Podcasts about Fugazi

Timothy and Chase talk about Fugazi vs Limp Bizkit, hoarding levels, and the best streaming services. Stay tuned for a special guest at the end of the episode!Customer Service Podcast on Instagram @customerservicepod Canoe Club on Instagram & YouTube @shopcanoeclub ⁠www.shopcanoeclub.com

We've got a special Veterans Week treat for this episode as Paul Rieckhoff (@PaulRieckhoff) welcomes back legendary artist, activist, and punk rock icon Henry Rollins for a fiercely honest conversation about division in America, the state of democracy, and the enduring need for vigilance. From stories of Rollins's global travels to his reflections on what it truly means to be punk—and patriotic—in 2025, you'll get an unfiltered look into his mindset, leadership, and hard-earned lessons from decades on the front lines of culture and activism. They tackle everything from current headlines to personal discipline, empathy, and standing up to extremism. Rieckhoff and Rollins dissect Trump, Fetterman, Venezuela, and how music, community, and the spirit of inclusion can battle America's most toxic divisions. Whether you're a first-time listener or a devoted fan, this is a masterclass in punk rock citizenship and independent values. Because every episode of Independent Americans with Paul Rieckhoff breaks down the most important news stories--and offers light to contrast the heat of other politics and news shows. It's independent content for independent Americans. In these trying times especially, Independent Americans is your trusted place for independent news, politics, inspiration and hope. The podcast that helps you stay ahead of the curve--and stay vigilant. -Listen to Henry's previous appearance: Episode 47 from February 20, 2020. -WATCH video of this episode on YouTube now. -Learn more about Independent Veterans of America. -Join the movement. Hook into our exclusive Patreon community of Independent Americans. Get extra content, connect with guests, meet other Independent Americans, attend events, get merch discounts, and support this show that speaks truth to power.  -Check the hashtag #LookForTheHelpers. And share yours.  -Find us on social media or www.IndependentAmericans.us. And get cool IA and Righteous hats, t-shirts and other merch.  -Check out other Righteous podcasts like The Firefighters Podcast with Rob Serra, Uncle Montel - The OG of Weed and B Dorm.  Independent Americans is powered by veteran-owned and led Righteous Media. Ways to Listen: Spotify: https://open.spotify.com/show/0F1lzdRbTB0XYen8kyEqXe Apple Podcasts: https://podcasts.apple.com/us/podcast/independent-americans-with-paul-rieckhoff/id1457899667 Amazon Podcasts: https://music.amazon.com/podcasts/49a684c3-68e1-4a85-8d93-d95027a8ec64/independent-americans-with-paul-rieckhoff Ways to watch: YouTube: https://www.youtube.com/@independentamericans Instagram: https://www.instagram.com/IndependentAmericansUS/ Social Channels: X/Twitter: https://x.com/indy_americans BlueSky: https://bsky.app/profile/indyamericans.bsky.social Facebook: https://www.facebook.com/IndependentAmericansUS/ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this hour of Follow The Money, Mitch Moss and Pauly Howard preview tonight's NBA slate and go through a variety of topics in "Real or Fugazi". Plus, VSiN Host Matt Youmans joins the show to give out his college football week 11 best bets. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

New episode of Creatives on WRFI, Youth Radio Project volunteers Eli and Will have a conversation with Brendan Canty, long time drummer of fiercely independent post-hardcore band Fugazi.Along with Ian McKaye, Guy Piciatto, and Joe Lally, Brendan and Fugazi helped define the sound of indie rock in the 1990's. After releasing six albums and relentlessly touring (all the while, doing everything in their power to not ever charge more than $5 to see them live), Fugazi went on indefinite hiatus in 2003. Brendan has continued performing and is currently part of the jazz fusion band, The Messthetics, along with Fugazi bandmate Joe Lally.This CREATIVES interview with Brendan Canty hosted by the Youth Radio Project aired on Wednesday November 5 at 5pm and Sunday November 9 2025 at 3pm. Tune in to WRFI Community Radio at 88.1 FM Ithaca, 89.7 FM Southern Finger Lakes, or stream from anywhere at WRFI.org/listen

This week Justin was assigned the year 2013, and selected the post-Bear vs. Shark band, Bars of Gold and their second album Wheels.Call our voicemail line 202-688-PUNK or send us a voice note at punklottopod@gmail.com to get it played on the showJoin our new $5 Patreon Producer Tier to get your name said on the show every week. You also get access to a Producer exclusive monthly bonus episode discussing a different EP, and you get to vote in the poll that determines what EP we talk about that month.You can also join our $1 tier to get access to all of our weekly bonus audio. We also have a $10 tier where you get to choose the album we discuss on an episode - patreon.com/punklottopodMajor Awards EP - majorawards.bandcamp.comMerch Shop  - redbubble.com/people/punk-lotto-pod/shopPodcast platforms and social media links at linktr.ee/punklottopodLeave us a review and rating on Apple Podcasts and Spotify.Song clips featured on this episode:Bars of Gold - Hey KidsBars of Gold - (Coffee with) PeleBars of Gold - Monical 

Chaque premier mercredi du mois, découvrez un nouvel épisode de la saison 4 de Yellow Mic : le podcast qui retrace l'histoire derrière une bonne vanne, de son ébauche, jusqu'à son arrivée sur la scène du Montreux Comedy Festival ! Dans cet épisode, Adel Fugazi se confie sur l'origine de son sketch fait au Montreux Comedy Festival 2024.Envie d'assister à la prochaine édition du Montreux Comedy Festival ?

