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Oscar, Victor, Alex, and Jojo talk about their first summer shows, from Bloc Party at the Salt Shed to The Weeknd at Soldier Field (including our photo coverage).The 4x4 segment includes songs by Turnstile, Tune-Yards, and Sinego (sampling Joan Sebastian). This episode's album review is Sincerely, by Kali Uchis, which gets 3 "big dig energy" and 1 "hot damn" rating from the crew thanks to the Colombian artist's beautiful vocals and songs that pull at your heartstrings. Follow along with the monthly 4x4 picks by Liking the YCT Playlist on Spotify & subscribing to the podcast. Listen to all of the music discussed on the latest episode of the show here: https://spoti.fi/3rTsZ9TYou can also listen to the YCT Playlist on Apple Music: https://apple.co/39CwlaC
Oscar, Victor, Hector, and (Rod)rigo celebrate daaaa Pope being from the Southside of Chicago [like us!]. On the latest live experiences, we talk about Soft Play at Bottom Lounge and POD's latest W on social with photos from our coverage of Japanese Breakfast's show at the Salt Shed being featured by the band on Instagram and Twitter.The 4x4 segment includes songs by Kali Uchis, The Dare, Arcade Fire, Karol G, SOFT PLAY with Kate Nash, Cazzu.We also introduced our new weekly Spotify playlist, I Made This For You. which gathers our favorite songs released during the week.Follow along with the monthly 4x4 picks by Liking the YCT Playlist on Spotify & subscribing to the podcast. Listen to all of the music discussed on the latest episode of the show here: https://spoti.fi/3rTsZ9TYou can also listen to the YCT Playlist on Apple Music: https://apple.co/39CwlaC
Oscar, Victor, Hector, and (Rod)rigo discuss the MUBI FEST Chicago taking place at the Music Box Theatre & The Salt Shed, and evolving along with the local social scene.The 4x4 segment includes songs by Saba, Wet Leg, The Shanghai Restoration Project, and Coco Jones. Follow along with the monthly 4x4 picks by Liking the YCT Playlist on Spotify & subscribing to the podcast. Listen to all of the music discussed on the latest episode of the show here: https://spoti.fi/3rTsZ9TYou can also listen to the YCT Playlist on Apple Music: https://apple.co/39CwlaC
Shamus Toomey, Editor in Chief and co-founder of Block Club Chicago, joins Bob Sirott to share the latest Chicago neighborhood stories. Shamus has details on: Elston Electric Arcade And Bar Opens At Salt Shed This Weekend: Logan Arcade and the Salt Shed are teaming up on a family-friendly arcade at the entertainment complex along the Chicago […]
In this conversation, John Dominguez, co-founder and chief strategist of Songbird Collective, discusses his extensive background in music and his initiative within the Metaverse aimed at creating immersive and collaborative environments for artists. Songbird Collective has facilitated over 1000 live concerts in the Metaverse, allowing artists to showcase their work, even during the pandemic when live music was largely inaccessible. The initiative has also opened new revenue streams for musicians through NFTs and virtual performances, providing a unique and innovative way to engage with global audiences. He recalls the exciting early days of music exploration via the internet in the mid-90s, highlighting moments when he discovered influential music essays and participated in emerging online music communities. One of his notable memories includes attending his first concert, an NWA show in 1989, where he experienced both the thrill and cultural impact of live hip-hop music. He reminisces about various concert experiences, including attending Kings of Leon at Johnny Depp's Viper Room and the Troubadour in Los Angeles, and describes the unique atmosphere of historical music venues. He also recalls his experience attending the Tibetan Freedom Concert in 1996.Dominguez also values personal interactions with musicians, sharing stories about his early online exchanges and meetings with avant-garde musicians Nels Cline and Joe Baiza. Despite the modern shift towards digital music consumption, Dominguez advocates for the irreplaceable magic of live performances and encourages music enthusiasts to support local independent shows. In wrapping up, he stresses how vital it is for fans to support smaller live music venues, highlighting how these spaces provide essential platforms for artists and memorable experiences for audiences. Dominguez's dedication to music culture and innovation through Songbird Collective exemplifies the evolving landscape of live music and virtual experiences.BANDS: Aerosmith, Beastie Boys, Ben Steller, Creeper Lagoon, Dr. Dre, Fontaine's DC, Ice Cube, Jet, John Lee Hooker, Killers, Kings of Leon, Mud Honey, New Jack's Swing, No Doubt, NWA, Oasis, On the Speakers, Ornette Coleman, Pavement, Pixies, Porno for Pyros, Rage Against the Machine, Smashing Pumpkins, Sonic Youth, Stooges, Tribe Called QuestVENUES: Celebrity Theater, Constellation Room, Castaic Lake, El Rancho Grande, Johnny Depp's Viper Room, Observatory, Rainbow, Roxy, Salt Shed, Troubadour, Mr. T's Bowl PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708
Text Cannabis Man! With Dry January coming to a close, Don reflects on the challenge and the reward of completing it. This episode covers exciting news for Illinois concertgoers, as The Salt Shed announces plans to offer hemp-based Delta-9 THC products at shows. Two non-infused beverages from Lehua Brands—Voila! Watermelon Mineral Water and Refresh Fruit Punch Shot—are reviewed as part of the journey. We also explore major cannabis news, including the largest-ever study on cannabis and brain activity and two recently filed lawsuits against Illinois cannabis companies over high-potency products. Plus, it's not just alcohol consumption that's dropping in states that legalize cannabis. And of course a High Haiku to mark the moment. Support the showInterested in advertising? Email host@cannabismanpodcast.com!Follow the show on Facebook, YouTube, Twitter and Instagram!For more cannabis news and insights, check out the Weekly Chronic newsletter!
Opening that crate full of your African trophies is like Christmas for hunters. A flood of memories of good times and happiness comes rushing in. But that could all be blown away instantly when you find your trophies bald, patchy, peeling, and cracked because they were not handled correctly after you hunted them. Whose fault is it? Who is going to repay you for the trophies? Why are they like this? Unfortunately, these are the questions you never get the answers to. In today's episode, I will give you a few tips and pieces of advice to ensure you never have to experience this type of heartache over your cherished trophies. Remember to Rate & Review.... do it, or else your hunting buddies will never stop teasing you about having a 6.5 Creedmore.
In this interview on Seeing Them Live, the guest, Ben Apatow, shares his insights and experiences in the music world. Ben is an accomplished author of the books Metallica, the $24.95 Book, and Body Count, part of the Bloomsbury 33 1/3 series. Ben's writing has been featured in various well-known music publications. He begins by recounting his first concert experience, seeing Bob Dylan and the Grateful Dead at RFK Stadium in 1995, a formative event for him. He also highlights memorable concerts, including two Prince shows at Madison Square Garden, citing Prince as an extraordinary performer. However, he also shares his most disappointing concerts: Bad Brains and a recent Jane's Addiction show, noting specific incidences that led to his disappointment with these performances. The Jane's Addiction show, in particular, was tarnished by Perry Farrell's visible struggle, which affected the overall performance quality and led to tour cancellations shortly after.Transitioning to his literary works, Ben discusses the events around his book Body Count, which covers Body Count's controversial debut album featuring the song Cop Killer. The song elicited backlash from police unions, the Senate, and even the President, leading to its removal from the album after only three months. Ben details the dichotomy of the intense reactions to Cop Killer and the larger issues of censorship and societal fears in the early 1990s.Regarding his book on Metallica, Ben describes its comprehensive coverage, spanning the band's history, individual members, concerts, and broader cultural impact. He also delves into the influence of punk and metal within their music. Ben emphasizes the significance of word-of-mouth and live performances in Metallica's rise to popularity and reflects on how their approach to live shows continues to engage and expand their fan base. He concludes by expressing his enthusiasm for writing these books and outlining potential future projects, including collaborations and new biographies.BANDS: AC/DC, Bob Dylan, Body Count, Fiona Apple, Fishbone, Iron Maiden, Living Color, Metallica, Patti Smith, Prince, Slayer, Suicidal Tendencies, The Grateful Dead, The Kinks, The Ramones, Ultimate Classic Rock, Velvet Underground.VENUES:RFK Stadium, Madison Square Garden, Alpine Valley, Navy Pier, Salt Shed, Lollapalooza. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708
In the first-ever year-end concert review show for the 'Seeing Them Live' podcast, host Charles and his panel of previous guests, including Eric Green, Jessica Catena, Doug Florzak, Steve Pothel, Summer, and Scott Patrick Wiener, review their concert experiences from 2024. The panel members take turns speaking about their most memorable shows, spanning a wide range of venues, cities, and genres, providing vivid anecdotes along the way.Eric discusses his rich year, including covering bands like Bim Skala Bim, the Dandy Warhols, and Foo Fighters. Summer shares her experiences of attending Lollapalooza and seeing Green Day at Wrigley Field among others. Jessica details her rain-soaked yet impactful experience at the Global Citizen Festival in Central Park and makes plans for 2025. Doug recounts his concert experience joining Charles and previous guest Art Gregg seeing a Led Zeppelin cover band, Led Zeppelin II, at the House of Blues in Chicago. Doug also describes a Soraia concert where Doug and Charles recorded podcast content. Steve recounts emotional concert memories, such as traveling to see Joan Jett and the Psychedelic Furs and plans for upcoming shows.The episode also highlights special 'podcast moments', where Charles meets listeners and potential guests at concerts he attended.BANDS: Afghan Whigs, Alanis Morissette, Benson Boone, Bim Skala Bim, Bridget Calls Me Baby, Cat Power, Doja Cat, Dua Lipa, Eye for an Eye, Foo Fighters, Foster the People, Friko, Green Day, Harry Styles, Infinity Song, Jack White, Jane's Addiction, Jelly Roll, Jesus and Mary Chain, Joan Jett, Kim Deal, Led Zeppelin, Life on the V, Love and Rockets, Matthew Sweet, Metallica, Nothing But Thieves, Pantera, Pearl Jam, Post Malone, Psychedelic Furs, Quicksand, Raul Alejandro, Ringo Starr, Rival Schools, Sleater Kinney, Smashing Pumpkins, St. Vincent, Stevie Nicks, The Breeders, The Cannons, The Church, The Cure, The Dandy Warhols, The Deftones, The Killers, The Pixies, The Smiths, The White Stripes, Thursday, WussyVENUES: Central Park, City Winery, Club Passim, Fenway Park, Gillette Stadium, Grant Park, House of Blues, Leader Bank Pavilion, Liars Club, Lollapalooza, Madison Square Garden, Northerly Island, Paradise Club, Park West, Rock and Roll Hall of Fame, Royale, Salt Shed, Soldier Field, South by Southwest, Staples Center, Summit Music Hall, The Tender Trap, Wilbur Theater PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708
Marc Roberge joins Brian to talk about this weekend's Weishfest, whose proceeds benefit Weish4Ever's mission of uplifting families battling cancer, helping bring support to more than 600 families facing cancer with financial gifts totaling over $3 million. Join O.A.R, Wilderado, Mike Posner, and more at The Salt Shed this weekend. Tickets can be purchased here: https://www.saltshedchicago.com/home#shows Chicago's best morning radio show now has a podcast! Don't forget to rate, review, and subscribe wherever you listen to podcasts and remember that the conversation always lives on the Q101 Facebook page. Brian & Kenzie are live every morning from 6a-10a on Q101. Subscribe to our channel HERE: https://www.youtube.com/@Q101 Like Q101 on Facebook HERE: https://www.facebook.com/q101chicago Follow Q101 on Twitter HERE: https://twitter.com/Q101Chicago Follow Q101 on Instagram HERE: https://www.instagram.com/q101chicago/?hl=en Follow Q101 on TikTok HERE: https://www.tiktok.com/@q101chicago?lang=enSee omnystudio.com/listener for privacy information.
Marc Roberge joins Brian to talk about this weekend's Weishfest, whose proceeds benefit Weish4Ever's mission of uplifting families battling cancer, helping bring support to more than 600 families facing cancer with financial gifts totaling over $3 million. Join O.A.R, Wilderado, Mike Posner, and more at The Salt Shed this weekend. Tickets can be purchased here: https://www.saltshedchicago.com/home#shows Chicago's best morning radio show now has a podcast! Don't forget to rate, review, and subscribe wherever you listen to podcasts and remember that the conversation always lives on the Q101 Facebook page. Brian & Kenzie are live every morning from 6a-10a on Q101. Subscribe to our channel HERE: https://www.youtube.com/@Q101 Like Q101 on Facebook HERE: https://www.facebook.com/q101chicago Follow Q101 on Twitter HERE: https://twitter.com/Q101Chicago Follow Q101 on Instagram HERE: https://www.instagram.com/q101chicago/?hl=en Follow Q101 on TikTok HERE: https://www.tiktok.com/@q101chicago?lang=enSee omnystudio.com/listener for privacy information.
It's a super scary 30-minute shorty! Tucker joins us and we talk about all kinds of fun stuff: the Bears game in London, our first show at the Salt Shed, secrets from the Aragon at the Nothing But Thieves show, rats & bats infestations + the naked guy in our LIVE studio audience. Plus, we play "Bugs Ya or Not Bothered?" and reveal which Horoscope Witch we are. So Scary!
