Seeing Them Live

In this interview episode of Seeing Them Live, Charles interviews singer BB from BB & The Honey. BB is an American singer and songwriter who has been an integral part of the Chicago music scene for 20 years.  Audiences say her voice is a blend of Brandy Carlisle, Janice Joplin, Patsy Klein, Stevie Nicks, and Amelda May. Her powerful interpretations range from blues, funk, soul, classic country to jazz, rockabilly, and classic rock. BB & the Honey have released a new EP of original songs called Reckless Heart, which is available on all major streaming platforms.BB reminisces about her first concert at age five, seeing Sean Cassidy at Navy Pier in Chicago, and shares memorable concert experiences with Mumford and Sons, contrasting them with a lackluster performance by Bob Dylan she attended in the early 90s. She discusses a formative experience in her music career when she and a friend were invited to join Arise Records after singing 'Amazing Grace' in a Chicago subway. This fortuitous event laid the groundwork for BB's extensive music journey, performing with various bands and writing a wide range of musical genres from blues, funk, soul, classic country, to jazz and rock. The episode also dives into BB's musical projects, from her early involvement with hip hop group Schmoov and the Family to later bands like Super D, The Jesters, and Seeking Wonderland. BB elaborates on how she transitioned into learning the piano during the COVID-19 pandemic, which allowed her to contribute more dynamically to her current band. BB & The Honey recently released a new EP called 'Reckless Heart,' comprising four original songs. The interview touches on the practicalities of their live performances, noting the flexibility in band size depending on the venue. BB delves into the recording process of the EP, aiming to capture the live energy of their performances. The episode wraps up with BB talking about their upcoming release party, their ongoing music journey, and where fans can find their music and live performance updates.BANDS: BB & the Honey, Bob Dylan, C&C Music Factory, Chicago, Full Moon Vixen, Groove X, Kris Kross, Lucinda Williams, Modern Day Romeos, Mumford and Sons, Poi Dog Pondering, Santana, Sean Cassidy, Seeking Wonderland, Stock Boy, Super D, The Dead, The Jesters, ZZ TopVENUES: Abbey Pub, Alpine Valley, Bacon Fest, beer fest in Kenosha, Baker House, Crystal Lake, Dole Mansion, Double Door, Goose Island, Hard Rock Cafe, Lake Como, Lou's Lounge, Mars Resort, Naperville, Navy Pier, Riviera, Riviera in Chicago, Ryman, Ryman Theater, Ryman Theatre, Sean Cassidy concert, Subterranean, Tinley Park, Walworth County Fair PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

This episode features an interview with the artist MEGG, who combines her love for pop music with her punk rock background to create a unique sound for a diverse audience of tomboys, romantics, and misfits. Born and raised in LA's South Bay, MEGG has achieved significant milestones such as performing at Dodgers Stadium, headlining at Saint Rocke Music Venue, and opening for bands like The Used. This summer, she will be playing at Van's Warp Tour in Long Beach, California.The conversation begins with MEGG recalling her first concert experience, a Madonna show, attended with her parents and a friend, which left a lasting impression on her as a child. They discuss various best concerts she has attended, including performances by Beyonce, Alicia Keys, and Missy Elliot. This inspires MEGG to share how these experiences shaped her musical career, leading her to attend the Los Angeles County High School for the Arts and later the University of Southern California's Popular Music Performance Program.MEGG recounts forming several bands along the way, including Runway MMC with her friends, supported by her mother's visionary clothing line idea, and Party for One, a pop-punk band she started with her buddies from USC. MEGG's career took significant turns with these projects, growing from performing at college parties to headline venues like Saint Rocke. MEGG delves further into pivotal moments such as playing the Musink Tattoo Music Festival, opening for The Used, and the journey to secure a spot at Warped Tour 2025. MEGG's experiences exhibit her resilience and dedication to her craft amidst various challenges and the evolving music industry landscape. Towards the end of the interview, MEGG discusses her musical influences, her recent single releases, and plans for upcoming projects, such as an EP to be released in the fall following her performances at Warped Tour. She emphasizes the importance of staying true to her musical style while being versatile across different genres. As an added treat, the interview includes a live acoustic rendition of MEGG's 'The Hangover Song.'BANDS: Blink 182, Every Time I Die, Fleetwood Mac, Guns N Roses, Hot Water Music, Mumford and Sons, Nirvana, No Doubt, Paramore, Pennywise, Pennywise, Spice Girls, Sum 41, Taking Back Sunday, The Used, Tomorrow's Bad Seeds, Tomorrow's Bad SeedsVENUES: Break Room, Dodger Stadium, Forum, Musink Tattoo Music Festival, Redwood Bar, Saint Rocke, Staples Center, Warped Tour. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

This episode features Benny, a musician and producer who performs under the name Muted Circus. Benny, originally from Orange County, California, is currently based in Brooklyn, New York. He spent seven years in Tokyo, Japan, and attended the prestigious Berklee College of Music in Boston. The discussion starts with Benny sharing the story of his first rock concert at the age of 13, where he saw The Get Up Kids in a small, intimate venue in his hometown. This concert sparked his lifelong passion for live music, leading him to attend concerts frequently, including during his college years and time in Japan. Benny reminisces about the DIY music scene of Orange County in the '90s and shares anecdotes about attending shows with his older brother and friends. He also recalls a memorable yet disappointing encounter with Dave Mustaine from Megadeth during a concert in Tokyo, juxtaposing it with a positive experience meeting Marty Friedman, a former Megadeth guitarist.The conversation then shifts towards Benny's musical project, Muted Circus, a deeply personal undertaking inspired by the death of his father. The project comprises 10 EPs with 50 songs, each featuring his father's visual artwork on the covers. Benny explains how creating this music helped him process his grief and reflect on his relationship with his father. He delves into the themes explored in his music, often revolving around the impact of his parents on his life. Benny shares the challenges and emotional journey of writing and recording these songs over several years. He also introspects on the nuances of live vs. recorded music and the emotional resonance that well-produced music can often deliver.During the interview, Benny performs 'Disconnection,' a song from his final EP in the Muted Circus series. The song captures the sentiment of final phone calls with a loved one and reflects Benny's extensive relationship with his father through daily check-ins on the phone. The episode concludes with Benny discussing his future plans for more music releases under different projects and emphasizing the therapeutic power of music in processing complex emotions. Listeners can explore Benny's work on platforms like Bandcamp, Spotify, Apple Music, and YouTube.BANDS: No Doubt, The Get Up Kids, Jimmy Eat World, Real Big Fish, Gwen and Eric Stefani, Megadeth, NSYNC, Metallica, Slayer, Marty Friedman, Dave Mustaine.VENUES: Makuhari Messe (Japan), Koos Cafe, The Chain Reaction, Madison Square Garden. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

The podcast episode features Jesse Rifkin, the owner of Walk on the Wildside Tours NYC, a music history walking tour company in New York City, and the author of the book 'This Must Be the Place: Music, Community, and Vanishing Spaces in New York City.' Rifkin shares his background, including his consultancy roles as a pop music historian and his 12 years as a touring musician. They discuss his first concert experience, watching Bob Dylan with Ani DiFranco as the opening act at the Filene Center in Vienna, Virginia, and the interesting intersections his life has had with notable music historians like Alan Lomax.Rifkin recounts his experience attending a unique U2 concert at the Apollo Theater in Harlem, highlighting how seeing a globally famous band in an intimate venue was a surreal and memorable experience. He emphasizes the different dimensions of enjoying massive arena shows versus small, underground music scenes. He talks about his favorite bands, particularly Akron Family and other experimental groups, often performing at DIY venues like Silent Barn and emphasizing how these experiences felt more personal and impactful.The conversation shifts to Jesse's walking tours, which often focus on the punk and post-punk scenes in NYC, featuring iconic sites like CBGB. He discusses the importance of understanding the human and local context behind legendary music and bands, offering a more tangible and relatable connection to this history. His tours aim to demystify the grandiosity of famous musicians by highlighting their humble beginnings in intimate settings.Finally, Jesse talks about his book and its evolution from his extensive tours and Instagram presence, which caught the attention of his editor in 2019. He details the content of the book, which spans 60 years of music history, categorizing different NYC music scenes, and offers practical insights into creating community-driven music venues. Jesse's mission is to show that music and performance spaces can be accessible and transformative, urging people to see the possibility within DIY approaches to music and community building.BANDS: Akron Family, Bad Brains, Beastie Boys, Blondie, Bob Dylan, Castanets, The Cure, Elephant 6 Recording Company, Grateful Dead, Lynyrd Skynard, Neutral Milk Hotel, New York Dolls, Olivia Tremor Control, Patti Smith, Ramones, Sonic Youth, Talking Heads, U2, Velvet Underground, Wooden Wand and the Vanishing Voice, Woods.VENUES: 171A, Apollo Theater, Bowery Ballroom, CBGB, Death by Audio, Jelly NYC, Silent Barn, Tonic, Uncle Paulie's, Wolf Trap. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this episode of Seeing Them Live, we are thrilled to have Jose Rivera, founder, manager, and lead vocalist of the band Five Guys Named Moe. Jose shares his extraordinary journey from a budding musician to a prolific performer. He narrates how his fascination with the trumpet began in his early childhood and flourished during his time as a section leader and soloist for the United States Marine Corps. Jose describes his experiences performing before U.S. Presidents and numerous heads of state from 1972 to 1977.He shares captivating anecdotes about sharing stages with trumpet legends like Doc Severinsen and Al Hirt, and his early inspirations such as Herb Alpert & The Tijuana Brass, and Bill Chase. One particularly memorable story includes a chance encounter with Chase the night before he left for Marine Corps basic training, which solidified his passion for high register trumpet playing. Jose also talks about the devastating impact of the plane crash in 1974 that tragically ended the lives of several members of the band Chase, and the emotional 40-year reunion concert that followed, filled with nostalgia and respect for the members who were lost. Jose reflects on his post-Marine Corps life and the formation of Five Guys Named Moe in 1988. The band quickly gained popularity with their unique style and vibrant performances, playing at numerous gigs across the Midwest every year. Jose's attention to professionalism and the importance of band dynamics and promotions are evident as he speaks about managing the band over the years. The impact of the Moe Heads, the band's loyal fans, is also a testament to their ongoing success. Jose underscores the hard work, dedication, and strategic planning required to sustain a band's longevity in the competitive music industry. As an experienced musician, he offers valuable insights about balancing artistic integrity with crowd-pleasing performances and the reciprocal importance of venue support in promoting events. By mingling with fans and maintaining a professional band practice, Jose ensures that Five Guys Named Moe remains a staple of vibrant live music in the Midwest.BANDS: Al Hirt, Bill Chase, Blood, Sweat, and Tears, Blues Brothers, Chicago, Chase, Doc Severinsen, Five Guys Named Moe, Herb Alpert & The Tijuana Brass, Lovecraft, The Kind, United States Marine CorpsVENUES: CD and Me, Cousins, North and Maple, Tailgaters, Ballydoyle, Buddy Pals, Q Bar, Poplar Creek, Superdome PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Jamie James, guitarist, singer, and songwriter, joins Charles on Seeing Them Live to discuss his musical journey and new album Straight Up, released on Oglio Records.Jamie reflects on his early musical influences, growing up in Woodstock, Ontario, and his transition from aspiring hockey player to musician after a knee injury. He shares how he taught himself guitar on a damaged acoustic and recalls receiving his first real guitar as a Christmas gift in 1966. The conversation turns to Jamie's formative concert experiences, including seeing Tommy James and the Shondells, Deep Purple, Sly and the Family Stone, The Who, and an early performance by Queen in a small London club. Jamie describes how these shows influenced his approach to live performance. He recounts his time in the 1970s rock scene, playing with various bands before joining the New Steppenwolf in 1977. After leaving the New Steppenwolf, Jamie formed The Kingbees, an ‘80s rockabilly trio that gained a cult following.A favorable review in LA Weekly helped them gain popularity, attracting large crowds to their shows. He discusses their unique rockabilly-inspired style, which predated the Stray Cats and MTV, and his personal shift toward a Buddy Holly-influenced guitar approach. Jamie also shares anecdotes about the LA music scene, recalling interactions with The Blasters and Blackie Dammett, father of Anthony Kiedis, who became an informal emcee for The Kingbees. Additionally, he recounts signing with RSO Records in 1980, initially seeing little success until their song My Mistake gained radio traction in Detroit. This newfound exposure led to major performance opportunities, including a replacement slot at the Toledo Speedway Jam alongside ZZ Top, AC/DC, and Sammy Hagar; a wild gig that took an unexpected turn involving a whiskey bottle that injured an audience member.After the Kingbees disbanded in 1981, Jamie pursued a solo career, but his EP failed to resonate with him. A chance encounter with actor Harry Dean Stanton at a July 4th gathering led to a close friendship and musical collaboration that lasted for years. Jamie formed a band with Stanton, regularly performing at The Lighthouse and The Mint. Later, he connected with actor Dennis Quaid, leading to the formation of The Sharks, a band that endured for nearly 20 years.A severe health scare in 2020 prompted Jamie to recommit to songwriting, leading to the creation of new music during the Covid pandemic. Despite financial challenges, his bandmates were eventually drawn in by the strength of his songs, paving the way for his latest album, Ain't No Big Thing (https://oglio.com/).Jamie's story is one of resilience, reinvention, and an enduring love for making music. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this episode of Seeing Them Live, host Charles Berman interviews Giuliana Funkhauser, a transdisciplinary artist known for her innovative blend of digital code and synthesized audio to create immersive art installations. Giuliana, based on the U.S. East Coast, completed her graduate studies at the San Francisco Art Institute, concentrating on art and technology, with a particular interest in sound synthesis. Besides her artistic endeavors, she teaches courses on data sonification and video game development. Her collaborative projects include working with musical artist Elizabeth Verosa and visual artist Alison Tannenhaus, performing excerpts from their EP '2021' in events such as the 2022 New England Synthesizer Festival. Additionally, Verosa and Funkhauser's track is featured in the Rewoven Transmissions collection, a remix of Cathode Raytube's works.Giuliana's shares how she got introduced to music and her unique concert experiences, ranging from middle school outings to witnessing legendary bands like Everclear, Judas Priest, and Iggy Pop. She recounts attending the Radio 104 Fest and vividly describes how Everclear was not her favorite but ended up being the main act she saw due to time restrictions. A humorous and memorable moment emerges from a misunderstanding that led to her attending a performance by Mono of Japan instead of the expected European band Mono, a life-changing encounter that profoundly influenced her musical tastesGiuliana also narrates her experiences at the Halloween Industrial Music Fest during Hurricane Sandy, where she saw numerous notable acts like Author & Punisher and Theologian in an incredibly intense, weather-challenged environment. Her story culminates in recounting the remarkable Sunn O show, a visceral and intense performance where the sheer power of the sound and visuals led to a memorable audience connection.Throughout the discussion, Giuliana elaborates on her creative process, revealing how she and her collaborators use data sonification and visual cues to guide their live performances and improvisations. Listeners are invited to explore Giuliana's work further on her website  gfunkhouser.com and through various platforms like Bandcamp that feature her recordings.BANDS: Animals, Author and Punisher, Big Brave, Bohemia, Butthole Surfers, Candlebox, Cathode Ray Tube, Cracker, David Linton, Dead Voices on Air, Dear Woman, Dishwalla, Everclear, Flock of Seagulls, Freeze Pop, Go Go's, Harpy, Iggy pop, Inkanti, Iron Maiden, Judas Priest, King Gizzard, Lady Purge, Local H, Lush, Mogwai, Mono, Otto von Schirach, Police, Semisonic, Snowbeasts, Stabbing Westward, Sunn, The Pretenders, Theologian, Tony the Floyd Dementia, Uriah HeepVENUES: Club X, Radio 104 Fest PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this conversation, John Dominguez, co-founder and chief strategist of Songbird Collective, discusses his extensive background in music and his initiative within the Metaverse aimed at creating immersive and collaborative environments for artists. Songbird Collective has facilitated over 1000 live concerts in the Metaverse, allowing artists to showcase their work, even during the pandemic when live music was largely inaccessible. The initiative has also opened new revenue streams for musicians through NFTs and virtual performances, providing a unique and innovative way to engage with global audiences. He recalls the exciting early days of music exploration via the internet in the mid-90s, highlighting moments when he discovered influential music essays and participated in emerging online music communities. One of his notable memories includes attending his first concert, an NWA show in 1989, where he experienced both the thrill and cultural impact of live hip-hop music. He reminisces about various concert experiences, including attending Kings of Leon at Johnny Depp's Viper Room and the Troubadour in Los Angeles, and describes the unique atmosphere of historical music venues. He also recalls his experience attending the Tibetan Freedom Concert in 1996.Dominguez also values personal interactions with musicians, sharing stories about his early online exchanges and meetings with avant-garde musicians Nels Cline and Joe Baiza. Despite the modern shift towards digital music consumption, Dominguez advocates for the irreplaceable magic of live performances and encourages music enthusiasts to support local independent shows. In wrapping up, he stresses how vital it is for fans to support smaller live music venues, highlighting how these spaces provide essential platforms for artists and memorable experiences for audiences. Dominguez's dedication to music culture and innovation through Songbird Collective exemplifies the evolving landscape of live music and virtual experiences.BANDS: Aerosmith, Beastie Boys, Ben Steller, Creeper Lagoon, Dr. Dre, Fontaine's DC, Ice Cube, Jet, John Lee Hooker, Killers, Kings of Leon, Mud Honey, New Jack's Swing, No Doubt, NWA, Oasis, On the Speakers, Ornette Coleman, Pavement, Pixies, Porno for Pyros, Rage Against the Machine, Smashing Pumpkins, Sonic Youth, Stooges, Tribe Called QuestVENUES: Celebrity Theater, Constellation Room, Castaic Lake, El Rancho Grande, Johnny Depp's Viper Room, Observatory, Rainbow, Roxy, Salt Shed, Troubadour, Mr. T's Bowl PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

