Podcasts about edwards professor

Nell Irvin Painter is a leading historian of the United States. She is the Edwards Professor of American History Emerita at Princeton University. She was Director of Princeton’s Program in African-American Studies from 1997 to 2000. In addition to her doctorate in history from Harvard University, she has received honorary doctorates from Wesleyan, Dartmouth, SUNY-New […]

From the Smithsonian's Sidedoor podcast: sorting fact from fiction to find the real Sojourner Truth.As a prominent woman's rights activist and abolitionist, Sojourner Truth gave hundreds of speeches and sold countless images of herself. And yet the words that define her in our popular imagination - "Ain't I a woman?" - were actually made up.Host Lizzie Peabody went looking for the real Sojourner Truth and she found a woman with a much more complicated and fascinating life than any slogan can capture.Guests:Nell Irvin Painter, author of Sojourner Truth: a Life, a Symbol; Edwards Professor of American History Emerita at Princeton UniversityAshleigh Coren, former content strategist for the Smithsonian's Our Shared Future: Reckoning with Our Racial Past initiativeKim Sajet, director of the Smithsonian's National Portrait Gallery and host of the Smithsonian's Portraits podcast

Sojourner Truth was a women's rights advocate known best for her famous speech "Ain't I a Woman." But Truth never actually said these words. In fact, much of the Truth we know… is fiction. Depictions from different artists and journalists have tweaked Truth's legacy to fit their messages, giving her a “kaleidoscopic reputation,” according to Nell Irvin Painter, author of Sojourner Truth: A Life, A Symbol.  So how did a speech she never gave make Sojourner Truth one of the most famous women's suffragists of the 19th century? And what did Truth actually say? Turns out, the whole Truth is even better than fiction.  Guests: Nell Irvin Painter, author of Sojourner Truth: a Life, a Symbol; Edwards Professor of American History Emerita at Princeton University Ashleigh Coren, former content strategist for the Smithsonian's Our Shared Future: Reckoning with Our Racial Past initiative Kim Sajet, director of the Smithsonian's National Portrait Gallery and host of the Smithsonian's Portraits podcast

“But one thing the whole “Karen” thing did, which I think was very good, was that it pointed out the existence of spaces Ostensibly open to everyone, but not, and then patrolled often by white women saying you don't belong here. And she got a name, and people with that name wince and rightfully so, but without that wince-worthy kind of situation, I don't think large numbers of Americans would realize that there really is a sort of silent apartheid in our public spaces.” So says Nell Irvin Painter, who Henry Louis Gates Jr. refers to as “one of the towering Black intellects of the last century.” I first heard Nell on Scene On Radio with John Biewen in his series “Seeing White,” and have been biding my time for an opportunity to interview her ever since. I got my chance, with her latest endeavor, an essay collection called I Just Keep Talking, which is a collection of her writing from the past several decades, about art, politics, and race along with many pieces of her own art. Now retired, Nell is a New York Times bestseller and was the Edwards Professor of American History Emerita at Princeton, where she published many, many books about the evolution of Black political thought and race as a concept. She's one of the preeminent scholars on the life of Sojourner Truth—and is working on another book about her right now—and is also the author of The History of White People. Today's conversation touches on everything from Sojourner Truth—and how she actually never said “Ain't I a Woman?”—to the capitalization of Black and White.  MORE FROM NELL IRVIN PAINTER: I Just Keep Talking: A Life in Essays The History of White People Old in Art School Nell's Website Follow Nell on Instagram Scene On Radio: “Seeing White” To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Princeton AAS Podcast S2 E07 A Painter's Eye In this episode, we sit down with the legendary historian and artist Nell Painter to discuss her career and its connections to Black Studies. From reckoning with historical figures as individuals, to her life and work at Princeton, to her own works-in-progress, this podcast has something for everyone. Our hosts dive deep into Painter's legacy and the lessons she has for our present moment. The Culture of __ “This new and 'old' artist offers a self-portrait in starting over,” PBS NewsHour, July 23, 2018 “Nell Painter: Old In Art School,” GBH Forum Network, July 31, 2018 The Breakdown - Guest Info Nell Irvin Painter (nellpainter.com)  Nell Irvin Painter is Edwards Professor of American History, Emerita at Princeton University. She was Director of Princeton's Program in African-American Studies from 1997 to 2000. In addition to her doctorate in history from Harvard University, she has received honorary doctorates from Wesleyan, Dartmouth, SUNY-New Paltz, and Yale. Prof. Painter has published numerous books, articles, reviews, and other essays, including The History of White People. She has served on numerous editorial boards and as an officer of many different professional organizations, including the American Historical Association, the Organization of American Historians, the American Antiquarian Society, the Association for the Study of Afro-American Life and History, and the Association of Black Women Historians. Nell Painter (the painter formerly known as the historian Nell Irvin Painter) lives and works in Newark, New Jersey. Her work carries discursive as well as visual meaning, and is made in a manual and digital process. Using found images and digital manipulation, she reconfigures the past and self-revision through self-portraits. After a life of historical truth and political engagement with American society, her artwork represents freedom, including the freedom to be totally self-centered. See, Hear, Do “The Extraordinary Women of AAS Featuring Nell Painter,” Princeton University Department of African American Studies, March 28, 2022 Nell Irvin Painter, Southern History Across the Color Line (Chapel Hill: University of North Carolina Press, 2021 [2002]) Nell Painter, “American Whiteness Since Trump,” James Fuentes Gallery, 2020 “Nell Painter and Black Power in Print,” Museum of Fine Arts Boston, November 15, 2021 “Nell Irvin Painter to Deliver the Charles Homer Haskins Prize Lecture,” American Council of Learned Societies Annual Meeting, Friday, April 29, 2022 @ 6:00 PM EST (registration in link)

