Podcast appearances and mentions of jessica lang

One of our favourite global fashion icons is making headlines for her "robotic" morning habits, and we need to discuss whether her 6am espresso-and-emails vibe is aspirational or just plain exhausting.We’re also spiralling over a major security breach on a North Carolina film set that has led to "privacy please" being literally written in the sand.Finally, if you're looking for a guilty new pleasure we luxuriate in the rise of a new "sexy stories" platform that is completely flipping the business model for romance and adult entertainment.Love binge-watching TV? The Spill has launched a new podcast called Watch Party where we deep dive into the shows everyone’s talking about. Follow the feed on Apple or Spotify now. Plus remember The Spill drops the tea twice a day in this feed so follow us for all the latest entertainment news… OR you can WATCH our show in full length video on the Apple Podcast app - make sure your phone is up to date and enjoy the watch! Link here. THE END BITS Find and follow us on socials: Instagram: https://www.instagram.com/thespillpodcast/ TikTok: https://www.tiktok.com/@thespillpod Facebook: https://www.facebook.com/thespillpodcast/ Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/ Support Independent Women’s Media: https://www.mamamia.com.au/subscribe/ Your subscription helps us continue to tell the stories that matter to women. Want to join the conversation? Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP! Executive Producer: Monisha Iswaran Audio & Video Producer: Michael Kean Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast. From Mom and Mia. 00:02Speaker 2 Welcome to the Spill your daily pop culture fix. 00:05Speaker 1 I'm m Vernon and. 00:06Speaker 3 I'm Brief Player, executive producer of MoMA MIA's interview podcast No Filter, and former magazine editor. 00:12Speaker 1 We had a full intro. That's that's my intro. That's what I'm told to say. I love that. Well. I know yours is just your name, but you. 00:20Speaker 2 Know what that's because I don't know what's going on for me. 00:23Speaker 3 That is, it's because you are a name. It's because your talented girl too. Oh okay, well player. 00:28Speaker 1 Does stand out. 00:29Speaker 4 Well. 00:29Speaker 2 A name that is missing is LB Laura Brodney. It is she is having some fun with her family and we are holding down the fort LB. 00:38Speaker 1 If you're listening, no you're not. It's fun. We've got this. 00:42Speaker 2 Today on the show, we are going to be talking about a very firm statement a production company has put out towards its fan base of a very cult favorite show and what this means, I guess, for the future of film sets. We're also talking about how a lot of hot men doing a bit of. 01:00Speaker 1 A career turn. We're not complaining, we are, no, we are quite the opposite. 01:06Speaker 2 Really, But first I need to talk about our friend Victoria Beckham, so friend of the show, friend of the show, show of the podcast. So she recently went on Emma Gred's podcast. It's like over an hour long interview. Emma Greed, if you don't know, has developed so many of the Kardashian brands. She's like CEO of Chloe's Jean's brand, she was co founder of Skims. She's very very well known in the girl boss industry. 01:32Speaker 3 The girl is actually such an apt description. 01:36Speaker 1 I love it. 01:37Speaker 2 So Vibi did this interview with her, and there's so many juicy things in it. If you haven't watched her documentary on Netflix, you now don't need to. You just need to listen to this interview because she pretty much covers everything she says in the documentary. 01:51Speaker 1 She talks about her kids. 01:54Speaker 2 You know, when you're watching a YouTube interview and it like has the most replay, it shows you the most replayed moments literally about her talking about her kids and the differences between parenting children versus parenting adults. We've talked about bestie Brooklyn Beckham and everything that's going on between him and his mom. Best friend of the show, best friend of the show. She also talked about the alleged affair. She talked about her company making money, losing money, making money again. 02:20Speaker 3 It's super unusual for Victoria to give a like a big deep dive interview as well, so I think. 02:26Speaker 2 Like girl Boss to girl Boss, felt like it was environment Yeah, but like to be fair, a lot of the stuff she talks about with her company and her both her fashion brand and beauty brand is like really really interesting where she talks about She covered it in the documentary as well, but I guess emm agreed asks those really like kind of personal business se questions where she mixes business questions with lifestyle questions. There is one part of the podcast so that I really want to discuss, yes, and it's the part that no one's really talking about. It's her day in the live. 03:01Speaker 1 It's the highlight of the podcast for me. I just love to know. 03:05Speaker 2 What celebrity millionaires and billionaires are doing every day so I can try to replicate it in my sad little life. 03:12Speaker 3 On weekends, because we have jobs. 03:16Speaker 1 Because we have real jobs, real jobs. Should I take you through it? Yes? Oh please please? Okay, she's almost the weekend. I need to know, we need to. 03:23Speaker 2 Know okay, So she says, we get up every morning, thank God, off to a strong style. 03:31Speaker 1 We get up every single morning. That's crazy. 03:34Speaker 2 We get up every morning and we make Harper breakfast. What I've noticed in this day in the live, she doesn't mention about her own eating habits, because we all know she eats steamed fish and veggies every single day. And I don't think she wants to keep marketing that because I don't think she really wants a fish dealer. 03:49Speaker 1 She doesn't need it, doesn't need, she doesn't need, doesn't need a fish finger. 03:53Speaker 2 So they both make Harper breakfast. She says, if he's not traveling, David does the school run, she goes down to the gym. When she says down to the gym, I'm assuming downstairs. 04:03Speaker 3 And the like, Yeah, I don't think she's like popping going down the road, you know, the local like fitness first, no, non equivalent. 04:09Speaker 2 She's going down to the gym, and she does. Wait for forty five minutes. Then David comes back home, joins her, and then they work out together for another hour. 04:21Speaker 1 Oh, I know they're that couple. 04:23Speaker 2 An hour and forty five minutes every single morning in the gym that's a lot, girl, it's a lot. But she loves doing things with him. 04:29Speaker 1 Yeah, but like there are other things to do. Okay. 04:32Speaker 2 Then she says she goes to the office, which is ten minutes away from where she lives. 04:36Speaker 1 So I'm assuming the same time stamped this, Like, do we know, like when is she rolling into the now? 04:41Speaker 3 She kind of like, so it could be midday because if she's got up, we don't know when she gets up, made Harper breakfast or you know, being present for the breakfast making. 04:51Speaker 1 I can't see. I feel like it's David hands on not. 04:53Speaker 2 I feel like she'll make Harper like a juice and David makes the breakfast. 04:57Speaker 1 We know he cooks. He loves to cook. 04:58Speaker 3 And then like she's an arrow and forty five in the gym, has to shower, get I'm sure like that, you. 05:04Speaker 1 Know, becoming becoming BB. 05:06Speaker 3 Yeah, the day is not a quick time office mid day probably yeah, probably. 05:12Speaker 2 So she says it's only ten minutes away, so I'm assuming, like the same estate. 05:17Speaker 1 I'm assuming it's. 05:18Speaker 2 Like it's just next door, next door, a second home. Yeah, she says she goes in five days a week. Oh, what do we feel about that? Well, she says, I have to be there. It's where like all the ideas get made. There's something about going in every day, and I'm like, this sounds like a CEO who had hybrid working conditions and I told everyone. 05:40Speaker 1 To come here, to come back. 05:41Speaker 3 It's like, yeah, VB at the front line of pushing people back in the office's like, I. 05:45Speaker 1 Love being here all the time. Don't shut up, Phoebe. It's because you get to roll in a mid day. 05:50Speaker 2 Yes, And she says she doesn't travel that much. She only ever goes to New York because beauty. Her beauty brands in New York and her fashion brands in between London and Paris must be nice. 06:00Speaker 3 She has a lot of social engagements too, Like, I don't what she's doing this interview. 06:06Speaker 1 Yeah, on the weekend, probably. 06:09Speaker 2 Probably she's in the office five days with family time, Okay, I guess. 06:13Speaker 1 So. 06:13Speaker 2 She also says at six pm, they are all at home and they all have dinner together, no phones, they just talk about their days. 06:22Speaker 1 I love that. 06:22Speaker 2 Yeah, And she says that we are quite a traditional family. Most people won't believe that, but they are. 06:28Speaker 1 I believe that, but I think that it's ordained, like. 06:34Speaker 3 I don't know if it's well, we actually know for a fact it's not every child's choice to be part of that environment. But I can imagine they have strict rules about dinner together and no phones and yeah, well. 06:46Speaker 2 After everything that happened with like Brooklyn Beckham, I'm sure they are like quite strict parents. She also talked about how her daughter Harper is launching a skincare brand because she says that like her daughter used all of these like different skin cares and ruined her skin, and she wanted to create a really nice collection of like clean skin care for young girls to use, like sure, And I was like sure. I mean, like I'm kids meant to get acne. 07:17Speaker 1 Yeah, it's inevitable. Yeah, but it's good for them. 07:19Speaker 2 It's good for them. But as you know, I didn't really listen to any of that stuff. I was just like, let me know the day in the life. Yea other day in the life, and now we got it. So if you want to know what to do for to be Victoria Beckham, an hour and forty five minutes in the gym every morning. 07:31Speaker 1 That is in your house. Yeah, that's in your house. You have to have the gym in your house, and if. 07:35Speaker 3 You do go to work, it's down the road ten minutes. Yeah, and you're not really doing a commute. You're certainly not on the train. 07:40Speaker 1 You're fine, you'll do it. It's probably in you. I would say it's pretty easy to be VB. 07:44Speaker 3 But I don't know about an hour and forty five minutes in the gym every morning. 07:47Speaker 1 I'll give it a go tomorrow, I'm definitely not. No, I stop at waking up every day. We've got that down. I've got it down. Only five more steps to go. 07:58Speaker 2 So the summer turned pretty You might have heard of it. Yeah, she'll have a little old show. They're currently in the production of making the movie, which is meant to act as like the actual actual series finale. 08:11Speaker 1 Yes, this is it. 08:12Speaker 2 Yes, and they're currently filming. Recently, the production company that's doing so, on my Return, Pretty Amazon. 08:19Speaker 1 Tweeted this. 08:20Speaker 2 They said, we love the excitement, but sharing locations and visiting sets disrupts filming and creates real safety concerns for our cast and crew. We're working hard to create a protective bubble to make the best movie possible. Please help us protect the magic of Cousins. That's the place where it's set, not cousins in general, until it's ready to be shared after that. Jenny Hahn, who wrote the book and is also a big writer of the movie and the show, she also posted when people come to set, film and share videos, it disrupts the work and makes it harder for actors to get into character and causes unnecessary anxiety for them. 08:57Speaker 1 We often have to stop. 08:58Speaker 2 Production to clear crowds from the show, which breaks the crew's focus. This story means a lot to me, and I know it means a lot to you too. I want to give you the best version of this movie. Please help protect our process, right. 09:11Speaker 3 Oh, Look, like fervent fandoms are a double edged sword because like they need that. That's why they have had a successful series. It's why they've got this movie coming out. They wouldn't have that without the fans. And the fans are so so so passionate, and like in my heart, I'm a fangirl, I always will be, and I have so much love for fangirls and boys. 09:32Speaker 1 Yeah, and I just think like. 09:34Speaker 3 The reason why, like they're showing up because they love it so much. They want to be part of that world. And it's like it's super endearing, but I do understand why. You know, it's not necessarily conducive to a good set. 09:47Speaker 2 I think they've also like this set and crew in particular, I've had such like bad luck when it comes to like fans being so intense about the show. Because when I first read this, I was kind of like, I was a bit like boohoo. 09:59Speaker 1 Like, yeah, everyone loves the show. Nice, just be nice. 10:03Speaker 2 But then I remembered when they were filming the series finale of the last season of the summer I turned pretty where Belly goes to Paris, and a lot of it was filmed in Paris. They had to fly Gavin over also who played Jeremiah, even though Jeremiah had no scenes in Paris, because everyone was just so intense and guessing who she would choose, Conrad or Jeremiah. And then around the same time, they were putting out Statesmen saying please stop bullying our cast. 10:29Speaker 1 They're not their characters. 10:31Speaker 2 So they've really been through a lot with their fan base. But it's the same exactly what you said. I feel like if I was like walking around the US or in Europe and I saw that they were filming close to me, I wouldn't want to go. 10:45Speaker 1 Of course, I would want to have a look see. Of course I would take a couple of picks. 10:48Speaker 3 I don't know if I would necessarily share them on social media because that's just not my bag. 10:52Speaker 1 But I would show my friends. Yeah, I'd sit here and talk about it. I would literally talk about it like. 11:00Speaker 3 Yeah, like it's it's even if it's not your absolute favorite show. Like obviously there are people that are going, oh my god, I want to see them up close. Let's plan a trip, and like, you know that is happening. I know that happened a bit on the set of people we meet on vacation. 11:14Speaker 1 Yeah, but the. 11:15Speaker 3 Interactions were actually all really lovely and all the reports were fine, and there wasn't kind of a messaging sent out that I'm aware of that was like, don't do this. 11:23Speaker 1 But you know, fandoms are why a. 11:26Speaker 3 Lot of these projects get off the ground in the first place, especially if they're you know, they're based on a book or whatever, so they come with an inbuilt fan base, and so with that comes like this experience. 11:38Speaker 2 And I do think it's changed a lot as technology has changed. Very true to it, Jenny Hahn said, in her statement that it really disrupts the cast and the crew. Like imagine thinking you're filming a show and now you have like a live studio audience who're just like reacting to everything. Plus with the fans filming stuff and posting it online, it just creates like this bigger, bigger thing where was before It used to be like, oh my god, I was in the background of parks and recreation, did you see me? 12:06Speaker 3 I think, like, I find it frustrating when there's too many clips shared on my like for you page. For you that's it where you're like, I don't want to see it, and it's like, oh, like the way I was tapping interested on stuff when The Devil Wears Prata, like stuff was all coming. 