Podcast appearances and mentions of eliot feld

I feel so blessed to have been connected with my newest podcast guest Reva Pincusoff, former ballerina who trained with The Royal Ballet and danced with Pennsylvania Ballet (now Philadelphia Ballet), Les Grands Ballets Canadiens, and Eliot Feld's ballet company, among others! It all started for her after watching The Red Shoes at 9 years old, when she asked her parents if she could take ballet class, and they said she could if she practiced everyday. Reva said, "Deal," and from then on, she was committed. Ballet companies were noticing Reva when she was still in high school, and she danced professionally from 17 to 35 years old. She also never got injured during that time, to which she credits her amazing training. Watch or listen to the full episode to learn more details about Reva's dance journey as well as what she did for her second career, which she was just as passionate about! Follow our dance journeys on Instagram: @DanceJourneyPodcast@TracyinLA

If These Walls Could Talk with Wendy Stuart & Tym MossHosts: WENDY STUART & TYM MOSSSpecial guest: JAY MICHAELSWednesday, February 16th2 pm EST LIVE from PANGEA Restaurant, NYCWatch LIVE on YouTube at Wendy Stuart TVJay Michaels is a producer/executive with a specialty in communications and promotion. He has been part of the independent theater and film movement since 1977 and was part of Lincoln Center's tribute to Caffe Cino and the original off-off-Broadway movement in 1985. Before becoming an entrepreneur, he worked as an actor (stage and film) and director (off-Broadway) for many years, garnering accolades for helming new plays and musicals and a wildly successful series of Shakespeare plays sporting unique production schemes.He began as a member of the production staff for Hard Times, 1984, and Romulus Linney's Holy Ghosts at the Joyce Theater's American Theater series, which won a 1986 Drama Desk Award. He also served on the production staff of events featuring Eliot Feld, Meredith Monk, Pilobolus, and the Nicholas Brothers. He went on to serve as a national tour manager for Les Miserables, Cats, Oliver, and Edwin Drood and a production associate at PBS for the special series, Increase the Peace.His career as a promotional executive began on Broadway with Guys & Dolls (1992) and continued with Damn Yankees (1994), The Vagina Monologues (2005), and recently with Beginnings (2017). He served on the promotional staff for The Daily News, producing events at Lincoln Center, Madison Square Garden, and Atlantic City. He served as a copywriter for Bob Hope at Carnegie Hall featuring Skitch Henderson and his orchestra.Read more at jaymichaelsarts.comWho else but hosts Wendy Stuart and Tym Moss could “spill the tea” on their weekly show “If These Walls Could Talk” live from Pangea Restaurant on the Lower Eastside of NYC, with their unique style, of honest, and emotional interviews, sharing the fascinating backstories of celebrities, entertainers, recording artists, writers and artists and bringing their audience along for a fantastic ride.Wendy Stuart is an author, celebrity interviewer, model, filmmaker and hosts “Pandemic Cooking With Wendy,” a popular Youtube comedic cooking show born in the era of Covid-19, and TriVersity Talk, a weekly web series with featured guests discussing their lives, activism and pressing issues in the LGBTQ Community.Tym Moss is a popular NYC singer, actor, and radio/tv host who recently starred in the hit indie film “JUNK” to critical acclaim.

Happy Birthday to Eliot Feld, Vladimir Mikhailovich Zakharo, Vinod Raj, Travis Payne, Chuck Klapow, and Kenny Ortega! --- Support this podcast: https://podcasters.spotify.com/pod/show/dawn-davis-loring/support