Shamus Toomey, Editor in Chief and co-founder of Block Club Chicago, joins Bob Sirott to share the latest Chicago neighborhood stories. Shamus has details on: Salt Shed's New Bar And Venue, Three Top Lounge, Opens Next Week: The lounge will host smaller concerts and parties, with a rooftop overlooking the Salt Shed's outdoor concert area and […]
In this episode of the podcast, I sit down with Bruce Finkelman, Managing Partner of 16 on Center, to uncover the secrets behind building an independent music venue empire in Chicago. From the founding story of 16 On Center to expanding multiple venues, we explore the economics of owning your own venue space, the evolution of running a venue from 1995 to 2024, and the challenges of staying independent in an industry dominated by giants like Live Nation and Ticketmaster. Bruce also shares insights into building a sustainable team, creating iconic venues like The Salt Shed, and his vision for the future of the music industry. Chapters(00:10) -Bruce's story and the founding story of 16 On Center(09:53) - The first empty bottle(13:38) - Expanding to multiple venues(27:14) - Economics: Owning the dirt at your venue + The evolution of running a venue from 1995 to 2024(35:31) -Attracting to talent and Building a company that employs and sustains 600 people(41:30) - The creation story of The Salt Shed(48:00) - Making the jump to book larger rooms(52:00) - Fastball questions - Using Prism and the tech stack to organize a massive amount of concerts, Secrets to building a succesful operation, the battle to stay independent, Live Nation, Ticketmaster and the DOJ.(1:00:10) - Plans for the future (or lack thereof), the future of the industry Please share this with anyone that might be interested in the topics, links below to subscribe and stay in the loop with the podcast and Prism: Subscribe here More on Prism Follow us on Instagram (@prismfm) Follow us on LinkedIn (here) Meet the Podcast Host/CEO of Prism - Matt Ford Opening Music - Papooz - The Garde 16 on Centerhttps://www.16oncenterchicago.com/
Nick welcomes music journalist Jim Ryan to the podcast to talk about some of the concerts he's seen recently, including GWAR, Public Enemy, and Slayer at Riotfest; ELO at the United Center; Crowded House at Ravinia; and Ringo Starr & His All Starr Band in New Lenox. Jim also shares his interview with the co-founder of Riotfest, discussing the festival's move from Douglass Park to Bridgeview and then back again. They also chat about the pros and cons of The Salt Shed concert venue. Later, Esmeralda Leon joins Nick to discuss the movie *Blink Twice*, pop culture moments that haven't aged well, and a strange Stanley Kubrick documentary that Esma watched on Tubi. They also continue their culinary adventure by taste-testing another snack from Korea. [Ep289]
Top Google searches of 2024, rabies at The Salt Shed, and The Great Cheese Debate of 2024. Chicago's best morning radio show now has a podcast! Don't forget to rate, review, and subscribe wherever you listen to podcasts and remember that the conversation always lives on the Q101 Facebook page. Brian & Kenzie are live every morning from 6a-10a on Q101. Subscribe to our channel HERE: https://www.youtube.com/@Q101 Like Q101 on Facebook HERE: https://www.facebook.com/q101chicago Follow Q101 on Twitter HERE: https://twitter.com/Q101Chicago Follow Q101 on Instagram HERE: https://www.instagram.com/q101chicago/?hl=en Follow Q101 on TikTok HERE: https://www.tiktok.com/@q101chicago?lang=enSee omnystudio.com/listener for privacy information.
Don't panic, but also...go to a doctor. Chicago's best morning radio show now has a podcast! Don't forget to rate, review, and subscribe wherever you listen to podcasts and remember that the conversation always lives on the Q101 Facebook page. Brian & Kenzie are live every morning from 6a-10a on Q101. Subscribe to our channel HERE: https://www.youtube.com/@Q101 Like Q101 on Facebook HERE: https://www.facebook.com/q101chicago Follow Q101 on Twitter HERE: https://twitter.com/Q101Chicago Follow Q101 on Instagram HERE: https://www.instagram.com/q101chicago/?hl=en Follow Q101 on TikTok HERE: https://www.tiktok.com/@q101chicago?lang=enSee omnystudio.com/listener for privacy information.
Top Google searches of 2024, rabies at The Salt Shed, and The Great Cheese Debate of 2024. Chicago's best morning radio show now has a podcast! Don't forget to rate, review, and subscribe wherever you listen to podcasts and remember that the conversation always lives on the Q101 Facebook page. Brian & Kenzie are live every morning from 6a-10a on Q101. Subscribe to our channel HERE: https://www.youtube.com/@Q101 Like Q101 on Facebook HERE: https://www.facebook.com/q101chicago Follow Q101 on Twitter HERE: https://twitter.com/Q101Chicago Follow Q101 on Instagram HERE: https://www.instagram.com/q101chicago/?hl=en Follow Q101 on TikTok HERE: https://www.tiktok.com/@q101chicago?lang=enSee omnystudio.com/listener for privacy information.
Don't panic, but also...go to a doctor. Chicago's best morning radio show now has a podcast! Don't forget to rate, review, and subscribe wherever you listen to podcasts and remember that the conversation always lives on the Q101 Facebook page. Brian & Kenzie are live every morning from 6a-10a on Q101. Subscribe to our channel HERE: https://www.youtube.com/@Q101 Like Q101 on Facebook HERE: https://www.facebook.com/q101chicago Follow Q101 on Twitter HERE: https://twitter.com/Q101Chicago Follow Q101 on Instagram HERE: https://www.instagram.com/q101chicago/?hl=en Follow Q101 on TikTok HERE: https://www.tiktok.com/@q101chicago?lang=enSee omnystudio.com/listener for privacy information.
Second City Works presents "Getting to Yes, And" on WGN Plus
Kelly talks to Sandra Steinbrecher, a Chicago documentary photographer whose new book captures the transformation of the Morton Salt factory into The Salt Shed, a premier music venue in Chicago. “We protect our past so we are connected to what came before us and so we understand what lies in front of us – today […]
Candyman and Cultural Contradictions: Grateful Dead's Egypt AdventureIn this episode of the Deadhead Cannabis Show, host Larry Mishkin highlights two key topics: a favorite Grateful Dead show and his recent experiences at Goose concerts. First, Larry talks about an iconic Grateful Dead concert that took place on September 16, 1978, at the Sun et Lumiere Theater in Giza, Egypt, near the pyramids and the Sphinx. This event is special not just for its unique location but also for featuring collaborations with Egyptian musician Hamza El Din, who joined the Dead for a jam session. The Egypt shows are remembered for their blend of American rock and ancient Egyptian culture, marking a historic moment in music history.Larry also reflects on the song "Candyman" by the Grateful Dead, exploring its themes of melancholy and contradiction within the counterculture of the 1960s. He discusses how the song portrays a sympathetic yet flawed character, and how it resonates with the complex dynamics of that era, blending elements of peace, revolution, and criminality.Switching gears, Larry shares his recent experiences attending two Goose concerts in Chicago. He highlights Goose's cover of Bob Seger's "Hollywood Nights" and talks about the band's growing popularity. Larry attended the concerts with family and friends and praises the outdoor venue in Chicago, noting its impressive atmosphere and the city's skyline as a backdrop. He fondly recalls his connections to Bob Seger's music from his youth and marvels at how younger bands like Goose continue to bring classic rock into their performances. Grateful DeadSeptember 16, 1978 (46 years ago)Son Et Lumiere Theater (aka Sphinx Theatre)Giza, EgyptGrateful Dead Live at Sphinx Theatre on 1978-09-16 : Free Borrow & Streaming : Internet Archive Giza (/ˈɡiːzə/; sometimes spelled Gizah, Gizeh, Geeza, Jiza; Arabic: الجيزة, romanized: al-Jīzah, pronounced [ald͡ʒiːzah], Egyptian Arabic: الجيزةel-Gīza[elˈgiːzæ])[3] is the third-largest city in Egypt by area after Cairo and Alexandria; and fourth-largest city in Africa by population after Kinshasa, Lagos, and Cairo. It is the capital of Giza Governorate with a total population of 4,872,448 in the 2017 census.[4] It is located on the west bank of the Nile opposite central Cairo, and is a part of the Greater Cairo metropolis. Giza lies less than 30 km (18.64 mi) north of Memphis (Men-nefer, today the village of Mit Rahina), which was the capital city of the unified Egyptian state during the reign of pharaoh Narmer, roughly 3100 BC. Giza is most famous as the location of the Giza Plateau, the site of some of the most impressive ancient monuments in the world, including a complex of ancient Egyptian royal mortuary and sacred structures, among which are the Great Sphinx, the Great Pyramid of Giza, and a number of other large pyramids and temples. Giza has always been a focal point in Egypt's history due to its location close to Memphis, the ancient pharaonic capital of the Old Kingdom. Son et lumière (French pronunciation: [sɔ̃n e lymjɛʁ] (French, lit. "sound and light")), or a sound and light show, is a form of nighttime entertainment that is usually presented in an outdoor venue of historic significance.[1] Special lighting effects are projected onto the façade of a building or ruin and synchronized with recorded or live narration and music to dramatize the history of the place.[1] The invention of the concept is credited to Paul Robert-Houdin, who was the curator of the Château de Chambord in France, which hosted the world's first son et lumière in 1952.[1] Another was established in the early 1960s at the site of the Great Pyramid of Giza in Egypt. One of the Seven Wonders of the Ancient World and a star attraction in Egypt, the pyramids of Giza offer a completely different experience at night, when lasers, lights, and visual projections bring their history to life. Here's how to visit the pyramids after dark. The sound and light show at Giza takes place every night for 55 minutes by the Great Sphinx of king Kephren, it is a laser show with history narration of your own language. Kyle FitzgeraldThe National Standing under a total lunar eclipse at the foot of ancient power by the Great Pyramid, the Grateful Dead were concluding the final show of their three-night run at the Sound and Light Theatre in Giza in 1978.His hair in pigtails, guitarist Jerry Garcia wove the outro of the percussive Nubian composition Olin Arageed into an extended opening of Fire on the Mountain. “There were Bedouins out on the desert dancing … It was amazing, it really was amazing,” Garcia said in a 1979 radio interview. The September 14-16 shows in Giza were the ultimate experiment for the American band – the first to play at the pyramids – known for pushing music beyond the realms of imagination. And just as the Grateful Dead were playing in the centre of ancient Egypt, a landmark peace treaty was being brokered in the US that would reshape geopolitics in the Middle East. For as the Grateful Dead arrived in Egypt as cultural ambassadors, on the other side of the world US president Jimmy Carter had gathered his Egyptian counterpart Anwar Sadat and Israeli prime minister Menachem Begin to broker the Camp David Accords that led to an Egyptian-Israeli peace settlement. “No show that they have ever done has the international significance of their three performances in Egypt,” said Richard Loren, the Grateful Dead's manager from 1974-1981. “When we left the stage on the last show, everybody was high on acid, and the first news that came on: They signed the Camp David agreement. Sadat, Begin and Carter signed the agreement in Camp David. This happened during those three days.” Loren, who produced the shows, credited his friendship with Jefferson Airplane vocalist Marty Balin, who had a keen interest in Egypt, for developing his own fascination with the country. “The lead singer for Jefferson Airplane is the seed that resulted in the Grateful Dead playing in Egypt,” he said. Loren recalled riding a camel around the pyramid site during a three-week visit in 1975. To his right were the pyramids. In front of him, the Sphinx. “And I look down and I see a stage, and a light bulb went off in my head immediately. The Grateful Dead ought to play in Egypt,” he said. Loren, associate Alan Trist and Grateful Dead bass player Phil Lesh formed a scouting committee that would be responsible for liaising with American and Egyptian officials, Secret Service members and Egyptian first lady Jehan Sadat to allow the Grateful Dead to play in front of the pyramids. After the mission to the proposed site, meetings in Washington and Egypt, discussions with government officials and a party for the consulate, the band still needed to convince officials the purpose of the show was to make music – not money. And so the Dead paid their own expenses and offered to donate all the proceeds.Half would be donated to the Faith and Hope Society – the Sadats' favourite charity – and the other to Egypt's Department of Antiquities. “It was a sales pitch by the three of us – Alan, Richard and Phil,” Loren said. A telegram was sent on March 21, 1978, confirming the Grateful Dead would perform two open-air shows at the Sound and Light in front of the Great Pyramid and Sphinx. They would go on to play three shows. Describing the planning, bassist Phil Lesh said, "It sort of became my project because I was one of the first people in the band who was on the trip of playing at places of power. You know, power that's been preserved from the ancient world. The pyramids are like the obvious number one choice because no matter what anyone thinks they might be, there is definitely some kind of mojo about the pyramids."[11]Rather than ship all of the required sound reinforcement equipment from the United States, the PA and a 24-track, mobile studio recording truck were borrowed from the Who, in the UK. The Dead crew set up their gear at the open-air theater on the east side of the Great Sphinx, for three nights of concerts. The final two, September 15 & 16, 1978, are excerpted for the album. The band referred to their stage set-up as "The Gizah Sound and Light Theater". The final night's performance coincided with a total lunar eclipse. Drummer Bill Kreutzmann played with a cast, having broken his wrist while horseback riding. The King's Chamber of the nearby Great Pyramid of Giza was rigged with a speaker and microphone in a failed attempt to live-mix acoustical echo.[12] Lesh recalled that through the shows he observed "an increasing number of shadowy figures gathering just at the edge of the illuminated area surrounding the stage and audience – not locals, as they all seem to be wearing the same garment, a dark, hooded robe. These, it turns out, are the Bedouin, the nomadic horsemen of the desert: drawn in by the music and lights... each night they have remained to dance and sway rhythmically for the duration of the show."[13] Kreutzmann recalls "Egypt instantly became the biggest, baddest, and most legendary field trip that we took during our entire thirty years as a band... It was priceless and perfect and, at half a million dollars, a bargain in the end. Albeit, a very expensive bargain."[14] The concerts weren't expected to be profitable (proceeds were donated to the Department of Antiquities and a charity chosen by Jehan Sadat). Costs were to be offset by the production of a triple-live album; however, performances did not turn out as proficient as planned, musically, and technical problems plagued the recordings.