Podcast appearances and mentions of Meredith Monk

I was honoured to have this opportunity to talk to the pianist Christina Petrowska Quilico about her extraordinary life in music and the arts. She shared wonderful and moving stories about Ann Southam, Louis Quilico, Pierre Boulez, Jacques Isrealievitch, and her legendary teacher Rosina Lhévinne. I was really struck by Christina's open-minded attitude throughout her long career to learning new music, culminating in almost 70 brilliant and powerful albums so far; it's amazing to learn that most of her recordings are recorded live, in one take. Christina also shared how meaningful it is to her to be a mother and grandmother, as well as respected academic; she's Professor Emerita and Senior Scholar at York University in Toronto. Among many honours, she has been appointed to the Order of Canada, and the Royal Society of Canada. Her curiosity and creative energy seem limitless; she's a poet and visual artist, she's studied Ancient Egyptian culture, and she lives her life spiked with humour and a down-to-earth attitude. We are also including excerpts from several of Christina's albums and performances including music by Mozart, Art Tatum, Ann Southam, Meredith Monk and David Jaeger, all detailed in the timestamps, with links in the show notes.The show notes will also bring you to: Christina's website, linked episodes you'll enjoy, my podcast newsletter for exclusive information about upcoming guests, podcast merch, the YouTube video, and all the albums featured on this podcast! (00:00) Intro(02:19) Ann Southam (07:29) clip fo Ann Southam's Glass Houses Revisited #5 from concert; video linked in show notes(09:09) Ann Southam(11:29) mindset for recording(17:11) Jacques Israelievitch Mozart project with (22:07) clip of Mozart Sonata no. 32 in B flat major, K. 454, 3rd movement Allegretto, album linked in show notes(23:20) Louis Quilico, opera(30:38) visual art, synesthesia(35:32) Other linked episodes(36:31) learning so much new music, Pierre Boulez stories(45:55) first husband Michel-Georges Brégent, David Jaeger (49:07) clip of Takemitsu Les Yeux Clos from Games of the Night Wind, album linked in show notes(50:12) upcoming projects, career path, Rosina Lhévinne(56:30) impact of sexism on her career(0:01:13) audio clip Paris by Meredith Monk from Retro Americana, album linked in show notes(01:02:24) Retro Americana album, with clip of I'll Never Be the Same by Art Tatum (01:05:22) Rzewski, clip of Winnsboro Cotton Mill Blues from Retro Americana(01:06:28) David Jaeger, arts funding, CBC(01:12:21) piano repertoire and technique, Jeaneane Dowis (01:16:39) learning music, funny story, Vintage Americana album(01:20:44) clip of Fantasy Pieces - Allegro Minacciando by David Del Tredici from Vintage Americana) (01:21:36) living a creative life, mindset, studying Ancient Egypt

Du Panama à Paris, en passant par l'Arizona (où Harry...) ; 3 artistes, un solo guitare-voix et un duo accordéon/sax-clarinette, grand choix ! Notre 1ère invitée est Michelle Blades pour Where To ? Artiste aux multiples facettes, Michelle Blades revient avec 'You're The Mother, You're The Man', morceau d'ouverture et premier extrait de son nouvel album Where To? à paraitre l'année prochaine. À la fois intime et universelle, cette chanson compte parmi les plus anciennes du disque. Elle a été écrite en 2018 à Mexico, bien avant que le reste de l'album ne prenne forme en 2023. Née d'un souvenir d'enfance et d'une réflexion sur le rôle de parent solitaire, 'You're The Mother, You're The Man' s'est d'abord imposée comme un mantra poétique adressé à la mère de l'artiste, elle aussi née au Mexique. Musicalement, l'écriture s'est nourrie de deux influences majeures : l'expérimentation des silences comme éléments rythmiques mais aussi l'inspiration de Book of Days de Meredith Monk, dont l'approche vocale et spatiale a profondément marqué Michelle Blades depuis son arrivée en Arizona en 2010. Réinterprétée au moment de l'enregistrement de Where To?, la chanson a pris corps à La Bergerie, dans le sud de la France, au cours de neuf jours d'hiver. Entourée d'Emmanuel Mario (alias Astrobal), Nina Savary, Gaétan Nonchalant et Vincent Guyot, Michelle Blades a enregistré guitare et voix. Gaétan Nonchalant y a ajouté des touches de Rhodes, brisant le caractère répétitif du mantra pour y glisser des éclats de mémoire. Des couches vocales sont ensuite venues s'entrelacer, créant un équilibre subtil entre densité et dépouillement. Le clip, réalisé par Ilan Zerrouki, accompagne ce morceau fondateur. Née au Panama dans une famille de musiciens, Michelle Blades a grandi aux États-Unis avant de développer une esthétique unique, entre expérimentation et sensibilité pop. Après ses débuts DIY en Arizona, elle s'installe à Paris et collabore durant dix ans avec Midnight Special Records, publiant notamment les albums Ataraxia (2015), Premature Love Songs (2017) et Visitor (2019) et l'EP Nombrar las cosas (2020). Exploratrice musicale, elle multiplie aussi les collaborations : bassiste aux côtés de Pomme en tournée, arrangeuse sur le dernier album de Flavien Berger (Plouf!), membre du groupe éphémère La Brume, ou encore chanteuse au sein de La Femme, avec qui elle a parcouru le monde. Avec 'You're The Mother, You're The Man', Michelle Blades ouvre une nouvelle page de son univers artistique, entre héritage personnel, recherche sonore et désir de transmission. Titres interprétés au grand studio : - Dear Friend Live RFI  - You're the mother, You're the man ? extrait CD - I Missed the Dance Live RFI. Line Up : Michelle Blades (guitare, voix) Son : Benoît Letirant, Mathias Taylor. ► Album Where To ? (Escargot Musique / IDOL 2026). Instagram - YouTube.   Puis nous recevons Robin Fincker et Janick Martin pour la sortie de Vison Visu. « Les deux hommes s'assirent vison-visu. Pierrot eut vaguement l'impression d'avoir déjà rencontré ce type-là quelque part. » Raymond Queneau, Pierrot, 1942 Face à face intime et interpellant, Vison Visu réunit l'accordéoniste breton Janick Martin, figure d'une génération de musiciens issus des musiques traditionnelles dont ils réécrivent sans cesse les contours et le saxophoniste et clarinettiste Robin Fincker évoluant depuis une vingtaine d'années sur les scènes de jazz contemporain et musiques improvisées européennes. Musiciens avides de mélodies, fascinés par la formule magique qu'elles peuvent contenir, Vison Visu aspire les airs en profondeur, qu'ils soient d'aujourd'hui ou d'un autre âge, et en déjoue les phrasés conventionnels. Jouant de fractures et de mélismes, de danses et d'improvisations, le duo aux timbres sonnants échange avec passion et intensité. Les deux musiciens se sont rencontrés au sein du quintet Finis Terrae du violoncelliste Vincent Courtois avec lequel Robin Fincker collabore depuis de nombreuses années et ont très rapidement noué une complicité évidente. Suite à une invitation du festival de Jazz à Dissay ils ont élaboré un répertoire faisant cohabiter les compositions originales du duo avec des mélodies venues de Bretagne, d'Ecosse ou du pays Cajun. Véritable croisement des langages traditionnels et contemporains, le duo tisse ainsi un récit où le jeu et la spontanéité se nourrissent de ces mélodies simples au fort pouvoir évocateur. Grâce au soutien du producteur de musique contemporaine Marc Thouvenot (fondateur du label Quicatl), du collectif Le Grand Pas et du studio La Buissonne, le duo s'est vu proposer l'opportunité d'enregistrer son répertoire de manière directe et sans artifices. Installés dans la grande salle du studio, les pièces ont été enregistrées sans coupures, d'un seul jet et en quelques prises seulement permettant au duo de laisser libre cours à son goût de l'imprévu et de la recherche sonore. Mixé par Gérard de Haro et masterisé par Nicolas Baillard à la Buissonne, Vison Visu laisse entendre dans sa musique une expression non-linéaire du passage du temps, faite d'allers-retours de cycles et de jeux de mémoires où le plaisir du jeu et de la narration prévaut sur tout plan préétabli. Titres interprétés au grand studio : - Vison Visu Live RFI - Écoutez la plaisante histoire, extrait de l'album - Al Lann Melen Live RFI. Line Up : Janick Martin (accordéon) et Robin Fincker (sax, clarinette). Son : Benoît Letirant, Mathias Taylor. ► Album Vison Visu (Le Grand Pas / L'Autre Distribution 2025). Instagram.

