Podcast appearances and mentions of Mark Morris

Guest: Mark Morris, SVP & GM North America at Teamworks

"Dance Talk” ® with Joanne Carey and special guest Connor Walsh SJoin host Joanne Carey for Episode 3 of a 4-part Series highlighting Houston Ballet & YAGP! Joanne welcomes principal dancer and YAGP Alum, Connor Walsh, principal dancer at Houston Ballet, as he shares his journey from childhood on Maryland's Eastern Shore to the heights of ballet as a principal with Houston Ballet. Together they discuss insights on dance education, the importance of collaboration, and tips for aspiring dancers as well as the impact YAGP had and continues to have on Connor. They also discuss the upcoming YAGP Houston event May 10-18. Get your tickets!Connor Walsh was born in Fairfax, Virginia and began his training at the age of seven under the direction of his mother Constance Walsh. He has trained at The Kirov Academy of Ballet, The Harid Conservatory, and Houston Ballet's BenStevenson Academy, where he was awarded the Rudolf Nureyev Foundation Scholarship and the Ben Stevenson Scholarship award. In 2004, he won the first annual gold award from the National Foundation for Advancement in the Arts (NFAA), and was given the Award of Encouragement at the Shanghai International Ballet Competition. In 2004, Walsh joined Houston Ballet's company as a member of the corps de ballet. He was quickly promoted to soloist in 2006 and then to principal dancer in 2007. Walsh has originated lead roles in Stanton Welch's The Nutcracker (The Prince), Romeo and Juliet (Romeo), Giselle (Albrecht), Marie (Count Axel von Fersen), and La Bayadère (Solor).  He has danced major roles in numerous full-length ballets including John Cranko's Onegin (Lensky) and The Taming of the Shrew (Petruchio), Kenneth MacMillan's Manon (Des Grieux) and Mayerling (Prince Rudolf), John Neumeier's A Midsummer Night's Dream (Theseus / Oberon, Puck) and The Little Mermaid (The Poet), Sir Frederick Ashton's La Fille mal Gardée (Colas), Ronald Hynd's The Merry Widow (Camille), Ben Stevenson's Don Quixote (Basilio), The Sleeping Beauty (Prince Florimund), and Dracula (Fredrick), Sir David Bintley's Aladdin (Aladdin) and The Tempest (Ferdinand), Trey McIntyre's Peter Pan (Merman), and  Stanton Welch's Swan Lake (Siegfried), Marie (Count Axel Fersen and King Louis XVI), Madame Butterfly (Pinkerton), La Sylphide (James), and Cinderella (The Prince and Dandini).Walsh's repertory also includes works by George Balanchine, Jerome Robbins, Jiří Kylián, William Forsythe, Justin Peck, Alexander Ekman, Wayne McGregor, Christopher Wheeldon, Twyla Tharp, Hans Van Manen, Glen Tetley, Christopher Bruce, Antony Tudor, Nacho Duato and Serge Lifar, Melissa Barak. One act creations include Stanton Welch, Aszure Barton, Edwaard Liang, Mark Morris, James Kudelka, Nicolo Fonte, Melissa Hough, and Garrett Smith among others.In recent years Walsh has expanded his reach into teaching, coaching and choreographing. In 2015, along with fellow Houston Ballet company members Oliver Halkowich and Melody Walsh, Walsh founded REACH - a choreographic project that raises money for arts education in schools.  Following the success of REACH, Walsh and his colleagues were invited to create a world premiere, entitled What we keep, for Houston Ballet in spring of 2018.  Walsh's world premiere A Joyous Trilogy (in flight) created for Houston Ballet and set to music by Quinn Mason took the Wortham stage on June 2, 2022. Walsh enjoys teaching, coaching and choreographing as well as participating in many forms of dance.  He is also a soccer fanatic as well as food enthusiast.Houston Ballet⁠https://www.houstonballet.org/⁠YAGP⁠https://yagp.org/⁠Tickets for YAGP Houston⁠https://yagp.org/yagp-2026-houston-tx-finals/⁠“Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."⁠⁠⁠⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠Please leave us a Review.Please help support the podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠https://gofund.me/e561b42ac⁠⁠⁠⁠⁠

