fascinating life, and is finally telling his story with his new book "The Best of Times and Worst of Times." In a very special episode, we talk with Denny about his experiences as a member of Wings, the best advice Paul McCartney ever shared, and much more. Find Denny: https://dennyseiwell.com/ Join us at the EF4 conference celebrating Rubber Soul! https://ef4fest.com/ Find us: http://talkmoretalk.com talkmoretalksolo@gmail.com @talkmoretalk1 https://www.facebook.com/talkmoretalkvideocast https://www.youtube.com/c/TalkMoreTalkASoloBeatlesVideocast  

Steven Pinker returns to Conversations with Tyler with an argument that common knowledge—those infinite loops of "I know that you know that I know"—is the hidden infrastructure that enables human coordination, from accepting paper money to toppling dictators. But Tyler wonders: if most real-world coordination works fine without recursively looping (a glance at a traffic circle), if these models break down with the slightest change in assumptions, and if anonymous internet posters are making correct but uncomfortable truths common knowledge when society might function better with noble lies, is Pinker's theory really capturing how coordination works—and might we actually need less common knowledge, not more? Tyler and Steven probe these dimensions of common knowledge—Schelling points, differential knowledge, benign hypocrisies like  a whisky bottle in a paper bag—before testing whether rational people can actually agree (spoiler: they can't converge on Hitchcock rankings despite Aumann's theorem), whether liberal enlightenment will reignite and why, what stirring liberal thinkers exist under the age 55, why only a quarter of Harvard students deserve A's, how large language models implicitly use linguistic insights while ignoring linguistic theory, his favorite track on Rubber Soul, what he'll do next, and more. Read a full transcript enhanced with helpful links, or watch the full video on the new dedicated Conversations with Tyler channel. Recorded September 12th, 2025. This episode was made possible through the support of the John Templeton Foundation. Other ways to connect Follow us on X and Instagram Follow Tyler on X Follow Steven on X Sign up for our newsletter Join our Discord Email us: cowenconvos@mercatus.gmu.edu Learn more about Conversations with Tyler and other Mercatus Center podcasts here.

ReferencesNeural Regen Res. 2025 Apr29;21(3):1037–1057.J of Mol&Cell Medicine 2014. 18.10:1927-1937Guerra, DJ. 2025. Unpublished LecturesMozart, WA. 1781. Serenade #11 in E Flat. K375.https://music.youtube.com/watch?v=ZaFD_Z-wE9s&si=ECTsdvnePQeEFZyzLennon/McCartney. 1965. "In My Life" from Rubber Soul lp Beatleshttps://music.youtube.com/watch?v=YBcdt6DsLQA&si=7Nzcy7c843KLTKHW

The Blottos are back, and we don't miss a beat as we tackle a bevy of topics such as the long lost Rubber Soul movie, the importance of the Backstreet Boys at the Sphere, It's a Paul World After All, the Scar Tissue audio book, the potential of seeing Paul in the Hamptons, the state of movie theaters, Modeloritas, and the Epstein files.  Finally, we turn up the volume as we discuss the George non-banger "I Need You."As always, you can find Team Blotto Beatles on Instagram (@blottobeatles) and Twitter / X (@blottobeatles), by emailing us (blottobeatles@gmail.com), or on the web (blottobeatles.com).  We want to hear from you!Please also take the time to rate and review us on Apple podcasts or wherever you get your podcasts.We have a shop!  Grab some merch.  You can always drunk dial us at 1.857.233.9793 to share your thoughts, feedback, confessions, and concerns to be featured in an upcoming episode. Enjoying the show? Buy us a beer via the tip jar (don't forget to include a message telling us what we should drink with the money).You know we're making a list of it, see the canonical, argument-ending list of Beatles songs we are assembling here: http://www.blottobeatles.com & listen to it on Spotify here.Please remember to always enjoy Blotto Beatles responsibly.Peace and Love.Hosts: Becker and TommyExecutive Producer: Scotty C.Senior Director of Sonic Strategies: RBAssociate Musical Supervision: Tim Clark (@nodisassemble)Artist-in-Residence: Colin Driscoll (@theroyal.we)

The Beatles grow up, plug into a sitar, and start writing for themselves.In this episode, the McGuigan Brothers dive into Rubber Soul, the moment everything changes. It's out with the covers and in with confessionals, fuzz bass, and French ballads. Track by track, we unpack Dylan's influence, the invention of album cohesion, and the sharp left turn that set the stage for Revolver and Sgt. Pepper.We also talk about the In My Life piano solo, the Help! leftover that still made the cut, and whether George's songs get enough love. Plus: Matthew's Headphones Moment, Ryan's boldest take yet, and Producer Kate's no-nostalgic rating.