Du Panama à Paris, en passant par l'Arizona (où Harry...) ; 3 artistes, un solo guitare-voix et un duo accordéon/sax-clarinette, grand choix ! Notre 1ère invitée est Michelle Blades pour Where To ? Artiste aux multiples facettes, Michelle Blades revient avec 'You're The Mother, You're The Man', morceau d'ouverture et premier extrait de son nouvel album Where To? à paraitre l'année prochaine. À la fois intime et universelle, cette chanson compte parmi les plus anciennes du disque. Elle a été écrite en 2018 à Mexico, bien avant que le reste de l'album ne prenne forme en 2023. Née d'un souvenir d'enfance et d'une réflexion sur le rôle de parent solitaire, 'You're The Mother, You're The Man' s'est d'abord imposée comme un mantra poétique adressé à la mère de l'artiste, elle aussi née au Mexique. Musicalement, l'écriture s'est nourrie de deux influences majeures : l'expérimentation des silences comme éléments rythmiques mais aussi l'inspiration de Book of Days de Meredith Monk, dont l'approche vocale et spatiale a profondément marqué Michelle Blades depuis son arrivée en Arizona en 2010. Réinterprétée au moment de l'enregistrement de Where To?, la chanson a pris corps à La Bergerie, dans le sud de la France, au cours de neuf jours d'hiver. Entourée d'Emmanuel Mario (alias Astrobal), Nina Savary, Gaétan Nonchalant et Vincent Guyot, Michelle Blades a enregistré guitare et voix. Gaétan Nonchalant y a ajouté des touches de Rhodes, brisant le caractère répétitif du mantra pour y glisser des éclats de mémoire. Des couches vocales sont ensuite venues s'entrelacer, créant un équilibre subtil entre densité et dépouillement. Le clip, réalisé par Ilan Zerrouki, accompagne ce morceau fondateur. Née au Panama dans une famille de musiciens, Michelle Blades a grandi aux États-Unis avant de développer une esthétique unique, entre expérimentation et sensibilité pop. Après ses débuts DIY en Arizona, elle s'installe à Paris et collabore durant dix ans avec Midnight Special Records, publiant notamment les albums Ataraxia (2015), Premature Love Songs (2017) et Visitor (2019) et l'EP Nombrar las cosas (2020). Exploratrice musicale, elle multiplie aussi les collaborations : bassiste aux côtés de Pomme en tournée, arrangeuse sur le dernier album de Flavien Berger (Plouf!), membre du groupe éphémère La Brume, ou encore chanteuse au sein de La Femme, avec qui elle a parcouru le monde. Avec 'You're The Mother, You're The Man', Michelle Blades ouvre une nouvelle page de son univers artistique, entre héritage personnel, recherche sonore et désir de transmission. Titres interprétés au grand studio : - Dear Friend Live RFI  - You're the mother, You're the man ? extrait CD - I Missed the Dance Live RFI. Line Up : Michelle Blades (guitare, voix) Son : Benoît Letirant, Mathias Taylor. ► Album Where To ? (Escargot Musique / IDOL 2026). Instagram - YouTube.   Puis nous recevons Robin Fincker et Janick Martin pour la sortie de Vison Visu. « Les deux hommes s'assirent vison-visu. Pierrot eut vaguement l'impression d'avoir déjà rencontré ce type-là quelque part. » Raymond Queneau, Pierrot, 1942 Face à face intime et interpellant, Vison Visu réunit l'accordéoniste breton Janick Martin, figure d'une génération de musiciens issus des musiques traditionnelles dont ils réécrivent sans cesse les contours et le saxophoniste et clarinettiste Robin Fincker évoluant depuis une vingtaine d'années sur les scènes de jazz contemporain et musiques improvisées européennes. Musiciens avides de mélodies, fascinés par la formule magique qu'elles peuvent contenir, Vison Visu aspire les airs en profondeur, qu'ils soient d'aujourd'hui ou d'un autre âge, et en déjoue les phrasés conventionnels. Jouant de fractures et de mélismes, de danses et d'improvisations, le duo aux timbres sonnants échange avec passion et intensité. Les deux musiciens se sont rencontrés au sein du quintet Finis Terrae du violoncelliste Vincent Courtois avec lequel Robin Fincker collabore depuis de nombreuses années et ont très rapidement noué une complicité évidente. Suite à une invitation du festival de Jazz à Dissay ils ont élaboré un répertoire faisant cohabiter les compositions originales du duo avec des mélodies venues de Bretagne, d'Ecosse ou du pays Cajun. Véritable croisement des langages traditionnels et contemporains, le duo tisse ainsi un récit où le jeu et la spontanéité se nourrissent de ces mélodies simples au fort pouvoir évocateur. Grâce au soutien du producteur de musique contemporaine Marc Thouvenot (fondateur du label Quicatl), du collectif Le Grand Pas et du studio La Buissonne, le duo s'est vu proposer l'opportunité d'enregistrer son répertoire de manière directe et sans artifices. Installés dans la grande salle du studio, les pièces ont été enregistrées sans coupures, d'un seul jet et en quelques prises seulement permettant au duo de laisser libre cours à son goût de l'imprévu et de la recherche sonore. Mixé par Gérard de Haro et masterisé par Nicolas Baillard à la Buissonne, Vison Visu laisse entendre dans sa musique une expression non-linéaire du passage du temps, faite d'allers-retours de cycles et de jeux de mémoires où le plaisir du jeu et de la narration prévaut sur tout plan préétabli. Titres interprétés au grand studio : - Vison Visu Live RFI - Écoutez la plaisante histoire, extrait de l'album - Al Lann Melen Live RFI. Line Up : Janick Martin (accordéon) et Robin Fincker (sax, clarinette). Son : Benoît Letirant, Mathias Taylor. ► Album Vison Visu (Le Grand Pas / L'Autre Distribution 2025). Instagram.

