Podcasts about Malevich

001. Neki, ALEMOND, Xcho - Моя (Ego'S Remix) 002. Janaga, Jah-Far - Одинока луна (Ego'S Remix) 003. VERBEE - Paradise (HARLID REMIX) 004. 5УТРА - Ромашки (Index-1 Remix) 005. Ray - Балабол (Dj Alex N-Ice Remix) 006. NEEL, KOREL, Nola - Сплетни (Index-1 Afro Remix) 007. 5УТРА, Ваня Дмитриенко – Не представляешь (Harlid Remix) 008. Саша Санта - Дельтаплан (TARABRIN Radio Remix) 009. 5УТРА, Руки Вверх! - Малая (Alex Work Remix) 010. 10AGE - Пушка (HARLID REMIX) 011. bearwolf - GODZILLA (RAKURS RADIO REMIX) 012. HammAli & Navai - Всем заметно (JODLEX Radio Remix) 013. Jazzdauren - Одноклассники (Matuno Radio Remix) 014. Bakhtin - По кабакам (Pavel Aesthetics Radio Edit) 015. Мари Краймбрери - Нравится жить (Asketix Radio Remix) 016. Султан Лагучев - Попутчица (Ramirez Remix) 017. МакSим - Мой Рай (Funny Bubble Remix) 018. Jazzdauren - Три цветочка (JODLEX Remix) 019. Сергей Лазарев - Танцуй (Oneon Remix) 020. Rasa - Погудим (BIG CASH & ALEX SHOT REMIX) Radio Version 021. Bakhtin - Целовала (Pavel Aesthetics Radio Edit) 022. NLO - Этой ночью ты моя (DJ Venum & Harlid Remix) 023. Мохито, МИЧЕЛЗ - По ночной Москве (JODLEX Remix) 024. Jamiliya - Думала (Index-1 Remix) 025. DJ SMASH, Poët - АТМЛ (Index-1 Remix) 026. Валерия - Метелица (Index-1 Remix) 027. Многоточие - В жизни так бывает (RADIOTIK RADIO EDIT) 028. Амура - Сири (HARLID REMIX) 029. Леша Свик - Луна (HARLID REMIX) 030. ВАЛЯ КАРНАВАЛ ft. ЕГОР КРИД - АЛЛО (WhyDj BLEND) 031. Три дня дождя - MONA-Прощание (HARLID REMIX) 032. Мари Краймбрери - Я люблю тебя до слёз (SPARTAK REMIX) 033. Эмма М - Искрами (Funny Bubble Classic Mix) 034. Arti Saryan - Люблю одну тебя (Dmitry Air Remix) 035. Гио Пика, MIRAVI - Мир (Shemyakin & Step-Art Remix) [Radio Edit] 036. Данко - Московская ночь (Funny Bubble Remix) 037. Zivert - Fly (RADIOTIK RADIO EDIT) 038. Konfuz – Ой Ой (Silver Ace Afro Radio Edit) 039. BASKAEVA - Забудешь (Index-1 Remix) 040. FEDUK – Пазлы (Silver Ace & Index-1 Radio Edit) 041. 5Утра, Руки ВВерх - Малая (Bartello Remix Radio Edit) 042. Lx24 - Именем твоим (Index-1 Remix) 043. Nю - Ау (Asketix Radio Remix) 044. Ляпис Трубецкой - В платье белом (Funny Bubble Remix) 045. Камаzz - Как же ты красива (Dmitry Air Radio Edit) 046. Шейх Мансур - Под жёлтым фонарем (Ramirez & Harlid Remix) 047. Artik & Asti - Только этого мало (TARABRIN & RED LINE Radio Remix) 048. Konfuz - Грация (Silver Ace Radio Edit) 049. Allergia feat. HOLY POLY & TUSOVKA - Девица (Index-1 Remix) 050. Kseniya GL - Я просто живу тобой (Index-1 Remix) 051. Кучер - Глаза Не Могут Врать (DJ Venum & Harlid Remix) 052. Леша Свик - Малиновый свет (JODLEX Radio Remix) 053. Слава - В сердце бьёт молния (Index-1 Remix) 054. Mary Gu - Сокровище (TARABRIN Radio Remix) 055. Тимати - Не сходи с ума (RADIOTIK & PS PROJECT RADIO EDIT) 056. Женя Трофимов - Самолеты (DBG Project Radio Remix) 057. Артём Качер & KALVADOS - Фитнес (Index-1 Remix) 058. Ленинград - Богиня (TARABRIN Radio Remix) 059. Bahh Tee, Turken - Медленно (JODLEX Radio Remix) 060. Леша Свик - Останься со мной (TARABRIN Radio Remix) 061. Артур Пирожков Хабиб Мед (D. Anuchin Radio edit) 062. Михаил Шуфутинский - Марджанджа (Funny Bubble Remix) 063. KAYA - Вот и лето прошло (Ramirez Remix) 064. Артём Качер - Сияй (JODLEX Radio Remix) 065. MIA BOYKA - Черная LADA (DJ VEI, DJ DEN KORJ Radio Remix) 066. Дэмо - Солнышко (RADIOTIK & PS PROJECT RADIO EDIT) 067. Женя Трофимов, Комната культуры - Поезда (TARABRIN Radio Remix) 068. Artik & Asti - До последнего вздоха (Index-1 Remix) 069. BITTUEV, NANSI & SIDOROV - Как быть (DBG Project Radio Remix) 070. Ksu Kruzenshtern - Параллельно (Index-1 Remix) 071. Diva Verona - Медленный бит (SAM & HARLID REMIX) 072. ROB HAB, Violinboy, HABUDAI - Рассвет (Andy Shik Remix) 073. Оксана Почепа, Kamazz, AceXSpade, Index-1 - Стихийная Любовь На Такси (Nezil ost MixFresh Party) 074. МакSим - Научусь летать (Funny Bubble Remix) 075. Джиган, Jakone - Матрёшки (NEDLIN & ALEXANDROV Radio Edit) 076. DANU feat. HARU - Водоем (Index-1 Remix) 077. RASA - Под фонарём (ALEX SHOT & BIG CASH EDIT) Radio Version 078. Пропаганда - Мелом (RADIOTIK & PS PROJECT RADIO EDIT) 079. Андрей Губин - Девушки как звезды (TARABRIN Radio Remix) 080. Jakone, SCIRENA - Там Там (Colett Remix) 081. Олег Майами - Не наберу (TARABRIN Radio Remix) 082. GAVRILINA - Drama Queen (D. Anuchin Radio Edit) 083. Комбинация - Бухгалтер (Dj Paul & DJ JON Remix) [Radio Edit] 084. Jony - Love your Voice (Silver Ace Afro Radio Edit) 085. NILETTO - Счастливым (Index-1 & Silver Ace Radio Edit) 086. Султан Лагучев - Ты улетаешь, таешь (Asketix Radio Remix) 087. Лолита- Коста Лакоста-По-другому (HARLID REMIX) 088. Зомб - Где болит (Colett remix) 089. Zvonkiy, Асия - Лети (Ramirez & Arefiev Remix) 090. uniqe, nkeeei, ARTEM SHILOVETS, Wipo - ГЛАМУР (RAKURS RADIO REMIX) 091. Xolidayboy - Зайчонок (TARABRIN Radio Remix) 092. MAUR, A'MIRI - My Love (Ramirez & Arefiev Remix) 093. ARTIK & ASTI - Девочка танцуй (BIG CASH & ALEX SHOT REMIX) Radio Version 094. Валерия - Отпусти меня (Index-1 Remix) 095. CREAM SODA - Облака (Index-1 Remix) 096. Анжелика Варум - Зимняя Вишня (Index-1 Remix) 097. София Ротару - Вот и лето 2024 прошло (Index-1 Remix) 098. Niti May feat. Dila Stellar - Я тебя забыла (BIG CASH & ALEX SHOT REMIX) Radio Version 099. Ivshina feat. Katyaasun - Всё Переживём (Zheez & HARLID REMIX) 100. Artik, Asti - Та Что Делает Больно (HARLID REMIX) 101. Agunda - Ну почему (Arkadiy Trifon Remix) 102. Темникова - Импульсы (a different key DextArt Rebot) 103. МОТ – Оставив сердце в Москве (Silver Ace Afro Radio Edit) 104. DIAO - Танцуй(Timur Smirnov Radio Edit) 105. Artik & Asti, Артем Качер - Грустный дэнс (Ramirez & Arefiev Remix) 106. Клава Кока - Замуж (DJ SAM & HARLID REMIX) 107. Мари Краймбрери - Без Обработки (Asketix Radio Remix) 108. Jakone - Але Але (Ramirez & Arefiev Remix) 109. ApsenT - Можно я с тобой (TARABRIN Radio Remix) 110. INSTASAMKA - BLACK RUSSIA (Index-1 Remix) 111. Шейх Мансур - Балдини (Ramirez & Harlid Remix) 112. Виктория Дайнеко - Сотри его из мемори (Vee-Tal Remix) 113. Mayvery - Тоже музыка (Andrey Rain Remix) 114. A'Studio - Улетаю (DJ PACHA & DJ SNICKERS REMIX) 115. Джиган, Artik & Asti, NILETTO - Худи (DJ Simon Rise Radio Edit) 116. Моя Мишель - Зима в Сердце (Index-1 Remix) 117. MACAN, Kiliana - Как je (Alexx Slam Remix) 118. ЧИНА - Без обид (Silver Ace Afro Radio Edit) 119. МакSим - Трудный возраст (Funny Bubble Remix) 120. Lusia Chebotina - Пошлю Его На (Silver Ace & Denis Bravo Radio Edit) 121. Кисло-сладкий, Zaq - Vibe (Index-1 Remix) 122. ANNA ASTI - Дурак (DJ Venum & Harlid Remix) 123. Клава Кока, Мари Краймбрери - Пьяный вокзал (Index-1 & Silver Ace Remix) 124. Niletto, Олег Майами, Лёша Свик - Громче Города (HARLID REMIX) 125. Anna Asti - Ночью На Кухне (DJ Trojan Remix) 126. Мари Краймбрери - Случилась осень (DJ VEI radio Remix) 127. Минаева - Шоколадка (Vee-Tal Remix) 128. Ольга Серябкина - Эта Зима (Index-1 Remix) 129. NI.KA - Твоё тепло (Ramirez & Arefiev Remix) 130. Macan, Scirena - IVL (Colett & Anton Oripov remix) 131. Клава Кока - Ты грустишь (Index-1 Remix) 132. Big Baby Tape, Aarne - Supersonic (Alexx Slam Remix) 133. Serebro - Я тебя не отдам (ALEX SHOT & BIG CASH REMIX) Radio Version 134. Mavik feat. Mitoo - Зори (Asketix Radio Remix) 135. Bearwolf - Один В Поле Воин (ALEX SHOT & BIG CASH REMIX) Radio Version 136. Ваня Дмитриенко - Венера-Юпитер (BIG CASH & ALEX SHOT EDIT) Radio Version 137. Клава Кока, nkeeei - I don't care (Andy Shik & Ramirez Radio Remix) 138. Анастасия Сотникова - Уеду (Silver Ace Radio Edit) 139. MUJEVA – Цель оправдывает средст. ва (Silver Ace Radio Edit) 140. Наталья Подольская - За окном снежок (Index-1 Remix) 141. MACAN, MONA - Город дорог (Index-1 & Silver Ace Remix) 142. Клава Кока - Нет проблем (Index-1 Remix) 143. MONA, Лолита - Последняя любовь (JODLEX Remix) 144. Люся Чеботина - За Бывшего (ALEX SHOT & BIG CASH REMIX) Radio Version 145. Bearwolf – Валькирия (Silver Ace Radio Edit) 146. Коста Лакоста, Ольга Серябкина - По улицам (Index-1 Remix) 147. Bahh Tee, Turken, Зомб - Несчастный случай (Max Cardo & ALEXANDROV Radio Edit) 148. Artik & Asti - Качели (Index-1 Remix) 149. NЮ - И мы полетим (Asketix Radio Remix) 150. Jakone, Kiliana - Асфальт (Arei, DJ LEV Radio Remix) 151. Ёлка - Не брошу на полпути (Shemyakin & Step-Art Remix) [Radio Edit] 152. RUBI, Ramil - Обнимаю - таю (Batishev Remix) 153. Люся Чеботина - Фараон (Index-1 Remix) 154. Амура -Спрячься (HARLID REMIX) 155. 5Утра, Alex Guesta - Давай Сбежим (ALEX SHOT & BIG CASH MASHUP) Radio Version 156. Bezobrazzers - Алкоголь (Tim Bird Remix) [Radio Edit] 157. Бьянка - Травой (Nervouss Remix Radio Edit) 158. Markul – Ветрено Холодно (Silver Ace Radio Edit) 159. АИГЕЛ - Пыяла (Alex Shov remix) 160. Nlo & Andy Shik & Subsnow - Танцы (Dmc Alex Zago Extended) 161. Konfuz - Италия (Ramirez x Arefiev Remix) 162. JONY - Ревели ливни (Silver Ace Radio Edit) 163. IVAN VALEEV - Заново (Vee-Tal Remix) 164. Егор Крид & МакSим - Отпускаю (ALEX SHOT & BIG CASH MASHUP) Radio Version 165. NILETTO, Олег Майами, Лёша Свик - Не вспоминай (BIG CASH & ALEX SHOT REMIX) Radio Version 166. Kamazz - Стихийная Любовь (JODLEX Radio Remix) 167. JONY - НИКАК (Sergei Ryazanoff Remix) 168. 7Б x Arteez & Matur x Nejtrino & Stranger - Молодые Ветра (DJ Simon Rise Edit) 169. Miyagi & Andy Panda feat. Mav-d - Marmalade (Dipside Remix) [Radio Edit] 170. Artem Smile, Rendow, ISVNBITOV - Вредная 2.0 (Index-1 & Silver Ace Remix) 171. Клава Кока, Лёша Свик - По знакомым улицам (Asketix Radio Remix) 172. Саша Санта, Элвин Грей – Осенний лист (Silver Ace Radio Edit) 173. очки и кольца, Zivert - Еда невкусная (Ramirez Remix) 174. Kamazz - Драма (Index-1 & Silver Ace Radio Edit) 175. Мот – Как хотел я (Silver Ace Radio Edit) 176. Игорь Крутой, ANNA ASTI – Я хочу быть (Silver Ace Radio Edit) 177. Zivert - Эгоистка (Index-1 Remix) 178. ГРИБЫ - КОПЫ (DJ IGOR NEW REMIX) 179. ANNA ASTI - Космически (Index-1 Remix) 180. Markul, Тося Чайкина - Стрелы (Silver Ace & Onix Radio Edit) 181. BLIZKEY - Горы (Vee-Tal Remix RWK) 182. Artik & Asti & Nick Riin - Nobody Like You (Silver Ace Radio Edit) 183. Елена Темникова - Фиолетовый (Arkadiy Trifon Remix) 184. Татьяна Куртукова - Матушка (Ramirez x DJ VALIULLIN Remix) 185. Hammali & Navai - Девочка Война (ALEX SHOT & BIG CASH REMIX) Radio Version 186. Anna Asti - Топит (Tim Bird Remix) [Radio Edit] 187. Николь, T-killah - А ты вернешься (Index-1 Remix) 188. Стас Михайлов - Всё для тебя (Prezzplay & Audiophil Radio Edit) 189. Элджей, ANIKV - SPORT (Index-1 Remix) 190. Юлианна Караулов - Ты не такой (Pavlov & Nicky One R'n'b Blend Radio) 191. BRANYA, MACAN - Пополам (BIG CASH & ALEX SHOT MASHUP) Radio Version 192. Ирина Кайратовна - Айдахар (Red Line & SONETS DJS Remix) 193. Ханна, Миша Марвин – Про любовь (Silver Ace Radio Edit) 194. Пошлая Молли - Адская колыбельная (Stopkrim Remix) 195. Дима Билан - Это была любовь (Chris Fader Remix) 196. Катя Чехова, Агент Смит - Я Робот (Index-1 Remix) 197. RASA & DASHI - Двое бывших (1KAZ REMIX) 198. Mary Gu, MAYOT – айс (Silver Ace Afro Radio Edit) 199. XOLIDAYBOY - Антикиллер любовь (Index-1 Remix) 200. Mona - Дороже золота (Silver Ace Afro Radio Edit) 201. RASA & Kavabanga Depo Kolibri - Фиолетово (Silver Ace Afro Radio Edit) 202. MAUR - La La La (Silver Ace Afro Radio Edit) 203. Мишель x Silver Nail - Вспомни, капитан (DJ ANDRUHA Blend 2024 Radio edit) 204. Osaili - Ау (Broken Stab remix) 205. Скриптонит - Бар 2 Лесбухи (AndrewDN Blend) 206. Nebezao feat. Кравц - Патрики (Index-1 Remix) 207. Катя Чехова - Она одна (Ilya lyulyakov RMX DEMO) 208. t.A.T.u. - Зачем я (GARISHBEAT Remix) 209. Света - Дорога в аэропорт(Timur Smirnov Radio Edit) 210. Jakone, SCIRENA - По весне (DiMooN in the Sky remix) 211. By Индия, The Limba - money (JODLEX & ARAYS Remix) 212. Джиган, Artik & Asti, NILETTO - Худи (German Avny Remix) 213. A.V.G, Macan x Fred again.. x Swedish House Mafia - Cпой x Turn On The Lights again (Dima Makar mash-up) 214. Tiesto vs. Винтаж - I Will Be Eva (DJ Simon Rise Blend Edit) 215. Jakone, A.V.G - Заводит (DJ Simon Rise & D.Rostovsky Remix) 216. Zivert - Мутки (Kartunen Remix) 217. Султан Лагучев - Попутчица (German Avny Remix) 218. Шура - Не верь слезам (Asketix Radio Remix) 219. Jakone, Kiliana - Асфальт (Anton Oripov Remix) 220. XOLIDAYBOY - Мотыльки (DJ Sasha Mix Blend 2024) Radio Mix 221. The Limba, HIRO - Интерес (Hankti Blend) 222. Miravi - Воля (DJ Manzhelo feat Shelest Karin, Kaver) 223. 5УТРА - не повезло (Serge Massive D&B remix) 224. Ани Лорак - Медленно (Dj Demid Remix) 225. Нейромонах Феофан, Татьяна Куртукова, Sullivan King - MixShow (Nezil ost MixFresh Party) 226. Basta, MIRAVI - Туман (djklee blend) 227. ANIKV - Меня не будет (AndrewDN Blend) 228. Uma2rman x DJ Snake - Стрела (TAKSIMO Afro Slow Blend) 229. RASA, Зомб – Фигура (Malevich remix) 230. Jazzdauren - Дарите женщинам цветы (DJ DEN FESTIVAL EDIT)

This is the 118th episode of Mathcast, in which we discuss new and recent releases from The God Awful Truth, Squid Pisser, Dying Whale, Malevich, Suicide Cages, Lower Automation, and in which I repeatedly (and unsuccessfully) try to clear my throat. The God Awful Truth: https://thegodawfultruth.bandcamp.com/album/all-that-dark-all-that-cold Squid Pisser: https://squidpisser.bandcamp.com/album/dreams-of-puke Dying Whale: https://dying-whale.bandcamp.com/album/these-wounds-i-bear Malevich: https://malevichatlanta.bandcamp.com/album/trembling-and-dowsed Suicide Cages: https://suicidecages.bandcamp.com/album/mother-of-thousands Lower Automation: https://lowerautomation.bandcamp.com/album/welcome-to-my-deathbed