12:22Speaker 2 That literally happened to me when I watched the second movie because I watched it in cinemas after you guys went to the big premiere and I was seeing scenes that I'd already seen on my TikTok. It's annoying, right because everyone was just filming them, yeah. 12:34Speaker 1 Filming the way, walking on the streets and everything. 12:36Speaker 3 But then it's also funny as well because we saw so many stills and footage from that film of Anne Hathaway and Patrick Brammel on the Street. It was so gorgeous and so romantic, and then like that was totally missing from the film. So that's a funny experience as well, because we've all been primed and it's almost like part of the promo. And that's actually really interesting because some productions, yeah, are like if you can't beat them, join them, and they're using it as an opportunity for promo. So we've seen that a lot with like they've been filming and they've wrapped filming now on Sunrise on the Reaping, which is like the next installment of the Hunger Games franchise. It's like the cast were encouraged to show stuff on their own like social media, like let's do it first. Yeah, yeah, so they're like McKenna grace was like all over it, and you know, she's so great on social media anyway. But we got a lot of behind the scenes stuff from that production and the movie doesn't come out till November, but they like really leaned into it and like knew that they had this really really really passionate fan base and so they were like feeding people from the start. 13:41Speaker 1 That's really smart. 13:42Speaker 2 I have a feeling Marvel kind of did the same for the New Spider Man movie because Tom Holland does a lot of his own stunts where they got like fans filming him, like jumping over cars and stuff in New York, and they were sharing those own videos on their own socials. It also really interesting, like can work way that kind of helps the production company or give them ideas. Do you remember when the first stills of It Ends with Us came out? Oh, and we were seeing lively in like those costs, like the most horrendous wardrobe choices, the most mirandous wardrobe choices. 14:19Speaker 3 And then it was just like mass trolling of like this she wearing? 14:25Speaker 1 What is this? 14:25Speaker 2 And then we still saw some quiet questionable efforts in that movie, but like the ones that we saw on des Moir were like not in the movie at all, very similarly love story. What they had as like the dress for Carolyne Bassett, the first. 14:39Speaker 3 First glimpse at both of them, both of them, it was like, that's not how they looked like they were wearing like h and M pieces like it just it wasn't reflective. 14:48Speaker 1 And that's so important, particularly for that story. 14:50Speaker 3 Because they're like, firstly, yeah, he had a lot of money, he dressed really well. He was like stylish and gorgeous and you know, but she was known FIRS style. That was a trademark, so to miss that and even like it was right down to the hair, like that's not what Carolyn's hair looked like, and then they started to change. When the show dropped, it was like it had been absolutely coarse corrected and then they nailed it. 15:14Speaker 1 So it is interesting to see and it must be helpful for them. 15:17Speaker 2 They're getting that live feedback as a film versus when a trailer goes out and then they see all the. 15:22Speaker 3 Feed test audience at the end, so like you can't then go await the wardrobe sucks, Like you can't go and reshoot the entire thing. So that's really yeah, that's been really beneficial for them. I've noticed as well. The next series of AHS has been like teasing so much from behind the scenes they've been doing. So they've got the core cast of Coven back, which is really exciting because like in my be in many people's opinion, Coven was the best season three, right, it was season three, that's like the Witch season that was set in Your Orleans absolutely incredible and like the cast so so stellar. Now, if you remember Jessica Lang, who was in the first maybe I think. 16:04Speaker 1 Five seasons, yes, I think. 16:06Speaker 3 So Dan left and when I said no, I'm done, I'm never going back, right, she was like adamant, like no, no, no, no. 16:14Speaker 1 No, guess who's back? 16:15Speaker 5 Shut up? 16:16Speaker 3 Yes, And it was announced on set like they had her in costume and they were like playing into it and they've been dropping in on st same. 16:24Speaker 1 As Emma Roberts is back. And of course her famous line is, hey, bitch, I bet you thought you saw the last of me. 16:30Speaker 3 So that's how she promo that she was back, which was so cool. 16:34Speaker 1 Oh my god, I love so. 16:36Speaker 3 Fun and like, as a fan of that series, I was so excited to like, it's like playing along from home from the start. 16:42Speaker 1 It also extends their run. It gets people excited from the start. That's so true. 16:46Speaker 2 I was thinking of massive cult shows where everyone's been obsessed with and movies where they had to like go through extra lengths just to make sure nothing's link. And I found this really interesting. Fun facts, fun facts for the girls in Sex and the City. The last episode, Sarah Jessica Parker said, they filmed. 17:05Speaker 1 Three this is traditional tragicity not and just like that. Yeah, okay, great, I'm a purist. I'm glad that we're talking about it. 17:12Speaker 2 So three different ending. So the first ending that we all saw on our screens is she ends up with Big. The second fake ending that they filmed was her coming back to New York alone, and the third one can guess, oh, her ending up with Alexander Petrov's no. No, And she was like, yeah, it was so obvious because they were such bad end. 17:38Speaker 3 Look, the one of her coming back to New York alone would have been nice, would have been like it would proper. Yes, I actually think maybe if the show was set today that she re that's so true. Back then everyone wanted a happy ending and we weren't. You know, the show was already revolutionary enough. 17:54Speaker 1 The people weren't. Back then, everyone was like, what would you do with that? And then yes, we don't understand. I don't understand, but now we know, we now we know. 18:03Speaker 2 Kit Harrington on Game of Throw Yeah said that because all of their scenes were filmed in like rural areas, like in forests and like snowy mountains. 18:12Speaker 1 You're a fan and you tricked out that you know what you deserved exactly? Do you take that video? You tell us what's going on. 18:19Speaker 2 But they said they had paparazzi were coming camouflage with these big with these big lenses, filming them like walking up like because everything in Game of Thrones would have been a leak, because even just seeing two characters together and Game of Thrones would have been a huge league, even seeing a character still alive, a character still alive, like a character who's like never met another character together. So everything was like really high stakes. So he said that they all had to film a certain number of fake scenes, like proper fake scenes that they knew would never I. 18:51Speaker 1 Just think of the money that's being spent, so much. 18:53Speaker 2 Money on production on actors with Game of Thrones. 18:58Speaker 1 What a waste of money because any name, you know what. 19:07Speaker 3 Us, choose your own adventure, release them all and the people can decide how it should have ended. 19:12Speaker 1 Agree. 19:12Speaker 2 Okay, And this is my favorite one in Avengers end Game. So if you haven't watched Endgame, this is going to be a spoiler. 19:20Speaker 1 But come on, it's been years and years. I haven't watched it. I probably never will. 19:24Speaker 2 Okay, well this is not going to be a huge, huge spoiler, but there's a scene where there's a funeral. So, like one of the characters dies and they all go to a funeral. They told Tom Holland and Mark Ruffalo, who are the two cast members known for accidentally leaking stuff. 19:39Speaker 1 Yeah, Tom Holland. 19:41Speaker 2 Tom Holland has given everyone Avenger plots. Yeah, his whole life, that's all he does, Avengers plots. They told the two of them that it was a wedding scene, and then they came dressed thinking they were filming a wedding scene and didn't realize. 19:54Speaker 1 Until they were there that it was a funeral. 19:56Speaker 2 And they still didn't tell them until the movie was released. Oh it was so only Robert Downey Jr. Was the only actor in that whole franchise to get the full script? 20:08Speaker 3 Is that because he was dead, because he whispered into a microphone. 20:13Speaker 1 Because he was dead, because he was don't tell anyone. 20:15Speaker 2 Yeah, so he was the only one. No one else everyone knew like bits and pieces. But Tom Holland literally thought the funeral scene he was filming for did. 20:23Speaker 1 The rest of the cart not realized when he was not there Robert because he also came there. He had to come. 20:32Speaker 3 That's so funny because that's not so much keeping it a secret from the fans. 20:38Speaker 2 Secret from the car so they don't accidentally. So Tom Holland couldn't actually like leak anything because he didn't know. 20:44Speaker 3 I want to know what film or TV set you would cross international date lines to go on stalk if it. 20:51Speaker 2 Was still filming, or if they did like another season or like brought it back to our screens. The Mindy Project, Oh I would, Oh my god, I would honestly get because like her whole thing was like she was a gynocologist, and I would literally get a doctorate and pretend that I'm a guyano and just to get on that set and be like I'm here to advise. I'm here to like, yeah, I'm here to see Mindy Kayling, here for miss Kayling. 21:19Speaker 1 Here for miss Kayling. 21:20Speaker 2 I'm here to advise as the doctor on set. Oh my god, I'd love that. 21:24Speaker 1 What would be yours? 21:25Speaker 6 Oh? 21:25Speaker 1 Look, if I'm looking backwards, it would be fleaback. That's such a good one. I feel like it would be fairly easy as well. 21:32Speaker 3 Yeah, I think so too. That would be pretty easy. Also, I feel like you're like. 21:36Speaker 1 Phoebe bit chill. 21:37Speaker 2 You know, she'd be so be excited to see you, would be I think she'dn't brite you on As a writer, I think so too. 21:42Speaker 1 Yeah, oh my god. And like looking forwards, I reckon that they'll have a bit of travel with the Hated Rivalry set next time. Oh yeah, they are going to have trouble. 21:52Speaker 3 Because if the summer I turned pretty is pulling out the fans for those two boys, imagine. 21:57Speaker 1 Taking it up a notch the Heated rivalry. 21:59Speaker 2 Will you give them so many points? Just film fake scenes, but make sure you release those ones to that. 22:04Speaker 1 Secluded cabin is suddenly going to look like it's got. 22:07Speaker 2 A great It's like, can you just remove the Airbnb signed from the lawn? 22:11Speaker 1 That'd be great. 22:13Speaker 3 Okay, And we have to talk about something that is joked around the Spill team that I have a doctrine in which she's Quinn. 22:20Speaker 1 Are you across Quinn? The app Quinn? 22:23Speaker 4 Oh? 22:23Speaker 1 When you say. 22:24Speaker 2 App Quinn, I am across it. When you just say Quinn general, I'm like, I don't think I met her. 22:30Speaker 1 The app quick Quinn. Yes. It is like audio erotica It is an app. 22:35Speaker 3 I came across it back at my last job when I was at Murray Claire and I was interviewing Thomas Dougherty. So Thomas Doherty you might remember from the reboot of Gossip Girls, and he's more recently and tell me lies. 22:48Speaker 1 Yes, he has a very chiseled jaw. He has a very chiseled jaw. 22:52Speaker 3 And despite the accent that he often sports in his shows, he's not American. 22:57Speaker 1 He's Scottish. So he's got a beautiful, beauty Scottish face. I couldn't get any better. He's got it. 23:03Speaker 3 And so Quinn is an app like you subscribe to. There's audio erotica on there, done by contributors, creators like normal guys out there. 23:13Speaker 1 It's like a sexy, calm app. It is, Yes, it's calm, but instead of falling asleep, you're getting horny. You're getting horned. Yeah, yeah, I like it because I. 23:22Speaker 2 Heard that women are more likely to get off on like audible sound versus visual. 23:30Speaker 3 Well it would seem so, and like I think, you know, that's the problem. A lot of like visual porn is not made for women, it's made for men. So this app, which was actually created by Caroline Spiegel, And if that name sounds familiar, it's because she's the sister of Snapchat creator Evan. 23:45Speaker 1 Oh my gosh, she's like and they're both sibling. 23:49Speaker 3 Yeah, yeah, Nepo's sibling. But she's like cooler chica and has created something that's like way better for the. 23:54Speaker 1 Girlies and fun sibling duo. Yeah, which also means that she's sister in law. 24:01Speaker 2 They should do a collab time Snapchat. 24:06Speaker 7 They made share a video. 24:07Speaker 6 I don't know. 24:09Speaker 1 So she's created this space where it is like about women's pleasure, much needed, much needed space where it's the focus. It's like female run, female staffed business. Predominantly most of the background creators on it are female. The voices are predominantly male. There are some female voices on it too, because it's like male for female and female for female. Correct. 24:31Speaker 3 Something that they started doing, as I mentioned with Thomas Doherty, was doing these things they call quinn originals with famous men narrating audio erotica. 24:42Speaker 1 I love that. 24:43Speaker 3 So Thomas Doherty came first, so we have to like thank him because he. 24:52Speaker 1 Led the way. 24:53Speaker 3 And what has followed has been like the most astounding lineup of top tier a War winning, and I'm like, when I say award winning, I mean like, like, these are guys that are like Emmy Golden Globe like nominade winners. So I'm going to run you through the stuff, right, Okay. So there's been Jesse Williams, who, of course like, oh my god, those eyes plays Jackson Avery in Ray's Anatomy speaking of Flea Bag, which we just did Andrew. 25:21Speaker 1 The actors at which is like normal accent, yeah, with his Irish accent. Tom blythe tom blythe Beautiful tom Bly God, so many that we already talked about today. There is is like promo for Sunrise on the Things. 25:36Speaker 3 Yeah, well he's not in that unfortunately, no, because it's set so yeah, so Ray Fines actually plays Snow in that one. Okay, Yeah, so it's it's a bit less sexy because tom blythe isn't in it, but Beautiful tom blythe Chris Brinney from the Summer Return pretty again another thing, yes, so okay, but also not only are they getting these men to do it, they're really explicit like they're not tame, right, They're not. So they're getting them to say yes to it. They're getting them to do it. There's sound effects and everything, and they're. 26:09Speaker 1 Getting them to do it at the exact. 