In conversation with Nell Irvin Painter Barbara Chase-Riboud's watershed 1979 novel Sally Hemings told a fictionalized story based on the true account of the life of Sally Hemings, an enslaved woman with whom Thomas Jefferson had children. It was the winner of the Janet Heidinger Kafka Prize for best novel by an woman writer in the United States and through DNA evidence, the novel's premise about Heming and Jefferson's relationship has since been proven true. Chase-Riboud's other novels include Echo of Lions, The President's Daughter, and Hottentot Venus. She is also a celebrated poet and widely exhibited sculptor and visual artist. In the spirit of Sally Hemings, her new novel breathes life into the previously enigmatic Hannah Elias, one of early 1900s America's richest black women, and the murder that precipitated her rapid downfall. Historian Nell Irvin Painter's books include Sojourner Truth, Creating Black Americans, and the bestseller The History of White People. The Edwards Professor of American History, Emerita, at Princeton University, Painter directed that institution's Program in African American Studies from 1997 to 2000. She has also published numerous essays, reviews, and articles, and is the author of the memoir Old in Art School. (recorded 2/15/2022)

Presentations on Thomas's studio art training and involvement with galleries, museums, and universities by Renee Maurer, Nell Irvin Painter, and Rebecca VanDiver, followed with discussion moderated by Steven Nelson Renee Maurer, associate curator, The Phillips Collection, and coordinating curator for Alma W. Thomas: Everything is Beautiful; Nell Irvin Painter, artist, Edwards Professor of American History Emerita, Princeton University, and Alma W. Thomas: Everything is Beautiful catalog contributor; and Rebecca VanDiver, assistant professor of African American art, Dean's Faculty Fellow (2019–2021), Mellon Faculty Fellow in Digital Humanities (2020–2021), Vanderbilt University, and Alma W. Thomas: Everything is Beautiful catalog contributor. Moderated by Steven Nelson, dean, the Center (Center for the Advanced Study in the Visual Arts), National Gallery of Art. Celebrate Alma W. Thomas's Legacy: https://www.nga.gov/learn/adults/john-wilmerding-symposium-community-celebration-alma-thomas.html Still haven't subscribed to our YouTube channels? National Gallery of Art ►►https://www.youtube.com/NationalGalleryofArtUS National Gallery of Art | Talks ►►https://www.youtube.com/NationalGalleryofArtTalks