Le 4 novembre, Marjorie Hache propose une RTL2 Pop-Rock Station percutante, entre énergie brute et curiosité sonore. L'émission s'ouvre avec The Charlatans et leur titre "Deeper and Deeper", issu du nouvel album "We Are Love". Suivent The B-52's, David Bowie pour l'anniversaire de "The Man Who Sold The World", et The Trashmen avec le classique "Surfin' Bird". Les moments forts s'enchaînent : Nine Inch Nails livre "As Alive As You Need Me To Be", extrait de la bande originale du film "Tron Ares", avant Florence + The Machine et "Buckle", coécrit avec Mitski. La nouveauté de Courtney Barnett, "Stay In Your Lane", célèbre quant à elle le retour de l'artiste australienne après quatre ans d'absence. La reprise du soir voit Chrissie Hynde des Pretenders interpréter "Me & Mrs Jones" en duo avec k.d. lang, tiré de son album "Duets Special". La seconde heure prolonge la soirée avec The Cure, Suede, The Who, The Hives, Beastie Boys, Blondie et Fugazi, avant la découverte du titre "Medium Machine" des Sports Team. The Charlatans - Deeper And Deeper The B-52'S - Love Shack David Bowie - Black Country Rock Ghinzu - Do You Read Me The Trashmen - Surfin' Bird The Chemical Brothers - Galvanize (Edit) Nine Inch Nails - As Alive As You Need Me To Be Florence + The Machine - Buckle Black Sabbath - Iron Man Linkin Park - Bleed It Out Billy Squier - The Stroke Courtney Barnett - Stay In Your Lane Chrissie Hynde - Me & Mrs Jones (Feat. K.D. Lang) The Cure - High Suede - June Rain The Who - Behind Blue Eyes Alanis Morissette - Thank U The Hives - The Hives Forever Forever The Hives Beastie Boys - No Sleep Till Brooklyn Poppy - I Disagree Sports Team - Medium Machine The Beatles - Twist And Shout Blondie - Atomic Fugazi - Full Disclosure Therapy? - Nowhere Die Spitz - Riding With My Girls Giorgio Moroder - ChaseHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

End of the Road https://media24.fireside.fm/file/fireside-uploads-2024/images/c/c7e7a43b-5714-4470-a244-6aa82c1dceff/wagbGkbq.jpg Baby, I knew about it, I just didn't care. What we're listening to: Jake: Umphrey's McGee, Blueprints (https://album.link/us/i/1826238644) Fugazi, Live at DV8 (https://album.link/i/1836513161) Matthew: The Divine Comedy, Rainy Sunday Afternoon (https://album.link/i/1823718366) Ultra Vivid Scene, Joy 1967-1990 (https://album.link/i/251626492)

The guys talk about Halloween, football, and Alex running a trap house. They also power rank the worst candy and do some more spooky Robert Felines. You can follow the show on X/Twitter: @passthegravypod, @AlexJMiddleton, @NotPatDionne, and @RobertBarbosa03

The guys talk about Halloween, football, and Alex running a trap house. They also power rank the worst candy and do some more spooky Robert Felines. You can follow the show on X/Twitter: @passthegravypod, @AlexJMiddleton, @NotPatDionne, and @RobertBarbosa03

I'm reposting episodes that were taken down from Spotify. This is a repost of the 2023 conversation. Keith sits down with Dennis Lyxzén to discuss his early work in music, the formation of Refused, the band's rise following the release of "Songs to Fan the Flames of Discontent", touring the world, recording their landmark LP "The Shape of Punk to Come", Dennis and the bands' influences, the origins of Dennis' ideology, the initial breakup of Refused, the formation of International Noise Conspiracy, their Rick Rubin produced LP "Armed Love", the band's breakup, the formation of Fake Names (featuring members of Minor Threat and Fugazi), their latest LP "Expendables", the Refused reunion, their performance at Coachella 2012, what's next for Dennis and his bands plus more. Guest co-host: Chris Hornbrook of Poison the Well. We discuss recording "You Come Before You" and "Versions" in Sweden with Eskil Lövström and Pelle Henricsson, the band's performance at Furnace Fest 2022, recording and performing with Greg Puciato of The Dillinger Escape Plan, life during the pandemic and more. Intro w/ Chris Hornbrook - 0:00 - 13:56 Dennis Lyxzen Interview - 13:57 - 1:28:03 Outro w/ Chris Hornbrook - 1:28:17 - 1:57:03

In which The Curmudgeons honor one of the fiercest--and most fiercely independent--rock bands of all time. Fugazi erupted from the Washington, D.C., punk scene in the late 1980s.  They fashioned a brand of passionate, politically charged post-hardcore music that deftly weaved two guitars with a dub reggae-inspired rhythm section. Beyond the music, the band was known for an uncompromising vision: the music stayed with the people for good. No major labels. No ticket prices more than ten bucks. No radio singles. No videos. No age restrictions on their audience. Fugazi exerted control, which together with their awesome music, made them thrilling. We meditate on it all during this episode.    Listen to the amazing post-hardcore music of Fugazi by accessing our special Spotify playlist: https://open.spotify.com/playlist/0GfyH9j01AFa16kkWNVOYD?si=ae72ef3b27914455   Here's a handy navigation companion to this episode:   (00:52 - 03:37) - Arturo Andrade sets the parameters for our discussion of Fugazi   (09:42 - 22:38) - The Parallel Universe, featuring reviews of new music by Greg Freeman and Wednesday   (23:36 - 01:00:53) - We expound on Fugazi's philosophy. discussing their origins and analyze their first two EPs and first three studio albums, including the amazing Repeater   (01:02:11 - 01:29:56) - We analyze Fugazi's final three studio albums and then also contextualize their rock 'n' roll legacy   Join our Curmudgeonly Community today! facebook.com/groups/curmudgeonrock   Hosted on Podbean! curmudgeonrock.podbean.com   Subscribe to our show on these platforms: https://podcasts.apple.com/us/podcast/the-curmudgeon-rock-report/id1551808911   https://open.spotify.com/show/4q7bHKIROH98o0vJbXLamB?si=5ffbdc04d6d44ecb   https://music.amazon.com/podcasts/5fea16f1-664e-40b7-932e-5fb748cffb1d/the-   Co-produced and co-hosted by The Curmudgeons - Arturo Andrade and Christopher O'Connor

Geoff talks about Fugazi. Learn more about your ad choices. Visit megaphone.fm/adchoices