This episode of Seeing Them Live features an in-depth and in-person conversation with Ray the Roadie and Hollywood Mike, hosts of the Rock and Roll Chicago podcast. Joined by producer and co-host Doug Florzak, the episode was recorded inside the Illinois Rock and Roll Museum on Route 66 in downtown Joliet, Illinois, where the Rock and Roll Chicago podcast is also recorded. The Rock and Roll Chicago podcast provides a platform for bands and musicians from the Chicago area, delving into the history of rock and roll in Chicago and Illinois, the current scene, and the challenges and opportunities for musicians today. Mike and Ray share humorous anecdotes, such as Mike jokingly proposing 'The Procrastinators' as a name for his next punk band, and Mike mentioning his varied musical activities, including performing with bands like Cadillac Groove and Mike and the Stillmasters, and his solo work. Mike also uncovers a rich musical heritage after meeting a cousin who fronts a Zydeco band in Louisiana, leading him to discover his extended family's significant contributions to various facets of the entertainment industry. Ray recounts his multifaceted career journey, involving roadie work, being a firefighter for 28 years, and later diving back into music and podcasting post-retirement. Personal anecdotes include Ray's memories of his first concert, seeing Chicago Transit Authority, and his best concert experience with ZZ Top, where he enjoyed backstage access and partied with the band. Mike fondly recalls his first concert, a Billy Squire show with Def Leppard as the opener, and his best concert experience, which was a transformative Buddy Guy performance that inspired him to become a musician. The episode concludes with Ray and Mike previewing their plans for upcoming podcast episodes and discussing the Illinois Rock and Roll Museum's ongoing development and various exhibits, including guitars from Buddy Guy, and its status as a non-profit organization reliant on donations and memberships for support.BANDS: 4 Non-Blondes, Alison Krauss, Billy Joel, Billy Squire, Buddy Guy, Cadillac Groove, Def Leppard, Flat Cats, Iron Maiden, Joker, Led Zeppelin, Lynyrd Skynyrd, Mabel's, Mike and the Still Masters, Outlaws, Rage Against A Machine, REO Speedwagon, REM, Robert Plant, Stevie Ray Vaughan, Train, Vulgar Boatmen, Wrought Iron Soul, ZZ Top.VENUES:  Alpine Valley, Chicago Theater, El Macomber, Illinois Rock and Roll Museum, Illinois Rock and Roll Museum on Route 66, International Amphitheater, Mabel's, Ravinia, Rialto Square Theater, Rosemount Horizon, Route 66, Taste of Westmont, The Amphitheater, The Flat Cats, The Forge, The Riviera Theater. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this interview on Seeing Them Live, the guest, Ben Apatow, shares his insights and experiences in the music world. Ben is an accomplished author of the books Metallica, the $24.95 Book, and Body Count, part of the Bloomsbury 33 1/3 series. Ben's writing has been featured in various well-known music publications. He begins by recounting his first concert experience, seeing Bob Dylan and the Grateful Dead at RFK Stadium in 1995, a formative event for him. He also highlights memorable concerts, including two Prince shows at Madison Square Garden, citing Prince as an extraordinary performer. However, he also shares his most disappointing concerts: Bad Brains and a recent Jane's Addiction show, noting specific incidences that led to his disappointment with these performances. The Jane's Addiction show, in particular, was tarnished by Perry Farrell's visible struggle, which affected the overall performance quality and led to tour cancellations shortly after.Transitioning to his literary works, Ben discusses the events around his book Body Count, which covers Body Count's controversial debut album featuring the song Cop Killer. The song elicited backlash from police unions, the Senate, and even the President, leading to its removal from the album after only three months. Ben details the dichotomy of the intense reactions to Cop Killer and the larger issues of censorship and societal fears in the early 1990s.Regarding his book on Metallica, Ben describes its comprehensive coverage, spanning the band's history, individual members, concerts, and broader cultural impact. He also delves into the influence of punk and metal within their music. Ben emphasizes the significance of word-of-mouth and live performances in Metallica's rise to popularity and reflects on how their approach to live shows continues to engage and expand their fan base. He concludes by expressing his enthusiasm for writing these books and outlining potential future projects, including collaborations and new biographies.BANDS: AC/DC, Bob Dylan, Body Count, Fiona Apple, Fishbone, Iron Maiden, Living Color, Metallica, Patti Smith, Prince, Slayer, Suicidal Tendencies, The Grateful Dead, The Kinks, The Ramones, Ultimate Classic Rock, Velvet Underground.VENUES:RFK Stadium, Madison Square Garden, Alpine Valley, Navy Pier, Salt Shed, Lollapalooza. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In the first-ever year-end concert review show for the 'Seeing Them Live' podcast, host Charles and his panel of previous guests, including Eric Green, Jessica Catena, Doug Florzak, Steve Pothel, Summer, and Scott Patrick Wiener, review their concert experiences from 2024. The panel members take turns speaking about their most memorable shows, spanning a wide range of venues, cities, and genres, providing vivid anecdotes along the way.Eric discusses his rich year, including covering bands like Bim Skala Bim, the Dandy Warhols, and Foo Fighters. Summer shares her experiences of attending Lollapalooza and seeing Green Day at Wrigley Field among others. Jessica details her rain-soaked yet impactful experience at the Global Citizen Festival in Central Park and makes plans for 2025. Doug recounts his concert experience joining Charles and previous guest Art Gregg seeing a Led Zeppelin cover band, Led Zeppelin II, at the House of Blues in Chicago. Doug also describes a Soraia concert where Doug and Charles recorded podcast content. Steve recounts emotional concert memories, such as traveling to see Joan Jett and the Psychedelic Furs and plans for upcoming shows.The episode also highlights special 'podcast moments', where Charles meets listeners and potential guests at concerts he attended.BANDS: Afghan Whigs, Alanis Morissette, Benson Boone, Bim Skala Bim, Bridget Calls Me Baby, Cat Power, Doja Cat, Dua Lipa, Eye for an Eye, Foo Fighters, Foster the People, Friko, Green Day, Harry Styles, Infinity Song, Jack White, Jane's Addiction, Jelly Roll, Jesus and Mary Chain, Joan Jett, Kim Deal, Led Zeppelin, Life on the V, Love and Rockets, Matthew Sweet, Metallica, Nothing But Thieves, Pantera, Pearl Jam, Post Malone, Psychedelic Furs, Quicksand, Raul Alejandro, Ringo Starr, Rival Schools, Sleater Kinney, Smashing Pumpkins, St. Vincent, Stevie Nicks, The Breeders, The Cannons, The Church, The Cure, The Dandy Warhols, The Deftones, The Killers, The Pixies, The Smiths, The White Stripes, Thursday, WussyVENUES: Central Park, City Winery, Club Passim, Fenway Park, Gillette Stadium, Grant Park, House of Blues, Leader Bank Pavilion, Liars Club, Lollapalooza, Madison Square Garden, Northerly Island, Paradise Club, Park West, Rock and Roll Hall of Fame, Royale, Salt Shed, Soldier Field, South by Southwest, Staples Center, Summit Music Hall, The Tender Trap, Wilbur Theater PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In the final episode of Season 2, Charles welcomes Jim Turbert, an American communication technologist and podcaster residing in Rotterdam. Jim reflects on his first concert at age 13, where Ringo Starr's performance left a lasting impression, partly thanks to his music-loving uncle who influenced his musical tastes. He recounts various memorable concerts, including a powerful Afghan Wigs show in Boston, where lead singer Greg Dooley's storytelling made the performance unforgettable, even despite later learning Dooley's on-stage declaration of being on acid was untrue.Jim shares his appreciation for technically proficient artists like Mike Watt and Nels Cline, recounting a particularly electrifying performance that displayed exceptional guitar skills. His experiences underscore the importance of venue acoustics and crowd energy, such as how silence and attention at a Sigur Rós concert added to the immersive quality of the show. Conversely, he describes a disappointing Eagles concert during their 'When Hell Freezes Over' tour due to multiple breaks and inflated egos.A standout anecdote involves Jim losing a shoe while crowd-surfing at a Nirvana concert, only to have Kurt Cobain toss it backstage, leaving him to navigate the chilly New England night unshod. Amid these personal stories, Jim also touches on the broader implications of concert experiences, including nostalgic reflections on hitchhiking back from a Sonic Youth concert with friends and the pure joy of witnessing an early White Stripes performance in a frat house setting.In addition to sharing concert stories, Jim speaks about his podcast, 'Feel Free to Deviate,' which delves into people's career paths and their relationships with success. The podcast captures various personal and professional journeys, underscoring Jim's curiosity and communication skills.BANDS: Afghan Wigs, Aerosmith, Beatles, Black Crows, Blackfoot, Breeders, Clarence Clemens, Deep Purple, Dire Straits, Dr. John, The Eagles, Joe Walsh, Led Zeppelin, Living Color, Lounge Acts, Mason Ruffner, Ministry, Minutemen, Nazareth, Nick Cave, Nils Lofgren, Otoboke Beaver, Porno for Pyros, Radiohead, Ringo Starr, Rolling Stones, Sigur Rós, Soundgarden, Stevie Ray Vaughan, Sonic Youth, Ten Years After, the Doors, U2, Walter Trout, White Stripes, Willie Preston.VENUES: T. T. the Bears, Row Town, Lansdowne Street, Lake Compounce, University of Massachusetts, Panarchy, Orpheum, University of Vermont, Berklee Performance Center. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this episode of Seeing Them Live, Charles interviews Shelley Van, an experienced community builder, marketer, and manager of Tru Band Room, a music venue in Decentraland. Shelley discusses her journey from her first concert experience at the B96 Bash to managing over 1,000 performances in the virtual world.Shelley highlights the unique aspects of virtual events, such as creating avatars, virtual merchandise, and NFTs to engage audiences globally. The conversation delves into the challenges and opportunities of Web3 and how it offers new ways for independent artists to monetize their work. Additionally, Shelley shares memorable moments from her virtual concerts, including a special Christmas event featuring Krampus and live interactions with fans from around the world.BANDS: Aerosmith, Ash Orphan, Buffalo, Death Cab for Cutie, Deep Sea Diver, Ed Sheeran, Jessica Dobson, Kid Rock, Kings of Leon, Krampus, Mr. Swee, New Kids on the Block, Pans, Psychedelic Furs, Spottie WiFi, Stoney Eye, Tara Who, The Shins.VENUES: Aragon Ballroom, Credit Union One Amphitheater, Decentraland, Filling Station, Kettle House Amphitheater, Liar's Club, New World Music Theater, Soldier Field, Troubadour, Tru Band Room. