Podcasts about creeper lagoon

In this conversation, John Dominguez, co-founder and chief strategist of Songbird Collective, discusses his extensive background in music and his initiative within the Metaverse aimed at creating immersive and collaborative environments for artists. Songbird Collective has facilitated over 1000 live concerts in the Metaverse, allowing artists to showcase their work, even during the pandemic when live music was largely inaccessible. The initiative has also opened new revenue streams for musicians through NFTs and virtual performances, providing a unique and innovative way to engage with global audiences. He recalls the exciting early days of music exploration via the internet in the mid-90s, highlighting moments when he discovered influential music essays and participated in emerging online music communities. One of his notable memories includes attending his first concert, an NWA show in 1989, where he experienced both the thrill and cultural impact of live hip-hop music. He reminisces about various concert experiences, including attending Kings of Leon at Johnny Depp's Viper Room and the Troubadour in Los Angeles, and describes the unique atmosphere of historical music venues. He also recalls his experience attending the Tibetan Freedom Concert in 1996.Dominguez also values personal interactions with musicians, sharing stories about his early online exchanges and meetings with avant-garde musicians Nels Cline and Joe Baiza. Despite the modern shift towards digital music consumption, Dominguez advocates for the irreplaceable magic of live performances and encourages music enthusiasts to support local independent shows. In wrapping up, he stresses how vital it is for fans to support smaller live music venues, highlighting how these spaces provide essential platforms for artists and memorable experiences for audiences. Dominguez's dedication to music culture and innovation through Songbird Collective exemplifies the evolving landscape of live music and virtual experiences.BANDS: Aerosmith, Beastie Boys, Ben Steller, Creeper Lagoon, Dr. Dre, Fontaine's DC, Ice Cube, Jet, John Lee Hooker, Killers, Kings of Leon, Mud Honey, New Jack's Swing, No Doubt, NWA, Oasis, On the Speakers, Ornette Coleman, Pavement, Pixies, Porno for Pyros, Rage Against the Machine, Smashing Pumpkins, Sonic Youth, Stooges, Tribe Called QuestVENUES: Celebrity Theater, Constellation Room, Castaic Lake, El Rancho Grande, Johnny Depp's Viper Room, Observatory, Rainbow, Roxy, Salt Shed, Troubadour, Mr. T's Bowl PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

David Kostiner, CEO & Co-Founder of Lumenary, and Robbie Schneider, Inventor and CTODavid Kostiner and Robbie Schneider are the driving forces behind Lumenary, a company at the forefront of cannabis technology and innovation.David Kostiner is a multifaceted entrepreneur and legal expert with a rich background in both the music and legal industries. He began his career as a professional drummer and member of the Dreamworks artist Creeper Lagoon. Driven by his passion for law, David transitioned to studying and practicing entertainment law, becoming the managing partner of Counsel LLP since 2009, and sharing his expertise as a law professor at UC San Francisco School of Law. A serial entrepreneur, David has co-founded several startups, including the Independent Online Distribution Alliance, and has collaborated with industry figures like Black Eyed Peas member Apl.de.ap, an investor in Lumenary. His dedication to representing artists and his passion for cannabis innovation led him to co-found Lumenary, where he supports the development of cutting-edge technology like the Beam laser vaporizer.Robbie Schneider, Lumenary's Inventor and CTO, is an artist and musician with a deep passion for technology. He has spent the majority of his life immersed in the cannabis industry, mastering the art of growing, vending, and extracting. With the help of a talented team of engineers, Robbie has dedicated the past decade to creating the finest cannabis device they could envision. The Beam, a product of this dream, is a testament to Robbie's commitment to blending artistry with technological innovation, making a significant impact in the cannabis industry.Together, David Kostiner and Robbie Schneider have combined their unique talents and experiences to push the boundaries of cannabis technology, leading Lumenary in its mission to revolutionize the industry with the Beam laser vaporizer.David Kostiner LinkedInthebeamlaser.comInstagram

