Podcasts about Saturday Night Fever

Co-Host George Dubec (https://mountaintoppodcast.com/networker) What if you could leverage your entire social network to find women to date? Or even your future wife? We're not talking about your aunt Gertrude setting you up with her friend's "nice" daughter here, for sure. My first-time guest George Dubec has developed what he calls the Referral Matchmaking System, and it's like being a "connector" on steroids. While talking about that is way too much fun in and of itself, we kick off the episode with war stories from when George was a classic ladies' man, long before the PUA movement was even thought about. He had the Saturday Night Fever clothes and the Smokey And The Bandit car. How much of his "old school" strategy still applies today? More than you think. For example, wait until you hear his answer to women showing up on dates with a bunch of endless Q & A. And what about chemistry? George has an interesting definition for that, as far as male/female interaction is concerned. Next, George talks about what he calls "The Love List". And it looks like we just coined "The Wingman Workshop" right after that. Next, we talk about the weirdest version of "approach anxiety" that's very real, but which nobody ever talks about...and yes, it has everything to do with social networking. And who exactly should we let "network" us into a date? There's a clear answer to that one. Have you checked out the official X & Y Communications dating advice chatbot yet? https://vamanos.chat === HELP US SEND THE MESSAGE TO GREAT MEN EVERYWHERE === The show is now available as a VIDEO version on YouTube. For some reason, the episodes seem funnier...if a bit more rough around the edges. If you love what you hear, please rate the show on the service you subscribed to it on (takes one second) and leave a review. As we say here in Texas, I appreciate you!