26:11Speaker 3 Time that like their major project is. So when the summertime Pretty season three came out, that's when. 26:18Speaker 1 Chris's episode dropped. Wow, same as like okay, that's smart dropped. Like They're so amazing the way they're able to get them. 26:26Speaker 3 And as someone who like books talent, right, that's my job here, that's what I do for No Filter, I book the talent and when I worked in magazines, I booked the cover star talent. 26:36Speaker 1 Right. 26:36Speaker 3 It is hard, like there is like they have not much time to spare. It is hard to get someone like everyone's chasing them, especially when they're on for like those projects. So it is amazing to me how they've managed to get these guys to do this, which is like quite a hard sell I would imagine at the start. But I think that because of the lineup they've had, it's getting easier and easier because when you look at that roster, if you're like a talent manager and you look and you go, oh Andrew Scott, like wow, he's done this, like you know all of these like amazing actors, then you get more likely to show it and say hey, like. 27:11Speaker 1 Yeah, that's chat you. 27:12Speaker 2 And I also wonder because like Romanticy is like killing it in the genre game right now. 27:19Speaker 3 Funny you mention that because Jesse Williams, yeah, his one is themed around Romanticy still like a. 27:25Speaker 1 Very porn vie. I like that. 27:28Speaker 3 The other guys that have done it who we also just talked about was Connor Story and Hudson Williams stuff. 27:33Speaker 1 They did a series together. Of course they did. Of course they did, because that's. 27:36Speaker 3 What they can't do anything and they can yeah, they can never not do anything together. And there's plays into that same vibe as well. 27:42Speaker 2 Yeah, because it's like every like I mean, I'm a huge Romanticy reader, and like I know that a lot of production companies are thinking about taking these like books that everyone loves to the big screen. Like we know Michael B. Jordan's bought rights of a series that was like the whole room of him, like talking to Yarnha on the red carpet, everyone thinking she's going to be starring in one of his upcoming productions. 28:04Speaker 1 And I think this. 28:05Speaker 2 Is such a good opportunity for these men to like jump on this platform because you're obviously, if you're gonna listen, you're gonna visualize them. 28:13Speaker 1 Absolutely. It's not like an anonymous no, exactly what they like. And they all have like massive fan. 28:19Speaker 3 Bases and girls and the way that the Queen Girls tease the next celebrity on their TikTok and Instagram. You'll see like an arm or you'll. 28:26Speaker 1 See like I know that arm, well you do, because you're like I recognize those tattoos, I recognize those backsteps. 28:33Speaker 3 Well indeed, because the latest one to drop, the latest series was narrated by Sean Hattersey of The Pit. 28:42Speaker 1 Oh, he is such a good looking guy. He is such but everyone on the Pit is very good looking. Yeah, but especially those two sad, sad, sexy old doctors. 28:53Speaker 2 Right, oh my god, Okay, I'm really really you know now. 28:57Speaker 3 Okay, So when I hadn't watched The Pit because like, I don't. 29:00Speaker 1 Want to get around a medical drama. You know, you're very much like LB, like it's too real. 29:05Speaker 3 Yes, But then when I started seeing Sean hat to see on the Quinn's feed, I was like, he's really hot. And I've since watched The Pit now I love it, which is so I love that so they're very good, like Quinn seem very good at picking men who aren't just like super attractive and are doing really well in that. 29:21Speaker 1 Space, but also very like Zygeist. Yeah, like everyone's already talking about that. They absolutely nail it. 29:26Speaker 3 I'm going to give a shout out to the two girls at Quinn that run the social media, Brooke and Michayla. 29:32Speaker 1 You're doing guard's work. Girls. 29:33Speaker 3 Absolutely, they're like world class girls, girls what we want. They are both gorgeous, they're always on there, they're primoing, they're so funny. Yeah, you've got to get around on this great and they have really good taste in men because I can see like who they're tapping, you can you can see who that they picked. 29:52Speaker 1 But do you want to hear some? I definitely want to hear some? Okay, how do we want to do that? Shall I play you some and you can kind of guess who you think it is? Okay? 30:00Speaker 7 Yeah? 30:00Speaker 1 I like that, you like that? Okay, I'm nervous. Spillers. 30:05Speaker 2 If you're watching this on Apple podcasts or YouTube, close your eyes, don't look at me. 30:08Speaker 1 Do this. 30:11Speaker 5 I would take your clothes off until you were nothing, but you're underwear. I will get that sound out of you again, the one you made when you press your body into mind. 30:25Speaker 6 Oh, the pushing noises, breathless, desperate for some relief, and the pressure building inside you. 30:38Speaker 1 Oh my god, who do you think that is? Was that Chris Briny? No? Older? Older, much older? 30:47Speaker 3 Ah, I'm gonna read you the tags that were under the audio for that older man. 30:55Speaker 1 Forbidden romance, forbidden romance, mutual pining, sexting, nude picture, jealousy, personal backstory, consent, very important, it is important. M dom oh male dominant watching instructing you. Oh, it's my pit man. Sean had to see it is he sounds so young in. 31:18Speaker 3 That well they make so much feel like the breathy voice must be the breathiness. 31:22Speaker 1 I don't know. Maybe he just feels young because he's very exciting. 31:27Speaker 7 You like that? 31:28Speaker 1 All right, Let's try another one and say if you can guess who this is. 31:34Speaker 7 And you never even said a word about any of it to me. I thought you trusted me and we trusted each other, but you betrayed. 31:48Speaker 4 Me and no, no, I am Oh you're sorry. 32:01Speaker 7 Now you're sorry. Here, we've been sorry. We all that's your chance, prove it to me. 32:19Speaker 4 Beg. You heard me. 32:28Speaker 7 Beg. 32:33Speaker 4 Sorry isn't good enough? 32:36Speaker 7 Not for the anguish I should when you left me? 32:38Speaker 2 Oh my god, this could easily be Flee Back season three, Andrew, You're so right. 32:44Speaker 1 Yeah, So what's really funny is that not only do they like get these guys, and they get them when they're doing a major project. The story kind of weaves in a little instead of like Neil, he's saying, beg, beg, and he says it so well, and he says it so so well. 33:04Speaker 2 I wish I had like a transcript to reply to what are you saying? Because I was like, Oh, I didn't say sorry, but maybe I should have. 33:10Speaker 1 Maybe I should have. 33:11Speaker 3 Okay, and I'm going to play you one more Okay, this one I've chosen to show you just how explicit it can go. 33:20Speaker 1 Oh god, we're gonna have to beat that so much. 33:24Speaker 8 Do you want me to fill you up? 33:26Speaker 4 Darling? 33:28Speaker 1 And I will, but first the bed moving. 33:33Speaker 8 I need you to get me ready for you come here and Niel, whoa that? 33:41Speaker 1 And your leg's still working after that? 33:42Speaker 4 Darling? 33:44Speaker 8 Yeah, let me help you. You're so pretty like this so hazy from Climax on your knees for me. Do you see how hard do you make me? How much I love making you feel good? I need you to spit on it. 34:05Speaker 1 For me, please, my god. Someone British, right, someone British is a tom BLI. No, I don't know any British men. Okay, that one was Jamie Campbell Bauer. Oh my god, stranger things, Stranger things. That's guys, Oh my god. Just if you're like imagining, he is really hot in real life. He's really really beautiful in realize. 34:36Speaker 2 And this is actually a good strategy for him because a lot of people he played Bena's so good. 34:41Speaker 3 Yeah, he's very good at being scary that a lot of people just hated him. But he really just came out and this was actually he's done two series on Quicks. 34:49Speaker 1 He loves it, he loves it. 34:51Speaker 3 He's come back for more, and whenever he's asked about it in the interviews, he can't speak highly enough of it. He's like, my god, I love that it's a female led company. I love that it prioritizes women's pleasure. He's all over it, like dream man. I can talk about other days like he's love of my life. Right, So he's done two series of it, which is great news for all the fans of like ones that have been in the past thing like we want more, we want more. Jamie has like come back and done another one, so you never know what could happen. But the reason why I wanted to talk about this today is because this morning I woke up and did my morning scroll. I don't do it an hour and forty five minutes. 35:34Speaker 1 It's getting I scroll instare in TikTok instead. 35:37Speaker 3 And they're also very healthy habits, very healthy habits. They have started teasing their next Quinn original with a famous person. 35:49Speaker 1 Who is it. It would appear to be Sam Hewan from Outlander. 35:55Speaker 7 Stop. 35:56Speaker 1 They are so smart, good, are so blad, They so know what the girls want. 36:03Speaker 9 Oh, it's always hot men as well. They're always the hottest I know. And they also do you know what, they're all really good guys too. Yeah, there's no one on their rostar that you're like, oh, he's like there's complaints about him or there's something weird, Like they just they're good guys. 36:18Speaker 1 They do their background racent. 36:20Speaker 2 And it's also like this new wave of famous men and it's like I feel like it's a generational thing. Where like all the Hollywood men are kind of like aicked out by the like girl fan base because they. 36:30Speaker 1 Don't want to make movies for girls. 36:31Speaker 2 Yeshe was like, these men are leaning right in because we're the ones who are spending money to watch them exactly in our movies. Yeah, and they're like doing how I don't know, I feel like their career path, we're doing this is the absolute correct choice for them as well as like the Quinn girls, like I feel like it would have been so hard to develop like pretty much a pawn app for women, but also wanting it to be as like socially out there, like I feel like for women, firstly, no porn is ever made for women, and then for women. 37:02Speaker 1 To watch porn, we have to pretend we don't. 37:04Speaker 2 Yeah, and like with Quinn, it's like giving us a safe space to like share these videos with friends, to show them off and be like, yes, this is exactly what we want. 37:13Speaker 1 Well, that is so that it's so true. 37:15Speaker 3 And you know where one of the best places on the internet is the comments section, Yeah, Quinn's TikTok and Instagram, particularly TikTok because people are just funnier on there anyway. 37:25Speaker 1 But like I have this. 37:26Speaker 3 Theory that I know where all the hardcore directioners have grown up and gone, because no fan base was funnier, hornier, smarter the directions. 37:38Speaker 1 Now they're all Quin listeners. 37:40Speaker 2 They're all Queen listeners and probably Quinn writers. Yeah, Quinn, they're writing them scripts. 37:44Speaker 3 Yeah, but you know what they do tap really great writers to write these stories. 37:48Speaker 1 Well, it's like a proper like story. It's not like you're suddenly in the middle of it. No, no, no, It's it's like a beginning middle story. 37:58Speaker 3 So Jamie's story is like kind of a bit Draco Hermione coded. 38:02Speaker 1 It's one of those like Drake really good at. 38:04Speaker 3 Finding like the zeitgeisty things that the girlies are reading that's on platforms like AO three, which is like where all the. 38:10Speaker 1 Fan fit goes. 38:11Speaker 3 Speaking of I discovered on x there is so much AO three smart stories about the Pit. 38:19Speaker 1 It hasn't ever been going that long. 38:21Speaker 3 But the girls are at home like girls away, right, So I created the most like full on stories about the Pit. Okay, I need to know who you want to see next on Quinn. 38:31Speaker 1 Let me think who would be great? Can I tell you mine? 38:34Speaker 5 Yeah? 38:34Speaker 1 Can you tell me you tell me yours. 38:35Speaker 2 Well, I think I was thinking of this while we were just listening to those Donald Glover as childish Gambino. He was meant to come to send me to do a concert in like I think, I want to say, twenty eighteen nineteen, and he broke his foot and he couldn't perform, and I had bought VIP tickets for me and my sister and I wasn't even working then, and I sent him along Instagram message. I was disappointed that he didn't come. 39:02Speaker 1 And he didn't make it up to you by doing a Quinn. Yeah, he can make it up to me doing Quinn. 39:06Speaker 2 But I think, like I want my story to be him replying to me and going, okay, I'll do a private concept for you at my house. 39:13Speaker 1 Oh my god, I love this and that can be our whole queen story. 39:16Speaker 6 But actually went. 39:17Speaker 1 Out because you've put yourself in the narrative. I don't know what. 39:20Speaker 3 You're not wrong to do it, because that is actually the way that the stories are written. Like when you listen to them in the story, they're the partner in the story. 39:29Speaker 1 I like that. 39:30Speaker 3 Yeah, okay, I do have mine. Okay, it's Joseph Morgan. 39:35Speaker 1 It's Joseph. 39:36Speaker 3 He played Klaus in The Vampire Diaries and the Originals. 39:40Speaker 1 I need to look this up. I need to look this he makes look it up. He was like the really bad one. 39:45Speaker 3 He was like a really bad He's so sexy. He also has not aged, so I think he might. 39:50Speaker 1 Actually he's an English actor. He is an English actor. 39:54Speaker 3 He was so sexy as Klaus. I'd love him to just like can he as a vampire? 40:00Speaker 1 Yeah? Well a vampire. 40:01Speaker 3 He was a vampire werewolf highbrid because he was like way too powerful. 40:05Speaker 1 Oh, the most powerful and the bad guy. 40:07Speaker 3 Yeah, the most powerful and the bad guy. And I think he'd nail it, but I want him to do it as Klaus. 40:13Speaker 1 Yes, he would nail it. Yeah, canail You amen to that. Thank you so much for listening to the Spill today. 40:22Speaker 3 If you enjoyed this episode, the best way you can support it is to give us a five star rating wherever you listen. It goes a long way in helping us continue to bring you the very best content. And don't forget weekend watch drops at six tomorrow. The Spill is produced by Manisha it Is Warren, with video production by Michael Keene, Bye, bye,Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Send us a textIn this week's of the Inside Data Centre Podcast, Andy Davis is joined by Paige Reeves and Jessica Lang to preview one of the biggest events in the data centre calendar — the Data Cloud Global Congress, taking place in Cannes from June 3rd to 5th.Key Topics:What to expect at Data Cloud Global Congress 2025The themes and key discussions shaping this year's agendaWho should attend and why this event is a must for anyone in the digital infrastructure spaceNetworking opportunities, new features, and what makes the Cannes setting so specialWhether you're a regular attendee or considering your first trip, this episode offers valuable insight into how to make the most of your time at the event.