Christopher & Jobst im Gespräch mit Flo über seine Playlist. Wir sprechen über Expertentum für alles, Sugarcubes im Metropol, wiederentdeckt durch die Bloodstains-Sampler, Electric Deads auf "Welcome to 1984", neue Songs von Pauline Murray, der Gitarrist von Misantrophic Charity & Enola Gay, die erste L.U.L.L.-LP, Squandered Message im Ungdomshuset, wie es sich gehört in Landessprache singen, der offizielle norwegische Fußball-EM-Song von Racer, "Wir sind Bauern aus dem Norden", zwei norwegische Sprachen, "Ingenting For Norge", als wenn die Alpen direkt am Meer sind, 22 Stunden von Oslo nach Tromsø, Molde Punx Go Marching Out, Kawakami Forever, Happy Tom in der Hall of Fame, roher und schnörkelloser und geiler, Double-A-Records, Pjolterguys, die leider nicht so geilen Castro, eine Kurz-Tour mit Heresy, eine Tour mit Ignition, trotz Vordiploms-Prüfung bis 4 Uhr Bier trinken, Green Day als Vorband von So Much Hate, viel mit Fugazi spielen, das Bein des Widows-Gitarrsten, das pure Gold des "Russia Bombs Finnland"-Samplers, die "Punk Ja Yäk"-4CD-Sammlung, ziemlich viele Platten bei Govi klauen, die erste Riistetyt LP im Vinyl Boogie, Selbstgebranntes trinken ist überwiegend gut, mit Lederjacken und Brillen uncool im Schnee stehen, Hardcore-Punk sollte im besten Fall uncool sein, das Stoisch-Beharrliche der Finnen, Bastards & Malinheads in der TEK, Svart Framtid auf Interrail-Tour, eine 9-Song-EP, eine "Back To Berlin"-CD, Pusheads Gesang ist von Terveet Kädet beeinflusst, weiße Lederjacken-Krägen, "Dog is Better Police", Wiederveröffentlichungen auf Höhnie Records, honorable Mention von Kohu-63, die Holy Dolls, der Ebba Grön-Hit ist ein Cover, Peter Ahlqvist von Uproar & Burning Heart, Anti-Cimex live mit zwei Schlagzeugen, unprätentiose Automechaniker, der Name Arschschweiß das einzig Gute an der Band, ein Aufkleber mit blauem Elefant, die Spitzen-Band Nervous Assistant, uvm.ISLANDKUKL (1984) – DismemberedDÄNEMARKSods (1979) – Copenhagen City-X (1981) – Coverboy Electric Deads (1982) – Fish In A Pool Enola Gay (1984, Großraum Kopenhagen) – Enola Gay Kalashnikov (1984, Kopenhagen) – LæderhalseNORWEGENWannskrækk (Trondheim, 1981) - Så FromNorske Budeier (Bergen, 1981) – TopicHjertesvikt A/S (Bodø, 1982) – Tapte VisjonerBetong Hysteria (Oslo, 1982) – Snuten Kommer Fader War (Bergen, 1982) - Religios TerrorAkutt Innleggelse (Nesodden, außerhalb Oslos, 1984) – Jeg NekterSiste Dagers Helvete (Moss, 1983) - Blomster Av PlastikkSvart Framtid (Oslo, 1984) – DisiplinStengte Dörer (Oslo, 1985) – Generalenes FremmarsjBannlyst (Molde, 1985) – Medalje Aller DomAngor Wat (Trondheim, 1985) – PromisesBarn Av Regnbuen (Harstad, 1986) - Vi Vil Ikkje HaKafka Prosess (1986, Oslo) - Mentalt Ute Av BalanseSo Much Hate (Oslo, 1987) – SkyggesidenLife… But How To Live It? (Oslo, 1990) – Green FINNLANDWidows – I wanna be your friend (1980)013 (1980) - Neulat SuonissaRiistetyt (Tampere, 1982) – Protest & SurviveKaaos (Tampere, 1982) - Natsit Ja KommunistitAppendix (1982) – Ei Raha Oo Mun ValuuttaaBastards (Tampere, 1983) – Järjetön MaailmaTerveet Kädet (Tornio, 1984) – TrasvestiittiKansan Uutiset (Helsinki, 1983) - Koira On Parempi Poliisi Rattus (1984) – Reaganin JoululahjaSCHWEDENEbba Grön (1980, Raum Stockholm) - Staten och KapitaletSkitslickers, (Göteborg 1982) – Spräckta SnutskallarCrude SS (Fagersta, 1982) – Sprang Alla KomunhusHeadcleaners – No Sense (1983)Anti Cimex (Göteborg, 1983) – When the Innocent dieAvskum (1984) - Glöm Aldrig HiroshimaMob 47 (Stockholm, 1984) - Kärnvapen AttackSvart Parad (Hedemora, 1985) - Avskaffa Alla JobbSOD (1985, Mjölby) - Styrd VärldRövsvett (1985) - Jehovas VittnenAsta Kask (1985, Stockholm etc.) – Psykist Instabil Raped Teenagers (1986, Linköping) – KontrolleradPuke (1987, Skåne) - Blod Totalitär (1987) – Allas Var LivvvaktDie komplette Playlist auf YouTube.Eine partielle Playlist auf Spotify.

From walking on literal fire to watching crypto's $19 billion "house of cards" burn to the ground to AI erotica… The guys have a lot to unpack this week as they debate abandoning ship for the AI gold rush and recap their wild experience with Tony Robbins.Welcome to the Alfalfa Podcast

Hugh McElroy and Mike Kanin from Black Eyes return to discuss their first new album in 20 years, Hostile Design, the state of American socio-political discourse, the inspiring resistance that D.C. residents have exhibited as the federal government has sent military personnel and ICE agents into the area, American history and foreign policy and where power truly lies, songwriting themes and topics explored by Black Eyes, working with Ian MacKaye as a producer, tour dates, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #1011: Saul WilliamsEp. #900: Fugazi and Jem CohenEp. #844: Pissed JeansEp. #770: Adam Horovitz from Beastie BoysEp. #766: Black EyesEp. #583: Ian MacKayeSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