"Dance Talk” ® with Joanne Carey and special guest, Tyler Donatelli, Principal Dancer, Houston Ballet⁠In this episode of "Dance Talk” ® , the second in a special 4-part series with Houston Ballet & YAGP, host, Joanne Carey interviews one of Houston Ballet's principal dancers' Tyler Donatelli . Listen in as Tyler shares her journey from childhood dance enthusiast to professional ballet star. Discover insights on dedication, overcoming challenges, and the importance of versatility in dance. Tyler also talks about her experience with YAGP (Youth America Grand Prix) which led her to Houston Ballet where she is thriving in her role as Principal Dancer.Tyler says, "I feel not just one moment onstage defines me in my career, but rather every time I bow onstage." Houston Ballet is hosting the season's finals of YAGP May 10-18, 2026.Get Tickets here https://yagp.org/yagp-2026-houston-tx-finals/Tyler Donatelli was born in Huntington Beach, California and trained at the Southland Ballet Academy in Fountain Valley, CA.  She was the silver medal winner at 2012 Youth America Grand Prix as well as first prize in ballet at The Music Center Spotlight Awards 2012.   She joined Houston Ballet II in January 2013 and became an apprentice for Houston Ballet in 2014.  She continued her journey as a member of the Corps de Ballet in 2015, rising through the ranks with standout artistry and dedication. In 2017, she earned two promotions in one year — advancing to Demi Soloist in March and Soloist in September. She was then promoted to First Soloist in 2022.  Donatelli was promoted to Principal in December 2025.She has performed roles in Stanton Welch's The Nutcracker (Clara & Sugar Plum Fairy), Cinderella, Zodiac, Tapestry, Romeo and Juliet, Red Earth, and Giselle; Mark Morris' The Letter V ; George Balanchine's Serenade, Jewels, Stars and Stripes (Liberty Bell) and Tschaikovsky Pas de Deux; Trey McIntyre's Peter Pan (Tinkerbell); Justin Peck's Year of the Rabbit and Under the Folding Sky; John Neumeier's A Midsummer Night's Dream (Helena); Sir Kenneth MacMillan's Mayerling (Princess Louise) and Ben Stevenson's Coppélia (Swanhilda). She has had roles created on her in Stanton Welch's Zodiac, Just and Sparrow; Arthur Pita's Good Vibrations and Justin Peck's Reflections and Under the Folding Sky.Donatelli has danced in several tours including Stanton Welch's Swan Lake in Tokyo, Japan (2022), Dubai, UAE and Minneapolis, MN (2018); Stanton Welch's Velocity in Bonn and Tapestry in Ludwigshafen, Germany (2017); and Stanton Welch's world premiere of Just and Sons de L'âme and Trey McIntyre's In Dreams at Jacob's Pillow in Becket, MA (2018).  As part of the Company's 50th Anniversary in October of 2019, she traveled to New York City's City Center to reprise her original role in Justin Peck's Reflections.⁠“Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real.

Sunday evening 12th of April, 2026 Hebrews 11 verses 1 to 6

#257Our WhatsApp  groupProperty Engine discounts (Code: EXPAT)Starter: 30 day trialPro: 30 day trial/3 mths 1/2 price, Ultimate: 1/2 price 3 monthsGoalsettingLeave a review37 Question Due Diligence Checklist / Auction GuideOur Sponsors: Finnigan McNeill Property GroupThis is the eighth episode in this year's mini-season celebrating the 12 Days of Christmas.We're releasing daily bite sized episodes.Each one contains clips from three of my favourite episodes from 2025.Today's show features extracts from:#234: Is UK Property Worth the Hassle Anymore? (Mark Morris)#235: How to Make 100K by Reconfiguring a Flat (Kazy)#236: Buying Well, Selling Fast: Insider Tips From a Cash Buying Company (Jonathan Rolande)KeywordsUK property podcast, Expat property investment, Buy to let UK, Passive income UK property, Reconfiguring UK flats, Property sourcing UK, Adding value to UK property, UK property passive income myth, Hands free UK property investment, North vs South UK property, UK property portfolio tips, Property management UK advice, UK letting agent tips, Buying property UK as an expat, UK property cash buying companies, Sales ratios property analysis UK, Increasing UK flat value, London property investment strategies, UK property refurbishment tips, UK property condition assessmentJonathan Rolande