Everything Remade episode 197. Thanks so much to Josh for taking the time to chat with me. Intro/Outro track "The Dense Macabre" by Coma Regalia. Featured tracks: 1. Irène Jacob - Malevich 2. Impedance - Malevich 3. Fractured, Exultant - Malevich hear more: malevichatlanta.bandcamp.com If you are enjoying what you hear and would like to support the growth of this podcast directly you can do so by way of donation via paypal: middlemanrecords@gmail.com venmo: @ediequinn or join our patreon: patreon.com/humanmachine

Last month Eenzy caught up with Atlanta-based chaotic hardcore luminaries Apostle for a heartfelt hobnob after a show. The band gets into how they adapted to losing a member and becoming a trio, how they support each other creatively and emotionally in the band, and they land some solid burns at the expense of jazz and black metal (genres famous for their sense of humor). They're currently supporting their latest release Liminal. Listen to the interview down at the bottom or on our Spoofy channel and read the edited transcription below. [Fan crashes interview to tell the band how great the show was] Eenz: Hey guys, Eenzy here outside 529 once again, this time with Apostle.  You guys wanna introduce yourselves? Michael: Hello my name is Michael and I play bass in the band. Murice: I'm Murice I do guitar and vocals. Evan: I'm Evan - I play drums. Eenz: I just sat through a pretty bitchin' show with you guys, Malevich which is another local blackened grind band, Hexis -  a great band from Denmark, and.. I forget the last band actually.  But I have questions about your band so it doesn't matter. My first question is about the name: where did the name Apostle come from? Is there a story behind it? Did you just pick a word out of the dictionary like Health? What's up? Evan: It was kinda something I was sitting on in my early 20's, I was going through my kind of angsty, atheist-phase. To be totally honest I was like 'Yeah, it'd be cool to have a band in a chaotic and abrasive style kind of tongue-in-cheek named Apostle'. Honestly, I just thought it sounded kinda cool at the time, and it stuck. When we started playing with Cam when the band actually formed, I had that name in my back pocket from over the years and was like 'what if we just named it Apostle?' and it just kinda stuck. Eenz: Cool, I like it - the bible's pretty metal in certain parts.  Other parts are pretty fucked up, but whatever [editorial note: dude, the metal parts are super fucked up too] Second question: You guys blend a lot of different metal genres. I hear like grindcore, maybe some crust, definitely blackgaze, maybe some mathy parts. How would you describe your style of music and the bands you're influenced by in this project? Murice: I always just like put us in the category of like chaotic hardcore, just cause it's an easy catch-all term. I'm sure all of our influences vary, but mine are stuff like Yaujta, Sumac, Infernal Coil, Iron Lung, Coke Bust, The Chariot. Just names like that - listening to them really pushed me to like try to do something more with the music I'm making. Michael: One of the cool things about this band is that we all have different influences and we listen to a lot of stuff.  For me, especially when I started playing bass instead of guitar, a lot of like Glassjaw - the Material Control record especially, and things like Botch and Russian Circles - just Brian Cook's bass tone and how he uses a lot of chords, even like Jawbreaker, how their bass player would use a lot of chords to get a thicker sound. When we went down to a three-piece I just wanted to fill as much sound as possible, so for me it was more of a tonal thing, like this band with just a guitar and bass player were able to bring a thick sound I want to try to bring to this band. Evan: Not to sound cliché, but it really is just like expression. I myself am a huge jazz nerd to a certain extent, I mean Tony Williams is my favorite drummer and probably my biggest source of inspiration. But like Murice was saying, the more extreme forms of punk - grindcore and powerviolence-type bands. You mentioned blackgaze, like yeah the atmosphere is indicative of a little black metal in there, but I'm really just trying to push myself as a drummer and get faster at playing blast beats cleanly just hoping to support the songs and further create an atmosphere for the melting pot of shit we have, the stew we have going. Michael: Just to jump in there,

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2023.07.25.550484v1?rss=1 Authors: Khademi, F., Zhang, T., Baumann, M., Buonocore, A., Malevich, T., Yu, Y., Hafed, Z. M. Abstract: Saccadic inhibition refers to a short-latency transient cessation of saccade generation after visual sensory transients. This oculomotor phenomenon occurs with a latency that is consistent with a rapid influence of sensory responses, such as stimulus-induced visual bursts, on oculomotor control circuitry. However, the neural mechanisms underlying saccadic inhibition are not well understood. Here, we exploited the fact that macaque monkeys experience robust saccadic inhibition to test the hypothesis that inhibition time and strength exhibit systematic visual feature tuning properties to a multitude of visual feature dimensions commonly used in vision science. We measured saccades in three monkeys actively controlling their gaze on a target, and we presented visual onset events at random times. Across six experiments, the visual onsets tested size, spatial frequency, contrast, motion direction, and motion speed dependencies of saccadic inhibition. We also investigated how inhibition might depend on the behavioral relevance of the appearing stimuli. We found that saccadic inhibition starts earlier, and is stronger, for large stimuli of low spatial frequencies and high contrasts. Moreover, saccadic inhibition timing depends on motion direction, with earlier inhibition systematically occurring for horizontally than for vertically drifting gratings. On the other hand, saccadic inhibition is stronger for faster motions, and when the appearing stimuli are subsequently foveated. Besides documenting a range of feature tuning dimensions of saccadic inhibition on the properties of exogenous visual stimuli, our results establish macaque monkeys as an ideal model system for unraveling the neural mechanisms underlying a highly ubiquitous oculomotor phenomenon in visual neuroscience. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

Réecoutez Maxximum Dj's de Simone Vitullo invite Miss Malevich du vendredi 7 juillet 2023

001. Клава Кока - Замуж (DJ Trojan Extended Remix) 002. Gazan - Бархатные тяги (Dj INVITED Remix) 003. Руки Вверх! - Отель (Malevich Extended mix) 004. Люся Чеботина - Моё (TRISEVEN Extended Mix) 005. Galibri & Mavik - Прощай, Алёшка (Andy Shik Remix) 006. Artik & Asti ft. Артем Катчер x Max Flame & Dj Daniel - Грустный Дэнс ver.1 (KHAN Edit) 007. Dabro - Услышит весь район (D. Anuchin & Vladkov Remix) 008. Артский, Марик Эс Давай ломай (Ramirez & D. Anuchin Remix) 009. Markul, Тося Чайкина - Стрелы (John Coffey & Misha Mentos Remix) 010. JONY - Давай на ты (Ramirez & D. Anuchin Remix) 011. Artik & Asti – Гармония (M1CH3L P. Rmx) Extended 012. Big Baby Tape, Aarne & Mikis vs Hardwell & Vinne – Hoodak (Puer Mash Up) 013. MACAN, SCIRENA - IVL (Andy Shik Remix) 014. HOLLYFLAME feat GUMA - Одиноко (DJ SAM & HARLID REMIX Extended) 015. CHEBANOV - Ты мой кайф (Tarabrin & Sergeev Remix) 016. Миша Марвин, ХАННА - Финал (Big Cash Remix) 017. ЛСП & Oxxxymiron & Patrick Moreno - Безумие (Makina Dantza Mash Up) 018. Natan ft. Тимати vs Dj Shtopor vs Zest & Bummy - Дерзкая (Makina Dantza Mashup) 019. HammAli & Navai - Такси (EIDEN Remix) Extended 020. Клава Кока & Alex Vnuk x Butesha & DJ Sam - Пьяную Домой (Hardovich & JonyFace Mash Up) 021. Пошлая Молли, HOFMANNITA - #HABIBATI (Malevich Extended Mix) 022. Леша Свик x Tomi Owen - Малиновый свет (KHAN Edit) 023. Svetlyi - Снегопад (Ramirez Extended Remix) 024. Parafin Sound - Она бредовая (Misha Goda Sax Remix) 025. Dabro - Полюбил тебя (SAlANDIR Remix) [EXTENDED] 026. Bahh Tee & Turken - Иди дальше (Maxim Keks Remix) Extended 027. Anna Asti - Ночью На Кухне (Misha Goda Remix) 028. Miyagi & Эндшпиль & RNSNW & Deeplos x Ps Project - Silhouette (Dj Sourse Mash Up) 029. Абрикоса - Влюбилась в друга (Malevich & Nervouss Extended Remix) 030. RASA - OFFLINE (Vlad Magic remix) 031. Полина Гагарина x Olmega - Кукушка (KHAN Edit) 032. Олег Кензов - По Кайфу (Kolya Dark & Sir Art Remix) 033. Люся Чеботина - Солнце Монако (Kolya Dark & Sir Art Remix) 034. Джахаров, Sqwoz Bad & MUNZUR - Daga Baga (DJ ZeM & DJ Gali Edit 2023) 035. MUJEVA - В нём нет загадки (DJ WeLife Remix) 036. JONY, ANNA ASTI x Butesha - Как любовь твою понять (Dj Sourse VOCAL Mash Up) 037. INSTASAMKA - КАК MOMMY (RAKURS & PROSTEXXX REMIX) 038. AnDy Darling feat. XNOVA - Просто танцевать (Eugene Star Extended Mix) 039. GAYAZOV$ BROTHER$ Малиновая Лада (Ramirez & D. Anuchin Remix) 040. Amirchik, МОТ - LIKE I LOVE YOU (Malevich Extended mix) 041. Надежда Гуськова & Butesha & Speed Crazy - Индиго (ONEGINЪ MASHUP) 042. ОЛЬГА БУЗОВА - Заплачу (Tarabrin & Sergeev Remix) 043. ANNA ASTI - Сорри (Ramirez & D. Anuchin Remix) 044. Тимур Спб - Извращенка (Tarabrin & Sergeev Remix) 045. Aleks Ataman & Finik.Finya x Rakurs & Ramirez - Девочка Бандитка (KHAN Edit) 046. Катя Чехова - Крылья (Dj Villain Remix) 047. 126 - VERBEE, Кравц - На движе (Makina Dantza Extended Remix) 048. MONATIK - То, от чего без ума (andle remix) 049. Jakone, A.V.G, BAGARDI, Goro, Asatro - С тобой (Mamoru & Puer Remix) Extended 050. Galibri & Mavik - Мама, я хулиган (Malevich Extended mix) 051. ALEKS ATAMAN & FINIK - ОЙОЙОЙ (Tarabrin & Sergeev Remix) 052. MIA BOYKA, ELSEA - Летом на 42 (Malevich Extended mix) 053. INSTASAMKA & Ramirez Dmc Mansur vs Butesha &Dj Den - Отключаю телефон (Puer Mash Up) 054. Мот & Тимати x Max Flame - В Чём Сила Брат 2k23 (SamSound VIP Edit) 055. RASA x Alex Dee - Уголёк (KHAN Edit) 056. Максим & Mamoru vs Ramirez & Mike Temoff - Знаешь ли ты (Puer & Hardovich Mash Up) 057. Natan feat. Слава - Ой Всё (Evan Lake Remix) 058. Big Baby Tape, kizaru x Ownboss & Sevek, Juicce, Rush - 99 Problems (Dj Resample Mash-Up) 059. Dj Smash, Artik & Asti - CO2 (Ramirez & D.Anuchin Remix) 060. Jakone, SCIRENA - По весне (D. Anuchin Remix) 061. INSTASAMKA x Lukas Vane - Жара (Dj Sourse Mash Up) 062. Юлианна Караулова - Сильная (Tarabrin & Sergeev Remix) 063. Время и Стекло x Eugene Star - Имя 505 (KHAN Edit) 064. Rasa x Olmega - Молодым (Khan Edit) 065. ANNA ASTI x Kolya Funk & Blant - По Барам (KHAN Edit) 066. Кравц, Гио Пика - Где прошла ты (D. Anuchin Remix) 067. ЕГОР КРИД, HammAli & Navai - Засыпаешь, но не со мной (Malevich Extended mix) 068. ANNA ASTI - Звенит январская вьюга (FBULV & DJ JON Remix) 069. Mary Gu - Грустно и точка (DJ Trojan Extended Remix) 070. GAYAZOV$ BROZER$ - До встречи на танцполе (ALEXANDROV & NedliN Remix) 071. Amirchik & Silver Ace & Onix vs Voxi & Innoxi - Эта любовь (Puer Mash Up) 072. BITTUEV - ХУЛИГАН (Tarabrin & Sergeev Remix) 073. Archi vs PsProject & Rakurs - Танцуют с хулиганами (Puer & Hardovich Mash Up) 074. Моя Мишель - Снегири (German Avny Extended Mix) 075. Елена Темникова x Sasha First & T-Key - Импульсы ver 2.0 (KHAN Edit) 076. Zivert ft. M'Dee x Sasha First - Двусмысленно (KHAN Edit) 077. Егор Крид & МакSим x Mexx - Отпускаю (KHAN Edit) 078. SQWOZ BAB, The First Station, Prumo x DJ S7ven - АУФ (YoGa Gli Mashup) 079. Bittuev Братик (Vladkov & D. Anuchin Remix) 080. Zivert - WAKE UP! (ALEX HART Remix) 081. RASA - КАЙФАЙ (RAKURS REMIX) 082. MORGENSHTERN - SHOW (ANDREW JOUS & PS PROJECT REMIX) 083. XOLIDAYBOY - Моя хулиганка (Ramirez & D. Anuchin Remix) 084. Полина Гагарина - Небо в глазах (Lazy Giz & Alex Work Remix) 085. RASA & Kavabanga Depo Kolibri x Olmega - Витамин (KHAN Edit) 086. Nyusha ft. Arash & Misha Plein & Altegro & Simka & Alex Zago & Max Flame & Dacks - Выбирать Чудо (dj demon Mash Up) 087. DJ SMASH, Клава Кока - Пятница (Free Your Mind Remix) Extended 088. Barinova x Jonvs - Самый-Самый (KHAN Edit) 089. Akmal' - То, что между нами (Alex Work & Lazy Giz Remix) 090. A.V.G - Она кайф (MIKIS Remix) 091. 5sta Family x Sasha First & T-Key - Эгоистка (KHAN Edit) 092. Bianka - Были танцы (Andrew Jous Remix) 093. ZNATNY & Speed Crazy - Бархатные тяги (ONEGINЪ MASHUP Ver.2) 094. ANNA ASTI – Повело (M1CH3L P. Bootleg Rmx) 095. Coldblock & Vsegda17 x Shnaps & Kolya Funk - Мамасита (KHAN Edit) 096. MACAN - ASPHALT 8 (Tipsy Remix) 097. Серебро x Dj Zosh - Перепутала (KHAN Edit) 098. МОТ - Мурашками (Alex Work & Lazy Giz Remix) 099. Люся Чеботина - Лучшая подруга (Dj INVITED & LEVEL Remix) 100. Кравц, Tony Tonite - Я хотел бы знать (Makina Dantza Extended Remix) 101. Бьянка - Музыка (Ramirez & DJ EmiL Extended Remix) 102. Аркайда - Хулиган (ALEXANDROV Remix) 103. RASA & Kavabanga Depo Kolibri x Sasha First - Цунами (KHAN Edit) 104. Bittuev x Butesha - Ты Напишешь Люблю (Dj Sourse Blend) 105. Artik & Asti - Я так люблю тебя (Ramirez & D. Anuchin Remix) 106. Bahh Tee & Turken - Путь к тебе (Tarabrin & Sergeev Remix) 107. RASA - ПОГУДИМ (Tarabrin & Sergeev Remix) 108. Tanir & Tyomcha - Потеряли пацана (DJ SAM & M1CH3L P REMIX) Extended Mix 109. Мари Краймбрери - Иначе все это зря (Tarabrin & Sergeev Remix) 110. Mia Boyka & T-Killah - Саламандра (Silver Ace & Onix Remix) 111. Ольга Серябкина x Misha Plein - Одиночка (KHAN Edit) 112. Мальбэк feat. Сюзанна - Гипнозы (Free Your Mind VIP Remix) 113. Леша Свик - Плакала (SAlANDIR Remix) [EXTENDED] 114. Зомб - Занят (Malevich Extended Mix) 115. Dose, FEDUK - Ты (Malevich Extended Mix) 116. Bahh Tee & Turken vs. Lavrushkin & Max Roven - Ты моё всё (Alex Botcher MashUp) 117. Антон Токарев - Седьмой лепесток (Makina Dantza Extended Remix) 118. Slavik Pogosov - Монро (MAXS & ALEXANDROV Extended Remix) 119. Jukebox Trio feat. Варя Шмыкова - Солнышко (German Avny Extended Remix) 120. DASHI x Poluhin - Sorry (KHAN Edit) 121. Big Baby Tape vs. Jedri & Vivo - Like A G6 (German Avny Mashup) 122. Artik & Asti - Кукла (DJ Trojan Remix) [LONG EDIT EXTENDED] 123. Bahh Tee, Turken - Утонуть в твоих глазах (Makina Dantza Extended Remix) 124. Dashi & Бьянка - Люли (Vee-Tal Remix) 125. Лигалайз - Будущие мамы (Ramirez & Pavlov Extended Remix) 126. escape - Аладдин (MAXS & ALEXANDROV Remix) 127. 2Маши, MNNR, Jurbas - Босая (Makina Dantza Mash Up) 128. A.V.G, TATAR - Ножевой (Ramirez Extended Remix) 129. Градусы - Режиссер (Eugene Star Extended Mix) 130. DJ Smash & Nivesta, NЮ, Ayur Tsyrenov, Butesha & Alex-One - Никто не позвонит (DJ Resample Mashup) 131. NILETTO - Летуаль (Kartunen Remix) 132. VESNA305, The First Station & Freaks'n'Beatz - Помада (ONEGINЪ EDIT) 133. Боронина & Ramirez & Pavlov - Васаби (ONEGINЪ MASHUP) 134. Элджей ft. Кравц - Дисконнект (Alex Shik VIP Remix) 135. Корж vs Blade - Малый повзрослел (DJ Misha GRA MashUP)