On The GM Shuffle, hosts Geoff Schwartz and Marty Hurney give out their most surprising and disappointing NFL teams so far this season.  Plus, they discuss whether the Colts are legitimate contenders and whether Aaron Glenn is an effective defensive coach. They also dish out their best bets for Week 5 and preview tonight's Thursday Night Football game. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Can Amethrust coexist and beat back Beetlemania? Or will the Fab Four fly free & f@%# up Fugazi? Featured Music: Tired of You (Feat. Fionn) by Fake Shark and sober up. by dead ex girlfriends Dungeon Punks is recorded and produced by Kirk Hamilton. This episode was played using the Daggerheart system.  ——— Support the show on Patreon: patreon.com/dungeonpunks Leave us a review on Apple Podcasts or Spotify! Follow us on Bluesky @dungeonpunks.bsky.social, Instagram/Threads @DungeonPunks or subscribe on YouTube Come hang out on our Discord channel! Find the Songs From Bands We Like on our Spotify and YouTube Music playlists. ——— EPISODE CAST: Stu Popp as The GM aka Everyone's Podcast Dad™ Fil Cieplak as Deadbolt Leigh Eldridge as Chanterelle Taylor Ramone as Creed Staind Kirk Hamilton as Brandon Van Thousand III

Swiz (Akashic Books, 2025). Swiz was a Washington DC hardcore punk band that existed from April of 1987 through August of 1990, cutting their teeth and carving their place in the scene that birthed trailblazers and contemporaries like Minor Threat, Bad Brains, Dag Nasty, Fugazi, Ian MacKaye, Dave Grohl, and Henry Rollins. Featuring original Dag Nasty singer Shawn Brown, Swiz's faster, darker, and more aggressive take on the D.C. sound ran counter to the melodic, experimental, and poppy direction the scene had been leaning toward in the years before Nirvana broke the underground. In the thirty-five years since their demise, Swiz's popularity and infamy have only grown. This first in-depth look into the band is timed perfectly to coincide with the 2025 release of their remastered musical catalog by Dischord Records. The volume is penned by all of the band members, combining historical interviews and personal journals, with present-day conversations, anecdotes, recollections, and reflections yielding new poetry and prose. The writing is complemented by over one hundred unpublished images. This mix of styles touches on band facts and timelines while also spotlighting the negative space around the band: personal and interpersonal moments of its members and the broader community and culture in which they were immersed. Swiz is a deep dive into the band and its members, a celebration of warped memory, and a unique snapshot of a time and scene that continues to inspire musicians, artists, and fans alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The Fanzine Podcast is back after an unintentionally long absence to talk with Howard Wuelfing, editor/publisher of two key Washington D.C. zines, which have just been gathered into an eponymous anthology: Descenes and Discords. These influential zines, the first focused on local activities, its successor intended to gather additional material about the national alternative/underground scene, ran between 1979 and 1981 and served not only to influence and impact upon music in D.C., but provided publication space for a number of writers who would go on to national prominence, among them Gerard Cosloy and Byron Coley.In this episode, Howard discusses abandoning plans to become a lawyer to focus on becoming a rock writer instead, how exposure to CBGB's but especially the publication New York Rocker set him and his partners on their way with Descenes, how they were able to access typesetting, advertising and printing, and their successful game plan for distribution, but how the careerism of local “new wave” bands caused the team to pack it in after six issues. Embarking eight months later with Discords, the new look monthly zine had a winning run of cover artists (from Pylon to Circle Jerks to The Bongos and Mission Of Burma) and provided space and encouragement for the younger generation of hardcore bands who would soon step into the space Discords helped create. Accordingly, Ian MacKaye of Teen Idols, Minor Threat, Fugazi and Dischord (no relation) Records, was interviewed by Howard for a special reflection article that opens the new anthology.Descenes and Discords: An Anthology is available from DiWulf.com in the Americas, and EarthIslandBooks.com in Europe. Howard Wuelfing can be found at https://www.howlinwuelf.com/The theme music for the Fanzine Podcast is by Noel Fletcher.The outro in this episode is the 12” mix of “Put It Down” by The Dear Boys, available at thedearboys.bandcamp.comTony Fletcher can be found at tonyfletcher.substack.com Hosted on Acast. See acast.com/privacy for more information.

FUGAZI2025 Cast Music

This week on Discologist, Eduardo and Kevin take a trip into the whimsical electronic world of Disniblud, a new collaboration between Rachika Nayar and Nina Keith. PLUS: The Internet Archive lives to fight another day, StubHub has an IPO, we ponder where the heck Fugazi is when we need them most, and more! Hosted on Acast. See acast.com/privacy for more information.

Twenty years after Rust Monster saved Fugazi from the evil forces of Metal, a new band of misfits comes together to face a new threat. (If they don't kill each other first, that is). Featured Music: "I Don't Wanna Be Friends" by Carmine and "Incantation" by Space Queen Dungeon Punks is recorded and produced by Kirk Hamilton. This episode was played using the Daggerheart system.  ——— Support the show on Patreon: patreon.com/dungeonpunks Leave us a review on Apple Podcasts or Spotify! Follow us on Bluesky @dungeonpunks.bsky.social, Instagram/Threads @DungeonPunks or subscribe on YouTube Come hang out on our Discord channel! Find the Songs From Bands We Like on our Spotify and YouTube Music playlists. ——— EPISODE CAST: Stu Popp as The GM aka Everyone's Podcast Dad™ Fil Cieplak as Deadbolt Leigh Eldridge as Chanterelle Taylor Ramone as Creed Staind Kirk Hamilton as Brandon Van Thousand III

Saul Williams is here to discuss Saul Williams meets Carlos Niño & Friends at TreePeople, performing and improvising while suffering from jet lag, geopolitics and the crumbling American Empire, technology's impact on socio-political awareness, capitulation, civil unrest, and anti-capitalism, working with Deerhoof and outspokenness in censorious times, his working relationship with Carlos Niño, knowledge sharing and how artists use their platforms, the reception to the film Sinners, touring, many other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #975: DeerhoofEp. #900: Fugazi and Jem CohenEp. #874: Mdou MoctarEp. #868: Kathleen HannaEp. #799: Allison RussellEp. #770: Adam Horovitz from Beastie BoysEp. #621: Walking Eagle News' Tim FontaineEp. #462: Syrus Marcus Ware, Robyn Maynard, Desmond Cole on Long NightEp. #427: Maria BamfordEp. #390: Beverly Glenn-CopelandEp. #347: A Tribe Called RedSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

The Messthetics started as a kind of post-punk instrumental trio including former Fugazi bandmates Brendan Canty on drums and Joe Lally on bass with guitarist and composer Anthony Pirog. In 2023, they brought saxophonist James Brandon Lewis into the ensemble, and the result is a fascinating quartet in which musicians from widely divergent backgrounds find common ground. The Messthetics and James Brandon Lewis are at the Cedar Cultural Center in Minneapolis Saturday night, September 6th. Drummer Brendan Canty and saxophonist James Brandon Lewis discuss the music in this conversation with Jazz88's Peter Solomon.

