Podcasts about Photo London

Featuring:Francis HodgesonMaria SukkarSophie ParkerAmi BouhassaneTom HunterSilvana Trevale (but not Gabriel Pinto).Zed Nelson Featured in the Positions exhibition:Adam Rouhana (@adam.rouhana), Aikaterini Gegisian (@aikaterini_gegisian), Babak Kazemi (@babakkazemi1), Bibi Manavi (@bibimanavi), Ippolita Paolucci (@ippolitapaolucci), Kalpesh Lathigra (@kalpeshlathigra), Karim El Hayawan (@karimelhayawan), Mieke Douglas (@miekedouglas) and Roberto Conde (@robconde33) Photo London Website | InstagramPeckham24/A Bigger Book Fair Website | Instagram Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Mentioned in this episode: The Power and the Glory https://www.newportstreetgallery.com/exhibition/current/ Gabriel Moses, Selah https://www.180studios.com/selah Photo London https://photolondon.org/ Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale now. © Grant Scott 2025

We celebrate two of London’s most esteemed arts institutions. We reflect on the Tate Modern’s immense contribution to the UK’s cultural landscape and Photo London’s effect on photography over the past decade. See omnystudio.com/listener for privacy information.

Send us a textNasim Nasr is an Iranian-born Australian artist whose work focuses on the issues facing her home country of Iran and the challenges she has experienced as a woman and female artist. These circumstances ultimately led her to leave Iran at the age of 25. Nasim relocated to Australia with her younger siblings, where she has built a life for herself and her family while establishing herself as a prominent artist.Working across photography, installation, and performance, Nasim has gained significant recognition, with her works recently acquired by the Powerhouse Museum in Sydney. We had the pleasure of speaking with Nasim about her life journey and her beautiful, thought-provoking art. Enjoy listening to her story, and feel free to reach out to Nasim to see her work or for a studio visit. 'Biography:Born in Tehran, Iran 1984Moved to Adelaide, Australia 2009,  Currently lives and works in SydneySince graduating with a Master Visual Arts (Research), University South Australia, 2011, Nasim Nasr's art practice has sought to comment upon the transience of cultural identities. With an interest in cultural relationships in contemporary society, her artworks have engaged themes of intercultural dialogue and perspective between the historical and contemporary. Using video, photography, performance,  3D objects and sound, these works highlight notions of cultural difference as experienced in her past and present homelands, between West and East and seeks to create a harmony between the two.Nasim Nasr is a third time finalist at Fisher's Ghost Art Award and will exhibit at Campbelltown Art Centre Oct-Dec 2024 with her new light box; Impulse 2024, In March 2024 Nasr won AUSTRALIAN CONTEMPORARY ARTIST OUTSTANDING CONTRIBUTION AWARD from the Art's Minister Tony Burke and Shadow Art Minister Paul Fletcher at the Paliment House, Canberra. Nasr's latest video work ‘Impulse' was presented at the 2023 Adelaide Independent Film Festival where it won the best Micro Short Film Award, and was in the official selection at the 2023 A Shaded View on Fashion Film Festival Awards in Paris. In 2017 Nasr won People's Choice Award in The William and Winifred Bowness Photography Art Prize, Monash Art Gallery Melbourne, and her Women in Shadow II video documentation won an award at the 10th Anniversary Edition, A Shaded View on Fashion Film, Maison Jean Paul Gaultier and Club De L'Etoile, Paris, France in 2018. Nasr exhibited in the inaugural Triennial of Asia: We Do Not Dream Alone, Asia Society Museum in New York, October 2020–June 2021, her latest solo presentation Impulse at Mars Gallery, Melbourne March-April 2023. She exhibited at Photo London, Somerset House, London in May 2023. Nasr's latest photograph Impulse (2023) was reproduced on the front cover of ART COLLECTOR magazine in Australia, issue 104 included 8pp profile story on her practice.'

-> This episode is an extract from an interview. You will find the entire interview on this same account.In this episode, we are at Somerset House during Photo London with David Campany. He is a curator, writer, publisher, and educator, teaching at the University of Westminster, London, and serving as Curator at Large for the International Center of Photography, New York. We talked about his love and addiction for writing, the projects he undertakes as an independent, as a teacher, and at ICP. Through his experiences, he gave us advice on how to protect our passion and keep our curiosity alive. Subscribe to the podcast newsletter: https://bit.ly/lesvoixdelaphotonewsletterStay updated with the podcast: https://bit.ly/lesvoixdelaphotowebsiteYou can also find the podcast on Instagram, Facebook, and LinkedIn @lesvoixdelaphoto Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In this episode, we are at Somerset House during Photo London with David Campany. He is a curator, writer, publisher, and educator, teaching at the University of Westminster, London, and serving as Curator at Large for the International Center of Photography, New York. We talked about his love and addiction for writing, the projects he undertakes as an independent, as a teacher, and at ICP. Through his experiences, he gave us advice on how to protect our passion and keep our curiosity alive. 1'40 - Born in the late '60s, he was influenced by TV culture and movies by Fellini, Godard, etc. 6' - He quickly realized that he wanted to be involved with images because he found pleasure in looking at them and thinking about how they fit into the world. 9' - After his graduation, he was invited to curate shows and write texts. He became known for making unexpected connections between things. For example: an exhibition at Le Bal about Anonymous Americans in film. 19' - Why it is important to write to a writer if you think their work is good. 20'30 - Writing as an addiction. 23'10 - Juggling multiple projects: working on 3 shows and 8 books at the same time. He does not support repetition. 27'30 - The first text he wrote as a professional and his book for Phaidon, "Photography and Art." 32'10 - The magazines he created with the auction house Christie's and the collector Christina Belker. 37' - His experience in NY at the ICP, managing the program for 5-6 years. 45' - Now, exhibitions are collaborations between photographers and curators because, most of the time, the photographer has an idea of what the show will look like. Making exhibitions is part of their work. 47'40 - Advice for curators: you need to go beyond your ego in helping the artist create the work they can't do on their own. It's tempting to say, "I will do it like this." But it is important to move past that phase. 51'30 - Advice for writers: just write, whether it will be published or not, and your writing will improve. Don't be afraid to approach people you admire. Stay interested and aware of the possibilities. There is no formal career path. 53'15 - Now, he says yes to only 10% of the proposals he receives. If his heart is not in it, he cannot say yes. He cannot do something he is not interested in because it would kill the thing he loves. One important thing is to keep your curiosity alive.Subscribe to the podcast newsletter: https://bit.ly/lesvoixdelaphotonewsletterStay updated with the podcast: https://bit.ly/lesvoixdelaphotowebsiteYou can also find the podcast on Instagram, Facebook, and LinkedIn @lesvoixdelaphoto Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

This week the guest is Christine Saunders. Christine is an art buyer, producer and business coach for professional photographers. She helps photographers curate their websites to show their best works and ultimately get more work. Sam asks what is Christine helping these photographers with and why are they coming to her? Suzanne says she helps photographers help them see themselves more as CEO of a business. Think about all of the departments the CEO of coca cola might have. Generally photographers are great at the creativity and often get help with the accounting side, but there is much more to business than this. Especially marketing. How to create a business plan a marketing plan where you are consistently reaching out to promote yourself. Christine says a marketing plan is a hugely important part of being seen and getting work. But she also works in all sorts of others areas of the business helping to develop this. So she isn't an agent she is more like a business partner. Sam asks about target audience and how to decide who your target audience is. Christine says she does a lot of brain storming this with clients starting from the sort of photography they do and the sort of clients they want to work with. Christine doesn't work with any particular genre of photographer, she more works with photographers filling gaps in their business. Christine says by the nature of being a creative photographers have sensitivities. Christine is asking them to reach out and be more visible, but many don't feel happy doing that andso she supports them. Marcus asks how the market has changed for photographer since the start of the century. Back then there was no digital photography, no smart phones and no global campaigns. before different areas would run different campaigns from different photographers now it's more global. Getty has come in which has been good and bad for photographers. Some have thrived from this while others felt it has done a lot of damage. Marcus thinks a third one is the amount of people who are commercial photographers. Christine agrees that the number who are coming into the industry is very large. Sam asks if she helps photographers with pricing. She says that is something she helps with and she has stopped photographers not going in too low and to value themselves. Sometimes this means charging for extra things on top of the standard shoot fee. She says a lot of photographers do go in too low with price, but there is a balance here. She says it is also worth asking the client what budget they have. They won't always tell you this and it can be challenging, but usually someone has a budget, but they won't always share it with you. Marcus brings up licensing, being paid for the use of your images. He says in the US licensing is standard while this isn't the case except in the very top of the market in the UK. Christine seems less sure about this. She says that in much of the work she does then these recurring fees are collected. She also says if people want usage of the images included then that should be done under restrictions, such as a five year limit. Sam asks how photographers who do hide behind the camera a little could start to come out of their shell. Christine says go to any industry events you can. Photo London has just been on. These are great places to get inspired. You can also often get a portfolio review at these events. Another thing they could do is send some emails to people they already know. Marcus asks what photographers can do to aim for the top of their industry. She says she sees a lot of talent and it feels like she is the only one who sees it. She says step out there. Showing your work to the world even if it imperfect is a lot better than only you and your Mum seeing it. Also remember this is a business. It always needs to be looked at as a business, you need to step into those other roles.      