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How did scientists discover evidence for dark energy? Neil deGrasse Tyson and comedian Paul Mecurio explore dark energy, Hubble tension, and the beginning and end of the universe with astrophysicist and Nobel laureate, Adam Riess.NOTE: StarTalk+ Patrons can listen to this entire episode commercial-free here: https://startalkmedia.com/show/origins-of-dark-energy-with-adam-riess/Thanks to our Patrons micpoc, Nathan, Matthew, Aislynn Schaffer, Mark Domino, Lou Wheeland, Matrograde, Elliott Natale, Machael Lipovski, Mathew Moore, Tony, Pablo P, Toni, Brian Futterman, quantumAnomaly, Robin Steiner, Errol Norwitz, Donovan Meek, Alan Geist, Sriganesh Arunanthi, Nuno Abreu, Ross Ziobro, Petr Doležal, Mandar Parikh, Bryan Tollin, Fooj, David Bozarth, Kolja Dobrindt, Sean Poplawski, Brad Durbin, Christian Nielsen, Zen Kurokawa, Lương Tiến, Joel Arbuckle, Chad L Ingham, Mark Morris, dylndmg, Derrick Korstick, EleanorRigbyy, Tarun C, Larry Infante, Jaclyn Anderson, Dave, Kayla Finch, The Bayside Volunteer Jam Band, Dale Allen Platt, Raymond Boulay, Lawrence Zeller, David, Kim Matthews, Jon Gefen, Mark A. Hasty, Clifford Dedmore, Mario De La Crus and Brianni Massin, jordan visina, Ryan Brown, Sebastian H, Daniel Voth, Karen Hollis, Josua Ennis, Julius Adams, Christie L Hall, Filip Risteski, scottdunbar_io, Samantha Davis, Don Franks, Corey Butler, Josh Jones, Daniel Vilasuso, J MR, joe, I Am Austin, bobmac69, Anthony cole, Zan, Erik LeRoy, Kevin George, Arman Adei, Christopher Pickett, John Morlock, AllTheScience, Juana Bee, Jeff Chastain, Jaimal Eiseman, Ed Matte, Lorkhan, D, roninraver, z67760, Orghanik Productions, and CubedWombat for supporting us this week. Subscribe to SiriusXM Podcasts+ to listen to new episodes of StarTalk Radio ad-free and a whole week early.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

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In this episode of "Dance Talk” ® with Joanne Carey , host Joanne Carey interviews Emily CoatesIn this episode of  "Dance Talk” ® with Joanne Carey engages in a deep conversation with dancer, choreographer, and writer Emily Coates. They explore Emily's journey from her early dance training in ballet to her transition into modern dance, her experiences working with renowned figures like Baryshnikov, and her current project 'Tell Me Where It Comes From.' Tell Me Where It Comes From, was sparked by the discovery of an archival box housed at the Wadsworth Atheneum Museum of Art in Hartford, Connecticut, chronicling George Balanchine's brief touchdown there in 1933. The discussion highlights the importance of following one's artistic instincts, the role of dance history, and the collaborative nature of creating new work. Emily shares insights on the creative process, the significance of archival research, and the impact of dance on personal and artistic growth.Emily Coates is a dancer, choreographer, and writer and has performed internationally with New York City Ballet (1992-98), Mikhail Baryshnikov's White Oak Dance Project (1998-2002), Twyla Tharp Dance (2001-2003), and Yvonne Rainer and Group (2005-present), and worked with an array of choreographers, including Jerome Robbins, Angelin Preljocaj, Trisha Brown, Deborah Hay, Mark Morris, John Jasperse, and Sarah Michelson. Career highlights include performing three duets with Baryshnikov, in works by Morris, Karole Armitage, and Erick Hawkins.Her choreographic work has been commissioned and presented by Danspace Project, Performa, Baryshnikov Arts Center, Works & Process at the Guggenheim, Ballet Memphis, Wadsworth Atheneum, Carnegie Hall, University of Chicago, Yale Repertory Theatre, Yale Art Gallery, and Columbia Ballet Collaborative, among other venues. She is currently completing a film project titled “Dancing in the Invisible Universe” in collaboration with filmmaker John Lucas and Yale's Wright Laboratory.Her essays have appeared in PAJ: A Journal of Performance and Art, The Huffington Post, Theater, PEAK Journal, programs and an exhibition catalogue for the Paris Opera Ballet, and in the forthcoming Oxford Handbook of Contemporary Ballet. Her awards and distinctions include the School of American Ballet's Mae L. Wein Award for Outstanding Promise; the Martha Duffy Memorial Fellowship at the Baryshnikov Arts Center; Yale's Poorvu Family Award for Interdisciplinary Teaching; a grant from the Alfred P. Sloan Foundation in the category of Public Understanding of Science, Technology, and Economics; a 2016 Fellowship at the Center for Ballet and the Arts at NYU; and a 2019 Jerome Robbins Dance Division Dance Research Fellowship at the New York Public Library for the Performing Arts at Lincoln Center. She graduated magna cum laude with a BA in English and holds an MA and MPhil in American Studies from Yale. Her first book, Physics and Dance, co-written with her longtime collaborator, particle physicist Sarah Demers, was released in January 2019 by Yale University Press.She is Professor in the Practice in Theater, Dance and Performance Studies at Yale University, with a secondary appointment in Directing at the Yale School of Drama. She has directed the dance studies concentration at Yale since its inception in 2006.Informationhttps://campuspress.yale.edu/emilycoates/Make plans to check out this piece on tour!February 26, 2026 at The Avery Theater , Hartford ConnecticutApril 23 & 24th 2026 at Schwarzman Center , Yale University“Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."https://dancetalkwithjoannecarey.com/Please leave us a Review.You support the podcast:https://gofund.me/e561b42acFollow Joanne Carey on Instagram@westfieldschoolofdance