This week Justin was assigned the year 1991, and selected Fugazi's sophomore album, Steady Diet of Nothing. This was the first record where the version of Fugazi that they would become was beginning to take form.PS. - apologies for Justin's bad mic. We tried to fix it as much as we couldCall our voicemail line 202-688-PUNK or send us a voice note at punklottopod@gmail.com to get it played on the showJoin our new $5 Patreon Producer Tier to get your name said on the show every week. You also get access to a Producer exclusive monthly bonus episode discussing a different EP, written content, outtakes, producer exclusive polls, and moreYou can also join our $1 tier to get access to all of our weekly bonus audio. We also have a $10 tier where you get to choose the album we discuss on an episode - patreon.com/punklottopodMajor Awards EP - majorawards.bandcamp.comMerch Shop  - redbubble.com/people/punk-lotto-pod/shopPodcast platforms and social media links at linktr.ee/punklottopodLeave us a review and rating on Apple Podcasts and Spotify.Song clips featured on this episode:Fugazi - Exit OnlyFugazi - Reclamation  Fugazi - Nice New Outfit

Christopher & Jobst im Gespräch mit Hyun. Wir reden über Verbotene Liebe & James Bond, asiatische Klischeerollen, Korean Fine Dining, "Hyun, der Restauranttester", "Ab 18" im Landschulheim, die Levi´s-Werbung mit The Clash, "Walk like The Clash, Sing Like The Supremes", zuerst mal links sein, die Mädchen hatten immer kürzere Haare und die Jungs immer längere, The Birthday Party bei 120 Minutes auf MTV, die Deutschlandpremiere von "Smells Like Teen Spirit", Musik war immer ein Abenteuer, ein nerdiger Abgrenzungscharakter, koreanische Gastarbeiter:innen im Krankenhaus & Bergbau, je dunkler die Hautfarbe desto größer die Probleme, Schamanismus mal wieder, an den Schuhen den Charakter des Menschen, mit Markstücken in die öffentliche Telefonzelle, die Olympiade 1988 in Seoul, immer Räume für sich selbst zu brauchen, sich von den Nirvana-Spießern abgrenzen müssen, Vision & Circle Jerks, Fugazi waren ein richtiger Door Opener, relativ früh X-Mist, Verbal Razor & Melmac, Hardcore-Brieffreundschaften, Tuba eigentlich viel besser als Bass, Spontan-Zuschaltung von Melanie, plötzlich den Schlüssel von der Rampe in Überlingen haben, gute Connection zu Mine & Dawnbreed, endlich mal wieder Cwill, "Reverse the Violent Trend", DIY im besten Sinne, regelmäßige Antifa-Meetings, Native Nod & Indian Summer, immer Probleme mit dem Männerbild im Hardcore, dreimal die Woche hinterm Pfandautomat, alle Bands mit Barcodes müssen weg, ein Band-Versuch mit den ehemaligen Nothing Left To Grasp-Leuten, Corrosive & Melting Process, die Währung der Liebe wird total unterschätzt, mal auf Iconoclast Radio gehen, die neue Downcast-LP, Fechten in der Schauspielschule, Gudrun Guts Ocean Club im alten WMF, Rapture, zum ersten Mal am Hackeschen Markt, sich durchs Leben treiben lassen, ein Hauch von Selbstkritik, die Eröffnung vom Kimchi Princess, im Streit auseinander, in Schönheit sterben, die ganzen Hobby-Restauranttester, Modifikationen von Gerichten, Bafnet als Teil von BIPOC-Alliance, Bedrohung durch AI & AFD, Diversitäts-Beirat im Filmförderungsgesetz, Old Boy, stolz auf die Rolle in Maxton Hall, die Band-Idee war nie aus dem Kopf, während wir das Hören hat eine Hardcore-Band 3,5 Millionen Streams, sich für Befreiungsbewegungen interessieren, die unterschätzte Disco-Bewegung der 70 in New York, versuchen spirituelles Wording zu vermeiden, alle 500m rechts ranfahren müssen, Bobby Gillespie "Tenement Kid", die Serie Pachinko, von Bolle das Intro von Crestfallen von Split Lip gezeigt bekommen, uvm.Drei Songs für die Playlist1) Ein Hardcore-Song, den Hyun eigentlich immer hören kann: DAG NASTY - The Godfather2) Ein Post-Hardcore-Song, den Hyun eigentlich immer hören kann: THE VAN PELT - Nanzen Kills A Cat3) Ein richtig guter Soundtrack-Song: JOHN BARRY - Midnight Cowboy

Today On With Mario Lopez – 90's Fall fashion returns, a fugazi Justin Bieber tricks a Las Vegas nightclub, your comment of the week, Zara Larsson returns to the Mario Music Minute, latest buzz and is short form content worse for you than alcohol!?See omnystudio.com/listener for privacy information.