New music from The Drums, Hotwax and one from a band that sound like the bastard child of: The Pixies, Pavement and Creeper Lagoon! Enjoy! --- Support this podcast: https://podcasters.spotify.com/pod/show/thebottomforty/support

On this weeks radio hour you get a real mix bag of great music ranging from Screaming Females, Chat Pile, Shonen Knife, Blacklisted, Afghan Whigs, Ceremony, the Menzingers, Creeper Lagoon, The National and so much more!  Subscribe to the PATREON and receive a brand new radio hour every Sunday! Thats two additional episodes a month AND you get them a day early! You'll also see a complete list of songs played on this episode. Follow the show on Instagram and Twitter!

Dan Reed, the drummer for the indie-pop band Semprini, beams down to the planet for a visit with Ted Asregadoo. The band is fronted by Dan's brother Bob Reed. Both Dan and Bob were founding members of the '90s era grunge band, Overwhelming Colorfast. But now, the brothers have teamed with Dan Carr (MK Ultra, Creeper Lagoon), and Marty Schneider (Light Sleepers, The Midway Delta, Trip Wire) to form Semprini. The band's album was released on Bandcamp in February 2022. In this interview, Dan talks about their music, the music industry, future plans for the band, and even spotlights a few of their songs.

In the first installment of a semi-regular series, I reveal 5 essential alternative rock songs you've (likely) never heard before. As a self-proclaimed "music snob", I tend to fall in love with lesser-known bands, as I dive deep into their catalogs and search for the best songs that never see the light of day. These first 5 songs were meticulously handpicked and I can't wait to share them (and many more) with you. Each track gets a small intro/synopsis and then you get to indulge in the ENTIRE SONG here on the pod. I'm proud of this one. Enjoy. Featuring the bands: Big Wreck, Future Islands, Minus The Bear, Boy and Bear, Creeper Lagoon. LIKE, SUBSCRIBE, SHARE...ANYWHERE YOU GET PODCASTS!

Before Creeper Lagoon scored a minor hit with "Wrecking Ball" on their 2001 major label, radio-friendly alternative rock album Take Back The Universe and Give Me Yesterday, the band released a much more intimate debut. 1998's I Become Small and Go, co-produced in part by John King of The Dust Brothers, finds an even balance between catchy indie-pop, and more produced and layered tracks. Using a host of loops, oddball sounds, and other studio tricks gives tracks like "Wonderful Love" just enough earworm material to balance with the more subdued songs like "Sylvia." Unfortunately, the band can't hold up the momentum, and the album takes a noticeable dive in quality towards the end, but that doesn't erase what is a re-listenable record.   Songs In This Episode: Intro - Dear Deadly 17:16 - Wonderful Love 20:23 - Sylvia 24:04 - Drink and Drive Outro - Empty Ships   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Before Creeper Lagoon scored a minor hit with "Wrecking Ball" on their 2001 major label, radio-friendly alternative rock album Take Back The Universe and Give Me Yesterday, the band released a much more intimate debut. 1998's I Become Small and Go, co-produced in part by John King of The Dust Brothers, finds an even balance between catchy indie-pop, and more produced and layered tracks. Using a host of loops, oddball sounds, and other studio tricks gives tracks like "Wonderful Love" just enough earworm material to balance with the more subdued songs like "Sylvia." Unfortunately, the band can't hold up the momentum, and the album takes a noticeable dive in quality towards the end, but that doesn't erase what is a re-listenable record.   Songs In This Episode: Intro - Dear Deadly 17:16 - Wonderful Love 20:23 - Sylvia 24:04 - Drink and Drive Outro - Empty Ships   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