Nick Jeffery and John Granger continue their Q&A conversations about Rowling-Galbraith's Hallmarked Man (if you missed the first discussion, click here to catch up). As usual, the pair promised to send links and notes along with their recorded back and forth for anyone wanting to read more about the subjects they discussed. Scroll down for their seven plus one questions and a bevy of bonus material they trust will add to your appreciation of Rowling's Strike 8 artistry and meaning. Cheers!Q1: What is the meaning of or artistry involved with Pat Chauncey's three fish in the Agency's fish tank, ‘Robin,' ‘Cormoran,' and ‘Travolta/Elton'?Mise en Abyme (Wikipedia)In Western art history, mise en abyme (French pronunciation: [miz ɑ̃n‿abim]; also mise en abîme) is the technique of placing a copy of an image within itself, often in a way that suggests an infinitely recurring sequence. In film theory and literary theory, it refers to the story within a story technique.The term is derived from heraldry, and means placed into abyss (exact middle of a shield). It was first appropriated for modern criticism by the French author André Gide. A common sense of the phrase is the visual experience of standing between two mirrors and seeing an infinite reproduction of one's image. Another is the Droste effect, in which a picture appears within itself, in a place where a similar picture would realistically be expected to appearSnargaloff pods (Harry Potter Wiki)“It sprang to life at once; long, prickly, bramble-like vines flew out of the top and whipped through the air... Harry succeeded in trapping a couple of vines and knotting them together; a hole opened in the middle of all the tentacle-like branches... Hermione snatched her arm free, clutching in her fingers a pod... At once, the prickly vines shot back inside and the gnarled stump sat there looking like an innocently dead lump of wood“— The trio dealing with the Snargaluff plant in sixth year Herbology classSnargaluff was a magical plant with the appearance of a gnarled stump, but had dangerous hidden thorn-covered vines that attacked when provoked, and was usually best handled by more than one person.Juliana's Question about the Oranda Goldfish:did anyone else notice - I confess to only noticing this on my second re-read of THM- that Travolta, Pat's third fish, dies?What do we think about this? Could this mean Mr. Ryan F. Murphy dies…? Or could it just be foreshadowing of the fact that him and Robin don't end up together? I think the fish symbolism was quite humorous and delightful paralleling such a deep and intricate plot. Just wanted to know if anyone noticed this tinge of humor towards the end of the book… As for the fish theory, Pat's three fish in the tank: Strike, Robin and the third, she calls, Travolta — ironically, named after a “handsome” man. I'm thinking JKR meant Travolta, the fish to symbolize Murphy…What I was referring to in my original comment: the three fish = the love triangle between Ellacott/Murphy/Strike. I was asking: since Travolta died in Chapter 113, do we think this foreshadows Murphy either dying physically, or just that Robin and Murphy do not end up together?John's ‘Fish and Peas' Response:It's a relief to learn that Travolta's most famous role wasn't a character named Ryan Murphy that everyone in the world except myself knows very well. Thank you for this explanation!There's more to your idea, though, I think, then you have shared. Forgive me if you were already aware of this textual argument that suggests very strongly that these Oranda goldfish have been an important part of Rowling's plan from the series from the start. In brief, it's about the peas.In Part 2, Chapter 3, of ‘Cuckoo's Calling,' Robin and Matt are having their first fight about Strike and the Agency. The chapter ends with an odd note that this disagreement has blemished the Cunliffe couple's engagement.“She waited until he had walked away into the sitting room before turning off the tap. There was, she noticed, a fragment of frozen pea caught in the setting of her engagement ring.” (73)Your theory that the fish bowl is an embedded picture of the state of Robin's feelings for Murphy and Strike, a Mise en abyme of sorts, is given credibility in the eyes of this reader by the appearance of frozen peas as the cure for the dying Cormoran goldfish. It is hard for a Rowling Reader to believe that these two mentions of frozen pea fragments were coincidental or unrelated, which means that (a) Rowling had the office Oranda goldfish scene-within-the-scene in Strike 8 foreshadowed by the Strike 1 tiff, and (b) therefore of real significance.There is another pea bit, of course, in ‘Troubled Blood' at Skegness, a passage that links Robin's heart or essence with peas.Strike was still watching the starlings when Robin set down two polystyrene trays, two small wooden forks and two cans of Coke on the table.“Mushy peas,” said Strike, looking at Robin's tray, where a hefty dollop of what looked like green porridge sat alongside her fish and chips.“Yorkshire caviar,” said Robin, sitting down. “I didn't think you'd want any.”“You were right,” said Strike, picking up a sachet of tomato sauce while watching with something like revulsion as Robin dipped a chip into the green sludge and ate it.“Soft Southerner, you are,” she said, and Strike laughed. (807-808)If you tie this in with the fish symbolism embedded in Rowling's favorite paintings and the meaning of ‘Oranda,' this is quite a bit of depth in that fish bowl -- and in your argument that the death of Travolta signifies Murphy is out of consideration.You're probably to young to remember this but Travolta's most famous role will always be Tony Manero in ‘Saturday Night Fever,' the breakout event of his acting career. Manero longs for a woman way out of his league, attempts to rape her after they win a dance contest, she naturally rejects him, but they wind up as friends.Or in a book so heavy in the cultish beliefs and practices of Freemasonry, especially with respect to policemen that are also “on the square,” maybe the Travolta-Murphy link is just that the actor is, with Tom Cruise, as famous (well...) for his beliefs in Scientology as for his acting ability.So, yes, it's fun, your ‘Peas and Fish' theory, but there's something to it.Check out this note on ‘Peas' in the Strike novels from Renee over at the weblog: https://www.hogwartsprofessor.com/hallmarked-man-placeholder-post-index/comment-page-1/#comment-1699017 The fish symbolism embedded in Rowling's favorite painting: https://hogwartsprofessor.substack.com/p/rowlings-favorite-painting-and-what And the meaning of ‘Oranda:' https://www.hogwartsprofessor.com/rowling-twixter-fish-and-strike-update/Follow-Up by Julianna:I'm not sure what exact chapter this is in, but let's also not forget that on Sark, Strike procures a bag of frozen peas to soothe the spade to his face injury. I also want to add that he has used frozen peas before, to soothe his aching leg too, but I could be wrong about that…I cant remember where I've read that, so it might not be true….Lastly, after reading Renee's comment, I have to say, that now I do believe that the peas might have been an ongoing symbol for Strike (a la…the pea in the engagement ring) and…stay with me here….peas are potentially, what save Cormoran, the goldfish, from dying.“The black fish called Cormoran was again flailing helplessly at the top of the tank. ‘Stupid a*****e, you've done it to your f*cking self'.” And the very last line of the book being: “Then pushed himself into a standing position ear and knee both throbbing. In the absence of anything else he could do to improve his present situation, he set off for the attic to fetch the empty margerine tub…and some peas.” (Chapter 127).My point being: this could be a way of Rowling saying, that Strike saves himself from himself…another psychological undertone in her stories. (Lake reference: Rowling has pulled herself up out of poverty ‘by her own bootstraps' we say.) Thoughts? Thanks for induldging me here, John! I am enjoying this conversation. Apologies for the grammar and potentially confusing train of thoughts.And from Vicky:Loving the theories and symbolism around the peas and fish! Just had a thought too re John quoting the Troubled blood scene. Robin calls mushy peas by a familiar term “Yorkshire caviar”. Caviar is of course fish eggs, and poor Robin, Yorkshire born, spends much of THM agonising over the thought and pressure of freezing her eggs. Giuliana mentioned the frozen peas Strike puts on his swollen face after the spade hit...maybe this is foreshadowing to their intimate and honest dinner conversation later with Robin baring her heart to Strike about her ectopic pregnancy griefQ2: Why didn't the Strike-Ellacott Agency or the Metropolitan Police figure out how the murderer entered the Ramsay Silver vault to kill William Wright the first time they saw the grainy surveillance film of the auction house crate deliveries?Tweet UrlFrom ‘The Locked Room Lecture' (John Dickson Carr) It's silly to be disappointed in a border-line absurd Locked Room Mystery such as Hallmarked Man because improbability is close to a requirement in such stories:“But this point must be made, because a few people who do not like the slightly lurid insist on treating their preferences as rules. They use, as a stamp of condemnation, the word ‘improbable.' And thereby they gull the unwary into their own belief that ‘improbable' simply means ‘bad.'“Now, it seems reasonable to point out that the word improbable is the very last which should ever be used to curse detective fiction in any case. A great part of our liking fofr detective fiction is based on a liking for improbability. When A is murdered, and B and C are under strong suspicion, it is improbably that the innocent-looking D can be guilty. But he is. If G has a perfect alibi, sworn to at every point by every other letter in the alphabet, it is improbable that G can have committed the crime. But he has. When the detective picks up a fleck of coal dust at the seashore, it is improbable that such an insignificant thing can have any importance. But it will. In short, you come to a point where the word improbable grows meaningless as a jeer. There can be no such thing as any probability until the end of the story. And then, if you wish the murder to be fastened on an unlikely person (as some of us old fogies do), you can hardly complain because he acted from motives less likely or necessarily less apparent than those of the person first suspected.“When the cry of ‘This-sort-of-thing-wouldn't-happen!' goes up, when you complain about half-faced fiends and hooded phantoms and blond hypnotic sirens, you are merely saying, ‘I don't like this sort of story.' That's fair enough. If you do not like it, you are howlingly right to say so. But when you twist this matter of taste into a rule for judging the merit or even the probability of the story, you are merely saying, ‘This series of events couldn't happen, because I shouldn't enjoy it if it did.'“What would seem to be the truth of the matter? We might test it out by taking the hermetically sealed chamber as an example, because this situation has been under a hotter fire than any other on the grounds of being unconvincing.“Most people, I am delighted to say, are fond of the locked room. But – here's the damned rub – even its friends are often dubious. I cheerfully admit that I frequently am. So, for the moment, we'll all side together on this score and see what we can discover. Why are we dubious when we hear the explanation of the locked room? Not in the least because we are incredulous, but simply because in some vague way we are disappointed. And from that feeling it is only natural to take an unfair step farther, and call the whole business incredible or impossible or flatly ridiculous.” (reprinted in The Art of the Mystery Story [Howard Haycraft] 273-286)Q3: Hallmarked Man is all about silver and Freemasonry. What is the historical connection between South American silver (‘Argentina' means ‘Land of Silver'), the end of European feudalism, and the secret brotherhood of the Masons?How Silver Flooded the World: And how that Replaced Feudalism and the Church with Capitalism and Nation-States (‘Uncharted Territories,' Tomas Pueyo) In Europe, silver also triggered the discovery of America, a technological explosion, and a runaway chain of events that replaced feudalism with capitalism and nation-states. If you understand this, you'll be able to understand why nation-states are threatened by cryptocurrencies today, and how their inevitable success will weaken nation-states. In this premium article, we're going to explore how Europe starved for silver, and how the reaction to this flooded the world with silver. ,See also Never Bet Against America and Argentina Could be a Superpower, both by Pueyo.‘Conspiracy Theories associated with Freemasonry' (Wikipedia)* That Freemasonry is a Jewish front for world domination or is at least controlled by Jews for this goal. An example of this is the anti-Semitic literary forgery The Protocols of the Elders of Zion. Adolf Hitler believed that Freemasonry was a tool of Jewish influence,[12] and outlawed Freemasonry and persecuted Freemasons partially for this reason.[13] The covenant of the Palestinian Islamist movement Hamas claims that Freemasonry is a “secret society” founded as part of a Zionist plot to control the world.[14] Hilaire Belloc thought Jews had “inaugurated” freemasonry “as a bridge between themselves and their hosts”[15]* That Freemasonry is tied to or behind Communism. The Spanish dictator Francisco Franco had often associated his opposition with both Freemasonry and Communism, and saw the latter as a conspiracy of the former; as he put it, “The whole secret of the campaigns unleashed against Spain can be explained in two words: masonry and communism”.[16] In 1950, Irish Roman Catholic priest Denis Fahey republished a work by George F. Dillon under the title Grand Orient Freemasonry Unmasked as the Secret Power Behind Communism. Modern conspiracy theorists such as Henry Makow have also claimed that Freemasonry intends the triumph of Communism[17]* That Freemasons are behind income taxes in the US. One convicted tax protester has charged that law enforcement officials who surrounded his property in a standoff over his refusal to surrender after his conviction were part of a “Zionist, Illuminati, Free Mason [sic] movement”.[18] The New Hampshire Union Leader also reported that “the Browns believe the IRS and the federal income tax are part of a deliberate plot perpetrated by Freemasons to control the American people and eventually the world”[19]Umberto Eco's The Prague Cemetery, a Freemasonry Novel (Wikipedia)So much for the link between Freemasonry and Baphomet worship!‘The Desacralization of Work' (Roger Sworder, Mining, Metallurgy, and the Meaning of Life)Q4: Ian Griffiths is the Bad Guy of Hallmarked Man. His name has definite Christian overtones (a ‘Griffin,' being half-eagle, half-lion, King of Heaven and Earth, is a symbol of Christ); could it also be another pointer to Rowling's mysterious ‘Back Door Man,' Harry Bingham, author of the Fiona Griffiths series?Troubled Blood: The Acknowledgments (Nick Jeffery, November 2020)In both Silkworm and Career Rowling/Galbraith's military advisors are thanked as SOBE (Sean Harris OBE?) Deeby (Di Brookes?) and the Back Door Man. Professor Granger has identified the Back Door Man as a southern US slang term for a man having an illicit relationship, but beyond this is so far unidentified.Any thoughts on her dedications or acknowledgements? Any new leads for the elusive Back Door Man? Please comment down below.Harry Bingham's website, June 2012“My path into TALKING TO THE DEAD was a curious one. I was approached by a well-known figure who was contemplating working with a ghostwriter on a crime thriller. I hadn't read any crime for a long time, but was intrigued by the project. So I went out and bought about two dozen crime novels, then read them back-to-back over about two weeks.”Could Rowling have hired a (gasp) “ghost writer”? Or was it just “expert editorial assistance” she was looking for, what Bingham offers today?Author's Notes in The Strange Death of Fiona Grifiths (Publication date 29th January 2015, before Career of Evil):“If you want to buy a voice activated bugging device that looks like (and is) an ordinary power socket, it'll set you back about fifty pounds (about eighty bucks).”This is the same surveillance device used in Lethal White, but interestingly is not used in Bingham's book. (Nick Jeffery)Moderators Backchannel List of Correspondences between Cormoran Strike series and Bingham's Fiona Griffiths mystery-thrillers (John Granger):(1) A series that has an overarching mystery about which we get clues in every story, one linked to a secret involving a parent who is well known but whose real life is a mystery even to their families;(2) A series that is preoccupied with psychological issues, especially those of the brilliant woman protagonist who suffers from a mental illness and who is a student of psychology;(3) A series that is absorbed with death and populated by the dead who have not yet passed on and who influence the direction of the investigation more or less covertly (”I think we have just one world, a continuum, one populated by living and dead alike,” 92, This Thing of Darkness), a psychic and spiritual realm book that rarely touches on formal religion (Dead House and Deepest Grave excepted, sort of);(4) A series that, while being a police procedural because the detective is a police officer, is largely about how said sergeant works around, even against the hierarchy of department authority and decision makers, “with police help but largely as an independent agent;”(5) A series that makes glancing references to texts that will jar Rowling Readers: “All shall be well” (284, Love Story with Murders), she drives a high heel into a creepy guy's foot when he comes up to her from behind (75, This Thing of Darkness), Clerkenwell! (103, The Dead House), a cave opening cathedral-like onto a lake, the heroine enters with a mentor, blood spilled at the entrance, and featuring a remarkable escape (chapter 34, The Dead House), etc, especially the Robin-Fiona parallels....(6) A series starring a female protagonist who works brilliantly undercover, whose story is about recovery from a trauma experienced when she was a college student, who struggles mostly with her romantic relationships with men, a struggle that is a combination of her mental health-recovery progress (or lack of same) and her vocation as a detective, who is skilled in the martial art of self-defense, and who is from a world outside London, an ethnicity and home fostering, of all things, a love of sheep;(7) A series with a love of the mythological or at least the non-modern (King Arthur! Anchorites!)Q5: Can you help us out with some UK inside jokes or cultural references of which we colonists can only guess the meaning? Start with Gateshead, Pit Ponies, and Council Flats and Bed-Sits!* Gateshead (Wikipedia)J. B. Priestley, writing of Gateshead in his 1934 travelogue English Journey, said that “no true civilisation could have produced such a town”, adding that it appeared to have been designed “by an enemy of the human race”.* Pit Ponies (Wikipedia)Larger horses, such as varieties of Cleveland Bay, could be used on higher underground roadways, but on many duties small ponies no more than 12 hands (48 inches, 122 cm) high were needed. Shetlands were a breed commonly used because of their small size, but Welsh, Russian, Devonshire (Dartmoor) and Cornish ponies also saw extensive use in England.[2] In the interwar period, ponies were imported into Britain from the Faroe Islands, Iceland and the United States. Geldings and stallions only were used. Donkeys were also used in the late 19th century, and in the United States, large numbers of mules were used.[6] Regardless of breed, typical mining ponies were low set, heavy bodied and heavy limbed with plenty of bone and substance, low-headed and sure-footed. Under the British Coal Mines Act 1911 (1 & 2 Geo. 5. c. 50), ponies had to be four years old and work ready (shod and vet checked) before going underground.[15] They could work until their twenties.At the peak of this practice in 1913, there were 70,000 ponies underground in Britain.In shaft mines, ponies were normally stabled underground[16] and fed on a diet with a high proportion of chopped hay and maize, coming to the surface only during the colliery's annual holiday.* Council Flats (Wikipedia)Q6: What are Rowling Readers to think of Robin's dream in chapter 22 (174 )when she's sleeping next to Murphy but dreaming of being at Ramsay's Silver with Strike and the showroom is filled with “cuddly toys instead of masonic swords and aprons”?* ‘Harry's Dreams:' Steve Vander Ark, Harry Potter LexiconQ7: The first bad news phone call that Robin takes from her mother Linda in Hallmarked Man is about the death of Rowntree. What is the connection between Robin's beloved Chocolate Labrador, Quakers, and Rowling's Golden Thread about ‘What is Real'?‘Troubled Blood: Poisoned Chocolates' (John Granger, 2021)‘Troubled Blood: The Secret of Rowntree' (John Granger, 2021)I explained in ‘Deathly Hallows and Penn's Fruits of Solitude‘ why Penn's quotation is a key to the Hogwarts Saga finale, how, in brief, the “inner light” doctrines of the Quakers and of non-conformist esoteric Christianity in general inform the story of Harry's ultimate victory in Dobby's grave over doubt and his subsequent ‘win' in his battle against death and the Dark Lord. I urge you to read that long post, one of the most important, I think, ever posted at HogwartsProfessor, for an idea of how central to Rowling's Christian faith the tenets of Quakerism really are as well as how this shows itself in Deathly Hallows.What makes the historical chocolate connection with the Quakers, one strongly affirmed in naming the Ellacott dog ‘Rowntree,' that much more interesting then is the easy segue from the “inner light” beliefs of the Christian non-conformists to the effect of chocolate on characters in Rowling and Galbraith novels. The conscience of man per the Quakers are our logos within that is continuous with the Logos fabric of reality, the Word that brings all things into existence and the light that is in every man (cf., the Prologue to St John's Gospel). Our inner peace and fellowship, in this view, depend on our identification with this transpersonal “inner light” rather than our ephemeral ego concerns.What is the sure way to recover from a Dementor attack, in which your worst nightmares are revisited? How does Robin deal with stress and the blues? Eat some chocolate, preferably a huge bar from Honeydukes or a chocolate brownie if you cannot get to Hogsmead.Access, in other words, the Quaker spiritual magic, the “inner light” peace of communion with what is Absolute and transcendent, a psychological effect exteriorized in story form by Rowling as the good feeling we have in eating chocolate. Or in the companionship and unconditional love of a beloved Labrador, preferably a chocolate Lab.Christmas Pig: The Blue Bunny' (John Granger, 2021)“Do you just want to live in nice houses?” asked Blue Bunny. “Or is there another reason you want to get in?”“Yes,” said Jack, before the Christmas Pig could stop him. “Somebody I need's in there. He's called DP and he's my favorite cuddly toy.”For a long moment, Jack and Blue Bunny stared into each other's eyes and then Blue Bunny let out a long sigh of amazement.“You're a boy,” he whispered. “You're real.”“He isn't,” said the panic-stricken Christmas Pig. “He's an action figure called—”“It's all right, Pig,” said Blue Bunny, “I won't tell anybody, I promise. You really came all the way into the Land of the Lost to find your favorite toy?” he asked Jack, who nodded.“Then I'll be your decoy,” said Blue Bunny. “It would be an honor” (169).The Bunny's recognition here of Jack as a messiah, sacrificial love incarnate, having descended into existence as a Thing himself from Up There where he was a source of the love that “alivens” objects, is one of, if not the most moving event in Christmas Pig. Note the words he uses: “You're real.”Rowling has used the word “real” twice before as a marker of reality transcending what we experience in conventional time and space, the sensible world. The first was in what she described as the “key” to the Harry Potter series, “lines I waited seventeen years to write” (Cruz), the end of the Potter-Dumbledore dialogue at King's Cross….In a Troubled Blood passage meant to echo that dialogue, with “head” and “backside” reflecting the characters inverted grasp of “reality,” Robin and Strike talk astrology:“You're being affected!” she said. “Everyone knows their star sign. Don't pretend to be above it.”Strike grinned reluctantly, took a large drag on his cigarette, exhaled, then said, “Sagittarius, Scorpio rising, with the sun in the first house.”“You're –” Robin began to laugh. “Did you just pull that out of your backside, or is it real?”“Of course, it's not f*****g real,” said Strike. “None of it's real, is it?” (Blood 242, highlighting in original).The Bunny's simple declaration, “You're real,” i.e., “from Up There,” the greater reality of the Land of the Living in which Things have their awakening in the love of their owners, clarifies these other usages. Dumbledore shares his wisdom with Harry that the maternal love which saved him, first at Godric's Hollow and then in the Forest, is the metaphysical sub-stance beneath, behind, and within all other reality. Strike gives Robin a dose of his skeptical ignorance and nominalist first principle that nothing is real but surface appearance subject to measurement and physical sensation, mental grasp of all things being consequent to that.Christmas Pig‘s “real” moment acts as a key to these others, one evident in the Bunny's response to the revelation of Jack's greater ontological status. He does a Dobby, offering to die for Jack as Jack has done in his descent into the Land of the Lost for DP, a surrender of self to near certain death in being given to the Loser he considers an “honor.” He acts spontaneously and selflessly as a “decoy,” a saving replacement in other words, for the “living boy” as Dobby did for the “Boy Who Lived.” The pathetic distraction that saved the DP rescue mission in Mislaid despite himself, crying out in desperation for his own existence, has metamorphized consequent to his experience with Broken Angel and in Jack's example, into a heroic decoy that allows Jack and CP to enter the City of the Missed.The Blue Bunny makes out better than the House-elf, too, and this is the key event of the book and the best evidence since the death of Lily Potter, Harry's defeat of Quirrell, and the demise of the Dark Lord that mother's love is Rowling's default symbolism for Christian love in her writing. The Bunny's choice to act as decoy, his decision to die to his ego-self, generates the life saving appearance of maternal love and its equivalent in the transference attachment a child feels for a beloved toy. The Johannine quality of the light that shines down on him from the Finding Hole and his Elijah-esque elevation nails down the Logos­-love correspondence.EC: All through Hallmarked Man Robin is saying to herself, “I think I love Ryan, no, really, I know I love him…,” which of course is Rowling's way of signaling the conflict this character has in her feelings for Strike and for Murphy. What is that about?* See ‘The Hallmarked Man's Mythological Template' for discussion of the Anteros/Eros distinction in the myth of Cupid and Psyche as well as the Strike-Ellacott novels Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe