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this episode dubbed 'Seeing Them Live After Show Report,' Doug and Charles take listeners to The Liars Club in Chicago, where they record brief conversations with fans and performers at a live music event. The focus is on the band Soraia, first introduced in S02E01 by guest Dawn Fontaine, who shared how their music had a life-saving impact on her. After Dawn's episode, Charles and Doug interviewed ZoZou Mansour from the band in S02E07. The hosts finally meet the band in person at the Liar's Club and conduct an interview with lead singer Zuzu Mansour, who talks about the influence of music on her life and the songwriting process.The podcast captures the dynamic energy of the concert and provides a vivid account of the live event, including attendee experiences, band interviews, and their impressions of the venue. Fans express their admiration for the bands performing that night, and discuss the club's excellent sound quality and inviting atmosphere.BANDS: Ricky Liontones, Soraia, Tara Who?VENUES: The Liar's Club PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this episode of 'Seeing Them Live,' Charles explores the multifaceted career of Ken Reid, a Boston-based comedian, former punk band member, and podcast host. Ken reflects on his diverse experiences, from his early days in the 90s punk band '30 Seconds Over Tokyo' to his extensive comedy career, which includes two comedy albums and a successful podcast 'TV Guidance Counselor.'He humorously shares early concert anecdotes, including winning tickets through radio contests and memorable shows like the Aerosmith concert and a unique collaboration between David Bowie and Nine Inch Nails. The discussion reveals Ken's passion for live performances and his impact on the entertainment industry over two decades, underscoring his transition from music to comedy and podcasting. Prompted by a story Charles shares where Michael Stipe asked Charles for his Batman shirt after an REM show, Ken and Charles do a deep dive into the portrayal of Joker by Cesar Romero in the original Batman series. They explore Romero's unique take on the character, the impact it had on the show's success, and how it influenced perceptions of the Joker in pop culture.The episode also dives into remarkable concert stories, such as The Descendants' comeback tour and intense punk shows at Boston's Rathskeller, portrayed through vivid recollections of chaotic and energetic performances. Additionally, the hosts and Ken discuss the evolving concert culture, contrasting the violent punk shows of the past with today's more positive festival atmosphere. This engaging narrative captures the spirit of live music and the raw energy of punk rock, while showcasing Ken Reid's journey from punk singer to a successful comedian and podcast host with over 700 episodes of 'TV Guidance Counselor.' PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this episode of Seeing Them Live, host Charles welcomes Rudy Childs, an award-winning documentary filmmaker and rock photographer. Rudy shares insights into his career, highlighting his acclaimed documentaries on heavy metal music and his extensive photography work with iconic bands like Van Halen and Aerosmith. The conversation touches on Rudy's early concert experiences, notably his first Aerosmith concert at 15, which set the course for his unique approach to concert photography by sneaking cameras into shows to capture legendary moments.Rudy also discusses the highs and lows of his journey, including curious anecdotes such as impersonating a Kerrang magazine writer for a band interview and his encounter with Sharon Osbourne when she threw him out of Ozzy's dressing room. His passion for rock music is evident in his vivid recollections of concerts and the lengths he went to photograph and videotape these events, despite the challenges posed by his battles with drug use.Beyond photography, Rudy describes his venture into filmmaking, with documentaries like 'The Dogmatics' and 'Tension,' exploring bands that shaped the punk and metal scenes. He details his creative process and the enthusiasm with which he pursued these projects, despite personal setbacks. His work has been celebrated, winning several awards and being featured in numerous publications.Rudy concludes by sharing exciting updates and future plans, including a potential publication of his candid memoir 'Riff Raff and Rock and Roll,' which delves into his personal experiences with addiction and recovery. He also hints at a significant project involving a well-known band, showcasing his ongoing dedication to documenting the world of music.BANDS: Aerosmith, Alice Cooper, Black Sabbath, Blue Oyster Cult, Cheap Trick, Chicago White Sox, David Bowie's band, Tin Machine, Elton John, Flock of Seagulls, Foreigner, J Giles, Judas Priest, Madonna, Megadeth, Men at Work, Metallica, Michael Stanley band, Motley Crue, Nantucket, Ozzie Osbourne, Pink Floyd, Quiet Riot, Rick Derringer, Scorpions, Stray Cats, Ted Nugent, The Kinks, The Outlaws, Thin Lizzy, Tom Petty, Van HalenVENUES: Boston garden, Cape Cod Coliseum, Comiskey park, Four Seasons, Hammerjacks, Merriweather, Nassau Coliseum  PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this special episode of Seeing Them Live: After Show Report, host Charles welcomes back previous guests Eric Green, an award-winning filmmaker and blogger, and Scott Patrick Wiener, an artist and art teacher. Both friends, bonded by their love for Jane's Addiction, recount their experiences at a recent controversial Jane's Addiction concert in Boston where frontman Perry Farrell attacked guitarist Dave Navarro on stage. They reflect on attending the show together, reminiscing on their long friendship, shared history with the band, and involvement in each other's creative projects.Eric and Scott delve into the details of the concert, describing both the high points of the performance and the troubling behavior exhibited by Perry Farrell, who appeared inebriated. They discuss the band's instrumental prowess and some standout moments from the night, juxtaposed with the unraveling tensions among the band members leading up to the on-stage altercation. The friends offer insights into the darker troubled history of Jane's Addiction, emphasizing the volatility that has characterized the band's trajectory.Throughout the episode, the two guests also share their perspectives on the broader context of the band's enduring legacy, the personal significance of Jane's Addiction's music in their lives, and their mutual admiration for bassist Eric Avery's contributions to the band's sound. They recount the immediate aftermath of the event, how the altercation was reported by major media outlets, and their reactions to the incident.The episode concludes with reflections on the meaningful moments of the night despite the dramatic turn of events. Eric and Scott mention their interest in future concert reviews and collaborations, encapsulating their deep bond and mutual passion for live music.BANDS: Bruce Springsteen, Empire Records, Jane's Addiction, Lollapalooza, Lollapalooza, Love and Rockets, Nine Inch Nails, Pearl Jam, Red Hot Chili Peppers, Ringo Starr and His All-Star Band, The Beatles, The Monkees, Van Halen, PrinceVENUES: Aragon Ballroom, Fenway Park, Grant Park, Hammerstein Ballroom, Hanscom Middle School, Harbor Lights, Leader Bank Pavilion PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this episode of Seeing Them Live, host Charles welcomes Scott Patrick Weiner, an artist and lifelong skateboarder who currently teaches art at Hanselton Middle School in Massachusetts. The conversation kicks off with Scott reminiscing about his first concert experience in 1991 at the Walter Brown Arena, where he saw the Red Hot Chili Peppers with opening acts Pearl Jam and Smashing Pumpkins. Scott recounts the electrifying atmosphere and the impact that punk rock had on his life following his discovery of skateboarding in 1988.The episode delves into Scott's diverse music tastes, ranging from hip hop to industrial, and his favorite bands like Sonic Youth and the Dead Kennedys. He shares insightful stories about attending Lollapalooza in 1992 and how Ministry's intense performance left a lasting impression. Scott also talks about the local hardcore scene in Boston during the early 90s, highlighting shows by bands like Chillmark that gave him a sense of community. A particularly touching moment comes when Scott describes taking his daughter to her first concert to see Wussy, a band whose songs he used to sing to her as lullabies. This episode is a nostalgic journey through Scott's vibrant musical history, marked by memorable concerts and the unifying power of music.BANDS: A Tribe Called Quest, Beastie Boys, Beastie Boys, Bob Dylan, Burn, Circle Jerks, Dead Kennedys, Descendants, Dinosaur Jr., Dirty Rotten Imbeciles, Gang Starr, Heroin, Ian Mackaye, Ice Cube, Jane's Addiction, Jello Biafra, King Gizzard and the Lizard Wizard, Kingpin, Lou Barlow, Lush, Megadeth, Metallica, Ministry, Mogwai, Nirvana, Palehead, Pearl Jam, Public Enemy, Red Hot Chili Peppers, REM, Ritchie Havens, Run D.M.C., Said and Done, Sebadoh, Sex Pistols, Sick of It All, Slayer, Smashing Pumpkins, Smiths, Sonic Youth, Suicidal Tendencies, The Alcoholics, The Cure, The Goats, The Pharcyde, The Smiths, The Who, Tribe, U2, Wrecking CrewVENUES: 930 Club, Aragon Ballroom, First Baptist Church, Great Woods, Lollapalooza, Middle East, Smith College, The Rathskeller, Walter Brown Arena, Woods Hole PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this episode of Seeing Them Live, hosts Charles and Doug welcome Jim, known as the Podcast Sherpa and host of Too Many Podcasts, a podcast dedicated to exploring other podcasts. Jim shares his unique experiences attending various concerts, beginning with his first concert in 1980, where he saw The Police at Madison Square Garden during their Zenyatta Mondatta tour. He reminisces about the electrifying atmosphere and how the concert left a lasting impression on him as a high school student.The discussion also touches on other memorable shows, including Tina Turner's powerful performance as the opening act for Lionel Richie in 1984, where her high-energy stage presence captivated the audience. Jim also recalls seeing Elton John at Madison Square Garden during the Leather Jackets tour in 1986 and dispels a rumor about the singer allegedly assaulting a fan. He goes on to describe the experience of attending Billy Joel's record-setting 12 Gardens residency at Madison Square Garden, which also happened to be his wife's first concert, highlighting the shared joy of live music.The conversation takes a humorous turn as Jim recounts some lighter concert memories, including a prank involving "pre-concert mooing" at a Joan Jett concert in 1983 and a surprising encounter at a Samantha Fox show in 1989. Charles and Doug also share their own concert anecdotes, with Doug emphasizing the consistent quality of Billy Joel's performances and Charles recalling a chaotic food fight during a Joan Jett set at a Police concert. The episode is filled with entertaining stories and insights, reflecting the hosts' and guest's deep appreciation for live music and the unforgettable moments that concerts create.BANDS: Bare Naked Ladies, Billy Joel, Clint Black, Coolio, Elton John, Joan Jett, Lionel Richie, Prince, Samantha Fox, Sheila E, The Police, Tina Turner, Wynonna Judd.VENUES:  Jones Beach, Madison Square Garden, Manchester Apollo, Orpheum Capitol Theater, The Marquee Club.  PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this episode of Seeing Them Live, Charles welcomes award-winning writer, director, and producer Eric Green. They dive into Eric's concert experiences, starting with his first concert at age 12 when he saw Debbie Gibson thanks to his mom. Eric reflects on other notable concerts, including several Lollapalooza festivals in the 90s, and iconic shows by Green Day, Aerosmith, and Ringo Starr. The discussion also covers his most surprising and disappointing concert moments. Eric talks about his background in filmmaking, highlighting his documentary 'Life on the V,' which explores the story of the short-lived Boston music video TV station V66. He delves into the significance of V66 in promoting local music and its addition to the Rock and Roll Hall of Fame's library and archives. The episode concludes with Eric sharing insights about his pop culture blog, Greens Party, where he reviews concerts and features interviews with musicians.BANDS: ACDC, Aerosmith, Beck, Ben Folds Five, Black Crows, Body Count, Brian Johnson, Butthole Surfers, Claypool Lennon Delirium, Cypress Hill, Debbie Gibson, Del Fuegos, Dinosaur Jr., Eagles, Eddie Van Halen, Elastica, Extreme, Foo Fighters, Garbage, George Harrison, Ghost of the Sabretooth Tiger, Green Day, Hole, Horde, Ice T, Jake Giles band, Jane's Addiction, John Bonham, John Lennon, Kiss, Letters to Cleo, Lilith Fair, Living Color, Lollapalooza, Metallica, Mighty Mighty Bosstones, Moby, Nine Inch Nails, Paul McCartney, Pavement, Pearl Jam, Primus, Ramones, Rancid, Ringo Starr, Rolling Stones, Rollins Band, Ruby, Screaming Trees, Sonic Youth, Sound Garden, The Beatles, The Cars, The Clash, Vans Warped, Yoko OnoVENUES: Avalon, Boston Calling, Box Center, Citi Field, Fenway Park, Hat Shell, House of Blues, Madison Square Garden, Mansfield, Massachusetts, Orpheum Theater, Paradise, Wilbur Theater, Worcester Centrum PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this episode of Seeing Them Live, host Charles welcomes Amy Hill, a nurse and avid music fan, to discuss her rich history of attending live concerts. Amy shares the story of how she first met Charles at a bar before a Jonathan Van Ness show and discusses her lifelong passion for music. She reminisces about her first concert experience seeing Poison, a love for music that she surmises began even before her birth, and her diverse musical tastes ranging from Goth industrial to Luke Bryan.Amy talks in depth about her unique experiences on Gothic music cruises, her encounters with bands like Combichrist and Empathy Test, and the close-knit community that forms on these trips. She also describes taking her mom to concerts, including a memorable 30 Seconds to Mars show in Lake Tahoe. Throughout, Amy emphasizes the unifying power of music, sharing personal stories that underline the joy and connections sparked by live performances.BANDS: 30 Seconds to Mars, Aesthetic Perfection, Amy Hill, Anthrax, Bauhaus, Beyonce, Combichrist, Empathy Test, Freddie Mercury, God Module, Gothsicles, Jane's Addiction, Jonathan Van Ness, Luke Bryan, Ministry, Motley Crue, Nine Inch Nails, Pantera, Pearl Jam, Poison, Project Pitchfork, Queen, Sisters of Mercy, Skid Row, Skinny Puppy, Social Distortion, Steven Perkins, System Synning, Taylor Swift.VENUES:  Alpine Valley, Bottom Lounge, Carnival (cruise line), Four Seasons Hotel, Lollapalooza, Mira Luna, MSC (cruise line), Norwegian (cruise line), Royal Caribbean (cruise line), Soldier Field, Vic Theater. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this episode of Seeing Them Live, Charles and Doug welcome Stephen Pitalo, a music video historian and creator of the Music Video Time Machine. The discussion explores the golden age of music videos from the 80s and 90s, touching on Stephen's website, magazine, and blog that highlight iconic music videos and upcoming events. They reminisce about Stephen's first concert experience with Ratt and Bon Jovi in 1985, his fascinating encounters with musicians, and the influential music video directors he has interviewed for his upcoming book. The conversation also delves into memorable concerts attended by Stephen, from an unforgettable Joey Ramone show to a spectacular Prince performance, while also addressing the surprising disappointment of Billy Bob Thornton's Boxmasters. The episode offers a compelling look into the historical and cultural significance of music videos and live music experiences.BANDS: Alice In Chains, Bad Manners, Big Country, Billy Bob Thornton, Blondie, Bon Jovi, Cheap Trick, Crazy Town, Criss Cross, Dixie Chicks, Duran Duran, EMF, Fontaines D.C., Foo Fighters, Garbage, Guns and Roses, Guns N Roses, Henry Rollins, INXS, Joan Jett and the Blackhearts, Joey Ramone, L7, Lap Daddy, Madness, Marshmello, Morris Day and the Time, Motley Crue, Primus, Queen, Ratt, REM, Rick Springfield, Rod Stewart, Ronnie Spector, Soraia, Spin Doctors, Taylor Swift, Tears for Fears, The Boxmasters, The Dictators, The Independence, The Knuckle Sandwiches, The Meters, The Pristines, The Ramones, The Runaways, Twisted Sister, U2, Whitesnake, Whitney Houston, ZZ Top.VENUES: Bowery Ballroom, Brownies, Continental Club, CBGB, Coast Coliseum, Coney Island High, Continental Club, Continental Club, Gulf Coast Coliseum, Hank's, Mississippi Gulf Coast Coliseum, Pussycat Lounge, Starplex Amphitheater, Starplex Amphitheater, Tramps, Westbeth Theater, Westbeth Theater.  PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this episode, Charles welcomes Paul Peterson, a retired technology manager and lifetime audiophile who created, hosts, and produces the podcast "An Avid Listener" available on Spotify. Paul shares his experiences attending concerts since 1969, starting with his first concert seeing The Doors at the Auditorium Theater in Chicago. He reminisces about the vibrant music scene of the late '60s and early '70s, recounting memorable performances by legendary bands like The Beatles, The Doors, and Paul McCartney and Wings. Paul vividly describes the concert atmospheres, such as the excellent acoustics of the Auditorium Theater, and the more challenging sound environments of larger venues.Charles and Paul discuss various concert experiences, including Paul's attempt to attend Woodstock and the Kickapoo Creek Rock Concert, which ended in unexpected adventures and challenges. Paul humorously recalls falling asleep at a Deep Purple concert and shares an anecdote about receiving a cigarette pack from Paul McCartney at a Wings concert. They also delve into Paul's memorable experience at Pink Floyd's Dark Side of the Moon tour, highlighting the unique and powerful visual and auditory effects of the show.Charles and Paul exchange stories of their favorite concerts, mentioning notable performances by artists such as Pink Floyd, REM, Jane's Addiction, and The Lumineers. They reflect on the evolution of live concert experiences, noting improvements in acoustics and stage production over the years. Paul talks about his podcast, "An Avid Listener," where he connects musical dots by exploring the interconnected histories of albums and artists, providing listeners with fascinating insights and lesser-known backstories. The episode wraps up with a discussion on the value of sharing music and concert experiences, emphasizing the enduring joy and connection music brings to fans and audiophiles alike. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this episode of Seeing Them Live, host Charles Zona introduces a new segment called Ticket Stub Stories, inspired by his memoir, Ticket Stub Stories: A Memoir of Live Music. Charles recounts a vivid memory from a U2 concert he attended in 1985 at the UIC Pavilion, where Bono lost his voice mid-performance. He delves into the background of the concert, detailing the unique perks for UIC students and sharing his personal experiences leading up to the show. Charles also highlights the editorial process that unearthed a bootleg recording of the concert, offering a fresh perspective on his memories. By featuring these segments, he hopes to encourage listeners to share their own concert stories. For those interested in becoming a guest on the show, Charles provides an open invitation and details for participation. The episode invites listeners to reminisce about live music and the powerful memories that concerts create.Link to audio recording mentioned in this episode (U2 - Live In Chicago - March 22nd, 1985): https://www.youtube.com/watch?v=fJAcaN2SMBIVENUES MENTIONED: UIC Pavilion (Chicago)BANDS MENTIONED: U2 PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this engaging episode of Seeing Them Live, hosts Charles and Doug welcome ZouZou Mansour. Along with drummer Brianna Sig and bassist Travis Smith (both musical and visual artists in their own right), ZouZou is the dynamic lead singer and lyricist of Philadelphia's rock band Soraia. Among other artists, ZouZou has co-written songs with Steven Van Zandt and Jon Bon Jovi.Join Charles and Doug as we explore these and other topics with ZouZou:- What was ZouZou's first concert?- What artist influenced ZouZou to change the course of her career?- What happened when she and her band met Alice Cooper backstage at a Bruce Springsteen concert?- What is it like to work with Steven Van Zandt?- What is Soraia's methodology for naming their albums?- What influenced the naming of their “Bloom” album?- Why is ZouZou attracted to the horror genre?- Why does Soraia like to record cover songs?- What is the Soraia “Vault”?- Why does ZouZou love hot dogs?The discussion charts ZouZou's musical journey, beginning with her early concert experiences seeing Hall and Oates to a transformative Iggy Pop performance that reshaped her artistic approach. We delve into Soraia's unique blend of 90s influences and 60s garage rock, their evolution over three impactful albums produced under Little Steven Van Zandt's Wicked Cool Records, and the band's dedicated fan base. ZouZou shares insights into her songwriting process, the raw, uninhibited spirit of rock and roll, and her penchant for horror-themed music videos. Fans can also look forward to Soraia's re-release of 'Shed the Skin' on vinyl and upcoming shows. The light-hearted conversation wraps up with a fun note on ZouZou's love of hot dogs, and where fans can find Soraia's music and merchandise online.BANDS MENTIONED: Alice Cooper, Bee Gees, Billy Falcon, Brianna Sig, Bruce Springsteen, Clarence Clemons, Concrete Blonde, Daryl Hall, E Street Band, Elvis Presley, Hall and Oates, Iggy Pop, Joan Jett, Jon Bon Jovi, Nirvana, P. J. Harvey, The Pretenders, Prince, Soraia, Steven Van Zandt, Stooges, The Kills, Travis Smith, Tropical Fuckstorm, ZouZou Mansoor.VENUES MENTIONED: CBGB (New York), Le Poisson Rouge (New York), Liar's Club (Chicago), Spectrum (Philadelphia) PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this episode of Seeing Them Live, Charles and Doug welcome members of the eclectic New York City band Mad Meg: Ilya Popenko, Dan Vexler, Jason Laney, and Igor Reznik. The conversation starts with an introduction to Mad Meg's unique sound, characterized by a blend of various music genres and fronted by Ilya's distinct vocals. The band members recount their formation story within the Russian-speaking community of New York City, with Jason humorously describing his determined efforts to join the band despite not speaking Russian. The discussion then shifts to the band's concert experiences, highlighting an unusual and memorable performance at a women's correctional facility in Lithuania. Charles praises the energy of the live recording from this concert, drawing