Join Tonia and her guest, Jessica Lang, as they discuss the center. The center is the womb, the point from which all life blooms, and to which all life returns. To foster awareness for the center, to create and honor space within and without our being and lived experience this day, is to uphold the integrity of the center, inviting the fullness and sovereignty of peace-filled union through harmonious reconciliation. 

Doug Fullington introduces PNB's 2024/25 Season with our first performances of the year, THE TIMES ARE RACING. This program includes Edwaard Liang's The Veil Between Worlds, Jessica Lang's Black Wave, and Justin Peck's The Times Are Racing. Doug talks through these three works, the role of rehearsal directors in the ballet creation process, Jessica Lang's appointment as PNB's latest Resident Choreographer, recently promoted soloist dancer Luther DeMyer, and more!   Recorded in the Nesholm Family Lecture Hall at Seattle Center's McCaw Hall in Seattle, Washington in September 2024.

Jessica recaps the NFL Draft, shares some of her favorite moments, talks to Lang Whitaker about the Falcons head scratching decision to take Michael Penix, Jr., shares music she is listening to this week and more.start Jessica Lang appreciation/set the show:06 NFL Draft:26 Lang Whitaker:50 Best moment from NFL Draft1:12 Ja Morant's new agent1:13 Jessica apologizes to Swifties1:18 Drake AI track taken down1:19 What are we listening too1;27 Usher's son slides in PinkPantheress

Join dance historian Doug Fullington as he takes us through the three works of Pacific Northwest Ballet's THE SEASONS' CANON. On stage this rep are Twyla Tharp's Sweet Fields™, Jessica Lang's stunning solo The Calling, and Crystal Pite's mesmerizing work for 54 dancers, The Seasons' Canon. Doug Fullington is the founder and director of The Tudor Choir who sing the Shaker hymns featured in Sweet Fields, as well as the music for The Calling.  Recorded in the Nesholm Family Lecture Hall at Seattle Center's McCaw Hall in Seattle, Washington in April 2024.    

Trotz eines kämperischen Auftritts, verliert der SC gegen Bayer Leverkusen. Jessica Lang ist zur neuen Bürgermeisterin von Maulburg gewählt worden. Senioren verursachen laut Statistiken im Kreis Lörrach unverhältnismäßig viele Unfälle.

Viele Menschen wissen, dass sie unglücklich sind. Aber noch mehr Menschen wissen nicht, dass sie glücklich sind. – Albert Schweitzer Was mit einer Begriffserklärung der positiven Psychologie beginnt, verlässt schon bald die Pfade der Wissenschaft und landet mitten drin im angewandten Training. Jessica Lang und Host Eva Berginc unterhalten sich über die Kunst zu Leben oder aber auch die 17 Punkte der Lebenskunst die uns und unseren Vierbeinern zu mehr Glück verhelfen sollen. Neben wissenschaftlichen Studien und verschiedensten Testmöglichkeiten, betrachten die beiden auch die individuellen Aspekte des 'Glücklich sein'. Anhand ihres aktuellen Projektes ermöglicht uns Jessica Lang Einblicke in die vielfältigen Möglichkeiten für die kleinen Glücksmomente im Alltag und Training unserer Hunde zu sorgen. Jessica Lang - Trick&Treat Eva Berginc - Nosework Heroes & dog:human:kid Workz Anmeldeformular - Spürhundemodulreihe Buchempfehlungen Gemeinsam zum Glück! Lebenskunst für Mensch und Hund - Jessica Lang, Sam Turner Animal Trainer's Comprehensive Handbook - Agnieska Janarek Hundeverstand - John Bradshaw Info Stärkentest

Mark Maddux joins Jim for a very special New Years episide of MONSTER ATTACK! discussing the 1976 reboot of "King Kong," starring Jeff Bridges, Jessica Lang, Charles Grodin John Randolph, Ed Lauter, Rene Aubberjonois, Julius Harris, Jack O'Halloran, Dennis Fimple, John Agar and produced by Dino De Laurntis. The story centers around the discovery of Kong during an expedition for oil and leading to his being brought NYC for a global tour. Find out more on this episode of MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies. And Happy New Year!

Mark Maddux joins Jim for a very special New Years episide of MONSTER ATTACK! discussing the 1976 reboot of “King Kong,” starring Jeff Bridges, Jessica Lang, Charles Grodin John Randolph, Ed Lauter, Rene Aubberjonois, Julius Harris, Jack O’Halloran, Dennis Fimple, John Agar and produced by Dino De Laurntis. The story centers around the discovery of … King Kong (1976) | Episode 392 Read More » The post King Kong (1976) | Episode 392 appeared first on The ESO Network.

Grab your glow sticks as the boys sit down with comedian Jessica Lang (@nottheactresss) to chat about the world of raves. Jessica shares her story of discovering raves and the evolution in her music taste. Plus, we all nerd out about synthesizers for a minute. Drop your bean now, so you'll be peaking by mid-episode...   Weekly Rads: Kyle – Sad Park is playing the El Rey (event) Burnside – Dry Chili Salsa (food) Jessica – Cleaning something off with a hose (activity)   Check out Burnside playing video games at https://www.twitch.tv/stayindoorsburnside   Get Kyle Clark's I'm a Person: Director's Cut  You can go to www.kyleclarkcomed.bandcamp.com and pay what you want for the full uncut set from “I'm a Person” which includes 20 mins of unheard material, plus an additional 15 minutes of never released bonus live recordings!   Send Us Stuff! We have a PO Box! This Is Rad! / Kyle Clark PO Box #198 2470 Stearns St Simi Valley, CA 93063   Tales from an Analog Future Get it HERE: https://gumroad.com/analogfuturecomic   Get Kyle's album "Absolute Terror" here: https://smarturl.it/absoluteterror    Go to    www.Patreon.com/thisisrad and subscribe to send in questions for our Listener Questions episodes, to get exclusive bonus episodes, extra content, and access to the This Is Rad Discord server!   Check out our merch!       Also! Check out merch for Kyle's record label Radland Records  https://www.teepublic.com/t-shirt/4109261-radland-logo     Also! Laura started an online store for her art! Go buy all of her stuff!!!  https://www.teepublic.com/stores/lmknight?utm_campaign=8178&utm_medium=affiliate&utm_source=lmknight    Follow us on social media or whatever! Instagram: @thisisradpodcast @kyleclarkisrad @lmknightart @8armedspidey (Frank Gillen TIR's social media!)  @thearcknight (techno lord Adam Cross)    Twitter: @ThisIsRadPod @kyleclarkisrad @MatthewBurnside @LMKnightArt  

This week on Finding Your Bliss, we have a show devoted to preserving fertility, even in the face of cancer. Life Coach Judy Librach sits down with Oncofertility specialist Dr. Karen Glass from the CReATe Fertility Centre, and also with a very happy patient who was able to freeze her embryos before cancer treatment and is now pregnant with her first child! Jessica was diagnosed with breast cancer at 33-years old and was told she needed to have surgery and treatment to remove it. After surgery, she was sent to the CReATe Fertility Clinic in Toronto to have her eggs retrieved as the cancer treatment could have hurt her ovarian reserve. She went to see Dr. Karen Glass at the CReATe Fertility Centre, and they decided to freeze her embryos instead of her eggs. As she puts it,

In this episode, my bestie of 8+ years -  Jessica Lang -  interviews me all sorts of questions about life (fun and serious).  These questions have really allowed me to think and reflect.  As you listen, think about how you would respond to these questions, as they shed light on who you truly are. 'The Soul Searcher's Handbook'  by Emma MildonWebsite: www.flowschool.com.auEmail: info@flowschool.com.auInstagram: @flow.schoolWebsite: www.flowschool.com.auInsta: @flow.schoolFacebook: Flow SchoolEmail: info@flowschool.com.auI hope you have a beautiful sparkly day.

Ballet Talk is back in person! This episode was recorded was recorded on opening night of PNB's second rep of the 2021/22 Season, BEYOND BALLET. Former Manager of Audience Education Doug Fullington walks a small live audience through the three works that make up BEYOND BALLET. As we celebrate internationally acclaimed choreographers Ulysses Dove, Jessica Lang, and Alonzo King, we can find even more beauty in their common threads. The combination of Ulysses Dove's mournful Dancing on the Front Porch of Heaven, Jessica Lang's haunting Ghost Variations, and the PNB Premiere of Alonzo King's The Personal Element promises unmatched emotion, expression, and musicality.