Presentations on Thomas's studio art training and involvement with galleries, museums, and universities by Renee Maurer, Nell Irvin Painter, and Rebecca VanDiver, followed with discussion moderated by Steven Nelson Renee Maurer, associate curator, The Phillips Collection, and coordinating curator for Alma W. Thomas: Everything is Beautiful; Nell Irvin Painter, artist, Edwards Professor of American History Emerita, Princeton University, and Alma W. Thomas: Everything is Beautiful catalog contributor; and Rebecca VanDiver, assistant professor of African American art, Dean's Faculty Fellow (2019–2021), Mellon Faculty Fellow in Digital Humanities (2020–2021), Vanderbilt University, and Alma W. Thomas: Everything is Beautiful catalog contributor. Moderated by Steven Nelson, dean, the Center (Center for the Advanced Study in the Visual Arts), National Gallery of Art. Celebrate Alma W. Thomas's Legacy: https://www.nga.gov/learn/adults/john-wilmerding-symposium-community-celebration-alma-thomas.html Still haven't subscribed to our YouTube channels? National Gallery of Art ►►https://www.youtube.com/NationalGalleryofArtUS National Gallery of Art | Talks ►►https://www.youtube.com/NationalGalleryofArtTalks

Americans have long viewed marriage between a white man and a white woman as a sacred union. But marriages between African Americans have seldom been treated with the same reverence. This discriminatory legacy traces back to centuries of slavery, when the overwhelming majority of black married couples were bound in servitude as well as wedlock. Though their unions were not legally recognized, slaves commonly married, fully aware that their marital bonds would be sustained or nullified according to the whims of white masters. Bound In Wedlock: Slave and Free Black Marriage in the Nineteenth Century (Harvard UP, 2017) is the first comprehensive history of African American marriage in the nineteenth century. Uncovering the experiences of African American spouses in plantation records, legal and court documents, and pension files, Tera W. Hunter reveals the myriad ways couples adopted, adapted, revised, and rejected white Christian ideas of marriage. Setting their own standards for conjugal relationships, enslaved husbands and wives were creative and, of necessity, practical in starting and supporting families under conditions of uncertainty and cruelty. After emancipation, white racism continued to menace black marriages. Laws passed during Reconstruction, ostensibly to secure the civil rights of newly freed African American citizens, were often coercive and repressive. Informal antebellum traditions of marriage were criminalized, and the new legal regime became a convenient tool for plantation owners to discipline agricultural workers. Recognition of the right of African Americans to enter into wedlock on terms equal to whites would remain a struggle into the Jim Crow era, and its legacy would resonate well into the twentieth century. Tera W. Hunter is the Edwards Professor of American History and Professor of African-American Studies at Princeton University. A specialist in 19th and 20th century African American history, her research focuses on gender, race, labor, and Southern histories. Jerrad P. Pacatte is a Ph.D. candidate in the Department of History at Rutgers, The State University of New Jersey-New Brunswick studying eighteenth and nineteenth century African American women's history, slavery and emancipation in colonial America and the Atlantic world, and the history of slavery and capitalism. Follow him on Twitter @Jerrad_Pacatte!   Learn more about your ad choices. Visit megaphone.fm/adchoices

Americans have long viewed marriage between a white man and a white woman as a sacred union. But marriages between African Americans have seldom been treated with the same reverence. This discriminatory legacy traces back to centuries of slavery, when the overwhelming majority of black married couples were bound in servitude as well as wedlock. Though their unions were not legally recognized, slaves commonly married, fully aware that their marital bonds would be sustained or nullified according to the whims of white masters. Bound In Wedlock: Slave and Free Black Marriage in the Nineteenth Century (Harvard UP, 2017) is the first comprehensive history of African American marriage in the nineteenth century. Uncovering the experiences of African American spouses in plantation records, legal and court documents, and pension files, Tera W. Hunter reveals the myriad ways couples adopted, adapted, revised, and rejected white Christian ideas of marriage. Setting their own standards for conjugal relationships, enslaved husbands and wives were creative and, of necessity, practical in starting and supporting families under conditions of uncertainty and cruelty. After emancipation, white racism continued to menace black marriages. Laws passed during Reconstruction, ostensibly to secure the civil rights of newly freed African American citizens, were often coercive and repressive. Informal antebellum traditions of marriage were criminalized, and the new legal regime became a convenient tool for plantation owners to discipline agricultural workers. Recognition of the right of African Americans to enter into wedlock on terms equal to whites would remain a struggle into the Jim Crow era, and its legacy would resonate well into the twentieth century. Tera W. Hunter is the Edwards Professor of American History and Professor of African-American Studies at Princeton University. A specialist in 19th and 20th century African American history, her research focuses on gender, race, labor, and Southern histories. Jerrad P. Pacatte is a Ph.D. candidate in the Department of History at Rutgers, The State University of New Jersey-New Brunswick studying eighteenth and nineteenth century African American women’s history, slavery and emancipation in colonial America and the Atlantic world, and the history of slavery and capitalism. Follow him on Twitter @Jerrad_Pacatte!   Learn more about your ad choices. Visit megaphone.fm/adchoices

