Podcasts about La Jolla Playhouse

We would sit straight in a barber's chair, getting our hair braided, for 2-3.5 hours to see this show. Disclaimer: Emily is intermittently employed by La Jolla Playhouse. The views expressed in this podcast are not the views of La Jolla Playhouse; they are hers and hers alone.

Pradeep Khosla is the chancellor of UC San Diego and a nationally recognized voice on the evolving role of public research universities. Under his leadership, UC San Diego has doubled in size, broadened its access, and transformed from a "diamond in the rough" into a globally respected powerhouse for innovation, education, and the arts. He spearheaded the expansion of student housing—growing UC San Diego's housing program into the second largest in the nation—to make college more affordable and accessible for thousands. Chancellor Khosla brings a strategic, inclusive lens to higher ed. This Episode:  What should the modern public university look like and who should it serve? In this episode of Stop & Talk, host Grant Oliphant and co-host Crystal Page sit down with Pradeep Khosla, Chancellor of UC San Diego, to discuss the transformational growth and philosophy behind one of the nation's top public universities. Chancellor Khosla offers an expansive view on the role of public research universities in society—from economic impact to cultural integration and educational access. With a focus on abundance over scarcity, Chancellor Khosla explains how UC San Diego has evolved into a national leader in both science and the arts, investing in student housing, public transit access, and downtown engagement. He also reflects on the challenges of leading through federal uncertainty, advocating for research funding, and shaping an inclusive institution that belongs to the community it serves. Key Moments: [3:20] From Pittsburgh to La Jolla – Why Chancellor Khosla came to UC San Diego and what he saw in its untapped potential. [6:05] Elite, Not Elitist – How UC San Diego is challenging the notion that exclusivity equals excellence in higher education. [21:30] Universities as Economic Engines – Why public research institutions are essential to regional prosperity and innovation. [27:30]  Housing is Access – How UCSD is addressing affordability by building one of the largest student housing programs in the country.  [37:40] The Importance of the Arts – The value of connecting the arts to education and community Resources Mentioned in This Episode: UC San Diego Park & Market – A cultural and academic hub in downtown San Diego The Depot – UCSD's newly purchased multidisciplinary arts incubator and cultural hub in Downtown San Diego San Diego Light Rail – Connecting communities to the UCSD campus Take Action: Attend Events at Park & Market: Explore arts, lectures, and public programming in downtown SD. Visit UC San Diego: From the Birch Aquarium to campus cultural events, UCSD is open to all. Support Public Education & Research: Advocate for research funding and equitable higher ed access. Connect with the Arts: Engage with programs at The Depot and La Jolla Playhouse. Explore Philanthropy: Consider supporting educational initiatives that expand opportunity. 

It's been in development for five years and has at least a year to go. On the eve of its out-of-town debut, the actor playing Lincoln quit. And the producers still need to raise another $15 million to bring the show to New York. There really is no business like show business. (Part three of a three-part series.) SOURCES:Christopher Ashley, artistic director of La Jolla Playhouse.Debby Buchholz, managing director of La Jolla Playhouse.Carmen Cusack, actor.Quentin Earl Darrington, actor.Joe DiPietro, playwright and lyricist.Crystal Monee Hall, composer, singer, actor.Ivan Hernandez, actor.Michael Rushton, professor of arts administration at Indiana University.Jeffrey Seller, Broadway producer.Alan Shorr, Broadway producer.Daniel Watts, writer, choreographer, actor. RESOURCES:3 Summers of Lincoln (2025)."Review: Visceral ‘3 Summers of Lincoln' is thrilling and thought-provoking," by Pam Kragen (San Diego Union-Tribune, 2025)."What's Wrong with the Theatre is What's Wrong With Society," by Michael Rushton (ArtsJournal, 2023)."American Theater Is Imploding Before Our Eyes," by Isaac Butler (New York Times, 2023).The Moral Foundations of Public Funding for the Arts, by Michael Rushton (2023). EXTRAS:“How to Make the Coolest Show on Broadway,” by Freakonomics Radio (2024).“You Can Make a Killing, but Not a Living,” by Freakonomics Radio (2024).

San Diego Mayor Todd Gloria presented his draft budget proposal to the City Council. Plus, a group with roots in Ocean Beach is spearheading a county-wide clean up effort. And, La Jolla Playhouse kicks off its WOW, or Without Walls, festival this week.

A hit like Hamilton can come from nowhere while a sure bet can lose $20 million in a flash. We speak with some of the biggest producers in the game — Sonia Friedman, Jeffrey Seller, Hal Luftig — and learn that there is only one guarantee: the theater owners always win. (Part two of a three-part series.) SOURCES:Debby Buchholz, managing director of La Jolla Playhouse.Sonia Friedman, Broadway producer.Rocco Landesman, Broadway producer, former owner of Jujamcyn Theaters, former chairman of the National Endowment for the Arts.Hal Luftig, Broadway producer.Luis Miranda Jr., political strategist, founding president of the Hispanic Federation, the Northern Manhattan Arts Alliance, Viva Broadway, and The Public Theater.Michael Rushton, professor of arts administration at Indiana University.Jeffrey Seller, Broadway producer.Richard Winkler, Broadway producer.Stacy Wolf, professor of theater at Princeton University. RESOURCES:Theater Kid: A Broadway Memoir, by Jeffrey Seller (2025).Relentless: My Story of the Latino Spirit That Is Transforming America, by Luis Miranda Jr. (2024).Beyond Broadway: The Pleasure and Promise of Musical Theatre Across America, by Stacy Wolf (2019)."‘Hamilton' Inc.: The Path to a Billion-Dollar Broadway Show," by Michael Paulson and David Gelles (New York Times, 2016)."On the Performing Arts: The Anatomy of Their Economic Problems," by W.J. Baumol and W.G. Bowen (The American Economic Review, 1965). EXTRAS:“How to Make the Coolest Show on Broadway,” by Freakonomics Radio (2024).“You Can Make a Killing, but Not a Living,” by Freakonomics Radio (2024).