323. Glennon's Friendship Contract with Alex Hedison Part two of our conversation artist, actor, photographer, filmmaker and bestie of Glennon and Abby, Alex Hedison! In this episode, Alex talks about what it means to stress a relationship, authentic friendship, and the importance of being authentic in every area of your life.  Check out our first episode with Alex HERE: [insert link here] Discover:  -Glennon and Alex's friendship contract and the terms they agreed to; -How to make room for the awkward, twisty parts in friendship; and -Why we must not quietly quit people who are important to us. About Alex: Alex Hedison is an internationally acclaimed photographer, artist, director, and actor. Hedison has exhibited in galleries in the US and abroad. Her most recent solo exhibitions include the opening of FRIEZE Seoul 2023; Von Lintel Gallery, Los Angeles; H Gallery Paris; Photo London; and Paris Photo. Her acting career spans numerous television roles, including a pivotal character in the cultural phenomenon, The L Word. A critical voice in both the artistic and LGBTQ+ community, Hedison directed the short documentary film ALOK, a thought-provoking short film that explores compassion as a catalyst for social transformation and inspires viewers to embrace personal freedom beyond the binaries that divide us. Produced by Natalie Shirinian, Elizabeth Baudouin (pronounced Bode-win), Meggan Lennon, and executive produced by Jodie Foster, ALOK was selected to premiere at the 2024 Sundance Film Festival. IG: @alexhedisonstudio To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

322. The One Who Taught Glennon Friendship: Alex Hedison   Today is a big day. Artist, actor, photographer, filmmaker, and dear bestie of Glennon and Abby, Alex Hedison is here! Alex is the person who Glennon credits with teaching her how to be a friend. HUGE! In this episode, they share how their friendship started, how they make it work, and Alex offers amazing life advice. It's like being a fly on the wall in one of their hangouts. You will LOVE this chat between Alex, Glennon, Abby and Amanda! Discover:  -The story of how Glennon and Abby became friends with Alex and her wife, Jodie Foster; -The literal fire that solidified their friendship;  -How to never have an ick moment again after a social gathering; and -Why we MUST stress our relationships and what that means in action. About Alex: Alex Hedison is an internationally acclaimed photographer, artist, director, and actor. Hedison has exhibited in galleries in the US and abroad. Her most recent solo exhibitions include the opening of FRIEZE Seoul 2023; Von Lintel Gallery, Los Angeles; H Gallery Paris; Photo London; and Paris Photo. Her acting career spans numerous television roles, including a pivotal character in the cultural phenomenon, The L Word. A critical voice in both the artistic and LGBTQ+ community, Hedison directed the short documentary film ALOK, a thought-provoking short film that explores compassion as a catalyst for social transformation and inspires viewers to embrace personal freedom beyond the binaries that divide us. Produced by Natalie Shirinian, Elizabeth Baudouin (pronounced Bode-win), Meggan Lennon, and executive produced by Jodie Foster, ALOK was selected to premiere at the 2024 Sundance Film Festival. IG: @alexhedisonstudio To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Featuring:Lydia Goldblatt Website | InstagramKamiar Maleki Website | InstagramMichelle Sank Website | InstagramGered Mankowitz Website | InstagramAlys Tomlinson Website | Instagram | Mother Vera filmFariba Farshad Website | InstagramCharlotte Jansen Website | InstagramAndi Gáldi Vinkó Website | InstagramAnne-Marie Beckmann WebsiteRenée Mussai InstagramValérie Belin Website | InstagramMatt Stuart Website | InstagramChloé Jafé Website | Instagram Photo London: Website | Instagram Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.

A student at the École Beaux-arts de Versailles (1983–1985), and then at the École Nationale Supérieure d'Art de Bourges (1985-1988), French artist Valerie Belin obtained the French higher national diploma in visual expression in 1988 and also holds a diploma in advanced studies (DEA) in the philosophy of art from the Université de Paris Panthéon-Sorbonne (1989). Initially influenced by various minimalist and conceptual tendencies, Valérie became interested in the photographic medium in its own right; this is at once the subject of her work and her way of reflecting and creating. Light, matter and the “body” of things and beings in general, as well as their transformations and representations, constitute the terrain of her experiments and the world of her artistic ideas. Her work is articulated in photographic series, each one produced within the framework of a specific project. Valérie's work has been exhibited around the world and is held in numerous public and private collections. Winner of the Prix Pictet in 2015 (Disorder), she was made an officer of France's Ordre des Arts et des Lettres in 2017. This same year, a touring exhibition was co-produced by the Three Shadows Photography Art Center in Beijing, the SCôP in Shanghai and the Chengdu Museum. In 2019, Valérie unveiled a major new series at the Victoria & Albert Museum in London and this year, 2024, she has been named as Master of Photography at Photo London where she will have a major career retrospective.Valerie lives and works in Paris. In episode 228, Valerie discusses, among other things:Her father being an artist at heartThe influence of a particular teacherThe dual influence of American minimal art and Italian baroque artHow she discovered photography and was inspired by a misogynistic teacherNot photographing people initiallyPresence and absenceWhy she chose bodybuilders as her first foray into shooting peopleThe theme of beautyHow women are ‘attacked' by stereotypesAI being paradoxical to what she wants to showThe importance of Photoshop to her practiceWhere the ideas come fromUse of comic booksMaking a livingRecent series' ‘Heroes' and ‘Lady Stardust'. Referenced:Carl AndreRobert MorrisTony Smith (sculptor)Richard Serra Website | Instagram“I think it's still true to say I'm very close to my medium and to the hybridation, because if you think of it what is photography today when with the same camera you can make videos, you can make whatever you want? I think we are in a time when you always have a kind of superimposition in your mind, you have several channels on all the time in your mind and maybe my pictures are showing that way of thinking or way of living.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.

