Podcast appearances and mentions of david batchelor

Welcome to Episode 17 of Pattern Portraits!Lauren Godfrey chats with artist David Batchelor, about the legacy of the Bauhaus, gilding tortoises and pattern as a cardinal sin.David Batchelor is an artist well known for his sculptural and light based work that explores his experience of colour within a modern urban environment, and historical conceptions of colour within Western culture. David has exhibited worldwide with recent solo exhibitions in Sao Paolo, London and Edinburgh. He has delivered large scale commissions for London St Pancras Station and Art on the Underground. His book Chromophobia was published in 2000 and is a staple of art school reading lists worldwide.David's work delights in colour and shape, playing with the edges, the reflections and the shadows, drawing attention to the underside, the reverse or the back of a sculptural form, testing and flexing the parameters of our relationship to colour and the myriad ways we experience it.David and I met earlier this year when I was tasked with making a series of beaded works on his behalf for his solo exhibition at Cecilia Brunson Projects in London. Though I was already a fan of his work, upon visiting his studio I discovered a cocoon of colour and a party of patterned references beyond what I could have imagined. We bonded over a shared love of colour charts for zips and getting giddy about chains dripping with perspex swatches!David has chosen a delicious selection of patterns with a global reach including a Mondrian painting (Composition with Grid IX) from 1919, an Anni Albers work on paper from 1967, a 1965 quilt by Sue Willie Seltzer of the Gee's Bend quilt makers and a Zulu beadwork date unknown. You can see all of David's patterns and more on instagram @patternportraitspodcast‘Purple Punctuation' - The PATTERN PORTRAIT print artwork to accompany David's interview and featuring the patterns we discuss is available to buy now at www.laurengodfrey.co.uk Hosted on Acast. See acast.com/privacy for more information.

Angeführt von den beiden Brüdern Liam und Noel Gallagher etablierten sich Oasis als eine der führenden Bands der Britpop-Bewegung in den 90er Jahren. "Definitely Maybe" wurde zum bestverkauftesten Debütalbum in Großbritannien. Fünf Jungs aus Manchesters Arbeiterklasse nehmen sich vor Rockstars zu werden. Der Opener ihres ersten Albums "Definitely Maybe" trägt passend dazu den Titel "Rock 'n' Roll Star" – der Gegenentwurf von dem Leben, in dem sie sich tatsächlich befunden haben. Doch die selbsterfüllende Prophezeiung funktioniert, "Definitely Maybe" ist weltweit über 6,9 Millionen Mal über die Ladentheke gegangen, es hagelte Gold und Platin. Im August feiert "Definitely Maybe" von Oasis 30-jähriges Jubiläum. Ihre Singles "Supersonic", "Live Forever" und "Cigarettes And Alcohol" klingen heute noch so frisch und aktuell wie im Jahr 1994. Zur Feier des Jubiläums erscheint am 30. August 2024 eine limitierte Deluxe 4LP- und 2CD-Edition mit Bonusmaterial. Bei der ersten Session zu ihrem Debütalbum "Definitely Maybe" hatten Oasis mit David Batchelor einen Produzent an ihrer Seite, der sehr klar produziert hat. Er hat die die Musiker in Einzelkabinen aufgenommen, um die Sounds zu trennen. Doch das war nicht der Sound, den die Band wollte. Noel hatte eine klare Vorstellung von dem Album, er wollte, "dass das Ding klingt wie ein abhebender Düsenjet". Daher haben sie das Album tatsächlich ein zweites Mal aufgenommen, mit Produzent Mark Coyle. Er war mit ihnen bereits als Live-Tontechniker unterwegs und verstand, wie die Band klingen wollte. Warum SWR1 Musikredakteur Stephan Fahrig das Oasis-Konzert verlassen hat und das Album "Definitely Maybe" dennoch großartig findet, warum die Orientierung an bestehenden musikalischen Stilen für dieses Album absolut prägend ist und noch vieles mehr, erfahren Sie im Meilensteine Podcast zu "Definitely Maybe" von Oasis. __________ Über diese Songs vom Album "Definitely Maybe" wird im Podcast gesprochen (15:15) – "Rock 'n' Roll Star"(25:24) – "Cigarettes & Alcohol"(31:15) – "Shakermaker"(38:33) – "Live Forever"(1:00:00)– "Supersonic"(1:10:33)– "Slide Away" Über diese Songs wird außerdem im Podcast gesprochen (31:58) – "I'd Like To Teach The World To Sing" von den The New Seekers__________ Alle Shownotes und weiterführenden Links zur Folge "Definitely Maybe" findet ihr hier: https://www.swr.de/swr1/rp/meilensteine/swr1-meilensteine-definitely-maybe-oasis-100.html __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de __________

