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Review các phim ra rạp từ ngày 19/09/2025:TỬ CHIẾN TRÊN KHÔNG – T16Đạo diễn: Hàm TrầnDiễn viên: Thái Hòa, Kaity Nguyễn, Thanh Sơn, Xuân Phúc, Võ Điền Gia Huy, Trần Ngọc Vàng, Ma Ran Đô, Lợi Trần, Trâm Anh, Xuân Văn, Bảo Định, Ray Nguyễn...Thể loại: Hành Động, Hồi hộpTử Chiến Trên Không là phim điện ảnh hành động - kịch tính, được lấy cảm hứng từ vụ cướp máy bay có thật tại Việt Nam sau năm 1975. Đón xem hành động Việt Nam kịch tính nhất tháng 9 này!Lời Chưa Nói – T16Thể loại: Tâm Lý Gia ĐìnhĐạo diễn: Lee Sang HoonDiễn viên: Kim Bo Yoon Kim Pub Lae Kim Hye Eun Family Secrets/ Lời Chưa Nói kể về gia đình của Yeon Jung. Họ dần tan vỡ sau cú sốc mất đi người con trai cả. Khi mỗi thành viên đều giấu diếm mục đích sống thật sự của mình, những lời nói dối bắt đầu khiến họ rạn nứt. Sau những phản bội và thất vọng bị phơi bày, họ dần tìm lại tình yêu thương dành cho nhau khi cùng nhau nỗ lực hoàn thành lời hứa với người con trai quá cố. Phim mới Family Secrets/ Lời Chưa Nói dự kiến khởi chiếu 19.09.2025 tại các rạp chiếu phim toàn quốc.CẮT NGÓN THỬ HÀI – T18Đạo diễn: Emilie BlichfeldtDiễn viên: Lea Myren, Thea Sofie Loch Næss,Thể loại: Kinh DịMột dị bản đen đối dựa trên câu chuyện Lọ Lem. Trong một vương quốc nơi nhan sắc là vũ khí tàn nhẫn, ẩn sau buổi dạ hội hào nhoáng là một bức tranh đẫm máu khi cô chị kế xấu xí sẵn sàng "gọt giũa" dung mạo để giật lấy hoàng tử, khi Lọ Lem không còn là "bông tuyết sạch" như truyện cổ tích mộng mơ và khi hoàng tử lộ nguyên hình là một linh hồn thối rữa ẩn trong lớp vỏ hào hoa mục nát.MA CHẢI ĐẦU – T18Đạo diễn: Chairun NissaDiễn viên: Asmara AbigaiEdward, Thể loại: Kinh DịBắt đầu từ sự xuất hiện của Shinta - một người phụ nữ bí ẩn thường ngân nga những bài hát kỳ lạ và Juna, một chàng trai trẻ ở chợ đêm, đến một loạt những nỗi kinh hoàng tấn công Rahma và khiến cô bị ám ảnh cho đến khi chết. Gustaf, người chăm sóc trại trẻ mồ côi cố gắng xua đuổi ác linh xấu xa bằng ruqyah. Nhưng Jihan lo lắng rằng nó sẽ gây nguy hiểm đến tính mạng cho Syafa…TRĂM DẶM TỬ THẦN – T18Đạo diễn: Francis LawrenceDiễn viên: Judy Greer, Mark Hamill, Ben Wang, ...Thể loại: Kinh DịDựa trên cuốn tiểu thuyết cùng tên của bậc thầy kể chuyện Stephen King, Trăm Dặm Tử Thần xoay quanh một nhóm thiếu niên tham gia một cuộc thi thường niên mang tên chuyến Đi Xa. Tại đây, họ sẽ phải duy trì một tốc độ nhất định, nếu không, họ sẽ bị loại khỏi cuộc chơi, vĩnh viễn.