Julie Kent became the Artistic Director of The Washington Ballet in July 2016. She is the longest-serving ballerina in American Ballet Theatre's 79-year history. She began her dance training with Hortensia Fonseca at the Academy of the Maryland Youth Ballet in Bethesda, MD and attended summer sessions at American Ballet Theatre II and the School of American Ballet before joining American Ballet Theatre as an apprentice in 1985. In that same year, Kent won first place in the regional finals of the National Society of Arts and Letters at the Kennedy Center. In 1986, she was the only American to win a medal at the Prix de Lausanne International Ballet Competition, and she became a member of ABT's corps de ballet.Kent starred in the Herbert Ross film “Dancers” in 1987 opposite Mikhail Baryshnikov. She was appointed a Soloist with ABT in 1990 and a Principal Dancer in 1993, the year in which she became the first American to win the Erik Bruhn Prize in Toronto and was named one of People Magazine's “50 Most Beautiful People.” In April 2000, Kent achieved another triumph, becoming the first American to win the “Prix Benois de la Danse.” Later that year, Kent starred in the motion picture “Center Stage” directed by Nicholas Hytner. In 2012, she was awarded an Honorary Doctorate of Performing Arts from the University of North Carolina School of the Arts as well as a “Lifetime Achievement Award” from Dance Magazine. Since 2014, she has been the Brand Ambassador for HANIA New York, a luxury line of hand-knit cashmere in NYC.During Kent's long performing career, she has acquired a vast repertoire dancing over 100 ballets, including all of the major classical, dramatic and neo-classical roles in works by Marius Petipa, George Balanchine, Jerome Robbins, Frederick Ashton, Kenneth MacMillan, John Cranko, Anthony Tudor, Michel Fokine, Agnes DeMille, Merce Cunningham, Jose Limon, Jiri Kylian, Ronald Hynd, Ben Stevenson and Christopher Wheeldon. As well, she has had roles created on her by John Neumeier, Lar Lubovitch, Mark Morris, Twyla Tharp, Alexei Ratmansky, Nacho Duato, Stanton Welch, James Kudelka, Jorma Elo, David Parsons, Jessica Lang, and Natalie Weir. Her appearances as a guest include invitations from the Mariinsky Theatre, Teatro alla Scala, New York City Ballet, Stuttgart Ballet, Berlin Staatsballett, Australian Ballet, Bayerisches Staatsballett, Teatro Colon, Ballet de Santiago, and others. In August of 2015, after a 30-year performing career, Kent was named Artistic Director of ABT's Summer Intensive, a comprehensive summer dance program for 1,400 students at five campuses across the US.Since Kent arrived at The Washington Ballet, she has brought important classical and contemporary masterworks into the repertoire, including her and Victor Barbee's own critically acclaimed staging of The Sleeping Beauty, described by New York Times former chief dance critic Alastair Macaulay as “one of the world's finer Sleeping Beauties.” Kent's steadfast commitment to the development of artists, rising choreographers, and the creation of arts education initiatives that benefit the community of our Nation's Capital, showcase her dedication to creativity, expression, and to propelling ballet forward into the 21st century.Kent is married to The Washington Ballet's Associate Artistic Director Victor Barbee, and, as a mother of two children, she has helped redefine the image of the American Ballerina.

Somehow these three idiot hosts have gotten themselves kidnapped and trapped in a pool AGAIN (but we're not victim blaming). This icy reminder of 2020 comes with a heaping side of Bitchcraft, in which daughter of negligent parents, Zoe, learns she can murder dudes with her vagina. She is quickly whisked away by men in black to a school for plague doctors? Meanwhile, Jessica Lang looks marvelous non-sexually murdering dudes for fun and raising dead racists, while Cordelia just wants to be left alone with her plants. So brace yourself for another October of ice cold pool water and the real torture...Season 3 of American Horror Story! True Horror. Fake Crime. namelessdeadpodcast.com https://www.patreon.com/namelessdeadpodcast

Was ist das eigentlich mit der Achtsamkeit, über die alle reden? Und wie geht das überhaupt? Jessica erklärt im Interview sofort umsetzbare, einfache Methoden wie du im Alltag achtsamer sein kannst und damit zu mehr Wohlbefinden kommst. Jessica findest du hier und mich hier. Mutige Grüße, Dana

On this week's annotated deep dive, The Cultists present John Guillermin's ‘King Kong' (1976). A remake of the classic RKO production from 1933, Kong ‘76 retains many of the high adventure staples popular in the pulpy 30s: the treacherous island, the perilous climb, and the classic meet cute of blonde bimbo pawn meets giant monkey during a casual ritual sacrifice. But in all its surface similarities, this Kong makes some changes. With references to the porno chic movement, the OPEC oil embargo, primate astrology, real-time bicentennial fireworks, and a slew of full-formed facial hair, there is no doubt that this film was made in 1975. However, this movie is also another film produced by our Blue Velvet (1986) man, Dino De Laurentiis, and as such, Kong '76 spared no costs in getting things done, becoming one of the most expensive films of its day, boasting a six second near 40 foot animatronic robot, lavish set builds, and the dream team effects efforts of Carlo Rambaldi and Rick Baker (who also happens to play what can only be described as the horniest primate in cinema). In short, although very few people would claim the 76 version as their favorite Kong, this film left its mark in movie history (and not just because it features a brand new-to-the-scene Jessica Lang playing a character named…Dwan).

This week, we get super dark for Season 2, Episode 5, “The Orchid's Curse”! Remember, we'll spoil the heck out of this ep, so watch before listening!It's a journey through confounding labyrinths as Damon explores the dream logic of Twin Peaks' geography; Jonathan maps out Northwest Noir, focussing on Sheriff Truman; Colin finds eerie links between old-school Gothic hits and the show; and Jennifer exposes disturbing acts of seduction, betrayal, voyeurism, and violence. Good times!LISTEN: BuzzSprout | Google Podcasts | Spotify | RSS | and more!S2, E5 NOTES: Barry Pullman (episode writer)Graeme Clifford (episode director)Talking Heads (1975-91, American rock band)David Byrne (b. 1952, musician, Talking Heads and solo work)Chris Frantz (b. 1951, musician, Talking Heads and Tom Tom Club)Tina Weymouth (b. 1950, musician, Talking Heads and Tom Tom Club)Jerry Harrison (b. 1950, musician, Talking Heads and Modern Lovers)Bernie Worrell (1944-2016, musician, Talking Heads and Parliament-Funkadelic)Remain in Love (2020, memoir, written by Chris Frantz)Crazy Clown Time (2011, album by David Lynch)Rocky Horror Picture Show (film, 1975, directed by Jim Sharman)Frances (film, 1982, directed by Graeme Clifford)Frances Farmer (1913-1970, American actor)Jessica Lang (b. 1949, American actor)“Frances Farmer Will Have Her Revenge on Seattle” (1983, song, from “In Utero” by Nirvana)Royal Dano (1922-1994, American actor, Judge Sternwood)Michael Ontkean (Sheriff Harry S. Truman)Red River Valley (folk song, unknown origin)Fae folk (mythical (?) beings)Cultivator (garden tool, face ripper)David Lander (1947-2020, beloved American actor, TV's Squiggy)Black Yukon Sucker Punch Reverse-Engineered, from Welcome to Twin Peaks (legendary Twin Peaks fan site)Kevin Young (Toad)Great Moments with Mr. Lincoln (Disneyland experi

Jenna and Theresa wish all the mom's out there a Happy Mother's Day. They celebrate by watching the 1998 thriller, Hush starring Jessica Lang and Gwyneth Paltrow. Listen along as Theresa struggles repeatedly to pronounce Gwyneth Paltrow and the ladies discuss all sorts of nightmare MIL horror. BUZZSPROUT COPYRate and Review on Apple Podcasts!Have a suggestion for something for us to remember?email us! ithinkirememberthat@gmail.comDig the music? Check out www.jamesandblack.org

Episodio en Inglés, si deseas verlo con subtítulos, te invito a ir a nuestro canal de YouTube. Julie Kent ha estado al frente del Washington Ballet desde julio de 2016 y fue la primera bailarina con mayor carrera en los 80 años de historia del American Ballet Theatre. Comenzó su formación en danza con Hortensia Fonseca en la Academy of the Maryland Youth Ballet en Bethesda, MD y asistió a sesiones de verano en American Ballet Theatre II y en la School of American Ballet antes de unirse a American Ballet Theatre como aprendiz en 1985. Ese mismo año , Kent ganó el primer lugar en las finales regionales de la Sociedad Nacional de Artes y Letras en el Kennedy Center. En 1986, fue la única estadounidense en ganar una medalla en el Concurso Internacional de Ballet Prix de Lausanne y se convirtió en miembro del cuerpo de ballet de ABT. Kent protagonizó la película de Herbert Ross "Dancers" en 1987 junto a Mikhail Baryshnikov. Fue nombrada solista con ABT en 1990 y bailarina principal en 1993, año en el que ganó el premio Erik Bruhn, en Toronto, y fue nombrada una de las "50 personas más bellas" de la revista People. En abril de 2000, Kent ganó el "Prix Benois de la Danse" siendo la primera estadounidense en ganar este premio. Más tarde ese año, Kent protagonizó la película "Center Stage" dirigida por Nicholas Hytner. En 2012, recibió un Doctorado Honoris Causa en Artes Escénicas de la Escuela de Artes de la Universidad de Carolina del Norte, así como un "Premio a la Trayectoria" de la Dance Magazine. Desde 2014, ha sido la embajadora de la marca de HANIA New York, por Anya Cole, una línea de suéteres tejidos a mano. Durante su carrera interpretativa, Julie Kent adquirió un vasto repertorio de más de 100 ballets, incluídos los principales papeles clásicos, dramáticos y neoclásicos en obras de Marius Petipa, George Balanchine, Jerome Robbins, Frederick Ashton, Kenneth MacMillan, John Cranko, Anthony Tudor, Michel Fokine, Agnes de Mille, Merce Cunningham, José Limón, Jiří Kylián, Ronald Hynd, Ben Stevenson y Christopher Wheeldon. Además, ha tenido papeles creados para ella por coreógrafos como John Neumeier, Lar Lubovitch, Mark Morris, Twyla Tharp, Alexei Ratmansky, Nacho Duato, Stanton Welch, James Kudelka, Jorma Elo, David Parsons, Jessica Lang y Natalie Weir. Sus apariciones como invitada incluyen invitaciones del Teatro Mariinsky, Teatro alla Scala, New York City Ballet, Stuttgart Ballet, Berlin Staatsballett, Australian Ballet, Bayerisches Staatsballett, Teatro Colón, Ballet de Santiago y otros. Antes de unirse al Washington Ballet, en agosto de 2015, después de una carrera de 30 años, Julie fue nombrada Directora Artística del Summer Intensive de ABT, un programa integral de verano para 1,400 estudiantes que se lleva a cabo en cinco localidades en los Estados Unidos. Julie Kent está casada Victor Barbee, director artístico asociado del Washington Ballet, desde 1996 y tiene dos hijos. Es una de las pocas mujeres líderes en todo el mundo en el papel de directora artística, Kent está redefiniendo la imagen y el impacto de la bailarina estadounidense.

Today we have the brilliant Joyce Gilmer on the show.  She is a lawyer and an advocate for adult survivors of childhood sexual abuse.Joyce recognizes the limitations our society attempts to put on women and those deemed not rich enough to care about (throw away) leading her to study criminal law for prosecution and defense with a serious focus on policy reformation and execution so some matters never become an arrestable life changing event while other issues get true restorative justice for victims and assailants.  Presently, Joyce is working with the top financial institutions and supervising attorneys on federal regulations for compliance adherence while building internal mechanisms to avoid the pitfalls of failing consumer protections.  Joyce is working hard on becoming a future expat having an eye to visit the Motherland for at least one year before settling on the best place for her. Should you have any recommendations or contacts across the the continent of Africa - feel free to reach out.  In this episode we cover:·        Is there a time limit on when a victim can seek justice·        Can a law suit be brought against people who knew about abuse, but did nothing·        Step by step legal recourse to take for victims Connect with Joyce Gilmer:Youtube: justicejoycetvInstagram: @ justicejoycetvDid you enjoy this episode? If so, I would appreciate it if you could rate and review the podcast on Apple Podcast (or wherever you listen). This will help more people find the show.  I appreciate you!Next check out these episodes:EP 29: A Candid Convo with Dr. Anissa ReillyEP 28: In Session with Dr. Bakari: Healing from Childhood Trauma Without Forgiving the Person Who Caused ItEP 04: In Session with Jessica Lang, LMFT: Healing from Your Childhood Sexual Trauma as an AdultEP 01: A Candid Convo with Lady VFollow me on all social media @candidlykesha. Feel free to email me with any feedback or suggestions for upcoming topics at hey@candidlykesha.com

Doug Fullington kicks off Pacific Northwest Ballet's first rep of our digital season. Rep 1 features solos and socially distanced gems from Kent Stowell’s Swan Lake, George Balanchine’s Jewels, and Jerome Robbins’ Dances at a Gathering to PNB audience favorites like Ulysses Dove’s Red Angels, Jessica Lang’s The Calling, and Marco Goecke’s Mopey.