a comparison to Johnny Cash's iconic Folsom Prison performance. The band members reflect on the spontaneous nature of the prison show, which was organized in just a few days due to a canceled gig, and the exceptional audio quality captured by their sound engineer, Augustine.The episode also delves into the band's live performance history in New York City, specifically their residency at New Blue 151, where they have built a strong local following. They talk about their 2022 album, Who Deserves Balloons and Medals, which was notable for having videos accompanying many of the songs. Ilya shares insights into the creative process behind these videos, emphasizing the importance of maintaining artistic control and integrating visual elements to expand the dimensions of their music.The band's creative versatility extends beyond their music to filmmaking. Ilya, a skilled filmmaker, directed several of Mad Meg's music videos and completed a feature-length documentary about Jeffrey Lewis and the antifolk scene in New York. This film, which premiered at SlamDance Film Festival and was nominated for Best Documentary, showcases Ilya's multifaceted talents and the band's commitment to creative storytelling across different mediums.Throughout the episode, the members of Mad Meg share anecdotes and behind-the-scenes stories, offering listeners a deep dive into their artistic journey and the dynamic synergy that fuels their innovative work. This conversation not only highlights the band's musical achievements but also their ability to merge music with compelling visual narratives, making for an engaging and multifaceted artistic experience.BANDS MENTIONED: Adrian Baloo, Blonde Redhead, Frank Zappa, Genesis, Iron Maiden, Johnny Cash, King Crimson, Kino, Lounge Lizards, Mad Meg, Nine Inch Nails, Rolling Stones, Social Distortion, The BearsVENUES MENTIONED: 930 Club (Washington, D.C.), Gramercy Theatre (New York City), Happy Ending (Lower East Side, New York City), New Blue 151 (New York City), Penevėžys Women's Correctional Facility (Lithuania) PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this episode of Seeing Them Live, eight-year-old Emma and her father Barry delve into their concert escapades, sharing their experiences as a father-daughter photography duo. Barry's profession as a professional concert photographer provided Emma with opportunities to experience various concerts from a different angle. Barry started his career as a freelance photographer in 1997 for JAM TV, which quickly became a partnership for the Rolling Stone Network. This was where he eventually became the first photo editor for Rollingstone.com, working there through 2001. His freelance photography work also includes wire services for Getty Images and the Associated Press. He also contributes to live music publications as well as other areas of interest, including portraits, food, restaurants, and special events.Emma's adventure begins with a memorable experience at City Winery in Chicago on Father's Day, 2021. Emma brought her Polaroid camera along, capturing special moments and collecting souvenirs. At the concert, Emma received an autographed photo from the singer Tiffany, marking the start of her souvenir collection. Later, Barry surprised Emma with tickets to see Mike Campbell and the Dirty Knobs at Park West, where they enjoyed a front-row experience and received guitar picks as additional mementos.The excitement continued as Emma attended an Olivia Rodrigo concert at the Aragon Ballroom, discovering the artist through a video game. Barry's surprise tickets to the concert delighted Emma, who received memorable souvenirs, including a guitar pick and flowers left on stage. Emma also attended her first Duran Duran concert at the United Center in Chicago, although she couldn't enter the pit due to technical constraints. Despite this, Emma enjoyed the show with Barry and their writer, adding a unique perspective to Barry's concert photography work.Emma's presence during concerts added depth to Barry's work, capturing moments that might have been missed otherwise. Their adventures culminated in Emma's attendance at Lollapalooza, where she met band members backstage. Emma and Barry discuss other live music experiences, including Guns N' Roses at Wrigley Field and Al Jardine's performance at the Schaumburg September Fest. Emma shares her excitement about receiving a guitar pick from Duff McKagan at the Guns N' Roses concert after catching his attention with the rock and roll sign.Transitioning to Al Jardine's performance, Barry highlights their special connection with the artist and their collaboration on photography. Emma, using a Canon digital single lens reflex camera, captured memorable shots of Al Jardine and his band, learning the importance of composition and technique. Barry emphasizes the significance of focusing on key band members and anticipating moments to capture compelling shots.Their conversation also touches on Emma's evolving photography skills, from using a point-and-shoot Polaroid to a professional-grade camera, guided by her father's expertise. They discuss Emma's approach to concert photography, including her focus on the band and strategies for capturing dynamic moments. Additionally, they share insights into concert souvenirs, including t-shirts and vinyl records, and reflect on the unique experiences of attending concerts and red-carpet events together.Overall, the episode showcases Emma and Barry's passion for live music and photography, their shared experiences, and the joy of creating lasting memories together. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Charles welcomes Rick Onstop who hosts the Rock Talk Studio podcast. Rick is a seasoned veteran of the music industry with a rich history in music distribution, blogging, and podcasting. Rick shares his journey from working in a record store in Hollywood, experiencing in-store appearances by big names like Bruce Springsteen, Alice Cooper, Patrick Swayze and Itzhak Perlman, to attending iconic concerts, including an unforgettable KISS concert at the young age of 14. Rick's deep-rooted connections within the music scene unfold as he describes his personal encounters with music legends and one near encounter with Bob Dylan.Among the live music experiences Rick delves into, he recounts the electric atmosphere of U2 concerts that deeply moved him, leaving a lasting impression. Rick's narrative brings to life the profound impact these live performances had on him. Additionally, Rick reflects on his near encounter with Bob Dylan, sharing a candid story that nearly brought him face-to-face with the music legend in an intimate backstage moment, further illustrating the unpredictability and excitement inherent to the music industry.The conversation shifts to Rick's podcast, "Rock Talk Studio," where he shares his passion for rock music through book and documentary reviews. Rick explains his unique rating system to help listeners gauge the depth of content suitable for casual fans versus enthusiasts, underscoring his commitment to providing insightful and honest reviews. Through discussions on various topics, from music books to documentaries, Rick and Charles illustrate the vast landscapes of rock music culture and its enduring legacy, highlighting the storytelling aspect of Rick's work that captivates and educates his audience.BANDS:Alice Cooper, The Band, Billy Idol, Blind Melon, Bruce Springsteen, Dylan, Fleetwood Mac, Geddy Lee, Guns N Roses, Harry Styles, J Giles Band, James Brown, Kiss, Lindsey Buckingham, Little Richard, Prince, Stevie Wonder, Suicidal Tendencies, The Allman Brothers, The Immediate Family, The Violent Femmes, Tina Turner, Tommy Lee, U2, Yes, ZZ Top.VENUES:Aragon Ballroom, Athenium Center, Belly Up, Bushnell Theater, Chicago Theater, Greek Theater, LA Sports Arena, Solider Field, Springfield Civic Center, UIC Pavilion. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this episode of Seeing Them Live, Charles welcomes accountant and live music enthusiast Steve Pothel, a prominent figure from Charles' book, "Ticket Stub Stories: A Memoir of Live Music." Joining them is co-host and producer Doug Florzak. Steve reminisces about his early concert experiences, correcting his memory about his first concert, which turned out to be The Cure's "Wish" tour followed by Lollapalooza ‘92 before U2's Zoo TV show. They discuss iconic venues like The World (now known by various names) and Alpine Valley, sharing stories from their concert adventures. Steve recalls a memorable moment during an Ice Cube performance at Lollapalooza involving a sod fight instigated by the rapper, creating an unforgettable atmosphere.The conversation shifts to their DJing days at a bar called the Tender Trap, where Steve and Charles spun records for an alternative night. They reminisce about attending concerts together, including a memorable encounter with L7 at Lounge Axe, arranged through Louie, who happened to be related to the drummer. Steve also recounts their experiences at House of Blues shows, including a chaotic Danzig concert where the crowd was rowdy, and a Monster Magnet show where Louie's connection secured them access to the Foundation Room.They delve into their shared love for bands like The Psychedelic Furs and their numerous concert outings together, highlighting the influence of music on their lives and relationships. Reflecting on their concert experiences, they share anecdotes of meeting band members and navigating the vibrant Chicago music scene. Throughout the episode, Steve and Charles' passion for live music shines through, offering listeners a glimpse into their memorable concert journeys.Steve also reminisces about a memorable encounter at the Foundation Room, where he found himself chatting with members of Stabbing Westward and Monster Magnet. The lively atmosphere of the venue, complete with private rooms for bands and a third-floor balcony offering prime seating, sets the stage for unexpected interactions. Steve recounts how Monster Magnet's Phil reached out to invite Lisa, his girlfriend, to their show, ultimately sending a limo to pick her up from a wedding reception. Reflecting on past concerts, Steve shares his disappointing experiences at shows by System of a Down and The Killers, citing crowd behavior and sound quality as factors. Charles joins the conversation, recalling their shared love for live music and their experiences attending concerts together, including memorable shows by the Psychedelic Furs. The discussion turns somber as they remember Mars Williams, the saxophonist for the Psychedelic Furs, who passed away after battling cancer. Despite the loss, they cherish the memories of his electrifying performances.BANDS:Adele, Alanis Morissette, Cypress Hill, Harry Styles, House of Pain, Ice Cube, Imagine Dragons, Jesus and Mary Chain, Joan Jett, Journey, Korn, L7, Led Zeppelin II, Liquid Soul, Lush, Metric, Ministry, Monster Magnet, Monster Magnet, Pearl Jam, Porno for Pyros, Psychedelic Furs, Rage Against the Machine, Red Hot Chili Peppers, REM, Smashing