[10] The results were shelved as the band focused instead on a new studio album, Shakedown Street. INTRO: Candyman Track #3 2:54 – 4:50 From Songfacts: the American Beauty album is infused with sadness. Jerry Garcia's mother was still seriously injured and her still fate uncertain following an automotive accident, while Phil Lesh was still grieving his father's passing. The melancholic aura comes through in "Candyman" as much as any other song on the album.The effect of the melodic sadness on the song's context is interesting, to say the least. It makes everything about the candyman character in the song seem sympathetic, when the lyrics suggest that he is anything but. Dead lyricist Robert Hunter said he certainly didn't resonate with the character's penchant for violence (more on that below).The Random House Historical Dictionary of American Slang defines the term "candyman" primarily as a drug dealer and secondarily as a man who is lucky in general and lucky with women in particular. The latter version seems to fit better with the song, as the character announces his arrival to all the women in town and tells them they ought to open their windows (presumably to let him in). While there's no evidence to suggest that Hunter was getting at anything too deep with the song, "Candyman" does provide an interesting perspective on the contradictions of the 1960s counterculture. Mixed in with all the peaceniks and flowers were hard-drug pushers, violent revolutionaries, and common criminals. By 1970, this stew had long since become so mixed-up that its attendant parts could no longer be cleanly extracted from each other. The fact that American Beauty came out in the midst of the Manson Family "hippie cult killings" trial says just about all that needs to be said about the complicated reality that had arisen out of the 1960s counterculture.Beyond all that, though, the outlaw song that romanticizes criminality is a long-held and cherished tradition in American music. With American Beauty, Jerry Garcia wanted the Dead to do something like "California country western," where they focused more on the singing than on the instrumentation. So the sang Hunter's lyrics: Good mornin', Mr. BensonI see you're doin' wellIf I had me a shotgunI'd blow you straight to HellThis is an oddly violent line for a song by the Grateful Dead, who sought to embody the '60s peace-and-love ethos about as sincerely and stubbornly as any act to come out of the era. It always got a raucous applause from the audience, too, which seems equally incongruous with the Deadhead culture.Hunter was bothered by the cheers. In an interview published in Goin' Down the Road by Blair Jackson (p. 119), he brings this phenomenon up when asked if any of his songs has been widely misinterpreted. He mentions that he had first witnessed an audience's enthusiastic response to violence while watching the 1975 dystopian film Rollerball and "couldn't believe" the cheers.Hunter tells Jackson that he hopes fans know that the perspective in "Candyman" is from a character and not from himself. He stresses the same separation between himself and the womanizer in "Jack Straw." As far as the Mr. Benson in "Candyman," David Dodd in the Annotated Grateful Dead Lyrics makes a great case for that being Sheriff Benson from Leadbelly's "Midnight Special" (who may very well have been based on a real sheriff). If true, this might place "Candyman" in Houston, Texas (though Hunter might not have had anything so specific in mind). Almost always a first set song. Often featured in acoustic sets, back in the day. This version features this awesome Garcia solo that we were listing to. Maybe he was inspired by the pyramids or whatever magical spirits might have come out from within to see this American band the Grateful Dead. Hopefully, it made those spirits grateful themselves. Played: 273First: April 3, 1970 at Armory Fieldhouse, Cincinnati, OH, USALast: June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA, USA SHOW No. 1: Hamza El Din Track #10 7:30 – 9:00 Hamza El Din (Arabicحمزة علاء الدين) (July 10, 1929 – May 22, 2006) was an Egyptian Nubian composer, oudplayer, tar player, and vocalist. He was born in southern Egypt and was an internationally known musician of his native region Nubia, situated on both sides of the Egypt–Sudan border. After musical studies in Cairo, he lived and studied in Italy, Japan and the United States. El Din collaborated with a wide variety of musical performers, including Sandy Bull, the Kronos Quartet and the Grateful Dead. His performances attracted the attention of the Grateful Dead, Joan Baez, and Bob Dylan in the 1960s, which led to a recording contract and to his eventual emigration to the United States. In 1963, El Din shared an apartment in the San Francisco Bay Area with folk musician Sandy Bull. Following his appearance at the Newport Folk Festival in 1964, he recorded two albums for Vanguard Records, released 1964–65. His 1971 recording Escalay: The Water Wheel, published by Nonesuch Records and produced by Mickey Hart, has been recognized as one of the first world music recordings to gain wide release in the West, and was claimed as an influence by some American minimalist composers, such as Steve Reich and Terry Riley, as well as by Grateful Dead percussionist Mickey Hart.[1] He also performed with the Grateful Dead, most famously during their Egypt concerts of 1978. During these three shows, Hamza El Din, performed as a guest and played his composition "Ollin Arageed" He was backed by the students of his Abu Simbel school and accompanied by the Grateful Dead. After Egypt, hamza el din played with the dead in the U.S. On October 21st, back in 1978, the Grateful Dead were in the midst of wrapping up a fiery five-night run at San Francisco's Winterland Ballroom. This string of shows was particularly special for the band, as they marked the first shows played by the Dead following their now-legendary performances near the Great Pyramid of Giza in Egypt a month prior. n an effort to bring their experiences in Northern Africa home with them to share with their fans, the Dead's '78 Winterland run saw sit-ins by Egyptian percussionist, singer, and oud player Hamza El Din. On October 21st, El Din opened the show solo, offering his divine percussion before the Grateful Dead slowly emerged to join him for an ecstatic rendition of “Ollin Arageed”, a number based off a Nubian wedding tune, before embarking on a soaring half-acoustic, half-electric jam, that we will get to on the other side of Music News: MUSIC NEWS: Lead in music: Goose — "Hollywood Nights" (Bob Seger) — Fiddler's Green — 6/8/24 (youtube.com) 0:00 – 1:10 Goose covering Bob Seeger and the Silver Bullet Band's Hollywood Nights, this version from earlier this year but Goose did play it Friday night in Chicago at the Salt Shed's Festival stage outside along the Chicago river with the Skyline in the background. Very impressive. "Hollywood Nights" is a song written and recorded by American rock artist Bob Seger. It was released in 1978 as the second single from his album, Stranger in Town. Seger said "The chorus just came into my head; I was driving around in the Hollywood Hills, and I started singing 'Hollywood nights/Hollywood hills/Above all the lights/Hollywood nights.' I went back to my rented house, and there was a Time with Cheryl Tiegs on the cover...I said 'Let's write a song about a guy from the Midwest who runs into someone like this and gets caught up in the whole bizarro thing.'" [1] Seger also said that "Hollywood Nights" was the closest he has had to a song coming to him in a dream, similar to how Keith Richards described the riff to "(I Can't Get No) Satisfaction" coming to him in a dream. Robert Clark Seger (/ˈsiːɡər/SEE-gər; born May 6, 1945) is a retired American singer, songwriter, and musician. As a locally successful Detroit-area artist, he performed and recorded with the groups Bob Seger and the Last Heard and the Bob Seger System throughout the 1960s, In 1973, he put together the Silver Bullet Band, with a group of Detroit-area musicians, with whom he became most successful on the national level with the album Live Bullet (1976), recorded live with the Silver Bullet Band in 1975 at Cobo Hall in Detroit, Michigan. In 1976, he achieved a national breakout with the studio album Night Moves. On his studio albums, he also worked extensively with the Alabama-based Muscle Shoals Rhythm Section, which appeared on several of Seger's best-selling singles and albums. A roots rock musician with a classic raspy, powerful voice, Seger is known for his songs concerning love, women, and blue-collar themes, and is one of the best-known artists of the heartland rock genre. He has recorded many hits, including "Night Moves", "Turn the Page", "Mainstreet", "Still the Same", "Hollywood Nights", "Against the Wind", "You'll Accomp'ny Me", "Shame on the Moon", "Roll Me Away", "Like a Rock", and "Shakedown", the last of which was written for the 1987 film Beverly Hills Cop II and topped the Billboard Hot 100 chart. He also co-wrote the Eagles' number-one hit "Heartache Tonight", and his recording of "Old Time Rock and Roll" was named one of the Songs of the Century in 2001. Which leads us to: Goose plays three nights in Chicago: Wednesday, Thursday and Friday night at the Salt Shed. I caught the Thursday and Friday show. Went with my wife on Thursday and hung out with good friends John and Marnie, her brothers Rick and Joel, Stephan and others. Friday with my son Daniel and good buddy Kevin who got us rock star parking and even more impressively killer seats dead center at the bottom of the grandstands in the back of the floor, a few feet off the floor and dead center so we could see everything, hear everything and have a place to sit and rest for a few minutes when needed. I have to say, I've now seen Goose five times and enjoy them more and more. Great musical jams, great light show, lots of good energy from the band and the fans. Rick Mitoratando is a first class guitartist and singer, Peter Anspach on keyboard and guitar and vocals, Jeff Arevalo, percussionist, Trevor Weekz on bass and newcomer, Cotter Ellis on drums, replacing original drummer, Ben Askind. Began playing in 2014 in Wilton Connecticut so this is their 10 year and they are just getting stronger. They really love what they do and its shows in their live performances. Great set lists in Chicago: Thursday night they were joined on stage by Julian Lage, a jazz composer and guitarist for the last two songs of the first set, A Western Sun and Turned Clouds. If you have not yet seen Goose you need to see Goose. Soon. Jane's Addiction Concert Ends Abruptly After Perry Farrell Punches Dave Navarro Onstage 3. Jane's Addiction Offer ‘Heartfelt Apology' for Fight, Cancel Sunday's Show Phish announce 3 night run in Albany Oct. 25 – 27 to benefit Divided Sky Foundation A residential program for people recovering from drug and alcohol abuse. The Divided Sky Foundation, a 46-bed nonprofit recovery center spearheaded by Phish frontman Trey Anastasio, will be an abstinence-based, nonmedical residence, one of the first ofits kind in Vermont. The Divided Sky Foundation is a charitable nonprofit founded by Anastasio; it purchased the Ludlow location to create a substance-use disorder treatment center back in 2021. Anastasio, Phish's lead guitarist and vocalist, has dealt publicly with his own drug and alcohol use and later sobriety, a journey that brought him under the supervision of drug court in Washington County, New York, in the mid-2000s. There, he met Gulde, who worked in the court system at the time, and the two have stayed friends since. Together, Gulde and Anastasio used their personal experiences with treatment facilities to implement a vision for the Ludlow space, she said. Very cool organization, deserves everyone's support. Trey turned it around which is why he is now 5 years older than Jerry was when he died in 1995 and Trey and Phish are just getting stronger and stronger. SHOW No. 2: Ollin Arageed Track #11 13:10 – 14:42 Musical composition written by Hamza El-Din. He and members of the Abu Simbel School of Luxor choir opened the shows with his composition Olin Arageed on nights one and two, and opened set two of night three with the song as well. Joined on stage by the band. Fun, different and a shout out to the locals. The Dead played it a few more times with Hamza and then retired it for good. SHOW No. 3: Fire On The Mountain Track #12 13:00 – end INTO Iko Iko Track #13 0:00 – 1:37 This transition is one of my all time Dead favorites. Out of a stand alone Fire (no Scarlet lead in) into a sublime and spacey Iko Iko. Another perfect combination for the pyramids, sphinx and full lunar eclipse.A great reason to listen to this show and these two tunes. MJ NEWS: MJ Lead in Song Still Blazin by Wiz Khalifa: Still Blazin (feat. Alborosie) (youtube.com) 0:00 – 0:45 We talked all about Wiz Khalifa on last week's episode after I saw him headline the Miracle in Mundelein a week ago. But did not have a chance to feature any of his tunes last week. This one is a natural for our show. This song is from Kush & Orange Juice (stylized as Kush and OJ) is the eighth mixtape by American rapper Wiz Khalifa. It was released on April 14, 2010, by Taylor Gang Records and Rostrum Records. Kush & Orange Juice gained notoriety after its official release by making it the number-one trending topic on both Google and Twitter.[1] On the same day, a link to the mixtape was posted for download on Wiz's Twitter.[2] The hashtag#kushandorangejuice became the number-six trending topic on the microblogging service after its release and remained on the top trending items on Twitter for three days.[ 1. Nixon Admitted Marijuana Is ‘Not Particularly Dangerous' In Newly Discovered Recording2. Marijuana Use By Older Americans Has Nearly Doubled In The Last Three Years, AARP-Backed Study Shows3. Medical Marijuana Helps People With Arthritis And Other Rheumatic Conditions Reduce Use Of Opioids And Other Medications, Study Shows4. U.S. Marijuana Consumers Have Spent More Than $4.1 Billion On Pre-Rolled Joints In The Past Year And A Half, Industry Report Finds SHOW No. 4: Sunrise Track #162:08 – 3:37 Grateful dead song written, music and lyrics by Donna Jean Godchaux. Released on Terrapin Station album, July 27, 1977 There are two accounts of the origins of this song, both of which may be true. One is that it is about Rolling Thunder, the Indian Shaman, conducting a ceremony (which certainly fits with many of the lyrics). The other is that it was written by Donna in memory of Rex Jackson, one of the Grateful Dead's crew (after whom the Rex Foundation is named). The song is about a Native American medicine man named Rolling Thunder, who spent a lot of time with the Dead."'Sunrise' is about sunrise services we attended and what Rolling Thunder would do," Godchaux said on the Songfacts Podcast. "It's very literal actually. Rolling Thunder would conduct a sunrise service, so that's how that came about."Donna Jean Godchaux wrote this song on piano after Jerry Garcia asked her to write a song for the Terrapin Station album. She said it just flowed out of her - music and lyrics - and was one of the easiest songs she ever wrote.The drumming at the end of the song was played by a real medicine man. "We cut it in Los Angeles, and he came and brought the medicine drum, so what you hear on the end is the real deal," Godchaux told Songfacts. "It was like a sanctuary in that studio when he was playing that. It was very heavy." It was played regularly by the Grateful Dead in 1977 and 1978 (Donna left the band in early 1979).This version is the last time the band ever played it. Played: 30 timesFirst: May 1, 1977 at The Palladium, New York, NY, USALast: September 16, 1978 at the Pyramids, Giza Egypt OUTRO: Shakedown Street Track #17 3:07 – 4:35 Title track from Shakedown Street album November 8, 1978 One of Jerry's best numbers. A great tune that can open a show, open the second set, occasionally played as an encore, but not here. It is dropped into the middle of the second set as the lead in to Drums. This is only the second time the song is played by the band. Played: 164 timesFirst: August 31, 1978 at Red Rocks Amphitheatre, Morrison, CO, USALast: July 9, 1995 at Soldier Field, Chicago, IL – opened the second set, the final set of music ever performed by the band. Shout outs: Karen Shmerling's birthday This week my beautiful granddaughter, Ruby, is coming to town to visit. Can't wait to see her and her parents. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