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Sometimes on this podcast it's just a pleasure to listen to a great artist talk about the art! An “expert in 18th-century style” (The New Yorker), Nicholas McGegan is in his sixth decade on the podium. Following a 34-year tenure as Music Director of Philharmonia Baroque Orchestra & Chorale, he is now Music Director Emeritus. He is also Principal Guest Conductor of Hungary's Capella Savaria. McGegan's approach — intelligent, infused with joy, and never dogmatic — has led to engagements with many of the world's major orchestras, including those of Cleveland, Chicago, Los Angeles, New York, Philadelphia, San Francisco, Hong Kong, Sydney, London's Royal Opera House, and the Royal Concertgebouw; regular collaborations with choreographer Mark Morris; and appearances at the BBC Proms and the Edinburgh International Festival.His extensive discography includes more than 100 releases spanning five decades, including more than 40 with Philharmonia Baroque Orchestra and Chorale, and more than 20 with Capella Savaria. McGegan's recordings have garnered two Gramophone Awards and two GRAMMY nominations.He was made an Officer of the Most Excellent Order of the British Empire (OBE) “for services to music overseas.” McGegan is committed to the next generation of musicians, frequently conducting and coaching students in regular engagements at Yale, Juilliard, Harvard, the Colburn School, Aspen Music Festival, and more.https://www.nicholasmcgegan.com/https://www.instagram.com/nicholasmcgegan/https://www.facebook.com/nicholasmcgegan/Make sure you SUBSCRIBE to Crushing Classical, and maybe even leave a nice review! Thanks for joining me on Crushing Classical! Theme music by DreamVance.I help people to lean into their creative careers and start or grow their income streams. You can read more or hop onto a discovery call from my website.  https://jennetingle.com/work-with-meI'm your host, Jennet Ingle. I love you all. Stay safe out there! Your portfolio career is YOURS to design. If you are seeking inspiration, grab the first chapter of my book for FREE at the link below! You are allowed to thrive, and your artistry MATTERS.https://jennetingle.kit.com/c6e4009529

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Our guest this week is the horror and sci-fi author Mark Morris. Over Mark's 35 year career he's written over 50 novels, novellas and short story collections including many official Doctor Who novelisations - picking up 2 British Fantasy Awards along the way. To join Scarred Club and get fortnightly bonus episodes, monthly newsletters, ad-free listening and access to the members forum - sign-up here - ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://scarredforlife.supportingcast.fm/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Based on the hugely successful Scarred for Life books, this is a weekly exploration of the things that scared people growing up and what those things say about us today. Join Andy Bush and Dave Lawrence as each week they talk to a special guest who brings with them three terrors from their childhoods. Email us - contact@scarredforlifebooks.com Follow us on socials: Scarred For Life - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Andy Bush - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Producer - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dane Smith⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Production Company - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lock It In Studio Learn more about your ad choices. Visit podcastchoices.com/adchoices