We start the episode with a chat about artists that drastically changed their sound over the years – from the Beatles to Cher to Alanis to Herbie Hancock to Bob Dylan to Fleetwood Mac to Beyonce. Speaking of artists that changed their sound, how about the Bee Gees? They started out as a folky pop band and changed their sound to R&B in the mid ‘70s to out and out disco by 1977. We have an excellent 1989 Brad Giffen interview with Barry Gibb as he talks about the groups desire to keep going in spite of the backlash they faced after Saturday Night Fever. It cast a long shadow on them, but they endured by writing hit songs for other artists. Then, we have a really fun chat with Jason Mraz from 2012 and 2014. You get a real sense of who he is - an almost old school hippy vibe that’s really endearing. Plus, some audio from the late ‘70s/early ‘80s with the great George Benson – a jazz giant who had lots of commercial success. He has some great insights as well. And then we chat with one of Christopher’s favourite people – Ian Thomas – who has had a whole string of hit records that Canadians know and love – and some of those songs were covered by the likes of Santana, Manfred Mann and America. Ian is one of the newest inductees into the Canadian songwriters Hall Of Fame – which is coming up on Fri, Oct 17 at the Meridian Centre in Toronto. Tickets are available at Ticketmaster. Famous Lost Words, hosted by Christopher Ward and Tom Jokic, is heard in more than 100 countries worldwide and on radio stations across Canada, including Newstalk 1010 Toronto, CJAD 800 Montreal, 580 CFRA Ottawa, AM 800 CKLW Windsor, 610 CKTB St Catharines, CFAX Victoria, AM1150 Kelowna and 91x in Belleville. It is in the Top 20% of worldwide podcasts based on the number of listeners in the first week.

Adrian & Dion return to revel in the musical joys and excesses of Saturday Night Fever (1977) and the sweaty disco-hangover sequel Staying Alive (1983). It was musical drama that defined a generation… and Staying Alive. Whether disco-era polyester and dance floors or aerobics-era baby oil and headbands, there is only one thing for sure: Travolta sweats.   Chapters: 0:00:12 - Welcome to Cult Film School 0:03:00 - Adrian & Dion's Personal Histories of Saturday Night Fever (1977) and Staying Alive (1983) 0:08:05 - Saturday Night Fever (1977): IMDb Plot Summary 0:09:38 - A Brief Production History of Saturday Night Fever 0:16:15 - More Than a Disco Movie… 0:18:48 - The Darkness of Saturday Night Fever (1977) 0:22:38 - “A story of America” 0:24:26 - Disco Dance Floor Dynamics 0:25:25 - “… because everything is broken.” 0:26:35 - Stephanie 0:27:51 - Disco Dance Floor Dynamics (cont.) 0:31:50 - Bobby C. 0:37:28 - “There's ways of killing yourself without killing yourself.” 0:43:26 - Saturday Night Fever (1977): Tagline 0:47:13 - Staying Alive (1983): IMDb Plot Summary 0:49:56 - A Brief Production History of Staying Alive 0:51:23 - A Guilty Camp Pleasure 0:55:09 - A Tale of Two Films 1:01:43 - Loose Ties to Saturday Night Fever (1977) & Stallone's Influence 1:03:58 - Camp Excesses Curtailed? (or, Satan's Alley Triumphs) 1:07:51 - Homoeroticism & Christmas Film 1:10:20 - Staying Alive (1983): Tagline 1:12:46 - A Tale of Two Tonys 1:16:11 - Next Episode Preview   Connect with Adrian & Dion: Letterboxd ~ CultFilmSchool Instagram ~ @cultfilmschool  Threads ~ @cultfilmschool X ~ @cultfilmschool Facebook  ~ Follow Us! Send an Email ~ cultfilmschoolpodcast@gmail.com  Don't forget to leave a rating and review!

The Enough Said Crew is back with another episode.  On this episode, we recap a wild week number #3 of the NFL season.   We're not live from New York, but it is Saturday night and we are live and having a blast. On this episode, we let Jermaine cut loose.  We dig into the Eagles and their offensive struggles.  We recapped ac few games from Week 3 and make picks in a few key games include Niners Cardinals, Eagles Rams and Broncos Chargers.  Enjoy the episode and leave any feedback at enoughsaidcrew@gmail.com.

At only 8 years old, Justin Henry was the youngest Academy Award nominee ever...but what did he do next?  Well, I'm gonna take you on a deep dive of his acting resume while also blowing your minds with tales of making short films with the chick from Saturday Night Fever, watching Charmed without the sound, hanging out with Mark Volman of The Turtles, Ashley Scott lying on the ground, meeting Pauly Shore, and ordering season 1 of Thirtysomething on Ebay.  It's a gem of an episode.