Edward Burtynsky is regarded as one of the world's most accomplished contemporary photographers. His remarkable photographic depictions of global industrial landscapes represent over 40 years of his dedication to bearing witness to the impact of human industry on the planet. Edward's photographs are included in the collections of over 80 major museums around the world, including the National Gallery of Canada in Ottawa; the Museum of Modern Art, the Metropolitan Museum of Art, and the Guggenheim Museum in New York; the Reina Sofia Museum in Madrid; the Tate Modern in London, and the Los Angeles County Museum of Art in California.Edward was born in 1955 of Ukrainian heritage in St. Catharines, Ontario. He received his BAA in Photography/Media Studies from Toronto Metropolitan University (formerly Ryerson University) in 1982, and has since received both an Alumni Achievement Award (2004) and an Honorary Doctorate (2007) from his alma mater. He is still actively involved in the university community, and sits on the board of directors for The Image Centre (formerly Ryerson Image Centre).In 1985, Edward founded Toronto Image Works, a darkroom rental facility, custom photo laboratory, digital imaging, and new media computer-training centre catering to all levels of Toronto's art community.Early exposure to the General Motors plant and watching ships go by in the Welland Canal in Edward's hometown helped capture his imagination for the scale of human creation, and to formulate the development of his photographic work. His imagery explores the collective impact we as a species are having on the surface of the planet — an inspection of the human systems we've imposed onto natural landscapes.Exhibitions include: Anthropocene (2018) at the Art Gallery of Ontario and National Gallery of Canada (international touring exhibition); Water (2013) at the New Orleans Museum of Art and Contemporary Art Center in Louisiana (international touring exhibition); Oil (2009) at the Corcoran Gallery of Art in Washington D.C. (five-year international touring show), China (toured internationally from 2005 - 2008); Manufactured Landscapes at the National Gallery of Canada (toured from 2003 - 2005); and Breaking Ground produced by the Canadian Museum of Contemporary Photography (toured from 1988 - 1992). Edward's visually compelling works are currently being exhibited in solo and group exhibitions around the globe, including at London's Saatchi Gallery where his largest solo exhibition to-date, entitled Extraction/Abstraction, is currently on show until 6th May 2024.Edward's distinctions include the inaugural TED Prize (which he shared with Bono and Robert Fischell), the title of Officer of the Order of Canada, and the International Center of Photography's Infinity Award for Art. In 2018 Edward was named Photo London's Master of Photography and the Mosaic Institute's Peace Patron. In 2019 he was the recipient of the Arts & Letters Award at the Canadian Association of New York's annual Maple Leaf Ball and the 2019 Lucie Award for Achievement in Documentary Photography. In 2020 he was awarded a Royal Photographic Society Honorary Fellowship and in 2022 was honoured with the Outstanding Contribution to Photography Award by the World Photography Organization. Most recently he was inducted into the International Photography Hall of Fame and was named the 2022 recipient for the annual Pollution Probe Award. Edward currently holds eight honorary doctorate degrees and is represented by numerous international galleries all over the world. In episode 224, Edward discusses, among other things:His transition from film to digitalStaying positive by ‘moving through grief to land on meaning'Making compelling images and how scale creates ambiguityDefining the over-riding theme of his work early onThe environmental impact of farmingWhether he planned his careerWhy he started a lab to finance his photographyAnd how being an entrepreneur feeds into his work as an artistVertical IntegrationExamples of challenging situations he has facedThe necessity for his work to be commoditisedHis relative hope and optimism for the future through positive technologyThe importance of having a hopeful component to the workHow he offsets his own carbon footprint Referenced:Joel SternfeldEliiot PorterStephen ShoreJennifer BaichwalNicholas de Pencier Website | Instagram“The evocation of the sense of wonder and the sense of the surreal, or the improbable, or ‘what am I looking at?', to me is interesting in a time where images are so consumed; that these are not for quick consumption they're for… slow. And I think that when things reveal themselves slowly and in a more challenging way, they become more interesting as objects to leave in the world. That they don't just reveal themselves immediately, you can't just get it in one quick glance and you're done, no, these things ask you to look at them and spend time with them. And I discover things in them sometimes that I never saw before. They're loaded with information.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.

Photo:  London 1908: Future President Taft and Mrs. Helen Herron Taft No known restrictions on publication. @Batchelorshow OVER THE WEEKEND: Conversations with my colleagues: with Michael Yon about the Panamanian Darien Gap flooded with migrants; with Jeff Bliss about the missing in the Maui tragedy, and a sudden outbreak of wildfire; with Michael Vlahos about the DC discouragement at the Ukrainian advances; and with Thaddeus McCotter aboutt the first GOP debate.

PHOTO: London 1900.  NO KNOWN RESTRICTIONS ON PUBLICATION. @BATCHELORSHOW #BESTOF2022: 2/2: #UK: Sweden: Bristol: Gothenburg: Tale of two cities, one growing & What is to be done? Joel Budd. Economist. Originally posted October 22, 2022) https://www.economist.com/britain/2022/10/06/british-cities-have-far-too-little-power-and-its-holding-them-back

Featuring:Martin Parr (Ep. 91 & 197)Dr. Claire HymanTracy Marshall GrantChris Dorley Brown (Ep. 97)James HymanSimon Roberts (Ian Parry Photojournalsim Grant) (Ep. 43)Michael BensonJillian Edelstein (KIckstarter) (Ep. 87)Gideon Mendel (Ep. 40)Alex Schneiderman Website | Instagram

Notes from this years Photo London festival running from 11th - 14th May, enjoy! "Photo London brings the finest international photography to the British capital every year. The Fair presents the best historic and vintage works while also spotlighting fresh perspectives in photography. Along with a selection of the world's leading photography dealers and galleries, Photo London's Discovery section is dedicated to the most exciting emerging galleries and artists. In addition, each edition sees a unique Public Programme including special exhibitions and installations; and several Awards announced, headlined by the Photo London Master of Photography Award." Hosted on Acast. See acast.com/privacy for more information.

Season Five of Interview With An Artist is Gallery Directors from around Australia. Andy Dinan founded MARS Gallery in Melbourne 18 years ago. Andy pushes hard to give her artists international opportunities, such as Photo London this year, and in 2022 Photo Basel in Switzerland. In today's episode we talk about: how Andy pushes public art opportunities for her artists and why they are so important what the situation is like with studio space in Melbourne how her initial naivety running a gallery has become her strength the qualities of a Mars Artist ________ For one-on-one mentoring, tailored to your artistic practice book in at www.wilaminarusso.com and sign up the monthly newsletter helping artists take the right next step - The Next Step Interview With An Artist is hosted by Willy (Wilamina) Russo and produced by Cameron Furlong. 

John Wilson talks to photographer Martin Parr about the formative influences and experiences that inspired his own creativity. Globally renowned for his witty and satirical scenes of British life, Parr made his name in the 1970s with a series of monochrome photographs documenting the community of Hebden Bridge, West Yorkshire. His fame grew with his 1985 project The Last Resort, which captured the spirit of the great British holiday in images of ice-cream, chips, and sunburnt bodies on the litter-strewn concrete promenade of New Brighton, Liverpool. Since then, his instantly recognisable work has examined subjects including global consumerism, mass tourism and class. He has published over a hundred books of his work, exhibited all round the world, and is regarded as one of Britain's greatest photographers. Parr is celebrated as Master Of Photography at the 2023 Photo London fair, and has recently opened his own Foundation to exhibit the work of emerging photographers alongside his own. Martin Parr reveals how, growing up in suburban Surrey, he was introduced to photography by his Yorkshire grandfather during holiday visits. He remembers seeing exhibitions by Bill Brandt and Henri Cartier-Bresson in the late 1960s, but it was the work of British street photographer Tony Ray-Jones, whose images he first saw whilst studying photography at Manchester Polytechnic, that was most influential. Martin Parr further developed his distinctive documentary style, and his use of saturated colour processing techniques, after seeing work by American photographer William Egglestone. Martin Parr also chooses the 1991 film Night On Earth by Jim Jarmusch as a key influence on his quirky approach to storytelling, and reflects on how his style and subjects have developed over the years. Producer: Edwina Pitman