Doug Fullington is back to guide us through his Ballet Talk for Rep 2 of PNB's Digital Season. Rep 2 celebrates a lineage of female choreographers each with their own bright and arresting perspective. Doug guides us through the world premiere works Ghost Variations by Jessica Lang and Penny Saunders' Wonderland; each created for the digital stage, conceived, rehearsed, and produced during the pandemic. These new works were joined by a series of male solos from Twyla Tharp's Waterbaby Bagatelles and a new-to-PNB work by Susan Marshall, Arms.

Today we have the brilliant Dr. Anissa Reilly on the show.  She is an advocate for adult survivors of childhood sexual abuse, a speaker, and a soon to be author.She recently launched The Ask Dr. Reilly Show, which is a 30-60 minutes, one-one-one session with young and mature women (and sometimes men) where we discuss the traumatic issues that are faced in the inner cities. This living room like discussion focuses on abuse, sexual issues like rape, domestic violence, and sexuality, that impact our community.Dr. Reilly has a soon to be released book, “The Wounded Healer: Turning Life’s Messes into Messages of Hope-From Violence to Victory” is bound to be a best seller. Movie ideas are also in the works. The Ask Dr. Reilly show is the first individual programming for the OSG Network scheduled to stream on Dame Dash Studios. For more information sign up at AskDrReilly.com or visit the YouTube channel at Youtube.com/AskDrReilly. In this episode we cover:·        Childhood sexual trauma·        The family dynamics and how it changes once something traumatic occurs·        Breaking the cycle of generational traumaArticles & Books Mentioned:Childhood Disrupted: How Your Biography Becomes Your Biology, and How You Can Heal by Donna Jackson NakazawaThe Adverse Childhood Experiences Recovery Workbook: Heal the Hidden Wounds from Childhood Affecting Your Adult Mental and Physical Health by Glen R. Schiraldi PhDBuilding Resilience in Students Impacted by Adverse Childhood Experiences: A Whole-Staff Approach by Victoria E. Romero, Ricky RobertsonConnect with Dr. Anissa Reilly:Website: dr.reilly.comInstagram: @askdr.reillyYoutube: askdr.reillyDid you enjoy this episode? If so, I would appreciate it if you could rate and review the podcast on Apple Podcast (or wherever you listen). This will help more people find the show.  I appreciate you!  Next check out these episodes:EP 28: In Session with Dr. Bakari: Healing from Childhood Trauma Without Forgiving the Person Who Caused ItEP 06: In Session with Celeste The Therapist: Black Family SecretsEP 04: In Session with Jessica Lang, LMFT: Healing from Your Childhood Sexual Trauma as an AdultEP 01: A Candid Convo with Lady VFollow me on all social media @candidlykesha. Feel free to email me with any feedback or suggestions for upcoming topics at hey@candidlykesha.com

Autor: Ensminger, Petra Sendung: Campus & Karriere Hören bis: 19.01.2038 04:14 Das Bildungsmagazin Digitaler Stress, psychischer Druck - Maßnahmen gegen Corona verschärfen Belastungen am Arbeitsplatz In "Campus & Karriere" gehen wir diesen Fragen nach: Wie sehr wird digitaler Stress durch die Pandemie verstärkt? Welche psychischen Belastungen sind durch die Corona-Krise am Arbeitsplatz dazu gekommen? Was können wir im Sinne eines gesunden Arbeitsumfeldes auch selbst verändern? Wie müssen wir psychischen Erkrankungen präventiv begegnen? Gäste: Prof. Dr. Jessica Lang, UK Aachen, Deutsche Gesellschaft für Arbeitsmedizin und Umweltmedizin Dr. Nils Backhaus, Bundesanstalt für Arbeitsschutz und Arbeitsmedizin, Fachbereich Arbeitswelt im Wandel Am Mikrofon: Petra Ensminger Hörertel.: 00800 - 4464 4464 campus@deutschlandfunk.de

Today we have the brilliant Dr. Rosenna Bakari on the show.  She is an advocate for adult survivors of childhood sexual abuse, a speaker, and an author.She is an empowerment expert who developed an 8-session "Empowerment with a Bang" experience for clients that doesn’t require a diagnose or invasive evaluation. She is also the founder of Talking Trees, Inc., the only international organization that focuses exclusively on empowering adults who experienced sexual abuse before the age of 18. In this episode we cover:·        Forgiveness is not needed on your healing journey·        Forgiveness being weaponized by the religious community·        Premature forgiveness can retraumatize someone·        Its not completely off the table, forgiveness is possibleArticles & Books Mentioned:Living Openly Model of Advocacy and Support by Dr. Rosenna BakariTree Leaves: Breaking the Fall of the Loud Silence by Dr. Rosenna BarkariConnect with Dr. Rosenna Bakari:Website: rosennabakari.comInstagram: @rosennabakariDid you enjoy this episode? If so, I would appreciate it if you could rate and review the podcast on Apple Podcast (or wherever you listen). This will help more people find the show.  I appreciate you!Next check out these episodes:EP 06: In Session with Celeste The Therapist: Black Family SecretsEP 04: In Session with Jessica Lang, LMFT: Healing from Your Childhood Sexual Trauma as an AdultEP 01: A Candid Convo with Lady VFollow me on all social media @candidlykesha. Feel free to email me with any feedback or suggestions for upcoming topics at hey@candidlykesha.com

Karen Matheson O.B.E joins host, Ewan Petrie, for this weeks "The Tracks That Take Us Back". Karen Matheson is arguably one of the most recognisable and distinct voices to have blessed the Scottish music scene. As the lead singer of legendary Scots band "Capercaillie" Karen has had a stellar career in which she sold over 3 million albums, performed in over 30 countries and even found time to star alongside Liam Nesson and Jessica Lang in Hollywood blockbuster "Rob Roy". Alongside "Capercaillie", Karen has had a remarkable solo career with numerous highlights including 4 critically acclaimed albums, being made an Order of the British Empire and performing to a televised audience of over 600 million people at the closing ceremony of the Commonwealth Games in Glasgow in 2014. Join us as we talk about Karen's new album "Still Time" and her career to date. Karen then transports us back through an array of priceless memories to the locations in Scotland that she cherishes most. Allow yourself to become a part of Karen's memories through the music that brings these memories back to life, as we explore Karen's choices on "The Tracks That Take Us Back".

Today we have the brilliant Melissa Ifill, LCSW on the show. She is a licensed therapist and social worker, with growing practices in New York, New Jersey, Georgia and Florida. Melissa is also a speaker and a reiki practitioner. Melissa is focused on helping black women heal from their trauma and she is dedicated to providing them with tools to assist them in their journey. She has also created multiple programs to build a community and sisterhood so women do not fell alone on their journey to heal.In this episode we discuss holiday depression and how to recognize if its more than just the holiday blues. We also discuss when holiday depression starts, ways to get thru the holidays and so much more!In this episode we cover:Seasonal Affective DisorderHaving choices during the holidaysDealing with family during the holidaysCreating new traditionsArticles & Books Mentioned:Codependent No More by Melody Beattiehttps://amzn.to/340j8pwChildhood Disrupted: How Your Biography Becomes Your Biology, and How You Can Heal by Donna Jackson Nakazawahttps://amzn.to/3gDUyzNPost Traumatic Slave Syndrome: Americas Legacy of Enduring Injury and Healing by Joyce Degruyhttps://amzn.to/3n4xjRWThe Gift of Grief by Dr. Ajita M. Robinsonhttps://amzn.to/3gx44Vf Connect with Melissa Ifill, LCSW:Website: melissaifill.comR.A.W Website: raw2heal.comInstagram: @melissaifilllcswDid you enjoy this episode? If so, I would appreciate it if you could rate and review the podcast on Apple Podcast (or wherever you listen). This will help more people find the show. I appreciate you!Next check out these episodes:EP 09: In Session with Dr. Ebony: Innovative Healing using Therapy CardsEP 06: In Session with Celeste The Therapist: Black Family SecretsEP 04: In Session with Jessica Lang, LCSW: Healing from Your Childhood Traumas as an Adult Follow me on all social media @candidlykesha. Feel free to email me with any feedback or suggestions for upcoming topics at hey@candidlykesha.com