Live Recorded Set from VirtualDJ Radio ClubZone

Part 2 of my conversation with guest Phil Stacey about songs we hate to love.  Show notes: Our top 10 songs we hate to love in no particular order Phil: A song from the infamous Great White One of the many bands who tried to sound like Zeppelin Jay: Rupert Holmes somehow got cheesier than the "Pina Colada Song" Classic AM gold shizz Phil: A big hit for the Carpenters Originally written for a bank commercial Jay: Monster disco one-hit wonder from Patrick Hernandez Phil: Britney with an earworm Jay: Raspy pop smash from Kim Carnes Crossed over to MOR stations that our parents listened to Phil: Digging into the Jefferson Starship ballads Marty Balin got on the wrong side of the Hell's Angels at Altamont Jay: Phil Collins did a lot of soundtrack music in the '80s in addition to everything else A patented Collins Angry Ballad Phil digs that calypso beat in one of Lionel Richie's biggest hits Richie was one of the driving forces behind "We Are the World" Jay: A synth pop cover of "Lean On Me" Phil: Secretly loved the Saturday Night Fever soundtrack as a kid Yvonne Elliman sang backups on several Clapton albums Jay: Non-English hit by Falco Only German-language #1 song in America Phil: Frankie Valli's disco song in Grease Written by Barry Gibb, who was unstoppable in the late '70s Jay: Early '70s soft rock jam from Albert Hammond Phil: John Mayer's wuss rock moment More familiar with his work in Dead and Co. Jay: Rediscovered recently his love of Little River Band Australian purveyors of catchy dad rock Original members lost the rights to the band name Phil: Shout out to the Weather Girls Catchy and co-written by Paul Shaffer Jay: Another huge hit from the Queen of Disco, Donna Summer Phil: An apparently ironic love ballad from the Captain and Tennille Jay: Another hit from the Gibb family, this time younger brother Andy Too much cocaine, apparently Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

There was a time when lots of people really wanted a sequel to Saturday Night Fever (1977). And then they got one. And most of them were unhappy with the result. Like, a lot of people. But not my old pal (and veteran film critic) Todd Gilchrist! Big thanks to Todd for picking an essential "bad" movie, which I can now scratch off the list, and also for a great chat. Thanks for listening to Overhated! There are 100+ more episodes at patreon.com/scottEweinberg. Subscribe to hear them all now! Check out the list of episodes here: bit.ly/3WZiLFk. Subscribe wherever you get your podcasts: Apple Podcasts, Spotify, etc.  Overhated is now proudly sponsored by those Effin' Birds.com, the award-winning comic strip by Aaron Reynolds.  

Send us a textA hard-boiled police detective sets out to capture an aspiring Broadway dancer who has been terrorizing the canals of Amsterdam with his killer moves. On Episode 687 of Trick or Treat Radio we are joined by our boy Joshua Libre for his Patreon Takeover and he has selected the films Amsterdamned from director Dick Maas and Staying Alive from director Sylvester Stallone for us to discuss! We also talk about Dutch horror, the real reason disco died, and what could have been if Joe Spinell was cast as a choreographer in Staying Alive! So grab your scuba gear, strut on down the street in your finest clothes, and strap on for the world's most dangerous podcast!Stuff we talk about: Horror merchandise, Chia Pets, Pennywise, Elvira, Ghostface, Jason Universe, making the pain go away, the prolific pisser, the 13th step, national hispanic heritage, Amityville, Henry: Portrait of a Serial Killer, The Good Son, Warlock, The Forgotten, Shaun of the Dead, Rare Exports, Wendigo, Bloody Homecoming, Dead Women's Hollow, Woe, The Dunwich Horror, Stitch, Chronicles of the Dead, Trancers 2, Freaked, Alex Winter, Summer School, Mask, Cher, Boone the Bounty Hunter, Journey into Darkness, The Creeping Flesh, King Kong, Victor Wong, James Hong, Pooh-niverse, Anaconda, The Bride, Bonny and Clyde, Tremors, Remo Williams, Walking Dead, Jeffrey Dean Morgan, The Johnsons, Amsterdamned, Dick Maas, James Bond, boat chases, Police Academy 5, Dark Night of the Scarecrow, The Vanishing, Huub Stapel, The Last Crusade, Lucker the Necrophagous, Staying Alive, Sylvester Stallone, Saturday Night Fever, John Travolta, The Sandlot, Kurtwood Smith, Frank Stallone, That 70s Show, Johnny Vasolino, a bulge the size of a coconut, Pulp Fiction, Norman Wexler, Bee Gees, Flashdance, Cynthia Rhodes, Joe Spinell, Fame, Xanadu, D.C. Cab, My Bodyguard, Showgirls, Waiting for Guffman, The Producers, Disco Demolition, time capsule, Weapons, Until Dawn, Peter Stormare, Sinners, Bring Her Back, Amsterdarned, Hamsterdamned, a small serving of Giallo, War of the Worlds, Mac Sabbath, The Apple, The Last Starfighter, Patreon Takeover, Superman, Toxic Avenger, Peter Dinklage, Springtime for Tony and Amsterdamned II.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Starting here, starting now, we're closer than ever to unlocking the cabinet on the top shelf, and it's About Time, Baby! Because we're joined by the two-and-only Maltby and Shire! (Say what?! *faints*) In our most incredible episode, ever, Richard Maltby Jr and David Shire sit down with AW and Mr JWags for a chinwag about Dream Theater's 'Words and Images', before clocking onto 'About Time' - the third revue from this dreamy theatrical duo! PLUS hear exclusive sneak peeks of brand-new Maltby and Shire songs, as we preview the third part of their 'life' trilogy. Also, we chat Star Quality, Crossword Puzzles, Return to Oz, Changes in their Process, Dining Options, and so much more!--SOCIALS--(Richard and David aren't on socials)Mr J Wags: Twitter: https://twitter.com/MrJWags -- Instagram: https://instagram.com/MrJWagsSecond City NYC: https://www.secondcity.com/shows/new-yorkArt For My Sake: https://www.thetonastontales.com/bookstore/p/artformysake-ebookTnT/Bloop Networkhttps://www.thetonastontales.com/listen -- https://www.patreon.com/bloomingtheatricals - https://twitter.com/thrashntreasurehttps://linktr.ee/thrashntreasure*****Help support Thrash 'n Treasure and keep us on-air, PLUS go on a fantastical adventure at the same time!Grab your copy of The Tonaston Tales by AW, and use the code TNT20 when you check out for 20% off eBooks and Paperbacks!https://www.thetonastontales.com/bookstore - TNT20 ***** ★ Support this podcast on Patreon ★

What does John Travolta strutting through Brooklyn with two slices of pizza have to do with the Ṛg Veda's yajña-puruṣa, the divine person behind the cosmos? In this episode, Raghunath and Kaustubha show how Travolta's swagger reflects Krishna's playful personhood in Vṛndāvana. We explore how the Bhāgavatam reveals God “off duty”—laughing, eating with his friends, and personally searching for lost calves—while also guiding us toward fearlessness, community, and deeper spiritual focus. Key themes include: * Travolta's swagger as reflection of Krishna's divine personhood * God Off Duty: yajña-puruṣa as a barefoot boy in Vṛndāvana * Why the devas were stunned by Krishna's picnic * Fearlessness through friendship with Krishna * Sage Groups vs. Netflix rabbit holes * Prabhupāda's final purports from Vrindāvana Subscribe and join us for daily wisdom, Vedic insights, and Bhakti inspiration. Srimad Bhagavatam 10.13.9-14 ********************************************************************* LOVE THE PODCAST? WE ARE COMMUNITY SUPPORTED AND WOULD LOVE FOR YOU TO JOIN! Go to https://www.wisdomofthesages.com WATCH ON YOUTUBE: https://youtube.com/@WisdomoftheSages LISTEN ON ITUNES: https://podcasts/apple.com/us/podcast/wisdom-of-the-sages/id1493055485 CONNECT ON FACEBOOK: https://facebook.com/wisdomofthesages108 ********************************************************************* Join the Gita Collective Whatsapp group! https://chat.whatsapp.com/IoClfPirgHXBad5SxjH2i6?mode=ems_copy_t

Patrick and Adam Riske are joined by Sonia Mansfield to talk about a '70s classic and pay tribute to their late friend. Download this episode here.Subscribe to F This Movie! on Apple Podcasts.Also discussed this episode: Blow Out (1981), Night Moves (1975), 28 Years Later (2025), Disney's The Kid (2000), The Shrouds (2025), Caught Stealing (2025), Out Come the Wolves (2024). Night of the Reaper (2025), Place of Bones (2024)Buy Margo Donohue's book Fever here and support book stores!

What does John Travolta strutting through Brooklyn with two slices of pizza have to do with the Ṛg Veda's yajña-puruṣa, the divine person behind the cosmos? In this episode, Raghunath and Kaustubha show how Travolta's swagger reflects Krishna's playful personhood in Vṛndāvana. We explore how the Bhāgavatam reveals God “off duty”—laughing, eating with his friends, and personally searching for lost calves—while also guiding us toward fearlessness, community, and deeper spiritual focus. Key themes include: * Travolta's swagger as reflection of Krishna's divine personhood * God Off Duty: yajña-puruṣa as a barefoot boy in Vṛndāvana * Why the devas were stunned by Krishna's picnic * Fearlessness through friendship with Krishna * Sage Groups vs. Netflix rabbit holes * Prabhupāda's final purports from Vrindāvana Subscribe and join us for daily wisdom, Vedic insights, and Bhakti inspiration. Srimad Bhagavatam 10.13.9-14 ********************************************************************* LOVE THE PODCAST? WE ARE COMMUNITY SUPPORTED AND WOULD LOVE FOR YOU TO JOIN! Go to https://www.wisdomofthesages.com WATCH ON YOUTUBE: https://youtube.com/@WisdomoftheSages LISTEN ON ITUNES: https://podcasts/apple.com/us/podcast/wisdom-of-the-sages/id1493055485 CONNECT ON FACEBOOK: https://facebook.com/wisdomofthesages108 ********************************************************************* Join the Gita Collective Whatsapp group! https://chat.whatsapp.com/IoClfPirgHXBad5SxjH2i6?mode=ems_copy_t

Send us a textWhen all but one host from the same podcast mysteriously vanish on the same episode at exactly the same time, a community is left questioning how or why they even bother to listen. On Episode 686 of Trick or Treat Radio our feature presentation film discussion is Weapons from director Zach Cregger! We also do a live reaction to the new Deathgasm II: Goremageddon trailer, talk about the Silver Scream convention, and explore what makes for a truly scary scene. So grab a branch from your blackthorn tree, play dead and make your friends carry you around Weekend at Bernies style and strap on for the world's most dangerous podcast!Stuff we talk about: Drag isn't a drag, Boulet Brothers, Todd McFarlane, David Dastmalchian, Shudder, Happy Shemptember, Beaker, Transformers, Before I Hang, Revenge of the Zombies, Godzilla vs. The Things, The House By the Lake, Vampire's Kiss, Messengers, Devil, Stake Land, Death By VHS, Self Storage, Abandoned Dead, Ella Parnell, Cassandra Peterson, Queen of the Damned, Winchester, Munsters, Paul Benedict, Devil's Advocate, Attack of the 50 Foot Woman, The Mephisto Waltz, Anne Bancroft, Dracula Dead and Loving It, Queen of Blood, The Hounds of Hell, Tales of the Unexpected, Logan's Run, Twilight Zone, Roddy McDowell, The Natural, RIP Robert Redford, Quiz Show, John Turturro, the Flying Elfman Brothers, Jenna Elfman, RIP Paula Shaw, RIP Sergio Salvati, Lucio Fulci, Silver Scream Convention, Ice Nine Kills, Tom Savini, Daniel Roebuck, Dudes, Three's Company, Weekend at Bernie's, Terry Kiser, Beetlejuice, Barbara Crampton, Just Let Your SoBro, Matthew Lillard, Terrifier, Rose McGowan, Skeet Ulrich, Rough House Publishing, Stray, Karrion Kross, Jonathan Silverman, Andrew McCarthy, Saraya Knight, Rhea Ripley, David Howard Thornton, Art the Clown, Amy Madigan, Julia Garner, Josh Brolin, Alden Ehrenreich, Benedict Wong, Barbarian, Goonies, Han Solo, Julia Garner, Weapons, Zach Cregger, Justin Long, riding the terrible wave, the worst impression, Resident Evil, New Line Cinema, Amsterdamned, Staying Alive, Sylvester Stallone, John Travolta, Saturday Night Fever, Together, Polite Corny, and getting a touch of the consumption.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Listen to an entertaining interview with cast members from Saturday Night Fever at Toby's Dinner Theater. You will be smiling with references to John Travolta's iconic moves and the sounds of the disco era. 