Jeffrey Epstein's so-called charity was a parody of philanthropy—a glossy storefront for laundering money, buying influence, and disguising the true scope of his criminal enterprise. On paper, the foundation claimed to support science, education, and global causes. In reality, the filings showed paltry amounts actually going to legitimate charities while large sums flowed into projects that padded Epstein's image or circled back into his own network. It was the classic predator's playbook: slap a humanitarian label on the operation, and suddenly hedge fund cash, foreign transfers, and murky “donations” could move around under the guise of benevolence.The real sickness was how the law enabled it. Charitable foundations enjoy enormous tax advantages and face laughably weak oversight. Epstein exploited this loophole masterfully, using his “philanthropy” not only to launder funds but to open doors into elite academic and scientific institutions that gave him legitimacy. Universities and research centers took his money, looked the other way, and in return gave him access to some of the brightest young minds he could exploit. The so-called charity wasn't charity at all—it was a financial and social laundering machine, perfectly legal on the surface yet utterly corrupt in function.(commercial at 11:58)To contact me:bobbycapucci@protonmail.comsource:https://www.nytimes.com/2019/11/26/business/jeffrey-epstein-charity.html

Howard Wuelfing in conversation with David Eastaugh https://www.diwulf.com/products/available-for-presale-descenes-and-discords-an-anthology On August 19, 2025, Descenes and Discords: An Anthology will be released, offering a powerful time capsule of the birth and early evolution of punk music through the pages of two influential fanzines: Descenesand Discords. These publications, originally printed and distributed in Washington, D.C. during the late 1970s and early 1980s, captured the raw energy, irreverent spirit, and revolutionary ethos of the underground music scene — the first locally, the second nationally.   Published by writer and musician Howard Wuelfing, Descenes was a hyperlocal chronicle of D.C.'s burgeoning punk, hardcore and new wave communities. It featured scene reports, interviews, and passionate live and record reviews of now-legendary acts like Bad Brains, Slickee Boys, and Half Japanese and dozens of others that never gained national recognition. As vital local music scenes sprung up around the country, Discords picked up the baton with a wider lens — covering bands like Black Flag, Pylon, Circle Jerks, Mission of Burma and many more, all with the same DIY authenticity and zero-corporate gloss.   Descenes and Discords: An Anthology presents full facsimiles of every issue of both zines, preserving the original cut-and-paste layouts, typewritten rants, and Xeroxed charm that defined a generation of independent media. The anthology is enriched with new commentary by Howard Wuelfing, reflecting on the zines' creation and impact. It also includes a transcribed conversation between Wuelfing and Ian MacKaye — the iconic frontman of Minor Threat and Fugazi — where they discuss the fanzine era's role in shaping punk's identity and legacy. A Foreword by esteemed D.C. cultural critic, and contributor to both ‘zines, Mark Jenkins sets the historical stage for readers.

Keith sits down with Jason Farrell to discuss the internal drive to constantly be working, discovering hardcore and punk music through skateboarding in DC in the late 80's, the scene at the time, witnessing the rise of bands like Fugazi, Rites of Spring, and Dag Nasty, the formation of Swiz, the history of the band and their initial breakup. We also discuss the formation and history of Bluetip, signing with Dischord records, their tours with At the Drive In, the end of Bluetip, Jason's move to NYC and the formation of Retisonic, the Swiz reunion and their recent shows, their soon to be released band book "Swiz" and more.

Jeffrey Epstein's so-called charity was a parody of philanthropy—a glossy storefront for laundering money, buying influence, and disguising the true scope of his criminal enterprise. On paper, the foundation claimed to support science, education, and global causes. In reality, the filings showed paltry amounts actually going to legitimate charities while large sums flowed into projects that padded Epstein's image or circled back into his own network. It was the classic predator's playbook: slap a humanitarian label on the operation, and suddenly hedge fund cash, foreign transfers, and murky “donations” could move around under the guise of benevolence.The real sickness was how the law enabled it. Charitable foundations enjoy enormous tax advantages and face laughably weak oversight. Epstein exploited this loophole masterfully, using his “philanthropy” not only to launder funds but to open doors into elite academic and scientific institutions that gave him legitimacy. Universities and research centers took his money, looked the other way, and in return gave him access to some of the brightest young minds he could exploit. The so-called charity wasn't charity at all—it was a financial and social laundering machine, perfectly legal on the surface yet utterly corrupt in function.(commercial at 11:58)To contact me:bobbycapucci@protonmail.comsource:https://www.nytimes.com/2019/11/26/business/jeffrey-epstein-charity.htmlBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

Swiz (Akashic Books, 2025). Swiz was a Washington DC hardcore punk band that existed from April of 1987 through August of 1990, cutting their teeth and carving their place in the scene that birthed trailblazers and contemporaries like Minor Threat, Bad Brains, Dag Nasty, Fugazi, Ian MacKaye, Dave Grohl, and Henry Rollins. Featuring original Dag Nasty singer Shawn Brown, Swiz's faster, darker, and more aggressive take on the D.C. sound ran counter to the melodic, experimental, and poppy direction the scene had been leaning toward in the years before Nirvana broke the underground. In the thirty-five years since their demise, Swiz's popularity and infamy have only grown. This first in-depth look into the band is timed perfectly to coincide with the 2025 release of their remastered musical catalog by Dischord Records. The volume is penned by all of the band members, combining historical interviews and personal journals, with present-day conversations, anecdotes, recollections, and reflections yielding new poetry and prose. The writing is complemented by over one hundred unpublished images. This mix of styles touches on band facts and timelines while also spotlighting the negative space around the band: personal and interpersonal moments of its members and the broader community and culture in which they were immersed. Swiz is a deep dive into the band and its members, a celebration of warped memory, and a unique snapshot of a time and scene that continues to inspire musicians, artists, and fans alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Swiz (Akashic Books, 2025). Swiz was a Washington DC hardcore punk band that existed from April of 1987 through August of 1990, cutting their teeth and carving their place in the scene that birthed trailblazers and contemporaries like Minor Threat, Bad Brains, Dag Nasty, Fugazi, Ian MacKaye, Dave Grohl, and Henry Rollins. Featuring original Dag Nasty singer Shawn Brown, Swiz's faster, darker, and more aggressive take on the D.C. sound ran counter to the melodic, experimental, and poppy direction the scene had been leaning toward in the years before Nirvana broke the underground. In the thirty-five years since their demise, Swiz's popularity and infamy have only grown. This first in-depth look into the band is timed perfectly to coincide with the 2025 release of their remastered musical catalog by Dischord Records. The volume is penned by all of the band members, combining historical interviews and personal journals, with present-day conversations, anecdotes, recollections, and reflections yielding new poetry and prose. The writing is complemented by over one hundred unpublished images. This mix of styles touches on band facts and timelines while also spotlighting the negative space around the band: personal and interpersonal moments of its members and the broader community and culture in which they were immersed. Swiz is a deep dive into the band and its members, a celebration of warped memory, and a unique snapshot of a time and scene that continues to inspire musicians, artists, and fans alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Swiz (Akashic Books, 2025). Swiz was a Washington DC hardcore punk band that existed from April of 1987 through August of 1990, cutting their teeth and carving their place in the scene that birthed trailblazers and contemporaries like Minor Threat, Bad Brains, Dag Nasty, Fugazi, Ian MacKaye, Dave Grohl, and Henry Rollins. Featuring original Dag Nasty singer Shawn Brown, Swiz's faster, darker, and more aggressive take on the D.C. sound ran counter to the melodic, experimental, and poppy direction the scene had been leaning toward in the years before Nirvana broke the underground. In the thirty-five years since their demise, Swiz's popularity and infamy have only grown. This first in-depth look into the band is timed perfectly to coincide with the 2025 release of their remastered musical catalog by Dischord Records. The volume is penned by all of the band members, combining historical interviews and personal journals, with present-day conversations, anecdotes, recollections, and reflections yielding new poetry and prose. The writing is complemented by over one hundred unpublished images. This mix of styles touches on band facts and timelines while also spotlighting the negative space around the band: personal and interpersonal moments of its members and the broader community and culture in which they were immersed. Swiz is a deep dive into the band and its members, a celebration of warped memory, and a unique snapshot of a time and scene that continues to inspire musicians, artists, and fans alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Guy Picciotto .on Red Medicine and so. much more. 'Nuff said!