durée : 01:00:04 - Jeanne Cherhal, auteur, compositeur, interprète - par : Priscille Lafitte - Jeanne Cherhal aborde la musique par la danse et par les images, au travers des polyphonies de Philip Glass et de Meredith Monk, au travers des revisitations du XVIIIe siècle que proposent Max Richter et Marina Baranova, au travers du piano d'Anne Queffelec et de Chilly Gonzales. - réalisé par : Claire Lagarde Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Pour l'épisode 173, Fred discute avec la trompettiste et artiste interdisciplinaire Émilie Fortin. Émilie Fortin est une trompettiste et artiste interdisciplinaire établie à Montréal, dont la pratique hybride la musique nouvelle, l'improvisation et le théâtre physique. Nourrie par des formations en mime corporel, en clown et en mouvement (Omnibus, École Zani, Fondation Dr Clown, Meredith Monk), elle navigue avec la même liberté entre improvisation expérimentale, jazz contemporain et pop québécoise (Antoine Corriveau, Adam Kinner, Philémon Cimon). Depuis 2018, elle est directrice artistique du collectif de solistes Bakarlari, dédié à la musique contemporaine et de création qui propose des expériences de concert qui sortent du cadre traditionnel. À ce jour, Émilie a commandé et créé plus d'une cinquantaine d'œuvres, privilégiant des processus de travail où la recherche et la relation humaine priment sur le produit fini. En tant que figure incontournable de la scène de musique actuelle, Émilie se produit régulièrement avec le Ratchet Orchestra, l'Ensemble SuperMusique, Freesound (Toronto) et est l'initiatrice du trio Williwaw, avec Philippe Lauzier et Kalun Leung, et le duo de mime sonore ék avec Leung. Scott Thomson, directeur artistique du FIMAV, a souligné «sa clarté sonore et son phrasé asymétrique inventif» comme improvisatrice, et elle a été nommée pour le Prix Opus Découverte de l'année 2025. Ses performances l'ont menée sur des scènes internationales, notamment à soundSCAPE (Italie), au UNHEARD Sound Festival (Hong Kong), à Re:Sound (Cleveland) et au Oh My Ears Festival (Arizona). Elle s'est perfectionnée avec les membres de l'International Contemporary Ensemble, Ensemble Musikfabrik, Ensemble Modern et Vinko Globokar, et s'est produite avec le Nouvel Ensemble Moderne, le GGRIL (Rimouski), Array Ensemble (Toronto) et Alkali Collective (Halifax). L'engagement d'Émilie dépasse largement la scène. Étant une ardente défenseure de la représentativité chez les cuivres ainsi que de la démocratisation de la musique contemporaine et des musiques improvisées, Émilie a présenté le fruit de ses réflexions entre autres au Forum 2021 de l'IRCAM, à l'UQAM (Différences et inégalités de genre dans la musique au Québec), à la International Women's Brass Conference, à The College Music Society (Colombie) et à La Ligue canadienne des compositeurs, tout en ayant été membre fondatrice du Burning Brass Band, le premier ensemble visant à augmenter la place des femmes, des personnes trans, non binaires et queer dans la scène brass band à Montréal. Émilie a également co-créé avec la compositrice Sophie Dupuis le concerto Trois milieux, destiné à des ensembles non professionnels, faisant circuler la musique contemporaine d'une compositrice vivante au-delà des cadres institutionnels. Croyant fermement que la pédagogie est indissociable de l'interprétation, elle a enseigné dans diverses écoles secondaires et camps musicaux de la région montréalaise et a mené de nombreux projets d'enseignement communautaire à l'international, notamment à Haïti, en Bolivie, au Chili, au Panama et aux États-Unis grâce au programme The Global Leaders. Diplômée en interprétation classique de l'Université de Montréal et de l'Université McGill, Émilie Fortin se crée un chemin “plein de dérision et jouissivement iconoclaste” (Jérôme Daviau, sorstu.ca). Que ce soit comme soliste sur l'album Ma main au feu d'Émile Proulx-Cloutier, collaboratrice avec Hugo Blouin (Du jazz sérieux) ou comme compositrice avec l'ensemble Instruments of Happiness dirigé par Tim Brady, elle déploie une voix artistique singulière, démontrant ainsi une polyvalence qui résiste à toute catégorisation facile.Instagram :https://www.instagram.com/laprescript...Facebook : / 100078674880976 Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

This week, prodigious purveyors of the past, multi-instrumentalists, singers and story tellers, Anna & Elizabeth recorded live at the Ozark Folk Center State Park. Also, interviews with these unique performers. The collaboration between Anna & Elizabeth spans worlds — between their homes in Brooklyn and rural Virginia -- between deep study of mountain ballads with old masters and explorations into the avant garde — between music, performance, and visual art. Anna & Elizabeth have performed across the country and in Europe. Highlights include: The Newport Folk Festival; NPR's Tiny Desk Concert; The Chicago Folk Festival; The High Museum of Modern Art (Atlanta); and the Cambridge Folk Festival (UK.)  Their work has been featured on BBC Radio 2 and BBC3's Late Junction, Vice's Noisey, the Huffington Post, and No Depression. They have shared the stage with Alice Gerrard, Mick Moloney, Sam Lee and Riley Baugus, Bruce Greene, Abigail Washburn, Wayne Henderson, and also National Heritage Award winners Sheila Kay Adams and Billy McComiskey. Elizabeth Laprelle lives on a farm in Rural Retreat, Virginia, where she grew up, and  has pursued her interest in mountain ballads for over a decade. Since the release of her debut album at age 16, she's been hailed as one of the most dedicated students of the traditional unaccompanied style of her generation. The student of master singer Ginny Hawker and National Heritage Fellow Sheila Kay Adams, Elizabeth was the first recipient of the Henry Reed Award from the Library of Congress at age 16, and won the 2012 Mike Seeger Award at Folk Alliance International. She has released three solo ballad albums, and was called “the best young Appalachian ballad singer to emerge in recent memory” by UK's fRoots Magazine.  Anna Roberts-Gevalt is a voracious and curious multi-instrumentalist originally from Vermont, described by Meredith Monk as a "radiant being." She fell in love with the sound of banjo in college, moved to the mountains, and learned with master musicians in Kentucky, Virginia, and North Carolina, becoming a blue-ribbon fiddler and banjo player (WV State Folk Fest, Kentucky Fiddle Contest.) She was a fellow at the Berea College Archive, a 2014 OneBeat fellow (Bang on a Can's Found Sound Nation,) artistic director of Kentucky's traditional music institute, the Cowan Creek Mountain Music School, and curator of Baltimore's Crankie Festival.  She has recently delved into new musical worlds, including recent work with composers Brian Harnetty, Nate May and Cleek Schrey, Matmos, David Rothenberg, Susan Alcorn, and saxophonist Jarrett Gilgore. She has contributed writing to No Depression and The Old Time Herald. In this week's “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark originals The Hall Family, performing the traditional song “Cowboy's Dream,” from the Ozark Folk Center State Park archives. Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode focuses on world renowned cowboy poet, balladeer, and story teller Glenn Orhlin.