Americans have long viewed marriage between a white man and a white woman as a sacred union. But marriages between African Americans have seldom been treated with the same reverence. This discriminatory legacy traces back to centuries of slavery, when the overwhelming majority of black married couples were bound in servitude as well as wedlock. Though their unions were not legally recognized, slaves commonly married, fully aware that their marital bonds would be sustained or nullified according to the whims of white masters. Bound In Wedlock: Slave and Free Black Marriage in the Nineteenth Century (Harvard UP, 2017) is the first comprehensive history of African American marriage in the nineteenth century. Uncovering the experiences of African American spouses in plantation records, legal and court documents, and pension files, Tera W. Hunter reveals the myriad ways couples adopted, adapted, revised, and rejected white Christian ideas of marriage. Setting their own standards for conjugal relationships, enslaved husbands and wives were creative and, of necessity, practical in starting and supporting families under conditions of uncertainty and cruelty. After emancipation, white racism continued to menace black marriages. Laws passed during Reconstruction, ostensibly to secure the civil rights of newly freed African American citizens, were often coercive and repressive. Informal antebellum traditions of marriage were criminalized, and the new legal regime became a convenient tool for plantation owners to discipline agricultural workers. Recognition of the right of African Americans to enter into wedlock on terms equal to whites would remain a struggle into the Jim Crow era, and its legacy would resonate well into the twentieth century. Tera W. Hunter is the Edwards Professor of American History and Professor of African-American Studies at Princeton University. A specialist in 19th and 20th century African American history, her research focuses on gender, race, labor, and Southern histories. Jerrad P. Pacatte is a Ph.D. candidate in the Department of History at Rutgers, The State University of New Jersey-New Brunswick studying eighteenth and nineteenth century African American women's history, slavery and emancipation in colonial America and the Atlantic world, and the history of slavery and capitalism. Follow him on Twitter @Jerrad_Pacatte!   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Americans have long viewed marriage between a white man and a white woman as a sacred union. But marriages between African Americans have seldom been treated with the same reverence. This discriminatory legacy traces back to centuries of slavery, when the overwhelming majority of black married couples were bound in servitude as well as wedlock. Though their unions were not legally recognized, slaves commonly married, fully aware that their marital bonds would be sustained or nullified according to the whims of white masters. Bound In Wedlock: Slave and Free Black Marriage in the Nineteenth Century (Harvard UP, 2017) is the first comprehensive history of African American marriage in the nineteenth century. Uncovering the experiences of African American spouses in plantation records, legal and court documents, and pension files, Tera W. Hunter reveals the myriad ways couples adopted, adapted, revised, and rejected white Christian ideas of marriage. Setting their own standards for conjugal relationships, enslaved husbands and wives were creative and, of necessity, practical in starting and supporting families under conditions of uncertainty and cruelty. After emancipation, white racism continued to menace black marriages. Laws passed during Reconstruction, ostensibly to secure the civil rights of newly freed African American citizens, were often coercive and repressive. Informal antebellum traditions of marriage were criminalized, and the new legal regime became a convenient tool for plantation owners to discipline agricultural workers. Recognition of the right of African Americans to enter into wedlock on terms equal to whites would remain a struggle into the Jim Crow era, and its legacy would resonate well into the twentieth century. Tera W. Hunter is the Edwards Professor of American History and Professor of African-American Studies at Princeton University. A specialist in 19th and 20th century African American history, her research focuses on gender, race, labor, and Southern histories. Jerrad P. Pacatte is a Ph.D. candidate in the Department of History at Rutgers, The State University of New Jersey-New Brunswick studying eighteenth and nineteenth century African American women’s history, slavery and emancipation in colonial America and the Atlantic world, and the history of slavery and capitalism. Follow him on Twitter @Jerrad_Pacatte!   Learn more about your ad choices. Visit megaphone.fm/adchoices