"From Steel Pulse to Wu-Tang: A Festival of Musical Diversity"Larry Mishkin discusses a review of various experiences and performances, starting with a cannabis event called "Miracle in Mundelein," which took place over the past weekend. The main focus of the review is a discussion of a Grateful Dead show from September 9, 1987, at the Providence Civic Center in Rhode Island. The show was notable for being the second night of a three-show run, marking the opening of the Grateful Dead's 1987 East Coast fall tour.Key highlights include:"Hey Pocky Way" Performance: This was the first time the Grateful Dead performed the song "Hey Pocky Way," which is originally by the Meters, a New Orleans funk band. The song became a fan favorite, primarily due to the influence of Brent Mydland, the band's keyboardist. However, the song fell out of rotation after Brent's death in 1990."Jack Straw" Performance: Another song featured was "Jack Straw," a Grateful Dead classic written by Bob Weir and Robert Hunter. It was originally performed in 1971 and became a staple in the band's setlists. The song was performed in the second spot of the setlist during the 1987 show, indicating the band's tendency to feature it early in their concerts.Music News Segment: The transcript also includes a segment on music news, which starts with a brief history of the band Cheap Trick, particularly their song "I Want You to Want Me."Review of the Miracle in Mundelein Festival: The review shifts to discussing the recent "Miracle in Mundelein" festival, where several acts performed:Steel Pulse: A roots reggae band from Birmingham, England, who delivered a lively and energetic performance.The Soul Rebels: A New Orleans brass band known for their energetic live shows and collaborations with major artists. Their set featured Raekwon and GZA from the Wu-Tang Clan, adding a strong hip-hop element to the performance.Wiz Khalifa: The headliner of the event, Wiz Khalifa, is praised for his stage presence and connection with the audience. The review notes his strong advocacy for cannabis and how his music resonated well with the crowd.Overall, the review captures the blend of nostalgia with the Grateful Dead's classic performances and the fresh, dynamic energy of the Miracle in Mundelein festival, highlighting both the music and the culture of cannabis.https://www.cheaptrick.com/ Grateful DeadSeptember 9, 1987 (37 years ago)Providence Civic CenterProvidence, Rhode IslandGrateful Dead Live at Providence Civic Center on 1987-09-09 : Free Borrow & Streaming : Internet Archive Second night of a three show run, the opening shows of 1987 East Cost fall tour. INTRO: Hey Pocky Way Track #1 :35 – 2:03 First time ever played Hey Pocky Way was written by George Porter Jr., Leo Nocentelli, Art Neville & Joseph Modeliste, founding members of The Meters, an American funk band formed in 1965 in New Orleans by Modeliste (drums), Porter Jr. (bass), Nocentelli (guitar) and Neville (keyboards). The band performed and recorded their own music from the late 1960s until 1977 and played an influential role as backing musicians for other artists, including Lee Dorsey, Robert Palmer, Dr. John, and Allen Toussaint. Song was released on Rejuvenation the band's fifth studio album in 1974. In 2003, the album was ranked number 138 on Rolling Stone magazine's list of the 500 greatest albums of all time,[6] and 139 in a 2012 revised list. Beginning with this show, the Dead began to feature Hey Pocky Way, usually as a show opener. Sung by Brent who really got into it with both his keyboard playing and strong singing, it became a fan favorite. But as a Brent influenced tune, it died when he did. Played: 25 timesFirst: September 9, 1987 at Providence Civic Center, Providence, RI, USALast: July 22, 1990 at World Music Theatre, Tinley Park, IL, USA (Brent's second to last show) SHOW No. 1: Jack Straw Track #2 4:00 – 5:50 "Jack Straw" written by Bob Weir and Robert Hunter. The track first appeared on the album Europe '72. The song was first performed in concert on October 19, 1971, in Minneapolis, Minnesota at new keyboardist Keith Godchaux's first appearance with the band. In the song's earliest performances (c. 1971–72), Weir sang all of the vocals. By the time the 'Europe 72' version was recorded, (at the Olympia Theater in Paris on 5-03-72), Weir and Jerry Garcia were switching up the vocals - as they had on April 26th when 'Hundred Year Hall' was recorded. The song appeared in both the first and second sets until the band's short hiatus in 1974-1975. After re-forming, the song almost exclusively appeared in the first set. After Brent Mydland joined the band in 1979, the song almost exclusively opened the band's first set. The band also often extended the jam after the second verse after Mydland's joining, often extending the song to over six minutes. Dead and Company have also further extended the song, often adding an abstract opening jam prior to the song's first verse.[1] Bob Weir stated in a 2004 interview that the song's lyrics were partly based on John Steinbeck's novel Of Mice and Men.[2] The song's themes include riding the rails, the Great Depression, and hobo (homeless) camps of the era. Jack Straw is also—perhaps coincidentally—the name of the original plantation owner, who lived controversially with his gay lover, Peter Ochello, in Tennessee Williams's play Cat on a Hot Tin Roof.[3] Always a great song to hear in concert, the fans loved it and it was always an omen of good things to come in the show. Played: 477 timesFirst: October 19, 1971 at Northrop Auditorium, Minneapolis, MN, USALast: July 8, 1995 at Soldier Field in Chicago MUSIC NEWS Miracle In Mundelein – second year of the festival in Mundelein a suburb northwest of Chicago. Missed last year with JRAD but made it this year on Saturday with my sons Jonathan and Daniel, Jonathan's fiancé, Bella and Daniel's buddy AJ. Different theme to this year's music focusing on hip hop and rap, not part of my regular music, but certainly a key genre for Daniel and AJ who filled me on details during the show. Acts:Steel Pulse - Steel Pulse are a roots reggae band from the Handsworth area of Birmingham, England. They originally formed at Handsworth Wood Boys School, and were composed of David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals), and Ronald McQueen (bass); along with Basil's brother Colin briefly on drums and Mykaell Riley (vocals, percussion). Steel Pulse were the first non-Jamaican act to win the Grammy Award for Best Reggae Album. They were initially refused live dates in Caribbean venues in Birmingham due to their Rastafarian beliefs. During the popularization of punk rock in the mid-1970's, Steel Pulse began to play punk venues such as the Hope and Anchor in London and The Electric Circus in Manchester in 1976.[1] Aligning themselves closely with the Rock Against Racism organization and featuring in its first music festival in early 1978, they chose to tour with sympathetic elements of the punk movement,[1] including the Stranglers and XTC. Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records. Fun set that was in progress when we arrived, great sound and lots of energy that kept the crowd moving. The Soul Rebels - The Soul Rebels (also Soul Rebels Brass Band, Soul Rebels or The Rebels) are an eight-piece New Orleans based brass ensemble that incorporate elements of soul, jazz, funk, hip-hop, rock and pop music within a contemporary brass band framework. Starting out as a local New Orleans favorite, The Soul Rebels have evolved into collaborating live with major artists in all worlds of music including:Katy PerryNasMetallicaGreen DayTrombone ShortyProdigyString Cheese IncidentUmphrey's McGeeGalacticSuzanne VegaEurythmicsLettuceGov't Mule And many more The band has built its career around an eclectic live show that harnesses the power of horns and percussion in a funky party-like atmosphere. The band routinely plays over 250 shows a year. They have been described by the Village Voice as "the missing link between Public Enemy and Louis Armstrong. The Soul Rebels consist of percussionists and founding members Lumar LeBlanc and Derrick Moss, trumpet players Julian Gosin and Marcus Hubbard, trombonists Corey Peyton and Paul Robertson, saxophonist Erion Williams, and sousaphonist Manuel Perkins Jr. On Saturday, they featured Raekwon and GZA from Wu Tang Clan. RAEKWON - Corey Woods[2] (born January 12, 1970),[3][4] better known by his stage name Raekwon (/reɪˈkwɒn/, ray-KWON), is an American rapper. He rose to prominence as a founding member of the hip-hop group Wu-Tang Clan, which achieved mainstream success following the release of their debut album, Enter the Wu-Tang (36 Chambers), in 1993. Raekwon would subsequently pursue a solo career, releasing his first solo album, entitled Only Built 4 Cuban Linx..., in 1995. The album received critical acclaim, and is regarded by many critics as one of the greatest hip-hop albums of all time, as well as a staple of 1990s rap. Raekwon attributes the name Raekwon to the Five-Percent Nation, an offshoot of the Nation of Islam, when he was a "young kid."[11] He converted to Islam in 2009. Growing up, he witnessed his mother being hit and abused by different men, an experience which he said "affected [him] a lot."[10] As a young man, his mother kicked him out of their Park Hill home when Raekwon got into an argument with her boyfriend and his mother sided with the boyfriend. During this time, he spiraled into a pattern of hopelessness and violent behavior.[8] He became addicted to cocaine and crack cocaine until he became aware of how the crack epidemic was affecting those around him, at which point "it was an automatic stop."[10]Raekwon and rap partner Ghostface Killah attended junior high school together on Staten Island.[14] Raekwon attended New Dorp High School, where he befriended rappers Remedy, Method Man and Inspectah Deck.[15] Woods first rapped as Sha Raider. In 1992, he joined the Wu-Tang Clan, an originally nine-member rap group drawing mainly from the Staten Island but also from the Brooklyn boroughs of New York City. He rapped as Raekwon The Chef, and also used the aliases Lex Diamonds, Shallah Raekwon, and Louis Rich. After being caught in a crossfire and accidentally shot four times, Raekwon began rapping in earnest. He later described being shot as an "important eye opener." In September 2009, MTV ranked Raekwon tenth among "hottest" rappers. In December, HipHopDx's 2009 awards named Only Built For Cuban Linx... Pt. II album of the year, calling it "the Hip Hop equivalent to The Godfather 2, with Rae as revitalized as Marlon was". Raekwon won Emcee of the Year—the prior year, Nas won—while HipHopDX staff explained, Raekwon brought it back to lyrical, dope rap. He released an album that spoke to teens, twenty-somethings, thirty-somethings, and beyond. Without compromising, the Chef made an edgy Hip Hop record that refused to bastardize the catalog he laid down 15 years ago. On top of that, Rae (along with Ghostface) was a go-to for numerous rappers making albums, ranging from the Playaz Circle to Jadakiss to BK One. That's beyond real, as was a year filled with performing in arenas, clubs and even churches. When it came to mastering the ceremony, Rae had 'em all following the leader.[28]— HipHopDX GZA - Gary Eldridge Grice[2] (born August 22, 1966), better known by his stage names GZA (/ˈdʒɪzə/JIZ-ə) and The Genius,[3] is an American rapper. A founding member of the hip hop group Wu-Tang Clan, GZA is the group's "spiritual head", being both the first member in the group to receive a record deal and being the oldest member.[4] He has appeared on his fellow Wu-Tang members' solo projects, and has maintained a successful solo career starting with his second album Liquid Swords (1995). His lyrical style often dismisses typical rap story lines in favor of science and wide-ranging philosophies and has been characterized as "armed with sharp metaphors and a smooth flow".[5][6][7][8] An analysis of GZA's lyrics found that he has the second largest vocabulary in popular hip hop music.[9][10] He teamed up with an education group to promote science education in New York City through hip hop. In 1992, GZA joined the Wu-Tang Clan, a group of nine, formed by his cousin RZA. GZA had some high-profile appearances on the group's debut album, Enter the Wu-Tang (36 Chambers) (1993), including a solo track, "Clan in da Front".[22] This, combined with appearances on other Clan members' albums such as Return to the 36 Chambers: The Dirty Version (1995) and Only Built 4 Cuban Linx... (1995) brought him much recognition. According to Method Man, "we form like Voltron and GZA happens to be the head". The combination of the Soul Rebels beat and Raekwon's and GZA's rapping made for an exceptional set of music that caught me off guard but was worth the price of admission. With lots of cannabis references scattered throughout their lyrics and stage talk, they were a perfect match for this festival. Wiz Khalifa - Cameron Jibril Thomaz (born September 8, 1987),[2] better known by his stage name Wiz Khalifa, is an American rapper from Pittsburgh, Pennsylvania. He signed with the local independent label Rostrum Records to release his debut studio album, Show and Prove (2006). His contract entered a short-lived joint venture with Warner Bros. Records the following year. His Eurodance-influenced 2008 single, "Say Yeah" received urban radio airplay and entered both the Rhythmic Top 40 and Hot Rap Songs charts, becoming his first minor hit.[3] Outside of music, Thomaz has delved into acting with television roles in Dickinson and The Eric Andre Show, the lead role alongside Snoop Dogg in the 2012 stoner comedy film Mac & Devin Go to High School, and voice roles in the animated series American Dad!, Duncanville, and Big City Greens. Thomaz founded the record label Taylor Gang Entertainment in 2008, through which he has signed artists including Juicy J, Ty Dolla Sign, and Berner. Known for his abundant usage of cannabis, Thomaz launched his own cannabis brand, Khalifa Kush, in 2016, which expanded for release in nationwide dispensaries in 2022. His stage name is derived from Khalifa, an Arabic word meaning "successor", and wisdom, which was shortened to Wiz when Khalifa was a young boy.[10] Khalifa stated to Spinner.com that the name also came from being called "young Wiz 'cause I was good at everything I did, and my granddad is Muslim, so he gave me that name; he felt like that's what I was doing with my music." He got a tattoo of his stage name on his 17th birthday.[11][12] By the age of 15, he was regularly recording his music at a local studio called I.D. Labs.