Welcome to Episode 053! Today Arch, Tash, and Jeremy talk with Bill McKay, senior lecturer in the School of Architecture at University of Auckland. We discussed the new book Urban Aotearoa: The Future for Our Cities, a new release from Bridget Williams Books, which Bill co-edited with David Batchelor. We asked Bill his views on the issues facing our cities, the current Government positions on the topic, and what answers he sees to address the needs of a growing Aotearoa. Urban Aotearoa is out now, and available from BWB at the link below. Urban Aotearoa: https://www.bwb.co.nz/books/urban-aotearoa/ Theme Music: The Cosmic Wheels

Sari is back to wrap up Season 1 of the Not Sorry Art podcast with details about an art giveaway she's promoting as a "thank you" to her podcast listeners. Here are the giveaway details and entry requirements:Giveaway Basket:1 Floral Studio Disco Ball 8" Canvas Print3 Books (Steal Like An Artist by Austin Kleon, Chromophobia by David Batchelor and Color Theory: An Essential Guide To Color by Patti Mollica)5 tubes of Golden Heavy Body Acrylic paintsNot Sorry Art sticker variety packThank you note from Sari!To enter, simply leave a review for the podcast either on Apple Podcasts or Spotify, or by emailing me @ notsorryart@sari.studio. Let me know a specific part of an episode that you enjoyed or a guest interview that resonated with you! Include your Instagram handle so I can contact you if you win the drawing. Note: I will only contact you on social media through my verified account, @not_sorry_art. Any other accounts are not me!The deadline to be entered in the giveaway is October 31 at 11:59pm CT. A winner will be selected and notified on November 1. Reminder: I will only contact you on social media from @not_sorry_art. Any other attempted contacts on social media from another account is spam.To share any other feedback on the podcast (guests you want to hear in Season 2, tips for improving the show, topics you want me to cover etc.), visit the podcast page on my site.This show is sponsored by Not Sorry Art.Email Sari at notsorryart@sari.studioFollow Sari: @not_sorry_art

Sari is joined by Megan Collins (@VirgoLikeBeyonce on TikTok/@themanicuredshelf on IG) to discuss their latest Summer Book Club selection, Chromophobia by David Batchelor. The book, written in 2000, discusses the larger cultural resistance to color and what that says about prejudices society holds in all facets of modern life.This show is sponsored by Not Sorry Art School and Not Sorry Art.7-Day Painting Bootcamp by Not Sorry Art SchoolEmail Sari at notsorryart@sari.studioFollow Sari: @not_sorry_art

Sari is joined by Megan Collins (@VirgoLikeBeyonce on TikTok/@themanicuredshelf on IG) to discuss June's pick for the Summer Book Club, "You May Also Like" by Tom Vanderbilt. The book dives into how taste and preferences are developed and how it impacts so much of what we do. Sari and Megan share what they liked about the book, what they didn't, and what the author's conclusions say about modern arts and culture.Stay tuned for next month's book club selection, Chromaphobia by David Batchelor.This show is sponsored by Not Sorry Art School and Not Sorry Art.Email Sari at notsorryart@sari.studioFollow Sari: @not_sorry_art

Hope and Jackie are back with a full spectrum take on David Batchelor's book Chromophobia and the conversation around the disappearance of color from our world. It's a topic that touches everything from minimalism to Bauhaus, Beige Moms to the Kardashians, Aristotle to... Jesus? Be there or be austere.   Sources: Chromophobia by David Batchelor Science Museum Group Digital Lab study   We're socialists, so follow us on our socials! @fashismpod on Instagram and TikTok Email us at fashismpod@gmail.com

TW: Mention of drugs Hosted by Celine @celinegabrielleart and Jade @colourworship Art Ok Cool is a podcast dedicated to exploring the world of artists, specifically emerging artists. In today's episode we discuss our latest book club selection: Chromophobia written by David Batchelor. What should we talk about next? Tell us  @artokcool Links to things we talked about: Chromophobia Radio Lab - Why isn't the Sky Blue? CHROMO SAPIENS

Hosted by Celine @celinegabrielleart and Jade @colourworship Art, Ok Cool is a podcast dedicated to exploring the world of artists, specifically emerging artists. In today's episode, we talk about Jade shares all the behind the scenes info of working a high end charity vary auction. ****Next book club: Chromaphobia by David Batchelor*** (also if you have young listeners around skip 5m19s-8m35s to skip some talk about adult content)