присутствуют ремиксы с джинглами 001. Амура — Хотелось бросить (Maxun Remix) 002. VERBEE - Paradise (Yura Sychev Radio Remix) 003. Doja Cat x Markul, Тося Чайкина - Стрелы (DJ Vlad Mayer Blend) 004. Andro, ELMAN, TONI, MONA — Зари (DJ SAM REMIX) Radio Mix 005. Doja Cat x Zivert - LIfe (DJ Vlad Mayer Blend) 006. MONA, Баста - Ты так мне необходим (JODLEX Remix) 007. ANNA ASTI - Повело (DJ Misha GRA Intro edit) 008. Мот - Мурашками (Nuris Remix) 009. RASA - ПОГУДИМ (DJ Venum Radio Edit) 010. VERBEE, Rompasso - Тает дым (DJ Venum Remix) 011. Кучер - Се ля ви (Romen Kendess remix) 012. Абрикоса - Влюбилась в друга (Malevich & Nervouss Radio edit) 013. HammAli, Мари Краймбрери - В чёрных очках (Tarabrin & Sergeev Radio Remix) 014. Doni feat. Timran - Не спать (DJ Venum Remix) 015. escape - Аладдин (MAXS & ALEXANDROV Radio Edit) 016. GAYAZOV$ BROTHER$ - Июль, Анапа (Kalatsky Remix Radio Edit) 017. Леша Свик - Загоны (Index-1 Remix) 018. Влад Соколовский - Авиарежим (Index-1 Remix) 019. Алсу - Скучаю вопреки (Index-1 Remix) 020. Ани Лорак - На мели (Index-1 Remix) 021. Zivert - Двусмысленно (feat. M'Dee) (Index-1 Remix) 022. NOLA - Сакура (Index-1 Remix) 023. CHIPA & DABY - Стробоскоп (Index-1 Remix) 024. Amay - Часики (Index-1 Remix) 025. 3-ий Январь, MITCHEL - Дура (Index-1 Remix) 026. Kamazz - Как ты там (SAlANDIR Remix) [Radio] 027. NATALiYA - Дожди (Dj DeLaYeR & Dj Harlid Remix) [Radio Edit] 028. Полина Гагарина - Небо в глазах (Alex Work & Lazy Giz Radio Edit) 029. Kambulat - Пьяная симпатия (Romen Kendess remix) 030. ЕГОР КРИД, HammAli & Navai - Засыпаешь, но не со мной (Malevich Remix) 031. Lx24 feat. Мари Краймбрери - Через 10 Лет (1kaz Remix) 032. МОТ x Jony х Даша Эпова - Лилии х Не Молчи (Drej MashUP) 033. INSTASAMKA - KAK MOMMY (ALEX-ONE & SAlANDIR Remix) [Radio] 034. Макс КомикадZе, Простор - Отбитый (PROSTEXXX Remix) [Radio Edit] 035. Клава Кока - Замуж (Silver Ace Radio Edit) 036. Артём Качер, Seville - Один из двух (Silver Ace Radio Edit) 037. Lx24 - Я всё вернуть хочу назад (Dmitry Air Radio Remix) 038. Адлер Коцба - Самолёт до Питера (Silver Ace Radio Edit) 039. V $ X V PRiNCE - Суета (dnsk.mp3 remix) 040. Serebro - Мама Люба (Misha Slam & M1CH3L P. RMX) Radio Version 041. Mia Boyka, Elsea - Летом на 42 (Silver Ace Radio Edit) 042. Lusia Chebotina, Phillipp Kirkorov – Королева (Silver Ace Radio Edit) 043. Ivan Valeev - Novella (TRISEVEN Radio Mix) 044. L'ONE - Она одна (Kartunen Remix) 045. Jakone, SCIRENA - Там Там (FBULV Radio edit) 046. Dava - Ловлю такси (Silver Ace Radio Edit) 047. Bahh Tee, Turken - Иди дальше (Silver Ace Radio Edit) 048. BITTUEV - Хулиган (DJ SAM & M1CH3L P. REMIX) [Radio Edit] 049. ANNA ASTI - Целуешь другую (Nervouss Remix Radio Edit) 050. Galibri & Mavik - Федерико Феллини (Lavrushkin & Shakhov Radio mix) 051. HOLLYFLAME feat GUMA - Одиноко (DJ SAM & HARLID REMIX) 052. Мичелз feat. ZAPOLYA - Не Дружим (PACHA & DJ MAD A Radio Remix) 053. Миша Марвин, Маша Вебер - Целоваться (PACHA Radio Remix) 054. ALEKS ATAMAN, FINIK - ОЙОЙОЙ (Temoff Remix) [Radio Edit] 055. DAVA - Временно (DJ Prezzplay & PACHA Radio Edit) 056. DISHMEL - Танцуй со мной (SAlANDIR Remix) [Radio] 057. HammAli & Navai - Засыпай, красавица (SUBSNOW Radio Edit) 058. Amirchik - Молчание (Misha Goda Radio Edit) 059. Инфинити - Ночь на двоих (Index-1 Remix) 060. Мари Краймбрери - Малая, пой (Index-1 Remix) 061. INSTASAMKA - Жара (Nervouss Remix Radio Edit) 062. MACAN, SCIRENA - IVL (VOVANDRIK Remix) 063. Artik & Asti - Кукла (Vee-Tal Remix) 064. Mary Gu - Астероид (Pavel Lichmanyuk Remix) 065. NOLA - Тебя любить (SAlANDIR Remix) [Radio] 066. Amirchik - Минимум Раз (DJ Venum Remix) 067. NЮ - Если сгорим (SAlANDIR Radio Edit) 068. Radjo - Рулетка (Tarabrin & Sergeev Radio Remix) 069. XOLIDAYBOY - Моя хулиганка (Misha Plein & Mark Shady Remix) [Radio] 070. Zivert - DEL MAR (SAlANDIR Remix) [Radio] 071. Антон Беляев - Лететь (Lavrushkin & Shakhov Radio mix) 072. Аркайда - Хулиган (ALEXANDROV Radio Edit) 073. Афродита - Валера (Lavrushkin & Silver Ace Radio mix) 074. Егор Крид & МакSим - Отпускаю (PS PROJECT & SAlANDIR Remix) [Radio] 075. Кравц, Гио Пика - Где прошла ты (RAKURS RADIO REMIX) 076. Макс КомикадZе feat. Простор - Байрактар ( PROSTEXXX & MAXI FormOFF Remix) [Radio Edit] 077. Мари Краймбрери - Иначе всё это зря (SAlANDIR Remix) [Radio] 078. Ольга Серябкина - Одиночка (SUBSNOW Radio Edit) 079. Реднакси - Забери солнце (SAlANDIR Remix) [Radio] 080. Сява - Джими Джими (Kalatsky Remix) [Radio Edit] 081. Vesna305 - Помада (DJ Sasha Mixon Remix) (Radio Edit). 082. Xcho x Dj Dark x Tiesto - Малая Lay Low (DJ Drej MashUP) 083. Macan - ASPHALT 8 (DJ SAM REMIX) [Radio Edit} 084. Jukebox Trio & Deeper Craft & Diseptix & Alex Shik & Dobrynin - Извращенка (DJ Simon Rise Radio Edit) [2023] 085. Gazan & DJ BAUR - Бархатные Тяги (ONEGINЪ MASHUP) 086. Daryana & Daybe - Заставлял (Silver Ace Radio Edit) 087. Gayazovs Brothers - До встречи на танцполе (ALEXANDROV & NedliN Radio Edit) 088. DAASHA - Дождь фонари (Index-1 Remix) 089. Елена Темникова - Импульсы (SAlANDIR Remix) [Radio] 090. Макс Корж - Малиновый Закат (Alex-One & Salandir Radio Edit) 091. Леша Свик - Малиновый свет (Andy Shik x Alex-One Remix) Radio Edit 092. Люся Чеботина - Лучшая подруга (DJ SAM REMIX) [Radio Edit] 093. VESNA305 – Чужой (Tarabrin & Sergeev Radio Remix) 094. Tanir & Tyomcha - Потеряли пацана (DJ SAM & M1CH3L P REMIX) Radio Mix 095. Jakone, SCIRENA - По весне (DJ SAM & HARLID REMIX) Radio Mix 096. Cygo - Лёд (Silver Ace Radio Edit) 097. Dashi, Бьянка - Люли (Silver Ace & Leomee Radio Edit) 098. A.V.G, TATAR x TV Noise & Henry Fong - ''BUMBA'' Ножевой (Dj Sourse ACA IN Mash Up) 099. Aarne, BUSHIDO ZHO, ANIKV - Тесно (PUSHKAREV remix) 100. KENA - Мне просто нужен ты (Silver Ace & Salandir Radio Remix) 101. Liza Evans - Красной помадой (SAlANDIR Remix) [Radio] 102. Саша Морозова - Ангел (Index-1 Radio Edit) 103. Mary Gu - Грустно и точка (DJ Trojan Remix) 104. Xcho - Ты и я (DJ Venum Remix) 105. Zivert - Ещё хочу (Andy Shik x Alex-One Radio Edit) 106. Амура & Kambulat - Как дела (Livmo Remix) 107. Мальбэк feat. Сюзанна - Гипнозы (Free Your Mind VIP Remix) Radio Edit 108. Миша Марвин & Ханна - Финал (Vadim Adamov & Hardphol Remix) (Radio Edit) 109. ZNATNY & Bounce Inc x DJ Kuba & Neitan - Бархатные тяги (ONEGINЪ MASHUP) 110. Lil Kate - Нечего сказать (DJ Smell Remix) 111. Andrey Vakulenko & Dj Dolmatov - Uhodi (Dirty Etienne Remix) 112. Big Baby Tape - Like A G6 (Sulim & DJ Asteroid Vip Remix) Radio 113. DASHI - Sorry (DJ Smell Remix) [Radio Edit] 114. Dose, FEDUK - Ты (Malevich Remix) 115. Дима Билан - Ночь-провода (Index-1 Remix) 116. Slavik Pogosov vs Dj Prezzplay & Dj Snickers – Монро (Puer & Hardovich Radio Edit) 117. TEMNEE, Клава Кока - Однажды (Andy Shik Remix) (Radio Edit) 118. A.V.G - Она кайф (Andy Shik x Asteroid Radio Edit) 119. Мичелз & Элона Миллер & DJ Prezzplay & DJ Snickers vs Yves V & Sevek - Угонщица (Puer & Hardovich Radio Edit) 120. Мальбэк - Равнодушие (feat. Сюзанна) (GAMBELLA Remix) 121. Sheri Marshel - Отпусти меня (Katy S & KosMat Remix) 122. DJ Smash & Nivesta - Позвони (Rodion Gordin Future Rave Remix) 123. Mary Gu - 17 (Index-1 Radio Edit) 124. Anna Asti - Повело (DJ Semen Andreev Remix radio edit) 125. Zivert - Всё решено (Sheelow Remix) 126. Ramil', Macan X Maksim X David Guetta feat. Sia X Shouse - Mp3 X Отпускаю X Titanium X Love Tonight (Eidly Mashup) 127. Макс Корж x BYOR - Малый повзрослел (DJ Vlad Mayer Blend) 128. Скриптонит x Kaaze - Бар hey girl (Dj SneiF Mash Up) 129. Lexara - Завралась (Dj Xaoc remix) 130. Zivert- Можно всё (Alika Vladimirskaya Remix)

I've got a great interview for you today— this time, I'm featuring a conversation with Julia Voss on her fascinating book, Hilma af Klint, a Biography, which was released recently in its English translation.  The Swedish painter Hilma af Klint (1862–1944) was forty-four years old when she broke with the academic tradition in which she had been trained to produce a body of radical, abstract works the likes of which had never been seen before. Today, it is widely accepted that af Klint was one of the earliest abstract academic painters in Europe.   But this is only part of her story. Not only was she a working female artist, she was also an avowed clairvoyant and mystic. Like many of the artists at the turn of the twentieth century who developed some version of abstract painting, af Klint studied Theosophy, which holds that science, art, and religion are all reflections of an underlying life-form that can be harnessed through meditation, study, and experimentation. Well before Kandinsky, Mondrian, and Malevich declared themselves the inventors of abstraction, af Klint was working in a nonrepresentational mode, producing a powerful visual language that continues to speak to audiences today. The exhibition of her work in 2018 at the Guggenheim Museum in New York City attracted more than 600,000 visitors, making it the most-attended show in the history of the institution.  Despite her enormous popularity, there has not yet been a biography of af Klint—until now. Please enjoy this bonus episode, featuring my discussion with Julia Voss. Buy Hilma af Klint, a Biography here! Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify Instagram / Facebook / YouTube SPONSORS: Lomi: Enjoy $50 off a Lomi Composter by visiting our link and using promo code ARTCURIOUS  Lume Deodorant: Control Body Odor ANYWHERE with @lumedeodorant and get over 40% off your starter pack with promo code ARTCURIOUS at lumedeodorant.com/ARTCURIOUS! #lumepod Want to advertise/sponsor our show? We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They're great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started. https://www.advertisecast.com/ArtCuriousPodcast Learn more about your ad choices. Visit podcastchoices.com/adchoices

When Kasimir's Malevich's Black Square was produced in 1915, no one had ever seen anything like it before. And yet it does have precedents. In fact, over the previous five hundred years, several painters, writers, philosophers, scientists, and censors alighted on the form of the black square or rectangle, as if for the first time. Foreshadowed: Malevich's "Black Square" and Its Precursors (Reaktion Books, 2022) explores the resonances between Malevich's Black Square and its precursors, revealing layers of meaning that are often overlooked but which are as relevant today as ever. In this interview, Allison Leigh explores these ideas with Andrew Spria. Their conversation ranges from how Andrew chose the overall structure for the book and his process of researching it, to why Malevich's canvas should be seen as one of the most interesting and beautiful paintings ever made. Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

When Kasimir's Malevich's Black Square was produced in 1915, no one had ever seen anything like it before. And yet it does have precedents. In fact, over the previous five hundred years, several painters, writers, philosophers, scientists, and censors alighted on the form of the black square or rectangle, as if for the first time. Foreshadowed: Malevich's "Black Square" and Its Precursors (Reaktion Books, 2022) explores the resonances between Malevich's Black Square and its precursors, revealing layers of meaning that are often overlooked but which are as relevant today as ever. In this interview, Allison Leigh explores these ideas with Andrew Spria. Their conversation ranges from how Andrew chose the overall structure for the book and his process of researching it, to why Malevich's canvas should be seen as one of the most interesting and beautiful paintings ever made. Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

When Kasimir's Malevich's Black Square was produced in 1915, no one had ever seen anything like it before. And yet it does have precedents. In fact, over the previous five hundred years, several painters, writers, philosophers, scientists, and censors alighted on the form of the black square or rectangle, as if for the first time. Foreshadowed: Malevich's "Black Square" and Its Precursors (Reaktion Books, 2022) explores the resonances between Malevich's Black Square and its precursors, revealing layers of meaning that are often overlooked but which are as relevant today as ever. In this interview, Allison Leigh explores these ideas with Andrew Spria. Their conversation ranges from how Andrew chose the overall structure for the book and his process of researching it, to why Malevich's canvas should be seen as one of the most interesting and beautiful paintings ever made. Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

When Kasimir's Malevich's Black Square was produced in 1915, no one had ever seen anything like it before. And yet it does have precedents. In fact, over the previous five hundred years, several painters, writers, philosophers, scientists, and censors alighted on the form of the black square or rectangle, as if for the first time. Foreshadowed: Malevich's "Black Square" and Its Precursors (Reaktion Books, 2022) explores the resonances between Malevich's Black Square and its precursors, revealing layers of meaning that are often overlooked but which are as relevant today as ever. In this interview, Allison Leigh explores these ideas with Andrew Spria. Their conversation ranges from how Andrew chose the overall structure for the book and his process of researching it, to why Malevich's canvas should be seen as one of the most interesting and beautiful paintings ever made. Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

When Kasimir's Malevich's Black Square was produced in 1915, no one had ever seen anything like it before. And yet it does have precedents. In fact, over the previous five hundred years, several painters, writers, philosophers, scientists, and censors alighted on the form of the black square or rectangle, as if for the first time. Foreshadowed: Malevich's "Black Square" and Its Precursors (Reaktion Books, 2022) explores the resonances between Malevich's Black Square and its precursors, revealing layers of meaning that are often overlooked but which are as relevant today as ever. In this interview, Allison Leigh explores these ideas with Andrew Spira. Their conversation ranges from how Andrew chose the overall structure for the book and his process of researching it, to why Malevich's canvas should be seen as one of the most interesting and beautiful paintings ever made. Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

When Kasimir's Malevich's Black Square was produced in 1915, no one had ever seen anything like it before. And yet it does have precedents. In fact, over the previous five hundred years, several painters, writers, philosophers, scientists, and censors alighted on the form of the black square or rectangle, as if for the first time. Foreshadowed: Malevich's "Black Square" and Its Precursors (Reaktion Books, 2022) explores the resonances between Malevich's Black Square and its precursors, revealing layers of meaning that are often overlooked but which are as relevant today as ever. In this interview, Allison Leigh explores these ideas with Andrew Spria. Their conversation ranges from how Andrew chose the overall structure for the book and his process of researching it, to why Malevich's canvas should be seen as one of the most interesting and beautiful paintings ever made. Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

When Kasimir's Malevich's Black Square was produced in 1915, no one had ever seen anything like it before. And yet it does have precedents. In fact, over the previous five hundred years, several painters, writers, philosophers, scientists, and censors alighted on the form of the black square or rectangle, as if for the first time. Foreshadowed: Malevich's "Black Square" and Its Precursors (Reaktion Books, 2022) explores the resonances between Malevich's Black Square and its precursors, revealing layers of meaning that are often overlooked but which are as relevant today as ever. In this interview, Allison Leigh explores these ideas with Andrew Spria. Their conversation ranges from how Andrew chose the overall structure for the book and his process of researching it, to why Malevich's canvas should be seen as one of the most interesting and beautiful paintings ever made. Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Kasimir's Malevich's Black Square was produced in 1915, no one had ever seen anything like it before. And yet it does have precedents. In fact, over the previous five hundred years, several painters, writers, philosophers, scientists, and censors alighted on the form of the black square or rectangle, as if for the first time. Foreshadowed: Malevich's "Black Square" and Its Precursors (Reaktion Books, 2022) explores the resonances between Malevich's Black Square and its precursors, revealing layers of meaning that are often overlooked but which are as relevant today as ever. In this interview, Allison Leigh explores these ideas with Andrew Spria. Their conversation ranges from how Andrew chose the overall structure for the book and his process of researching it, to why Malevich's canvas should be seen as one of the most interesting and beautiful paintings ever made. Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

The first installment of the new series, Haunt Manual, which explores the hauntological prisms of creative and magickal praxis as a fluid multimedia grimoire. Full chapter at https://keatsross.substack.com/ and podcast shownotes at https://www.wethehallowed.org/haunt-manual-neither-either-or

The Jeroen Leenders Experience Live 8 april 2022, Club Haug, Rotterdam. Word lid op YouTube en kijk de video: https://www.youtube.com/channel/UCl7CNw3jWIMP_Ctk-7n13Sw/join Volgende live- show in Rotterdam on https://comedyclubhaug.com/events/ (0:00) Promo (0:34) Funnel (7:09) Zelensky (15:04) In je kind knippen (20:53) Religieus opvoeden (24:38) Filosofisch feminisme (32:14) 2 mafketels in 1 sluis (36:48) Normaal leren doen (43:00) Malevich (47:50) Duurzaamheid- consultant (50:23) Kattenbak (53:09) Vrouwenbesnijdenis (57:29) Liefde in Rotterdam (1:01:46) Honden (1:04:12) Bruin brood (1:09:01) Culturele vrouwelijkheid (1:14:12) Livehack YouTube: https://www.youtube.com/channel/UCl7CNw3jWIMP_Ctk-7n13Sw/join Vimeo: https://vimeo.com/ondemand/jeroenleendersexperience Speellijst & info: http://www.jeroenleenders.be Instagram: https://www.instagram.com/the_jeroen_leenders_experience/ Facebook: https://www.facebook.com/www.jeroenleenders.be Twitter: https://twitter.com/jeroen_leenders Spotify: https://open.spotify.com/show/5I6B88nVw4wyxWqh331899 YouTube: https://www.youtube.com/channel/UCl7CNw3jWIMP_Ctk-7n13Sw/join iTunes: https://podcasts.apple.com/nl/podcast/jeroen-leenders-experience/id1370129605 Stitcher: https://www.stitcher.com/show/the-jeroen-leenders-experience Deezer: https://www.deezer.com/nl/show/734982