Americans have long viewed marriage between a white man and a white woman as a sacred union. But marriages between African Americans have seldom been treated with the same reverence. This discriminatory legacy traces back to centuries of slavery, when the overwhelming majority of black married couples were bound in servitude as well as wedlock. Though their unions were not legally recognized, slaves commonly married, fully aware that their marital bonds would be sustained or nullified according to the whims of white masters. Bound In Wedlock: Slave and Free Black Marriage in the Nineteenth Century (Harvard UP, 2017) is the first comprehensive history of African American marriage in the nineteenth century. Uncovering the experiences of African American spouses in plantation records, legal and court documents, and pension files, Tera W. Hunter reveals the myriad ways couples adopted, adapted, revised, and rejected white Christian ideas of marriage. Setting their own standards for conjugal relationships, enslaved husbands and wives were creative and, of necessity, practical in starting and supporting families under conditions of uncertainty and cruelty. After emancipation, white racism continued to menace black marriages. Laws passed during Reconstruction, ostensibly to secure the civil rights of newly freed African American citizens, were often coercive and repressive. Informal antebellum traditions of marriage were criminalized, and the new legal regime became a convenient tool for plantation owners to discipline agricultural workers. Recognition of the right of African Americans to enter into wedlock on terms equal to whites would remain a struggle into the Jim Crow era, and its legacy would resonate well into the twentieth century. Tera W. Hunter is the Edwards Professor of American History and Professor of African-American Studies at Princeton University. A specialist in 19th and 20th century African American history, her research focuses on gender, race, labor, and Southern histories. Jerrad P. Pacatte is a Ph.D. candidate in the Department of History at Rutgers, The State University of New Jersey-New Brunswick studying eighteenth and nineteenth century African American women’s history, slavery and emancipation in colonial America and the Atlantic world, and the history of slavery and capitalism. Follow him on Twitter @Jerrad_Pacatte!   Learn more about your ad choices. Visit megaphone.fm/adchoices

Americans have long viewed marriage between a white man and a white woman as a sacred union. But marriages between African Americans have seldom been treated with the same reverence. This discriminatory legacy traces back to centuries of slavery, when the overwhelming majority of black married couples were bound in servitude as well as wedlock. Though their unions were not legally recognized, slaves commonly married, fully aware that their marital bonds would be sustained or nullified according to the whims of white masters. Bound In Wedlock: Slave and Free Black Marriage in the Nineteenth Century (Harvard UP, 2017) is the first comprehensive history of African American marriage in the nineteenth century. Uncovering the experiences of African American spouses in plantation records, legal and court documents, and pension files, Tera W. Hunter reveals the myriad ways couples adopted, adapted, revised, and rejected white Christian ideas of marriage. Setting their own standards for conjugal relationships, enslaved husbands and wives were creative and, of necessity, practical in starting and supporting families under conditions of uncertainty and cruelty. After emancipation, white racism continued to menace black marriages. Laws passed during Reconstruction, ostensibly to secure the civil rights of newly freed African American citizens, were often coercive and repressive. Informal antebellum traditions of marriage were criminalized, and the new legal regime became a convenient tool for plantation owners to discipline agricultural workers. Recognition of the right of African Americans to enter into wedlock on terms equal to whites would remain a struggle into the Jim Crow era, and its legacy would resonate well into the twentieth century. Tera W. Hunter is the Edwards Professor of American History and Professor of African-American Studies at Princeton University. A specialist in 19th and 20th century African American history, her research focuses on gender, race, labor, and Southern histories. Jerrad P. Pacatte is a Ph.D. candidate in the Department of History at Rutgers, The State University of New Jersey-New Brunswick studying eighteenth and nineteenth century African American women’s history, slavery and emancipation in colonial America and the Atlantic world, and the history of slavery and capitalism. Follow him on Twitter @Jerrad_Pacatte!   Learn more about your ad choices. Visit megaphone.fm/adchoices