Rencontre avec Pauline L. Boulba, Aminata Labor et Rosanna Puyol Boralevi à l'occasion de la publication du livre de JILL JOHNSTON, Tartine-moi et autres textes, éditions Brook.Sont ici réunis des textes de l'écrivaine-critique d'art-performeuse-zbeuleuse féministe-lesbienne Jill Johnston parus pour la plupart dans The Village Voice entre 1962 et 1993. On y croise des danseureuses, des hordes de gouines et de pédales, Meredith Monk, les Radicalesbians, Pauline Oliveros, des lits de rivières asséchées, Yvonne Rainer, Lois Lane, le Gay Liberation Front ou encore Agnes Martin.Figure centrale des avant-gardes artistiques des années 1960 à New York, Jill embrasse son lesbianisme après les révoltes de Stonewall de 1969. Si son écriture de critique se laisse contaminer par les œuvres qu'elle observe pour dévier vers des formes expérimentales, son écriture d'écrivaine-lesbienne vibre, tremble, rit, tournoie, saute, détonne. Elle prolonge les gestes chorégraphiques qui l'ont marquée et les entraîne dans des espaces politiques et collectifs. Ça fait splash, la langue de Jill éclabousse les rives de l'art et du militantisme.Traduits par Pauline L. Boulba, Aminata Labor, Nina Kennel et Rosanna Puyol Boralevi, les textes sont introduits par Pauline L. Boulba, accompagnés par les dessins d'Aminata Labor ainsi que par un article et un entretien avec Clare Croft.Saison #6 : Univers graphique : Mirion Malle | Habillage sonore : Pierre-Antoine Naline, accompagné de la chorale Dònas d'Òlt d'après le chant La Rota composé par Nadèta Carita | À la conversation et à la réalisation : Soazic Courbet. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Space is the place_jazz e dintorni Puntata dedicata alle musiciste che si muovono in area jazz, con Mariam Razaei, Meredith Monk, Marilyn Mazur, Joelle Leandre, Francesca Remigi e altre ancora. Per diffondere questa puntata: https://www.radiotandem.it/space-is-the-place-del-16-dicembre-2025 Tutti i podcast di Space is the place: https://www.radiotandem.it/space-is-the-place

Singer and composer Theo Bleckmann has spent his career between categories - jazz and avant-garde, improvisation and composition, structure and discovery. Born in Germany, he began as a boy soprano and figure skater before discovering jazz and moving to New York to study with Sheila Jordan. Since then, he's built a singular life in music, collaborating with artists like Meredith Monk, Laurie Anderson, and Ben Monder. Here he talks about community, teaching, queerness, and the meaning of "a life in music" rather than "a career in jazz." He also talks about his new album Love & Anger, produced by Ulysses Owens Jr., which bridges Kate Bush and the Beatles, Frank Ocean and original compositions - all infused with curiosity, empathy, and mystery. This episode is supported by Musication, providing in-home music lessons in Brooklyn and Manhattan to children ages 3yrs old and up. Email lessons@musication.nyc and mention "The Third Story" to receive two free trial lessons.  www.third-story.com https://leosidran.substack.com/ https://www.wbgo.org/podcast/the-third-story

durée : 00:48:09 - Eclats de voix - par : Emilie Munera - Citation, collage, mutation... Nombreux sont les chemins qu'emprunte la voix dans notre En Pistes contemporain. Elle est le matériau central de la Sinfonia de Berio, dont nous fêtons le centenaire de la naissance, et la colonne vertébrale de l'œuvre de la compositrice Meredith Monk. - réalisé par : Fanny Constans Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:12:39 - Meredith Monk : Cellular Songs - Coopération, interdépendance et bienveillance : telles sont les qualités que Meredith Monk met en avant dans Cellular Songs. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:48:09 - Eclats de voix - par : Emilie Munera - Citation, collage, mutation... Nombreux sont les chemins qu'emprunte la voix dans notre En Pistes contemporain. Elle est le matériau central de la Sinfonia de Berio, dont nous fêtons le centenaire de la naissance, et la colonne vertébrale de l'œuvre de la compositrice Meredith Monk. - réalisé par : Fanny Constans Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:12:39 - Meredith Monk : Cellular Songs - Coopération, interdépendance et bienveillance : telles sont les qualités que Meredith Monk met en avant dans Cellular Songs. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:12:39 - Meredith Monk : Cellular Songs - Coopération, interdépendance et bienveillance : telles sont les qualités que Meredith Monk met en avant dans Cellular Songs. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:48:09 - Eclats de voix - par : Emilie Munera - Citation, collage, mutation... Nombreux sont les chemins qu'emprunte la voix dans notre En Pistes contemporain. Elle est le matériau central de la Sinfonia de Berio, dont nous fêtons le centenaire de la naissance, et la colonne vertébrale de l'œuvre de la compositrice Meredith Monk. - réalisé par : Fanny Constans Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Sie ist Sängerin, Choreografin, Komponistin und Regisseurin, und sie hat sechs Jahrzehnte Zeitgeschichte aktiv mitgestaltet. Die US-Amerikanerin Meredith Monk hat mit John Cage und mit Phil Glass zusammengearbeitet, die Coen-Brüder haben ihre Musik als Soundtrack für ihre Filme benutzt. Mittlerweile ist die Künstlerin 83 Jahre alt und sie hat ein neues Album herausgebracht, das SWR Kultur-Kritikerin Susanne Benda in eine andere Welt aus feinen und leisen Tönen beamt.

The Curiosity That Moves Us with Ann Carlson At the heart of every great artistic work is the exploration of curiosity and a commitment to the process of creation. Today on Movers & Shapers, Ann Carlson joins us to discuss her illustrious career in interdisciplinary arts and shares the deep curiosity she possesses about movement, meaning, and the human experience, with work borrowing from the disciplines of dance and performance as well as visual, conceptual, and social art practices. In this conversation, Ann reflects on how she first discovered her love of dance, how working with Meredith Monk and exploring performance art shaped her creativity, and the thriving performance scenes in NYC in the 90s that opened doors for experimentation. She shares the inspiration behind her work with animals, the reality of supporting herself financially as an artist, and how she navigated motherhood and her dance career. She also dives into the delicate marriage between process and product in creation before discussing her dance project, The Symphonic Body. Finally, Ann reveals what is piquing her interest today and shares a glimpse of what the future will hold for her in her career. Thanks for listening!  Key Points From This Episode: A brief overview of today's guest, Ann Carlson, and how she found her love of dance.   How performance art and working with Meredith Monk inspired Ann's own creations.  Cross-connecting dance with other performance scenes during her time in NYC.  What inspired Ann's animal series and how she managed to support herself.  How Ann's dance career pivoted when she started a family. The beautiful amalgamation of process and product in dance creation. What Ann learned about art from the poet Allen Ginsberg.  Ann looks back on her career and some of the most meaningful projects she did.  Ann tells us what she is curious about today and what her next project will be.   For more on Ann and Show Notes & Links: The Moving Architects Follow the podcast on Instagram & Facebook

Das hauseigene Musikmagazin im Radio Stadtfilter; von unserer Musikredaktion sorgfältig ausgesuchte Release-Perlen, Künstler:innen-Interviews und Festivalreflexionen. Diese Woche mit Sudan Archives, Girls Rituals, Meredith Monk, Projekt ET, Laura Nucha und dem Album der Woche von Castle Rat. Im zweiten Teil der Sendung hören wir in den langerwarteten neuen Release von Leoni Leoni: "An den verkrusteten Grenzen". Simeon Thompson spricht mit Leoni über ihre neuste Schaffensphase und den Hintergrund der neuen Kassette, von dem Drumcomputer bis hin zu weniger direkt hörbaren, konzeptuellen Anliegen. Eine Sendung produziert von Claude Bühler und Simeon Thompson.