ĐẠI CHIẾN XỨ SỞ CỐI XAY GIÓĐạo diễn: Gonzalo GutierrezDiễn viên: Carla Peterson, Karol Sevilla, Thể loại: Hoạt Hình, Phiêu LưuAlfonso – cậu bé 11 tuổi mang trong mình trí tưởng tượng phong phú của cụ cố Don Quixote. Khi thị trấn La Mancha thân thương đứng trước cơn bão khổng lồ đe dọa xóa sổ tất cả, Alfonso dám đứng lên trước toàn bộ thị trấn để cảnh báo âm mưu của Carrasco, Alfonso không chỉ chiến đấu với những “con quái vật” chỉ cậu mới thấy, mà còn vượt qua nỗi cô đơn, sự chế giễu và hoài nghi từ chính những người thân thuộc nhất. Trong mắt mọi người, Alfonso vốn là kẻ “lập dị” và thường xuyên bị người lớn khiển trách, bạn bè đồng trang lứa trêu chọc. Thay vì thu mình, cậu tiếp tục hành động, tin tưởng vào bản thân. Cùng ba chú thỏ biết hát chỉ xuất hiện trong trí tưởng tượng và hai người bạn thân Pancho, Victoria, Alfonso bước vào hành trình phiêu lưu đầy kịch tính. Trên chặng đường ấy, nhóm bạn phải đối diện với nỗi sợ hãi, khám phá sức mạnh của tình bạn và trí tưởng tượng, để rồi vén màn bí mật: đằng sau cơn bão là âm mưu của một tập đoàn xấu xa muốn chiếm lấy vùng đất La Mancha. “Đại Chiến Xứ Sở Cối Xay Gió” khẳng định rằng tình bạn, lòng trung thành và sự dũng cảm để được là chính mình, đôi khi chính là vũ khí mạnh nhất để đánh bại mọi thế lực xấu xa. ------------------------------------------------------#8saigon #reviewphimrap #tuchientrenkhong #catngonthuhai #tramdamtuthan #loichuanoi
Santi Obeziuk y Leti Haller se pusieron la máscara y salieron a recorrer las nevadas calles de la Capital Federal para unirse a la resistencia y de paso charlar sobre El Eternauta. La adaptación de la obra maestra de H. G. Oesterheld llegó a la pantalla de la mano de Bruno Stagnaro y un gran elenco encabezado por Ricardo Darín, César Troncoso, Carla Peterson y Ariel Staltari. ¿Cuántas lecturas se pueden hacer de esta historia? ¿Cómo se hicieron los efectos especiales en esta Buenos Aires postapocalíptica? ¿Podemos salvarnos solos? Ponete la máscara y acompañanos. Hosted on Acast. See acast.com/privacy for more information.
La actriz y directora argentina, conocida por sus papeles en "Son amores", "Sos mi vida", "Lalola" y "Los exitosos Pells" entre otros, ganadora del Martín Fierro y premio Clarín, llega a Montevideo a presentarse con "REVERSO ¿Qué es real y qué no?". La obra escrita y dirigida por Matías Feldman. Una mujer y su familia reciben la inesperada visita de los ex socios de su Galería de Arte. Se pondrán al día, recordarán aventuras, discutirán, reirán y también seguirán ocultando sus amores prohibidos. Pero las cosas no son lo que aparentan ser. Lo real se vuelve difuso. Lo que vemos tiene su indefectible reverso. ¿Estaremos en el mundo real o en el mundo virtual? REVERSO ¿Qué es real y qué no?, no sólo es una obra sobre el metaverso y las nuevas tecnologías, sino que también es una obra acerca de los duelos. Nos habla de cómo vivimos las pérdidas, y en este tiempo que nos toca vivir, cómo es el rol que juega la tecnología como plataforma donde exorcizamos nuestros dolores. Sábado 31 de agosto y domingo 1 de setiembre a las 21:00 hs. Teatro El Galpón.
