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Send us a textA real pleasure to have Legal Closing Founder & Ace Real Estate lawyer on the ShowThis is the ultimate Deep Dive on the 416 Condo Crash & it's all the gritty details, we will go all the way back to 2010 & track every step on the road to the Disaster Toronto Dog Crate Condos face in the next 24 monthsBig Episode but we'll worth it Support the show
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In this episode of Psych for Life, I'm talking with Mark Morris about all things transitioning to being a father. Mark is a passionate advocate for positive masculinity and gender equality, an active dad of 2 and volunteers at his children's school and local football club. With more than 20 years of leadership experience and a degree in Psychology, he specialises in People, is an accredited executive leadership coach, a Board Director, an Adjunct Professor in Leadership and Gender Equality, and is currently leading a number of research initiatives. He encourages a greater focus on equity in schools & early childhood to set children on a better path early on, contributing to reducing the gender pay gap and gender-based violence downstream.Listen in to our chat covering - - Why the transition to being a father has been Mark's most important role- The difficulties in becoming a parent in today's world- Where men most need support with parenting- The importance of good role models and consideration of gender roles for boys- Why we should be cancelling the boys will be boys attitudeAnd so much more!If you would like to connect with Mark, you can do via the links below - https://www.mark-morris.meMark Morris - LinkedInLiked this topic? Grab a copy of my book, Life Works - Rediscover yourself and transform your relationships and begin your pathway to deeper self-connection and happiness (available from my website and via Booktopia).IIf you enjoy listening to the Psych for Life podcast, please rate, review and subscribe on Apple, Spotify or wherever you're listening now.Is there a pressing issue or topic you'd like me to discuss? Head to my instagram @dramandaferguson and leave a comment or send me a DM! I love hearing from my listeners.
Do you remember? LISTEN LIVE from Monday-Friday 6AM-12PMStream us online at hot1005fm.comFollow us on social media!@hot1005wpg@markmorrisradio @dillyontheradioPodcast Sponsor is JP Subaru Regent and JP Subaru South
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We continue to count our way up through the Doctors on our Book Club episodes, as we reach the fifth incarnation today. The acclaimed horror writer Mark Morris joins us once again, as he talks about his second Doctor Who novel. As ever, we have a couple of readings, plus contemporary reviews and what readers think on Goodreads.
Horror author Mark Morris has written and edited around fifty novels, novellas, short story collections and anthologies. His script work includes audio dramas for Doctor Who and a Doctor Who spinoff series, Jago & Litefoot, and the Hammer Chillers series. His most recent work includes a new novel, That Which Stands Outside, and a 30th anniversary short story collection, Warts And All. Mark's work has won numerous awards, including two British Fantasy Awards, and two New York Festival Radio Awards. Mark talks with me about how he got his start as an author, being welcomed into the horror writing community, the differences between writing his own novels and working on tie-in fiction for franchises like Doctor Who, Spartacus, and Predator, making the switch to writing audio scripts, and more. You'll hear us talking about one of the stars of the Jago & Litefoot series, Christopher Benjamin. Christopher Benjamin was beloved among Doctor Who fans for his portrayal of Henry Gordon Jago, and one of the few actors to appear in not only the classic series but in the new series as well. His 70-year career spanned stage, radio, television, and film, including shows like The Saint, The Forsyte Saga, and the 1995 Pride and Prejudice miniseries. Christopher Benjamin passed away at the age of 90 on January 10, 2025, and I'd like to dedicate this episode to his memory. Episode breakdown: 00:00 Introduction 02:01 Creative childhood and early storytelling. 04:55 Transition from history degree to writing career. 06:45 Determination to succeed. 12:09 Success with first novel, "Toady," and publicity. 20:29 Encouragement from horror writing community. 31:35 Writing tie-in fiction for Doctor Who and others. 39:22 Challenges of tight deadlines and research. 40:58 Insights into writing and editing processes. 44:17 Novelization of "Wild Blue Yonder" Doctor Who special. 46:25 Transition to writing for audio and challenges. 54:38 Upcoming projects and advice for young writers. 56:48 Emphasis on persistence and not turning down opportunities. Check out the full show notes (now including transcripts!) at fycuriosity.com, and connect with me and fellow creatives on Substack. Please leave a review for this episode—it's really easy and will only take a minute, and it really helps me reach new listeners. Thanks! If you enjoyed our conversation, I hope you'll share it with a friend.