Bill Miller isn't just Texas' fastest growing BBQ joint this side of that one suburban Manila Kenny Rogers Roasters. No, sir/ma'am! Once upon a time, Bill Miller traded in his Texas, wet-rub BBQ stained hands to prepare something better and more culturally significant than chick'n: a U.S. Beatles album! Longtime Capitol butcher Dave Dexter was (allegedly) too busy running Nixon's campaign to assemble a Beatles album comprised of songs left-over from the British albums “Help”, “Rubber Soul”, and ripped from the not yet released “Revolver”. So that job fell to Bill Miller, the fast-growing Texas BBQ joint. HEARD OF IT, LIB? #Freedumb And in the process, the infamous - yet famously fun-to-spin - final U.S. capitol album of “new” material was released: Yesterday…And Today. (a.k.a. “Yesterday...And Today” for you cassette freaks! We see you! We are you!) This week, Tony & T.J. begin a deep dish of this classic, million selling Beatles album, which was unavailable and out of print from 1992-2014. Along the way, they ask the questions that only two guys with this much weirdo time on their hands would ask, like:

Listeners of The Wolf know that despite the fact that The Wolf lived mere yards (or meters) from Abbey Road, he and Action Jackson aren't huge Beatles fans. While he did go through a Beatles stage in high school, it was really an education on how the band evolved and created some amazing music which is still enjoyed and studied today. However, thanks to a run of 60s rock related movies that ran on Cinemax one night in the 80s, The Wolf became very familiar with Help! as he recorded the movie on VHS and watched it over and over. It was in technicolor, unlike A Hard Day's Night, and showed the boys having fun in exotic locales like Switzerland, The Bahamas, Stonehenge and Buckingham Palace. The seven tunes on the album that were included in the movie all hold up well and are fun to sing along with while you're watching. But the album is the first step moving from being bubble gum pop stars into more respected recording artists. We review the UK version of the album as the US version is shorter with orchestrated score tunes from the movie. The whole first side of the UK album features beloved songs from the movie like the title track, Ticket To Ride, You've Got To Hide Your Love Away and The Night Before. But the second side also features some Beatles classics like Ringo singing Act Naturally, I've Just Seen A Face and the all-time classic Yesterday. It's amazing that the boys were all so young (21-24) and were maturing before our eyes as they were now able to write more robust tunes with more mature themes. Bob Dylan had introduced them to marijuana by now and they'd done their first LSD trips which would show up more on an album from later in 1965, Rubber Soul (and after). But this one has one foot in the old, teenage dream Beatles phase and one in the more mature and experimental Beatles. We can't believe it's turning 60 but we went track x track to celebrate. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Hosts Jim DeRogatis and Greg Kot pay tribute to the late musical genius Brian Wilson, who died at age 82. They'll discuss Wilson's transcendent music, including doing a deep dive on his masterpiece, Pet Sounds.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:The Beach Boys, "I Just Wasn't Made For These Times," Pet Sounds, Capitol, 1966The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967The Beach Boys, "In My Room," Surfer Girl, Capitol, 1963The Beach Boys, "Lonely Sea," Surfin' USA, Capitol, 1963The Beach Boys, "Don't Worry Baby," Shut Down Volume 2, Capitol, 1964The Beach Boys, "Surf's Up," Surf's Up, Brother/Reprise, 1971The Beach Boys, "Still I Dream of It (Original Home Demo, 1976)," Good Vibrations:Thirty Years of the Beach Boys, Capitol, 1993The Beach Boys, "Sloop John B," Pet Sounds, Capitol, 1966The Four Freshman, "I Remember You," Four Freshmen and 5 Trombones, Capitol, 1955The Gamblers, "LSD-25," Moon Dawg!/LSD-25, World Pacific, 1960The Beach Boys, "I'm Waiting for the Day," Pet Sounds, Capitol, 1966The Beach Boys, "Don't Talk (Put Your Head on My Shoulder)," Pet Sounds, Capitol, 1966The Beach Boys, "Let's Go Away for Awhile," Pet Sounds, Capitol, 1966The Beach Boys, "Caroline No," Pet Sounds, Capitol, 1966The Beach Boys, "You Still Believe in Me," Pet Sounds, Capitol, 1966The Beach Boys, "Pet Sounds," Pet Sounds, Capitol, 1966The Beach Boys, "Hang On to Your Ego," Pet Sounds, Capitol, 1966The Beach Boys, "That's Not Me," Pet Sounds, Capitol, 1966The Beach Boys, "God Only Knows," Pet Sounds, Capitol, 1966The Beach Boys, "Little Deuce Coupe," Pet Sounds, Capitol, 1966The Beatles, "Nowhere Man," Rubber Soul, Parlophone, 1965The Beatles, "She's Leaving Home," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Horsegirl, "2468," Phonetics On and On, Matador, 2025See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.