Christophe Guye was the owner and managing director of a communications agency in Zurich for 15 years, which was taken over by an international agency network in 2004. Since 2006 he has worked as a gallery owner and art dealer for contemporary photography. In the same year, he opened his gallery – formerly SCALO|GUYE Gallery – in Los Angeles, which has been based in Zurich since 2010 under the name Christophe Guye Galerie and represents numerous nationally and internationally renowned artists who have expanded the medium of photography in a broader sense context of contemporary art. During this time he has organized over a hundred exhibitions in cultural institutions, museums and partner galleries in Switzerland and abroad. The gallery is also represented at international art fairs such as Paris Photo, Photo London, Unseen Amsterdam and Photo Shanghai. In addition, he advises numerous private art collectors and institutional collections on the development and expansion of their collections. Since 2021, Christophe Guye has also been a guest lecturer at the teaching and research center for the theory and history of photography at the University of Zurich. Interview with Christophe Guye recorded by Michael Dooney on 1. July 2022 at Christophe Guye Galerie, Zurich, CH. NOTES Full episode transcript (online soon) Christophe Guye Galerie Official: https://christopheguye.com/ Artsy: https://www.artsy.net/partner/christophe-guye-galerie Instagram: https://www.instagram.com/christopheguyegalerie/ Facebook: https://www.facebook.com/christopheguyegalerie Vimeo: https://vimeo.com/christopheguyegalerie YouTube: https://www.youtube.com/channel/UCyBNuPELwPFB_Hnze3t5-qA l'art concret / art concrete Balthasar Burkhard, famous Swiss photographer represented by Walter Keller Walter Keller legacy Scalo Publishing House Parkett Magazine fotomuseum wintertur Japanese Photography Provoke era of the 60's in Japan, post WWII photography “Are, Bure, Boke” - blurry and out of focus Japanese photography Represented artists Rinko Kawauchi Nobuyoshi Araki Risaku Suzuki - Paris Photo November 2022 John Yuyi Michael Dooney Official: http://www.michaeldooney.net/ Twitter: https://twitter.com/michaeldooney_ Instagram: https://www.instagram.com/michaeldooney/ LinkedIn: https://www.linkedin.com/in/michaeldooney/ YouTube: https://www.youtube.com/c/MichaelDooney Subtext & Discourse Podcast Apple Podcasts, Spotify, etc: https://pod.link/1475402385 Instagram: https://www.instagram.com/subtextanddiscourse/ JARVIS DOONEY Galerie Official: https://www.jarvisdooney.com/ Artsy: https://www.artsy.net/partner/jarvis-dooney Facebook: https://www.facebook.com/jarvisdooney/ Instagram: https://www.instagram.com/jarvisdooney/ LinkedIn: https://www.linkedin.com/company/jarvisdooney/

In this bonus episode Gary Mansfield speaks to Gemma Peppe, founder of Art on a Postcard (@artonapostcard) Art on a Postcard (AOAP) raises money for The Hepatitis C Trust towards its campaign to eliminate hepatitis C in the UK by the year 2030. In 2014 Art on a Postcard was intended to be a one off secret postcard auction, but it went so well it has spawned a small industry. Artists and photographers who have taken part in our auctions include Damien Hirst, Gavin Turk, Marc Quinn, Gilbert and George, Peter Blake RA, Hurvin Anderson, Grayson Perry RA, Larry Clark, Martin Parr, Michael Craig Martin RA, Chantal Joffe RA, Joan Snyder, Claudette Johnson, Mali Morris RA, Genieve Figgis, Vanessa Jackson RA, Rebecca Salter RA, Anne Desmet RA, Catherine Opie, Wolfgang Tillmans, Paula Rego, Julian Opie, Hassan Hajajj, Cecily Brown, Harland Miller, Marina Abramović, Florine Démosthène, Lubaina Himid and Jeremy Deller. Almost a decade later, we have a number of outstanding events under our belts including partnerships with The Other Art Fair and Photo London as well our annual outings with Art Car Boot Fair. Our work has also won us awards for our innovative fundraising initiatives.In addition to our auctions we have a print shop which includes a catalogue of contemporary art prints a number of sell out print editions including Hate's Outta Date by Harland Miller. For more information on the work of Art on a Postcard go tohttps://artonapostcard.com To Support this podcast from as little as £3 per month: www.patreon/ministryofarts If you would like to promote your work, exhibition or any other creative project, please contact us at:Social Media: @ministryofartsorgEmail: ministryofartsorg@gmail.com Hosted on Acast. See acast.com/privacy for more information.

This special episode of the Art Angle is produced in partnership with Belmond.  Recently, four photographers got a dream assignment. They were dispatched into the Maya Riviera to capture the distinctiveness and beauty of the landscape. But it wasn't all as tranquil as it sounds. The creators battled hurricane season and extremely tight deadlines to get the shots they wanted. The result of their hard work is “Fotografía Maroma,” a collection of photographs commissioned by Belmond. The images will go on display at Maroma, Belmond's hotel in the Riviera Maya, when it reopens in May 2023. Before then, however, they are going on a world tour. It starts with a display in the Miami Design District during Art Basel Miami Beach and continues with presentations at ZonaMaco in Mexico City in February and Photo London in May. In partnership with Belmond, the Art Angle spoke with the curators behind the project. Fariba Farshad is co-founder and director of Photo London and Patricia Conde is the founder of Patricia Conde Galeria in Mexico City. Together, they gave us the lowdown on why they chose these four photographers, how the project came together in record time, and what it shows us about Mexico's vibrant photography scene.

This special episode of the Art Angle is produced in partnership with Belmond.  Recently, four photographers got a dream assignment. They were dispatched into the Maya Riviera to capture the distinctiveness and beauty of the landscape. But it wasn't all as tranquil as it sounds. The creators battled hurricane season and extremely tight deadlines to get the shots they wanted. The result of their hard work is “Fotografía Maroma,” a collection of photographs commissioned by Belmond. The images will go on display at Maroma, Belmond's hotel in the Riviera Maya, when it reopens in May 2023. Before then, however, they are going on a world tour. It starts with a display in the Miami Design District during Art Basel Miami Beach and continues with presentations at ZonaMaco in Mexico City in February and Photo London in May. In partnership with Belmond, the Art Angle spoke with the curators behind the project. Fariba Farshad is co-founder and director of Photo London and Patricia Conde is the founder of Patricia Conde Galeria in Mexico City. Together, they gave us the lowdown on why they chose these four photographers, how the project came together in record time, and what it shows us about Mexico's vibrant photography scene.

In episode 237 UNP founder and curator Grant Scott is in his shed reflecting on taking inspiration from other photographs, post-graduate photo education and the lack of photography on the radio and television. Plus this week, photographer Max Miechowski takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' Max Miechowski is a British photographer based in London. His projects, which centre on themes of community and connection, have been exhibited widely in places such as Paris Photo Fair, Photo London, Peckham 24 and The Taylor Wessing Photographic Portrait Prize at the National Portrait Gallery. Miechowski received the Photo London/Nikon Emerging Photographer Award 2022, for his solo exhibition of Land Loss, at Somerset House, London and has been recognised by the Palm Photo Prize, twice as a finalist and once as the recipient of the People's Choice Award. He has had consecutive winning images in the British Journal of Photography's Portrait of Britain, been awarded LensCulture's Emerging Talent Award, and featured in the Creative Review Photography Annual in 2018 and 2020. He has been featured in and commissioned by a wide variety of publications and clients including The Guardian, The New York Times, It's Nice That and The Financial Times. https://maxmiechowski.com Dr. Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). His film Do Not Bend: The Photographic Life of Bill Jay was first screened in 2018 www.donotbendfilm.com. He is the presenter of the A Photographic Life and In Search of Bill Jay podcasts. © Grant Scott 2022

In a very rare occasion, today's episode brings together two Prix Pictet shortlisted photographers, from two separate Prix Pictet cycles, in conversation with our Executive Director, Isabelle von Ribbentrop. Recorded live to an audience at Somerset House during Photo London, Namibian photographer Margaret Courtney Clarke, who was shortlisted for our 8th cycle on the theme of Hope for her series ‘Cry Sadness into the Coming Rain' and Austrian and Nigerian photographer David Uzochukwu, who is currently shortlisted for our 9th cycle Fire for his series ‘In the Wake', dissect technique, passion and identity.

What is the power of ambiguity in an image? Join celebrated female photographers Cristina de Middel and Olivia Arthur as they explore this and much more in this special episode developed in collaboration with Magnum Photos. This episode is hosted by curator, author and host of The Great Women Artists, Katy Hessel.  Held live to an audience at Somerset House during the annual photography fair Photo London this May, this panel on ‘Great Women in Photography' marks the launch of ‘Magnum Photos X Prix Pictet: In Dialogue' a series of talks which celebrate the 75th anniversary of Magnum Photos across the world.   Don't miss the accompanying e-book to this episode where you can see the images being described: https://www.instagram.com/p/CeifYbfIFjq/?utm_source=ig_web_copy_link  

Featuring:James HymanEmma BlauBrett Rogers, The Photographer's GalleryDeana LawsonMax MiechowskiDavid Campany (on the work of Anastasia Samoylova)Alys TomlinsonAletheia CaseyJillian EdelsteinMatt Stuart

Buffalo News' Robert McCarthy has the latest on the Buffalo shooting. Baria Alamuddin and John Everard discuss what a Russia defeat in Ukraine would mean; Lebanon's uncertain election; North Korea's new pandemic and Biden's visit to Asia; and ‘The Washington Post' opens a bureau in Kyiv. Plus: Lilian Fawcett visits Photo London.