Nancy J. Duncan has had an eclectic career spanning over 50 years of experience in the performing arts as a dancer, educator, producing director, manager, and arts management consultant.Nancy's dance training started under Nevorah Adams in South Dakota and it was through Nevorah's hosting of a summer dance residency taught by Loyce Houlton and two of her dancers, Frances Machala and David Voss, that her passion for dancing fully ignited. Under the tutelage of Houlton and her beautiful, diverselyskilled dancers and many guest artists at the Contemporary Dance Playhouse in Minneapolis, later renamed Minnesota Dance Theater, Nancy developed her skills as a dance teacher and performer.Upon moving to New York City in 1981, Nancy began forming her own artistic vision and mission greatly inspired by Loyce Houlton's vision. Working in partnership with composer Scott Killian and dancer Jackie Goodrich, and in consultation with Lawrence Rhodes, esteemed dancer, teacher and Chair of the New York University Tisch School for the Arts Dance department, Nancy conceived and founded CoDanceCo (collaborative dance company).Nancy and her team established CoDanceCo as a production company devoted to nurturing the creative development of dance artists and providing audience access to outstanding dance artistry that reflected the creativity and eclecticism of contemporary dance. CoDanceCo was designed as a highly flexible organizational model that could adapt to the ever-changing world of dance creators, performers, collaborators, educators, presenters, and audiences.From 1982-1991 Duncan commissioned and presented works created by 28 choreographers, 14 composers, and 50 dancers. Choreographers commissioned over the years include Eiko & Koma, Ralph Lemon, Susan Marshall, Bebe Miller, Mark Morris, Charles Moulton, Ohad Naharin, Doug Varone, Bill T. Jones/Arnie Zane, among others. Duncan's work through CoDanceCo garnered Duncan a 1991 New York Dance and Performance Award Citation (aka Bessie).Highlights from 1991-2003 include serving as the artistic director for London Contemporary Dance Theatre; producer of a four-week British dance festival in New York City, project management for Arts International, and Community Outreach Programs Director for Mikhail Baryshnikov's White Oak Dance Project production PastForward, touring both nationally and internationally.From 1996-2003, under the umbrella of CoDanceCo, Duncan managed to keep producing projects to support dance artists and their audiences through her membership in the New York State DanceForce. The projects were accomplished in partnership with NY state artists, presenters, and educators. In 2003 Duncanrelocated to Long Island and established a new home base for her work through CoDanceCo. During this time Duncan also served as a member of the Suffolk County Citizens Arts Advisory Board, became a founding member of the Patchogue Arts Council, served on the Board of the Patchogue Theater, among other opportunities.In 2006, Duncan was introduced to Pierre Dulaine's arts-in-education, social-emotional in-school residency program titled “Dancing Classrooms.” Working in partnership with Dulaine, Duncan secured a two-year grant from the Dana Foundation to have CoDanceCo become the licensed national network affiliate site on Long Island. Pierre and his staff trained Duncan and a team of teaching artists in the Dancing Classrooms syllabus and the company launched its first in-school residencies in the winter of 2008. Since the founding of DancingClassrooms on Long Island, CoDanceCo's teaching artists have touched the lives of over 30,000 youth, adults, educators and families with the transformative power of Dancing Classrooms. For youth and adults alike, the program creates meaningful social connections, inspires respect for diversity, and instills self-confidence all through the joy of social dance.
On this episode, we are joined by Mark Morris, Head Baseball Coach for the Tucson High Badgers.
We reach the concluding part of our look at the Tales of Trenzalore novel from early 2014. Today, John and Kenny take a look at Strangers in the Outland, by Paul Finch, and The Dreaming, by Mark Morris. Both writers join us to discuss their experiences writing for this collection. We also have the DWM review, and discuss what we think of the collection. You can visit Paul Finch's blog here: https://paulfinch-writer.blogspot.com/ Find out more about Mark Morris's work here: https://www.markmorrisfiction.com/
Mark Morris discusses his novel That Which Stands Outside.
In his 35-year career, Mark Morris has written and edited around fifty novels, novellas, short story collections, and anthologies. His script work includes audio dramas for DOCTOR WHO, JAGO & LITEFOOT, and the HAMMER CHILLERS series. Among his most recent work are new audio adaptations of the classic 1971 horror movie BLOOD ON SATAN'S CLAW and the M.R. James ghost story A VIEW FROM A HILL, the official BBC Books/Target novelization of the 60th anniversary DOCTOR WHO special WILD BLUE YONDER, and, as editor, the anthologies AFTER SUNDOWN, BEYOND THE VEIL, CLOSE TO MIDNIGHT and DARKNESS BECKONS. In this interview, we talk about his early experiences with writing, the transition to professional writing, his writing process and approach to editing, the importance of finding a good editor and maintaining a healthy dialogue with your publisher, plus his love for science fiction and horror. This episode is brought to you by AutoCrit. This episode is brought to you by AutoCrit. One of the most value-packed memberships for any author, AutoCrit brings you an incredible suite of tools that make it a breeze to plan, write AND edit your books all in one place. There's also a wonderful member community stuffed with live events, story workshops, feedback sessions, and even guest appearances that put you right in the room with bestselling authors from around the world. Head to www.autocrit.com/brock to get yourself a LIFETIME membership. If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!
This week on the podcast we are joined by choreographer John Heginbotham. John tells us about his journey from early training in Alaska to a Juilliard education and a career with Mark Morris, before beginning to more fully explore choreography on his own in mediums as varied as opera, television and musical theater. This week his choreography will be presented at Baryshnikov Arts in sold out performances of "Woolgathering", an evening length spoken word opera in collaboration with director and composer Oliver Tompkins Ray and the legendary writer and performer Patti Smith. LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.