Iniciamos el mes de julio celebrando los 25 años del programa en el Museo de Arte Reina Sofía, que lo podrán escuchar íntegro el próximo 27 de julio.Esta semana nos detenemos en estrenos como el bus de la vida y lo hacemos con su director Ibon Cormenzana y la actriz Susana Abaitua que nos acercan esta historia coral en la que encontramos a otros actores como Dani Rovira, Elena Irureta, con la que pasar un buen rato y que nos llega al corazón. Fernando García-Ruiz y Arturo Vals nos presentan su última película: Mala persona, una comedia diferente dónde nos encontramos también con Malena Alterio, Julián Villagrán y José Corbacho.Otro de los estrenos es Blondi, la ópera prima de la actriz Dolores Fonzi que protagoniza junto a Carla Peterson y Leonardo Sbaraglia entre otros. Una comedia divertida muy fresca con una banda sonora increíble.Ángeles González-Sinde nos trae la película francesa Fuera de temporada del realizador francés Stéphane Brizé, una historia de amor protagonizada por dos grandes Guillaume Canet y Alba Rohrwacher.Coincidiendo con el 30 aniversario de su estreno llega a las salas Azul la mítica película perteneciente a la Trilogía de Kieslowski, Tres colores: Azul, Blanco, Rojo. El resto de colores llegará a las salas en semanas sucesivas, de ello nos habla José Fernández.Todo esto además del resto de la cartelera, las mejores series con Pedro Calvo y muchos contenidos más.Escuchar audio
Iniciamos el mes de julio celebrando los 25 años del programa en el Museo de Arte Reina Sofía, que lo podrán escuchar íntegro el próximo 27 de julio. Esta semana nos detenemos en estrenos como 'El bus de la vida' y lo hacemos con su director Ibon Cormenzana y la actriz Susana Abaitua que nos acercan esta historia coral en la que encontramos a otros actores como Dani Rovira, Elena Irureta, con la que pasar un buen rato y que nos llega al corazón. Fernando García-Ruiz y Arturo Vals nos presentan su última película: 'Mala persona', una comedia diferente dónde nos encontramos también con Malena Alterio, Julián Villagrán y José Corbacho.Otro de los estrenos es 'Blondie', la ópera prima de la actriz Dolores Fonzi que protagoniza junto a Carla Peterson y Leonardo Sbaraglia entre otros. Una comedia divertida muy fresca con una banda sonora increíble.Ángeles González-Sinde nos trae la película francesa 'Fuera de temporada' del realizador francés Stéphane Brizé, una historia de amor protagonizada por dos grandes Guillaume Canet y Alba Rohrwacher.Coincidiendo con el 30 aniversario de su estreno llega a las salas Azul la mítica película perteneciente a la Trilogía de Kieslowski, 'Tres colores: Azul, Blanco, Rojo'. El resto de colores llegará a las salas en semanas sucesivas, de ello nos habla José Fernández.Todo esto además del resto de la cartelera, las mejores series con Pedro Calvo y muchos contenidos más.Escuchar audio
One of the most fascinating story lines in Season One of the HBO series "The Gilded Age" was that of the young black writer Peggy Scott and her Brooklyn family. Elements of Peggy's father's character were based on scholar Dr. Carla Peterson's own ancestral family. In her groundbreaking book, Black Gotham: A Family History of African-Americans in Nineteenth Century New York City, Dr. Peterson sheds light on how this community grew, how diverse the community actually was, and she provides insight into leading figures and their contributions often missing in standard accounts of the period. In this episode Dr. Peterson discusses the path of her own research, which ultimately revealed a richer, deeper sense of community and identity than many realized.
La actriz y cantante argentina protagoniza junto a Carla Peterson la película "Blondi", la ópera prima de la actriz y directora Dolores Fonzi, quien además escribió el guion junto a Laura Paredes.