Off the Derech: Leaving Orthodox Judaism (SUNY Press, 2020), edited by Ezra Cappell and Jessica Lang, combines powerful first-person accounts with incisive scholarly analysis to understand the phenomenon of ultra-Orthodox Jews who leave their insular communities and venture into the wider world. In recent years, many formerly ultra-Orthodox Jews have documented leaving their communities in published stories, films, and memoirs. This movement is often identified as “off the derech” (OTD), or off the path, with the idea that the “path” is paved by Jewish law, rituals, and practices found within their birth communities. This volume tells the powerful stories of people abandoning their religious communities and embarking on uncertain journeys toward new lives and identities within mainstream society. Off the Derech is divided into two parts: stories and analysis. The first includes original selections from contemporary American and global authors writing about their OTD experiences. The second features chapters by scholars representing such diverse fields as literature, history, sociology, psychology, anthropology, religion, and gender studies. The interdisciplinary lenses provide a range of methodologies by which readers can better understand this significant phenomenon within contemporary Jewish society. Today I talked to: Ezra Cappell, Professor of Jewish Studies and English and Director of the Perlmutter Fellows Program at the College of Charleston; Jessica Lang, a Professor of English and Jewish Studies at Baruch College, CUNY; Jericho Vincent, a writer and lecturer; Frieda Vizel, a specialized tour guide in Jewish Brooklyn. Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Off the Derech: Leaving Orthodox Judaism (SUNY Press, 2020), edited by Ezra Cappell and Jessica Lang, combines powerful first-person accounts with incisive scholarly analysis to understand the phenomenon of ultra-Orthodox Jews who leave their insular communities and venture into the wider world. In recent years, many formerly ultra-Orthodox Jews have documented leaving their communities in published stories, films, and memoirs. This movement is often identified as “off the derech” (OTD), or off the path, with the idea that the “path” is paved by Jewish law, rituals, and practices found within their birth communities. This volume tells the powerful stories of people abandoning their religious communities and embarking on uncertain journeys toward new lives and identities within mainstream society. Off the Derech is divided into two parts: stories and analysis. The first includes original selections from contemporary American and global authors writing about their OTD experiences. The second features chapters by scholars representing such diverse fields as literature, history, sociology, psychology, anthropology, religion, and gender studies. The interdisciplinary lenses provide a range of methodologies by which readers can better understand this significant phenomenon within contemporary Jewish society. Today I talked to: Ezra Cappell, Professor of Jewish Studies and English and Director of the Perlmutter Fellows Program at the College of Charleston; Jessica Lang, a Professor of English and Jewish Studies at Baruch College, CUNY; Jericho Vincent, a writer and lecturer; Frieda Vizel, a specialized tour guide in Jewish Brooklyn. Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Off the Derech: Leaving Orthodox Judaism (SUNY Press, 2020), edited by Ezra Cappell and Jessica Lang, combines powerful first-person accounts with incisive scholarly analysis to understand the phenomenon of ultra-Orthodox Jews who leave their insular communities and venture into the wider world. In recent years, many formerly ultra-Orthodox Jews have documented leaving their communities in published stories, films, and memoirs. This movement is often identified as “off the derech” (OTD), or off the path, with the idea that the “path” is paved by Jewish law, rituals, and practices found within their birth communities. This volume tells the powerful stories of people abandoning their religious communities and embarking on uncertain journeys toward new lives and identities within mainstream society. Off the Derech is divided into two parts: stories and analysis. The first includes original selections from contemporary American and global authors writing about their OTD experiences. The second features chapters by scholars representing such diverse fields as literature, history, sociology, psychology, anthropology, religion, and gender studies. The interdisciplinary lenses provide a range of methodologies by which readers can better understand this significant phenomenon within contemporary Jewish society. Today I talked to: Ezra Cappell, Professor of Jewish Studies and English and Director of the Perlmutter Fellows Program at the College of Charleston; Jessica Lang, a Professor of English and Jewish Studies at Baruch College, CUNY; Jericho Vincent, a writer and lecturer; Frieda Vizel, a specialized tour guide in Jewish Brooklyn. Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Off the Derech: Leaving Orthodox Judaism (SUNY Press, 2020), edited by Ezra Cappell and Jessica Lang, combines powerful first-person accounts with incisive scholarly analysis to understand the phenomenon of ultra-Orthodox Jews who leave their insular communities and venture into the wider world. In recent years, many formerly ultra-Orthodox Jews have documented leaving their communities in published stories, films, and memoirs. This movement is often identified as “off the derech” (OTD), or off the path, with the idea that the “path” is paved by Jewish law, rituals, and practices found within their birth communities. This volume tells the powerful stories of people abandoning their religious communities and embarking on uncertain journeys toward new lives and identities within mainstream society. Off the Derech is divided into two parts: stories and analysis. The first includes original selections from contemporary American and global authors writing about their OTD experiences. The second features chapters by scholars representing such diverse fields as literature, history, sociology, psychology, anthropology, religion, and gender studies. The interdisciplinary lenses provide a range of methodologies by which readers can better understand this significant phenomenon within contemporary Jewish society. Today I talked to: Ezra Cappell, Professor of Jewish Studies and English and Director of the Perlmutter Fellows Program at the College of Charleston; Jessica Lang, a Professor of English and Jewish Studies at Baruch College, CUNY; Jericho Vincent, a writer and lecturer; Frieda Vizel, a specialized tour guide in Jewish Brooklyn. Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Off the Derech: Leaving Orthodox Judaism (SUNY Press, 2020), edited by Ezra Cappell and Jessica Lang, combines powerful first-person accounts with incisive scholarly analysis to understand the phenomenon of ultra-Orthodox Jews who leave their insular communities and venture into the wider world. In recent years, many formerly ultra-Orthodox Jews have documented leaving their communities in published stories, films, and memoirs. This movement is often identified as “off the derech” (OTD), or off the path, with the idea that the “path” is paved by Jewish law, rituals, and practices found within their birth communities. This volume tells the powerful stories of people abandoning their religious communities and embarking on uncertain journeys toward new lives and identities within mainstream society. Off the Derech is divided into two parts: stories and analysis. The first includes original selections from contemporary American and global authors writing about their OTD experiences. The second features chapters by scholars representing such diverse fields as literature, history, sociology, psychology, anthropology, religion, and gender studies. The interdisciplinary lenses provide a range of methodologies by which readers can better understand this significant phenomenon within contemporary Jewish society. Today I talked to: Ezra Cappell, Professor of Jewish Studies and English and Director of the Perlmutter Fellows Program at the College of Charleston; Jessica Lang, a Professor of English and Jewish Studies at Baruch College, CUNY; Jericho Vincent, a writer and lecturer; Frieda Vizel, a specialized tour guide in Jewish Brooklyn. Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this SUPER FUNNY episode, Tim Tompson calls in and helps us remember How DROP DEAD gorgeous Jessica Lang was in that bad 80's King Kong movie. How many Peers do YOU have?? Is having a Flip Phone telling the World to SCREW-OFF?.. Or telling Everyone you know you're an IDIOT?? When will Anthony Quinn be able to Pee in PUBLIC again?? Will the "New Normal" be like a lame PEEP SHOW with reinforced glass?? How's your FETISH holding up in the Pandemic?? TUNE IN!! Questions like these ALWAYS get answered on QUINNSPIRACY.

Today we have a brilliant Jessica Lang, LMFT on the show! She is a licensed Marriage and Family Therapist with a private practice online where she works with children and adults who have experienced trauma, particularly survivors of childhood sexual trauma. Jessica talks about healing from your childhood trauma as an adult and reparenting your inner child.She shares how she works with her clients and how you can find a therapist who will be the best fit for you. Also she is dropping gems this entire episode about healing!You can find Jessica at the following https://jessicalangtherapy.com/ Twitter: @jlangtherapy Facebook Group: A survivors guide to lifeInstagram: @jessica_lang_lmft Email: jessica@jessicalangtherapy.com

HISTOIRES DE CINEMA, mardi et jeudi à 9h et 12h30. Jean-Philippe Gunet nous parle des coulisses du cinéma et de ses grandes figures. Cette semaine, Jean-Philippe nous parle des coulisses du film "King Kong" de John Guillermin, sorti en 1976, avec Jessica Lang et Jeff Bridges.

This episode Nez brings you the 1976 Jeff Bridges and Jessica Lang adventure/horror KING KONG.   Hit us up on Facebook. https://www.facebook.com/ESocietyPodcast/ Check out our Anchor feed: https://anchor.fm/mac-nez Twitter: @macnezpod Instagram: @espmacnezpod                  @thezissou                  @macnez 

Meryl Streep is arguably the greatest actress of this or any generation.  She has starred in more than 60 films, won 3 Oscars, and received a record setting 21 nominations.  Entertainment reporter Erin Carlson discusses Streep's illustrious acting career, her advocacy for women off the screen, and her deeply guarded personal life.  Erin delves Jane Fonda’s mentorship of Streep on the film Julia, Meryl’s rivalries with Jessica Lang, and the behind-the-scenes drama between her and Dustin Hoffman on Kramer vs Kramer.  She suggests that the late actor John Cazale was the love of Meryl Streep’s life, she shares how he how helped her hone her craft, and reveals how Meryl coped with his tragic untimely death.  We talk about acting over 40, how Meryl became a champion for better roles and equal pay for actresses, and how she navigated doing business with disgraced mogul Harvey Weinstein.  Plus Erin weighs in on Meryl Streep’s best performances and most underrated films. Order Erin's book Queen Meryl: The Iconic Roles, Heroic Deeds, and Legendary Life of Meryl Streep on Amazon, Audible or wherever books are sold.  Today’s episode was sponsored by Stitcher's new podcast Lost at the Smithsonian.  Subscribe on Stitcher, Apple Podcasts, or favorite podcast app.

Anastacia Holden joined The Joffrey Ballet in 2005 following two seasons as an Arpino Apprentice. Born and raised in Ann Arbor, Michigan, Ms. Holden was first interested in international folk dance and started ballet at the local YMCA at the age of seven. She began serious study with Judy Rice at the University of Michigan and later continued her training under Prima Ballerina Maniya Barredo in Alpharetta, GA. Since joining the Joffrey, Ms. Holden has enjoyed performing in many ballets including: Cinderella (Spring Fairy); Cloven Kingdom; Don Quixote (Amore); Giselle (Peasant Pas de Deux);The Green Table (the Young Girl); Infra; In the Middle, Somewhat Elevated; La Bayadère (Gamzatti); Maninyas (first Pas de Deux); Night; The Nutcracker (Sugar Plum, Clara); Othello (Bianca); "...smile with my heart;" Swan Lake (Cygnets, Pas de Trois); Tarantella; and Viva Vivaldi. She has originated roles in works by Nicolas Blanc, Donald Byrd, Val Caniparoli, James Kudelka, Jessica Lang, Edwaard Liang, and Stanton Welch, and she has been honored to dance in numerous works by Joffrey co-founders Robert Joffrey and Gerald Arpino. In 2010, Ms. Holden co-founded the non-profit Embarc, a three-year program that provides community-driven, experienced-based learning opportunities to low-income high school students to inspire and prepare them for college and career success. Her other interests include reading, travelling, cooking and crochet. @anastaciaholden www.embarcchicago.org --- Send in a voice message: https://anchor.fm/didyoumovetodayco/message Support this podcast: https://anchor.fm/didyoumovetodayco/support

Fall 1998. Jessica lang get's an unexpected guest, her boyfriend's ex. eventually something happened and kelly (jessica's boyfriend's ex) stabs Jessica 47 times. tragicly. Jessica's dad discovered the lifeless body. kelly is soon caught because her friend who said it was her helped kelly dispose of the knife. Kelly is sentenced to life

SERINDA SWAN CORONER Star On CBC –SEASON 1 NOW STREAMING On CBC GEM Photography by Kenny Sweeny Serinda Swan was born in West Vancouver, B.C., to a family of artists, including her mother, an actress, and her father, a theatre director with a well-established acting school. Serinda actually gravitated to the arts and at three was personally chosen for the role in her first motion picture, Cousins with Ted Danson and Isabella Rossellini. Swan was introduced to the world in popular TV shows such as Smallville and Supernatural in Vancouver. She is most proud of her roles in Feud, Ballers, Marvels and Humans and Coroner. She got her ’big break’ in Disney’s TRON: Legacy opposite Beau Garrett, Olivia Wilde and Jeff Bridges, as well as The Baytown Outlaws with Billy Bob Thornton. She then made her move to Los Angeles, where she was able to work opposite the ‘The Rock’ in HBO’s Ballers and Jessica Lang and Susan Sarandon in Feud. Recently was a lead in Marvels and Humans which led her to her drastic change in appearance with having shaved her head for her role! Which allowed her to explore her new diverse starring role in Coroner! Additionally, she starred in the thriller entitled The Veil, opposite William Moseley. Swan recently wrapped Blood on Wheels, a feature produced by James Franco. Outside of her busy acting career, Swan’s true passion is activism. In 2011 she became an official ambassador of Friends to Mankind, an organization that partners with non-profits to raise awareness and funds through educational campaigns. Swan has cycled across Cambodia, installed nets in Africa, and skydived from 18,000 ft., the highest jump in North America, in hopes of encouraging others to take a stand and make a difference. She has helped raise over one million dollars to date for various charities and causes close to her heart. Swan is the CEO and Co-Founder of the education technology company, Deedly. Her belief is that education should be free, and through their specific month-long curriculum they educate students about world issues and the charities that strive to fix them. Deedly will be in more 1000 schools by the end of the year. INTERVIEW WITH SERINDA SWAN by Blaine Schlechter Congratulations on the Season 2 pickup of Coroner – which starts production soon. You’ve lived through a few of these, but it never gets old I’m sure; when you got the call saying you were coming back again to play Jenny Cooper, did you do anything special to celebrate? I think I did a random dance in my apartment first and foremost, because you just want to celebrate and you want to let out some of the energy that you’re holding. Even though there was a good feeling from the get-go with this show, that it was going to go at least another season, you never know…this industry surprises you in good ways, bad ways and ugly ways. It’s an energy you’re carrying along, it’s another character…it’s another person. I have to keep Jenny close until I know that I can release her and so for me it was sort of that inhale of…’ok, here we go again’. I get to bring Jenny along for another year of life, which is incredibly rewarding and exciting. Courtesy of CBC More on https://www.imherewithmag.com/blog-1/serinda-swan-is-the-next-big-cbc-star

The Therapy for Black Girls Podcast is a weekly conversation with Dr. Joy Harden Bradford, a Licensed Psychologist in Atlanta, Georgia, about all things mental health, personal development, and all the small decisions we can make to become the best possible version of ourselves.   Some studies suggest that as many as 60% of Black girls experience a sexual assault by the age of 18 so sadly many of us and our loved ones have been touched in some way by childhood sexual abuse. Today, I am joined by Jessica Lang, LMFT.  Jessica and I chatted about some of the common concerns that come up for survivors of childhood sexual abuse, what treatment might look like, how to deal if your child comes to you with a report of abuse, and she shared her favorite resources.   Resources Mentioned Visit our Amazon Store for all the books mentioned on the podcast!    Where to Find Jessica https://jessicalangtherapy.com/ Twitter: @jlangtherapy Facebook: @jlangMAPsychology Instagram: @jessica_lang_lmft   If you're looking for a therapist in your area, check out the directory at https://www.therapyforblackgirls.com/directory. To keep digging into today's topic and other topics discussed on the podcast, join the Facebook group at https://www.therapyforblackgirls.com/tribe. Join me for this week's Three for Thursday chat on FB & IG Live, Thursday at 12 noon ET. If you have questions or would like to discuss podcast sponsorship, email us at podcast@therapyforblackgirls.com. The hashtag for the podcast is #TBGinSession. Make sure to follow us on social media: Twitter: @therapy4bgirls Instagram: @therapyforblackgirls Facebook: @therapyforblackgirls

ORLANDO! We're back breaking down a trifecta of artistic events happening this week. There's no excuse to be bored.Know of anything else happening this week? Drop it in the comments.- Art Gallery at Mills Park has a new show opening Monday.- Friday through Sunday, Orlando Ballet presents, Contemporary Wonders, a night with three distinct performance: NY-based choreographer Jessica Lang’s From Foreign Lands and People, Arcadian Broad's Mad Hatter’s Wonderland, and Robert Hill and Sisaundra Lewis's Love Is.- Friday, listen to your own currated playist while watching improv dance at Coby Project presents Unspecified at The Orange Studio.Get out and experience someting new!