"Ich hatte eine schöne Kindheit, eingebettet in Küsse und Umarmungen", sagte unser Gast mal. Aus dieser vielleicht sogar bedingungslosen Liebe schöpfen Menschen ein Urvertrauen und das, so jedenfalls wirkt es, steckt nach wie vor in ihm. Jannik kommt 1992 in Hamburg zur Welt, als jüngster von drei Söhnen des Maurermeisters Schümann. Während die Jungs Fußball spielen, verschlingt Jannik Schümann Tanzfilme unterschiedlichster Art, von Saturday Night Fever bis Billy Elliot, ein bisschen tanzt er auch, erst Jazzdance, dann Hiphop, aber die Arbeit vor der Kamera wird es letztlich sein, die all seine Talente vereint. Mit 9 Jahren geht’s schon los im Musical "Mozart", später übernimmt er als Jugendlicher weitere Bühnenrollen, lässt sich in Hamburg zum Schauspieler ausbilden und zieht mit 18 Jahren nach Berlin. Mit "Homevideo", "Mittlere Reife" oder Christian Petzolds Kinofilm "Barbara" mit Nina Hoss geht's weiter. Es folgen Produktionen wie "Jugend ohne Gott" oder Serien wie "Charité", "Die Diplomatin", "Sisi" oder "Disko 76". Und er hat etwas Neues im Köcher, aber davon muss er selbst erzählen. Playlist Rosenstolz - Lass sie reden Cats - The Jellicle Ball No Angels - Daylight in your Eyes König der Löwen - Circle of Life Sam Smith - Stay with me Adele - All I Ask Beyonce - Alien Superstar Hamilton - Alexander Hamilton Diese Podcast-Episode steht unter der Creative Commons Lizenz CC BY-NC-ND 4.0.

"Ich hatte eine schöne Kindheit, eingebettet in Küsse und Umarmungen", sagte unser Gast mal. Aus dieser vielleicht sogar bedingungslosen Liebe schöpfen Menschen ein Urvertrauen und das, so jedenfalls wirkt es, steckt nach wie vor in ihm. Jannik kommt 1992 in Hamburg zur Welt, als jüngster von drei Söhnen des Maurermeisters Schümann. Während die Jungs Fußball spielen, verschlingt Jannik Schümann Tanzfilme unterschiedlichster Art, von Saturday Night Fever bis Billy Elliot, ein bisschen tanzt er auch, erst Jazzdance, dann Hiphop, aber die Arbeit vor der Kamera wird es letztlich sein, die all seine Talente vereint. Mit 9 Jahren geht’s schon los im Musical "Mozart", später übernimmt er als Jugendlicher weitere Bühnenrollen, lässt sich in Hamburg zum Schauspieler ausbilden und zieht mit 18 Jahren nach Berlin. Mit "Homevideo", "Mittlere Reife" oder Christian Petzolds Kinofilm "Barbara" mit Nina Hoss geht's weiter. Es folgen Produktionen wie "Jugend ohne Gott" oder Serien wie "Charité", "Die Diplomatin", "Sisi" oder "Disko 76". Und er hat etwas Neues im Köcher, aber davon muss er selbst erzählen. Playlist Rosenstolz - Lass sie reden Cats - The Jellicle Ball No Angels - Daylight in your Eyes König der Löwen - Circle of Life Sam Smith - Stay with me Adele - All I Ask Beyonce - Alien Superstar Hamilton - Alexander Hamilton Diese Podcast-Episode steht unter der Creative Commons Lizenz CC BY-NC-ND 4.0.

"Ich hatte eine schöne Kindheit, eingebettet in Küsse und Umarmungen", sagte unser Gast mal. Aus dieser vielleicht sogar bedingungslosen Liebe schöpfen Menschen ein Urvertrauen und das, so jedenfalls wirkt es, steckt nach wie vor in ihm. Jannik kommt 1992 in Hamburg zur Welt, als jüngster von drei Söhnen des Maurermeisters Schümann. Während die Jungs Fußball spielen, verschlingt Jannik Schümann Tanzfilme unterschiedlichster Art, von Saturday Night Fever bis Billy Elliot, ein bisschen tanzt er auch, erst Jazzdance, dann Hiphop, aber die Arbeit vor der Kamera wird es letztlich sein, die all seine Talente vereint. Mit 9 Jahren geht’s schon los im Musical "Mozart", später übernimmt er als Jugendlicher weitere Bühnenrollen, lässt sich in Hamburg zum Schauspieler ausbilden und zieht mit 18 Jahren nach Berlin. Mit "Homevideo", "Mittlere Reife" oder Christian Petzolds Kinofilm "Barbara" mit Nina Hoss geht's weiter. Es folgen Produktionen wie "Jugend ohne Gott" oder Serien wie "Charité", "Die Diplomatin", "Sisi" oder "Disko 76". Und er hat etwas Neues im Köcher, aber davon muss er selbst erzählen. Playlist Rosenstolz - Lass sie reden Cats - The Jellicle Ball No Angels - Daylight in your Eyes König der Löwen - Circle of Life Sam Smith - Stay with me Adele - All I Ask Beyonce - Alien Superstar Hamilton - Alexander Hamilton Diese Podcast-Episode steht unter der Creative Commons Lizenz CC BY-NC-ND 4.0.

**This episode was recorded prior to Margo's unfortunate passing towards the end of July. Our thoughts are with her family and loved ones.** We're hitting the dance floor with Margo Donohue, the author of Fever: The Complete History of Saturday Night Fever.  Margo joins Kristen and Emily to discuss John Travolta's rise to fame, New York in the 1970s, and whether contemporary audiences can find any redeeming qualities in these characters. We also talk about how much we love Donna Pescow. A lot! Buy Margo's book, Fever, by clicking this link. Be sure to follow us via social media at @ticklish_biz on X and @ticklishbiz everywhere else. Also like and subscribe to us on all podcast apps and, if you love us, leave us a review. Find Kristen and Emily's books wherever you buy books. Kristen's latest, Popcorn Disabilities, is available to pre-order now before it releases on November 13th!     •    Love T shirts, pins, and other merch? The merch shop is live!      •    ICMYI, the best way to support Ticklish Biz is to become a Patron:     •    Follow Emily's Instagram    •    Follow Kristen's Instagram This episode was created thanks to our Patrons: Ali Moore Danny David Floyd Gates mcf Rachel Clark Shawn Goodreau A Button Called Smalls Chris McKay Jacob Haller Peter Blitstein Peter Bryant Reyna Moya-James Bridget M. Hester Cat Cooper Dana Raines Daniel Tafoya David Baxter Diana Madden Harry Holland Jamie Carter Karen Yoder Lucy Soles Nick Weerts Patrick Seals Richard Silver Rosa Learn more about your ad choices. Visit megaphone.fm/adchoices

Track Listing:1. One More Time for DCE?2. Braith Says We Need NBA Style Contracts3. The NRL Says NO To The Kevvie & Gordie Roadshow4. Mal is Already Buggered5. Tino The Mercenary6. It's Time to Blow Up the Bunker7. The Red Hill Virus8. Battle of the Big 49. Market WatchListen, subscribe & don't forget to shop at What's Your Team with discount code PHINSPOD

Our final episode of Season 6 fulfills our impromptu promise at the start of the season. We listen to selections from the soundtrack to the Saturday Night Fever sequel, Staying Alive, while also discussing the corresponding film. Guests Mark T. Weathersby and Taylor Rowley join us to celebrate the campiness.  If you like us, please support us at patreon.com/idbuythatpodcast to get exclusive content (episodes on 45s!), or tell a friend about us. Broke and have no friends? Leave us a review, it helps more people find us. Thanks!  