As part of our British black history coverage we look back at the racism faced by London's first black policeman from his own colleagues. We also hear about the death in police custody of black ex-soldier Christopher Alder. Plus, the intriguing story of a Somali sailor based in the UK in the early 20th century; the heartbreak faced by the children of black American soldiers and white British mothers during World War Two; and the story of Clyde Best, Britain's pioneering black footballer. Presenter Max Pearson also hears from Dr Martin Glynn of Birmingham City University's Black Studies course. Photo: London's first black policeman PC Norwell Roberts beginning his training with colleagues at Hendon Police College, London, 5 April 1967. Credit: Hulton Archive/Getty Images

Norwell Roberts joined the Metropolitan police in 1967. He was put forward as a symbol of progressive policing amid ongoing tensions between the police and ethnic minorities in the capital. But behind the scenes, Norwell endured years of racist abuse from colleagues within the force. Norwell Roberts spoke to Alex Last about growing up in Britain and his determination to be a pioneer in the police. (Photo: London's first black policeman PC Norwell Roberts beginning his training with colleagues at Hendon Police College, London, 5 April 1967. Credit: Hulton Archive/Getty Images)

Rebellion and causing offence: Shahidha Bari looks at punk and finds that beyond the filth and the fury of the ‘70s music scene, it provided a new vocabulary for artists that's shaped the cultural scene to the present day, with photographs of the British punk scene on show, a new documentary coming in the Autumn and the opening of a play this week drawing on the idea of punk. Shahidha's guests are: Morgan Lloyd Malcolm whose drama, opening in Sheffield, features women in a prison becoming inspired by a punk band; Philip Venables, the classical composer of works including 4:48 Psychosis and Denis and Katya; musican and 6 music broadcaster Tom Robinson, and Radio 3 and AHRC New Generation Thinker Diarmuid Hester, author of Wrong, A Critical Biography of Denis Cooper. They look at figures ranging from Rimbaud up to the Slits and Derek Jarman. Plus - as Ru Paul's Drag Show returns to TV, Diarmuid Hester considers an earlier portrayal of queer culture in the paintings of Edward Burra. Typical Girls - Morgan Lloyd Malcolm's play produced by Sheffield Theatres and Clean Break runs from Sept 24th to October 16th You can find out more about Philip Venables at https://philipvenables.com/ Diarmuid Hester's website with information about his queer tours of Cambridge and Rye https://www.diarmuidhester.com/ The photographs of Michael Grecco and Kevin Cummins were on show at Photo London. Rebel Dykes, is a documentary set in 1980s post punk London, directed by Harri Shanahan and Sian A. Williams Edward Burra's work is on show at the Rye Art Gallery in Burra and Friends (until October 3rd). Producer: Luke Mulhall

Featuring contributions from:Tom Booth Woodger from Setanta BooksAmak Mahmoodian (Episode 121)Kalpesh Lathigra (Episode 005)Jenny Lewis (Episode 064)Alys Tomlinson (Episode 123)Robin Maddock (Episode 056)Bryony CarlinMatthew Finn (Episode 098)Elizabeth WatermanMichael Grecco (Days of Punk)

Iranian-born artist, photographer and filmmaker Shirin Neshat talk to us about her latest work - a feature film entitled Land of Dreams which premiered at The Venice Film Festival last week -and her exhibition at Photo London of still images connected to New Mexico. The last of our Women's Prize for Fiction-shortlisted authors, Yaa Gyasi, talks to Front Row ahead of the winner's announcement tomorrow. Her novel Transcendent Kingdom considers big questions of science, belief and addiction in the story of a family. Professor Mark Anthony Neal marks the death of actor Michael K. Williams, best known for playing Omar in the US TV series The Wire. A report today finds that as temperatures rise, dragonflies are thriving here. Insects have long fascinated poets and we hear Alfred, Lord Tennyson's poem capturing the beauty, and the life cycle, of the dragonfly - in just eight lines. Presenter: John Wilson Producer: Julian May

Konstantin & Becky bring to you the latest Nikon news and photography related announcements. Rebecca Danese: https://www.instagram.com/rebecca_danese Konstantin Kochkin: https://www.instagram.com/konstantinkochkin Production: Konstantin Kochkin Nikon Report #34 According to Nikon Rumors: Only one new Nikon Z lens is expected to actually start shipping this year: Nikkor Z 400mm f/2.8 https://bit.ly/3zilcXw Nikon announced 2021 Nikon Small World In Motion Winners https://bit.ly/3zomPDe https://bit.ly/38cKsm5 Adobe added support for the Nikon Z fc camera https://adobe.ly/3ycuYcd COKIN announced a filter holder for the Nikkor Z 14-24mm f/2.8 lens https://bit.ly/3jcCOyq Megadap ETZ11 Sony E to Nikon Z adapter has been announced. https://bit.ly/3zhnXbH Teac is developing a new Tascam CA-XLR2d-AN adapter for Nikon mirrorless cameras. https://bit.ly/3sNNlmE Kenko Tokina released new MOZA Air 2S/Air 2S handheld gimbal flagship models compatible with Nikon Z cameras. https://bit.ly/3Dhqe8V Quick reminder to our UK viewers, Photo London photography festival in Somerset House is scheduled from 8th till 12th of September. Use code PL15 at checkout for 15% off the tickets. https://photolondon.org/tickets/ Photography Show in Birmingham will be held from 18th till 21st September. https://www.photographyshow.com/ REVIEWS Nikon Z 14-24mm F2.8 S Review - The Nikkor F2.8 trio is complete! By DPREVIEW TV YT They praise as worthy upgrade over F mount version https://bit.ly/2WpWupN Nikon Z MC 50mm F2.8 Review 4.5/5 https://bit.ly/2ULEHsq Nikon Z fc Review 4.5/5 https://bit.ly/3jioFQ4 Weekend Read & Watch Nikon released a History overview of major business- and product-related events at various points in time from 1917 https://bit.ly/3zh0S8Q NIKON Z7 ii AUTOFOCUS Test by Ryan Troy YT https://bit.ly/2WmLBVK Nikon Z7 II: THIS is the Camera We'd Buy If We Didn't Shoot with Leicas by Three Blind Men and An Elephant Productions YT https://bit.ly/3klAOU0 Roger Cicala: Imaging Before Photography, Part III -- The Showman and the Sheriff https://bit.ly/3myE554 --- Send in a voice message: https://anchor.fm/grays-of-westminster/message