On this episode of Metal on Metal, we sat down with Josh McIntyre and Sasha Schilbrack-Cole of the band Malevich. In this interview, we discuss their upcoming tour which includes dates in Canada. We also discussed the process of creating during the pandemic, being prepared, and Steely Dan Links mentioned in this episode: https://malevichatlanta.bandcamp.com/album/our-hollow https://malevichatlanta.bandcamp.com/track/impedance This podcast is hosted by ZenCast.fm

Спикер нашего сегодняшнего выпуска — Анна Магрицкая, CEO агентства ArtBloggers. Основная компетенция Анны — создание креативных коллабораций между художниками и крупными международными брендами, такими как Kiehl's, BMW, Tinkoff, Honor, Xiaomi, Paco Rabanne, Malevich, Henkel и т. д.Аня приоткрыла завесу и рассказала, как при работе с креаторами, современными художниками и огромными брендами не сойти с ума, защитить чужое право на творчество, когда надо взять перерыв и отмолчаться, а когда — пойти на бокс и отвести душу на груше. Еще Аня поделилась своими историями из прошлого и тем как они помогли ей создать команду, которая ее очень любит, объяснила, как работать с белка-менеджментом и почему важно помнить, что чаще всего — с нами все хорошо и правильно.Выпуск уже на ваших любимых площадках — не забывайте ставить лайк, нажимать на колокольчик и писать нам комментарии. Мы читаем их вслух всей командой!Спонсор выпуска — Московская академия дизайн-профессий Pentaschool https://pentaschool.ru. Комментарий дала руководитель академии Светлана Малихина, дизайнер и арт-директор.Сайт проекта Ladies, Wine & Design, Moscow: https://ladieswinedesign.moscowАдрес для связи: lwd.moscow@gmail.comИнстаграм Ани: https://www.instagram.com/magritskaya_anna/Сайт агентства: https://artbloggers.ru/Ведущая канала Катя Шашина: http://kateshash.comМузыка и сведение звука Ксюша Казанцева: https://soundcloud.com/vnuchka-fantasta

Nathan Hunt is joined by Gilles Breton - a former Canadian diplomat and a current CERBA National Chair. Gilles has served three assignments at the Canadian Embassy in Moscow and shares some great stories about his experience working in Russia during the Cold War; a 25,000km trip across the Soviet Union, heading CERBA and Canada-Russia Business Council.Related links to the episode:Canada Eurasia Russia Business Association (CERBA)Russia Canada Business Council (RCBC)Timeline00:00 Intro00:40 Introducing Gilles Breton1:41 Meeting Robert Ford and the first posting3:43 Mr.Costakis' Fine Arts collection7:52 Living in Soviet Moscow as a Canadian Diplomat10:35 Alexander Yakovlev speech writing power13:20 The art of the Communist Party discussions14:45 First visit of the Canadian Prime Minister to Russia17:54 "Fire!" with CTV news20:24 25,000km across the USSR21:39 visiting the Baltic States22:56 A magical rediscovery of Moscow26:24 Becoming CERBA National Chair28:14 Canada Russia Business Council29:19 What are the greatest opportunities for Canada-Eurasia economic cooperation?31:38 What made Gilles a leader?32:14 What does the future hold for Gilles?33:46 ConclusionIcebreakers is produced by CERBA, an independent non-profit organization that promotes bilateral trade and investment between Canada and Eurasia. www.cerbanet.org

Wat is de waarde van kunst in roerige tijden? Kunstenaar Ahmet Ögüt maakte met zijn werk Bakunin's Barricade (2015) een barricade van hekken, autowrakken, bouwmaterialen én een echte Malevich. Met daarbij een contract dat het museum deze barricade in moet zetten als er een opstand komt. Hoe zit dat precies? Blikopener Ciro interviewt Ögüt en spreekt met Blikopeners Cecil en Noa over de waarde van kunst.  Dit is aflevering 1 van een driedelige serie bij de tentoonstelling The Presence of Absence in het Stedelijk Museum. Meer info: www.stedelijk.nl/nl/tentoonstellingen/In-the-Presence-of-Absence 

Episode 2: How To Read a Black SquareIn this episode Fatima Al Kurdi explains the right way to read Malevich's Artwork "Black Square".

In this episode, we look at Malevich's work called Eight Red Rectangles.

In this episode Mildred and Lou host guest scholar Irina to discuss her doctoral research on early 20th century Russian artist Kazimir Malevich.  His work was influenced by esoteric concepts including various forms of mysticism, and theoretical mathematical concepts like the 4th dimension and imaginary numbers.  Roles are reversed as Lou discusses science and Mildred references cartoons. music by V►LH►LL vlhll.bandcamp.com

En este episodio vamos a hablar de una artista única, la sueca Hilma af Klint, quien desarrolló un lenguaje pictórico que la convirtió en la primera en acercase al arte abstracto y geométrico, muchos años antes que otros artistas reconocidos internacionalmente como Malevich, Mondrian o Kandisnky.   Vinculada a prácticas ocultistas y espiritistas, recibió un mensaje en una sesión en la que oficiaba de medium, invitándola a construir un legado artístico para la humanidad. Inició así un período de creación en el que se concentró en crear y codificar un conjunto de más de 200 obras que mantuvo en secreto y que denominó "Pinturas para el templo".  Nunca exhibidas en vida de la artista, fueron legadas a su sobrino con instrucciones de que las obras no sean develadas hasta 20 años después de su muerte, los cuales por diversos motivos y vaivenes, se convertirían en 40, llegando a ser expuestas por primera vez en la década del 80. Te invitamos a  conocer más sobre esta curiosa historia en este podcast! Mi nombre es Evelyn Marquez, curadora y gestora cultural, y te invito a suscribirte a nuestro podcast de arte contemporáneo en el canal de iTunes, en Spotify y YouTube. Encontranos también en Facebook  (@temporadaderelampagos ) y en Twitter  (@TRelampagos)!! Si te interesó, compartilo para ayudarnos a seguir creciendo! Nos encontramos en el próximo episodio!!

La ricerca di Kazimir Malevič parte dal futurismo e arriva a definire l'astrattismo come arte suprema. Il suprematismo esprime il valore del colore e diventa un punto fermo nello sviluppo dell'arte del secondo novecento. Tutte le immagini su https://quellodiarte.com/2020/05/20/dal-quadrato-nero-alleleganza-bianca/ Vuoi rimanere aggiornato su tutte le novità su Quello di Arte? Iscriviti alla mailing list di Quello di Arte cliccando su questo link https://mailchi.mp/e5da93e9fc36/mailinglistSe volete scrivere a Quello di Arte l'email è quellodiarte@gmail.comPlaylistMichelangelo Mammoliti, Mono, 2019

This is the 38th episode of Mathcast, in which we discuss Kingaling, Senzu, Storm {O}, Body Hound, Unfurl, Cloud Rat, Malevich, Portrayal of Guilt, revisit The Sound That Ends Creation and Delta Sleep, and interview Pound on their run of dates with The Number Twelve Looks Like You. Kingaling: https://www.facebook.com/kingaling315/ https://kingaling315.bandcamp.com/album/grievance Senzu: https://www.facebook.com/senzutheband/ https://senzutheband.bandcamp.com/album/auster-ep Storm {O}: https://www.facebook.com/stormohc https://stormo.bandcamp.com/album/finis-terrae Body Hound: https://www.facebook.com/Bodyhound https://bodyhound.bandcamp.com/album/no-moon Unfurl: https://www.facebook.com/VNFVRL/ https://vnfvrl.bandcamp.com/album/the-waking-void Cloud Rat: https://www.facebook.com/cloudratgrind/ https://cloudrat.bandcamp.com/album/pollinator Malevich: https://www.facebook.com/malevichband/ https://malevichatlanta.bandcamp.com/album/our-hollow Portrayal of Guilt: https://www.facebook.com/portrayalofguilt https://portrayalofguilt.com/album/suffering-is-a-gift The Sound That Ends Creation: https://www.facebook.com/thesoundthatendscreation/ https://thesoundthatendscreation.bandcamp.com/album/music-designed-to-give-you-ideas-incase-you-should-run-out-of-ideas Delta Sleep: https://www.facebook.com/deltasleepband https://deltasleep.bandcamp.com/album/younger-years Pound: https://www.facebook.com/PoundBand/ https://pound.bandcamp.com/album/- Theme music: Antarctica - "Aqua Teen Destroyed Boston's Life" https://antarcticaiscold.bandcamp.com/ Patreon: www.patreon.com/mathcoreindex

Caleb and Cole talk about new music from Kanye West, Cigarettes After Sex, Malevich, FKA Twigs, Queensway, Swans, and Alcest

My friends Shawn Hammond and Connor Wade came on the show to talk about their duo, Fever Love. You might remember them from their appearance on the iHearIC concert series last year, and you might enjoy them in the near future on the iHearIC concert series again (next Thursday, 11/21 at The Mill)!Follow Fever Love: facebook.com/feverlovebandWe closed today's show with new music from TEXAS HOLD'EM LAVA DOME: texasholdemlavadome.bandcamp.comVideos from the October iHearIC show at Trumpet Blossom are now available to all on our youtube page: youtube.com/playlist?list=PLGA6kZJDK6qQvWA69u-Xh6174OtxvkKBcRadio show next Sunday (11/17) at 3PM on KRUI. 89.7FM on your radio or krui.fm to stream - a preview of next Thursday's live show!iHearIC t-shirts and prints designed by Vero Rose Smith (verorosesmith.com) are for sale here: ihearic.bandcamp.comPatreon subscribers get a discount code for all purchases: patreon.com/posts/ihearic-prints-23495803Mark your calendars for the rest of the iHearIC concert season (free, starting at 9PM):NOVEMBER 21 @ THE MILL: Sneezy Dollars, EDPSW, INVocE, Fever Love (facebook.com/events/768133716964304)DECEMBER 13 @ TRUMPET BLOSSOM: Anastasia Scholze, Thieves, Warship, Gersony/Vanek (facebook.com/events/388633938737226)iHearIC Radio will be celebrating its 100th episode on December 8th. We'll be airing at a special time for the special occasion: 8AM-12PM. I'll have on as many guests as possible and will try to take calls in the studio as well. We're all going to have a blast.By the way, iHearIC Radio is also going to be in rotation at KICI (105.3FM in Iowa City) in the near future. Check out their programming schedule at kiciradio.org if you just can't get enough iHearIC on terrestrial radio!Here are some events to attend this week:GRLWood / Starry Nights / Cult of Volac @ Trumpet Blossom (11/12 8:30PM): facebook.com/events/701105433734322Malevich, Closet Witch, RIG TIME, Zuul @ Hill Haus (11/13 7:30PM): facebook.com/events/970239433334748Eastern Iowa Bond Project Dance Party Fundraiser @ Gabe's (11/14 10PM): facebook.com/events/2531695670453559Celebrating Solitude: Works for Unaccompanied Clarinet (Kim Cassisa) @ Voxman room 5 (11/17 1:30PM): facebook.com/events/397666617846891Writers Open Mic @ ICPL (11/17 4PM): facebook.com/events/771868019941103FMWT #47: Ami Dang @ Trumpet Blossom (11/17 6PM): facebook.com/events/792521224515971Direct mp3 link: https://archive.org/download/20191110ihearic96/2019-11-10%20ihearic%2096.mp3ihearic.compatreon.com/ihearicfacebook.com/ihearictwitter.com/ihearicyoutube.com/ihearicinstagram.com/ihearicihearic.bandcamp.combit.ly/iHearICiTunesbit.ly/iHearICGooglebit.ly/iHearICspotifymixcloud.com/iHearICsoundcloud.com/ihearicbit.ly/iHearICStitcherihearic.blogspot.comRSS: feeds.feedburner.com/ihearic

Explore utopian ideas of pure abstraction in the paintings by Russian avant-garde painter Kazimer Malevich.Work discussed, "Untitled," oil on canvas work, 1916 is part of the collection at the Peggy Guggenheim Collection in Venice. Learn more at https://www.guggenheim.org.

Explore utopian ideas of pure abstraction in the paintings by Russian avant-garde painter Kazimer Malevich.Work discussed, "Untitled," oil on canvas work, 1916 is part of the collection at the Peggy Guggenheim Collection in Venice. Learn more at https://www.guggenheim.org.

Joana Marques, de regresso ao painel dos irritados, traz-nos novas irritações: a obsessão portuguesa com o bronze e as sombras das arribas. José de Pina sugere escrever ementas de restaurantes em reproduções de quadros de Malevich, Carla Quevedo mostra-se indignada com o dress code feminino nos aviões e os botões nas passadeiras dos semáforos, pois são apenas "placebos" para "enganar" os peões. O episódio foi emitido a 26 de julho, na SIC Radical

Na de bejubelde biografie over Sergej Diaghilev die slavist Sjeng Scheijen schreef in 2011, verdiepte hij zich jarenlang in de geschiedenis van de Russische avant-garde. In zijn nieuwe vuistdikke boek 'De avant-gardisten. De Russische revolutie in de kunst 1917-1935' lezen we hoe kunstenaars als Tatlin en Malevich vrij snel na de oktoberrevolutie hoge posten kregen in het revolutionaire cultuurbeleid en hoe ze bijna even snel uit de gunst vielen van de bolsjewieken.