This week we talk about one of Caleb's all time favorite records, Take Back The Universe And Give Me Yesterday by Creeper Lagoon. We also continue our ongoing feud with Ted Leo about our social media handles. The Wrecking Ball music video in all its 2000s glory: https://www.youtube.com/watch?v=p7TRCfu-mI8 (https://www.youtube.com/watch?v=p7TRCfu-mI8) And here's Wrecking Ball from the 2017 reunion show (there's more video available from this show, you should watch them all!): https://www.youtube.com/watch?v=1MFOBjeHJQo (https://www.youtube.com/watch?v=1MFOBjeHJQo) If you wanna learn some Creeper Lagoon jams, here's the Official Songbook we mentioned: https://docs.google.com/document/d/1hAMNMtW8L4KRkHey_lP-lvfI3a6oIi-KnFBFruZeO8c/edit?authuser=0 (https://docs.google.com/document/d/1hAMNMtW8L4KRkHey_lP-lvfI3a6oIi-KnFBFruZeO8c/edit) The vintage but ugly Gibson basses we talked about : https://www.vintageguitar.com/21538/gibson-basses-in-the-70s/ (https://www.vintageguitar.com/21538/gibson-basses-in-the-70s/) Support this podcast

Lizzie and Kaveh talk to Sharky Laguana - musician (Creeper Lagoon), CEO (Bandago and Campago), and President of the San Francisco Small Business Commission - about the economic ramifications of Covid-19, how we can help small businesses, and what businesses will likely re-open first. Send your questions and comments to hopquestions@gmail.com, or leave a voicemail at 408-444-6623

In his first solo episode of the new season, Jeff puts on his favorite ringer and goes indie, with music from: Crucifucks, Joshua, Unsane, Creeper Lagoon, Sleater-Kinney, Lowercase, Jawbox, Ani DiFranco, At the Drive In, The Promise Ring, Jon Spencer Blues Explosion, Jets to Brail, Mark Lanegan, Superchunk, Unwound, Fugazi, Christie Front Drive, Braid, Some Velvet Sidewalk, His Name is Alive, Crackerbash, Sunny Day Real Estate, The Jesus Lizard, Falling Forward, Royal, Pigeonhed, Cows, Shellac, Seaweed, Hellacopters, and a hell of a lot more.

The HOP gang continue their interview with Sharky Laguana, founding member of rock band Creeper Lagoon. In part 2, he talks about his experience as a patient - learning how to advocate for himself and coping with a diagnosis that he thought was a death sentence. Send your questions and comments to hopquestions@gmail.com, or leave a voicemail at 408-444-6623.

The HOP gang talk about medical accuracy (or inaccuracies) in film and TV and speak with Sharky Laguana, of the band Creeper Lagoon, about the hazards of rock and roll and how losing a multi-million dollar contract can save your life. Send your questions and comments to hopquestions@gmail.com, or leave a voicemail at 408-444-6623.

The ladies discuss Rachel's daughter Marley's Bat Mitzvah and the recent Creeper Lagoon reunion concert. Also discussed: Urinary Tract Infucktions, Vanderpump Rules, and other bits of catching up.

Misery loves company and how to do a dinner party around that theme, how to beat the Winter/Trump blues, a discussion of the upcoming Creeper Lagoon reunion, the new TV show This Is Us, and Atlanta Housewives, TJ picks, and a personal story from Naomi. Music by Amanda Ross Mann. 

The ladies talk about an important and controversial topic: shoes on or off in the house? Also discussed: cleaning tips, Trader Joe's tips, retail therapy, all your listener questions are answered, the Housewifery personal encounter with Andy Cohen, and a good chat about the best reality show on television: Vanderpump Rules. Finally a special musical treat at the end: a song by Producer/husband Sharky Laguana's band Creeper Lagoon, to celebrate their reunion show in San Francisco at Bottom Of The Hill on February 26th, 2017. 