Americans have long viewed marriage between a white man and a white woman as a sacred union. But marriages between African Americans have seldom been treated with the same reverence. This discriminatory legacy traces back to centuries of slavery, when the overwhelming majority of black married couples were bound in servitude as well as wedlock. Though their unions were not legally recognized, slaves commonly married, fully aware that their marital bonds would be sustained or nullified according to the whims of white masters. Bound In Wedlock: Slave and Free Black Marriage in the Nineteenth Century (Harvard UP, 2017) is the first comprehensive history of African American marriage in the nineteenth century. Uncovering the experiences of African American spouses in plantation records, legal and court documents, and pension files, Tera W. Hunter reveals the myriad ways couples adopted, adapted, revised, and rejected white Christian ideas of marriage. Setting their own standards for conjugal relationships, enslaved husbands and wives were creative and, of necessity, practical in starting and supporting families under conditions of uncertainty and cruelty. After emancipation, white racism continued to menace black marriages. Laws passed during Reconstruction, ostensibly to secure the civil rights of newly freed African American citizens, were often coercive and repressive. Informal antebellum traditions of marriage were criminalized, and the new legal regime became a convenient tool for plantation owners to discipline agricultural workers. Recognition of the right of African Americans to enter into wedlock on terms equal to whites would remain a struggle into the Jim Crow era, and its legacy would resonate well into the twentieth century. Tera W. Hunter is the Edwards Professor of American History and Professor of African-American Studies at Princeton University. A specialist in 19th and 20th century African American history, her research focuses on gender, race, labor, and Southern histories. Jerrad P. Pacatte is a Ph.D. candidate in the Department of History at Rutgers, The State University of New Jersey-New Brunswick studying eighteenth and nineteenth century African American women’s history, slavery and emancipation in colonial America and the Atlantic world, and the history of slavery and capitalism. Follow him on Twitter @Jerrad_Pacatte!   Learn more about your ad choices. Visit megaphone.fm/adchoices

Meet award winning scholar, historian, author, artist Nell Painter, the Edwards Professor of American History, Emerita at Princeton University. Her acclaimed works of history include, "Standing at Armageddon," "Sojourner Truth, "and the New York Times bestseller, "The History of White People." But her most recent book is all about second chapters. Old in "Art School: A Memoir of Starting Over," chronicles Nell's return to the classroom as an undergrad to study painting, following her retirement from Princeton. Needless to say, we cover a lot of territory in this conversation with such an accomplished, fascinating, creative woman.

Byron Reeves, the Paul C. Edwards Professor of Communication in the Department of Communication at Stanford University and co-author of The Media Equation: How People Treat Computers, Television, and New Media Like Real People and Places, is on the cutting edge as media is a vital component of many if not all sectors. With electrodes […] The post Ep. 11: Byron Reeves on the True Power of Media appeared first on Applied Wisdom Institute at the University of Redlands.

Cardiovascular risk is so high in type III hyperlipoproteinemia that is typically a “treat immediately on diagnosis” disorder.  In the February 2019 issue of Clinical Chemistry, a paper presented the advantages of a non-high density lipoprotein cholesterol ratio with apolipoprotein B as a diagnostic tool for type III hyperlipoproteinemia.  In the same issue, an accompanying editorial entitled “Type III Hyperlipoproteinemia: The Forgotten, Disregarded, Neglected, Overlooked, Ignored but Highly Atherogenic, and Highly Treatable Dyslipo-proteinemia” was also published.  The author of that article is Dr. Allan Sniderman, the Edwards Professor of Cardiology at McGill University in Montreal, Quebec, Canada, and he is our guest in this podcast. 

Meet award winning scholar, historian, author, artist Nell Painter, the Edwards Professor of American History, Emerita at Princeton University. Her acclaimed works of history include, "Standing at Armageddon," "Sojourner Truth, "and the New York Times bestseller, "The History of White People." But her most recent book is all about second chapters. Old in "Art School: A Memoir of Starting Over," chronicles Nell's return to the classroom as an undergrad to study painting, following her retirement from Princeton. Needless to say, we cover a lot of territory in this conversation with such an accomplished, fascinating, creative woman.

Celebrated historian Nell Irvin Painter's many books include Sojourner Truth, Creating Black Americans, and, most recently, The History of White People, a national bestseller examining the dangerous socially constructed notion of whiteness. The Edwards Professor of American History, Emerita, at Princeton University, Painter directed that institution's Program in African American Studies from 1997 to 2000 and has served on a number of editorial boards and professional groups, including the Society of American Historians, the Association of Black Women Historians, and the American Antiquarian Society. Old in Art School is a memoir of Painter's surprising decision to return to the academy as a student in her sixties to earn a BFA and MFA in painting. Watch the video here. (recorded 5/22/2018)

Byron Reeves, the Paul C. Edwards Professor of Communication at Stanford, talks about the benefits and drawbacks of task switching and whether gamification is a helpful skill-building tool.