Simone Klein. Art Advisor, Gutachterin, Expertin in Köln. Zitate aus dem Podcast: »Eine Auktion ist ein choreographierter Moment, in den man sich als Käufer hineinfallen lässt.« »Ich bewerte nicht das künstlerische, sondern nur den aktuellen Marktwert.« »Ein gutes Bild, ist ein Bild, das individuell gefällt, egal, was es wert ist.« »Fotografie ist ein Kulturgut.« »Was Kinder und Jugendliche wissen müssen, ist, wie man Fotografien liest.« »Ich hatte das Vergnügen im Hirn, Herz und Bauch von Magnum in Paris arbeiten zu dürfen.« Simone Klein ist »Art Advisor« sowie unabhängige und öffentlich bestellte und vereidigte Gutachterin für Fotografie in Köln. Nach dem Studium der Kunstgeschichte, der Romanistik und Germanistik an der Universität Bonn und an der Sorbonne in Paris arbeitete sie ab Mitte der Neunziger Jahre als Assistentin in der Galerie Kicken in Köln. Danach leitete sie ab 1997 die Fotografie-Abteilung im »Kunsthaus Lempertz« in Köln. Und war dann die Direktorin der Fotografie-Abteilung Europa bei »Sotheby's« mit Auktionen in Paris, London und New York. Zuletzt war sie die internationale Direktorin der Abteilung »Print sales« bei der Agentur Magnum Photos in Paris. Sie ist Mitglied im »curatorial committee« der Photo London sowie der nominierenden Jury des Prix Pictet. Sie ist Vorsitzende des Beirats der SK Stiftung Kultur – Die Photographische Sammlung Köln, Beiratsmitglied der Photoszene Köln sowie der Berlin Photo Week und Mitglied des Geschäftsführenden Vorstands der Deutschen Gesellschaft für Photographie (DGPh). Sie hat Lehraufträge zum Thema Kunst- und Photographie-Markt an der Donau-Universität in Krems und an der Sciences Po Lille. http://simoneklein.de/ https://www.instagram.com/simoneklein.artadvisory/ https://www.sk-kultur.de/ https://www.dgph.de/ https://www.berlinphotoweek.com/ https://festival.photoszene.de/ Episoden-Cover-Gestaltung: Andy Scholz Episoden-Cover-Foto: Laurence Mary Idee, Produktion, Redaktion, Moderation: Andy Scholz http://fotografieneudenken.de/ https://www.instagram.com/fotografieneudenken/ Der Podcast ist eine Produktion von STUDIO ANDY SCHOLZ 2021. Der Initiator ist Andy Scholz, Jahrgang 1971, geboren in Varel am Jadebusen. Er studierte Philosophie und Medienwissenschaften in Düsseldorf, Kunst und Fotografie in Essen an der Folkwang Universität der Künste (ehemals Gesamthochschule Duisburg-Essen) u.a. bei Jörg Sasse und Bernhard Prinz. Andy Scholz ist freier Künstler, Autor sowie künstlerischer Leiter und Kurator vom FESTIVAL FOTOGRAFISCHER BILDER, das er gemeinsam mit Martin Rosner 2016 in Regensburg gründete. Seit 2012 unterrichtet er an verschiedenen Institutionen: Universität Regensburg, Fachhochschule Würzburg, North Dakota State University in Fargo (USA), Philipps-Universität Marburg, Ruhr Universität Bochum. Seit Mai 2020 bringt er den Podcast Fotografie Neu Denken heraus. Er lebt und arbeitet in Essen. https://festival-fotografischer-bilder.de/ http://fotografieneudenken.de/ https://www.instagram.com/fotografieneudenken/ http://andyscholz.com/ http://photography-now.com/exhibition/147186

Robert Morat. Galerist, Berlin. Zitate aus dem Podcast: »Es braucht eine Art Kulturwerkzeug, um Bilder lesen und verstehen zu können.« »Ich bin mir nicht sicher ob die Schule der richtige Ort ist, um Kindern eine ikonografische Bildsprache zu vermitteln.« »Die Rolle der Fotografie wird immer wieder neu gedacht.« »Wenn man das, was da passiert in Worte fassen könnte, bräuchte man das Bild nicht. Dann könnte man auch einen Text schreiben.« »Man weiß, wenn man vor dem Bild steht, dass es gut ist.« »Plötzlich klingelt das Telefon und Elliot Erwitt ist dran.« »Viel häufiger stellt sich die Frage nach dem interessanten Konzept, dem interessanten Prozess.« »In jedem Projekt gibt es ein, zwei Bilder, die gut funktionieren unter kommerziellen Aspekten.« »Mich interessiert eigentlich eher die Idee, als das Bild.« Robert Morat wurde 1971 in Freiburg i.Br. geboren. Er stammt aus einer Kunstsammler-Familie und verbrachte bereits seine Kindheit in internationalen Museen und auf Kunstmessen. Er entschied sich aber bewusst nicht tiefer in die Kunstwelt einzutauchen, studierte zunächst Schauspiel in London und Hamburg, dann Germanistik, Kunstgeschichte und Journalistik an der Universität Hamburg, arbeitete einige Jahre als freier Journalist im Hamburger Medienzirkus und entschloss sich 2004 eine lang gereifte Idee in die Tat umzusetzen und eröffnete eine Galerie für zeitgenössische Fotografie im Kontorhaus-Viertel in Hamburg. Durch gute Presse und ein gutes Programm machte die Robert Morat Galerie schnell von sich Reden. Fünf Jahre später war er bereits Mitglied der »AIPAD« (The Association of International Photography Art Dealers) in New York und zeigte seine Künstler regelmäßig auf internationalen Kunstmessen wie der »Paris Photo«, der »Photo London« und der »Unseen« in Amsterdam. Von 2010 bis 2015 war Robert Morat Vorstandsmitlgied der AIPAD. 2015 zog die Galerie nach Berlin um. https://www.robertmorat.de/ https://aipad.com/ https://www.parisphoto.com/ https://photolondon.org/ https://unseenamsterdam.com/ Episoden-Cover-Gestaltung: Andy Scholz Episoden-Cover-Foto: Roger Eberhard Idee, Produktion, Redaktion, Moderation: Andy Scholz http://fotografieneudenken.de/ https://www.instagram.com/fotografieneudenken/ Der Podcast ist eine Produktion von STUDIO ANDY SCHOLZ 2021. Der Initiator ist Andy Scholz, Jahrgang 1971, geboren in Varel am Jadebusen. Er studierte Philosophie und Medienwissenschaften in Düsseldorf, Kunst und Fotografie in Essen an der Folkwang Universität der Künste (ehemals Gesamthochschule Duisburg-Essen) u.a. bei Jörg Sasse und Bernhard Prinz. Andy Scholz ist freier Künstler, Autor sowie künstlerischer Leiter und Kurator vom FESTIVAL FOTOGRAFISCHER BILDER, das er gemeinsam mit Martin Rosner 2016 in Regensburg gründete. Seit 2012 unterrichtet er an verschiedenen Institutionen: Universität Regensburg, Fachhochschule Würzburg, North Dakota State University in Fargo (USA), Philipps-Universität Marburg, Ruhr Universität Bochum. Seit Mai 2020 bringt er den Podcast Fotografie Neu Denken heraus. Er lebt und arbeitet in Essen. https://festival-fotografischer-bilder.de/ http://fotografieneudenken.de/ https://www.instagram.com/fotografieneudenken/ http://andyscholz.com/ http://photography-now.com/exhibition/147186

Photo: London.CBS Eye on the World with John BatchelorCBS Audio Network@BatchelorshowLockdown lifts London despite the Indian variant. @JosephSternberg @WSJOpinionhttps://www.thetimes.co.uk/article/coronavirus-shameful-ministers-fail-to-announce-travel-advice-clearly-ck03mzjb9 https://www.thetimes.co.uk/article/advisers-believed-covid-pandemic-could-not-be-stopped-z08k9tn98https://www.telegraph.co.uk/global-health/science-and-disease/coronavirus-news-indian-yorkshire-variant-vaccine-covid-lockdown/https://www.telegraph.co.uk/politics/2021/05/25/boris-johnson-lockdown-news-variant-cummings-belarus-hijack/?li_source=LI&li_medium=li-recommendation-widget

Photo: London park.The New John Batchelor ShowCBS Audio Network@BatchelorshowWalking in the reawakened Springtime parks of London.@JosephSternberg @https://www.forbes.com/sites/carlieporterfield/2021/04/12/joy-at-pubs-restaurants-and-theme-parks-as-england-eases-lockdown-photos/?sh=5e8c1c8e27bc 

Photo: London park.The New John Batchelor ShowCBS Audio Network@BatchelorshowThe London Parks awaken the vaccinated Britain. @JosephSternberg @WSJOpinionhttps://www.msn.com/en-gb/travel/news/reopening-plans-for-alton-towers-thorpe-park-legoland-and-london-zoo/ar-BB1fmmtn