Welcome to the Financial Secrets Revealed podcast episode where Amanda Cassar introduces David Batchelor, Managing Director of Wills & Trusts Wealth Management, based in Thame in the UK.David is an award-winning, Chartered Financial Planner, who also moonlights as a Coach for the UK arm of Strategic Coach® and spends time on the public speaking circuit too.  In his spare time, David plays the drums in his two bands, and owns a pub.  He is also a Top of the Table member of the Premier Association of Financial Professionals, the Million Dollar Round Table.®Amanda asks David what lessons he learned from his own family, watching his father face bankruptcy, and how he wound up as a financial adviser.  Wills & Trusts Group are a full-service wealth management firm, discussing money often with those who are retired or retiring, and wanting to leave a lasting legacy for their families.  He openly discusses his own personal financial setbacks and what lessons he would like to pass on to his three children.“Live on 70% of whatever income you earn.  That's all you get for now.” – David Batchelor.LinksChartered Firm of Financial Planners & Legal Advisers - Wills & Trusts (willsandtrustswealth.com) (Company Website)linkedin.com/in/david-batchelor-6ab48117 (LinkedIn profile)Our Team - The Strategic Coach (Strategic Coach Corporate Website)Home (mdrt.org) (MDRT Official Website)Offer Purchase your copy of Financial Secrets Revealed on Amazon: Financial Secrets Revealed: Cassar, Amanda: Amazon.com.au: BooksPurchase your copy of the book on Booktopia:Financial Secrets Revealed, Collective Wisdom from Business Gurus, Financial Geniuses and Everyday Heroes by Amanda Cassar | 9781925648546 | BooktopiaPurchase your copy of the book on Barnes & Noble:Financial Secrets Revealed by Amanda Cassar, Paperback | Barnes & Noble® (barnesandnoble.com)Follow Catch up with Amanda Cassar, host of Financial Secrets Revealed on Twitter and Instagram @financechicks or on LinkedIn at Amanda Cassar | LinkedInWebsites: https://amandacassar.com.au/ https://www.wealthplanningpartners.com.au/ (company website)https://trustedagedcare.com.au/ (company website) Or you can find David Batchelor on Twitter at @WTrustsWMGroup Support the show

Five audio-makers from around the world take over The Essay to offer a series of Radio 3's innovative Between the Ears features in miniature. Each edition takes an image as its starting point - from a radio producer who finds herself caught in a news image to a painting come to life. Chromophonia explores colour for the ears, through the eyes of two colour experts. Cheryl Porter is a books and paper conservator, specialising in medieval manuscripts and methods of creating and preserving pigments. David Batchelor is a contemporary artist and writer who works with and writes about colour. Through the colours black, yellow and blue, we hear physical processes and personal reflections. How is colour created, and how can it be used? And how does it feel to spend a career working with colour? Produced by Calum Perrin A Falling Tree production for BBC Radio 3

In the last of the series the team discuss colour in fashion are joined by fashionista Caroline. Listen to this podcast if you want to find out why so many top fashion designers use colour in an extravagant way in their designs but personally wear black. Is it because they are afraid of colour? The team briefly discuss David Batchelor's book Chromophobia. The ethics of fast fashion are explored and a future in which people readily buy virtual clothes may be coming. Or maybe we will rent our clothes in the future. The future may be closer than you think. And a great opportunity to see the show out with a snippet from Pretty in Pink by The Psychedelic Furs. 

Spencer is a fascinating visual artist and perhaps summarizing his work best is his biogrpahy which states "Inspired by his background in science, Spencer draws from the scientific method, building his practice around a methodology of questioning, experimentation and perpetual curiosity." During our chat we uncover Spencer’s broad and deep reading habits along with his extremely intricate pre-exhbitiion workflow and preparation. He dishes out some really helpful links and resources he uses to source inspiration, reference materials, unpublished books from the 1800s and beyond. We talk about everything from how play is a hugely important part of the experimentation and creative process to how Spencer’s mindfulness practice influences his artwork.   Spencer Harrison Spenceroni.com @spenceroni     Links Colour by David Batchelor archive.org insighttimer.com Composition Notebook LG Mini Beam Projector The Dave Brubeck Quartet "Time Out" Marconi Union "Weightless" 10 Hour Song This American Life Radiolab To The Best Of Our Knowledge Big Magic     Quotes "Play is my best method of experimenting."   "Play has been something that has been very prominent in my practice, since I studied at Uni."   "The other think I like to do when I'm in a bit more of an experimental phase, is even like delete social media off my phone."   "I don't really kind of think of an idea and then create an artwork, I more kind of like create an artwork parallel to an idea and then the two kind of come together at some point."   "A lot of kind of creating art is about finding out about yourself."   "With the creative process, if you have infinite possibilities, it just leads to infinite anxiety, so having some kind of structure helps focus you a little bit and give you a starting point."   "The actual making of the artwork is the most enjoyable part of the process for me."   "I actually like physically kind of working with paint and materials and sanding things and you know putting them together, it's a very kind of meditative and satisfying process."     Original Theme Music by Devin Luke - devinlukemusic.com     Stay In Touch onprocess.com @onprocesspodcast   If this episode helped you in any way, we would love your support. The best way to support us is by Subscribing to the show in iTunes and writing us a review. Thanks for listening.