Adèle Trottier-Rivard and Nicolas Basque are here to discuss Bibi Club and their latest album, Feu de garde, a camping trip and returning to Guelph's Hillside Festival, how six of their fellow 2025 Polaris Music Prize nominees are from Quebec but may not know each other, Montreal missed connections, their bilingual lyrics and upbeat sound, addressing anxiety with music to help themselves and others, Stereolab and the Stone Bonnet Choir, finishing a new album, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #972: Circuit des YeuxEp. #961: Eliza NiemiEp. #900: Fugazi and Jem CohenEp. #867: BIG|BRAVEEp. #865: Myriam GendronEp. #857: Michael FeuerstackEp. #845: The Messthetics and James Brandon LewisEp. #841: This is The KitSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Not even Spotify can stop us now!

In this hour of Follow The Money, hosts Pauly Howard and Mitch Moss are joined by Jensen Lewis, VSiN Host and Former MLB Pitcher, to talk about today's MLB slate. Also on the show, the hosts go through a variety of topics in "Real or Fugazi" plus give out their plays in "In Pocket".

(0:00) Expectations for Cooper Flagg & the wake up call  (13:02) Devin Booker contract extension  (25:44) Biggest threat to the Eagles & Real or Fugazi (36:59) The Slot Machine & A la carton  (52:45) Wirfs out to start season & Russ Wilson working out with Giants (1:08:51) Hall of Fame in or out  (1:22:26) Deion on the future of NIL  (1:28:09) Cooper Flagg day 1 expectations Learn more about your ad choices. Visit podcastchoices.com/adchoices

How AI, amazon and the internet has changed everything including the book sales. How is Barnes & Noble still around? The Knicks press conference will likely be Fugazi. Should Al go to a Testicle Festival in Montana? Al wonders what the future holds for some of WFAN's current stars. Will a robot replace Eddie when he retires? Sal had a tough time with a caller, and Shaun Morash is confused by Evan's time change. Did the Knicks settle for Mike Brown?

On this brand new edition of Cubs On Tap, Ron is back on the Chicago Cubs' off day following a series win over the St. Louis Cardinals. Along with the series win, the NL All-Star roster is decided and there is a lot of noise involving some snubs from the Cubs. Following a recap of the action, Ron dives right into the All-Star news. Notably, Matthew Boyd receives his flowers for making his first All-Star team. Then, Ron pivots to the snubs, highlighting Seiya Suzuki and Michael Busch. From there, Ron previews the upcoming series with the Minnesota Twins on Tuesday before signing off. Cubs On Tap is presented by ⁠⁠⁠⁠⁠OnTapSportsNet.com⁠⁠⁠⁠⁠, your go-to source for Cubs news⁠⁠⁠⁠⁠, analysis, and updates.Follow us on social media: ⁠⁠⁠⁠⁠@CubbiesOnTap⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠@OnTapSportsNet⁠⁠⁠⁠⁠Panelists: ⁠⁠⁠⁠⁠@JoeyKnowsNothin | ⁠⁠⁠⁠⁠@TeddyFreddy270 | @JuiceOnTap | @LuceOnTap | @Nick_OnTap | @SilentBob_2 | @Rich_Ebs

LISTEN and SUBSCRIBE on:Apple Podcasts: https://podcasts.apple.com/us/podcast/watchdog-on-wall-street-with-chris-markowski/id570687608 Spotify: https://open.spotify.com/show/2PtgPvJvqc2gkpGIkNMR5i WATCH and SUBSCRIBE on:https://www.youtube.com/@WatchdogOnWallstreet/featuredThe June 2025 jobs numbers are out—and they're not what they seem. In this Watchdog on Wall Street deep dive, we expose the smoke and mirrors behind the government's "strong" employment report. From phone surveys to the infamous birth-death model, it's a case study in how data gets massaged to fit a political agenda. While the headlines celebrated job growth, a closer look reveals declining work hours, government job inflation, and private sector losses that don't make the front page. Dig past the fugazi with us at WatchdogOnWallStreet.com.

In the first of our two part exploration of perhaps Fugazi's best album, Scott Sheridan and I dig into our memory and also research the DNA of this bold departure and new chapter of the band. Stay tuned for the interview episode for this release coming soon...