Tania Franco Klein (b. 1990) started photography while gaining a BA in Architecture in her home town of Mexico City, which led her to pursue a Masters degree in Photography at the University of the Arts, London.Her work is highly influenced by a fascination with social behavior and contemporary concerns such as leisure, consumption, media overstimulation, emotional disconnection, the obsession with eternal youth, the American dream in the Western world and the psychological impact of these concerns on everyday life.Tania’s work has been reviewed and featured internationally in publications such as ARTFORUM, L.A Times, I-D Magazine, The Guardian, The Paris Review, Aperture Foundation, and The British Journal of Photography, and she has been commissioned by The New York Times, The New Yorker, FT weekend, New York Magazine, Vogue and Dior, among others.Tania has been exhibited widely both in solo and group shows across Europe, the USA, and Mexico, including at Photo London, the Thessaloniki Museum of Photography and the Aperture Gallery in New York City. Her latest exhibition, Proceed To The Route , which showcased a wide selection of her latest work, was presented by ROSEGALLERY and received enthusiastic reviews both in Mexico City (2019) and Los Angeles (2020).She was recently selected by W Mag as one of 9 photographers to follow and has won Sony World Photography Awards in two consecutive years, The Lensculture Exposure Awards,  Lensculture Storytelling Awards, and the Photo London Artproof Schliemann Award as the best emerging artist during the Photo London fair in 2018. Her first publication Positive Disintegration (2019) was nominated for the Paris Photo Aperture Foundation First Book Award. On episode 151, Tania discusses, among other things:The nomadic lifestyleWhy she recreated her old room in her grandmother’s house in her studioThe psychology of capitalismHer book, Positive DisintegtrationThe role of technology in the sense of inadequacyHow the process of doing self portraits came aboutHer use of colourHer approach to exhibition designBookmaking workshops - pros and consThe tendency of some men to dispense advice to female artistsCurrent project, Proceed To The RouteSelling printsWhy she loves doing commissions Referenced:Byung-Chul HanKazimierz Dąbrowski Website | Instagram | Facebook | Twitter “With photography you have the opportunity to be more absurd and to still make sense and connect with people throughout these bizarre events happening, and that’s what makes it more rich.”

Sofia Uslenghi nasce nel 1985 a Reggio Calabria, metà famiglia di Gerace e metà di Messina. Infanzia sullo Stretto, adolescenza a Brescia, università Parma, vive a Milano. Inizia a fotografare a vent'anni scoprendo poi che la fotografia è il suo mezzo per indagare e sistemare la sua storia personale. Si concentra sull'autoritratto, lavorando sulle sovrapposizioni e gli strati di fotografie che tengono uniti pezzi della sua storia e di quella della sua famiglia, dei suoi luoghi di origine e delle persone che ne hanno fatto parte. Usa le mappe, pezzi di fotografie satellitari, screenshot di Google Street View, tutti gli strumenti che servono per tornare virtualmente dove è nata e dove sente di aver lasciato un pezzo. Continua a spargerne in giro ogni volta che decide di cambiare casa e città. Si muove iperattiva e la fotografia tiene insieme tutti i pezzi. Nel 2011 espone al PUC di Parma il lavoro sulle periferie della città “Parma. Paesaggi urbani”. Nel 2013 è selezionata per la mostra di Palazzo Magnani in occasione di Fotografia Europea “Ceci n'est pas un concours”. Nelle edizioni del 2011, 2013 e 2014 viene menzionata dalla critica dei Sony World Photography Awards. Nel 2015 espone presso la galleria Gusmeri Fine Art di Brescia una selezione di autoritratti. Nel 2017 espone presso la galleria Due Piani di Pordenone una selezione di autoritratti curata da Benedetta Donato. Nel 2017 partecipa su invito del fotografo Settimio Benedusi al progetto RICORDI? a Milano in collaborazione con HP. Nel settembre 2017 viene selezionata da Giuseppe Violetta tra le nuove proposte rappresentate da Heillandi Gallery, con la quale partecipa all'edizione 2017 di Wopart di Lugano e al Mia Photo Fair nel marzo 2018. Nel dicembre del 2017 espone nella mostra collettiva OMNIBUS CIRCUS di Officine Fotografiche Milanesi a cura di Laura Serani insieme a, tra gli altri, Larry Fink, Federico Patellani e Malick Sidibé. Da settembre 2018 è presente tra gli artisti di Galleria Valeria Bella, Milano. Nel 2019 è presente tra gli artisti esposti al Mia Photo Fair di Milano, a Photo London e a The Phair di Torino. #uslenghi #aspirantifotografi #convivium

How some of the world's biggest banks are helping criminals launder money through the UK capital. The BBC's Andy Verity describes what a major new leak of documents tells us about the flows of dirty money through financial centres. Dr Susan Hawley from the charity Spotlight on Corruption tells us why banks and regulators aren't doing enough to stop it, and Tom Burgis, author of a new book Kleptopia: How Dirty Money is Conquering the World, explains why money laundering is a threat to democracy and freedom. (Photo: London's financial district, Credit: Getty Images)

Tarrah Krajnak was born in Lima, Peru in 1979. Krajnak was orphaned as an infant and adopted into a transracial family from the American coal country. This early experience of racial difference continues to drive her interest in identity, belonging, and inherited histories. Krajnak is an Associate Professor of Art at Pitzer College in Claremont, CA. She has exhibited nationally and internationally at Honor Fraser Gallery, as-is.la gallery, Houston Center for Photography, SUR Biennial Los Angeles, Silver Eye Center for Photography, Center for Photography Woodstock, SF Camerawork, Philadelphia Photographic Arts Center, The National Museum of Women in the Arts, Photo Madrid, Photo London, Belfast Photography Festival, and Unseen Amsterdam. Her work has been published in the LA Review of Books, Nueva Luz, Strange Fire Collective, and Camerawork. She received grants from the National Museum of Women in the Arts, Arizona Commission on the Arts, Texas Photographic Society, and most recently from the Harpo Foundation. Her work has been reviewed in Glasstire, Artforum, and Contemporary Review Los Angeles. Krajnak is a 2020 Lightwork AIR Recipient. She will open a solo exhibition in October 2020 at Filter Photo in Chicago, and is currently working with DAIS books on a forthcoming publication of her poems and photographs. Instagram: tarrahkrajnak_studio Alexander Keefe writes about art, media and aesthetics. His work has appeared in magazines including Bidoun, Art Asia Pacific, Artforum.com and Tank. He did graduate work in Sanskrit, Urdu and Persian at Harvard University, and has divided his time between the United States and India since 1995. Recently he has been investigating the history of the dancer Shanta Rao and working on the exhibit A Slightly Curving Place, at HKW in Berlin. Centered around a multi-authored audio play and a video installation, the exhibition, curated by Nida Ghouse, responds to propositions opened up by Umashankar Manthravadi in his practice as a self-taught acoustic archaeologist. Instagram: aakeef

The prejudice faced by London's first black policeman, how a new sign language emerged in 1980s Nicaragua, the Native American casino boom, plus the release of Nelson Mandela and China's much maligned 19th-century dowager empress. Photo: London's first black policeman PC Norwell Roberts beginning his training with colleagues at Hendon Police College, London, 5th April 1967. (Hulton Archive/Getty Images)

Norwell Roberts joined the Metropolitan police in 1967. He was put forward as a symbol of progressive policing amid ongoing tensions between the police and ethnic minorities in the capital. But behind the scenes, he endured years of racist abuse from colleagues within the force. Norwell Roberts QPM spoke to Alex Last about growing up in Britain and his determination to be a pioneer in the police force. Photo: London's first black policeman PC Norwell Roberts beginning his training with colleagues at Hendon Police College, London, 5th April 1967. (Hulton Archive/Getty Images)

Norwell Roberts joined the Metropolitan police in 1967. He was put forward as a symbol of progressive policing amid ongoing tensions between the police and ethnic minorities in the capital. But behind the scenes, he endured years of racist abuse from colleagues within the force. Norwell Roberts QPM spoke to Alex Last about growing up in Britain and his determination to be a pioneer in the police force. Photo: London's first black policeman PC Norwell Roberts beginning his training with colleagues at Hendon Police College, London, 5th April 1967. (Hulton Archive/Getty Images)

Poetry meets politics as we misappropriate Christina Rosetti's "Shut Out" in honour of the UK election (underway as this episode goes live). Episode Music: Be Chillin’ by Alexander Nakarada | www.serpentsoundstudios.com Music promoted by www.free-stock-music.com Attribution 4.0 International (CC BY 4.0) creativecommons.org/licenses/by/4.0/ Photo: London, UK, by Sid Ali from Pexels.com

Robert & Russell meet leading artist Gavin Turk. They discuss tailored suits, artist persona, veganism and a lifetime interest in the surreal form of an egg. We explore Turk's iconic early works including four antiqued mirror cubes in 'Robert Morris Untitled 1965-72' (1990) and the iconic 'Cave' (1991) an ‘historical blue plaque’ to commemorate work done by the artist during his time at the Royal College of Art, as well as a 'Tea Stain' (2004) edition that Russell gifted to Robert on his 30th birthday. This episode is released on the same day as Turk unveils a giant new bronze sculpture 'Oeuvre (Verdigris)' at Somerset House, in London on the River Walk. In association with Photo London, the artist is simultaneously inviting the global art community to upload and contribute their own ‘Portrait of An Egg’ to be exhibited at the fair. With spooky synchronicity this years social media phenomena has been ’The World Record Egg’ so this ambitious art collaboration is opening up ideas around social media, memes and the global obsession with recording the world photographically through our phones. You can submit your egg images until early May at https://www.gavinturkegg.art/ Happy Easter holidays everyone, egg-citing times! Please leave us a review and rating if you’ve enjoyed this episode! For images of all works discussed in this episode, visit our Instagram @TalkArt See acast.com/privacy for privacy and opt-out information.