Episode 28 features a conversation with CARLA L. PETERSON, author of the 2011 book “Black Gotham: A Family History of African Americans in Nineteenth-Century New York City.” Professor Peterson's book served as a resource for the creation of the characters, story, and the Black community in HBO's THE GILDED AGE. Part detective tale, part social and cultural narrative, "Black Gotham" is Carla Peterson's riveting account of her quest to reconstruct the lives of her nineteenth-century ancestors. As she shares their stories and those of their friends, neighbors, and business associates, she illuminates the greater history of African-American elites in New York City. (Source: Yale University Press) Carla L. Peterson is professor emerita in the Department of English at the University of Maryland, College Park, and a specialist in nineteenth-century African American literary and cultural studies. In addition to "Black Gotham: A Family History of African Americans in Nineteenth-Century New York City" (published in 2011) she has published numerous essays and a second book "Doers of the Word: African-American Women Speakers and Writers in the North, 1830-1880" (1995). Carla Peterson is currently at work on a new project, "Urbanity and Taste: The Making of African American Modernity in Antebellum New York and Philadelphia." Recorded 1/13/23 Download the transcript for Ep. 28 from this link. TIMESTAMPS 0:08 Podcast Generic Open 1:21 Introduction to Black Gotham and The Gilded Age Conversation 3:55 Carla Peterson Introduction 5:07 Black Family History 12:42 Historical Resources and Detective Work 22:00 New York's Black Cosmopolitans 29:42 Southern Slave Economy and Northern White Wealth 38:26 Break 29:03 The Scott Family in HBO's "The Gilded Age" 44:11 Peggy and Arthur Scott: Class, Gender, and Generational Conflict 47:41 Who Has Taste? Black Education, Peggy Scott and Agnes van Rhijn 54:41 Lightning Round: Conversation with Ancestors, Thomas Downing, Interracial Stories, and Stories of the Black Elite 1:06:07 Stay Connected with Historical Drama with The Boston Sisters 1:07 Boilerplate Closing STAY ENGAGED with HISTORICAL DRAMA WITH THE BOSTON SISTERS LISTEN to past past podcasts including bonus episodes, "Women & Power in THE GILDED AGE" part 1 and part 2. SIGN UP for our mailing list SUBSCRIBE to the podcast on your favorite podcast platform You can SUPPORT this podcast on Anchor or SHOP THE PODCAST on our affiliate bookstore. Thank you for listening! --- Support this podcast: https://anchor.fm/historicaldramasisters/support
Se estrena "El Gerente" y nos visitó una Carla Peterson, una de sus protagonistas. Charlamos sobre la película, su rol en ella y se animó a contestar las encuestas de Vuelta y Media. --- Send in a voice message: https://anchor.fm/urbanaplayfm/message
Hernan respondió todo y nos cuenta que le gustaría invitar a comer a su casa al muñeco Gallardo. ¡Dale play!
HBO’s “The Gilded Age” is a historical drama set in New York City in the 1800s that details the lives of rich families. It follows Peggy Scott, a Black writer, played by Denée Benton. Peggy’s character belongs to a group of people known as the Black elite. In this episode of Beyond Black History Month, host Femi Redwood speaks with Benton about her challenges, her drive to tell this often ignored story, and why she’s so protective of her character. Femi also talks to Carla Peterson, the author of the book “Black Gotham: A Family History of African-Americans in 19th Century New York City.”
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Nos visitó la gran actriz argentina, Carla Peterson. Presentó su nueva serie "Terapia alternativa" de Star Plus y se animó a contestar nuestras encuestas de Twitter. --- Send in a voice message: https://anchor.fm/urbanaplayfm/message
En este episodio Dalia habla con la reconocida actriz argentina Carla Peterson. Charlaron acerca del disfrute, de cómo se toma su trabajo, de la experiencia de ser madre, de los miedos, las críticas, las cábalas, las creencias y los procesos.