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Is renting really throwing money away? That is just one of the hot real estate topics Nicole gets into today with Paul Mark Morris— real estate expert and host of the podcast Radical Wealth Plan. Nicole and Paul talk about whether now is a good time to buy, Paul's three rules of real estate and whether 1031 exchanges are as cool as they seem on TikTok. Plus, Paul also gives a masterclass in the art and science of closing a sale. All investing involves the risk of loss, including loss of principal. This podcast is for informational purposes only and does not constitute financial, investment, or legal advice. Always do your own research and consult a licensed financial advisor before making any financial decisions or investments. All investing involves the risk of loss, including loss of principal. Brokerage services for US-listed, registered securities, options and bonds in a self-directed account are offered by Public Investing, Inc., member FINRA & SIPC. Public Investing offers a High-Yield Cash Account where funds from this account are automatically deposited into partner banks where they earn interest and are eligible for FDIC insurance; Public Investing is not a bank. Cryptocurrency trading services are offered by Bakkt Crypto Solutions, LLC (NMLS ID 1890144), which is licensed to engage in virtual currency business activity by the NYSDFS. Cryptocurrency is highly speculative, involves a high degree of risk, and has the potential for loss of the entire amount of an investment. Cryptocurrency holdings are not protected by the FDIC or SIPC.  *APY as of 6/30/25, offered by Public Investing, member FINRA/SIPC. Rate subject to change. See terms of IRA Match Program here: public.com/disclosures/ira-match.

Send us a textOn the latest Too Hot For TV Dylan is joined by Martin Parsons to talk about two mid 00's Big Finish stories, the Seventh Doctor story 'House of Blue Fire' and the Fifth Doctor story 'The Emerald Tiger' and as always they answer the burning questions: What happens when you take RTD to Hollywood?Who is Jen ?Can you love threads?

It is a very special two parter this week while Jeremy and Reid navigate making a podcast around a meeting that may or may not be real. Topics include new work from Lena Dunham and Mark Morris and Isabella Boylston in Ashton's Sylvia.Sylvia - Ashton Rediscovered MasterclassBella in Rehearsal for SylviaHilma af Klint Documentary◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠⁠⁠⁠⁠⁠⁠⁠⁠⁠➩ WEBSITE⁠⁠⁠⁠⁠⁠⁠⁠⁠ ◦⁠⁠⁠⁠⁠⁠⁠⁠⁠YOUTUBE ⁠⁠⁠⁠⁠⁠⁠⁠⁠◦⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠INSTAGRAM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠➩ SUPPORT:⁠⁠⁠⁠⁠⁠⁠⁠✨VIA VENMO!⁠⁠⁠⁠⁠⁠⁠⁠⁠✨ or  ⁠⁠⁠⁠⁠⁠⁠⁠⁠PATREON⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠➩ REID⁠⁠⁠⁠⁠⁠⁠⁠⁠ ◦ ⁠⁠⁠⁠⁠⁠⁠⁠⁠JEREMY⁠⁠⁠⁠⁠⁠⁠⁠⁠ ◦ ⁠⁠⁠⁠⁠⁠⁠⁠⁠JACK⁠⁠⁠⁠⁠⁠⁠⁠⁠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠➩ withdanceandstuff@gmail.com⁠

Christopher Stowell was born in New York City and received his training at Pacific Northwest Ballet School and the School of American Ballet. In 1985, he joined San Francisco Ballet where he danced for 16 years, appearing in theaters throughout the world. An established interpreter of the George Balanchine repertoire, Stowell has appeared in almost every Balanchine ballet performed by San Francisco Ballet. In 2003 Stowell was named the Artistic Director of Oregon Ballet Theatre, a position he held until 2012. In 2017, Stowell was named the first Associate Artistic Director of The National Ballet of Canada, a position he held until 2022. Stowell has taught and coached in San Francisco, New York, Japan, China and across Europe. He has created works for San Francisco Ballet, Pennsylvania Ballet, The National Ballet of Canada, The Los Angeles Ballet and Pacific Northwest Ballet as well as the New York City Ballet Choreographic Institute. His ballets are in the repertoire of Carolina Ballet, Grand Rapids Ballet, Ballet Idaho, Diablo Ballet, Orlando Ballet and Oregon Ballet Theatre. Stowell is a representative of the Balanchine Trust and has also staged the works of Mark Morris and Christopher Wheeldon. Last month, Stowell began his tenure as the Artistic Director of the Royal Winnipeg Ballet. Stowell brings a leadership philosophy centred on relationship-building and community connection to the Royal Winnipeg Ballet. He articulates a refreshing vision for making ballet accessible: bringing performances to unexpected spaces, letting audiences witness the creative process up-close, and strengthening relationships with regional communities. His dancer's directive: "be a student in the classroom and a wild animal on stage". Listen as Stowell shares insights from both sides of the stage and his plans to shape ballet's future in Winnipeg and beyond. Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

We continue to count our way up through the Doctors on our Book Club episodes, as we reach the fifth incarnation today. The acclaimed horror writer Mark Morris joins us once again, as he talks about his second Doctor Who novel. As ever, we have a couple of readings, plus contemporary reviews and what readers think on Goodreads.