[13] Impressed by the young teen's talent, E. Dan, the owner of the studio offered Khalifa an intern job at the studio in exchange for free recording time. Dan, being a veteran of the Pittsburgh hip-hop scene, would help develop and mentor the young artist early on in his career. He was the headliner and lived up to the billing. Great tunes, great stage presence, great spokesperson for cannabis. My first experience with his music and it was very positive. A great musical education for me with my tutors, Daniel and AJ. More in MJ News Herbie Flowers RIPJerry Miller RIPGoose this week at the Salt Shed, Thursday and Friday SHOW No. 2: Greatest Story Ever Told Track #9 3:25 – end INTO Devil With a Blue Dress Track #10 0:00 – 1:33 Greatest Story – written by Hunter/Bobby/Mickey, originally called “The Pump Song” on Mickey Hart's 1972 album Rolling Thunder. As the opening tune of Ace, it is called Greatest Story Ever Told. But this isn't about that song. Here, it is the lead-in to a first set couple of “extras” thrown in for some fun. "Devil with a Blue Dress On" (also known as "Devil with the Blue Dress") is a song written by Shorty Long and William "Mickey" Stevenson, first performed by Long and released as a single in 1964. A later version recorded by Mitch Ryder and The Detroit Wheels in 1966 peaked at No. 4 on the U.S. Billboard Hot 100. "Devil with the Blue Dress" was originally released as Shorty Long's debut single on Motown in 1964, but the single failed to chart. The song describes a femme fatale in a blue dress and not an actual devil.[2] Two years later, Mitch Ryder and The Detroit Wheels recorded the song at Bell Sound Studios in New York City[3] as a medley with an original arrangement of Little Richard's "Good Golly, Miss Molly". Their version, released on their album, “Breakout . . . . !”, was notably more up-tempo than Long's more blues-influenced rendition.[2] Reaching No. 4 on the Hot 100, their version of the track would end up becoming their most well-known and highest charting hit in the United States. Rolling Stone Magazine ranked it No. 428 on their list of Top 500 Songs of All Time. Basically, another great cover to showcase Brent's singing and keyboard skills. This was the first of 3 times the Dead covered the song. Another fun diversion by the band that kept the Deadheads guessing and not wanting to ever miss a show. The transition out of Greatest Story is seamless and makes it so you can't hear the end of Greatest Story without hearing the signature beat of Devil making it a “natural” fit. Played – 3 timesFirst: September 9, 1987 at Providence Civic Center, Providence, RI, USALast: October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA SHOW No. 3: Good Golly Miss Molly Track #11 0:00 – end INTO Devil With a Blue Dress Track #12 0:00 – 0:51"Good Golly, Miss Molly" is a rock 'n' roll song first recorded in 1956 by American musician Little Richard and released in January 1958 as single on the Specialty label, and later on the album, Little Richard in July 1958.[1] The song, a jump blues, was written by John Marascalco and producer Robert "Bumps" Blackwell. Although it was first recorded by Little Richard, Blackwell produced another version by the Valiants, who imitated the fast first version recorded by Little Richard, not released at that time. Although the Valiants' version was released first (in 1957), Little Richard had the hit, reaching No. 4.[2] Like all his early hits, it quickly became a rock 'n' roll standard and has subsequently been recorded by hundreds of artists. The song is ranked No. 92 on the Rolling Stone magazine's list of the 500 Greatest Songs of All Time. Little Richard first heard the phrase "Good golly, Miss Molly" from a Southern DJ named Jimmy Pennick.[4] He modified the lyrics into the more suggestive "Good golly, Miss Molly/You sure like to ball." Little Richard himself later claimed that he took Ike Turner's piano intro from his influential 1951 rock and roll song "Rocket 88", and used it for "Good Golly, Miss Molly".[5] "I always liked that record," Richard recalled, "and I used to use the riff in my act, so when we were looking for a lead-in to 'Good Golly, Miss Molly', I did that and it fit." In 1966, Mitch Ryder and the Detroit Wheels incorporated "Good Golly Miss Molly" into their version of "Devil with a Blue Dress On". Their version scored a major hit, not only in Ryder's native Detroit, but nationwide, placing at No. 4 on the Billboard Top 100. As with Devil, a Brent thing. Unfortunately, it was only around for a month. Then vanished from the Dead's playlist thereafter. Played: 3 times, makes senseFirst: September 9, 1987 at Providence Civic Center, Providence, RI, USALast: October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA MJ NEWS: Miracle in Mudelein – a great event sponsored by Rise Dispensaries and Rhythm cultivators. Second year, featuring great music, excellent food and drink and too many booths for dabbing from various types of rigs including a Studenglass Gravity Bong – my first time using one and it is not your father's four foot Graffix bong! Daniel and AJ were all over it and as it turned out, the wait in line was well worth the experience. Rather than try to explain it to you, just Google Gravity Bong and see for yourself! Great high. Miracle is that Lake County, a more conservative leaning county, and Mundelein permitted the event. Attendees can bring in their own flower or extracts (supposedly only if purchased at an Illinois dispensary), smoking accessories, etc. Rise also was selling products at the show. A wonderful thing to attend an event and not have to hide and smuggle in your cannabis. People lighting up everywhere, offering to share, talking strains, etc. Police were there to keep order and otherwise let it all go on. Very professional. Excellent mellow crowd (what else would you expect?). Well run. Shot joints out of a canon. A wonderful day and experience for those who enjoy cannabis, especially not having to hide it or pretend you don't have any when everyone knows attendees are smuggling it in anyway. A great way to promote cannabis and help normalize it within the community. And a fun event to be able to share with my boys, Bella and AJ. Fun had by all. SHOW No. 4: Not Fade Away Track #24 (NOTE – this song is listed as Track #23 AND #24, be sure to use #24) 0:00 – end "Not Fade Away" is a song credited to Buddy Holly (originally under his first and middle names, Charles Hardin) and Norman Petty (although Petty's co-writing credit is likely to have been a formality[3]) and first recorded by Holly and his band, the Crickets. Holly and the Crickets recorded the song in Clovis, New Mexico, on May 27, 1957, the same day the song "Everyday" was recorded.[1] The rhythmic pattern of "Not Fade Away" is a variant of the Bo Diddley beat, "Not Fade Away" was originally released as the B-side of the hit single "Oh, Boy!" on 10.27.1957 and was included on the album The "Chirping" Crickets (1957). The Crickets' recording never charted as a single. In 2004, this song was ranked number 107 on Rolling Stone's list of "The 500 Greatest Songs of All Time". The song is closely associated with the Grateful Dead as one of their signature tunes—one which the band transformed from Holly's 1950s boy/girl romanticism to one reflecting the 1960s' more spiritual universal love. Their 1971 recording of the song is included on their second live album, Skull and Roses, paired with Going Down The Road Feeling Bad, a regular happening in the early ‘70's. Primarily a second set tune that used to show up in the second half of the second set after Drums-Space. Beginning in 1983, the Dead began to play it as the second set closer, trailing off with “Love is real will not fade away” as they exited the stage. A few years later, the Deadheads starting chanting the line as the Dead left the stage and in some cases, kept it up until the band reappeared for their encore, when the band would pick back up on the beat and play it for another minute or so before their encore tune, such as with this show. Great example of the Deadheads making their mark on the show and the band being tuned in enough to play along with it. Although sometimes if the Dead took too long to come out for the encore, the chanting would start to fade off. And sometimes even when the chant made it all the way to the band's return on stage, the band would ignore it and just dive straight into their encore. Fun when it all came together like this show. Played: 561 timesFirst: February 19, 1969 at Fillmore West, San Francisco, CA, USALast: July 5, 1995 at Riverport Amphitheatre in Maryland Heights, MO (St. Louis) OUTRO: The Mighty Quinn Track #25 2:11 – 3:48 Bob Dylan wrote and first recorded the song in 1967 during the Basement Tapes sessions, but did not release a version for another three years. The song's first release was in January 1968 as "Mighty Quinn" in a version by the British band Manfred Mann, from their album Mighty Garvey, and became a great success. A demo of 14 of the 1967 Basement Tapes recordings, including the first of two takes of "Quinn the Eskimo (The Mighty Quinn)", was produced in 1968, but was not intended for release. Recordings taken from the demos began appearing on bootlegs, starting with Great White Wonder,[7] a double-album bootleg that came out in July 1969. The first official release of the song was in 1970 on Dylan's Self Portrait album,[14] a live recording from 1969's Isle of Wight Festival. The live version (titled "The Mighty Quinn (Quinn the Eskimo)") was also selected in 1971 for the second compilation of Dylan's career, Bob Dylan's Greatest Hits Vol. II. Covered by: the Hollies, Leon Russell and Phish, among others. Although they never played the song with Bob Dylan, the Grateful Dead started playing "The Mighty Quinn" in concert in 1985. It became a favorite encore among the Grateful Dead's fans, and remained so to the end of their career. Last verses, end with, “when Quinn the Eskimo gets here, everybody's gonna want to doze” but the Deadheads heard it as “dose” and always gave it a big cheer. Played: 59 timesFirst: December 30, 1985 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast: July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA Shoutouts: Lary Vinocur – birthdayElena Mishkin – birthday .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
Photographer Sandra Steinbrecher joins Rick Kogan to talk about her book, “The Salt Shed: Transformation of a Chicago Landmark.” Follow Sandra on Instagram @sandysteinbrecherphotography.
The Jesus Lizard is back! The band is set to release “Rack” on September 13, their first new album of new music since “Blue” (1998). TJL guitarist Duane Denison joins me for a conversation about the new album, the early Chicago days, and whether “Rack” and a lengthy tour are signs of what's to come for the band. In Chicago? Don't miss the Jesus Lizard's return: they'll be playing the Warm Love Cool Dreams festival at Salt Shed on September 28. While I'm on the topic of the Jesus Lizard's live show, I've always loved this quote from John Haggerty (Pegboy/Naked Raygun) about an especially memorable night: “They're playing; they get through about two or three songs, and a full bottle of beer comes shooting from the back of the audience, hits Dave Yow square in the head. He goes down like a ton of bricks. He's out cold, like a light. The band keeps playing for a little while, then they realize he's not going to get up. So they stop playing. There's a bunch of sauntering about—what are we going to do? What's happening? It went on for what seemed like a really long time, but I'm sure it was only two or three minutes. After this extended period of time, being passed out cold on the floor, he gets up and he says, ‘Nice shot, asshole.' Before the word ‘asshole' was even out of his mouth, they were into the next song and they just continued as if nothing had happened.” Photo credit: Joshua Black Wilkins ## A smart home connects virtually all of the technology in your home. With an Easy Automation-installed smart home system, you and your family can control nearly every device and system in the house in ways that are easy and fun to use. Transform your living space with cutting-edge home automation. Experience seamless control over audio/video, lighting, climate, security, and more. Embrace the future of smart living – your home, your rules. Get a quote by visiting Easy-automation.net, or call Dan at 630.730.3728See omnystudio.com/listener for privacy information.
Shamus Toomey, Editor in Chief and co-founder of Block Club Chicago, joins Bob Sirott to share the latest Chicago neighborhood stories. Shamus has details on: Salt Shed, Ramova Theatre And 2 Other Historical Chicago Buildings Win Award For Preservation Efforts: The Lawson House and The Terminal are also winners of the 2024 Landmarks Illinois Richard H. […]
Kevin O'Neill kicks off our show talking on developments brought on by various businesses, market theory on inflation and more. Russell Rhoads joins our second hour to continue the market chat, talking on inflation, foreign currencies and Beyoncé's new whiskey.
Tonight at The Goose Island Pub at The Salt Shed, Case might "break edge". Chicago's best morning radio show now has a podcast! Don't forget to rate, review, and subscribe wherever you listen to podcasts and remember that the conversation always lives on the Q101 Facebook page. Brian & Kenzie are live every morning from 6a-10a on Q101. Subscribe to our channel HERE: https://www.youtube.com/@Q101 Like Q101 on Facebook HERE: https://www.facebook.com/q101chicago Follow Q101 on Twitter HERE: https://twitter.com/Q101Chicago Follow Q101 on Instagram HERE: https://www.instagram.com/q101chicago/?hl=en Follow Q101 on TikTok HERE: https://www.tiktok.com/@q101chicago?lang=enSee omnystudio.com/listener for privacy information.
Tonight at The Goose Island Pub at The Salt Shed, Case might "break edge". Chicago's best morning radio show now has a podcast! Don't forget to rate, review, and subscribe wherever you listen to podcasts and remember that the conversation always lives on the Q101 Facebook page. Brian & Kenzie are live every morning from 6a-10a on Q101. Subscribe to our channel HERE: https://www.youtube.com/@Q101 Like Q101 on Facebook HERE: https://www.facebook.com/q101chicago Follow Q101 on Twitter HERE: https://twitter.com/Q101Chicago Follow Q101 on Instagram HERE: https://www.instagram.com/q101chicago/?hl=en Follow Q101 on TikTok HERE: https://www.tiktok.com/@q101chicago?lang=enSee omnystudio.com/listener for privacy information.
Do you love to sing in the shower? Are you a regular at your local karaoke bar? Well, get ready to sing your heart out in front of 5,000 Chicagoans! The Empty Bottle and Salt Shed Chicago are hoping to make it into the ranks of the Guinness Book of World Records for hosting what they're calling World's Largest Karaoke on Aug. 8. Expect to write your name and song of choice on a sheet of paper and drop it into a bucket day-of. If you're lucky, you might just be selected to grace the Salt Shed stage. So get ready to dust off the old pipes and RSVP for free here, or just show up. For a full archive of Reset interviews, head over to wbez.org/reset.
Have you ever wanted to attend a karaoke concert with 5,000 other people? Well, now your dreams can come true! Listen below as John Landecker, Matt Cialeglio, and Bruce Finkleman from Empty Bottle explain how it will work and what to expect. The World's Largest Karaoke Party takes place Thursday, August 8, from 5 pm […]
Looking for some fun things to do this summer? Alongside days at the beach or bike rides through a park, maybe check out some live music! Starting today, Reset is profiling a few of the music hot spots in Chicago for our "What's That Building" series. First up? That warehouse with the iconic roof: The Salt Shed. For a full archive of Reset interviews, head over to wbez.org/reset.