Nueva sesión de los #EncuentrosVirtuales donde los niños y adolescentes de #CineastasDelFuturo realizan entrevistas a invitados del arte, la ciencia, la política y el mundo emprendedor
Digging up our roots seems to be the thing these days. There are a host of genealogy resources available for anyone who cares to (re)discover their familial past. Still, in the Americas people of African descent who want to take part in this digging encounter barriers; often there are gaps in the family histories of those whose members were bought and sold on a whim. As she takes readers on a remarkable historical journey, Carla Peterson, author of Black Gotham: A Family History of African Americans in Nineteenth-Century New York City (Yale University Press, 2011), illuminates the challenges of (re)discovering family histories and along the way, readers glean much about US national history. Armed with determination, patience beyond measure, and with several doses of serendipity, Peterson, Professor of English at the University of Maryland, College Park, takes her desire to return and find elements of her past to the archives of the Schomburg Center for Research in Black Culture. Her persistence reveals to readers a new view of nineteenth century Gotham, as Washington Irving called the city of New York. For example, Black Gothamprovides support for social historians who would argue that the New Negro movement–often solely associated with the Harlem Renaissance–began in the ante-bellum era. And, those interested in the education of free African Americans pre-1865 may find it fascinating that many of the 19th century’s black elite were a part of New York’s African Free School system–the Mulberry Street School, in particular. Celebrated alumni include James McCune Smith, Alexander Crummell, Henry Highland Garnet, George Downing, the Reason brothers–Charles and Patrick–as well as Peterson’s great-great grandfather, Peter Guignon, and her great-grandfather, Philip White. As Peterson rediscovers her paternal family’s New York history, she at times laments the obscurity to which the women in her family were relegated; she does her best to remedy this, however, as she uses facts and imagination to piece together their lives. While the book divulges new perspectives on freedom–or the lack thereof–for black New Yorkers in the nineteenth century, it also is instructive with regards to methods of research for those who seek to dress up the scraps of memory mothers, fathers, grand-aunts or grand-uncles choose to share. Needless to say, the acts of both forgetting and remembering are found not only in personal narratives of history; the journey upon which Peterson embarks also forces readers to consider how and whom institutions choose to forget and/or remember–indeed, how the nation selectively forgets and remembers. Sankofa is an Adinkra symbol of West Africa’s Akan people that means “to go back and take it.” It describes one impetus for Dr. Carla Peterson’s journey for she indeed goes back to see; Black Gotham: A Family History of African Americans in Nineteenth-Century New York City attests to the fact that her insistence pays off significantly–both for her personally, and for lovers of history alike. Read alongside a virtual archive http://archive.blackgothamarchive.org/ wherein one can find documents and images of New York’s black elite of the nineteenth century, the narrative moves one steadily along, inspiring new critical questions and intrigue. Learn more about your ad choices. Visit megaphone.fm/adchoices
Digging up our roots seems to be the thing these days. There are a host of genealogy resources available for anyone who cares to (re)discover their familial past. Still, in the Americas people of African descent who want to take part in this digging encounter barriers; often there are gaps in the family histories of those whose members were bought and sold on a whim. As she takes readers on a remarkable historical journey, Carla Peterson, author of Black Gotham: A Family History of African Americans in Nineteenth-Century New York City (Yale University Press, 2011), illuminates the challenges of (re)discovering family histories and along the way, readers glean much about US national history. Armed with determination, patience beyond measure, and with several doses of serendipity, Peterson, Professor of English at the University of Maryland, College Park, takes her desire to return and find elements of her past to the archives of the Schomburg Center for Research in Black Culture. Her persistence reveals to readers a new view of nineteenth century Gotham, as Washington Irving called the city of New York. For example, Black Gothamprovides support for social historians who would argue that the New Negro movement–often solely associated with the Harlem Renaissance–began in the ante-bellum era. And, those interested in the education of free African Americans pre-1865 may find it fascinating that many of the 19th century's black elite were a part of New York's African Free School system–the Mulberry Street School, in particular. Celebrated alumni include James McCune Smith, Alexander Crummell, Henry Highland Garnet, George Downing, the Reason brothers–Charles and Patrick–as well as Peterson's great-great