Host: Alan S. Brown, MD, FNLA Guest: Allan Sniderman, MD Risk is calculated by a variety of algorithms, all of which produce an estimate for that individual based on age, gender, cholesterol, blood pressure, and smoking history. The estimate is critical to clinical decision-making, but how accurate is it? Host Dr. Alan Brown welcomes Dr. Allan Sniderman, Edwards Professor of Cardiology at McGill University, to discuss why we should pay more attention to the causes, and less to the risks, of cardiovascular disease. Supported by an Educational Grant from AstraZeneca.

Melvyn Bragg and guests discuss the Holy Roman Emperor Charlemagne and the Carolingian Renaissance. In 800 AD on Christmas Day in Rome, Pope Leo III proclaimed Charlemagne Emperor. According to the Frankish historian Einhard, Charlemagne would never have set foot in St Peter's that day if he had known that the Pope intended to crown him. But Charlemagne accepted his coronation with magnanimity. Regarded as the first of the Holy Roman Emperors, Charlemagne became a touchstone for legitimacy until the institution was brought to an end by Napoleon in 1806. A Frankish King who held more territory in Western Europe than any man since the Roman Emperor, Charlemagne's lands extended from the Atlantic to Vienna and from Northern Germany to Rome. His reign marked a period of enormous cultural and literary achievement. But at its foundation lay conquest, conversion at the point of a sword and a form of Christianity that was obsessed with sin, discipline and correction. How did Charlemagne become the most powerful man in Western Europe and how did he finance his conquests? Why was he able to draw Europe's most impressive scholars to his court? How successful was he in his quest to reform his church and educate the clergy? And can the Carolingian period really be called a Renaissance? With Matthew Innes, Professor of History at Birkbeck, University of London; Julia Smith, Edwards Professor of Medieval History at Glasgow University; Mary Garrison, Lecturer in History at the University of York

Melvyn Bragg and guests discuss the Holy Roman Emperor Charlemagne and the Carolingian Renaissance. In 800 AD on Christmas Day in Rome, Pope Leo III proclaimed Charlemagne Emperor. According to the Frankish historian Einhard, Charlemagne would never have set foot in St Peter's that day if he had known that the Pope intended to crown him. But Charlemagne accepted his coronation with magnanimity. Regarded as the first of the Holy Roman Emperors, Charlemagne became a touchstone for legitimacy until the institution was brought to an end by Napoleon in 1806. A Frankish King who held more territory in Western Europe than any man since the Roman Emperor, Charlemagne's lands extended from the Atlantic to Vienna and from Northern Germany to Rome. His reign marked a period of enormous cultural and literary achievement. But at its foundation lay conquest, conversion at the point of a sword and a form of Christianity that was obsessed with sin, discipline and correction. How did Charlemagne become the most powerful man in Western Europe and how did he finance his conquests? Why was he able to draw Europe's most impressive scholars to his court? How successful was he in his quest to reform his church and educate the clergy? And can the Carolingian period really be called a Renaissance? With Matthew Innes, Professor of History at Birkbeck, University of London; Julia Smith, Edwards Professor of Medieval History at Glasgow University; Mary Garrison, Lecturer in History at the University of York

Melvyn Bragg and guests discuss the Holy Roman Emperor Charlemagne and the Carolingian Renaissance. In 800 AD on Christmas Day in Rome, Pope Leo III proclaimed Charlemagne Emperor. According to the Frankish historian Einhard, Charlemagne would never have set foot in St Peter's that day if he had known that the Pope intended to crown him. But Charlemagne accepted his coronation with magnanimity. Regarded as the first of the Holy Roman Emperors, Charlemagne became a touchstone for legitimacy until the institution was brought to an end by Napoleon in 1806. A Frankish King who held more territory in Western Europe than any man since the Roman Emperor, Charlemagne's lands extended from the Atlantic to Vienna and from Northern Germany to Rome. His reign marked a period of enormous cultural and literary achievement. But at its foundation lay conquest, conversion at the point of a sword and a form of Christianity that was obsessed with sin, discipline and correction. How did Charlemagne become the most powerful man in Western Europe and how did he finance his conquests? Why was he able to draw Europe's most impressive scholars to his court? How successful was he in his quest to reform his church and educate the clergy? And can the Carolingian period really be called a Renaissance? With Matthew Innes, Professor of History at Birkbeck, University of London; Julia Smith, Edwards Professor of Medieval History at Glasgow University; Mary Garrison, Lecturer in History at the University of York