Nos invité.e.s nous révèlent leurs trois titres les plus écoutés en ce moment. L'écrivaine Laura Vazquez a opté pour des compositions des artistes John Maus, Meredith Monk et Ruby Haunt : à découvrir ! Merci pour votre écoute Dans quel Monde on vit, c'est également en direct tous les samedi de 10h à 11h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Dans quel Monde on vit sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8524 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Cantora, compositora, coreógrafa e cineasta, Meredith Monk é tudo isto e muito mais. A mulher que fez da liberdade criativa a sua obra maior, continua, aos 82 anos, a querer reinventar a música.See omnystudio.com/listener for privacy information.

durée : 00:12:15 - Philip Glass : Études pour piano - Vanessa Wagner - Vanessa Wagner explore depuis plusieurs années le répertoire des compositeurs minimalistes. Pour le label InFiné, elle consacre 4 albums aux figures majeures de ce courant, John Adams, Meredith Monk, Brian Eno, Ryūichi Sakamoto, Caroline Shaw, Bryce Dessner ou Nico Muhly. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:12:15 - Philip Glass : Études pour piano - Vanessa Wagner - Vanessa Wagner explore depuis plusieurs années le répertoire des compositeurs minimalistes. Pour le label InFiné, elle consacre 4 albums aux figures majeures de ce courant, John Adams, Meredith Monk, Brian Eno, Ryūichi Sakamoto, Caroline Shaw, Bryce Dessner ou Nico Muhly. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:12:15 - Philip Glass : Études pour piano - Vanessa Wagner - Vanessa Wagner explore depuis plusieurs années le répertoire des compositeurs minimalistes. Pour le label InFiné, elle consacre 4 albums aux figures majeures de ce courant, John Adams, Meredith Monk, Brian Eno, Ryūichi Sakamoto, Caroline Shaw, Bryce Dessner ou Nico Muhly. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 02:28:59 - France Musique est à vous du samedi 20 septembre 2025 - par : Gabrielle Oliveira-Guyon - Grâce à vous, nous continuons à enrichir notre longue liste de coups de cœur ! Connaissez-vous la pianiste Hephzibah Menuhin, sœur du célèbre violoniste ? La compositrice et chanteuse américaine Meredith Monk ? Les Poèmes d'Edmond Haraucourt de Charles Koechlin ? Les textes de Gaston Couté ? - réalisé par : Emmanuel Benito Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Vicky Chow is a celebrated Hong Kong-Canadian-American pianist. She plays contemporary classical music, which is quite different from traditional classical. She is the pianist for the Bang On A Can All Stars, a terrific ensemble. The New York Times has described her playing as “brilliant”. She has collaborated and worked with artists like Meredith Monk, Philip Glass, John Zorn, Bill T. Jones and Arnie Zane Dance Company, BBC Orchestra and LA Philharmonic. She has toured in over 40 countries and performed at venues like Carnegie Hall, Disney Concert Hall and the Hong Kong Arts Centre. She has released over 25 solo and chamber music albums. My featured song is “Studio One”, from the album Play by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH VICKY:www.vickychow.com____________________ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

You're all going to laugh at me, but that's okay, cuz I'm I'm the one laughing hardest! I had planned an easy-peasy episode for yesterday, one which focused on two great 20th century bass-baritones who were both valued recitalists as well as composers! I'm talking about the faboo basses, Finnish Kim Borg, and Dutch Robert Holl, who also happened to be fantastic recitalists. I had the recordings on my collection; I just had to put them into an episode. But of course I began meditating on the question of the classical music version of the Singer-Songwriter and suddenly the episode had gone down a very different (and much more complicated) path. I came up with some fascinating examples beyond Borg and Holl (both of whom are still heard performing their songs on the episode!), all the way back to the Renaissance era and through to an incredibly impressive array of modern-day avant garde composer/performers. For starters: Barbara Strozzi and Pauline Viardot from days long past, but also figures like the great French baritone Jean-Baptiste Faure (anyone remember “The Palms”?), and those three intrepid tenors Tito Schipa, Richard Tauber, and Jean-Paul Jeannotte, and along the way not forgetting gay icons Jules Bledsoe and Harry Partch. Moving into the present-day, we encounter astonishing women composer/performers including pathbreakers Cathy Berberian, Joan La Barbara, Diamánda Galás, Laurie Anderson, and Meredith Monk, but also those intrepid women who have both taken inspiration from their models while carving out their own paths: Gilda Lyons, Martha Sullivan, Lisa Bielawa, and Caroline Shaw, among others. I'm thrilled that many of the singers, composers, or composer/performers are also friends of mine. Among those not mentioned above, stellar singers Sarah Pillow (singing Strozzi), and Anna Tonna (singing Viardot). Don't tell anyone, but you might even hear me singing something! Exciting news about this episode: There are more women composers heard here than male! Hope you didn't mind waiting for this one a little longer than usual! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

Este es una sesión muy especial por muchas razones. No solo llega BITUIN a presentar en estreno dos canciones nuevas después de mucho tiempo de planeación, sino que sus integrantes - Juanita, Valentina, Santiago y Daniel - son cercanos a todos nosotros en Imán Music desde incluso antes de que existieran ambos proyectos. Se reúnen en el estudio con Táriq Burney para hablar del origen del grupo, de cómo definen su género, de su forma de componer y de cómo viven de su arte. Comparten con nosotros sus versiones de 2 canciones de la compositora Meredith Monk.0:00 - Intro2:12 - ¿Qué es y por qué es Bituin?6:11 - El nombre y la dinámica familiar8:54 - ¿Cómo trabajan la música?11:51 - Los grupos de whatsapp14:54 - Canción: "Eucalipto"18:50 - La acogida del público24:29 - Los instrumentos que no están26:24 - Anécdotas del público29:00 - Las logísticas detrás de los conciertos33:14 - La constancia35:08 - ¿Qué viene en el futuro?37:17 - Sobre "Guajira"41:52 - Despedida43:24 - Canción: "Guajira"_____Bituin es una banda colombiana de música latinoamericana de vanguardia, conformada por dos parejas de hermanos: Santiago y Daniel de Mendoza en la batería y el contrabajo, Juanita y Valentina Añez en las voces. Vale la pena ir a uno de sus conciertos para quedar pasmados por lo inesperadoDespués de 4 álbumes y un Ep, el cuarteto lanza su propia versión de 2 piezas de Meredith Monk, agregando letra y jazz a la música contemporánea de esta gran artista neoyorkina.Este ritual sonoro fue filmado en los estudios de Iman Music junto con un podcast que muestra cómo Bituin recrea y explora alrededor de temas como el EUCALIPTO (Cave Song) y la GUAJIRA (Dawn).Escucha este y los demás episodios de Imán Music Sessions en www.imanmusic.net/sessionsUn podcast creado por Tariq Burney y Nicolás MuñozDirección: Táriq BurneyProducción: Nicolás Muñoz M.Cámara: Adriana Bernal-Mor, Daniel Ibáñez, Daniel EscobarEdición y Color: Adriana Bernal-MorGrabación Musical: Jorge Arango, Claudia Jiménez, Julián PinzónMezcla: Jorge ArangoGráfica: Andrés MoralesFinalización: Táriq Burney

No episódio desta semana reflectimos um pouco sobre processos internos. Sendo a busca por um sentimento, pelo que é casa ou até por nós mesmos neste mundo cada vez mais confuso. A música está presente e a verdade é que não vamos deixar que os tempos mais desafiantes nos derrubem.Playlist:"Umhome", Miriam Makeba"Neon Signs", The Weather Station"Não Vou Deixar", Caetano Veloso"Ellis Island", Meredith Monk

In a new documentary, the likes of Bjork and David Byrne attest to the influence and importance of pioneering multi-disciplinary artist Meredith Monk. The film follows Monk, now in her 80s, as she creates her latest immersive work. "Monk in Pieces" will open in theaters on July 25. Meredith Monk joins us alongside director Billy Shebar.