  Enrique and Andrew catch up on what the birds are saying. They talk about the effect of living with an oracle versus reading and oracle. The conversation winds through ideas of how being in tune wit the oracles impact their relationship with the rest of life. Finally they end by answering listeners questions.  Episode 13, Poetry, Magic, and Ice Cream, and episode 63 [00:00:30], Definitions and Silence. Think about how much you've enjoyed the podcast and how many episodes you listened to, and consider if it is time to support the Patreon You can do so here. If you want more of this in your life you can subscribe by RSS , iTunes, Stitcher, or email. If you'd like to connect with Enrique go check him out on Facebook here.  Thanks for joining the conversation. Please share the podcast to help us grow and change the world.  Andrew You can book time with Andrew through his site here.  Transcription ANDREW: [00:00:00] Hello, my friends, welcome to The Hermit's Lamp podcast. I wanted to let you know that the new intro music here was composed by my daughter, Claire. I hope you dig it. I certainly am loving on her creativity. Also, this is episode 91 with Enrique Enriquez. And if you have not caught our past conversations, you should go check them out: Episode 13, Poetry, Magic, and Ice Cream, and episode 63 [00:00:30], Definitions and Silence. Both available in the archives, either on the website or in your podcast catcher.  [new music!] Speaker 2: [00:01:00] Let me start by saying thank you to all the Patreons who support this podcast in general, and specifically help the process of providing transcripts of every episode to the public so that anybody for any reason can access all this wonderful information. Those fine people are getting access to great bonus material and they make this happen. If you are listening to this podcast, think about how many episodes you've listened to, how much you've appreciated it [00:01:30], and please consider heading on over to Patreon.com/TheHermitsLamp, and pitching something in to continue supporting this work. It is truly a situation where every dollar helps.  Welcome back to The Hermit's Lamp podcast. I'm here today with Enrique Enriquez, who is a card reader, poet, and artist, and you know was featured in a wonderful movie called Tarology, which [00:02:00] you can find on many places online right now. [Here's the trailer on YouTube: https://youtu.be/A5UR3VesQGo] This is the third time that Enrique has been on the show, and if you haven't checked out the other episodes, check the show notes for them. I'll provide links, so people can go back and hear our previous conversations. Enrique, for people who are meeting you for the first time, who are you? What are you about? What's going on?  ENRIQUE: Well, you know, the other day I went to a bookstore that is across the street. And first of all, Andrew, it's always [00:02:30] so good to hear you and always so good to talk to you.  ANDREW: Mm-hmm. ENRIQUE: But anyway, you know, I have this book store across the street and I went there. And there was this voice, they were doing something on the floor, I was talking to the guy. And then as I was about to leave, the woman on the floor stood up to say, "Wait!" and then I turn around and say, "What?" And say, "Are you the guy who talks like a bird?" And I say, "Yes, as a matter of fact [00:03:00], I am," and she say, "Yes, a friend told me about you," and I . . . That made me very happy, you know?  ANDREW: Mm-hmm.  ENRIQUE: So, I guess, I am the man who speaks like a bird. ANDREW: Excellent. ENRIQUE: And at the moment, that seems to be plenty.  ANDREW: I think that's wonderful. I mean, for me, listening to the birds and, and trying to speak with them is definitely one of my, one of my favorite things these days. You know, I've been spending, for [00:03:30] years now, really spending a lot of time trying to engage with them, and more and more over time I've found myself drawn deeper and deeper into . . . into the world of birds. So yeah, it's wonderful.  ENRIQUE: Yes. Yeah, if you know, I suspect that birds are some sort of [Amic? Homic?] knowledge religion that is universal. I only know one person, a friend of mine, who says that birds are jerks and he hates birds. And [00:04:00] he say, "I know you like birds, but I hate birds," and but also always ... ANDREW: (laughing) That's a lot of strong feeling for birds!  ENRIQUE: Yes, exactly. ANDREW: Why does he hate birds?  ENRIQUE: Yes, but usually, I don't know, I mean, I guess, we said, you know, a bird is somehow that the embodiment of a long [garbled at 4:28] We [00:04:30] look at a bird, we think of birds, we listen to birds. You know, it's just about survival. They go around trying to find something to eat. There is no, no Romanticism in this view of birds, which is fine. I mean, I think it's a great exception, because usually as soon as you . . . You know, the other day, I was talking to . . . having a beer with these poets, a poet from Turkey and a poet from New Zealand and [00:05:00] they asked me, "What do you think about Trump?" And I told him what I believe, which is that Trump has no place in my reality. I don't care. And then, as soon as I mentioned birds, they told me all kinds of fantastic stories about their own relationship with birds. And about 45 minutes into the conversation, I say, "See, that's why I don't think about Trump." ANDREW: Right. ENRIQUE: I mean, there are better things to talk about, your, your mind. [00:05:30] Yes, so I think that that that's how, birds account for that common longing we have, for some sort of transcendence that I don't want to, I don't want to put a name to it. But then when you actually make a bird sound, you realize that you are, you are enacting this form that is at once transparent and opaque, you know, because you're not really saying anything, and even so, everybody understands you. ANDREW: Mmm.  ENRIQUE: So I end up realizing [00:06:00] that I like to speak like a bird, and that basically means that since the beginning of this summer I started actually recording myself using all these bird calls, like these wooden artifacts or metal artifacts that imitate the sound of birds, and then sending my friends bird messages instead of text or voice messages, right? And by speaking like a bird, what I actually accomplish is, I avoid misunderstandings. ANDREW: Mmm. ENRIQUE: Everybody [00:06:31] seems to understand the form of a bird sound. ANDREW: I like it. I feel like we must have talked about this on the podcast previously. You know, in the Orisha tradition, Osain, who is . . . He's responsible for all the knowledge of all the plants and all the magic that comes from that. He's sort of the wizard who lives in the forest, who's been . . . ENRIQUE: Beautiful. ANDREW: Broken down and, you know, scarred [00:07:01] by various conflicts and battles he's had over the years, and Osain speaks like a bird. And you know, when we . . . when we do certain ceremonies and we sing, there are . . . There are these parts where we sing, where we're singing not any words, but just to imitate the sound of the birds and to acknowledge the way in which Osain speaks to us, right?  ENRIQUE: Ah, that's fantastic.  ANDREW: Yeah, so, you know ... You're in [00:07:31] good company.  ENRIQUE: Yes, of course, and, no, it's amazing when you start looking into it, that the amount of effort and time that people have put into trying to imitate birds or talk like birds or understand birds, through history. And there is a, just as you say, there was a sort of pre-Koranic poetry that was all based on imitating the cooing of a mourning dove. And then you have the same in New Guinea. There is a tribe there that all their poetry is [00:08:01] based on the idea of imitating the cooing of a mourning dove, that wailing sound.  But, I mean, there are countless examples and, of course, thousands of poems about birds, but I guess I . . . Something clicked or shifted this summer. So, I started working with that because I understood that the moment I started sending these bird sounds to people, I went from somebody who could interpret signs [00:08:31] to somebody who was just delivering signs, so they became the interpreters, they were the ones telling me: "Yes. Thank you. I really needed this today." Or, like happened the other day with this, this man. He sent me a recording of a bird that he hears out of the window and then I just mimicked it. I just imitated the same . . . I sent him back the same thing, but I made it and then he say, "Oh, I love yours because I can hear my own name in it."  ANDREW: (chuckling) ENRIQUE: And [00:09:01] you know. And that, like a friend from Finland who say, you know, "Birds are only quiet when there are earthquakes or tsunamis or something horrible is about to happen." ANDREW: Mm-hmm. ENRIQUE: "So whenever I hear your bird voice, I just feel that everything is okay." And to me that's . . . I mean in a sense, yeah, something shifted, because I think that, in a sense, turning the other person into the auger, into the interpreter, it [00:09:31] has something to do with the idea of an oracle as something that should poetize life instead of giving answers.  ANDREW: Well, and I think that, you know, let's be honest about, you know . . . I mean, I won't even bring my clients into this, about myself. There are times where I go to the oracle, hoping that the oracle will tell me that everything's going to be okay. And, you know, the prospect of thinking that well, as long as . . . as long as I can hear the birdsong, [00:10:01] or as long as I can go into my, my messenger and find a note of you playing, and play that song, the answer is the birds are singing, there's no tsunami. There's no earthquake.  ENRIQUE: Exactly.  ANDREW: There's no predator here, right? You're good. Take it easy. (laughs) ENRIQUE: Exactly. That's exactly one of the ways of seeing it, yes. ANDREW: Mm-hmm. ENRIQUE: And, so, yeah, it has been a really, you know, at some point I started to suspect or to . . . Or maybe I decided [00:10:31] to start acting as if all these enterprises of divination, as if we already got it backwards. . . ANDREW: Mm-hmm. ENRIQUE: You know, and usually we have this idea of this image of the person, the reader, the diviner, who's sitting waiting for the client or the, you know, consultant to come. And then I decided, no, it should be the other way around, right? Because in . . . I was reading The Iliad, you know, and there is this moment, which is a rather irrelevant moment, [00:11:01] when it is said that when a person arrives to the city, he fills everybody with excitement because of course, there is still the potential of what this person may be bringing, you know, news, things, a weird fruit, something, right? ANDREW: Mm-hmm. ENRIQUE: And then I thought about that in relationship with angels, and the idea of the angel. And of course, angel is a word that comes from a Greek word for messenger, [00:11:31] right? So, the idea of the messenger. The messenger brings news, like the birds that come and, as you say, everything is okay. The birds are singing. ANDREW: Mm-hmm. ENRIQUE: Or look over there, because the bird, you know, flew that way.  So, I decided, I think it's better to become the angel, or to imitate, you know, dreams and angels, which are the only oracles that actually visit people. ANDREW: Mm-hmm. ENRIQUE: And obliterate the reading on the table and just be . . . appear on people's lives and [00:12:01] then disappear, which is something you can now do, thanks to all these little gadgets we have, and social media, and all that, so you can really become, or have, a virtual presence. So that's where I am at now.  ANDREW: You've become the psychopomp, right?  ENRIQUE: Yeah, somehow, yeah in a sense. It's this idea of . . . I mean, I . . . You know, I am a witness, and I look at things, you [00:12:31] know, and, at some point, I guess I . . . what I understand is that I, in terms of giving answers to people, solving people's problems, giving them solutions, healing, all that stuff. I don't do that. I don't know how to do that. ANDREW: Mm-hmm. ENRIQUE: But I know how to pay attention. I know how to be a witness. So, at some point it may be that I find a place and form. Right? I look at something that is worth [garbled] or worth sharing and then [00:13:01] maybe that sound, that word, that form could be the answer to somebody's question or the solution to somebody's problem. It could even bring some sort of healing to them, but it's not me. It's not me doing it. ANDREW: Mm-hmm. ENRIQUE: It's . . . They are the ones interpreting the sign. ANDREW: Well, and I think that . . . You know, I think that one of the things that's really interesting and that, you know, I certainly appreciate about you and about all of our dialogues because, [00:13:31] you know, I think that the delivering of more concrete messages is also great and it's a thing that I certainly enjoy.  But I'm also really interested in this space where, where we, revoke the expectation of meaning in a concrete way. You know? And like, I made this deck earlier in the year, which I shared with you when I was in New York, you know, the Land of the Sacred Self Oracle.  ENRIQUE: Yes.  ANDREW: And you know, I created . . . [00:14:02] I initially wanted to say nothing about it. And like, I was like, I just want to make it and put it out there. But everybody, almost everybody that I talked to was like, "I don't know what I'm . . . I don't know what to do with this. So, I need you to tell me stuff." And I was like, "All right." So, I created this course for it and . . . which is, which is now, it's just basically a PDF. And the first lesson is, these images are nothing but ink on paper, [00:14:32] they don't mean anything. They have no concrete meaning in and of themselves. What do you actually see? You know? Because I think that leading people back to themselves is so profound and so powerful.  ENRIQUE: Yes. ANDREW: And so, against the nature of our culture, right? The nature of . . .  ENRIQUE: Yes. ANDREW: . . . the Modern Age, right?  ENRIQUE: Well, but that . . . What is interesting about that is that, that is exactly what contemporary art brought about. ANDREW: Right. [00:15:02]  ENRIQUE: You know? All . . . today, beginning of the 20th century, art basically showcased a common narrative and that could be . . . You know, you go to Italy to see all these paintings of the Virgin Mary or Christ, or the, the, you know, the Book of Genesis or whatever. You have this idea of okay, we all understand what we are seeing because we share these references. ANDREW: Mm-hmm. ENRIQUE: And then came, you know, Malevich or Kandinsky [00:15:32] or even Donald Judd or all these people and say, "No, now you have the possibility to understand that thing before you on your own terms." ANDREW: Mm-hmm. ENRIQUE: And that's exactly what you're saying. Forget about what that is for the other person standing next to you. What is that to you? And of course, we still abhor that, I mean, most people put a lot of resistance to that, because they want to be told what it is. One is . . . like the other day, I had this, you know, I had [00:16:02] been reading the cards this woman finds out on the sidewalk. I have talked to you about this. For more than 10 years. And I stopped the other day because she, she sent me a card, and I told her about Nikolai Gogol, the Russian writer, and I . . . There is this wonderful little book a friend gave me about the dreams of Joseph Cornell. ANDREW: Mm-hmm. ENRIQUE: So, this woman pulled out all the dreams of Joseph Cornell [00:16:32] from his diary. And the amazing thing is that when you read his dreams you realize that they are not extraordinary in any way, right? ANDREW: Mm-hmm. ENRIQUE: Which is beautiful, because you realize the dreams are these material things available to all of us and a plumber can have dreams that are as extraordinary as the dreams of a fantastic artist as Joseph Cornell. But what was really interesting is at the end . . . She also wrote about all these people that Cornell was influenced by. [00:17:02] Not in terms of his work, but in terms of his relationship to dreams. And that I found fascinating. He had like the lineage of others like Blaise Pascal or you know, Freud. And then he spoke, or he took notice of Nikolai Gogol, and there was this rich lady who wrote to Gogol, saying, "Can you please interpret this dream for me?" Right? ANDREW: Mm-hmm. ENRIQUE: And Gogol wrote back and say, "Only your soul can tell you what the dream means." ANDREW: Mm-hmm. ENRIQUE: "Don't [00:17:32] ask any wise man, because they won't tell you. They are not able to. They won't be able to say what it means. You have to find a quiet space. You have to. Within yourself you will find the meaning of the dream." So, I said that to this woman, right, who had sent me a little card she found somewhere. And she got enraged. She told me, "No, you have the obligation of telling me what it means." Because of course, we don't want to be within ourself. That's a . . . [00:18:02] It's a . . . it's a very tall order. ANDREW: Mm-hmm. ENRIQUE: And, in theory, we don't have time, right? We are always under this imaginary constraint of time. And she said that "You have the obligation of telling me." Of course, I dropped communication immediately because I feel I have no obligation. I have two kids, that's obligations enough.  ANDREW: Yeah. ENRIQUE: Other than that, you know. But in a sense, I understand, there is a . . . what you're saying, in terms [00:18:32] of your own deck. I mean, people have an extraordinary resistance of coming to terms with their own experience, because actually, most people are looking for mythology, not for experience. ANDREW: Mm-hmm. ENRIQUE: You know. They want a little story. They don't want an experience.  ANDREW: Well, and exactly. You know, and I . . . a friend of mine who I was sharing the art with as I was making it, you know, they would have this reaction where they would be obviously fascinated by it, and then . . . But they'd be like, [00:19:02] "But I don't know what it means." And I'm like, "Well, just look at it. Do you have a feeling?" And they're like, "Yeah. I really have a feeling when I look at this." I'm like, "Great, then it's perfect. Go with that feeling!" You know? And even if their reactions were not, not articulatable, right? They would . . . I might have, you know, had I known then, I might have been like, "Just sing me a bird song about it. And we'll see what it says," you know?  ENRIQUE: Yeah. Well because if something [00:19:32] is really hitting home, the only possible responses are either laughter or silence.  ANDREW: Yes.  ENRIQUE: You know, that's the moment when we are completely impacted by something. We laugh, which is almost like a defense mechanism or we are quiet, because of this, we are taking it deep, you know. ANDREW: Mm-hmm. ENRIQUE: So, and of course, we still think that we have to feel special and important when we are having an experience.  ANDREW: Yeah. Yeah. Because people aren't comfortable sitting in [00:20:02] that. So, I was at this conference and, as the culmination of the workshop that we were doing, we were to sit and gaze into the other person's eyes, and sort of allow all that had been exchanged between us to sort of settle in. And the person that I was sitting with was uncomfortable with this and started to laugh every time we looked and tried to look away a bit or whatever. And so, I just sort of sat there and said to myself, "Well, I [00:20:32] can laugh with them, we can laugh together."  And so, so I started to laugh and as soon as I started to laugh, they continued, but were able to sort of sit with me with it. And so, we sat there, you know, in the midst of several hundred people. Everyone else dead silent and gazing solemnly into everybody else's eyes and having their own experience. And the two of us laughing so hard the tears were rolling down our face, because it just kept escalating, the longer we did it, the funnier [00:21:02] it got, right? And you know, I mean . . . ENRIQUE: That's brilliant. ANDREW: One of the . .  . one of the more magical experiences of it, you know, and I don't remember what the rest of the reading was. I have no idea what we said to each other. I mean, I might . . . I think I made some notes, I could go and look, but for me, the real significance was that we both changed something in that moment through our engagement and our laughter, right?  ENRIQUE: Yes, and that's actually . . . That was an actual communication, you know, where you had your communication, [00:21:32] communicating through laughter, which is in a way communicating through form. ANDREW: Mm-hmm. ENRIQUE: And not through words. I mean words are wonderful. And I love words, but words are also overrated. You know, there is a whole field of experience that exists outside of words.  ANDREW: Sure. Yeah. ENRIQUE: And, and when you really have a profound experience, you are usually in the space outside of language, then comes the problem of sharing it, right? And then you have to find the right words, which is a whole other thing. But with the actual experience is not in the space mediated by language. [00:22:03]  ANDREW: Mm-hmm.  ENRIQUE: No matter what the French say.  ANDREW: Yeah. I completely agree with you. I think that that that sort of moment where you're just engaged with something beyond words is . . . is really where, where things are wonderful. Right? ENRIQUE: Yes. Absolutely. ANDREW: I mean, it's, it's an experience that I'm always seeking out, you know, in one way or another right? In my relationships. In my relationship with nature, through the art that I make, even, even through my hobbies, like going rock climbing. One of the things I like about rock climbing is [00:22:33] that, you know, when you're 25 feet off the ground, and you know, working on a climbing problem, there's no . . . There's nothing but the sort of sense of trying to figure out how to move in space in relationship with the wall and it's not . . . it's not words. ENRIQUE: Exactly. ANDREW: It's not anything. It's just . . . it's just a feeling and it's the feeling of being in that relationship with the wall itself and the puzzle, you know? ENRIQUE: Yeah, I mean that's, that's actually a beautiful example because the wall is there, [00:23:03] speaking in stone. ANDREW: Mm-hmm.  ENRIQUE: And then . . . and your body has to reply in your negative space for the stone.  ANDREW: Yeah. ENRIQUE: Otherwise, you basically fall and die.  ANDREW: Right. ENRIQUE: So, you have to become endowed with that form and that's a . . . yeah, that's an excellent example.  ANDREW: Yeah, and it's definitely one of those things where you know, you can make your mind up. You know, I mean, especially, you know, like I'm not the world's best climber by any means, but you know, I climb [00:23:33] sort of relatively challenging, for most people, kind of things. You can decide all sorts of things before you start the climb, but once you put your hand or your foot or you know, whatever on the, on the hold then it tells you, if you're listening, what it wants you to do or needs you to do.  ENRIQUE: Yes.  ANDREW: And everything that you thought ahead of time kind of can go completely out the window where you're like, "Oh. I thought I'd be able to hold it from that angle. But in fact, I have to hold it from the other side now," or "I have to do this [00:24:03] or that," or "Oh, wow. That space is so much broader than I thought it was. I don't know how to, how to cross that gap now." And then you . . . then you have to sort of feel it and feel the motion and it really becomes a process of .  . . Most of the problem-solving comes not so much from even thinking about it, but from being there and saying, "Okay, where do I feel the most settled in this position? And where do I feel like I can move from?"  ENRIQUE: Yes. ANDREW: And then you're like, "Okay, now, now, now I [00:24:33] can see my way forward."  ENRIQUE: Yeah, any embodied knowledge that you have, that we all have, and of course you acquire with experience the more you speak or you are in dialogue with the rock and the mountain, but at the same time, somehow, that's also dream. That's some sort of thing which, just letting the symbolic world, meaning the world of forms, guide you upwards. ANDREW: Mm-hmm. For sure. Well, [00:25:03] I mean, I feel like this this brings us into something that you and I have been, you know, discussing, you know, kind of . . . I mean over the last, last year or so, over the last six months, you know, this question of what does it mean to live with the oracle versus to sort of learn and work the oracle. I'm not sure if I'm articulating it quite right in those words, but it's a good starting point, right?  ENRIQUE: Yes, and I think [00:25:33--a little garbled here] that that's extraordinary. It's really an important question, I think. Then . . . I mean, for example, there are ways to tackle it, but this year, I finally managed to stop doing tarot readings for . . . which means that I finally managed to say no, which is really hard because usually what you want to say, "Yes," but I decided that it had no, I mean, I decided that there is a . . . You [00:26:04] know, honesty is prophecy. And then, when you actually give an honest look at anything, you know the future. And it's only when we fool ourselves, you know, we say, "Yeah, let me invite my alcoholic friend to the party. I'm sure this time he's going to be okay." ANDREW: Mm-hmm. ENRIQUE: That's when we, you know, get derailed and then we get surprised by something that in theory, we say [00:26:34] is unexpected, but it isn't, you know, we are just fooling ourselves. But so, I decided okay, if you really remove things from the table, the only thing you can do is be present, you know, and pay attention.  ANDREW: Mm-hmm. ENRIQUE: But of course, I can only accept that because whatever effect extended exposure to the tarot had on me, [00:27:04] allows me now to see that way, you know, and for . . . I see it.  At some point you realize that the reason why we place two cards and put a space in between them, right, and at some point, then, we realize that we think of that in terms of space only because we are very slow, but it's not really space, it's time. And then we [00:27:34] realize, oh, that time is equivalent to the time that exceeds between the two, [garbled, some words may be lost] somehow you realize, you discover, and you inhabit the space in between. You live, we live in the world all the time, cards or no cards, right? And I think that the, the, I mean the ultimate effect, I guess, is to be able to have a beautiful life and I think [00:28:04] that has to do a lot with being able to be present and to contemplate what is around and then you let . . .  I find myself in a very strange position, because I now work with all these people who are interested in language of the birds. So, we work with, you know, words, fundamentally, we break words apart and we turn them into little clouds, and we are actually looking for the void [00:28:34] within the words, right? And the letters become pegs that are holding the void in place. So, we go beyond meaning into form and then I will feel that it's almost like, sometimes, it's almost like seeing an angel. Like seeing a, you know, you see this beautiful thing that you know you found it when you see it, but you can't even define it, right?  And it has been one thing to do that for years and years on my own and another very [00:29:04] different one to . . . to share that work with other people and then to see the effect that work has on them. Right? And one of the beautiful things, of course, is that people feel very grounded, very centered, when they do this work, but then you have it. So, these are the people that . . . (ringing phone) ANDREW: I'm sorry.  Let's pause for a second, Enrique, until my phone stops ringing. ENRIQUE: And we can see that could be . . . Absolutely.  ANDREW: All right. [00:29:34] Apparently, I can't make the phone stop either. (laughing) Oh, boy.  ENRIQUE: Yes. You don't have superpowers.  ANDREW: I don't have superpowers. Yeah, okay.  ENRIQUE: So yeah, so, in any case, when you start sharing the work with other people, and they start doing that work, and you realize, oh, now people are talking about how their dreams change, right? And they have all these different beautiful [00:30:04] dreams that somehow follow the forms they are putting on the paper, right? Or, or people who feel grounded. And then you realize well, this is what living with the oracle is. It finds expression in anything you arrange . . . ANDREW: Mm-hmm. ENRIQUE: Around you. And, you know, Gaston Bachelard, the French writer, talks about poetic [00:30:34] reverie, right? And he says, literally that, he says, we can't actually . . . We have to discount dreams because we don't have control over them. But then, if you submerge yourself in a constant state of poetic reverie, you change your own dreams. ANDREW: Mm-hmm. ENRIQUE: Because you are learning to be beautifully in the world, to think beautifully, right? And in a form . . . in a way form begets form. So, if you learn to move in a certain way, then that can [00:31:04] raise an echo, right? And all that . . . I know that all this may sound very abstract and probably useless, but it all accounts for basically being in the world in a beautiful way and living a beautiful life. Eventually, you can share those things with other people. And . . .  For example, the other day I was talking to this very young woman. Her name was Natasha. And I showed her how her name . . . You know that if you separate the variables, which are the soul of a word [00:31:34] from the body, which is the consonants. She basically . . . the three As on Natasha form a triangle, right? With them . . . like an inverted triangle.  ANDREW: Mm-hmm. ENRIQUE: And then the consonants form a square. So, when I show her that as forms, we saw how her soul, the triangle, was a little bit off-center to the square, the body, and she was really concerned about appearing or being too [00:32:04] predictable. So that gave her great comfort. Because of course, having an off-center soul is not being predictable. And, in a sense, I had to explain that. I just saw something. I say, "Oh, well, this makes me feel better." And I don't know what that is. And again, I never know what that can do for anybody. But I also think that there is some comfort for me [00:32:34] in thinking that something so abstract cannot be named, right? Because if you cannot really name it, then you probably cannot trivialize it.  