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Intergalactic by Beastie Boys (1998)Song 1: Waiting Room by Fugazi (1989)Song 2: Can't Help Falling In Love by Elvis Presley (1961)Song 3: Operator by The Rubinoos (1979)Song 4: You Gots to Chill by EPMD (1988)Song 5: Levon by Elton John (1971)Song 6: Live Learn by The California Honeydrops (2018)Song 7: Summer Babe (Winter Version) by Pavement (1992)Song 8: Our Secret by Beat Happening (1984/1985)Song 9: Miss Gradenko by The Police (1983)Song 10: You Make Me Shake by Moving Sidewalks (1969)

Barry, Abigail, and special guest Pete Coe discuss Pete's “Phone-a-Friend” submission, 13 Songs by Fugazi, and sample Rust and Ruin, Avulsion, and Inhume from Ghost Town Brewing in Oakland, California.We talked a bit about Ian MacKaye, the frontman of Fugazi and owner/co-founder of Dischord Records, the famous Washington, D.C.-based independent punk rock label. Read more about Dischord Records.Pete Coe's band Shack once opened for Deftones! (Later, Shack changed its name to Zeta Reticuli.)See the famous photo of Guy Picciotto singing while hanging from a basketball hoop.Ghost Town's can art/aesthetic reminded Abigail of the can art/aesthetic of Burial Beer Co. in Asheville, North Carolina. You can listen to our review of Burial's beer on our season one episode: Consumers of the Barley (The Raconteurs and Burial Beer Co.).Pete also plugged Healthy Spirits, a San Francisco-based liquor store where he bought today's beer selection.Abigail heard the “Midnight Oil pipe bang” in Burning. Pete shared that it was Brendan Canty's bell, which you can see as part of the drum kit in this photo!Barry entered Suggestion into the Abigail Hummel School of Speaking Smartly About Music with a comparison to Secret Journey by The Police.Pete compared Ian MacKaye's style of octave guitar playing to that of Wes Montgomery, a famous jazz guitarist.Much like Burning has a sequel in Burning Too, originally from separate EPs, Provisional has a sequel in Reprovisional on Fugazi's subsequent album, Repeater + 3 Songs.Pete is currently narrating for the Bloomberg Weekend Edition, which can be heard on their app. He also voiced Mo the Sloth, who teaches children about mindfulness and meditation, for tonies®.Up next… HIT ME HARD AND SOFT by Billie EilishJingles are by our friend Pete Coe.Visit Anosmia Awareness for more information on Barry's condition.Follow Barry or Abigail on Untappd to see what we're drinking when we're not on mic!Leave us a rating or a review on Apple Podcasts or Spotify!Facebook | Instagram | Bluesky | YouTube | Substack | Website | Email us | Virtual Jukebox | Beer Media Group

Writer, musician and friend of the pod J. Hunter Bennett discusses his new book/zine/pamphlet (whatever you want to call it): "Upside Down Punks: The Strange but True Story of That Fugazi Basketball Hoop Show." Hunter is one of the few who really were at that iconic punk show at a YWCA in Philadelphia in 1988. Get with Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, like audioBoom, Spotify, Google Podcasts, Amazon, iHeart, and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on Facebook, Instagram or Threads @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension Live 2024," by Quartjar. Visit quartjar.bandcamp.com

Fugazi audience etiquette; Kool Aid contractor challenge; Waze & Google Maps gossip with each other; Hamlet skull at commercial auditions; do you have pervy voice?Unlock the BONUS SCENE(S) at improv4humans.com and gain access to every episode of i4h, all ad-free, as well as TONS of exclusive new podcasts delving deeper into improv, the history of comedy, music and sci-fi.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Asher Case and Isaac Lowenstein from Lifeguard are here to discuss Ripped and Torn, doing a podcast on the very day you graduate from high school in Chicago or while you're stuck in New York City, side projects and hectic schedules, fine arts and electrical engineering, Electrical Audio, Tortoise, and other inspiring Chicago things, who Asher's dad is and why he was once a guest on this show, the story of Lifeguard and their interest in song structures, abstract lyrics, and sheets of noise, writing new songs, touring, other future plans, and much more. EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. This one is fine, but please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online. Support vish on Patreon!Related episodes/links:Ep. #947: FACSEp. #920: A Place to Bury StrangersEp. #900: Fugazi and Jem CohenEp. #869: Steve AlbiniEp. #854: METZEp. #692: WilcoEp. #240: A Way That's Clear – Tortoise & The Making of ‘The Catastrophist'Support this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Welcome to four letter word season! We're kicking off with one of the most versatile words: it can be a noun, verb, punctuation, expostulation, full sentence on its own; it can be an intensifier, an insult and a compliment... and a Category A swear, which is why I've had to sanitise it for the title lest your pod app takes exception. And, of course, content note: this episode contains many category A swears, plus some sexual references. Lexicographer and editor Jesse Sheidlower joins to talk about making four editions (so far) of The F Word, a history and dictionary of the multivalent F word. Find his work at jessesword.com. Find out more about the episode and read the transcript at theallusionist.org/ffff (that's four Fs). Next up in Four Letter Word season: we revisit an even stronger swear. The Allusionist live show Souvenirs is happening in Toronto on 1 June and Montréal 9 June! Get tickets via theallusionist.org/events. To help fund this independent podcast, take yourself to theallusionist.org/donate and become a member of the Allusioverse. You get regular livestreams with me reading from my ever-expanding collection of reference books, inside scoops into the making of this show, and watchalong parties. And best of all, you get to bask in the company of your fellow Allusionauts in our delightful Discord community. This episode was produced by me, Helen Zaltzman, on the unceded ancestral and traditional territory of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations, with music composed by Martin Austwick of palebirdmusic.com. Find @allusionistshow on Instagram, Facebook, YouTube and Bluesky. Our ad partner is Multitude. If you want me to talk about your product or thing on the show, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by: • Squarespace, your one-stop shop for building and running your online forever home. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist.• Audio Maverick, a 9-part documentary podcast from CUNY TV about radio maven Himan Brown. Hear about the dawn of radio and Brown's remarkable career, via archive footage and new interviews with audio mavericks, by subscribing to Audio Maverick in your podcast app.• Home Chef, meal kits that fit your needs. For a limited time, Home Chef is offering Allusionist listeners eighteen free meals, plus free shipping on your first box, and free dessert for life, at HomeChef.com/allusionist.• Quince, luxurious clothing and homewares at prices 50-80% lower than comparable brands. Go to Quince.com/allusionist for free shipping on your order and 365-day returns.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.