A Valentine's Day release with two incredible artists, Jody Reynard and David Bushman!  Immensely talented and incredibly humble, our guests this week talk about the road to Broadway for each of them.  JODY REYNARD has been dancing non-stop for almost 30 years!!  He has taught musical theatre/Broadway dance classes at dance studios, intensives and educational institutions around the country.  He attended the Cobb Center Excellence for in the Performing Arts outside of Atlanta, GA and graduated with a dance major.  He then earned a BA in Theatre with Music minor from Kennesaw State University (where he also helped to establish the first dance ensemble, Wings) all while performing with The Atlanta Shakespeare Tavern, The Atlanta Opera and Georgia Ballet.  From there, his regional theatre career began with dancing roles in the Radio City Christmas Spectacular, On the Twentieth Century at the Goodspeed Opera House in East Haddam, CT and Mame at the Papermill Playhouse in Millburn, NJ.  Soon thereafter he caught the eye of the late Ann Reinking at an open audition and made his Broadway debut in Fosse, dancing featured specialties such as “From the Edge,” “Rich Man's Frug,” and the “Take Off with Us” adage.  Other credits include the Broadway companies of Summer: The Donna Summer Musical, Legally Blonde, Taboo, Saturday Night Fever and the national touring companies of Camelot, Kiss Me Kate, My Fair Lady, Memphis and Chicago.  He served as swing and dance captain for the new musical, Roman Holiday, in its pre-Broadway tryout at the Golden Gate Theater in San Francisco, CA.   Jody has worked as an assistant choreographer for Denis Jones, Josh Prince, Alex Sanchez and Darren Lee.  He can also be seen dancing behind six-time Tony Award winner, Audra McDonald, in the movie musical, Hello Again! Some of his favorite roles include Darren in Take Me Out, Paul Happiness in Thoughts of a Colored Man, Ken in Smokey Joe's Café, featured dancer with the NY Philharmonic, Omaha Symphony & South Dakota Symphony Orchestras AND substitute instructor of jazz & tap at Wagner College in Staten Island, NY.  Jody is also a proud Core Company Member of Quick Silver Theatre Company.DAVID BUSHMAN began his professional career in classical and contemporary ballet. He received a BFA in Dance from University of North Carolina School of the Arts.  While still studying there, David was asked to join the professional company, North Carolina Dance Theatre (NCDT, now known as Ballet Charlotte).  He traveled the country with NCDT and danced leading roles in works by the great George Balanchine and the company's director, Salvatore Aiello.  He was then invited to audition for FeldBallets/NY (now known as Ballet Tech) and was hired into the company. For the next three years, he was featured in the vast repertoire of Eliot Feld.  David then went on to dance for Les Grands Ballets Canadiens in Montreal, Canada.  There, he danced works by renowned choreographers Jiri Kylian, Nacho Duato, Ohad Naharin and many others. Since retiring from concert dance, David has been associated with the hit revival of CHICAGO since 2003.  He performed in the first French speaking productions, in Montreal and Paris, and the US National/International touring company. In 2013, he was invited to set the choreography for the US Tour and continued to do so until 2019.  He has also set the CHICAGO choreography for television in China and worked with the Mexico City company.  David joined the Broadway company as Dance Captain/Swing in 2014.Don't forget to like and subscribe on your favorite podcast streaming site.  Facebook: JAM Joe and Michelle's Dance PodcastInstagram: jam_dance_podcast

This week we are joined by Jessica Tong, Associate Artistic Director of Hubbard Street Dance Chicago. Jessica received her formal training at The Ballet School in Salt Lake City and University of Utah. Tong danced with BalletMet in Columbus, Ohio, Eliot Feld's Ballet Tech in New York, and Hubbard Street 2 before dancing with Hubbard Street Dance […] The post (229) Jessica Tong, Associate Artistic Director, Hubbard Street Dance Chicago appeared first on tendusunderapalmtree.com.

This week we are joined by Jessica Tong, Associate Artistic Director of Hubbard Street Dance Chicago. Jessica received her formal training at The Ballet School in Salt Lake City and University of Utah. Tong danced with BalletMet in Columbus, Ohio, Eliot Feld’s Ballet Tech in New York, and Hubbard Street 2 before dancing with Hubbard Street Dance […] The post (229) Jessica Tong, Associate Artistic Director, Hubbard Street Dance Chicago appeared first on tendusunderapalmtree.com.

Special Guest Peter Warden from the Retro Reviews podcast joins your hosts Dustin Melbardis, and Nathan Lutz for the Retro Movie Roundtable as they revisit West Side Story (1961) [G] Genre: Musical, Drama, Romance, Crime   Starring: Natalie Wood, Richard Beymer, Russ Tamblyn, Rita Moreno, George Chakiris, Simon Oakland, Ned Glass, William Bramley, Tucker Smith, Tony Mordente, David Winters, Eliot Feld, Bert Michaels, David Bean, Robert Banas, Anthony 'Scooter' Teague, Harvey Evans, Tommy Abbott, Susan Oakes, Gina Trikonis, Carole D'Andrea, Jose De Vega, Jay Norman, Gus Trikonis, Eddie Verso, Jaime Rogers, Larry Roquemore, Robert E. Thompson, Nick Navarro, Rudy Del Campo, Andre Tayir   Director: Jerome Robbins, Robert Wise Recoded on 2021-04-11

Today we are joined by Tamisha Guy, dancer with Kyle Abraham's A.I.M. Tamisha is a native of Trinidad and Tobago and began her formal dance training at Ballet Tech, under the direction of Eliot Feld. She went on to attend SUNY Purchase College as a double major in dance and arts management. In 2013 she […] The post (220) Tamisha Guy, Dancer with Kyle Abraham's, A.I.M appeared first on tendusunderapalmtree.com.