We hear artist David Batchelor, creator of wonderful colour-filled installations, discuss the relationship between art, colour and luxury. Then he reveals something that came from inside a volcano.

In this episode of the Smart City Podcast, I had a fantastic conversation with David Batchelor, a planner and history buff from Wellington, passionate about heritage and culture in our cities.He is also a member of the Smart Cities Council Emerging Innovators and talks about Smart Cities being a way to create great connected spaces for the people in them, and about Smart Cities being a universal language, a level playing field where we can all communicate.David tells us how New Zealand is currently embracing the Smart City concept and the importance of overall vision and strategy. He discusses some of the things that are happening in Wellington, particularly to do with resilience and tells us some really cool stuff about Smart heritage. We finish our conversation about public trust and the different types of feedback.Disclaimer: Everything discussed is personal opinion only and does not represent any company or government agency.Find the full show notes: thesmartcitypodcast.comConnect with David on LinkedInConnect with me via email: zoe@thesmartcitypodcast.comConnect via Twitter and Facebook @smartcitypod

Hot Date! This week, the boys are looking for love in the most unlikely of places - David Batchelor’s pug dating sim Hot Date. This steamy conversation over the candelabra includes: discussion of mechanics informing comedy, Tinder dating, and emotionally manipulating cute lil pugs.   Find the game on itch.io: https://georgebatch.itch.io/hot-date

Energize! Neil deGrasse Tyson sits down with William Shatner to reflect on Star Trek and the enduring power of science fiction. Featuring comic co-host Chuck Nice, astrophysicist Charles Liu, NASA engineer David Batchelor, and Bill Nye the Science Guy. NOTE: StarTalk All-Access subscribers can listen to this entire episode commercial-free. Find out more at https://www.startalkradio.net/startalk-all-access/

Ben Stuart presents, Episode 2 of the Create More Podcast. This fortnights podcast sees Ben head over to David Batchelors new studio in East London. David is a prominent colour & light artist who has had his work presented all over the world along with being a writer (Chromophobia) and also senior tutor at the RCA. They talk about his current work also go all the way back to the start of his career and how it has evolved. Enjoy... See acast.com/privacy for privacy and opt-out information.

In this edition of CIRCUIT Cast we interview Tahi Moore about his show Psyche Rebuild at Hopkinson Mossman and discuss how his practice investigates the gap between thought and language; in our round table discussion our guests Mark Jackson and Ahilapalapa Rands discuss the Auckland Art Gallery’s summer blockbuster Light Show. Your host is Mark Amery. Image: Magic Hour (2004-2007) David Batchelor. Courtesy the artist, Galeria Leme, São Paulo and Ingleby Gallery, Edinburgh Guest Bios: Dr. Mark Jackson is Associate Professor of Design in the School of Art and Design, Faculty of Design and Creative Technologies at AUT University, New Zealand. He has published in the fields of design history and theory, the visual arts, film and media as well as architecture and landscape architecture. He has had a number of film and video works exhibited internationally. His current research focus is on ethics and design cultures with particular emphasis on the works of Derrida, Heidegger, Agamben and Levinas. Ahilapalapa Rands is the outgoing Education Intern at Artspace, a leading contemporary New Zealand gallery located on Karangahape Road in Auckland. In 2013 she co-curated Close To Home, the 6th Tautai Tertiary Exhibition at ST Paul St Gallery with her Mum Melanie Rands followed by her recent curation of Artspace exhibitionW e l co m e in September 2014. Ahi graduated in 2009 with a Bachelor of Visual Arts from AUT University. During her studies she worked in video and performance installation. Along with Maila Urale, Linda T, and Chris Fitzgerald she is one of the founding members of D.A.N.C.E. art club who have been working together since 2008. Ahi is a fourth generation New Zealander on her father’s side and second on her mother’s side with links to Hawai‘i, Tongareva, Fiji, Samoan, England & Scotland. http://www.artspace.org.nz/exhibitions/2014/welcome.asp Dance - http://danceartclub.co.nz/

David Batchelor’s work comprises three-dimensional structures, photographs and drawings, mostly related to a long term interest in colour and urbanism. To coincide with the Malevich exhibition, Batchelor hosts his talk The Story of the Un-Squared Square

Curator of Return of the Gods, Martin Myrone is joined by Professor Richard Dyer and artist David Batchelor to explore the colour white.

Artist David Batchelor discusses his most recent work and his fascination with the omnipresence of colour as both a unique phenomenon and an everyday experience. Batchelor’s three-dimensional works typically combine brilliant colours, often using fluoresc