ANDREW: Hmm. I think it's . . . I think it's . . . You know, my . . . So many things. All my thoughts are colliding now! (laughing) And it's like, how do I put all this into words that make any sense to anybody else? Right? It's just . . . ENRIQUE: Yes. ANDREW: So, [00:33:04] we talked about how . . . you know, being . . . we need to, we need to sort of see things as they are, right? And that when we're surprised by circumstance in readings, possibly, probably, we've been fooling ourselves on some level, you know? Because I think that, I think that that's certainly my experience, right? There are . .  . there are surprises, life is surprising at times, but most of the things that people ask [00:33:34] questions about aren't really surprising and people generally have a notion about what's going on. They just don't like it, don't want to say it, don't want to face it, or whatever.  You know, and for me, you know this sort of Stoic idea of it's always better to know what's real then to sort of live in any other kind of version of reality, you know, or to cover it up. I think that that's something that I sort [00:34:04] of really have valued over a long time. And I think that the kind of Stoic notions, if you can kind of work with them outside of the macho bullshit, that's so much stuff that gets layered on them today, I think that they really can be helpful. And then I think that once we know what's real or what's, you know, closest to what's real, for whatever we want to say about that. That's a whole other episode, but . . .  ENRIQUE: Yes. ANDREW: Then we can start to understand [00:34:34] and engage with this other world that doesn't need to have concreteness attached to it per se, right? And I think about my walk in the woods talking to the birds. I think about . . .  People always ask me, you know, like, "Well, do you do daily readings? What do you . . . How do you read the cards for yourself?" And you know, these days, a lot of what I do is, I just sit with the cards. And I put out some Marseilles cards and then I put out my, you [00:35:04] know, my Sacred Self Oracle, and I look for, look for the patterns that emerge between those. And especially because I'm often taking notes on my iPad, I'll take a picture of that card, and then I'll draw on top of it. And I've moved outside of the notion of reading in any sense that anybody means by that. And . . .  ENRIQUE: Yes. ANDREW: And it is so grounding, and so centering, and sometimes there's a message that emerges, [00:35:34] sometimes it filters back down into language or words or whatever. And often the words that come out don't even really matter. They don't even necessarily make sense in any sort of overt way, but the flow of them, the practice of making them or arranging them, the practice of thinking them, is the message and is the oracle. ENRIQUE: Yes. ANDREW: And the consequence of that oracle is not tangible and direct in an overt way, but [00:36:04] it somehow modifies myself and my relationship to the world, my day, whatever it is that's going on, in ways that allow me to move forward in a different manner. ENRIQUE: Yes. That's the dialogue in the day. The hand and the wall rock, you know, when your hand gets caught, to match the rock wall, your climb, it's the same thing. It's form speaking to form. And that in itself is [00:36:34] the message. And of course, that doesn't have an intellectual effect, because you can't just even talk about it. It has an emotional effect . . . ANDREW: Mm-hmm. ENRIQUE: Which is something that a lot of people miss. When you are in contact with an oracle, you're basically exposing yourself to, to have, to that, for that thing to have an emotional impact on you. And, and maybe, there is something also, that may be very silly, you know, but oracle is a word that basically accounts [00:37:05] originally, at least, for an opaque or oblique utterance, right? A phrase, a bunch of words that don't have a clearer meaning.  ANDREW: Mm-hmm.  ENRIQUE: So, it requires thought and, and in the way I see it, there is an experience that let's say, is a little common still. A person, any person, opens a poetry book, finds a line in the poem, and thinks, "Ah, this [00:37:35] speaks to my condition right now." Right? ANDREW: Mm-hmm. ENRIQUE: And we know that that poet didn't write that for her, or not even about, it's not even about that, that the person is experiencing. But the person can see how that speaks to her. You know, "Yes, this accounts for this experience I'm having." ANDREW: Mm-hmm.  ENRIQUE: And that's an experience that most people feel or know, understand, and even our culture at large values [00:38:05] it, that. We respond to it, we pride ourselves on being a culture that generates that kind of experience. So, we can take that one step further, and say, well this is a . . . Fal'e Hafiz, you know, the divination with a poet by Hafiz, the Iranian poet, which is basically the same thing, only that it's not any book of poetry, but only a book of poetry by Hafiz. You think about a problem you have, you open it up, the [00:38:35] first line you read, that's the answer . . . ANDREW: Mm. ENRIQUE: To your problem. And the thing is, that Hafiz was a very very obscure poet. So, it's never like, "come back on Tuesday," or, you know, play the 36."  ANDREW: Right!  ENRIQUE: So, it's a really really contrived sentence. So, you have to meditate upon it. It is the same as meditating upon form. And then eventually say "Yes, I understand how this is speaking to my condition." [00:39:06]  And we can take that one step further and say the I Ching, right? Which is still a book and still full of lines, literally and metaphorically. But then, now, we don't say, "Okay, open it in any page and the first thing you see, that will be it." We say, "No, we're actually engaging with chance." So, we take all these sticks or the coins and we start going through a process that renders this idea of the odd and the even. [00:39:36] So we, you know, we get to the hexagrams. And then from the hexagrams to some sort of commentary on the hexagrams. So, we are again left with some sort of obscure phrase that in theory is responding to our situation, right? ANDREW: Mm-hmm. ENRIQUE: And then the next step, of course, is get rid of the book.  ANDREW: Yeah. ENRIQUE: And keep the sticks. And right there, we have all the divination [00:40:06] systems we know, right? We have the shells with the bones, throw the cards, or the coffee stains or grinds or the clouds. And the funny thing is in our culture, the moment we get rid of the book, we step into what people define as superstition, right? ANDREW: Mm-hmm. Yeah. ENRIQUE: It's no longer this poetica pursuit, basically, because we have this very old-fashioned idea of poetry as something that is anchored on the word, words, and [00:40:36] not on form. But of course, every time you look at an oracle you're reading, and that reading is a poetic reading. It's as opaque and obscure as the poetry by Hafiz or the I Ching commentary or the poem that you read and . . .  ANDREW: Well in the . . . ENRIQUE: You know, I was talking about this with . . . yeah, yes, go ahead.  ANDREW: In a sense, you know, when we . . . You know, not in a literal sense, because from within the tradition, we have a different dialogue [00:41:06] about it, but from the point of view of our conversation, when we are divining with the cowrie shells and we say that the, the Odu has arrived, right? Like the living energy of the Orisha that is the sign that came out in this divination. And the belief is that the arrival of that Odu changes the person's life. It is . . . it is just that process of invoking that energy through [00:41:36] the shells, and looking at it and seeing it and it being there, and then afterwards the diviner's job is more so to manage that dialogue and make sure that the person understands enough of what has been said so they can go away and think about it, right? I mean and there are other sort of literal pieces too but, but that idea of the energy of the oracle arriving, and us receiving it, and that being the thing that changes our life . . . You know, it comes with the notion that we don't understand [00:42:06] what that is, exactly. We can't articulate it clearly.  And even, even when we're interpreting the Odu in a traditional way, we can't necessarily, on any level, understand all of the implications and so on of that. We are merely just making sure that we've, you know, read the appropriate lines that are relevant to it and marked the right things. And after that, it's up to the person to sit with it and allow that to unfold with them and through them and so on, in a way that [00:42:36] is certainly energetic and otherwise, but also definitely poetic, and goes back to that sort of obtuseness of Hafiz, or other things, the I Ching, where it's like, "Huh? What does this really mean? How does this apply? How does this apply today? How does this apply while I'm at the butcher's? How does this apply when I pick my kids up from school? You know? It's that living with it that is the . . . that is where we get the most out of it and where it is the most transformational. You know? ENRIQUE: Yes. Yeah, and [00:43:06] I mean, I was talking about this with my wife the other day, and she say that the problem, really, the moment you get rid of the book or the moment that you step into the oracle is the other person, the interpreter, you know? There is this, the moment you need the other person to tell you how to relate to the oracle. And I thought that was really interesting because again, it's brought me back to the woman who say, "You are in the obligation of telling me because I'm not going to do any thinking."  ANDREW: Mm-hmm. ENRIQUE: And [00:43:36] of course, I mean, again, it is really interesting to, for me at the moment to think again that by delivering an open object, turn the other person into the interpreter. They have to come to terms with forms and understand what those forms are saying to them. ANDREW: Mm-hmm. ENRIQUE: Because at least I don't know. I don't know what, who they are. I don't know what they are, you know, feeling, and I must certainly have no, [00:44:06] nothing to say about anybody's life, but they know. I think they always know. And you say, also a few minutes ago, they have an idea of what's going on. And basically, they may not like it. So, they're trying to find almost like a second opinion. That's why . . . I mean the other day, somebody was asking me about the ethics of readings and divination and I told her, well, there is an ethical problem, because in my experience [00:44:36] most clients are dishonest. They want to hear what they want to hear.  ANDREW: Mm-hmm. ENRIQUE: And they will twist your words. They will, you know, re-ask the question again and again until they get what they want, and even if you don't give it to them, they will hear every word you say as if you say what they want to hear. So, of course, there is a lot of dishonesty in the profession, but it mostly come from the clients. Of course, [00:45:06] there are dishonest readers. But even the honest reader has to put up with that person who has decided beforehand what they want to hear. ANDREW: Mm-hmm. ENRIQUE: And I see that as way more . . . I mean, and again, it's really . . . Do you know, I think that there is a love for the majority for example of the cards or any oracle, at some point you want to really share that beauty with other people. And that takes you so far. It [00:45:37] comes to a point at which you understand: "Yes, but I'm speaking of a beauty and this woman's still speaking about this [garbled] on Thanksgiving. You know? ANDREW: Mm-hmm. ENRIQUE: I really don't care. It's not really my problem.  ANDREW: Mm-hmm. Yeah, I think, yeah. I think too, like, somebody . . . Somebody was asking me if . . . Somebody was . . . I was posting about my . . . So, my journey for, with [00:46:07] rock climbing. You know, I was, I set myself a goal for the year. This is the only resolution I made for 2018. And my resolution for 2018 was to still be climbing at the end of the year. That was my, my entire goal. No achievement attached to it. No, you know, anything else, just still be going and doing it. Just keep returning if you go away, and be, and still be there at the end of the year. Because [00:46:37] I think that, you know, like the oracle, you know, if we, if we promise to keep showing up, you know, the oracle reveals things to us over time. ENRIQUE: Yes. ANDREW: We don't know when or how that comes, and so if we endeavor to be with it, then, then we will hear what we need to hear as we go, to a large extent. And somebody, somebody was posting . . . somebody posted in response to that, that if they, they wondered if the universe challenged us whenever we set an intention, you [00:47:07] know, if it deliberately brought stuff up, you know. And I think that for me, and I'll let you answer for yourself. But for me, living with the oracle in this open-ended way and living, in a, for lack of a better term, kind of more Stoic way with a real sort of working to, to see things as clearly as possible all the time and face the things that I might rather put in the closet or leave [00:47:37] for another day.  I don't . . . I don't feel like the universe has a lot of agency in the way that that question implies, you know? There are surprises that are . . . that happen, you know? You know, in relationship to me climbing this year, there were two surprises: One, I dislocated my collarbone in the winter, tobogganing with my daughter. And that took like [00:48:07] four months to really fix. It's horrible. I don't recommend it to anybody. And two, you know, I'm getting divorced this year and, you know, although that is amicable and, and going well, relatively speaking, it takes a lot of time and attention and doesn't always leave energy for other things. But I don't think that any of those have any relationship to . . . to my intention or my desire to climb or do other things. I think that those are, those [00:48:37] are just the inevitable stories of being alive, right? We are alive, and things happen and we get sick and . . . ENRIQUE: Yes. ANDREW: Life comes up and things change and so on and we don't need to, or I never need to, arrange a narrative around that in a bigger way. So, I'm curious. I'm curious for you. Do you . . . What agency do you feel comes back from the universe? Do you think that there is something organizing it or testing us or . . .  ENRIQUE: No, I actually, no, I always say the same thing. I think that [00:49:07] the universe doesn't care about us. Or maybe I will say it doesn't care about me. And I know that people want to be, to feel otherwise, you know, but you know when I was a kid . . . and this image has been coming back a lot recently. I watched this documentary about Africa, right? And there was this method of catching monkeys, which consisted of filling up a hollow tree with grain. ANDREW: Uh huh. ENRIQUE: And then, you know, the monkey will stick his hand into the hollow [00:49:37] tree, grab the grain, but then couldn't take the handful, the fistful out. The hole was only big enough for the empty hand to come in. But if he had grain in his hand, in his hand, he couldn't take it out. ANDREW: Yeah. ENRIQUE: And basically, these guys just will walk up to the monkey and grab it because the monkey will never let go of the grain.  ANDREW: Yes.  ENRIQUE: And I mean, it's insane, right? But I think that in terms of daily life, we are all monkeys with our hand [00:50:07] stuck in a hollow tree.  ANDREW: Yes. ENRIQUE: And most of the time, you realize, yeah, but can you just open the hand and let go? ANDREW: Yeah. ENRIQUE: Life works the way it works. And in that sense, there is no mystery, even if it takes you by surprise all the time, basically because we think that there is a mystery there. And yes, sometimes we catch a cold and sometimes we get divorced and sometimes we, you know, we're surprised by somebody giving us a loaf of bread. ANDREW: Mm-hmm.  ENRIQUE: I . . . I [00:50:38] don't think that actually, at least I understand that that's not the way people think, but I never thought of any kind of oracular work where oracles had any dealings with daily life in that sense, of letting me know if I should change the oil of my car today or next week, you know? ANDREW: Mm-hmm. ENRIQUE: I think it's more about transcending daily life and finding some sort of center, true beauty [00:51:08] through some sort of . . .  ANDREW: Yeah. ENRIQUE: Through some sort of sublime condition in life. ANDREW: For sure.  ENRIQUE: Yeah, but all day, even the other day I was talking about, you know, people, people talk about sigils, and then I realized, first, the first mistake you make when you make a sigil is wanting something? ANDREW: Mm-hmm. ENRIQUE: And then you realize when you make a sigil to, I don't know, lose weight. Let's [00:51:38] say. And another sigil to get a red car. You're basically making the same operation, right? You make, you take the words, you eliminate certain letters, and you consolidate everything into one small or smaller emblem. ANDREW: Mm-hmm. ENRIQUE: And then you realize, oh, but what you're doing there, it doesn't matter what you want. What you're doing again and again and again is a reduction. That's what then . . . In the world of forms, [00:52:08] what you are actually spelling is a reduction. Which means that in time, it doesn't matter how many things you wanted, you end up with your mind drinking.  ANDREW: Hmm. ENRIQUE: And of course, people don't like that, because, besides you can't sell a book saying this stuff, right? You can't sell any books and don't want stuff. They only want books that say, I'm sorry, I want to say you're entitled [00:52:38] to want everything, and I can tell you how to get it.  ANDREW: Mm-hmm. ENRIQUE: But you realize there is something really silly about trying to control daily life, especially because daily life is not even that interesting, you know, and it takes care of itself.  ANDREW: Mm. Yeah. I think that . . . I mean it's kind of why, over the years, I've sort of moved to . . . My [00:53:08] magic that I do tends to tends to be most often orientated towards what I, what I kind of now often call as identity magic, which is how do I, how do I change myself so that I can be more like more like what seems fruitful, more like what, you know, remove those obstacles in myself to doing the things that I need, you know, it's not so much about changing the world as it is about [00:53:38] shifting myself in relationship to it so that . . . If there's desire attached to it, so that what I desire is more accessible, or so that I'm more, more at ease and more in the flow around whatever it is that I need to work on and change, you know? ENRIQUE: Yes.  ANDREW: Yeah.  ENRIQUE: Yeah, I don't know. I think it's a song. At some point, I understood or I [00:54:08] have been made to understand that presence is meaning . . . ANDREW: Mm-hmm. ENRIQUE: And presence is also performance.  ANDREW: Mm-hmm. ENRIQUE: Whatever you are, you're performing, you're enacting, you are projecting something, and causing an effect. And I'm at the moment more interested in just being, you know, and be present and play along with the fact that causes. ANDREW: Mm-hmm. ENRIQUE: It's like when this woman started laughing, looking at [00:54:38] your eyes, and you laughed with her, you know, you said that's a reaction in the moment and that's what there, you know? ANDREW: Mm-hmm. ENRIQUE: And trying to make her chop or, I don't know, levitate, will be useless. So, yeah, it's . . . I'm finding a lot of pleasure in walking around by with my pockets empty. And of course, I don't know what magic is. I think that, in other words, I think that magic or [00:55:08] some experience of mystery that I actually pursue or often feel works best when you don't want anything, when you don't want it, and it appears and surprises you, gives you something. It's like a gift, you know, but it's not something you pursue in terms of how can I command for this to happen at will. ANDREW: Mm-hmm. ENRIQUE: And again, I understand that when you say that magic . . . When . . . the moment I speak [00:55:38] of magic without will, I'm almost like undefining magic in terms of what people think magic is, right? They all seem to be convinced it's about will, exerting our will, and I think it's more about stepping aside, letting things happen.  ANDREW: Mm-hmm. Well, I think it's definitely about . . . for me, it's definitely about making space so that [00:56:08] I can be engaged and present with the subject of the magic in a way that it allows it to unfold, to some extent without control, to a large extent without control, because I think that the idea of, you know, "Oh, I really want this person to fall in love with me." I mean, I think the minute that you're fixated on, on one person is the minute that you've already kind of drifted into a problematic territory and should go back to . . . ENRIQUE: Yes. ANDREW: Why that person? [00:56:38] Why do you want them when they are not reciprocating? What is it you're looking for? What is it you could do without magic to make this . . . ? You know, I mean, many questions, right? But, but rather, what could I . . . What could I do to have more, more romance in my life? What could I do to have better connections? And is there a magical act that, that feeds and supports that in an open-ended and sort of allowing the universe to show us, allowing ourselves to witness and notice it in an open, open [00:57:08] and present way as the opportunities float around us, rather than sort of exerting a massive amount of control, which I think is, which is very rarely fruitful, you know.  ENRIQUE: Yes. Well, you know, my . . . This year, one of my favorite moments is . . . I have this friend, who about 12 years ago, he was named the godfather of a child, right? And he decided beautifully that his gift to this kid will be the gift of language. ANDREW: Mm-hmm. ENRIQUE: So, he set up an account, a bank account and he has [00:57:38] been putting money there for years, assuming that at some point, maybe this kid will want to learn, you know, Italian so he can go to Rome and live there and learn the language. But then this summer, he spent a morning with me by the river and we were playing with all these bird voices, you know, and talking like birds and the birds will come and all this and that. So, and he went, he bought a box full of birdcallers and sent it to this kid.  Yeah, so there is something extraordinarily beautiful in [00:58:08] inspiring a person to complete this crazy act of gifting a kid a set of birdcallers, and then he wrote this note, saying, "I believe this is a good first language for you to learn. And, and then for that gesture not to fall flat, you know, and for the kid to actually embrace this, and then this is a kid I don't know, I probably will never see in my life, but somehow, it's beautiful to think that there [00:58:38] is some residual effect of what I do that is part of that kid's life, and I don't know. I'm . . .  The other day, for example, this woman wrote to me and she said that she wanted to speak like a hawk. And it's beautiful. We saw this at [Brawn's?] we saw that actually allows her to do so. And she say, "Well, I have a problem, and the problem I have is that I'm surrounded by [00:59:08] sparrows." So, I told her, "Well, you know, the problem is that the only way you have for you to know if you are actually doing it right is that all those sparrows are going to fly away, because you've become a predator, right? ANDREW: Mm-hmm. ENRIQUE: And she say, "Oh, but, I mean, I love the sparrows. Do you think they were going to trust me?" I said, "Yes. I mean, they are going to trust you as much as a sparrow trusts a hawk." Okay. So yeah, it's fantastic to think you can . . . A, this faith [00:59:38] when a person can ask you that question, can talk about this [garbled] bird's nest to still be close to the birds. And at the same time, like a little bit . . . We are really not just talking about talking like a hawk, or talking about voice, we are talking about the consequences of having a certain voice and being responsible for what we say, what we put out in the world. And I . . . being full of all of the [garbled] but I can [01:00:08] see the poetry or of living a poetic life through embracing the form of a bird voice and the bird language. So yeah. ANDREW: That's wonderful. Well, maybe we should wrap up the us talking part of the conversation here, and there were definitely some questions that came through, through Facebook. And I think at this point, I'd love to, I'd love to hear you give like a one word [01:00:38] or a one phrase answer to them, rather than us sort of go into a big long conversation or . . . kind of like we did in one of them where . . .  ENRIQUE: Yes. ANDREW: I did the rapid-fire questions at you. Let's look at these rapid fire . . . ENRIQUE: Yes. ANDREW: And see what comes, okay? So, one person asks . . .  ENRIQUE: Okay.  ANDREW: So, with your children, are they interested, would you teach them these things about card reading? What are your thoughts on children and cards? [01:01:08]  ENRIQUE: Well, I have three kids. The middle kid already asked me to teach him and I did so. And then yesterday, my daughter told me that, and she's 10. One of his friends, his classmates, actually asked: Did your father ever taught you, told you how to read tarot and [garbled] in the French way, in such a beautiful way, that I think she already knows everything she needs to know.  ANDREW: Yeah, my [01:01:38] youngest got a Sibilla deck and reads that for me sometimes . . . ENRIQUE: I have Sibilla, yes. ANDREW: And it's just, you know, she's so great at it. It's just, she's like, "Oh, look at this. Somebody's going to do something you don't like, but this is going to happen. But there you go. It's so wonderful," right? They have a sense of it, I think, which is great and . . . ENRIQUE: Yes. ANDREW: It's less about teaching and more about just . . . ENRIQUE: Yeah. I mean my son, when I explained . . . Yeah, when I explained [01:02:08] it to my son in after 15 minutes, he told me, "Oh, I understand. This is all about transformations." And I realized, "Oh, it took you 15 minutes, it took me 15 years."  ANDREW: Right?  ENRIQUE: Okay.  ANDREW: Yeah. ENRIQUE: You know, that's that. Yeah.  ANDREW: All right. Next question. What is the poem that the world needs in these times?  ENRIQUE: I don't know. I mean, I guess my [01:02:38] issue is that I don't have any faith in the poem. ANDREW: Mm. ENRIQUE: As you know, in the actual poem. I guess there's poetry, and poetry's everywhere in a sense. But I will say in terms of poetry, yes, yes, you just need to listen to the sparrows. You know, the sparrows have this beautiful thing, that is, they are like Zen monks. A sparrow only makes a, like a little sound, you know, over and over and over, so it says everything it needs to say in one syllable. It's [01:03:08] almost like tasting water, you know. So . . . ANDREW: Yeah, yeah. ENRIQUE: Yeah, the voice of the sparrow. ANDREW: What has surprised you regarding tarot in the last couple of years? ENRIQUE: You know, the tarot world is like that movie, Groundhog Day. ANDREW: (bursts out laughing) ENRIQUE: It's the same day again, over and over.  ANDREW: (still laughing) Yes, Bill Murray. ENRIQUE: So, we're all Bill [01:03:38] Murray.  ANDREW: Perfect. Yeah. ENRIQUE: And that's . . . Every day the same deck is being published, the same book is being published, the same conversation about the origin of tarot is being published, the same theory about the secret behind it is being discussed.  ANDREW: Mm-hmm. ENRIQUE: And that's how we go, you know, it never ends.  ANDREW: Perfect. Do you consider tarot magic? And do you practice any forms of magic?  ENRIQUE: Oh, every morning, [01:04:08] I sit at a café, in the same place next to a window. I look at words in my notebook. And if something appears [garbled--black?], in terms of form, I share it with some people and then that snowballs into something. ANDREW: Mm-hmm. ENRIQUE: And that's the magic I do. And, yeah, I mean, everything can be, I guess, magic, but I do feel that for something to be magical, there has to be an otherness.  ANDREW: Mm-hmm.  ENRIQUE: Meaning it has to take you to another [01:04:38] place. It's, I don't know. It's hard to imagine doing magic with something that is completely like a daily thing, you know, but it could be. I mean, I think that, yeah. In any case, I don't know if magic. I think that the world has a poetic influence, meaning that forms speak to each other through analogy. Maybe that's magic. I don't know if magic is an intelligence. I don't [01:05:08] know again, if there's an agency, like a big finger that is invisible and it's swirling things behind. I don't know. ANDREW: Yeah. Fair. And last question: What would, what would it take for you to put your tarot deck again right now? Given that you're not really doing readings and such any more. ENRIQUE: Every time I make an exception.  ANDREW: Yes. Yeah. ENRIQUE: Every time I make an exception, [01:05:38] I end up confirming that it's pointless.  ANDREW: Hmm.  ENRIQUE: So, no, I don't think so. I'm not, you know, I have nothing to sell, and I'm not in a crusade for people, not to do readings or to any kind of ideas I may have, I'm just trying to get by finding my own language. I will do all these things, which is a way of saying to find my own. You know, I think that that's what the philosopher's stone is. To find your own language. ANDREW: Right. ENRIQUE: And your own language is not English or Spanish or Italian. It's how [01:06:08] you organize forms around you. And that's why they . . . you know, the, the alchemists say, that's a great work, you know, and they say the philosopher's stone cannot be handed down, you know, passed to another person. You have to find it yourself. It's because of that. You have to find your own language. ANDREW: Mm-hmm. ENRIQUE: Otherwise you're just living in the shadow of another person's language.  ANDREW: Right. Perfect.  ENRIQUE: And yeah, so, so and well. Yeah. Okay.  ANDREW: I think that's a great place [01:06:38] to leave it. Go find your language, everybody!  ENRIQUE: Perfect.  ANDREW: Perfect. And if it sounds like birds, let us know. (laughs)  ENRIQUE: Exactly. ANDREW: Perfect. Well, thank you so much for hanging out with me this morning and especially for fighting through all the Skype up and downs. It's what I get for recording during Mercury retrograde.  ENRIQUE: Oh, it's okay. It's always great.  ANDREW: Perfect.  ENRIQUE: Thank you. It's always great to talk to you. ANDREW: Thank you, you too.  ENRIQUE: I hope to soon.  [music] ANDREW: [01:07:09] I hope you love this conversation, as always, I hope that. Enrique did all the Patreons the pleasure of recording a bird song just for them. So if you are a supporter of the Patreon in the $5 and up category, you can go find that recording now at Patreon.com/TheHermitsLamp, and if you're not a supporter: Well, what are you waiting for? The birds are waiting to speak to you. Talk to you next time.