Why are artists so angry about their royalties from streaming music services like Spotify? Is there really no money or is there money but a crazy math formula that calculates who gets what is, well, just wrong.   Could the problem really be a bad math equation?   Meet Sharky Laguana.  Front man and founder of the band Creeper Lagoon and founder of a band van rental service Bandago.   Now construct a venn diagram of the music industry and rental services, Sharky sits right in the sweet spot.      As the founder and lead singer of the seminal 1990s alternative rock band, “Creeper Lagoon” Sharky knows the music industry.  As the founder and CEO of the van rental company Bandago, Sharky understands the economics of rentals.    With the launch of Apple Music and Spotify, the emerging trend of renting music, as opposed to buying or downloading a track, is hitting the mainstream.  So when Sharky sat down, took a look at how the current music services - Pandora, Spotify, Rdio, Apple Music… etc, calculated how artists are paid, he quickly realized the numbers just don’t add up.   None of it made sense.     Where does your monthly fee go?  Who gets the most?  Who gets the least? Why were bands like the Rolling Stone, and other monsters of rock still raking in millions, while new artists are left with pennies?  Is the system even rigged?    And why the heck does Liza Minnelli get paid when someone listens to a Sex Pistols song?    What’s an artist to do?     Sharky is a passionate voice for new and emerging artist, and with just one small change to the current system, he argues, everyone can be paid fairly.     Heads up, lots of swears in this episode....

Joining Desmond this week is Black Death director Christopher Smith to talk about his influences and the joys of filmmaking. Then there is nothing joyful when Desmond and Darryll take on Hatchet II. And a huge celebrity returns to Dread Media for the inaugural edition of his new segment! You'll have to listen to find out! Songs included: "Black Death" by Zombeast, "Empty Ships" by Creeper Lagoon, "Mr. Crowley" by Ozzy Osbourne, and "Bury the Hatchet" by Ghoultown. Send feedback to: feedback@dreadmedia.net, or 206.203.1213. Join the Facebook group! Visit www.audibletrial.com/dreadmedia to get a free audiobook!

Joining Desmond this week is Black Death director Christopher Smith to talk about his influences and the joys of filmmaking. Then there is nothing joyful when Desmond and Darryll take on Hatchet II. And a huge celebrity returns to Dread Media for the inaugural edition of his new segment! You'll have to listen to find out! Songs included: "Black Death" by Zombeast, "Empty Ships" by Creeper Lagoon, "Mr. Crowley" by Ozzy Osbourne, and "Bury the Hatchet" by Ghoultown. Send feedback to: feedback@dreadmedia.net, or 206.203.1213. Join the Facebook group! Visit www.audibletrial.com/dreadmedia to get a free audiobook!

Joining Desmond this week is Black Death director Christopher Smith to talk about his influences and the joys of filmmaking. Then there is nothing joyful when Desmond and Darryll take on Hatchet II. And a huge celebrity returns to Dread Media for the inaugural edition of his new segment! You'll have to listen to find out! Songs included: "Black Death" by Zombeast, "Empty Ships" by Creeper Lagoon, "Mr. Crowley" by Ozzy Osbourne, and "Bury the Hatchet" by Ghoultown. Send feedback to: feedback@dreadmedia.net, or 206.203.1213. Join the Facebook group! Visit www.audibletrial.com/dreadmedia to get a free audiobook!

Joining Desmond this week is Black Death director Christopher Smith to talk about his influences and the joys of filmmaking. Then there is nothing joyful when Desmond and Darryll take on Hatchet II. And a huge celebrity returns to Dread Media for the inaugural edition of his new segment! You'll have to listen to find out! Songs included: "Black Death" by Zombeast, "Empty Ships" by Creeper Lagoon, "Mr. Crowley" by Ozzy Osbourne, and "Bury the Hatchet" by Ghoultown. Send feedback to: feedback@dreadmedia.net, or 206.203.1213. Join the Facebook group! Visit www.audibletrial.com/dreadmedia to get a free audiobook!

This week’s installment features the San Fransisco alternative/indie rock band Creeper Lagoon, who released a criminally-overlooked debut album I Become Small and Go in 1998, which drew a lot of Pavement comparisons.