Dr. Jessica Lang, a mother-to-be, discusses a new treatment discovery for ovarian cancer, the deadliest reproductive cancer.

Doug Fullington shines the light on the unique-to-PNB works in Her Story. While Peter Boal did not intend to create a repertory including exclusively female choreographers, that's what happened with works by Twyla Tharp, Crystal Pite and Jessica Lang.

This week’s episode features another Q&A moderated by Undergraduate Dance Organization VP Dot Armstrong. Listen in to hear UI Dance Department faculty and students discuss movement and LANGuage with Jessica Lang Dance. Plus, Micah and Chuy take a look back at Las Cafeteras’ recent Hancher performance and recap Chuy’s exciting debut on the Hancher stage!

Mediaweek's James Manning and Andrew Mercado talk their way through 60 minutes of premium drama...and a few reality series too. Programs under discussion this week include Sunday night TV ratings, Feud with Jessica Lang and Susan Sarandon, House Husbands and no Delta Goodrem yet, The Halcyon cancelled before it arrives in Australia, season five of Wentworth, the new book on super soap Number 96 by Nigel Giles, Reese Witherspoon's star turn in Big Little Lies and Jonathan Rhys Myers coming to season five of Vikings. Plus an update on Andrew Mercado's new career as a cinema operator on the NSW coast.

In our second installation of "Offstage and Unbound," The Music Center's President and CEO Rachel Moore chats with Jessica Lang, choreographer and artistic director of Jessica Lang Dance. She is a graduate of the Juilliard School and a former dancer with Twyla Tharp’s company THARP! She began her prolific choreographic career in 1999, creating more than 90 works on companies worldwide. Her work has been performed by American Ballet Theatre, Pacific Northwest Ballet, Birmingham Royal Ballet, the National Ballet of Japan and Joffrey Ballet, among many others. In 2011, she formed Jessica Lang Dance, a New York City-based dance company dedicated to the immersive music and movement of her work. Since the company’s debut, Jessica has received international acclaim for her articulate blend of ballet and modern dance, punctuated by visually stunning design elements. She is a recipient of a prestigious Bessie Award in 2014 and is a 2017 Arison Award honoree. The Music Center features Jessica Lang Dance as part of the 2016/2017 dance season of Glorya Kaufman Presents Dance at The Music Center. The company, which is making its Music Center debut, is on stage at The Music Center’s Ahmanson Theatre from February 17 through 19.

We sat down with Jessica and learned about her approach to choreography and her latest work Thousand Yard Stare, which will be presented at the Joyce June 14th through the 19th. She revealed how her education at Juilliard eventually put her on the path of choreography and how she came to realize that a performance […]

Stuart Benjamin—a longtime family friend of Bob and Suzanne—shares the highlights and deteails of his award-winning career as a major film, television, music, and theatrical producer in this revealing podcast interview.     You’ll hear Stuart describe the path of a Harvard-educated lawyer who juggled two careers at once, working his “day job” as a partner in a prominent Los Angeles law firm and eventually discovering his true passion as the producer of high-quality motion picture and musical entertainment.      With college classmate and film director Taylor Hackford, Stuart formed New Visions, Inc. and produced some of the most memorable feature films of his generation.   Their first short film production, Teenage Father, earned Hackford an Oscar and threw open the gates of Hollywood studios as the pair delivered critical and commercial hits like Against All Odds, White Nights, La Bamba, and Everybody’s All-American, working with stellar casts that included Jeff Bridges, Rachel Ward, Mikhail Baryshnikov, Helen Mirren, Lou Diamond Phillips, Dennis Quaid, and Jessica Lang.     Stuart describes the Hollywood studio development process and the growth of New Visions into a creative powerhouse that went on to release another half-dozen movies and award-winning soundtrack albums.    The natural outcome of Stuart’s lifelong passion for music—with music playing a central role in the success of a majority of his movies—was a long and lasting friendship with the legendary Ray Charles.  You’ll hear Stuart describe his relentless, decade-long struggle to produce Ray, which earned six Academy Award nominations, including his own for Best Picture.  The soundtrack for Ray won Stuart a Grammy Award and sales of more than 4,000,000 albums.     Turning his attention to live theatrical production, Stuart discusses differences between working in movies, television, and theater.  With his production of Louis & Keely Live breaking records in Los Angeles, he’s currently developing the compelling story of Stax Records in collaboration with soul singer Tasha Taylor, daughter of the iconic blues legend Johnny Taylor.     Stuart Benjamin has built a career in the mold of Hollywood’s great impresarios...and he generously shares the secrets of his success for us all to follow.  

Laura Mead grew up in Austin, Texas and Berkeley, California. She received her BFA from Juilliard, where she performed the works of Paul Taylor, Mark Morris, Ron K. Brown and Eliot Feld, among others. Upon graduation, she joined American Repertory Ballet. She traveled North America with the tour of Twyla Tharp's Movin' Out. Laura originated the principal role of Betsy in Ms. Tharp's Broadway musical Come Fly Away, for which she received an Astaire Award nomination. Jessica Lang Dance (JLD) is a New York City-based dance company dedicated to creating and performing the work of Jessica Lang. JLD enriches and inspires global audiences by immersing them in the beauty of movement and music

Founded in 2011, Jessica Lang Dance (JLD) is a New York City-based dance company dedicated to creating and performing the work of Jessica Lang. JLD enriches and inspires global audiences by immersing them in the beauty of movement and music. Hailed as "a master of visual composition" by Dance Magazine, Lang seamlessly incorporates striking design elements and transforms classical ballet language into artfully crafted, emotionally engaging contemporary works. Since the company's inception, marked by Lang's receipt of a Joyce Theater Artist Residency supported by the Andrew W. Mellon Foundation, JLD has garnered significant attention and acclaim, thrilling audiences at major venues throughout the country including two consecutive seasons at Jacob's Pillow Dance Festival where JLD made its full company debut in 2012, The Joyce Theater, New York City Center and most recently at the Winspear Opera House in Dallas where the company's performance was chosen as the best dance event of 2013. In February 2014, JLD will perform a week-long engagement at the Joyce Theater, followed by tours to Park City, Cleveland, Guatemala and Beverly Hills where the company will close the Wallis Annenberg Center for the Performing Arts' inaugural season. In May 2014, JLD will make its Washington, D.C. debut with the premiere of a new work commissioned by the Kennedy Center, choreographed by Lang and accompanied live by the National Symphony Orchestra as part of NEW MOVES: Symphony + Dance festival.

Jessica Lang has attained rare levels of success as a female choreographer continuously working with ballet companies across the U.S. and abroad since 1999. She is noted for her artfully crafted, emotionally engaging work and has been described as having "established a reputation for concocting ingenious choreographic interactions between dancing bodies and the movements of striking set and costume pieces." Kansas City Star. Lang has created more than 80 works on companies. Lang has received numerous grants for her work on ballet companies from organizations including the Jerome Robbins Foundation, the NEA, and the Choo San Goh Foundation. Her receipt of a 2010 Joyce Theater Artist Residency, supported by the Andrew W. Mellon Foundation, helped launch her own company, Jessica Lang Dance (JLD). Since its inception in 2011, JLD has garnered significant attention and acclaim, thrilling audiences at prestigious venues and festivals throughout the country, Lang, a graduate of The Juilliard School under the direction of Benjamin Harkarvy, is a former member of Twyla Tharp's company, THARP!

Which 'Jersey Shore' star is now a dad? Which celebrity couple is now engaged?  Did The Jonas Brothers give their fans an update on their recent split? Will season four of 'American Horror Story' be the last for veteran actress, Jessica Lang?  And is Ja Rule coming out with a cookbook? Tune in to That's Entertainment!  Your #1 source for entertainment news and pop culture, every Wednesday afternoon, with your host Tammy Jones-Gibbs at 1pm ET.    Like that's entertainment on fb at - facebook.com/thatsentertainment.radio  Follow us on twitter at - thatsentertain1

The Jewish Studies Center of the Weissman School of Arts and Sciences at Baruch College presents a panel discussion on "Jewish Immigration to New York" featuring distinguished leaders & representatives from New York's diverse Jewish communities. Remarks: Jeffrey M. Peck, Dean, Weissman School of Arts & Sciences, Baruch College Mitchel Wallerstein, President, Baruch College Richard M. Joel, President, Yeshiva University Panelists: Charles R. Dreifus '66, MBA '73 - German Jewish immigrant experience Feliks Frenkel - Russian Jewish immigrant experience S. David Moche - Iraqi Jewish immigrant experience Nazee Moinian - Iranian Jewish immigrant experience Dov C. Schlein '70, MBA '75 - Israeli Jewish immigrant experience Alissa Shams - Syrian Jewish immigrant experience Moderator: Jessica Lang, Assistant Professor of English, Baruch College The event takes place on November 10, 2010 at Engelman Recital Hall, Baruch Performing Arts Center.

The Jewish Studies Center of the Weissman School of Arts and Sciences at Baruch College presents a panel discussion on "Jewish Immigration to New York" featuring distinguished leaders & representatives from New York's diverse Jewish communities. Remarks: Jeffrey M. Peck, Dean, Weissman School of Arts & Sciences, Baruch College Mitchel Wallerstein, President, Baruch College Richard M. Joel, President, Yeshiva University Panelists: Charles R. Dreifus '66, MBA '73 - German Jewish immigrant experience Feliks Frenkel - Russian Jewish immigrant experience S. David Moche - Iraqi Jewish immigrant experience Nazee Moinian - Iranian Jewish immigrant experience Dov C. Schlein '70, MBA '75 - Israeli Jewish immigrant experience Alissa Shams - Syrian Jewish immigrant experience Moderator: Jessica Lang, Assistant Professor of English, Baruch College The event takes place on November 10, 2010 at Engelman Recital Hall, Baruch Performing Arts Center.

The Jewish Studies Center of the Weissman School of Arts and Sciences at Baruch College presents a panel discussion on "Jewish Immigration to New York" featuring distinguished leaders & representatives from New York's diverse Jewish communities. Remarks: Jeffrey M. Peck, Dean, Weissman School of Arts & Sciences, Baruch College Mitchel Wallerstein, President, Baruch College Richard M. Joel, President, Yeshiva University Panelists: Charles R. Dreifus '66, MBA '73 - German Jewish immigrant experience Feliks Frenkel - Russian Jewish immigrant experience S. David Moche - Iraqi Jewish immigrant experience Nazee Moinian - Iranian Jewish immigrant experience Dov C. Schlein '70, MBA '75 - Israeli Jewish immigrant experience Alissa Shams - Syrian Jewish immigrant experience Moderator: Jessica Lang, Assistant Professor of English, Baruch College The event takes place on November 10, 2010 at Engelman Recital Hall, Baruch Performing Arts Center.

The Jewish Studies Center of the Weissman School of Arts and Sciences at Baruch College presents a panel discussion on "Jewish Immigration to New York" featuring distinguished leaders & representatives from New York's diverse Jewish communities. Remarks: Jeffrey M. Peck, Dean, Weissman School of Arts & Sciences, Baruch College Mitchel Wallerstein, President, Baruch College Richard M. Joel, President, Yeshiva University Panelists: Charles R. Dreifus '66, MBA '73 - German Jewish immigrant experience Feliks Frenkel - Russian Jewish immigrant experience S. David Moche - Iraqi Jewish immigrant experience Nazee Moinian - Iranian Jewish immigrant experience Dov C. Schlein '70, MBA '75 - Israeli Jewish immigrant experience Alissa Shams - Syrian Jewish immigrant experience Moderator: Jessica Lang, Assistant Professor of English, Baruch College The event takes place on November 10, 2010 at Engelman Recital Hall, Baruch Performing Arts Center.