Malevich is a blackened hardcore/grindcore quartet from Atlanta, GA. That genre descriptor does fall a bit short, though. Irregular infusions of sludge and angular songContinue reading

This is the 21st episode of Mathcast, in which we discuss Exits, Malevich, Shaving the Wearwolf, Bridge Burner, Ourselves Alone, Standards, Sense Offender, Comess, Frontierer, revisit American Standards and PlasticBag Facemask, and discover the joys of having soundboard samples. Exits: https://www.facebook.com/exitsband/ https://exitsband.bandcamp.com/ Malevich: https://www.facebook.com/malevichband/ https://malevichatlanta.bandcamp.com/album/malevich-iron-gag-split Shaving the Wearwolf: https://www.facebook.com/shavingthewerewolf https://shavingthewerewolf.bandcamp.com/album/one-way-ticket-to-dick-city Bridge Burner: https://www.facebook.com/bridgeburnernz https://bridgeburnernz.bandcamp.com/album/null-apostle Ourselves Alone: https://www.facebook.com/ourselvesalonemusic https://ourselvesalone.bandcamp.com/album/elusive-firsts Standards: https://www.facebook.com/wearestandards https://wearestandards.bandcamp.com/album/standards Sense Offender: https://www.facebook.com/senseoffenderuk/ https://senseoffender.bandcamp.com/releases Comess: https://www.facebook.com/COMESSNOISE/ https://comess.bandcamp.com/album/pit-dweller-deracinate-single Frontierer: https://www.facebook.com/frontiererband https://frontierer.bandcamp.com/album/unloved American Standards: https://www.facebook.com/AmericanStandards https://americanstndrds.bandcamp.com/album/weep PlasticBag FaceMask: https://www.facebook.com/PlasticBagFaceMask/ https://pbfm.bandcamp.com/album/how-to-kill-a-dead-franchise Metal Injection Presents: Mathcore Index Fest 2018 www.ticketfly.com/purchase/event/1691742 www.ticketfly.com/purchase/mobile/index/1691756 www.ticketfly.com/purchase/mobile/index/1691761 www.facebook.com/events/144627096388687/ www.facebook.com/events/223390131767903/ Theme music: Antarctica - "Aqua Teen Destroyed Boston's Life" and "The Magic Bullet" antarcticaiscold.bandcamp.com/

Painting and pigments are intimately connected, but have you ever given much thought to artists’ historical relationship with colour? Yves Klein had his blue and Malevich loved black; the Impressionists formed an entire movement around light and colour. On this episode, we speak with artist Stuart Semple (creator of the pinkest pink and blackest black acrylic paints commercially available) about artists’ love of colour and how he went about making his colouriest colour collection. This episode's guest: Stuart Semple is an innovative artist whose work has been shown at galleries in New York, London and Hong Kong. He first garnered notice in 2009 through his project ‘HappyCloud’ in which he released thousands of smiley-faced soap clouds from Tate Modern. He curated an exhibition in 2011 at the Old Vic Tunnels featuring works by Tracey Emin, Matt Collishaw, himself and others to support mental health, and in 2016 he released his pinkest pink pigment for sale online to ALMOST any artist. He has since released a yellowiest yellow, greenest green, loveliest blue, and very black black as well. Images: https://artuk.org/discover/artworks/sunflowers-115371/ https://artuk.org/discover/artworks/the-supper-at-emmaus-115858/ https://artuk.org/discover/artworks/almanac-117788/ https://artuk.org/discover/artworks/dynamic-suprematism-supremus-117758/ https://artuk.org/discover/artworks/pont-de-londres-charing-cross-bridge-london-218566/ https://artuk.org/discover/artworks/andre-derain-200726/

Guido Bisagni meglio noto come 108 è un artista Italiano che vive e lavora ad Alessandria. La sua ricerca è caratterizzata da una commistione di studi, interessi differenti ed esperienze personali che ne hanno forgiato la particolare estetica. Ha iniziato il suo percorso artistico nei graffiti e sul finire degli anni ’90 ha evoluto formalmente e concettualmente la sua pratica diventando uno dei primi artisti post-graffiti europei ad interessarsi e lavorare con le forme astratte. L’interesse e lo studio della forma sono il risultato dell’avvicendamento con le correnti di inizio ‘900. È il confronto con le opere ed i concetti espressi da Arp, Malevich e Kandinskij in particolare a portare 108 a cancellare (quasi) un secolo di arte ripartendo dagli spunti legati alle avanguardie e sviluppando in questo modo una personale direzione artistica. L’autore scopre così la sua passione per la forma pura, eliminando le lettere e la figurazione e trasformando se stesso in una cifra impersonale, dapprima attraverso adesivi di colore giallo per poi successivamente approdare allo sviluppo delle iconiche forme nere. Legato alla natura, agli spazi abbandonati e con una viscerale attrazione per il nero, 108 nella sua pratica scansa qualsiasi preconcetto estetico. Egli lavora attraverso un processo spontaneo e legato all’inconscio dove l’utilizzo del colore, oltre a rispondere a sensazioni e stati d’animo personali, costituisce un momento di confronto con la parte razionale quanto con quella irrazionale. La volontà di lavorare attraverso un equilibrio formale tra questi due aspetti rappresenta il propellente per lo sviluppo della sua ricerca d’artista. --- Support this podcast: https://anchor.fm/gorgo/support

The Russian Revolution of 1917 led not just to huge political and social change, but to a new artistic freedom. Russian avant-garde artists like Malevich, Kandinsky and Chagall flourished in the immediate aftermath of the revolution. One of their greatest supporters was art curator Nikolai Punin. Louise Hidalgo has been talking to Punin's granddaughter, Anna Kaminskaia, about how that freedom was gradually replaced with censorship and repression, and her grandfather ended his life in the Gulag.Picture: 1920 painting by Boris Mikhailovich Kustodiev (1878-1927), Bolshevik (oil on canvas), Tretyakov Gallery, Moscow, Russia

The Russian Revolution of 1917 led not just to huge political and social change, but to a new artistic freedom. Russian avant-garde artists like Malevich, Kandinsky and Chagall flourished in the immediate aftermath of the revolution. One of their greatest supporters was art curator Nikolai Punin. Louise Hidalgo has been talking to Punin's granddaughter, Anna Kaminskaia, about how that freedom was gradually replaced with censorship and repression, and her grandfather ended his life in the Gulag. Picture: 1920 painting by Boris Mikhailovich Kustodiev (1878-1927), Bolshevik (oil on canvas), Tretyakov Gallery, Moscow, Russia

Can art be efficient? We discuss. Enough said. Prince Edward County http://prince-edward-county.com/ Thousand Island Dressing https://en.wikipedia.org/wiki/Thousand_Island_dressing White iPhone not as popular as space grey https://www.cultofmac.com/510239/want-iphone-x-launch-pick-color/ Sam Walton, Walmart CEO https://en.wikipedia.org/wiki/Sam_Walton The Four Hour Work Week https://fourhourworkweek.com/ Tim Ferris on his severe depression https://www.ted.com/talks/tim_ferriss_why_you_should_define_your_fears_instead_of_your_goals Fog of War by Errol Morris (movie about efficiency of killing) https://www.youtube.com/watch?v=6pOPbiA_eMw Lean Startup http://theleanstartup.com Agile Manifesto http://agilemanifesto.org Deiter Rams’ ten principles of good design – “Good Design is as Little Design as Possible” https://www.youtube.com/watch?v=XxtkVgh6kKo Rafael’s new camera app Blurrrrr http://www.newrafael.com/blurrrrr/ Malevich’s black square http://www.tate.org.uk/context-comment/articles/five-ways-look-Malevich-Black-Square Duchamp’s Fountain http://www.tate.org.uk/art/artworks/duchamp-fountain-t07573 Drawing on the right side of the brain https://www.amazon.com/dp/B005GSYXU4/ref=dp-kindle-redirect?_encoding=UTF8&btkr=1 Manfred Mohr http://www.emohr.com/ Sol Le Witt http://massmoca.org/sol-lewitt/ Yoko Ono and John Lennon https://www.youtube.com/watch?v=mRjjiOV003Q Uber for Pizza https://www.forbes.com/sites/micahsolomon/2014/08/05/uber-for-pizza-five-19-year-olds-revolutionize-pizza-ordering-starting-today/1 Jeremy’s process of building four businesses with artists http://www.leanartistchicago.com/ The endless influence of Bauhaus http://www.bbc.com/culture/story/20171109-the-endless-influence-of-the-bauhaus Rafael’s thoughts on efficiency written down http://www.newrafael.com/the-irony-of-efficiency/

La llamada Revolución de octubre en realidad se dió en noviembre de 1917 -el imperio ruso aún usaba el viejo calendario juliano- y transformó para siempre nuestro mundo. Según algunos, fue el evento histórico que por fin plantó los principios de la revolución francesa en una Europa de monarcas, dictadores, aristocrátas y sirvientes. Así que no podíamos dejar pasar la ocasión para hablar de un legado político y cultural que aún sentimos hoy en día. Discutimos la deuda que el estructuralismo francés tiene con el Formalismo ruso de Vladimir Propp y la semiótica de Mijaíl Bajtín; de porqué y cómo el cine y la música clásica de Dmitri Shostakovich terminaron siendo usados de manera propagandística y cómo Kazimir Malevich y Sergei Eisentein terminaron marginados por el politburo moscovita. También de porqué la literatura y la cultura popular siempre sufren bajo regímenes autoritarios. Con Jorge Ramírez, Enrique Zattara y Juan Toledo Escúcha nuestro programa sobre arte ruso y revolución   

Timberlake - Can’t Stop the Feeling! (Gooch Brown Edit) Alyosha - Kalyna (iPunkz & X-Ray Edit) Patsyki z Franken - Vasya OMG (iPunkz & Gonibez Groove Edit) Yuko - Vodubyoru (iPunkz & Gonibez Remix) Pravitsa - Guby Solodonki (iPunkzs & Gonibez ft. BNCH Remix) Kira Mazur - Ty Miliy (iPunkz & Gonibez Remix) Snoop Dogg - Drop it like its hot (Gooch Brown Edit) Jamala & DakhaBrakha - Zamanyly (iPunkz & Gonibez Version) AiO - My z toboy (Ipunkz Remix) Kishe - Do Vesny ((iPunkz & Gonibez Edit Martin Solveig & GTA - Intoxicated (Gooch Brown Edit) EKA ft. Sheemy - Tanci na void (iPunkz & Gonibez Remix)

Vi firar slutet på Professor Magentas mörkertriologi med att absorbera dig in i ett totalmörker där vi spelar en symfoni med klanger av multipla universum, Malevich, strängteori, chiaroscuro och mörk energi. Vi pratar med ljud- och videokonstnären Tor-Finn Malum Fitje om mörkret som metafor och hur mörkrets olika skepnader avspeglats i konsten. I såväl den äldre som den moderna konsthistorien har förhållandet till mörker problematiserats av, och fascinerat samtiden. Det rent tekniska mörkret är också återkommande, inte minst för videokonsten och dess "Black box". Med Uppsalaprofessorn Ulf Danielsson, bl a känd från På spåret, pratar vi mörk energi, orsaken till Universums accelererande expansion. Vi lär oss om det som står på Ulfs svarta tavla, strängteori, och om hur Einstein utan att själv förstå det var den som först introducerade mörk energi i fysiken. Ulf försöker även övertyga Rickard och Katarina om att ett oändligt antal universum inte är så konstigt som det först kanske låter, och nu är vi nyfikna på vad du tycker!