grandfather, Peter Guignon, and her great-grandfather, Philip White. As Peterson rediscovers her paternal family's New York history, she at times laments the obscurity to which the women in her family were relegated; she does her best to remedy this, however, as she uses facts and imagination to piece together their lives. While the book divulges new perspectives on freedom–or the lack thereof–for black New Yorkers in the nineteenth century, it also is instructive with regards to methods of research for those who seek to dress up the scraps of memory mothers, fathers, grand-aunts or grand-uncles choose to share. Needless to say, the acts of both forgetting and remembering are found not only in personal narratives of history; the journey upon which Peterson embarks also forces readers to consider how and whom institutions choose to forget and/or remember–indeed, how the nation selectively forgets and remembers. Sankofa is an Adinkra symbol of West Africa's Akan people that means “to go back and take it.” It describes one impetus for Dr. Carla Peterson's journey for she indeed goes back to see; Black Gotham: A Family History of African Americans in Nineteenth-Century New York City attests to the fact that her insistence pays off significantly–both for her personally, and for lovers of history alike. Read alongside a virtual archive http://archive.blackgothamarchive.org/ wherein one can find documents and images of New York's black elite of the nineteenth century, the narrative moves one steadily along, inspiring new critical questions and intrigue. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
Digging up our roots seems to be the thing these days. There are a host of genealogy resources available for anyone who cares to (re)discover their familial past. Still, in the Americas people of African descent who want to take part in this digging encounter barriers; often there are gaps in the family histories of those whose members were bought and sold on a whim. As she takes readers on a remarkable historical journey, Carla Peterson, author of Black Gotham: A Family History of African Americans in Nineteenth-Century New York City (Yale University Press, 2011), illuminates the challenges of (re)discovering family histories and along the way, readers glean much about US national history. Armed with determination, patience beyond measure, and with several doses of serendipity, Peterson, Professor of English at the University of Maryland, College Park, takes her desire to return and find elements of her past to the archives of the Schomburg Center for Research in Black Culture. Her persistence reveals to readers a new view of nineteenth century Gotham, as Washington Irving called the city of New York. For example, Black Gothamprovides support for social historians who would argue that the New Negro movement–often solely associated with the Harlem Renaissance–began in the ante-bellum era. And, those interested in the education of free African Americans pre-1865 may find it fascinating that many of the 19th century’s black elite were a part of New York’s African Free School system–the Mulberry Street School, in particular. Celebrated alumni include James McCune Smith, Alexander Crummell, Henry Highland Garnet, George Downing, the Reason brothers–Charles and Patrick–as well as Peterson’s great-great grandfather, Peter Guignon, and her great-grandfather, Philip White. As Peterson rediscovers her paternal family’s New York history, she at times laments the obscurity to which the women in her family were relegated; she does her best to remedy this, however, as she uses facts and imagination to piece together their lives. While the book divulges new perspectives on freedom–or the lack thereof–for black New Yorkers in the nineteenth century, it also is instructive with regards to methods of research for those who seek to dress up the scraps of memory mothers, fathers, grand-aunts or grand-uncles choose to share. Needless to say, the acts of both forgetting and remembering are found not only in personal narratives of history; the journey upon which Peterson embarks also forces readers to consider how and whom institutions choose to forget and/or remember–indeed, how the nation selectively forgets and remembers. Sankofa is an Adinkra symbol of West Africa’s Akan people that means “to go back and take it.” It describes one impetus for Dr. Carla Peterson’s journey for she indeed goes back to see; Black Gotham: A Family History of African Americans in Nineteenth-Century New York City attests to the fact that her insistence pays off significantly–both for her personally, and for lovers of history alike. Read alongside a virtual archive http://archive.blackgothamarchive.org/ wherein one can find documents and images of New York’s black elite of the nineteenth century, the narrative moves one steadily along, inspiring new critical questions and intrigue. Learn more about your ad choices. Visit megaphone.fm/adchoices