Today we are joined by Tamisha Guy, dancer with Kyle Abraham’s A.I.M. Tamisha is a native of Trinidad and Tobago and began her formal dance training at Ballet Tech, under the direction of Eliot Feld. She went on to attend SUNY Purchase College as a double major in dance and arts management. In 2013 she […] The post (220) Tamisha Guy, Dancer with Kyle Abraham’s, A.I.M appeared first on tendusunderapalmtree.com.

On this episode your co-host Martheya interviews Kyle Abraham’s Abraham In Motion, Dancer and Rehearsal Director Tamisha Guy. Tamisha Guy a native of Trinidad and Tobago, began her formal dance training at Ballet Tech, the New York City Public School for Dance under the direction of Eliot Feld. Later she attended Fiorello H. LaGuardia High School, and SUNY Purchase College as a double major in dance and arts management. She has completed summer programs with Complexions Contemporary Ballet, Springboard Danse Montreal, and Nathan Trice and performed works by William Forsythe, Pam Tanowitz, Loni Landon, Mark Morris, and Martha Graham etc. In 2013 Guy graduated with honors from SUNY Purchase College and joined the Martha Graham Company shortly after. In 2016 Guy was selected as one of Dance Magazine' Top 25 to Watch and she also received the 2016 Princess Grace Award. Tamisha joined A.I.M in 2014. On this episode, we talk about auditions, using social media as a platform to offer encouragement, podcast recommendations, scheduling tips, saying ‘No’ to avoid burnout, going behind the screen of Merce Cunningham Night of 100 Solos Facebook Livestream, and using the digital space to create more of an audience for dance.

Originally from Maine, Tony Award winning lighting designer Tyler Micoleau has lived in Brooklyn for the last 24 years. He has designed extensively throughout New York as well as regionally and internationally, for world premiere plays, musicals and operas as well as outdoor spaces and touring pieces.His work can currently be seen on Broadway in The Band’s Visit at the Barrymore Theater and Be More Chill at the Lyceum Theater.Other New York designs for Lincoln Center Theater, the Public Theater, New York Theatre Workshop, Manhattan Theater Club, Atlantic Theater, Signature, Second Stage, Playwrights Horizons, New York Theatre Workshop, Vineyard Theatre, New Georges, Epic Theatre Ensemble, Page 73, Rattlestick, Barrow Street Theater, Foundry Theatre, The Play Company, Soho Rep and many others.Regional designs for the Huntington Theater, Alley Theatre, Goodman Theatre, Dallas Theater Center, the Old Globe, La Jolla Playhouse, Trinity Repertory Theatre, Arena Stage, Shakespeare Theater, Kansas City Rep, Philadelphia Theatre Company, Wilma Theater, Pig Iron Theatre, the Folger, Long Wharf Theater and many others.Opera designs for palm beach Opera, Dallas Opera, Spoleto Festival USA, PORTopera, Curtis Opera, Manhattan School of Music, and Connecticut Grand Opera.Dance design for Eliot Feld’s Mandance Project at The Joyce Theater, Neil Greenberg and The Chase Brock Experience.Fine art installation projects include 2×4 Tree (PIFA Philadelphia International Festival of the Arts), Åhus Sommaren 1974 (Bellwether Galleries, Chelsea NYC), Beneath the Floorboards (Ohio Theater Gallery, Soho NYC).Tyler has served on the faculty at Sarah Lawrence College and has been a visiting artist at Dartmouth College, Yale University, Bates College and his alma matter, Bowdoin College.

Linda Shelton has been the Executive Director of The Joyce Theater Foundation since 1993. She was highlighted as one of “The Most Influential People in Dance Today” by Dance Magazine in 2017. She also sits on the boards of Dance/NYC, Dance/USA, and has served as a Tony Awards nominator. Under her leadership, The Joyce received the Lower Manhattan Cultural Council’s Liberty Award in 2011 and the William Dawson Award for Programmatic Excellence and Sustained Achievement in Programming in 2019. In this episode, Linda and Erik talk about developing the appropriate purview for a board of directors and the Joyce Theater’s community in New York City’s Chelsea neighborhood. They also discuss the joint effort between Eliot Feld and Cora Cahan to transform the former movie house into a renowned home for dance.