Send us a message, so we know what you're thinking!Is a double album a record label cash grab, or a way to deliver great music that can't be contained within the usual confines of a single LP? The double album has been both. This episode, we look at how the double album came to be, and some of the greatest double albums from the 70's.  Most of these albums show career-best work from legendary artists such as The Beatles, The Clash, Bob Dylan, Hendrix, The Rolling Stones, Genesis, Elton John, The Who (twice!) - and more! And soon, we'll do an episode on the Greatest Double Albums of the 80's - and there's a stack of those, too!!Our “Album you must hear Before You Die” is the 1973 live album “It's too Late to Stop Now” by Van Morrison.  Neither of us is much of a Morrison fan, despite his passionate, improvisational vocals. Regarded as an energetic, spontaneous live experience, Morrison's vocal mannerisms illustrate why we don't think much of it.  We also found a great documentary on-line called “Keep me in your Heart” about – surprise! - Warren Zevon.  It captured Zevon in the last days before his death & showed why his fans loved him. We think you'll really love this episode!  References: Hot August Night, Neil Diamond, Greek Theatre in LA, Derek and the Dominos, 'Layla and Other Assorted Love Songs', Duane Allman, Gregg Allman, Fleetwood Mac, 'Tusk', Lindsey Buckingham, “Lindsay's Folly”, Chilean profanities, "Puta la cagó", Pink Floyd, 'The Wall', Roger Waters, David Gilmour, Bob Ezrin, “One of my Turns”, "In The Flesh”, Elton John, 'Goodbye Yellow Brick Road', Warren Zevon, “Keep me in your Heart”, “The Wind”, The Beatles, “The White Album”, The Who, “Tommy”, Dylan, “Blonde on Blonde”, Deep Purple, “Made in Japan”, “Pinball Wizard”, Elton John, Keith Moon, Tommy Australian cast - Myer Music Bowl in Melbourne, 'Quadrophenia', The Band, 'Rock of Ages', “The Last Waltz”, Bee Gees, 'Saturday Night Fever', Dexter Resurrection, Kiss, 'Alive!', "Rock and Roll All Nite", The Simpsons, “I Wanna rock'n'roll all Nite”, Genesis, 'The Lamb Lies Down on Broadway', Peter Frampton, 'Frampton Comes Alive!', Jeff Beck, Hordern Pavilion, Led Zeppelin, 'Physical Graffiti', “Kashmir”, Robert Plant, Hipgnosis Record Covers, The Clash, 'London Calling', The Rolling Stones, 'Exile on Main St.', “Happy”, Rolling Stone's List of 500 Greatest Albums of all Time, "While My Guitar Gently Weeps", "Helter Skelter" Links  Playlist      “Keep me in your Heart” - A great documentary about Warren Zevon 

Send a Message to the TeamIn this episode, the team looks at a different fork if the Bee Gees don't record the soundtrack for a certain John Travolta Movie.Panel:Helena, Evan, Kai, Chris, and Dylan.Article referenced in the episode:Article referenced in the episode:https://www.vanityfair.com/news/2007/12/saturday-night-feverAlternative Soundtrack for Saturday Night Fever:https://youtube.com/playlist?list=PLVPHDFnXM-s6Ia_mqJJEK0lvx6p3PA7zD&si=qlugU9clNcujBCZLYou can follow and interact with A Fork In Time on….Discord: https://discord.com/invite/xhZEmZMKFSFacebook: https://www.facebook.com/aforkintimeTwitter: @AFITPodcastOur YouTube ChannelIf you enjoy the podcast and want to support it financially, you can help by:Supporting us monthly via Patreon: https://www.patreon.com/aforkintime....or, make a one-time donation via Podfan to A Fork In TimeWebsite: www.aforkintimepodcast.comE-Mail: aforkintimepodcast@gmail.comTheme Music: Conquer by Shane Ivers - https://www.silvermansound.comSupport the show

This week on Totally 80's and 90's Recall, Rob and Dave are going way back—to the years they were born! Dave is diving into the Billboard Hot 100 of 1976, and Rob's taking on 1977, but with a twist: each of them has handpicked their favorite 10 songs from those charts—not necessarily the biggest hits, but the ones that stuck with them as they grew up through the late '70s and into the heart of the '80s. It's personal, nostalgic, and full of deep cuts and timeless classics. But the music didn't exist in a vacuum—pop culture was fueling the fire. Think Rocky and Saturday Night Fever changing the game, CB radios and bell bottoms in full swing, the rise of FM radio and variety shows like Donny & Marie or The Sonny & Cher Comedy Hour keeping families glued to the tube. Disco balls lit the dance floors, punk was brewing in the underground, and AM radio was a blend of soul, rock, funk, and soft pop magic. Expect plenty of storytelling, musical surprises, and the kind of passionate debate only two pop culture buffs can bring. From disco grooves and soft rock jams to early signs of the sounds that would dominate  the '80s, these songs weren't just hits—they were part of the soundtrack to Rob and Dave's childhoods.  Pandora: https://pandora.app.link/iq8iShjXOLb   Apple: https://podcasts.apple.com/us/podcast/totally-80s-and-90s-recall/id1662282694    Spotify: https://open.spotify.com/show/11dk5TUoLUk4euD1Te1EYG?si=b37496eb6e784408    Amazon Music: https://music.amazon.com/podcasts/1960c8f9-158d-43ac-89a6-d868ea1fe077/totally-80s-and-90s-recall    YouTube Podcasts: https://youtube.com/playlist?list=PLH9lGakNgCDZUkkHMUu88uXYMJu_33Rab&si=xo0EEVJRSwS68mWZ   Playlists:   Spotify: https://open.spotify.com/playlist/37zT4WFuKeOqnRLj95EsB2?si=aPEyDtDhS3efWfsYPVzBmg    Apple: https://music.apple.com/us/playlist/billboard-76-77/pl.u-e98l37jtWq6EDx?ls   Amazon: https://music.amazon.com/user-playlists/4d5037f91f0b4278947842be46eff26esune?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_xRUoh78vfFkFEGriMOYeGUNKC Contact Us: Website: https://totally80s90srecall.podbean.com/  Email: 80s90srecall@gmail.com LinkTree:https://linktr.ee/80s90srecall

"I've been kicked off the track team, and without track, my grades will be based on ...my grades."The world lost a wonderful woman this month with the passing of Margo Donohue. In honor of her life and legacy, we're re-releasing our episode with her on HEAVEN HELP US, the 1985 Catholic school boys film filmed in Brooklyn. At the time of the episode, Margo had just released the book FILMED IN BROOKLYN, all about movies set in her stomping grounds. We also read a bit from Mike McPadden's TEEN MOVIE HELL, had the chance to examine how teen boys function differently around women compared to all-male groups, and tried to figure out why we love Kevin Dillon's Rooney so much, even though he says the f-slur more in this movie than any others combined.We miss you already, Margo. For more of her work, check out the books FILMED IN BROOKLYN and FEVER: The Complete History of Saturday Night Fever, as well as her podcasts What a Creep!, Dorking Out, and Book Vs. Movie.--------Become a Patron! https://www.patreon.com/thisendsatprom--------Social Media Plugs@ThisEndsAtProm@BJColangelo@Veloci_trap_tor / @harmonycolangelo.bsky.social.com----------Logo Design: Haley Doodles @HaleyDoodleDoTheme Song: The Sonder Bombs 'Title': https://thesonderbombs.bandcamp.com/

Here it is: our 18th and final episode of series 6. We've covered punk, Studio 54, the Warehouse, Black Disco, Eurodisco and Saturday Night Fever, but today Jeremy and Tim summarise some final reflections on the city of New York in the pivotal year of 1977. They discuss the early career of a businessman who liked to frequent the discotheques and would go on to become president of the USA, linking Mr Trump to a culture of corporate welfare and downtown development. We hear about the Son of Sam, the World Series, power cuts, looting, scratching, breaking, the Bronx and the beats that propelled the nascent Hip Hop culture. Thanks to everyone who's joined us on our deep dive this series - we'll be taking a short summer break and will be back some time in September with more music, dance floors, sound systems and counterculture. Produced by Matt Huxley.Do check out the podcasts Jem shouts out in end notes of this show. We're listing them here, you can find them wherever you find this:Pro Revolution SoccerRed MedicinePolitics Theory OtherWe are now on Youtube! Find series 6 here: https://www.youtube.com/@LITMPodcastRemember, we have a rolling playlist of all the tracks discussed over on Spotify: https://open.spotify.com/playlist/3ZpKyqhvhOXfTuPMHCBkFsTracklist: Andrea True - What's Your Name, What's Your Number Ryan Harvey - Old Man Trump Philadelphia  All Stars - Let's Clean Up the Ghetto The Trammps - The Night the Lights Went Out Parliament - Flashlight

Book Vs. Movie: “Saturday Night Fever”Margo D's Book About the Classic Film!This episode is special because we're releasing it on the same day Margo P is having her birthday and Margo D is celebrating the upcoming release of Fever: The Complete History of Saturday Night Fever!  The book is a celebration of the movie that made the world want to dance and turned a TV “Sweathog” into a movie star. In this episode, the Margos discuss:New York magazine writer Nik Cohn and how he and Robert Stigwood helped create a classicThe rocky road to movie making for director John Badham Choreographer Lester Wilson and why he never got the credit he deserved for his work on the filmBehind-the-scenes gossip by the cast & crew (many who are telling their story for the first time!)Paramount Pictures's lack of faith in the movie and their surprise at its success. The disco boom & bust of the late 1970sWhy 'Saturday Night Fever' is considered a cinematic classic, despite its dark subject matter.Clips Featured:“He hits my hair!”Saturday Night Fever (1977 trailer) You Should be Dancing Denny Dillon as DoreenKaren Lynn Gorney as StephanieFran Drescher as ConnieFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Book Vs. Movie: “Saturday Night Fever”Margo D's Book About the Classic Film!This episode is special because we're releasing it on the same day Margo P is having her birthday and Margo D is celebrating the upcoming release of Fever: The Complete History of Saturday Night Fever!  The book is a celebration of the movie that made the world want to dance and turned a TV “Sweathog” into a movie star. In this episode, the Margos discuss:New York magazine writer Nik Cohn and how he and Robert Stigwood helped create a classicThe rocky road to movie making for director John Badham Choreographer Lester Wilson and why he never got the credit he deserved for his work on the filmBehind-the-scenes gossip by the cast & crew (many who are telling their story for the first time!)Paramount Pictures's lack of faith in the movie and their surprise at its success. The disco boom & bust of the late 1970sWhy 'Saturday Night Fever' is considered a cinematic classic, despite its dark subject matter.Clips Featured:“He hits my hair!”Saturday Night Fever (1977 trailer) You Should be Dancing Denny Dillon as DoreenKaren Lynn Gorney as StephanieFran Drescher as ConnieFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Wir sind immer noch im Saturday Night Fever: Die City Night in Berlin war ein voller Erfolg für das #TeamPfeiffer mit Bestzeiten, Rekorden und purer Gänsehaut. Wir nehmen euch heute nochmal mit auf die von Menschenmassen gesäumte Strecke. Und es gibt Neuigkeiten zu Hendriks Wette, die er gegen Esther verloren hat. Ihr dürft nämlich über die "Strafe" für den Verlierer mitentscheiden. Das große Ganze verlieren wir natürlich weiterhin nicht aus den Augen: Schmidtis und Hendriks Ziel bleibt der Herbst-Marathon und auch diesmal haben wir wieder wertvolle Tipps und Erfahrungen für euch dabei. —Hier geht's zum Insta-Beitrag unter dem die Ideen für den Wetteinsatz in den Kommentaren gesammelt werden. Die beiden Einsätze mit den meisten Likes bis Sonntag, 3. August, schaffen ist neben Schmidtis und Maikes Vorschlag in die Endauswahl, aus der Hendrik dann wählen darf. Seid ihr gnädig oder wollt ihr Hendrik ärgern. Ihr entscheidet!—Anzeige | Partner dieser Folge: Exakt

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In Who Knew, Barry Diller tells his story for the first time (and what a story it is). In a career spanning six extraordinary decades, Barry Diller has become one of the most successful executives in media history. Diller's ascent was meteoric, launching ABC-TV's Movie of the Week at age twenty-seven, becoming CEO of Paramount Pictures at age thirty-two, and launching the Fox TV network at age forty-four. Along the way, Diller oversaw the production of classic films such as Saturday Night Fever, Raiders of the Lost Ark, and Home Alone and hit TV shows such as The Simpsons, Married…with Children, and Cops. Along the way Diller tangoed with movie stars and moguls, using his unique management acumen to set the table on his terms. He went on to develop some of the most successful online businesses in the world, including Expedia, Match, and Angi. Indeed, Diller's media savvy changed the course of American culture. While successful professionally, Diller struggled personally. In Who Knew, he reveals the extent of those struggles with astonishing candor before finding his “unique and complete love,” Diane Von Furstenberg. Intimate, candid, and moving, Who Knew is a memoir filled with heart, imbued with humility, and infused with wisdom.