Digging up our roots seems to be the thing these days. There are a host of genealogy resources available for anyone who cares to (re)discover their familial past. Still, in the Americas people of African descent who want to take part in this digging encounter barriers; often there are gaps in the family histories of those whose members were bought and sold on a whim. As she takes readers on a remarkable historical journey, Carla Peterson, author of Black Gotham: A Family History of African Americans in Nineteenth-Century New York City (Yale University Press, 2011), illuminates the challenges of (re)discovering family histories and along the way, readers glean much about US national history. Armed with determination, patience beyond measure, and with several doses of serendipity, Peterson, Professor of English at the University of Maryland, College Park, takes her desire to return and find elements of her past to the archives of the Schomburg Center for Research in Black Culture. Her persistence reveals to readers a new view of nineteenth century Gotham, as Washington Irving called the city of New York. For example, Black Gothamprovides support for social historians who would argue that the New Negro movement–often solely associated with the Harlem Renaissance–began in the ante-bellum era. And, those interested in the education of free African Americans pre-1865 may find it fascinating that many of the 19th century’s black elite were a part of New York’s African Free School system–the Mulberry Street School, in particular. Celebrated alumni include James McCune Smith, Alexander Crummell, Henry Highland Garnet, George Downing, the Reason brothers–Charles and Patrick–as well as Peterson’s great-great grandfather, Peter Guignon, and her great-grandfather, Philip White. As Peterson rediscovers her paternal family’s New York history, she at times laments the obscurity to which the women in her family were relegated; she does her best to remedy this, however, as she uses facts and imagination to piece together their lives. While the book divulges new perspectives on freedom–or the lack thereof–for black New Yorkers in the nineteenth century, it also is instructive with regards to methods of research for those who seek to dress up the scraps of memory mothers, fathers, grand-aunts or grand-uncles choose to share. Needless to say, the acts of both forgetting and remembering are found not only in personal narratives of history; the journey upon which Peterson embarks also forces readers to consider how and whom institutions choose to forget and/or remember–indeed, how the nation selectively forgets and remembers. Sankofa is an Adinkra symbol of West Africa’s Akan people that means “to go back and take it.” It describes one impetus for Dr. Carla Peterson’s journey for she indeed goes back to see; Black Gotham: A Family History of African Americans in Nineteenth-Century New York City attests to the fact that her insistence pays off significantly–both for her personally, and for lovers of history alike. Read alongside a virtual archive http://archive.blackgothamarchive.org/ wherein one can find documents and images of New York’s black elite of the nineteenth century, the narrative moves one steadily along, inspiring new critical questions and intrigue. Learn more about your ad choices. Visit megaphone.fm/adchoices
Part detective tale, part social and cultural narrative, "Black Gotham: A Family History of African-Americans in Nineteenth-Century New York" (Yale University Press, 2011), is Carla Peterson's account of her quest to reconstruct the lives of her 19th-century ancestors. As she shares their stories and those of their friends, neighbors and business associates, she illuminates the greater history of African-American elites in New York City. Speaker Biography: Carla L. Peterson is professor of English at the University of Maryland at College Park. Her expertise includes nineteenth-century African American women writers and speakers in the northern U.S., African-American novelists in the post-Reconstruction era, and gender and culture in historical literature.
While many Americans are familiar with black slavery in the South, and its role in igniting one of the 19th century’s most brutal wars, less attention has been paid to the black experience in Northern cities like New York where many ex-slaves and “freedmen” lived. A new book, Black Gotham by Carla Peterson, sheds some […] The post “Black Gotham” 19th Century African American New York appeared first on Audio by Adam. Related Posts The Island at the Center of the World: Dutch New York, “The Century in Sound: An American’s Perspective”, Black Mountain Kentucky and Mountaintop Strip Mining
Part detective tale, part social and cultural narrative, Black Gotham is Carla Peterson's riveting account of her quest to reconstruct the lives of her nineteenth-century ancestors. As she shares their stories and those of their friends, neighbors, and business associates, she illuminates the greater history of African-American elites in New York City. Told in a vivid, fast-paced style, Black Gotham is an important account of the rarely acknowledged achievements of nineteenth-century African Americans and brings to the forefront a vital yet forgotten part of American history and culture. Carla L. Peterson received her Ph.D. from Yale and is professor of English at the University of Maryland, College Park. She is the author of "Doers of the Word": African-American Women Speakers and Writers in the North, 1830-1880.