The Bums kick off the rootftop with a Valhalla bond card dissertation (PGA player edition) with S4:E0110; Caitlin Clark is a role model, but can't escape asshole criticism — simply for being white and straight (WTF); the White Sox and Orioles clash with a debatable and stinky “interference” call; the north siders are stringing together fewer hits than Right Said Fred; emergent NFL broadcaster is awarded an Emmy and a designation for assignment in the same period to make room for TB12; Austin Maddox has a firm grasp on Scum Bag of the Week/Month honors; Netflix reboots an ESPN 30-for-30 gem, “Broke” — a must watch for anyone entering the job market; and close the top with what feels like the end of college sports as we know it. The lower half jumps out with another intergalactically famous beer review, at the hands of a creation from 18th Street Brewing's, “Best Patio Pils” (ABV 4.9%), a ‘decent' Pilsner style lager with Columbus and Saaz hops; while epic beer maker Lagunitas is shutting down brewing operations at Chicago's Pilsen neighborhood location (thanks Heineken); Eddie and Rocky find a secret squirrel “baby lounge” at Chicago's Salt Shed during a recent show featuring Bad Religion and Social Distortion; the Bums answer the question: What do Red Lobster, Bill Romanowski and Antonio Brown all have in common; Paddy gets super salty (by way of an outlier / QA fail); the Bums lament “No More, No Mow May” (eyes rolling —save the bees); and end with a Paddy Report on a new moniker for scumbag criminals. Tune in to get a glimpse of awesomeness, it's all we have. Recorded on May 24th, 2024 at B.O.M.'s global headquarters, Paddy's Southside Cave, in Chicago, IL
Welcome to the Chicago Beer Pass: Your ticket to all the great beer events happening in and around Chicago.On this episode of Chicago Beer Pass, Brad Chmielewski and Nik Nik White share a fancy table beer as they chat about what they have been doing the last couple of weeks. With events in full swing, the guys talk about the preview of Goose Island opening at Salt Shed, where they got to sample all the Honkers Ale they could drink and get a taste of the food. Then, the guys talk about Beer Under Glass at Union Station. Although Beer Under Glass has changed over the years, it’s still one fantastic event.Having issues listening to the audio? Try the MP3 (61.4 MB) or subscribe to the podcast on Spotify.
I visited Goose Island Beer Co.'s soon-to-open Salt Shed Pub (1357 N. Elston) on what turned out to be a perfect night for having a 312 on the river. Let's get this out of the way: Goose has found the perfect location and built the perfect brewpub. Located behind Salt Shed and along the Chicago River, Salt Shed Pub is now the go-to for before/after concert drinks and light bites, as well as day drinking in full view of the Chicago skyline. Goose Island President Todd Ahsmann jumped in the car to talk about the new location and Goose Island's long history in Chicago as we ate one of the best smashburgers I've ever had (credit to Executive Chef Henry Pariser). Note: The smashburgers are on the Salt Shed Pub menu. Do yourself a favor… Goose Island Brewing's Salt Shed Pub officially opens May 3, 2024. Car Con Carne (a Q101 podcast) is presented by Alex Ross Art. Visit Alex Ross on YouTube (@TheAlexRossArt) to keep up to date with one of the comics industry's most important and celebrated creators. ## I want you to join my team! I'm training for the American Lung Association's Fight for Air Climb at Soldier Field on May 19. Go to fightforairclimb.org/chicago and click “register as a team member.” From there, search “Car Con Carne” and get yourself signed up! Join me at Soldier Field. Let's have some fun, do good and feel good. ## You and I both love music. It's the soundtrack to where we live. Imagine music playing in any room you want… or every room. Having your favorite streaming sources available anywhere in your home. Easy Automation makes it all easy… integrating into your smart home system. How easy? Dan will tell you. Give him a call at 630-730-3728. Or get more information at easy-automation.netSee omnystudio.com/listener for privacy information.
Mayor Brandon Johnson sat down with Crain's to mark the one-year anniversary of his election. Crain's reporter Justin Laurence joins host Amy Guth to recap the conversation that spanned the DNC and 2024 presidential election, the failed "Bring Chicago Home" ballot measure, as well as stadium subsidies for the Chicago Bears.Plus: United Airlines delays two new routes amid FAA safety review, Roz Brewer added to Black Economic Alliance board, music equipment marketplace moving HQ to the Salt Shed and Boeing's 777 'gliders' signal more cash woes.
Mimi Webb is back in Chicago and ready with new music! The UK singer/ songwriter took some time between shows to catch up with McCabe and Jenny from The Afternoon Mix. They got the story on her new song “Mistake,” what it's like opening for Benson Boone with two SOLD OUT nights at The Salt Shed, working with super producer Ryan Tedder (One Republic), Mimi's upcoming Lollapalooza performance and she took on the Box Of Possibly Unfortunate Questions. Hear McCabe and Jenny talk about all this and more with Mimi Webb on The Mix New Music Club Podcast!Follow Jenny: Jenny's InstaFollow McCabe: McCabe's InstaFollow The Mix: The MixstagramStream the Mix: Listen Live! Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Mimi Webb is back in Chicago and ready with new music! The UK singer/ songwriter took some time between shows to catch up with McCabe and Jenny from The Afternoon Mix. They got the story on her new song “Mistake,” what it's like opening for Benson Boone with two SOLD OUT nights at The Salt Shed, working with super producer Ryan Tedder (One Republic), Mimi's upcoming Lollapalooza performance and she took on the Box Of Possibly Unfortunate Questions. Hear McCabe and Jenny talk about all this and more with Mimi Webb on The Mix New Music Club Podcast! Follow Jenny: Jenny's Insta Follow McCabe: McCabe's Insta Follow The Mix: The Mixstagram Stream the Mix: Listen Live! Learn more about your ad choices. Visit megaphone.fm/adchoices
The Salt Shed is a redevelopment of the nearly 100-year-old Morton Salt warehouse in Chicago. Hear how co-owners and operating managers Bruce Finkelman and Craig Golden readapted the space to create an indoor/outdoor concert venue that has fostered a new sense of community while nodding to its industrial roots. To learn more, visit www.builtpodcast.com.
This week the dudes chat about: shiviting, Godzilla sofubi, Salt Shed, Wrestlemania, Okada, Mercedes Moné, X-Men '97, and comics!
S23E09 of Live At 605! This week: We head to The Windy City for a weekend getaway. We head to The Salt Shed to see a legendary performance from Run The Jewels, we head to the real life Bear restaurant and we get delicious deep dish pizza. Val makes a mess of her shirt, John is artsy fartsy and we go on a tour of Wrigley Field. We also stay at the oldest hotel in North America and maybe see a ghost? The best 605 season continues! Plus, our band of the week comes to you via Chicago! All this and more on Live At 605!Follow us on instagram @liveat605 Follow John on twitter & instagram @malloncamp Follow Val on twitter & instagram @valgomez23 Follow us on Tik Tok @liveat605podcastiTunes: http://apple.co/2ztTfQx Spotify: spoti.fi/2t3mKUG Podomatic: http://www.liveat605.podomatic.com Stitcher: http://www.stitcher.com/s?fid=53123&refid=stpr E-mail: liveat605@gmail.com
Chicago-rooted duo DRAMA are set to bring their blend of R&B, dance, electronic and more to the Salt Shed this Saturday, Jan. 20 for a night of old and new school alongside fellow Chicagoans including Ric Wilson, Terry Hunter and Derrick Carter. Producer/keyboardist Na'el Shehade and vocalist/songwriter Via Rosa sat down with Vocalo afternoons host Nudia Hernandez to discuss the show, and delved into stretching their creative limits on their 2023 EP ‘Till We Die,' teamwork and collaboration, festivals, staying independent and so much more. This interview originally aired on Vocalo Radio 91.1 FM during Nudia in the Afternoons on Tuesday, Dec. 19. It was produced by Nudia Hernandez and edited by Blake Hall. Keep up with DRAMA and learn more about the Jan. 20 show by following them on Instagram @thedramaduo.
Alex Gaskarth joined me to talk about 20 years (HOLY CRAP!!!) for All Time Low.We discussed their three big anniversary shows in 2024 for All Time Low Forever at Merriweather, Red Rocks and The Salt Shed in Chicago, if there will be live albums / concert films from these shows, other tour dates to come, memories of the early days for the band with their first contract and first tour, defying the odds, Warped Tour and their first big tour with Fall Out Boy, what else they want to do looking ahead to the next 20 years and Alex's favorite Bat-villain!These three shows for All Time Low Forever will be epic! If you want to go, get your tickets at alltimelow.com
Oh me oh my skate or die! This week Bad at Sports returns to Shred the Shed to find the crossover of skating and sculpture with Juan Angel Chavez. https://juanangelchavez.com/
Bruce Finkelman decided on a late night drive down Western Avenue to open his iconic Chicago music club, The Empty Bottle. So he took the $942 he had in savings and made the plunge. Thirty years later, he's transformed that into the hospitality collective, 16 on Center, which includes a host of music venues and restaurants. Thalia Hall, SPACE, The Salt Shed, Longman & Eagle, Dusek's, Revival Food Hall and much more. We talked with Bruce about his love of music and how this all came about. And, of course, we talked about Chicago.Time Stamps:2: Walk us through the idea of opening The Empty Bottle5:37: How do you start to build momentum at The Empty Bottle?10: How did you find the next location for The Empty Bottle?12: When did you feel like The Empty Bottle became a thing?14:45: Why do you think people revere The Empty Bottle so much?19:40: When did you decide The Bottle isn't challenging enough for me, I need to add some more things to my plate?22:16: Have you ever chosen a space that ended up not working?25: I like that on your website you list other places in the neighborhood of your venue26:10: How did you originally get connected with Craig?31:54: How does what Salt Shed looks like now differ from what your initial vision of it was?34:05: How do you decide when it's time for the next project?36: Now that you've done a lot of projects, does it get easier working with the city of Chicago?37: Does the city of Chicago appreciate the independent music club owners?39: How is Chicago staying as independent as it is when it comes to venues?42:26: Merch cuts - How do you handle that?45:45: Thick or thin crust pizza fan?47:45: Favorite venue to see a show at in Chicago?48:15: What makes the Chicago music scene unique?50:19: What is your go to cheap drink?53: Anything you want to plug on your way on out of here?
Nick welcomes music journalist Jim Ryan, from Forbes and The Daily Herald, to talk about his interviews with Insane Clown Posse, Corey Feldman, and the legendary Bernie Taupin. Jim also recalls the years he spent doing traffic reports, with some very scary helicopter stories, and he and Nick also review some concerts they both saw, including The Psychedelic Furs/Squeeze show at The Salt Shed and Duran Duran at Northerly Island, plus reviews of Riot Fest, Farm-Aid, and Bob Dylan's latest tour. Then Esmeralda Leon and Nick give details on the upcoming Nick D Podcast LIVE event at Zanies in Rosemont on Tuesday, Oct. 24th, and they face off in "Slap Slapply's 80s-90s Trivia Madness!" with the one and only British Game Show Idol: Slap Slapply. And, Nick's Dad Tells a Joke. [Ep185]
Episode 158 - A relaxing yet heated pregame! The world is a bit crazy these days and the boys discuss a bit of it! As always we keep it pretty light hearted with some discussions on seeing a band you know nothing about, emotional support animals, Best Buy and DVD's, and retiring at 91! Joe is here two weeks in a row and the podcast is loving it! Of course, we go over last week's fun and describe our plans for the weekend. At the end of it all, we leave you with some feel-good stories to start your week! Topics for the week: World News Michael Caine retires Emotional Support Animals DVD Sales 104, Ski Diving, Death We get you the Joe C lock of the century of the week and some tig ol' bitties picks! Drink of the week is - Leinenkugel - Oktoberfest
On this week's harrowing tale of Art, Bad at Sports visits the Salt Shed for Shred the Shed, an event celebrating the latest release of Portable Gray, a biannual journal published by The University of Chicago Press. In the first segment, Duncan and Ryan get the scoop from Megan Jeyifo from Chicago Abortion Fund on how to throw a righteous abortion party. In part two, Duncan and Ryan are interviewed by brothers Shane Heyl, founder of Shake Junt - a skateboard/apparel company, and Brent Heyl, Director of Music at 16 on Center, co-organizer of Shred the Shed. Obviously it is all too much to explain, so just listen.
Nick welcomes Monica Eng from Axios.com to talk about crazy snacks in Albany Park, her trip to Champaign-Urbana where she stayed at Roger Ebert's house (which may, in fact, be haunted by Roger), her hatred of horror movies, and Monica talks about the time she reviewed movies for The Sun-Times including the Larry David 'classic' "Sour Grapes." Plus, they talk about Senator John Kennedy reading about sex toys on the Senate floor, and how composting needs to be curbside in Chicago. Then, Esmeralda Leon and Nick talk about the upcoming Nick D Podcast LIVE show at Zanies Comedy Club in Rosemont. They also chat about the origin of "Donkey Kong," exactly how many names Puff Daddy has had, the weird setup at The Salt Shed music venue, what the hell is "Ladder Ball?," and who the hell is Al Snopes? And, Nick's Dad Tells a Joke. [Ep180]
This week we are joined by great Chicago Artist Devin T. Mays. We talk dressing Wisconsin, Poetry, Humor, how “Everything is Everything”, and how dislocation is a meaningful strategy. We do it all live from the Salt Shed in Chicago for the “Shred at the Shed” with the Chicago Abortion Fund, Portable Gray Magazine, Quimby's and more… Also this episode feature the first appearance of “Other Ryan.” Devin T. Mays – https://regardsgallery.com/artists/devin-mays/ Chicago Abortion Fund – https://www.chicagoabortionfund.org/ Portable Gray Magazine – https://graycenter.uchicago.edu/portablegray Quimby's – https://www.quimbys.com/ Other Ryan – https://www.ryanlucasart.com/ The Salt Shed – https://www.saltshedchicago.com/ Image Devin T. Mays - Gather, Light. Fluorescent light fixtures, Variable dimensions, 2021 c/o Regards Gallery - https://regardsgallery.com/
The Goods is Vocalo's weekly arts and culture newsletter, delivering a roundup of music, arts, culture and community events to your inbox every Thursday — plus a new playlist, artist features, volunteer opportunities and more. Vocalo digital producer and writer of The Goods Morgan Ciocca stopped by the studio to discuss the September 7 newsletter with afternoons host Nudia Hernandez. They talked Taste of Chicago, Chicago SummerDance, 50 years of hip-hop celebrations in film and fashion, KAYTRAMINÉ at the Salt Shed, and more. Subscribe now to receive next week's edition at Vocalo.org. This segment originally aired on 91.1 FM during Nudia In The Afternoons on Thursday, September 7. It was edited and produced by Nudia Hernandez. Keep up with Vocalo by following us @Vocalo on all platforms.