Nasi bohaterowie ruszają w ślad za nieuchwytnym mężczyzną, który może rzucić nieco światła na tajemniczą przeszłość Morweny. Czeka ich długa podróż, jako, że ich cel leży na drugim krańcu królestwa Malevich. W ciągu pierwszych dni natkną się na konającego rycerza i kuriozalnego wojownika, rzucającego wyzwanie napotkanym podróżnym. Numenera opisuje naszą Ziemię w niewyobrażalnie odległej przyszłości, gdy po współczesnej cywilizacji nie pozostało nawet wspomnienie. Niewiele pozostało również po cywilizacjach, któreRead more

Nasi bohaterowie ruszają w ślad za nieuchwytnym mężczyzną, który może rzucić nieco światła na tajemniczą przeszłość Morweny. Czeka ich długa podróż, jako, że ich cel leży na drugim krańcu królestwa Malevich. W ciągu pierwszych dni natkną się na konającego rycerza i kuriozalnego wojownika, rzucającego wyzwanie napotkanym podróżnym. Numenera opisuje naszą Ziemię w niewyobrażalnie odległej przyszłości, gdy po współczesnej cywilizacji nie pozostało nawet wspomnienie. Niewiele pozostało również po cywilizacjach, któreRead more

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Only beautiful music of your space...Created by M.SOUND 1 Dee Flack, Elo Method, Subranger & V.RAY - Bring Me Love2 Jeremy Vancaulart - Stay With Me (Ben Elias Remix) [feat. Nickie Minshall]3 N4m3 - White Nights4 Theta~Rhythms - Winter5 Abdomen Burst feat. Malevich & Yavanndiel - Changes (Lime Time Remix)6 Etherealn Pilgrim - Breath Underwater (Ethereal)7 Asa & Stumbleine - Without You8 Ghosts Of Paraguay - The Swan9 Loolacoma - Lullaby10 Swarms - The Hinge Of The Night Sky11 Rameses B - North12 Eschaton - Marooned Music for lounge & chillout cafe, bars, spa, exposition and presentations, fashion displays... 1Dee Flack, Elo Method, Subranger & V.RAY - Bring Me Love 2Jeremy Vancaulart - Stay With Me (Ben Elias Remix) [feat. Nickie Minshall] 3N4m3 - White Nights 4Theta~Rhythms - Winter 5Abdomen Burst feat. Malevich & Yavanndiel - Changes (Lime Time Remix) 6Etherealn Pilgrim - Breath Underwater (Ethereal) 7Asa & Stumbleine - Without You 8Ghosts Of Paraguay - The Swan 9Loolacoma - Lullaby 10Swarms - The Hinge Of The Night Sky 11Rameses B - North 12Eschaton - Marooned

Only beautiful music of your space...Created by M.SOUND 1 Dee Flack, Elo Method, Subranger & V.RAY - Bring Me Love2 Jeremy Vancaulart - Stay With Me (Ben Elias Remix) [feat. Nickie Minshall]3 N4m3 - White Nights4 Theta~Rhythms - Winter5 Abdomen Burst feat. Malevich & Yavanndiel - Changes (Lime Time Remix)6 Etherealn Pilgrim - Breath Underwater (Ethereal)7 Asa & Stumbleine - Without You8 Ghosts Of Paraguay - The Swan9 Loolacoma - Lullaby10 Swarms - The Hinge Of The Night Sky11 Rameses B - North12 Eschaton - Marooned Music for lounge & chillout cafe, bars, spa, exposition and presentations, fashion displays... 1Dee Flack, Elo Method, Subranger & V.RAY - Bring Me Love 2Jeremy Vancaulart - Stay With Me (Ben Elias Remix) [feat. Nickie Minshall] 3N4m3 - White Nights 4Theta~Rhythms - Winter 5Abdomen Burst feat. Malevich & Yavanndiel - Changes (Lime Time Remix) 6Etherealn Pilgrim - Breath Underwater (Ethereal) 7Asa & Stumbleine - Without You 8Ghosts Of Paraguay - The Swan 9Loolacoma - Lullaby 10Swarms - The Hinge Of The Night Sky 11Rameses B - North 12Eschaton - Marooned

Exhibition co-curator Professor John Milner introduces ‘Revolution: Russian Art 1917-1932’ and investigates how artists from Kazimir Malevich to Alexander Deineka made Russian art revolutionary in the first 15 years after the Bolshevik revolution of 1917. The revolution triggered radical innovations in Russian art. Encouraged to work collectively to promote the revolution, artists began to make a face for the Bolshevik regime, replacing signs of the Imperial command with an art for the people. Artists including Kandinsky, Malevich, Tatlin, Rodchenko and Popova turned the storm of the Russian Revolution into a radical experiment in art and society. In 1932, the work of these artists was celebrated and exhibited in 'Artists of the Russian Federation over Fifteen Years', a diverse survey held in Leningrad and curated by the critic Nikolai Punin. Yet later in the same year, all independent art groups were dissolved, and Socialist Realism became the dominant force in the Russian art world.

The oeuvre of Marc Chagall and Kasimir Malevich reviewed by museum Albertina director Klaus Albrecht Schröder. A CastYourArt production.

Chagall to Malevich - Albertina director Klaus Albrecht Schröder leads us through an era of high artistic pluralism in times of radical changes. An exhibition-portrait by CastYourArt.

История Искусств: Малевич супрематизм, русский авангард, концепт, примитивизм, прибавочный элемент, кубизм, черный квадрат, футуризм, хлебников, теоретические исследования ...

Considering Hadid’s concept of architecture and its relationship to space and the city, this audio recording reflects on Malevich’s Architektons, as well as other works of Suprematism, as formative inspiration for her own practice.

David Batchelor’s work comprises three-dimensional structures, photographs and drawings, mostly related to a long term interest in colour and urbanism. To coincide with the Malevich exhibition, Batchelor hosts his talk The Story of the Un-Squared Square

I'm Vaux, an Informed Jack who Tells Tales. This is my Signal.If you can hear this broadcast, it is for Thriest, once the shining jewel of the war-weary Steadfast kingdom of Malevich.Opportunities about as one man seeks to remake Thriest into a great centre of knowledge. But an ancient conspiracy seeks to press disaster onto the nation.Listen to it. Remember it. Pass it along.Iadace. Episode 22: Thriest

29-я часть впитала в себя...С самого начала, один из лучших chill ремиксов на мой взгляд с "нашим" , сладким вокалом Neteta. Продолжаем, cлушая прекрасную ирландку Neev Kennedy, все больше и больше окунаясь в трансовые волны. В завершении, нежный, грустный и трогательный ambient от Seawaves, прекрасное открытие для меня фолк группа Anadel.И на последок немного космоса...  1.Seven24 feat Neteta - Solo of My Soul (Robien M Remix) 2.Aurosonic feat Neev Kennedy - Now I See (Chill Out Mix) 3.Juventa feat. Erica Curran- Move Into Light (Tygris Chill Out Mix) 4.Giuseppe Ottaviani & Aly & Fila - Brilliant People (Giuseppe Ottaviani Chillair remix) 5.Conjure One feat. Aruna - Still Holding On (Aruna vs. Conjure One Chill Mix) 6.Aleksey Beloozerov feat Ange - So Far Away (R.I.B. Chillout Remix) 7.Gareth Emery feat. Gavin Beach – Eye Of The Storm (Moonnight remix) 8.Max Freegrant & Jerome Isma-Ae - Thrill Me (Marsbeing Remix) 9.DJ Boyko & Katy Queen - Out of my mind (Aleksey Beloozerov mix) 10.Seawaves- Images (We Are All Astronauts Ambient remix) 11.Anadel - Remember me (original piano version) 12.Abdomen Burst feat. Malevich & Yavanndiel - Changes (Lime Time Remix)

A new exhibition of work by Russian painter Kasimir Malevich at London's Tate Modern follows his career from early representational work through his cubo-futurist phase, to his creation of the concept of supremacism and back to figurative art. It is grand in its scale and vision and ambition, but will it be packing in the visitors this summer? There's another revival of Oscar Wilde's The Importance Of Being Earnest, with an all-star cast including Nigel Havers and Martin Jarvis. What devices can make this 120 year old much-venerated comedy funny to a modern audience? Filipino film Norte; The End of History is more than 4 hours long and loosely based on Dostoevsky's Crime and Punishment and it has been hailed as a masterpiece by many critics as it has been shown on the major festival circuit. There's new US TV sitcom called Silicon Valley, revolving around the lives of a bunch of internet start-up nerds. It's the work of Mike Judge (Beavis and Butthead, Office Space, King of the Hill) and it's already been nominated for 5 Emmys David Flusfeder's John The Pupil is a novel that purports to be a long lost diary of a 13th century monk and his companions as they journey from England to deliver a package from their Friar to The Pope in Viterbo Tom Sutcliffe is joined by Paul Morley, Kate Williams and Amber Jane Butchart. The producer is Oliver Jones.

John Wilson talks to Nigel Havers and director Lucy Bailey about their revival of The Importance of Being Earnest, framed within the confines of an amateur dramatics production of the play. Art critic Charlotte Mullins reviews a major retrospective of Russian modernist Kazimir Malevich at Tate Modern. The winner of the Caine Prize for African writing, Okwiri Oduor, talks about her winning short story and the impact she hopes the prize will have on her Writing, and head judge, Jackie Kay, reveals why Okwiri's story was an unanimous winner. And author Michael Rosen on the enduring appeal of We're Going On A Bear Hunt, 25 years on and a record-beating reading.

7-8 Декабря в Киеве проходил первый DevGamm (наследник известного FlashGamm). Выпуск состоит из интервью которые мне удалось взять на мероприятии! Содержание: [01:00] — Вадим Доброгурский, Павел Хребтань и Максим Голубев из команды Lopens, сделавшей Bloody Harry рассказали о том как разрабатывалась игра. [07:50] — Олег Костин (Rosso) и Аркадий Скрыльников (Malevich) из студии флэш игр DEQAF Studio рассказали про то как начинали делать игры, про организацию рабочего процесса и дали пару советов начинающим разработчикам. [18:20] — Антон Волков из Alternativa Platform про изменение курса компании, про Unity и амбициозные планы на будущее. [36:37] — Dan Prigg из Spil Games про планы компании на следующий год. [41:00] — Ted Ursu из Funtomic про основные тренды на рынке портальных казуальных игр. [41:44] — Евгений Кистерев (Ash_Woodlander), работающий сейчас с Адреем Ковалишиным, про свою «вязанную» игру, взявшую на прошлом FlashGAMM в Киеве номинацию «будущий хит». Про артхаус в играх и про планы на будущее. [51:21] — Александр Ахура (Ahura) и Ира Никитина (Ressa) про написание музыки к играм, про вдохновение и что делать если оно не приходит. [64:08] — Максим Ботвиньев из Clever Club studio про свою игру SteamBot, которую ребята показывали на GAMM Play на Oculus Rift. [70:00] — Лерика Малаева про только что завершившуюся конференцию. Первые впечатления по завершению ивента и про планы на будущее. [88:52] — Гия Заркуа про то, что понравилось в этот раз на DevGAMM и зачем на самом деле надо посещать конференции. В следующем выпуске у нас в гостях Андрей Викторов из Fate Studio и поговорим мы про Ludum Dare.

The son of artists Fred Klein and Marie Raymond, Yves Klein was baptised a Catholic and dedicated to Saint Rita, patron saint of lost causes, in the same year that Kasimir Malevich wrote ‘The painter is no longer bound to canvas, but can transfer his composition to space’.1 These coincidences seem to set the scene for Klein’s heroic and sometimes tragicomic life and work. Malevich, who was one of the few art historical figures Klein profoundly admired, described himself as an aviator taking art to new heights (strangely similar to Klein’s claims). Klein did not study art but informally dedicated much of his time to the Rosicrucian teachings of Max Heindel and he was a keen Judo expert (the first European to secure a fourth Dan black belt in Japan). Throughout his short life he earned his living by teaching Judo at least as much as he did through his art. Klein paradoxically launched himself as an artist by self-publishing a retrospective catalogue of his monochrome paintings. The preface to this book is by Claude Pascal (the subject of our portrait relief) and consists only of rows of black lines. The reproductions are merely coloured paper tipped in; the dimensions are included without denominations of measurement. The coloured paper may suggest that these are fraudulent, that they are not reproductions, but at the same time they may be thought of as small monochromes in their own right. It was to be typical of Klein that he would make great claims for transcendental achievements and at the same time sow seeds of doubt on the authenticity of his claims. His defining project was the conquest of the void. Klein’s spiritual exercises and his Judo both played a part in this quest, and his monochrome paintings – most particularly the intense ultramarine that he copyrighted as International Klein Blue – aspired to provide a sensation of space and suggest the infinite void. This void for him is replete with spiritual energy. His most controversial act, a seminal example of performance art, was to leap ‘into the void’ from a second-storey window in Paris in 1960. In the photograph by Harry Shunk we see Klein leaping up into the sky not plummeting to earth. His face is yearning up and his arched body speaks of the deep desire for flight, and indeed of belief in its possibility. In 1962 Klein began a project to record himself and his circle of intimates in a quartet of body casts. ‘Portrait relief PR3 (portrait of Claude Pascal)’ belongs to this group, left incomplete at Klein’s death. The portrait is cast from the poet’s body and coloured in International Klein Blue pigment. Seeming to levitate in front of its golden field, the figure re-enacts Klein’s ‘Leap into the void’. Klein himself was to have been represented, conversely, in gold against blue but he died before making the cast. 1. Kasimir Malevich, ‘Suprematism’, www.artarchive.com © Art Gallery of New South Wales Contemporary Collection Handbook, 2006

Ребята а ведь скоро уже  наступит наше долгожданное ЛЕТО!!!Солнце светит ярко ! и воздухе тепло ! Куда не взглянешь всё кругом светло!! Ребята всем желаю это грядущее жаркое и знойное лето встретить с улыбкой на лице! Всем щастья и любви!!! А также желаю вам послушать мою новиночку " Summer time forever " С этим миксом ваще лето станет ещё ЖАРЧЕ!!Дорогие слушатели желаю вам приятного прослушивания!!! Буду рад оценкам и комментариям! Спасибо!  1)Russell G - Solstice (Original Mix). 2)Dinka - Chemistry. 3)Abdomen Burst feat. Malevich & Yavanndiel - Changes (Malevich Remix). 4)EDX - Embrace. 5)Adam Oland - Moodaka (Ad Brown Remix). 6)Extasy Project - Sunrise (Fresh Blast DJs Remix). 7)George F. Zimmer - One Last Dance (Original Mix). 8)Futuristic Polar Bears Offshore (Daniel Ortega & Mike Moorish Remix). 9)John Dahlback & Albin Myers - Light Of Day. 10)Kinky Koala - La Fleur (Original Mix). 11)Re-Mono - Catalina (C Cole Remix).

"Durante todo el mes de marzo, y hasta el 4 de abril, seguirá abierta en la Fundación Juan March la Exposición de 42 óleos de Kasimir Malevich, todos ellos procedentes del Museo del Estado Ruso de San Petersburgo, institución que posee la más importante colección de Malevich hoy existente.Tras exhibirse en Madrid, en la sede de la Fundación Juan March, la exposición se ofrecerá en Barcelona, en el Museo Picasso, del 20 de abril al 6 de junio, y posteriormente en Valencia, en el IVAM.A la inauguración de la muestra en la sede de la Fundación Juan March, el pasado 15 de enero, asistieron el director del Museo del Estado Ruso de San Petersburgo, Vladimir Gusev, y la conservadora del mismo, Elena Basner. Abrió el acto el Presidente de la Fundación, Juan March Delgado, quien agradeció a los citados representantes del Museo ruso «el entusiasmo y el espíritu de colaboración que demostraron, desde el primer momento, para convertir el proyecto de esta exposición en toda una realidad. En muy raras ocasiones han salido las obras de Malevich de este museo, siendo la primera vez que se exhiben fuera de forma tan completa».Asimismo, el presidente de la Fundación Juan March recordó que no era la primera vez que esta institución ofrecía en sus salas muestras del arte ruso del primer tercio de este siglo: «ya en el año 1978 presentamos una retrospectiva de Kandinsky; posteriormente, en 1985, exhibimos una exposición de pintura significativamente titulada ‘Vanguardia Rusa 1910-1930', en la que había obras de Malevich, Gonscharova, Popova, Rodchenko, etc. Hemos visto también en otras exposiciones colectivas presentadas aquí obras de Gabo, Tatlin y otros escultores rusos muy destacados. El pasado año mostramos una gran retrospectiva de Jawlensky. Todos esos años iniciales del siglo XX fueron altamente creativos y originales en el arte ruso y nos parece que es una buena referencia para presentar hoy la obra de Malevich, uno de los principales impulsores de aquel movimiento renovador».A continuación pronunció una conferencia Angel González, profesor de Historia del Arte de la Universidad Complutense"Más información de este acto

Por primera vez en España pueden verse un total de 178 obras pertenecientes a 45 artistas, reunidas en la Exposición de «Vanguardia Rusa (1910-1030). Museo y Colección Ludwig», que ha organizado la Fundación Juan March en su sede. Se trata de los fondos de arte de este movimiento artístico ruso que poseen el Museo y la Colección Ludwig de Colonia (Alemania) y que, según su propio director, Siegfried Gohr, no se habían presentado hasta ahora, ni en el mismo Museo Ludwig, «en una visión de conjunto tan completa y enriquecida con trabajos nuevos y de suma importancia». En esta muestra del vanguardismo artístico que floreció en Rusia paralelamente a los «ismoss europeos, en los períodos anterior y posterior a la Revolución de 1917, están representados los más destacados maestros y estilos o movimientos: el Neoprimitivismo, con Larionov y Gontscharova; el Constructivismo, con Lissitzky (del que se ofrecen ocho composiciones y collages), Rodchenko y Stepanova; el Suprematismo, con Malevich (representado con 49 obras, en su mayor parte dibujos); Kandinsky y otros. En el acto inaugural de la Exposición en Madrid el señor Ludwig pronunció unas palabras que se reproducen a continuación; al igual que las de Evelyn Weiss, Subdirectora del Museo Ludwig y Comisaria de la Exposición.Más información de este acto