It's Saturday and the fever has gone, let's party and make another bad decision. We'll wake up blind to a bad scene that's everyone's fault and then jiggle through Sunday with the sandpaper blues.https://www.youtube.com/@theonlybooktowrite

Send us a textWhat if your favorite movie wasn't just entertainment, but a mirror of your soul, your childhood, or your resilience? In this deeply nostalgic and fun episode of Girls Gone Gritty, the hosts unpack how movies, especially those driven by music, shape our memories, emotions, and even life decisions. From classics like Sound of Music, Flashdance, and Saturday Night Fever, to modern heart-punches like A Star is Born, The Greatest Showman, and Daisy Jones & The Six, this episode is a heartfelt mixtape of cultural icons and personal connections.You'll laugh, reminisce, and maybe shed a tear as the girls reflect on the emotional impact of music biopics, soundtracks that raise the roof, and the gritty beauty behind the struggles of iconic artists. They also highlight Hunter Woodhall's inspiring journey as this week's “gritmaker”, a reminder that life's setbacks can become your greatest strength.Episode Highlights:(0:00) Intro(0:50) AI grief bots and emotional disconnect(2:25) Man-made eclipses and scientific overreach(3:12) F1 controversy and Hollywood whitewashing(5:10) The nostalgic power of music movies(6:15) Classics like Sound of Music and Frozen(8:40) Dirty Dancing, plastic surgery, and beauty standards(9:10) The Greatest Showman's lasting impact(10:11) Mamma Mia, broadway, and feel-good soundtracks(11:31) Saturday Night Fever and disco's ripple effect(12:27) The Bodyguard and timeless love songs(13:16) Queen, Bohemian Rhapsody, and musical genius(14:28) Tragic artist biopics: Elvis, Johnny Cash, Bob Marley(15:10) A Star is Born and the pain of fame(17:00) Daisy Jones, Stevie Nicks, and Fleetwood Mac(18:16) Almost Famous and the real Penny Lane(20:07) Purple Rain and the myth of autobiography(21:01) Disney's Descendants, Moana, and modern musicals(22:03) Flashdance, Footloose, and turning points(23:24) Soundtrack obsessions and old school hip-hop(24:19) Eminem, 8 Mile, and Straight Outta Compton(25:09) Gritmaker of the Week: Hunter Woodhall(27:00) Song of the Week: “Messy” by Lola Young(28:33) OutroFollow us: Web: https://girlsgonegritty.com/ Instagram: https://www.instagram.com/girlsgonegritty/ More ways to find us: https://linktr.ee/girlsgonegritty

John Travolta returns as sweaty strutting disco stud Tony Manero in this misguided sequel to Saturday Night Fever co-written and directed by… Sylvester Stallone? Tony makes a brazen leap from Brooklyn to Bizarro World Broadway (and from the '70s to the '80s) but soon finds himself not in a love triangle, but a love pentagon as he vies for the lead role in a dizzyingly demented Dante-meets-disco dance revue provocatively titled Satan's Alley (not to be confused with Tropic Thunder's monks-in-forbidden-love fake film). Javi, Paul and - divinely - Producer Brad embark on their most chaotic episode yet as they are relentlessly pummeled with headbands, leotards, lens flares, slow-mo, possible vampires, and the very apotheosis of The Frank Factor as director Stallone tries to turn this film into a career catapult for his brother to outshine the Bee Gees (who apparently didn't appreciate this). In the immortal words of the film, “It's a journey through hell that ends in an ascent to heaven. You might think it's simple, but if it's gonna work you gotta bust your asses!” And we did, so you don't have to. Let's strut!Show Notes:As Paul mentioned, Dennon and Sayhber, the choreographers for Staying Alive, offer classes. Here's the link to their site where you can sign up for dance classes. We can't believe we forgot to discuss the trailer for Satan's Alley, the fake movie from the movie Tropic Thunder! You can watch the trailer here.1983 Box OfficeJuly 15, 1983 Weekend Box OfficeStaying Alive Box Office ResultsFollow us!InstagramBlueskyemail: Multiplexoverthruster@gmail.com Hosted on Acast. See acast.com/privacy for more information.

We conclude our 6 part series, The Next Step, with SATURDAY NIGHT FEVER (1977)! The surprisingly harsh film that launched a #1 bestselling soundtrack by the Bee Gees and John Travolta to super stardom.You'll easily be able to summon the sight of Travolta strutting down the street in the opening scene and hear that thumping beat of Stayin' Alive, but did you remember that he's actually a 19 year old kid on an errand to buy paint?  In this tale set in the end days of disco, Travolta's Tony Manero learns not to treat women like an accessory, breaks away from his oppressive catholic family and ultimately makes the journey across the Brooklyn Bridge...all through dance!Justice for Annette!Guest: Jennifer Goggans from the Merce Cunningham TrustEmma will also do a quick wrap up our Coming of Age mini series by collating all the overlapping themes, so many are set in New York, so many daddy issues, but only one daisy tattoo!LinksVanity Fair articleThe Rest Is History Ep on Disco

This week, it's Bob Welch's first solo effort, "French Kiss." This Platinum Album was released in September, 1977 at the height of the Disco Era, and about the same time as the release of the mega-hit soundtrack to "Saturday Night Fever." Bob Welch, the former member of Fleetwood Mac, enlisted the help of former bandmates Lindsey Buckingham, Mick Fleetwood and Christine McVie. Enjoy!

In this episode of KYI, the hosts discuss Gene Siskel's favorite movie: Saturday Night Fever. A singular achievement in the history of the medium, if only for its unusual influence on a non-filmmaking aspect of culture. See, without this movie the entire musical genre of Disco probably wouldn't have become a popular as it was. And conversely, if Disco hadn't had its trendy day in the sun, no one would ever have had to think about this absurdly upsetting film ever again! A fascinating alternate history to imagine but seeing as we inhabit this timeline, Elena and Sam made time for a lively conversation about this very very odd artifact of a film. Topics include: John Travolta as an actor, Disco Dead, and the hosts' relationships to dance.

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What happens when you put the director of Saturday Night Fever together with the star of All That Jazz? Sadly, it's Blue Thunder. No it's not Tropic Thunder, and it's not Thunder From Down Under. It's Blue Thunder. What is Blue Thunder? A depressed meteorological phenomenon? Nope, it's a weaponized high tech surveillance helicopter that could be out there right now, surveilling you with weaponized high tech or something. It could have been a paranoid thriller from the 70s - a timely warning about the danger of blurring the line between the police and the military… but mostly it's about the heights of exasperation that ensue when one of our hosts can't tell the difference between a Trans Am and a Camaro, and another reveals himself to be “Team Airwolf” at an inopportune time. Join Paul, Javi, and the increasingly high tech and weaponized Producer Brad as their attempts to make sense of Blue Thunder become a far more entertaining experience than actually watching Blue Thunder! So strap in, throttle up, and prepare for some high tech snarkilicious goodness from your weaponized, high tech pals at Multiplex Overthruster!Follow us!InstagramBlueskyemail: Multiplexoverthruster@gmail.com Hosted on Acast. See acast.com/privacy for more information.

This week, I am joined by Jake Fogelnest, who at the age of 14 hosted MTV's Squirt TV, and later collaborated with Will Ferrell, Sarah Silverman & Billy Eichner.  We take a look at the Bee Gees/Peter Frampton mess-a-thon theatrical feature SGT. PEPPER'S LONELY HEARTS CLUB BAND.We also discuss how Jake turned his childhood cable access show (shot in his bedroom!) into a full-fledged MTV show, getting his hair cut on TV by Kim Gordon, the day Cypress Hill showed up to his bedroom, the difficulties of the MTV show getting cancelled and his struggle with addiction, how the Beatles were less protective of their legacy than we thought, the military aspects of Sgt. Pepper's, how we never noticed the military aspects of Sgt. Pepper's, the legacy of Robert Stigwood's powerhouse career, Grease, Robin Gibb's grandiose delusion that this film's music was going to replace the legacy of The Beatles' original, how this was Steve Martin's film debut, how it felt watching the film as kids, the movie Car Wash, the PG-13 version of Saturday Night Fever, the cult musical film The Apple, the fight scene between Peter Frampton & Steven Tyler of Aerosmith, the incredible Alice Cooper cult leader scene, Sandy Farina as Strawberry Fields, speculating if anyone ever cried watching the film, Xanadu, Billy Preston saving the day, our alternate endings of Sgt. Pepper's, who are all the artists that appeared in the film's big finale, finding peace of mind from just hanging out in a video store and more!So let's run from that wicked Mean Mr. Mustard and his two latex-clad gimb-bots on this week's episode of Revolutions Per Movie! JAKE FOGELNEST: @jakefogelnest www.patreon.com/jakefogelnestREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