País Estados Unidos Director Robert Wise, Jerome Robbins Guión Ernest Lehman (Obra: Arthur Laurents, Jerome Robbins) Música Leonard Bernstein Fotografía Daniel L. Fapp Reparto Natalie Wood, Richard Beymer, George Chakiris, Russ Tamblyn, Rita Moreno, Simon Oakland, Ned Glass, William Bramley, Tucker Smith, Tony Mordente, David Winters, Eliot Feld, Bert Michaels, David Bean, Robert Banas Sinopsis Moderna versión de "Romeo y Julieta". En el West Side de Nueva York, un barrio marginal, se disputan la hegemonía dos bandas callejeras: los "sharks" son puertorriqueños, y los "jets", de ascendencia europea. El jefe de los primeros es Bernardo, que vive con su hermana María, la cual acaba de llegar a Nueva York. Una noche, en un baile, coinciden los dos grupos y se desencadena una violenta pelea.

Laura Mead grew up in Austin, Texas and Berkeley, California. She received her BFA from Juilliard, where she performed the works of Paul Taylor, Mark Morris, Ron K. Brown and Eliot Feld, among others. Upon graduation, she joined American Repertory Ballet. She traveled North America with the tour of Twyla Tharp's Movin' Out. Laura originated the principal role of Betsy in Ms. Tharp's Broadway musical Come Fly Away, for which she received an Astaire Award nomination. Jessica Lang Dance (JLD) is a New York City-based dance company dedicated to creating and performing the work of Jessica Lang. JLD enriches and inspires global audiences by immersing them in the beauty of movement and music

Cora Cahan, president of The New 42nd Street in New York, discusses her 20 years in the role of recapturing what was once the epicenter of Manhattan sleaze for theatre and family audiences. She talks about her early work as a professional modern dancer; her shift into management with the Feld Ballet, having had no prior experience whatsoever in management (despite being married to the Associate Producer of The Public Theater); her discovery of what became Michael Bennett's fabled 890 Studios; her dual position as the head of the Feld Ballet and the Joyce Theatre, which she and Eliot Feld conceived as a home for dance companies at a time when New York didn't have an appropriate small venue; the Joyce's brief effort in the mid-80s to curate an annual festival of the best work from America's regional theatres -- and why it didn't work; why her first act upon arriving at her 42nd Street job in 1990 was to rename the organization; the chronology of how 42nd Street shifted from Triple XXX to G-rated; the development of The New Victory Theatre as a home for innovative children's and family programming, and why she felt that was a gap in New York's cultural life that needed to be filled; what's on tap for The New 42nd Street now that the environment has changed, the theatres are reclaimed, the rehearsal studios are always filled and even the long-delayed commercial buildings now anchor the corners of the stretch between 7th and 8th Avenues; and what she thinks of nostalgia for the former grit and danger for the street she has reclaimed. Original air date - September 1, 2010.

Cora Cahan, president of The New 42nd Street in New York, discusses her 20 years in the role of recapturing what was once the epicenter of Manhattan sleaze for theatre and family audiences. She talks about her early work as a professional modern dancer; her shift into management with the Feld Ballet, having had no prior experience whatsoever in management (despite being married to the Associate Producer of The Public Theater); her discovery of what became Michael Bennett's fabled 890 Studios; her dual position as the head of the Feld Ballet and the Joyce Theatre, which she and Eliot Feld conceived as a home for dance companies at a time when New York didn't have an appropriate small venue; the Joyce's brief effort in the mid-80s to curate an annual festival of the best work from America's regional theatres -- and why it didn't work; why her first act upon arriving at her 42nd Street job in 1990 was to rename the organization; the chronology of how 42nd Street shifted from Triple XXX to G-rated; the development of The New Victory Theatre as a home for innovative children's and family programming, and why she felt that was a gap in New York's cultural life that needed to be filled; what's on tap for The New 42nd Street now that the environment has changed, the theatres are reclaimed, the rehearsal studios are always filled and even the long-delayed commercial buildings now anchor the corners of the stretch between 7th and 8th Avenues; and what she thinks of nostalgia for the former grit and danger for the street she has reclaimed. Original air date - September 1, 2010.