This is the annual Photo London Special covering various shenanigans amid what is effectively a big industry trade fair at which galleries from around the world gather to sell prints, photographers with books to flog do signings for their fans and the mega famous have major exhibitions and take part in panel discussions or give talks and presentations. Episode 080, features (In order of appearance): Julia Fullerton Batten (Ep. 060) Alys Tomlinson Niall McDiarmid (Ep. 018) Harry Borden (Ep. 015 & 016) Annie Collinge (Ep. 049) Muir Vidler (Ep. 059) Tom Craig George Georgiou (Ep. 002) Vanessa Winship (Ep. 003) David Monteleone Stuart Freedman (Ep. 007) Sooanne Berners from Mack Boooks Peter Bialobrzeski Tom Broadbent Jenny Lewis (Ep. 064) Olly Paisley Terry O’Neill Sian Davey (Ep. 066) Rhiannon Adam (Ep. 079) Laura Pannack (Ep. 006) Mentioned: Rafal Milach (Ep. 076) BJP Bruce Gilden Dewi Lewis Hayahisa Tomiyasu Martin Kollar Stewart Smith Magnum Home Luke Willis Thompson Jo-Ann Calls Michael Hoppen Website | Twitter | Facebook | Instagram

https://www.adorama.com Doug talks to photographer Diana Matar at Photo London, she tells us a bit about her career and her projects some of which investigate issues of history, memory and state sponsored violence. Related Products: Hasselblad X1D-50c 50MP Medium Format Mirrorless Camera Body https://www.adorama.com/hsx1d50c.html?utm_source=youtube&utm_medium=social&utm_campaign=Interview%20with%20Diana%20Matar%3A%20Stay%20Focused%20with%20Doug%20McKinlay&utm_content=video Hasselblad 30mm F/3.5 XCD Lens for X1D https://www.adorama.com/hs3035xcd.html?utm_source=youtube&utm_medium=social&utm_campaign=Interview%20with%20Diana%20Matar%3A%20Stay%20Focused%20with%20Doug%20McKinlay&utm_content=video You can keep up with Diana Matarhttp://www.dianamatar.comhttps://www.instagram.com/dianamatar23/https://twitter.com/dianamatar1?lang=en You can keep up with Doug McKinlayhttp://www.dougmckinlay.comhttps://twitter.com/DougMcKinlay Like, share, and comment on the video below...let's get the conversation started! If you have questions, please share them below.

https://www.adorama.com Doug talks to Spanish photographer Isabel Muñoz at Photo London, she tells us a bit about her career, how she got started and we look at some of her amazing and inspiring work. Presenter: Doug McKinlayhttp://www.dougmckinlay.comhttps://twitter.com/DougMcKinlay More on Isabel Muñozhttp://www.isabelmunoz.es/ Like, share, and comment on the video below...let's get the conversation started! If you have questions, please share them below.

To celebrate Photo London, renowned fashion photographer Miles Aldridge joins Phillip Prodger in conversation. In a career spanning almost 30 years, Aldridge has developed a distinctive style, combining vivid colours and glamorous subjects to create his signature cinematic approach. Aldridges' latest offering, After Cattelan, is a photographic response to artist Maurizio Cattelan’s most famous sculptural works. In this talk, Aldridge discusses his life, the evolution of his work and his experiences collaborating with Maurizio.

https://www.adorama.com Doug McKinlay pays a visit to Photo London at Somerset House, London and talks to some of Europe's most well known gallery owners to get tips on how to get going in a competitive photography world. Special thanks to Adelie de IPanema, Polka Galerie, Paris http://www.polkagalerie.com/en/contact.htm Martijn Van Pieterson, Ibasho Gallery, Antwerphttps://www.ibashogallery.com/contact Roger Szmulewicz, Gallery Fifty One https://www.gallery51.com/ Presenter: Doug McKinlayhttp://www.dougmckinlay.comhttps://twitter.com/DougMcKinlay Like, share, and comment on the video below...let's get the conversation started! If you have questions, please share them below.

This years field report from the annual Photo London festival, featuring a personal, chaotic and non-comprehensive selection of chats, discussions, soundbites and random witterings.

We review the latest book and podcast releases with publisher John Mitchinson and writer Pete Naughton. Plus: art adviser Kathlene Fox-Davies gives us her take on Photo London, we meet a film producer to find out just how difficult it is to get your film on the big screen and we listen to Portugal’s top-five music chart.

Artist Taryn Simon, Master of Photography at this year's Photo London Art Fair, speaks to Matthew Sweet about her work including her latest project Image Atlas inspired by the top image results for given search terms across local engines throughout the world. 2017 New Generation Thinker Eleanor Lybeck from the University of Oxford on the artist Edward Seago and running away to the circus.What if globalisation isn't as unstoppable as once thought? As manufacturing technology advances will the push for cheap labour abroad cease? How will that change the location of factories? And how might that affect you? We consider the idea of deglobalisation with Finbarr Livesey, author of From Global To Local, and Stephanie Flanders, former BBC Economics Editor, now Chief Market Strategist for UK and Europe at J P Morgan.Taryn Simon's art work is on show as part of Photo London at the Embankment Gallery East in Somerset House. New Generation Thinkers is a scheme run by the BBC with the Arts and Humanities Research Council to find academics who can turn their research into radio and television. You can find more information, films and broadcasts on the Free Thinking website. From Global To Local: The making of things and the end of globalisation by Finbarr Livesey is published 18 May 2017.Producer: Zahid Warley

Film critic Jason Solomons rounds up what's on at the cinema this week, while art critic Jane Morris fills us in on the highlights of the Venice Biennale and Damien Hirst's gargantuan new exhibition. Plus: the Photo London art fair, political cartoonist Willem and what's at number one in the Norwegian music charts.

A personal, disorganised and decidedly non-comprehensive flavour of the recent photographic shenanigans here in London over the past few days at the second annual Photo London trade fair and at Offprint London, one of a number of satellite events organised around it.

http://www.adorama.comSometimes the best images are made close to home. In this episode Ruth Medjber speaks to London based photographer Tom Hunter. Tom Hunter was spent the majority of his career photographing in his hometown neighborhood of Hackney in East London. Tom shares some stories and insight to some of the unusual methods he used when photographing his subjects.All Photos by Tom HunterLike, share, and comment on the video below...let's get the conversation started!If you have questions, share them with us at: adotv@adorama.com

http://www.adorama.comIn this episode Ruth is at Photo London 2015 speaking to Sheila Rock. Sheila Rock is legendary music photographer. Sheila talks us through her new book 'Tough and Tender'.More of Sheila's Work: http://www.sheilarock.com/Like, share, and comment on the video below...let's get the conversation started!If you have questions, share them with us at: adotv@adorama.com

http://www.adorama.comIn this episode Ruth is at Photo London 2015 speaking to Eva Vermandel. Eva Vermadel is a fine art photographer who works exclusively with film. Eva tells us why using film is important in this day and age. Related Product at Adorama:Kodak Portra 800 Color Negative Film ISO 800http://www.adorama.com/kkp800120ppu.html?utm_source=YouTube&utm_medium=Social&utm_content=Video&utm_campaign=Ruth%20Medjber%20Meets%20Eva%20Vermadel%20at%20Photo%20London%3A%20Out%20of%20the%20Darkroom%20Like, share, and comment on the video below...let's get the conversation started!If you have questions, share them with us at: adotv@adorama.com