In this episode, Tim and Jeremy complete our mini-series on Saturday Night Fever by looking at the film in its cinematographic context alongside two other huge movies of the late1970s. With reference to Rocky and Taxi Driver, the guys unearth the shared visions of class and race politics in the USA of the period. They discuss the particular place of Italian Americans in the culture more broadly, discuss particular forms of American-ness, and spend some time on the real life events that inspired the character of Rocky Balboa. After that, attention returns to Travlota to wrap up SNF with a look at how the film was received at the time and since, and reflect on how their own attitudes to the movie have changed down the years. Plus the Trammps, Jem's Grandma, and the answer to the question of whether David Mancuso ever saw Tony Manero up on the big screen…Produced by Matt Huxley.We are now on Youtube! Find series 6 here: https://www.youtube.com/@LITMPodcastRemember, we have a rolling playlist of all the tracks discussed over on Spotify: https://open.spotify.com/playlist/3ZpKyqhvhOXfTuPMHCBkFsTracklist:Bernard Herrmann - Taxi Driver (Theme) Bill Conti - Gonna Fly Now Bee Gees - Night Fever The Trammps - Disco Inferno 

Episode 94 — Frank Pagano: From Glen Rock to the Broadway PitIn this must-hear episode of the Broadway Drumming 101 Podcast, I sit down with legendary drummer and percussionist Frank Pagano — a true veteran of both the concert stage and the Broadway scene.Frank's career reads like a who's who of the music industry. He's played with icons like Bruce Springsteen, Bette Midler, Al Green, and Phoebe Snow. On Broadway, his credits span from Leader of the Pack and The Who's Tommy to Smokey Joe's Cafe, Cry-Baby, The Pirate Queen, Good Vibrations, Fosse, Big River, Saturday Night Fever, and more. What you'll hear in this episode:* How a 4th-grade music demo sparked Frank's lifelong love of drums.* Growing up and gigging with the Vivino brothers (yes — that Jimmy Vivino).* What it was like studying percussion at Manhattan School of Music and later with Joe Morello and Justin DiCioccio.* His unusual path to Broadway — having a chair before ever subbing.* The real reason he pivoted to Broadway full-time: marriage, fatherhood, and health insurance.* Wisdom on subbing: play their show, not yours.* Lessons from playing percussion alongside killer drummers like Brian Brake.* Touring vs. pit life — the physical grind of the road versus the stability of Broadway.* How working with artists like Laura Nyro and Bruce Springsteen shaped his perspective on artistry and professionalism.* Advice for drummers who want to make it in New York: “Play with everyone. Play everything. Be early. Be likable. Be ready.”Frank's reflections on time, groove, and what it really means to be musical are some of the best insights I've heard on this show. This episode is for any drummer who wants to play on Broadway — and stay there.Watch more episodes on YouTubeListen on Apple Podcasts, Spotify, or wherever you get your podcastsLearn more about Frank Pagano: https://www.frankpagano.com/bioClayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Dennis is joined by his friends and past podcast guests Frank DeCaro and Jim Colucci to talk about a brand new arts festival they are co-programming. It's called Pride Live! Hollywood and it takes place June 11th through the 29th at various venues in Hollywood. JIm and Frank talk about the various events on the agenda, including a Norman Lear tribute, a screening and party of Saturday Night Fever with director John Badham and actress Donna Pescow attending, a Golden Girls tribute, the Where The Bears Are documentary A Big Fat Hairy Hit. a Queer as Folk cast reunion as well as screenings of the films The World According to Allee Willis, Relax, It's Just Sex, The Big Johnson, The Grotto, Unicorn and the Village People musical Can't Stop the Music. Other topics include: feeling a call to fill the hole left by Outfest, the surprising number of guests who said yes, why queer joy is a radical act, the pros and cons of nostalgia and memorabilia collecting, scoring festive outfits on sale at Mr. Turk and their hopes that the fest will be so successful that they will both become insufferable a-holes by Year Three. (www.pridelivehollywood.com)            

Meg tells of how sculptress Barbara G. Cohn Bisgyer brought down a crime ring. Jessica introduces “The Door”: the ultimate arbiters of club life.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica

Alexi Wasser discusses a few of her favorite films with hosts Josh Olson and Joe Dante. Movies Referenced In This Episode Messy (2025) Casablanca (1942) - John Landis' trailer commentary Looking For Mr. Goodbar (1977) - Larry Karaszewski's trailer commentary Auto Focus (2002) Gremlins (1984) - Glenn Erickson's Blu-ray review Amadeus (1984) - Allan Arkush's trailer commentary A Clockwork Orange (1971) The Shining (1980) - Adam Rifkin's trailer commentary Sixteen Candles (1984) - Adam Rifkin's trailer commentary, Glenn Erickson's Blu-ray review Innerspace (1987) - Glenn Erickson's Blu-ray review Explorers (1985) - Glenn Erickson's Blu-ray review The 'Burbs (1989) - Ti West's trailer commentary Flashdance (1983) Saturday Night Fever (1977) Lolita (1997) Unfaithful (2003) Let Him Go (2020) A History Of Violence (2005) Desperately Seeking Susan (1985) Purple Rain (1984) - Josh's trailer commentary Fast Times At Ridgemont High (1982) - Karyn Kusama's trailer commentary, Glenn Erickson's Criterion Blu-ray review Almost Famous (2000) - Allan Arkush's trailer commentary The Searchers (1956) - Glenn Erickson's Blu-ray review Junior Miss (1945) Valley Girl (1983) - Karyn Kusama's trailer commentary, Glenn Erickson's Blu-ray review  Clueless (1995) Heathers (1988) - Karyn Kusama's trailer commentary Pretty In Pink (1986) Batman Returns (1992) - Alex Kirschenbaum's review The Adventures of Ford Fairlane (1990) Reality Bites (1994) Monty Python And The Holy Grail (1975) - Adam Rifkin's trailer commentary Dazed And Confused (1993) - Glenn Erickson's Criterion Blu-ray review Pulp Fiction (1994) - Glenn Erickson's Blu-ray reviews Beaches (1987) The Long Goodbye (1973) - Josh's trailer commentary, Glenn Erickson's Blu-ray review Little Murders (1971) - Larry Karaszewski's trailer commentary, Glenn Erickson's Blu-ray review The Devil Wears Prada (2006) Weird Science (1985) - Glenn Erickson's Blu-ray review Zach And Miri Make A Porno (2008) Tie Me Up! Tie Me Down! (1986) An Unmarried Woman (1978) - Glenn Erickson's Blu-ray review Working Girl (1988) - Brian Trenchard-Smith's trailer commentary Withnail & I (1987) - Josh's trailer commentary, Randy Fuller's wine pairings Someone To Love (1987) Before Sunrise (1995) - Glenn Erickson's Blu-ray review Before Sunset (2004) - Glenn Erickson's Blu-ray review Before Midnight (2012) - Glenn Erickson's Blu-ray review Metropolitan (1990) The Last Days Of Disco (1998) Manhattan (1979) Annie Hall (1977) - Robert Weide's trailer commentary Hannah And Her Sisters (1986) Moonstruck (1987) - Glenn Erickson's Criterion Blu-ray review Mandy (2018) - Josh's trailer commentary Pig (2021) Django (1966) Bad Lieutenant: Port Of Call New Orleans (2009) - Josh's trailer commentary Bad Lieutenant (1992) The Unbearable Weight Of Massive Talent (2022) Mermaids (1990) Cat People (1982) Taxi Driver (1976) - Rod Lurie's trailer commentary Hardcore (1979) - Glenn Erickson's Blu-ray review Infested (2002) This list is also available on Movies Unlimited. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today Nate and Ryan continue their discussion of “Last Night A DJ Saved My Life - The History of the Disc Jockey” by Bill Brewster and Frank Broughton with a look at the high water mark of disco -- Studio 54, Saturday Night Fever, the Bee Gees and the backlash. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please sign up for the email list on the site and get music essays from Nate as well as (eventually) transcriptions of every episode. Also if you can afford it please consider becoming a paid subscriber to support the show. Thanks! Learn more about your ad choices. Visit megaphone.fm/adchoices

Sorry for the delay on this, school is approaching the final lap and it's busy as hell. But here it is: the preview for the March episodes, which you can only find exclusively at www.patreon.com/soundtracker this season. I covered HIGH FIDELITY, with Bobby Big Wheel (@kleinman.bsky.social) and SATURDAY NIGHT FEVER with Jesse Hawken (@jessehawken, @jessehawken.bsky.social) the host of the Junk Filter Podcast (@junkfilterpod) and they ended up going together thematically much more than I ever expected. They're very fun discussions, so I hope you check them out, and if you want more you can find it, once again, at www.patreon.com/soundtrackerCheck out Junk Filter here: https://podcasts.apple.com/us/podcast/junk-filter/id1535693601Support it on Patreon here: https://www.patreon.com/c/junkfilter/home?redirect=trueSupport the show on Patreon! It's the one thing that's gonna help keep the show going: www.patreon.com/soundtracker

The art of dance, sweat, and slow-mo sex faces are all brought you by Sylvester & Frank Stallone in the sequel to Saturday Night Fever. LIVE from Largo in Los Angeles, special guest Katie Dippold (Ghostbusters, The Heat) joins Paul, June, & Jason to talk about the Broadway production of Satan's Alley, John Travolta turning down a three-way with two new wave girls, and how much June knows about dance. Plus, we finally find out whether a sweaty Travolta or Evil Ernest oozes more sexuality and everyone breaks into dance during 2nd Opinions. (Originally Released 09/09/2014) Get tix for our May 9th Toronto show at hdtgm.comHave a correction or omission for Last Looks? Call 619-PAULASK to leave us a voicemail!Buy HDTGM merch at howdidthisgetmade.dashery.com/Order Paul's book about his childhood: Joyful Recollections of TraumaJoin the HDTGM conversation on Discord: discord.gg/hdtgmShop our new hat collection at podswag.comPaul's Discord: discord.gg/paulscheerPaul's YouTube page: youtube.com/paulscheerFollow Paul on Letterboxd: letterboxd.com/paulscheerSubscribe to Enter The Dark Web w/ Paul and Rob Huebel: youtube.com/@enterthedarkwebListen to Unspooled with Paul and Amy Nicholson: unspooledpodcast.comListen to The Deep Dive with Jessica St. Clair and June Diane Raphael: thedeepdiveacademy.com/podcastInstagram: @hdtgm, @paulscheer, & @junedianeTwitter: @hdtgm, @paulscheer, & msjunediane Jason is not on social mediaEpisode transcripts available at how-did-this-get-made.simplecast.com/episodesGet access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using the link: siriusxm.com/hdtgm