Pumpkins, Soundgarden, Stabbing Westward, Stabbing Westward, Stone Temple Pilots, System of a Down, Temple of the Dog, The Cult, The Cult, The Cure, The Cure, The Killers, The Psychedelic Furs, Two Ton Boa, U2, Wetleg.VENUES:Alpine Valley (East Troy, Wisconsin), Aragon Ballroom (Chicago, Illinois), Chastain Park (Atlanta, Georgia), House of Blues (Chicago, Illinois), Lounge Axe (Chicago, Illinois), The Congress (Chicago, Illinois), The Metro (Chicago, Illinois), The World Music Theatre (Tinley Park, Illinois). PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this episode of "Seeing Them Live," host Charles introduces Jessica Catena, creator of the Music Notes with Jess podcast, a weekly show focused on the latest trends in the music industry. With over 200 episodes covering diverse topics and genres, Jessica shares her unique perspectives on live music, drawing from her experiences attending numerous concerts and her passion for singing at church. Charles highlights an episode where Jessica discusses her first concert experience, featuring George Michael at Madison Square Garden in 2008, emphasizing her deep admiration for the artist and the emotional connection she felt during the performance.The conversation delves into Jessica's attendance at various concerts, including her experience at the KFest concert sponsored by radio station K104, where she enjoyed performances from a lineup of diverse artists. They also explore her memorable encounters at concerts, such as making eye contact with George Michael during a performance and discovering future soul band Mad Satta through a local concert series.Charles then transitions to discussing surprising concert experiences, including a Lady Gaga concert at City Field, where unexpected rain made for a memorable and wet performance. Jessica also shares her experience attending the Global Citizen's concert, an event aimed at raising awareness of global issues through music, where she witnessed performances by a range of artists for free in Central Park.As the conversation progresses, Charles and Jessica touch upon regretful missed opportunities, with Jessica expressing her desire to have attended a concert featuring the cast of the TV series Nashville. Finally, they discuss the origin of Jessica's podcast, Music Notes with Jess, which she started after being inspired by friends creating their own podcasts and her passion for sharing her insights and opinions on music. Charles also brings up a humorous anecdote regarding the interpretation of lyrics from an Iggy Pop song.Overall, the episode provides listeners with a glimpse into Jessica's diverse concert experiences and her journey in the world of podcasting, showcasing her enthusiasm for music and storytelling.ARTISTS MENTIONED: Aaron Fresh, Adam Lambert, Alicia Keys, Ayaz, B.O.B., Ben Platt, Carole King, Cherise, David Gray, French Montana, George Michael, H.E.R., Iggy Pop., John Baptiste, Kat DeLuna, Lady Gaga, Ludacris, NCT 127, OneRepublic, Orianthi, Pharrell Williams, Queen, Richie Sambora (from Bon Jovi), Taylor Hawkins (from Foo Fighters), Train, Tyle Cruz, Usher.VENUES MENTIONED: Beacon Theatre, Citifield, Central Park, Dutchess Stadium, Madison Square Garden, Radio City Music Hall. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Dawn Fontaine shares her journey of finding healing and happiness through live music. She recounts attending her first concert at 16, seeing The Offspring, which left a lasting impact on her. Dawn explains how she started attending live shows every weekend, meeting new people, and maintaining a spreadsheet to track the bands and venues she visited. She also recounts meeting legendary musician Stephen Van Zandt at a concert and her collection of drumsticks from the bands she's seen.However, it was Soraia's performance in 2022 that truly changed Dawn's life. Following a dark period after the loss of her partner, Dawn reluctantly attended the concert, only to find solace and renewal in the music. Soraia's electrifying performance provided a sense of healing and hope, inspiring Dawn to reconnect with her passion for live music and embark on a journey of self-discovery and healing. Her story emphasizes the therapeutic and life-changing power of live music.PLEASE NOTE: This episode includes a frank discussion about depression and suicide. Listener discretion is advised. If you or someone you know is struggling or in crisis, help is available. Call or text 988 to reach the Suicide & Crisis Lifeline or chat 988lifeline.org.BANDS MENTIONED:Billy Idol, Bon Jovi, Cry Havoc, Dave Strong (referenced as a punk rocker from Portland, Maine), Green Day, Guns N' Roses, Hall and Oates, Jared Knapik, Joan Jett and the Blackhearts, Killer Queen (a Queen cover band), Kiss, Kurt Baker Band, Mitch Kramer, Nirvana, Peasant, Quiet Riot, Ryan Hamilton, Sheryl Crow, Soraia, Stephen Van Zandt, The Kurt Baker Band, The Last Survivors, The Offspring, The Pretenders, The Resistors, The Rolling Stones, The Sex Pistols, The Who, The WorstVENUES MENTIONED:Berlin Under A - A venue in New York City, where Soraia performed in November, attended by the speaker, where she also met Stephen Van Zandt.Cafe Nine - Located in New Haven, Connecticut, where Craig Sala's band, The Worst, performed along with a band called The Resistors and another called Mitch Kramer.Darryl's House - located in Pauling, New York, where Soraia performed in 2022.Dingbats - A small bar/venue in Clifton, New Jersey, where Soraia performed one of their shows.Liars Club - A venue in Chicago, Illinois.Mohegan Sun Arena - where Dawn saw Joan Jett open for The Who in Uncasville, Connecticut, in 2015.Orpheum Theater - where Dawn saw Billy Idol in Boston in 2015.Palace Theater - where Dawn saw Soraia perform in Albany, New York, after the pandemic in 2022.The Paramount Theater - Located on Long Island, New York, where Soraia performed, opening for a Queen cover band called Killer Queen.Worcester Auditorium - Dawn's first concert, where she saw The Offspring in 1995.Worcester Centrum Center (now called the DCU Center) - where Dawn saw Kiss in 1996. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

For the last episode of season one, Charles interviews Pauline, an educational leader, and professional learning designer. The narrative unfolds as Pauline recounts her 12-year-old-self attending a Dave Matthews Band concert in 1994, courtesy of tickets acquired through a connection to the tour manager. The excitement of the concert is heightened when, unexpectedly, they discover backstage passes in the envelope with their tickets. Pauline vividly describes the surreal experience of meeting Dave Matthews backstage, emphasizing his kindness and the impact it had on her as a young fan.The conversation then shifts to Pauline's journey through her music preferences, from the rock scene of middle school to the boy band era in high school, featuring her appreciation for BBMak. The podcast highlights Pauline's recent experience attending a BBMak concert in 2023, where she joyfully embraced the nostalgia of cheesy boy band music surrounded by fans of the same era. The show turns toward Pauline's role as a concert mom when she talks about taking her family to see Ed Sheeran. The discussion touches on concert logistics, including the importance of selecting suitable seating for younger attendees and the significance of acquiring concert shirts as mementos. Pauline shares her son's enthusiasm for Ed Sheeran, recounting the family's exciting experience at the concert, breaking attendance records and creating lasting memories. Charles concludes the episode by discussing future concert plans and how the podcast has reignited his and Pauline's passion for live music. The episode leaves listeners with a sense of the diverse and enriching experiences that concerts offer, whether as a fan meeting a childhood idol or as a parent creating cherished memories with family.BANDS MENTIONED: Dave Matthews Band, Dave Matthews, BBMak, Ed Sheeran, Bush, Silverchair, Harry Styles, Led Zeppelin, Jimmy Page (referenced indirectly in the episode), Backstreet Boys (mentioned in the context of boy bands), *NSYNC (mentioned in the context of boy bands), New Kids on the Block (mentioned in the context of boy bands).VENUES MENTIONED: Amphitheater, Aragon Ballroom, Soldier Field, House of Blues. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this episode of "Seeing Them Live," Charles welcomes guest Andy to share memorable concert stories. Andy discusses his extensive collection of concert ticket stubs, mentioning that he has about 350 concert stubs and over 125 stubs from other events. The conversation takes a nostalgic turn as they reminisce about concerts they attended together since seventh grade.Charles asks Andy about his first concert, and Andy's unique response involves distinguishing between tickets with stubs and those without. He reflects on his early concert experiences, particularly at Chicago Fest, where he saw acts like the Greg Kihn Band and the Joe Perry Project. The discussion delves into the significance of ticket stubs as memory triggers, providing insight into the concerts and events they attended.The conversation also touches on the value of concert tickets as collectibles. Andy shares that some of his Grateful Dead tickets from the 1980s are now worth more as collectibles than the original ticket prices. The mention of different venues and festivals like Chicago Fest sparks memories of specific shows and experiences, including encounters with iconic musicians like Muddy Waters.The conversation transitions to discussing the unique aspects of certain concerts, such as the legendary "wall of sound" designed by Owsley Bear Stanley for the Grateful Dead. Andy explains that, while he didn't witness the wall of sound, it was a significant part of the band's history. The discussion also covers social protocols at concerts, including designated areas for different groups of fans, such as the "deaf zone" for those going deaf and the presence of spinners (dancers).As the episode progresses, the hosts explore Andy's decision to swear off heavy metal concerts and share anecdotes from specific shows, both positive and challenging. The episode concludes with a brief mention of the Ticket Stub Museum, a concept introduced by the hosts, and the idea of incorporating personal stories or notations for each ticket in the museum. They express enthusiasm for the tangible and sentimental value of physical ticket stubs in contrast to digital ticketing.Bands Mentioned: Almond Brothers, Bob Dylan, Bob Weir, Grateful Dead, Greg Kihn Band, Iggy Pop, Jane's Addiction, Jason and the Scorchers, Jerry Garcia Band, Jethro Tull, Joe Perry Project, King Gizzard and the Lizard Wizard, Neil Young, Phil Lesh, Ramones, REM, Santana, Slayer, Stevie Ray Vaughan, The Moody Blues, Vulgar Boatmen.Venues Mentioned: Alpine Valley (mentioned in connection with Iron Maiden), Champaign (general reference), Chicago Fest, Chicago Theater, International Amphitheater (mentioned in connection with Iron Maiden and Judas Priest), Las Vegas (mentioned in connection with Bobby Weir), Mabel's (venue in Champaign, mentioned in connection with Otis and the Elevators), Salt Shed (King Gizzard and the Lizard Wizard concert), Soldier Field (mentioned in connection with Chicago Fest with Stevie Ray Vaughan), UIC Pavilion. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Roger Mairlot, a retired car mechanic in his 70s, takes center stage in this episode of Seeing Them Live. Renowned for his passionate dedication to live music, Roger's story has attracted the attention of media giants like Vice News, The Guardian, and CBC Radio Canada. With an astonishing personal record of attending over 725 consecutive gigs and accomplishing the feat of attending six gigs in one night at different venues across London, Roger has become an icon in the city's live music scene. His distinctive ornate military jacket, adorned with badges, has earned him the affectionate name "The Gig Slut" from Debbie Smith of the band Blindness.Reflecting on his early music experiences, Roger shares memories of a Joan Baez concert in the 1960s, marking the beginning of his journey through London's rich music scene. The cultural and social aspects of live performances are explored, emphasizing the intimate connection between the audience and the artists. Roger's passion for live music goes beyond attendance; he meticulously documents gig timings and schedules in "The Book of Bands," showcasing his dedication to discovering new bands and genres.The conversation delves into Roger's connection to the Mod Culture, influenced by bands like The Who and The Kinks, and explores his experiences in London's music scene during the 1970s. Notable bands from that era, including Canned Heat and Queen, are mentioned, while Roger reflects on the changing music landscape in the '70s.Roger's transition to retirement in the early 2000s allowed for greater flexibility in attending gigs, leading to a revival of his interest in live music. Charles and Roger discuss the impact of Mod Culture, Roger's favorite band, The Kinks, and his experiences seeing iconic artists like Jimi Hendrix. Roger's signature look, the guard's jacket, is born out of his paper rounds, which he took on to finance his gigging passion during his early waking hours.The episode delves into Roger's mad gigging phase, discussing his gigging routine, how he justified spending money on gigs through his paper round earnings, and the development of detailed schedules for nightly gig adventures. The conversation also touches on Roger's extensive guard's jacket collection and the experiences he had wearing them.In 2014, Roger pushed the limits by attending six gigs in one night, facing challenges in managing multiple venues and early start times. The episode explores Roger's criteria for choosing gigs, post-pandemic changes in the gig scene, and the decline in fan attendance. Despite the challenges, Roger emphasizes the importance of enjoying a gig and shares his diverse taste in music, spanning genres from jazz to chamber rock.BANDS: Adam Ant, Blindness, Blue Crime, Canned Heat, Color TV, Cream, Fleetwood Mac, Jimmy Hendrix, Joan Baez, Ogunquit, The Breeders, The Kinks, The Libertines, The Palpitations, The WhoVENUES: 100 Club, Camden (general reference to the area), Pure Groove, Rough Trade, Royal Festival Hall, Sculpture of St. James, The Clarendon Hotel, The Dublin Castle, The George Robey, The Hammersmith Odeon, The Hope and Anchor, The Kings Head, The Kursal, The Lock Tavern, The Marquee Club, The Monarch, The Old Blue Last, The Purple Turtle, The Roundhouse.More information including photos and links available at https://www.SeeingThemLive.com. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Doug describes his experience at a Queen concert in Chicago where fans began pelting Freddie and the band with eggs. He talks about the time he convinced his reluctant wife to see a Smithereens concert outdoors, only to be drenched in a sudden downpour.  He expresses his passion for collecting concert ticket stubs and discusses the sentimental value they hold, providing glimpses into the past. Doug also describes his most prized possession, a Heart concert T-shirt that he got when he saw the band at the Auditorium Theater in 1976. He discusses the intimate setting and acoustics of the venue, highlighting the unique experience of watching a band in a space designed for music.Throughout the interview, Doug provides insights into the perspective of a live music fan who is also a musician, explaining how he pays attention to instrument details, gear, and performance nuances. He also provides an amusing glimpse into the pressure musicians feel when the tables are turned and fellow musicians are in the audience, and how sometimes, mistakes go unnoticed.To see bonus materials for this and other episodes, including transcripts, photos, articles, and other show artifacts, visit https://www.seeingthemlive.net or https://www.seeingthemlive.com. While you are there, check out our blog articles, links to historical resources for live music events, and out ticket stub museum where you can see images of fan ticket stubs. If you believe you have an exciting concert story to tell, go to our website and click on the "Become a Guest" link and fill out the form. As we like to say, "Everyone has a concert story. Let's hear yours". If you have not already, please subscribe to this podcast. Thank you for hearing our stories. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Summer recalls the first time she saw Alanis Morrissette; it was September 1, 1996 and Taylor Hawkins was on the drums. She would see Taylor Hawkins one last time with the Foo Fighters at Chicago's Wrigley Field, but this time as a Concert Mom. She also describes a close encounter with Tyler Joseph and the unusual way in which Till Lindeman and Rammstein got attention on stage.BANDS MENTIONED: 21 Pilots, Alanis Morrissette, Alice in Chains, David Grohl, Foo Fighters, Gwen Stefani, Local H, Metallica, Nirvana, No Doubt, Pantheon, Rammstein, Stone Temple Pilots, Taylor Hawkins.VENUES MENTIONED: Aragon Ballroom (Chicago), Shoreline Amphitheater (Mountain View, CA), New World Music Theater (Tinley Park, IL), Wrigley Field (Chicago). PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Art talks about his experience at the infamous April 9, 1977, Led Zeppelin show, when the concert had to be stopped and cancelled due to Jimmy Page collapsing on stage. He also tells us how a mere five dollars got him into Chicago's Riviera Theatre to see Rush. That night Rush played their new album, 2112, in its entirety.See and hear more at https://www.SeeingThemLive.com or https://www.SeeingThemLive.netBANDS MENTIONED: 38 Special, ACDC, Alice Cooper, Bruce, and Lang, Cinderella, Climax Blues Band, Dockin, Emerson Lake and Palmer, Foghat, Foreigner, George Lynch, Jack Bruce, Kiss, Jay Giles, LA Guns, Led Zepplin, Leonard Skinner, Mahogany Rush, Michael Schenker, Mott the Hoople, Mr. Big, REO Speedwagon, Rick Derringer, Rush, West, Scorpions, Ted Nugent, UFO.VENUES MENTIONED: Aragon Ballroom (Chicago), Chicago Amphitheater, Chicago Stadium, Comisky Park (Chicago), Desplains Theater, Riviera Theater (Chicago), World Music Theater (Chicago). PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Heidi takes us back to her first concert experience in 1976 with the Eagles, just months before the release of their iconic album "Hotel California." Little did she know this concert would mark the beginning of her unique role as what we call the "Concert Mom." Heidi opens up about her journey as a concert mom, sharing stories of the one-of-a-kind live music experiences she had with her sons including what happens when a food fight broke out at a Loop FM concert event. From attending various concerts together to creating lasting memories, Heidi describes fascinating tales of music and the special bond that live performances can create between loved ones. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Todd tells us about his first concert, the Beach Boys in 1965, and how Dennis Wilson signed a cigarette for his sister. We also talk about seeing Led Zeppelin in 1977 in Cincinatti.Bands Mentioned:  Beach Boys, Herman's Hermits, The Who, Led Zeppelin, Bob Marley, Lisa Marie Presley, Tom Petty, Ashley Lewis, Eagles, Linda Ronstadt, Willie Nelson, Neil Young, Eddie Murphy.Venues Mentioned: Uptown Theatre, Riverfront Stadium, Washington Park Race Track, Arcada.   PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Valerie takes us back to the mid-1980s starting with back-to-back concerts as well as her experience at The Lumineers concert just weeks before the Covid shutdown.Bands Mentioned: Aerosmith, The Rolling Stones, Steppenwolf, Black Crows, Jimmy Page, Doobie Brothers.Venues Mentioned: Poplar Creek (Hoffman Estates, IL), Aragon Ballroom (Chicago, IL), Rosemont Horizon (Rosemont, IL), Alpine Valley (East Troy, WI). PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Tom describes some wild experiences from his concert going youth including the time he swam up to a stage and sang with John Kay of Steppenwolf while dripping wet, sliding down the hills of Tinley Park's World Theater during a rainstorm, and getting put in the World Theater's "jail" at two different concerts. During the interview, you'll find out why Tom always tried to buy one extra ticket for any concert he attended. Video of the second half of our interview is available on YouTube: https://www.youtube.com/@dougflorzak7283/podcasts?sub_confirmation=1Bands Mentioned: Aerosmith, The Rolling Stones, Steppenwolf, Black Crows, Jimmy Page, Doobie BrothersVenues Mentioned: The World Theater (Tinely Park, IL), Eyes to the Skys Stage (Lisle, Il), Soldier Field (Chicago, Il), Taste of Chicago PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

I've always enjoyed talking with friends about the concerts we went to and remembering some of the crazy stories we brought back with us. Seeing Them Live is a podcast featuring live music fans retelling their favorite concert stories. When I was 11, I went to my first concert with my mom to see the Eagles. From that point forward and into the next four decades, I'd seen lots of bands, and every now and then something beyond the typical concert experience would happen. Like with Mike Mills of REM asked if I would trade shirts with him after one of their concerts. Or when my friend's date decided she would rather hang out with Monster Magnet after the show than with us.Sometimes you get lucky, and you're handed an Iron Maiden backstage Pass just for the hell of it. And other times you're sitting at the bar with Rob Thomas, just months before matchbox 20 blows up. I love retelling these stories and sharing them with kindred spirits. Our musical tastes may differ, but the magic of live music is something all of us can relate to. Everyone has a concert story and hopefully, one day we'll hear yours.For more information, including how you can apply to be a guest on the show, visit www.seeingthemlive.com. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708