The gifted young Hungarian/American pianist Julia Hamos presents Ellis Island, one of the most impressive solo piano debut releases in recent memory, featuring works by Kurtag, Bartok, Ligeti, Meredith Monk, Charles Mingus and Schubert. Promotional video - https://www.facebook.com/reel/621337480674569Ligeti's Fanfares - https://www.youtube.com/watch?v=tItbf6F-M3ALink to purchase - https://www.prestomusic.com/classical/products/9759948--ellis-island?srsltid=AfmBOorpob-cx3Rc0JrrcaEg1sIz9QHIn6gnHJQ7ssacJ2q_cgF5Irm-

Arlen Hlusko is an acclaimed Grammy winning Canadian cellist. She's been called “sublime”, “dynamic” and “mesmerizing”. She's performed as a soloist and a chamber musician around the world.  She works with the Harry Chapin Band and the Bang On A Can All Stars. She's collaborated with Meredith Monk and David Byrne. And she even played at Sing Sing prison.My featured song is called “It's The Beat” from the album The Queen's Carnival by my band Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------Connect with Arlen:www.arlenhlusko.com—----------------------------------------ROBERT'S RECENT SINGLES:“DAY AT THE RACES” is Robert's newest single.It captures the thrills, chills and pageantry of horse racing's Triple Crown. Called “Fun, Upbeat, Exciting!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS___________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Featuring the debut release of of Buenos Aires rising stars TRIADA; a fresh project from NYC sax legend David Murray; a distinct voice as a composer and harpist, Ashley Jackson; a collab between heavyweights of two different generations, Vijay Iyer and Wadada Leo Smith; ARG/MEX chanteuse Barbie Williams; a deep dive into the catalog of the singular talent that is Meredith Monk; the stunning interplay of the late master Ron Miles and his Denver-based trio; and finally, the latest beat from soulstress Jacye Madrone.

On the February edition of the Cinetopia Radio Show & Podcast, the team (Clara, Garry, and Amanda) go to Berlin to cover the 75th Berlinale, reviewing 4 films, Peter Hujar's Day directed by Ira Sachs and starring Ben Whishaw and Rebecca HallBlue Moon, directed by Richard Linklater and Starring Ethan Hawke, Margaret Qualley, Andrew Scott and BobbyCanavaleLesbian Space Princess, an Australian animation by Emma Hough Hobbs, Leela Varghese, and finally Koki Ciao, which won Berlinale Shorts CUPRA Filmmaker Award. Cinetopia contributor Clara Strachan interviews Quentin Miller, the director of Koki Ciao, and Cinetopia's host, Amanda, sat down with Billy Shebar, the director of Monk in Pieces, a documentary about the new york avante-garde artist and composer, Meredith Monk.

Featuring a brand new joint courtesy of BK visionary group Breastfist; the sweaty organ soul of Adam Scone and the Scone Cash Players; fresh beats from the minds of Toshio and Kwest; this inspiring film music of Anthony Willis (Saltburn); Norcal singer/songwriter Paris Hayes' and her latest artistic output; and the legends that are Meredith Monk, Keith Jarrett, Massive Attack, and Freddie King.

Jessica Fuentes, Gabriel Martinez, and Brandon Zech discuss the different types of immersive art spaces and the historical work that paved the way. "I've realized that the spaces that really affect me are the ones that put me into a weird situation and take me out of wherever I am, take me out of my body a little bit, and make me have to negotiate. But not everyone is gonna want something that challenges them in that way when they go out to do something for pleasure." See related readings here: https://glasstire.com/2025/01/26/art-dirt-the-rise-of-immersive-spaces This week's podcast is sponsored in part by the Menil Collection, which is celebrating the 30th anniversary of the Cy Twombly Gallery. To mark the occasion, this year the museum will present special programs about the work and legacy of artist Cy Twombly. Highlights include a book signing with artist Tacita Dean, performances by Meredith Monk, and a Neighborhood Community Day. Admission is always free. Learn more at menil.org/cytwombly30.

Organist and pianist James McVinnie's new album 'Dreamcatcher' is a beautiful series of works by contemporary composers including Nico Muhly, John Adams, Giles Swayne, Gabriella Smith, Meredith Monk and others, all based around ideas of imagining – be that to do with memory, architecture, musical form or social justice. He joins Editor Martin Cullingford in this week's Podcast to talk through the programme, and about the sound world he's created for this captivating recording. 'Dreamcatcher' is available on the Pentatone label from next Friday, January 17. 

durée : 00:09:11 - "Book of Days" : Meredith Monk - Book of Days est un film sur le temps, qui établissait à l'origine des parallèles entre le Moyen-Âge, une époque de guerre, de peste et de peur de l'Apocalypse, et les temps modernes de conflits raciaux et religieux, d'épidémie de sida et de peur de l'annihilation nucléaire.

durée : 02:24:59 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - Par Monique Veaute - Avec Laurence Beauregard (flûte), Joël Hubaut, Irène Jarsky (la voix de Méduse), Jean-Pierre Vernant, Philippe Lacoue-Labarthe, Joss, Luce Irigaray, Orlan, Catherine Mevel, Meredith Monk, Marie-Noëlle Rio, Sapho, Marie-Berthe Servier, Tamia, Marguerite Fischbach-Veaute, Martine Veaute, l'équipe du SAMU 94 et Louis Amiel - Lectures Claude Degliame, René Farabet, Esther Flatt, Catherine Sellers et Anne Zweiband- Réalisation Yvette Tuchband, Catherine Léritier, Monique Burguière et Danielle Toursière - réalisation : Virginie Mourthé

Babeth Mondini-VanLoo  is an artist, filmmaker, and cultural ambassador. She studied art under Joseph Beuys in Germany and earned a Master's in Film & Fine Arts from the San Francisco Art Institute in 1977. Babeth is the programming director and founder of the first Buddhist television station in the West. Her art, often described as Social Sculpture, emphasizes spiritual activism. She has created over 60 documentaries on topics such as the science of the mind, Buddhism, punk music, and poetry. Her subjects have included the Dalai Lama, Joseph Beuys, Meredith Monk, the Sex Pistols, and Arnold Schwarzenegger.  Babeth directed the 1990 film Kiss Napoleon Goodbye which starred Lydia and Henry Rollins. Her work has been exhibited and is held in collections worldwide.

Kicking off a limited series covering David Byrne's film True Stories one song at a time, guest hosts Josh Cornelius he/him, Chuck Foster he/him, and Jarf Harden he/him discuss social isolation, technology, and the significance of setting the film in Texas. They focu on the first thirteen minutes of the movie and "Road Song" by Byrne and Meredith Monk. Follow us on Instagram @dreamoperatorspod  Join us at The Celebration of Specialness, our Facebook listeners' group.  Show artwork by Jonathan Howell This podcast is under Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for "Fair Use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit go directly to their rightful owners. No copyright infringement intended. Enjoy!