Horror author Mark Morris has written and edited around fifty novels, novellas, short story collections and anthologies. His script work includes audio dramas for Doctor Who and a Doctor Who spinoff series, Jago & Litefoot, and the Hammer Chillers series. His most recent work includes a new novel, That Which Stands Outside, and a 30th anniversary short story collection, Warts And All. Mark's work has won numerous awards, including two British Fantasy Awards, and two New York Festival Radio Awards. Mark talks with me about how he got his start as an author, being welcomed into the horror writing community, the differences between writing his own novels and working on tie-in fiction for franchises like Doctor Who, Spartacus, and Predator, making the switch to writing audio scripts, and more. You'll hear us talking about one of the stars of the Jago & Litefoot series, Christopher Benjamin. Christopher Benjamin was beloved among Doctor Who fans for his portrayal of Henry Gordon Jago, and one of the few actors to appear in not only the classic series but in the new series as well. His 70-year career spanned stage, radio, television, and film, including shows like The Saint, The Forsyte Saga, and the 1995 Pride and Prejudice miniseries. Christopher Benjamin passed away at the age of 90 on January 10, 2025, and I'd like to dedicate this episode to his memory. Episode breakdown: 00:00 Introduction 02:01 Creative childhood and early storytelling. 04:55 Transition from history degree to writing career. 06:45 Determination to succeed. 12:09 Success with first novel, "Toady," and publicity. 20:29 Encouragement from horror writing community. 31:35 Writing tie-in fiction for Doctor Who and others. 39:22 Challenges of tight deadlines and research. 40:58 Insights into writing and editing processes. 44:17 Novelization of "Wild Blue Yonder" Doctor Who special. 46:25 Transition to writing for audio and challenges. 54:38 Upcoming projects and advice for young writers. 56:48 Emphasis on persistence and not turning down opportunities.   Check out the full show notes (now including transcripts!) at fycuriosity.com, and connect with me and fellow creatives on Substack. Please leave a review for this episode—it's really easy and will only take a minute, and it really helps me reach new listeners. Thanks! If you enjoyed our conversation, I hope you'll share it with a friend.    

On this episode, we are joined by Mark Morris, Head Baseball Coach for the Tucson High Badgers.

Mark Morris discusses his novel That Which Stands Outside.

In his 35-year career, Mark Morris has written and edited around fifty novels, novellas, short story collections, and anthologies. His script work includes audio dramas for DOCTOR WHO, JAGO & LITEFOOT, and the HAMMER CHILLERS series. Among his most recent work are new audio adaptations of the classic 1971 horror movie BLOOD ON SATAN'S CLAW and the M.R. James ghost story A VIEW FROM A HILL, the official BBC Books/Target novelization of the 60th anniversary DOCTOR WHO special WILD BLUE YONDER, and, as editor, the anthologies AFTER SUNDOWN, BEYOND THE VEIL, CLOSE TO MIDNIGHT and DARKNESS BECKONS. In this interview, we talk about his early experiences with writing, the transition to professional writing, his writing process and approach to editing, the importance of finding a good editor and maintaining a healthy dialogue with your publisher, plus his love for science fiction and horror. This episode is brought to you by AutoCrit. This episode is brought to you by AutoCrit. One of the most value-packed memberships for any author, AutoCrit brings you an incredible suite of tools that make it a breeze to plan, write AND edit your books all in one place. There's also a wonderful member community stuffed with live events, story workshops, feedback sessions, and even guest appearances that put you right in the room with bestselling authors from around the world. Head to www.autocrit.com/brock to get yourself a LIFETIME membership. If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

This week on the podcast we are joined by choreographer John Heginbotham. John tells us about his journey from early training in Alaska to a Juilliard education and a career with Mark Morris, before beginning to more fully explore choreography on his own in mediums as varied as opera, television and musical theater. This week his choreography will be presented at Baryshnikov Arts in sold out performances of "Woolgathering", an evening length spoken word opera in collaboration with director and composer Oliver Tompkins Ray and the legendary writer and performer Patti Smith. LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.