"Jamming with Legends: Derek Trucks & Remembering James Casey"Larry Mishkin begin with a discussion about a recent Phish concert featuring a special guest appearance by Derek Trucks, during which they performed songs like "Golden Age," "First Tube," and "Possum." They reflect on the unique chemistry between Derek Trucks and Trey Anastasio and how it elevated the performance.The second part of the episode is a tribute to James Casey, a talented saxophonist who recently passed away at the age of 40 due to colon cancer. They mention his contributions to the jam band community and his ability to harmonize and play alongside iconic musicians like Trey Anastasio and Phil Lesh. Larry share heartfelt messages from Trey Anastasio, Bill Kreutzmann, and Billy Strings, highlighting James Casey's remarkable musical talents and the impact he had on those who worked with him..Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergRecorded on Squadcast Derek Trucks walked out on stage at Saratoga Springs Performing Arts Center (“SSPAC”) on August 26th and that is just too good to ignore. So three songs from that show with Derek Trucks playing along. Also, James Casey died at 40 from colon cancer. Amazing musician, tremendous Sax player and great singer. Played as part of the “brass” section for Trey Anastasio Band along with Jennifer Hartwick and Natalie Cressman. The same brass section also toured with Phil Lesh and Friends - I just saw them with James this past March at the Salt Shed in Chicago (I did not know he was sick). Second set of songs from three of his performances, two vocal and one playing sax. Phish with Derek Trucks8/26/2023 Saratoga Springs Performing Arts Center (“SPAC”) INTRO: Golden Age3:14 – 4:31Phish w Derek Trucks Live - YouTube Song was written and first performed by TV On The Radio, first single from their album Dear Science, released on August 26, 2008. SPIN magazine rated it the 8th best song of the year. Phish began covering the song in 2009 First played on November 27, 2009 at Times Union Center (Pepsi Arena/MVP Arena) in Albany, NY To date played 70 times, with this performance being the most recent (Dick's is still to come so by Monday, this may be incorrect) TV on the Radio (TVOTR[2][3]) is an American rock band from Brooklyn, New York, formed in 2001. The band consists of Tunde Adebimpe (vocals, loops), David Andrew Sitek (guitars, keyboards, loops), Kyp Malone (vocals, guitars, bass, loops), and Jaleel Bunton (drums, bass, vocals, loops, guitars). Gerard Smith (bass, keyboards, loops) was a member of the band from 2005 until his death in 2011.TVOTR has released five studio albums: Desperate Youth, Blood Thirsty Babes (2004), Return to Cookie Mountain (2006), Dear Science (2008), Nine Types of Light (2011), and Seeds (2014), alongside several EPs. The band's third album, Dear Science, was released on September 23, 2008, on Interscope. It was made available for streaming on their Myspace page and subsequently leaked onto the internet on September 6, 2008. The album was named the best album of 2008 by Rolling Stone,[8]The Guardian,[9]Spin,[10]The A.V. Club,[11]MTV,[12]Entertainment Weekly,[13]Pitchfork Media's readers' poll,[14] as well as the Pazz and Jop critic's poll.[15] It was also named the second best album of 2008 by NME and the fourth best by Planet Sound. SHOW #1: First Tube:20 – 1:38Phish with Derek Trucks - First Tube. Saratoga Springs 8/26/23 #phish #derektrucks - YouTube “First Tube,” is the 12th and final track on the band's 2000 album, Farmhouse Anastasio led a performance by a one-off band called 8 Foot Fluorescent Tubes on April 17, 1998, at the original Higher Ground in Winooski, just outside Burlington, Vermont. The show was the first time Anastasio performed in public with Lawton and Markellis, who were joined by guitarist/vocalist Tom Lawson of The Pants, saxophonist Dave Grippo, trombonist James Harvey and vocalist Heloise Williams of Viperhouse.“First Tube” was seemingly named for its placement as the first song played at the 8 Foot Fluorescent Tubes show, which also saw the premieres of future Phish/TAB songs “Sand,” “Mozambique” and “Last Tube.” Trey, Tony and Russ would go on to form the first incarnation of the Trey Anastasio Band which made its debut — back at the Higher Ground — in February 1999. That concert again featured “First Tube” as part of the setlist.The same TAB trio was also the lineup on Trey's first solo tour in May 1999. By the end of that acoustic/electric tour, “First Tube” was a full-on show-stopper that highlighted many electric second sets. Along with fellow 8 Foot Fluorescent Tubes original “Mozambique,” “First Tube” made its Phish debut on September 9, 1999, in Vancouver, British Columbia.One of two instrumentals on Farmhouse — along with “The Inlaw Josie Wales” — “First Tube” earned Phish a Grammy Award Nomination for Best Rock Instrumental Performance in 2001. Nominated alongside Peter Frampton, Kenny Wayne Shepherd and Joe Satriani, Phish lost to Metallica, Michael Kamen and the San Francisco Symphony's “The Call of Ktulu” First Tube” was played by Phish four times when they returned in 2003 but not at all in 2004, the year that began a second break lasting until 2009. Since coming back from the second hiatus, “First Tube” has remained a staple of both Phish concerts and Trey solo shows SHOW #2: Possum53:40 – 55:09Phish w Derek Trucks Live - YouTube The Man Who Stepped into Yesterday (often abbreviated as TMWSIY) is a 1987 concept album written by Trey Anastasio, the guitarist and lead vocalist of the American rock band Phish, as his senior thesis while attending Goddard College. Composed in 1987, the thesis included an essay piece and collection of songs (recorded by Phish) relating an epic tale from the band's fictional land of Gamehendge. On the album, the story of Gamehendge is told in nine parts, with short spoken narration in between. The saga can be compared to rock concept album projects like The Doors' Celebration of the Lizard or Rush's 2112 suite.The story's primary protagonist is Colonel Forbin. Other major characters include Tela, the "jewel of Wilson's foul domain" and the "evil" Wilson himself. Several of the album's spoken narrative sections are accompanied by background music borrowed from sections of the Phish songs "Esther" and "McGrupp and the Watchful Hosemasters". The final track, "Possum", is the only song on the album not written by Anastasio, having been written by former Phish member Jeff Holdsworth and later added to the Gamehendge cycle.Jeff Holdsworth is a musician who was a founding member of the rock band Phish.[1] Founded at the Redstone campus dormitories of the University of Vermont (UVM) in the fall of 1983, the band originally featured Holdsworth and Trey Anastasio sharing lead vocal and guitar duties, Jon Fishman on drums, and Mike Gordon on bass guitar. Holdsworth left the band in 1986 after graduating from UVM to pursue a career in electrical engineering, shortly before the band recorded their debut self-produced album, The White Tape, though he had played on some of the demo recordings (done in a dorm room) that would later be re-recorded for that album. His songs "Possum" and "Camel Walk" continue to be Phish live show favorites. James Casey ARTICLE Show #3: Dear PrudencePhil & Friends (Casey singing) Rick Mitarotonda (Goose), John Medeski, Grahame Lesh, Nicki Bluhm, James Casey, Katie Jacoby, John MoloMarch 17 2023Capitol Theater3:12 – 4:36Phil Lesh & Friends - Dear Prudence - Feat. Rick Mitarotonda (Goose) + James Casey (TAB) - 3/17/23 - YouTube Dear Prudence" is a song by the English rock band the Beatles from their 1968 double album The Beatles (also known as "the White Album"). The song was written by John Lennon and credited to the Lennon–McCartneypartnership. Written in Rishikesh during the group's trip to India in early 1968, it was inspired by actress Mia Farrow's sister, Prudence Farrow, who became obsessive about meditating while practising with Maharishi Mahesh Yogi.[2] Her designated partners on the meditation course, Lennon and George Harrison, attempted to coax Farrow out of her seclusion, which led to Lennon writing the song. Lennon wrote "Dear Prudence" using a finger-picking guitar technique that he learned from singer-songwriter Donovan. Its lyrics are simple and innocent and celebrate the beauty of nature. The Beatles recorded the song at Trident Studios in late August 1968 as a three-piece after Ringo Starr temporarily left the group out of protest at McCartney's criticism of his drumming on "Back in the U.S.S.R." and the tensions that typified the sessions for the White Album. Dear Prudence" has received praise from music critics, with many praising its lyrics and the band's performance. Lennon later selected it as one of his favourite songs by the Beatles. The song has been covered by many artists, including the Jerry Garcia Band, Ramsey Lewis and Siouxsie and the Banshees, whose version was a top-five hit in the UK in 1983. SHOW #4: No Men In No Man'sTAB (Casey Sax solo)11.19.2022Reading PA:55 – 2:03TAB's James Casey…Smokin Sax Solo. NMINML. 11/19/2022. Reading, PA - YouTube Written by Trey and Tom Marshall (American lyricist, keyboardist and singer-songwriter best known for his association with Trey Anastasio from Princeton Day School in New Jersey and the rock band Phish.[1] He has been the primary external lyricist for Phish during their career (1983–2004, 2009–present), with songwriting credits for more than 95 originals. In addition to his songwriting work, Marshall also fronts the rock band Amfibian and hosts the Phish podcast Under the Scales.[2] Marshall is the co-founder of Osiris, a podcast network in partnership with Jambase.) From Phish album Big Boat, released October 7, 2016 First played by Phish on July 21, 2015 at Les Schwab Amphitheater in Bend, Oregon (debuted with Blaze On and Shade, next they broke out Mercury)Last played (excluding Dick's) July 30, 2023 at MSG67 times OUTRO: Touch of GreyPhil & Friends (Casey singing) Grahame Lesh, John Medeski, Rick Mitarotonda, John Molo, James Casey, Natalie Cressman, Jennifer Hartswick10.22.2022Capitol Theater3:44 – 5:16James Casey, Touch of Grey, Phil Lesh & Friends 10/22/22 - YouTube Written by Jerry and Robert Hunter,First played in September 15, 1982 at the Cap Center, Landover MarylandLast on July 9, 1995 at Soldier Field, ChicagoPlayed 211 times
During the two-day festival at the end of August, we always hold a series of educational and informational panel discussions. We have excerpts this week from "The Dough Whisperers" and the "3rd Wave Deep Dish/Pan" panels, held at The Salt Shed in Chicago. --- Support this podcast: https://podcasters.spotify.com/pod/show/pizzacity/support
NBC5 Chicago's Steve Dolinsky joins WGN Radio's Dave Plier to talk about his Pizza City Fest, taking place at The Salt Shed on Saturday August 26th and Sunday August 27th. For tickets visit pizzacityfest.com.
Dean Richards, entertainment reporter for WGN, joins Bob Sirott to provide the latest news in entertainment. Bob and Dean talk about the death of Randy Meisner, the status of the Emmy Awards, and some popular bands adding dates at The Salt Shed. They also share details about Snoop Dogg’s donation, Dolly Parton’s new rock cover, […]
Bruce Finkelman returns to Dynasty Podcasts to speak on spaces for Chicago's music communities.The live music professional revisits the early days of the Empty Bottle, including the “Next Seattle” era of Chicago music in the early ‘90s. Finkelman also details the evolution of the 16 on Center music, F&B, and nightlife collective that he co-founded with Craig Golden, including Pilsen's Thalia Hall.Elsewhere, the lifelong Chicago music veteran reveals the origins and future vision of the Salt Shed, and shares the motivation behind expanding into the food hall space, including Chicago's From Here On and Revival Food Hall.
We had the privilege of seeing King Gizzard and the Lizard Wizard at The Salt Shed in Chicago Illinois on June 11, 2023. Listen to our thoughts on the show!