Featuring an assortment of old and new including vintage classics from Lucille Mathis, Jimmy Reed, Ivory Joe Hunter, and Hank Williams; the unique brilliance of John McLaughlin; Seattle/Brooklyn creative saxophone legend Jessica Lurie; a heavyweight tribute to the music of Meredith Monk by Future Quest; and the ultra-prolific Argentine genius Gustavo Santaolalla00:51:03

Vocalist and composer Meredith Monk is a multi-disciplinary artist, whose work involves music, dance, film, theatre, and now: biology meets anthropology. In her recent large-scale work, Cellular Songs, musical forms evoke biological processes as layering, replication, division, and mutation in a “deeply affecting meditation on the nature of the biological cell as a metaphor for human society” (Financial Times). Through this work, Monk takes the microscopic unit of the cell, then projects and expands it as a proposal for “an alternative possibility of human behavior, where the values are cooperation, interdependence and kindness,” (much like how a cell functions, minus the kindness part.) Using their voices-as-instruments, Meredith Monk & Vocal Ensemble perform some of these Cellular Songs, along with violin, piano and keyboard, in-studio. [From the Archives, 2018.] -Caryn Havlik Meredith Monk & Vocal Ensemble perform "Indra's Net" at the Park Avenue Armory, Sept. 23-Oct. 6 Watch the session via YouTube:

When you subscribe for only $10 a month, you will receive behind-the-scenes access to the life of a musician who makes a living on Broadway through YouTube videos, podcasts, and articles on what you need to know. We also have merchandise! https://merchandise.broadwaydrumming101.comIn this episode of Broadway Drumming 101, we are thrilled to welcome the incredibly talented Bill Hayes. With an illustrious career that has spanned decades, Bill shares his journey from a young music enthusiast to a celebrated Broadway musician. Tune in as we delve into:* Broadway Career: Bill Hayes discusses his extensive Broadway career, maintaining a balance while working with renowned artists like Liza Minnelli, Barbra Streisand, and Frank Sinatra.* Early Music Interests: Starting with piano lessons in kindergarten, Bill's passion for music grew as he got interested in drums during junior high. He formed his first band, "Barcelona Brass," inspired by Herb Alpert and the Tijuana Brass.* High School and Beyond: Bill studied under Alan Dawson in Boston during high school and later attended Hart School of Music, where he learned from notable musicians like Gary Burton and Al Lipak.* Transition to Broadway: Bill describes his move to New York, initially facing uncertainty but soon finding opportunities to sub in Broadway pits, eventually leading to his own chairs.* Challenges and Adaptations: Hear about Bill's experiences adapting to technological changes in Broadway pits, from acoustic settings to using in-ear monitors and flat screens.* Diverse Musical Styles: Bill emphasizes the importance of versatility in Broadway, switching between various musical styles quickly, and how this skill is valuable when playing with different artists.* Networking and Subbing: Bill advises aspiring Broadway musicians to start by subbing, meeting established players, and building a network as crucial steps for getting and maintaining work on Broadway.* Maintaining Musicianship: Learn about the importance of staying in shape, both musically and physically, to avoid injuries and maintain high performance levels throughout a long career.* Career Longevity and Flexibility: Bill reflects on the unpredictability of Broadway careers, the importance of staying flexible, taking opportunities as they come, and continuously learning and adapting.Bill Hayes' career has taken him around the globe, performing with legends like Barbra Streisand, Liza Minnelli, Frank Sinatra, and Audra McDonald. His international tours have included destinations from Paris to Uruguay to Tokyo. Bill has recorded three albums with Streisand, six with Minnelli, and collaborated on projects with Sinatra, Rufus Wainwright, Brian Stokes Mitchell, Meredith Monk, Maria Schneider, Gerry Niewood, and Lea DeLaria.His musical versatility is a hallmark of his career, demonstrated by his diverse collaborations. From sharing the stage with KORN on MTV Unplugged to performing with Spiritualized at Radio City Music Hall, Bill has worked with musical icons like Aretha Franklin, Kenny Rogers, Ray Charles, Marvin Hamlisch, and Art Garfunkel. Bill's Broadway contributions are equally impressive, with chairs in over 60 Broadway shows and recordings of numerous cast albums. His television appearances span five continents, showcasing his global influence.Bill Hayes proudly endorses Innovative Percussion and Paiste Cymbals.Don't miss this insightful conversation with one of Broadway's finest musicians!Clayton Craddock is the founder of Broadway Drumming 101, a comprehensive online platform dedicated to providing specialized mentorship and a meticulously curated collection of resources.Clayton's Broadway and Off-Broadway credits include: tick, tick...BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill, and Ain't Too Proud - The Life And Times Of The Temptations, Cats: The Jellicle Ball and The Hippest Trip: The Soul Train Musical. He has subbed for shows like Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, Spongebob Squarepants - The Musical, Hadestown (tour), and many more. Clayton has appeared on The View, Good Morning America, Jimmy Fallon, The Today Show, the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Boyle, Norm Lewis, Denise Williams, Chuck Berry, and Ben E. King.Clayton is a proud endorser of Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.For more about Clayton Craddock, click here: www.claytoncraddock.comCONNECT WITH ME ON MEETHOOK! Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Har­ald­ur Jóns­son myndlistarmaður var getinn í Noregi, fæddist árið 1961 í Helsinki og náði svo að búa í Danmörku áður en hann sigldi með Gullfossi til Íslands á leikskólaaldri. Hann hóf nám í barnaskóla ári á undan jafnöldrum sínum og fluttist til Frakklands þegar hann lauk MR nítján ára gamall. Hann segir framandgervingu alltaf hafa verið hluta af sér, honum líði best í kjarnanum. Haraldur lítur á tungumálið sem skúlptúr en það var meðal annars latína og orðsifjafræði sem leiddu hann á braut myndlistarinnar. Líkaminn, tilfinningar og skynjun mannsins á umhverfi sitt eru einnig þræðir sem ganga í gegnum höfundaverk Haraldar. Hann nam myndlist í Frakklandi , Þýskalandi og á Íslandi og nefnir Joseph Beuys, Fellini og Meredith Monk sem áhrifavalda. Har­ald­ur hef­ur haldið tugi einka­sýn­inga og tekið þátt í ótal sam­sýn­ing­um um víða ver­öld. Verk hans eru í eigu helstu op­in­beru safna á Íslandi sem og í einka­söfn­um í Evr­ópu og Banda­ríkj­un­um. Haraldur er gestur okkar í Svipmynd Víðsjár þessa vikuna.

21st dang installment of LLR pod's bonus offering is OFF THE FLIPPN' CHAIN. Jay and Deon discuss what's been on their turntables and pumped into their ears. A mildly summery mixtape is manufactured with input from Super-Secret-Special-Friend Scott Baker, who also waxes poetic on podcasting, creating his own music, and (sometimes reluctantly) sharing sonic interests with his children. Join us for a super-sized helping of sonic deliciousness. TRANSLATION: This b!#@h is looooooooooooooong. Enjoy! Sonic contributors to the twenty-first bonus episode of Lightnin' Licks Radio include:  Koreatown Oddity, DJ Nu-Mark, Jurassic 5, Dave Matthews Band, Zach Braff, Natalie Portman, Prince Paul, De La Soul, Delvon Lamarr Organ Trio, Pale Jay, Lindsey Buckingham, Matt Pond PA, Lightning Love, Silver Jews, Pavement, Jesus Lizard, STEVE FUCKING ALBINI, Cheap Trick, Ant Banks, Too $hort, MC Breed, Mel Brown, Hanna-Barbara's Flintstones, The Beatles, Dead Kennedys, The Ramones, Hanson, Tom Petty & the Heartbreakers, The Who, Cal Tjader, Public Image Limited, Eric Sermon, Marvin Gaye, MC5, Van Halen, White Zombie, The Stooges, Jon Stewart, Marianne Towan, Steve Drzewiecki Band, Meghan Trainor, MMHP from the 989, ? & the Mysterians, Bob Segar System, Billy Stings, Willie Nelson, Dick Wagner, Alice Cooper, Norah Jones, Scott Baker, Gotye, Adrian Gorvitz, Bobby Caldwell, Llyod Cole, Everything but the Girl, Neil Finn, The Style Council, Ashiko, Monwa & Son, The Black Five, Hot Soul Singers, Zasha, David Axelrod, Organized Konfusion, Meredith Monk, Cut Chemist, Afrika Bambaataa, Candito, Babe Ruth, Chicago Gangsters, Juice, and Original Concept. Jay brought to the dining room table the sounds of Veruca Salt, Thunderclap Newman, Tinted Windows, and DJ Shadow. Deon offered up tunes from Purple Mountains, Spice 1, Yusef Lateef, and Stimela. Scott suggested taking a trip with Rich Hinman vs. Alan Levy, Alan Baufman, Hozier, and Crowded House. Do summer right. Consume Blue Chair Bay Flavored Rums. Be kind, rewind, and enjoy lawn darts responsibly. XXI mixtape: {SIDE ONE} [1] Sell out intro [2] DJ Shadow – The Number Song [3] Rich Hinman vs. Adam Levy – Flawless [4] Purple Mountains – She's Making Friends, I'm Turning Stranger [5] Veruca Salt – Shimmer Like a Girl [6] Alan Braufman – Spirits (edit) [7] Stimela – Mind Games (edit) {SIDE TWO} [1] Tinted Windows – Messing With my Head [2] Crowded House – Night Song [3] Yusef Lateef – Like It Is (edit) [4] Thunderclap Newman – The Reason [5] Spice 1 featuring Mel Brown – Money Gone (remix) [6] Hozier – De Selby (parts 1 & 2, edit) mix intro/bumper/outro lifted from The Who's classic 1967 LP The Who Sell Out Guest Scott Baker's website Guest Scott Baker's podcast Michigan Rock and Roll Legends Hall of Fame --- Send in a voice message: https://podcasters.spotify.com/pod/show/llradio/message

Meredith Monk is truly an American treasure. She is a composer, performer, and interdisciplinary artist. Her unique contributions to music and experimental theater have spanned over six decades. Meredith's body of work combines elements of music, voice, movement, and visual art.  Through these mediums, she explores the myriad ways one can freely as a human express themselves. Meredith's art has made her a visionary of the avant-garde. We are thrilled and lucky to have her on the Lydian Spin. 

In this episode, Adam and Budi speak with the Professor in the Practice of Acting from the David Geffen School of Drama at Yale University, Walton Wilson. Walton Wilson is a Professor in the Practice of Acting at the David Geffen School of Drama at Yale, where he has been a member of the faculty since 1999. He served as Head of Voice and Speech and was a resident artist at Yale Repertory Theatre for twenty-three years. He also served as Chair of the Acting Program for seven years, Associate Chair for eleven years, and Interim Co-Chair for one year. He was apprenticed to and designated as a voice teacher by Kristin Linklater and was later trained and certified as an associate teacher by Catherine Fitzmaurice. He has also studied voice with Richard Armstrong, Andrea Haring, Meredith Monk, Patsy Rodenburg, David Smukler, Jean-René Toussaint, and members of the Roy Hart Theatre. He has served as voice, text, and dialect coach for productions on Broadway, Off-Broadway, and in regional theater, including a multitide of new plays and adaptations by American and international theatermakers. He has held faculty appointments at NYU/Tisch School of the Arts, Fordham College at Lincoln Center, Emerson College, and Southern Methodist University, and has been an artist-in-residence at Actor's Theatre of Louisville, American Repertory Theatre, Eugene O'Neill Theatre Center/National Theatre Institute, Shakespeare & Company, Swine Palace Theatre, GEOKS Singapadu (Bali), LaSalle College of the Arts (Singapore), Shanghai Theatre Academy (China), Sfumato Theatre Laboratory, Plovdiv State Drama Theatre, New Bulgarian University (Bulgaria), Titan Teatersköle (Norway), and Fundaçao Gulbenkian (Portugal). He has also led voice workshops for community organizers, military veterans, museum curators, architects, prison inmates, and interfaith ministers. His professional acting credits include productions off-Broadway and in regional theatres and Shakespeare festivals across the United States. He is a frequent collaborator with Double Edge Theatre (Ashfield, MA), The Lunar Stratagem (Hudson, NY), and Pro Rodopi Arts Centre (Bostina, Bulgaria). Integrate spiritual practice into your training and unveil the profound, spiritual depths of acting with Budi Miller, an internationally renowned expert in Balinese Performing Arts Training.. Join this transformative workshop where Budi will guide you through his uniquely crafted spiritual acting techniques, honed over 25 years of meticulous research and global actor coaching. Benefit from Budi's extensive experience in training actors for both screen and theatre.

Jennifer Edwards hosts this episode honoring the life and legacy of teacher and choreographic mentor, Bessie Schönberg. Included are excerpts of D.A. Pennebaker's documentary film entitled, "Bessie: A Portrait of Bessie Schönberg," with remembrances from Merce Cunningham, Jerome Robbins, Meredith Monk and from Schönberg herself.Schönberg speaking about how to watch dance: https://www.youtube.com/watch?v=DaAI6uyUn0Y

Kate interviews the award-winning musician and teacher, Gary Grundei. They talk about: How scarcity and limitations can support the creative process. Songwriting and the human voice as a portal to creating more from less. Why everyone has permission to write songs, even if you don't have formal training. How and why to prioritize creativity. And so much more! Gary Grundei is an award-winning musician and teacher based in NYC. He is the founder of golden lotus studio, an online community for songwriters. Gary is well-known for his work with the band High Fiction, composing music for theater, film, and podcasts, as well as coaching and producing other artists. Gary has written music for NPR, MTV, and the ID Channel, as well as for prestigious institutions such as The Kennedy Center and New York Stage and Film. He has taught at universities such as Naropa University and Occidental College, and worked on projects with Meredith Monk, Bill Pullman, and Leigh Fondakowski. He and Amy Shelley make records under the moniker High Fiction. Check out his work at: garygrundei.com⁠ ⁠ goldenlotusstudio.com⁠ ⁠ highfiction.com⁠ To sign up for Kate's weekly newsletter, The Portal, and receive accompanying journal prompts and practices for today's episode, go to: www.kateholly.com.

For the past sixty years, composer and interdisciplinary artist Meredith Monk has been expanding the possibilities of the human voice. A pioneer of extended vocal technique and interdisciplinary performance, she has created collaborative performance pieces that stretch the limits of music, inspiring figures from Björk to Merce Cunningham. Her most recent work, "Indra's Net," draws from her decades of Buddhist practice and explores themes of impermanence and interdependence against the backdrop of our ecological crisis. In this episode of Life As It Is, Tricycle's editor-in-chief, James Shaheen, and co-host Sharon Salzberg sit down with Monk to discuss the relationship between her art and her meditation practice, the importance of listening fearlessly, and why she believes art is a bodhisattva activity.