Grateful Dead and Bob Dylan, July 10, 1987, JFK Stadium, Philadelphia, PAhttps://archive.org/details/gd87-07-10.senn.lai.3859.sbeok.shnf/gd87-07-10d1t108.shnDead played first set.Dylan backed by Dead played second setJFK big old concrete stadium in Philly. Opened on April 15, 1926. Hosted the Army Navy football game for many years. Last live performance of any kind was Dead on July 7, 1989 with Bruce Hornsby and the Range opening. Stadium was literally falling apart with dangerous chemicals exposed as well as electrical wiring. Only reason they allowed the show to be played was because by the time the city inspector realized what was going on, stadium was already full of Deadheads. Supposedly, there was a very strict no smoking policy enforced because of the hazards. I'm guessing Deadhead's found a way to catch their buzz during the who. Final tune: Knocking on Heaven's Door. Very appropriate. On September 23, 1992 the stadium was finally demolished.I was only there once, in September 1981 for the opening show of the Rolling Stones Start Me Up tour. Went with good buddies H, Mills and Lieby thanks to Uncle Dave. George Thorogood and the Delaware Destroyers opened (One Bourbon, One Shot and One Beer), then Journey for maybe 45 minutes. Fans got bored and started booing. Finally the Stones – opened with Under My Thumb, they released balloons and well into the show H was convinced he could still see one or two of them. Could have just been the shrooms we (most of us) were trying out for the first time. Still almost a year before my first Dead show. But psychedelics seemed very appropriate for a Stones shows made this one very memorable.INTRO: I Need a Miracle Track No. 13 1:45-2:50 Mostly featuring the stuff with Dylan but wanted to get one Dead song in and this is an exceptionally great version of this song. “Go right through the book and break each and every law” – another great Barlow lyric. Was released as part of Shakedown Street (Nov. 15, 1978). Always a high energy tune and maybe the highlight of the Dead's lone set.Dylan – set II with Dead backingSHOW #1: Tangled Up In Blue Track No. 17 :20 – 1:36 From: Blood on the Tracks Released: January 20, 1975 This may be everyone's favorite Dylan tune. Jerry loved it, a staple of the JGB, usually played as a set closer. I love it here as the opener of the Dead's set with Dylan, a well known tune, Jerry jamming hard, and Dylan feeling the energy, love those excited vocals. Sounds like he's have a great time. Ok, Dylan's voice is not great BUT, it is much better than it is now AND it's the DEAD backing him (it was one thing to hear Jerry play it, but not often that the Dead played the tune! Took a minute or two to adapt to that set up. Start off strong, get everyone comfortable and fire up the crowd. Mixed feelings in the crowd because folks realized Dead were only playing one set, but Dead were backing Dylan, and Dylan's voice may suck, but with the Dead the songs sound fresh and lively in a manner not normally seen at your standard Dylan show (except when he had Larry Campbell playing with him – he rocked too).SHOW #2: I'll Be Your Baby Tonight Track No. 18 0:00 – 1:14 From: John Wesley Harding December 27, 1967 Not necessarily my favorite Dylan tune, but anytime Jerry plays pedal steel it's worth noting and listening to. The crowed realizes it and goes crazy. I never got to see Jerry play that instrument and understand I missed something special. So go back and listen to this tune again and focus on the pedal steel. Well worth it. SHOW #3: Joey Track No. 27 :38 – 1:52 From: Desire Released: January 5, 1976 "Joey" is an epic story-song from Bob Dylan's 1976 album Desire. It was written by Dylan and Jacques Levy, who collaborated with Dylan on most of the songs on the album. Like another long song on the album, "Hurricane", "Joey" is biographical. It tells the story of the life and death of mobster Joey Gallo, who was killed on his birthday at Umberto's Clam House in Little Italy, on April 7, 1972. The song's legacy remains mixed: a USA Today article ranking "all of Bob Dylan's songs" called it "forgettable" and lamented that it had replaced "Abandoned Love" on Desire's final track list[10] but in a readers' poll conducted by Mojo, "Joey" was rated the 74th most popular Bob Dylan song of all time.[11]Jerry Garcia, who was responsible for getting Dylan to start performing it live in 1987, considered it a "great song"[12] and Dylan himself characterized it as "Homeric" when discussing his Nobel Prize in Literature win with Edna Gundersen in 2016.[13] Critic Paul Zollo, writing in American Songwriter magazine, called it a "beautifully detailed and cinematic" song and a "masterpiece" in 2021.[14] I started listening to it when they released the Dylan And The Dead album released February 6, 1989 featuring songs from this July, 1987 tour. :::SHOW #4: Watchtower Track No. 28 1:56 – 3:26 From: John Wesley Harding December 27, 1967 A great tune that the Dead rocked to. We've talked about this song before, but Bobby really took off with it once they started playing it (first performance was a month before this tour, June 10, 1987 at the Greek. Then played up until June 22, 1995 at the Knickerbocker Arena in Albany. Great to hear the Dead rock it hard for Dylan. Interestingly, the show's encore was Touch of Grey which had not yet been officially released but was on In The Dark on July 6, 1987. So four days before this show. The Deadheads already knew it well – Dead started playing it in concert towards the very end of 1982. I first heard it in April 1983 in Morgantown WV. Not yet well known to the general public so no crazy crowd problems but they were just around the corner.All in all, a fun show. Some good Dead. Lots of good Dylan. And a fun collaboration for the Deadheads.OUTRO: U. S. Blues Goose July 4, 2023 Stone Pony Summer Stage Asbury Park, N.J. (The Boss's “home”) Goose - US Blues 7/4/23 Stone Pony - Asbury Park, NJ - YouTube O:00 – 1:10 First time played by Goose. Solid performance, but a little too close to the vest for me But with time, I have no doubt they can make it their own. And credit for covering the Dead. Not many bands will do that, ahem, “calling Phish?” So this is two weeks in a row ending with this tune, but this is the one Goose covered (on the 4th after all) so this is what we get. All in all, not a bad deal. NEWS:On July 10, 1986, Jerry slipped into Diabetic Coma. As a result, the Dead had to cancel two shows scheduled for the Fox Theater in St. Louis later in the month. I was devasted to hear the news about Jerry, we all wondered if this was it. And I was bummed to miss the Fox Theater shows. As we have discussed, in the late ‘60's and early ‘70's it was one of the Dead's favorite theaters to play, but they had not played there since 1972. Folks out of town for the weekend, lots of friends and Deadheads all coming to St. Louis for the shows. I had never seen the Dead in St. Louis and ultimately, did not until July, 1995 at the very end. And I had second row, orchestra, center – best seats I ever received from mail order. Then Jerry got sick and that was that. Ultimately, Jerry survived, relearned the guitar and all the Dead songs and by December 15th he was back. Very amazing. July 3, 2023Dead & Co at Folsom Field. Dave Matthews joins at the end of the second set for Watchtower/Not Fade/Knocking on Heaven's Door/The Weight. Great drones creating cool visuals like the Steal Your Face logo. Got good reports from Alex and Andy – she is EVERYWHERE these days! Dead & Co. down to the Gorge (just played this last weekend) and then July 14, 15 and 16 at Oracle Park in S. F. (Giants' home stadium). Then, ??????????????? July 2, 2023 – my first Les Claypool and Frog Brigade show at the Salt Shed in Chicago. Went with good buddy Rob. Very impressed with the band - when the show opens with a cover of King Crimson's Thela Hun Ginjeet – you know it's going to be a good night. Their songs after that were solid and everyone was very much enjoying the scene and that was before they blew us away with their cover of the Pink Floyd album, Animals (Jan. 21, 1977). Entire album start to finish. Then some more Frog Brigade and a fun night for all. I will be back to see Frog Brigade and Primus (and Oysterhead – we should all be so lucky) MJ news to follow
Join us as we regale the adventures of Mike & Gaspar during a most excellent weekend in Chicago celebrating our favorite band. Sadly Kevin didn't join us and we did not make it to the Empty Bottle but hey, 2 Outta 3 Ain't Bad! (43:35) Also in this episode we play another round of Diamonds in the Drain. (58:00)And Chicago editions of "Who the Hell is Craig Singing about?" & "From Meatloaf To the Billy Joel." Send us a voicemail now! https://www.speakpipe.com/TheHoodratRecap Hear the selected "From Meatloaf To the Billy Joel" single here: https://open.spotify.com/track/5KB869ycQ5H23d7N8u0mor?si=JGBtWD3rRpGFl67-MXLsGQ
Live Show replay of #GooseChicksPod Chicago Run Recap. The crew gives their thoughts on Goose's recent 2-night run in Chicago, discuss how they attend shows “together”, listen to interviews done with fans at The Salt Shed, and are joined by the Goose community's ever-present Lucas Anderton! Links: Watch video: https://www.youtube.com/live/KYD1gs9bc8k?feature=share Lucas Anderson Twitter: https://twitter.com/lucas_anderton Goose Chicks Pod Merch Drop: https://goosechickspod.com/merch/ Hosted on Acast. See acast.com/privacy for more information.
On this episode the Chicks talk about Goose's recent midwest shows, gendered expectations in the jam band scene, defining Type I & Type II Jams, share live interviews from The Salt Shed in Chicago, spotlight AcroYoga, The Sister Project Podcast and make an announcement about Summer Camp Music Festival! Links: Uproxx Interview with Peter & Rick: https://uproxx.com/indie/goose-interview-rick-mitarotonda-peter-anspach/ AcroYoga Quad Cities FB: https://www.facebook.com/acroyogaqc IG: https://www.instagram.com/acroyogaqc/ YT: https://www.youtube.com/playlist?list=PLGE9mipPgMrkLRTRmECR1rS2eoDFWU2hf Website: https://www.acroyogaqc.org/ The Sister Project Podcast: https://thesisterprojectblog.com/podcast/ Summer Camp Music Festival: https://summercampfestival.com/ Hosted on Acast. See acast.com/privacy for more information.
This week on JBTV the Podcast, Jerry Bryant interviews Bruce Finkelman and Tim Schoen from Chicago's newest indoor and outdoor skyline-backed music venue, The Salt Shed. The Salt Shed Follow JBTV On Social Media: Youtube - Instagram - Twitter We are a proud member of Pantheon Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices
BIG CHANGES ON THE HORIZON. More on that later...(more info in the episode).We sit down this week with legendary front man of Bush, Gavin Rossdale. Dave & Dante sat down with Gavin at the Salt Shed in Chicago to talk about longevity, his insane career, new music, touring, America, & so much more. AMAZING CONVO (27:04-1:06:51).We also get into sampling, David Bowie, construction, jazz piano, and what makes older music so great. LISTEN & SUBSCRIBE!!!
Bruce Finkelman has helped build an empire of food and music venues that have entertained millions of Chicagoans. From the Empty Bottle to Longman & Eagle to Thalia Hall, Finkelman has married his passion for food and music throughout the city along with his longtime business partner Craig Golden. The Salt Shed, his biggest venture yet, begins indoor concerts this week. During his chat with David Manilow, Finkelman defines what he calls "hospi-totally." Also, Crain's Ally Marotti stops by to report on the glitz of celebrity dining and the expansion of a popular steakhouse, Chicago Cut. And in this edition of "Where Dave Ate," Manilow takes us on a tour of old school diners that'll make your day.
Crain's health care reporter Katherine Davis talks with host Amy Guth about Walgreens' plan to reinvent itself. Plus: U of I plans marijuana research center at Discovery Partners Institute, Pritzker eyes big EV opportunity for Stellantis, Google gives $3 million to Indiana university to build an equity database and Goose Island is exiting its Clybourn brewpub for a spot next to the Salt Shed.
Steve Grzanich has the business news of the day with the Wintrust Business Minute. Goose Island Beer is moving its brewpub from Clybourn Avenue to the new Salt Shed entertainment venue at the site of the former Morton Salt complex on Elston Avenue. Crain’s says the new Goose Island space will open by the end […]
Shamus Toomey, Editor in Chief and co-founder of Block Club Chicago, joins Bob Sirott to share the latest Chicago neighborhood stories. Shamus has details on: Salt Shed's First Indoor Lineup Includes Flaming Lips, Bikini Kill, Iggy Pop, The Roots: The concert hall inside the former Morton Salt warehouse near Goose Island opens Feb. 17. Chicago's ‘Original' […]
*Politico's Joshua Zeitz discusses the history of non-consecutive term campaigns for the White House and what it means for Trump. *Elizabeth Schulze from ABC News has the latest on the battle for Speaker of the House. *Charles Kenny, Senior Fellow at the Center for Global Development in Washington, says Happy Birthday to the Earth's 8 billionth person and what this means for the global population. *Plus, Bruce Finkleman previews the Salt Shed's indoor concert venue and lineup that was announced today.See omnystudio.com/listener for privacy information.
*Politico's Joshua Zeitz discusses the history of non-consecutive term campaigns for the White House and what it means for Trump. *Elizabeth Schulze from ABC News has the latest on the battle for Speaker of the House. *Charles Kenny, Senior Fellow at the Center for Global Development in Washington, says Happy Birthday to the Earth's 8 billionth person and what this means for the global population. *Plus, Bruce Finkleman previews the Salt Shed's indoor concert venue and lineup that was announced today.See omnystudio.com/listener for privacy information.
Will and Chris discuss new releases by the Beths and the Chats, plus live reports, bonus songs, and Scotch.
On this week's episode, you're treated to an absurd commercial about razors. It's a commentary on society's weird place, but we thought it was interesting. We hope you do as well. Of course, there's much more as we returned to the safety of our studio.Here are a few links from this week's episode:If you've ever driven from the direction of Milwaukee to downtown Chicago, you've probably seen the iconic Morton Salt building. It's now being turned into a concert venue called The Salt Shed.If you want to learn all about Jeremy's Razors (and get retargeted by them a million times), you can visit their website here.Bridget is a lunch packing machine, and these flat ice packs have made keeping lunch cold much easier!Nick is a huge fan of portable tire inflators. You can find them all over, but this one from Amazon is well recommended, and if you use this link, we'll earn a small commission, thank you very much!Thanks so much for listening, have a great week, and we'll talk again next week!
WGN Radio's Dave Plier talks to Bruce Finkelman of 16 on Center about transforming the Morton Salt Factory to Chicago's newest music venue, The Salt Shed.
Here's what's trending - The Iconic Morton's Salt building is open as Chicago's newest music venue, another Sonic the Hedgehog movie is coming, and we celebrate National Rice Pudding Day.
The self-proclaimed beat scientist talks about his career and what can be expected from his latest record, In These Times. Reset talks to the Chicago-based jazz artist ahead of his show at the Salt Shed this week.
Chicago has budgeted about 18 million dollars for salt for the winter 2022. And the city gets all that salt from one vendor: Morton Salt. Now, the company's iconic warehouse is getting transformed into a multi-use development, including a music venue called “The Salt Shed.” In this episode historian Paul Durica traces the history of Chicago's salt industry and tells us how some of that history will be preserved in the new concert space.
Chicago's newest music venue, the Salt Shed, opens this summer on the site of the iconic Morton Salt factory on North Elston Avenue. Reset talks to two music writers about the Salt Shed's lineup and how music venues are doing right now as the omicron surge wanes.
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