We are excited to bring you this new episode in our podcast series, The Art of Collaboration with Anne Kauffman and dots. This series focuses on directors and choreographers in conversation with some of their collaborators. This series explores the ins and outs of these processes, both finer details as well as overarching ideas about what goes into a productive collaboration on a show. In this episode you will hear an in-depth and transparent conversation with Anne and dots focused on the collaboration between directors and designers as well as navigating the industry as a collective.   Bios: dots (Scenic Designer) is a design collective creating environments for theater, film, commercials, and immersive experiences. Hailing from Colombia, South Africa, and Japan, we are Santiago Orjuela-Laverde, Andrew Moerdyk, and Kimie Nishikawa. As collaborators, we believe that the whole is greater than the sum of its individual parts. Recent highlights include the Broadway productions of Oh, Mary! ; Romeo + Juliet, An Enemy of the People (Tony Award Nomination for Best Scenic Design of a Play); Appropriate (Tony Award, Drama Desk and Outer Critics Circle Award nominations for Outstanding Scenic Design); The Sign in Sidney Brustein's Window; and The Big Gay Jamboree ; Recent awards include a 2024 Obie Award for Sustained Achievement in Design, 2023 and 2024 Henry Hewes Design Award, recipient of 2025 USA Fellowship Award . designbydots.com. Anne Kauffman (Director)'s credits include the New York Philharmonic, BAM, Ars Nova, NYTW, Roundabout Theatre Company, Encores! Off-Center, Women's Project, Playwrights Horizons, MCC, The Public, P73 Productions, New Georges, Vineyard Theatre, LCT3, Yale Rep, Steppenwolf, Goodman Theatre, La Jolla Playhouse, Z Space, American Conservatory Theater, and Berkeley Rep. She is a Resident Director at Roundabout Theatre, Artistic Associate and Founding Member of The Civilians, a Clubbed Thumb Affiliated Artist and co-creator of the CT Directing Fellowship, a New Georges Affiliated Artist, an SDC Executive Board Member, Vice President and Trustee of SDCF 2020-2023, and Artistic Director of City Center's Encores! Off-Center 2017-2020. Her awards include a 2024 Tony nomination for Best Director for Mary Jane, a 2023 Tony nomination for Best Revival for The Sign in Sidney Brustein's Window, three Obies, the Joan and Joseph Cullman Award for Exceptional Creativity from Lincoln Center, the Alan Schneider Director Award, a Lucille Lortel Award, a Drama League Award, and the Joe A. Callaway. She is co-creator of the Cast Album Project with Jeanine Tesori.   dots headshot courtesy of dots Anne Kauffman's headshot by Tess Mayer

It has become fiendishly expensive to produce, and has more competition than ever. And yet the believers still believe. Why? And does the world really want a new musical about ... Abraham Lincoln?! (Part one of a three-part series.) SOURCES:Christopher Ashley, artistic director of La Jolla Playhouse.Quentin Darrington, actor.Joe DiPietro, playwright and lyricist.Crystal Monee Hall, composer, singer, actor.Rocco Landesman, Broadway producer, former owner of Jujamcyn Theaters, former chairman of the National Endowment for the Arts.Alan Shorr, Broadway producer.Daniel Watts, writer, choreographer, actor.Richard Winkler, Broadway producer. RESOURCES:3 Summers of Lincoln (2025)“Live Performance Theaters in the US - Market Research Report (2014-2029),” by Grace Wood (IBISWorld, 2024). Leadership: In Turbulent Times, by Doris Kearns Goodwin (2018).Big River (1984) EXTRAS:“How to Make the Coolest Show on Broadway,” by Freakonomics Radio (2024).“You Can Make a Killing, but Not a Living,” by Freakonomics Radio (2024).

Initially an actress ('Les Miserables', 'Aspects of Love', et al.), Merri found herself out West some years back where she quickly made a name for herself at Liberman/Hirschfeld Casting, then Liberman/Patton Casting, working on such shows as Seinfeld, Party of Five, HBO's Band of Brothers, the feature film My Big Fat Greek Wedding and the Miramax feature film "Playing By Heart", starring Sean Connery and Angelina Jolie.  In 2000, Merri moved to Dreamworks Studios as the Casting Executive in charge of TV Pilots and Series- including "Spin City", “Freaks and Geeks” and the critically acclaimed "The Job", starring Denis Leary. She was then offered a position as the Director of Casting for Dramas and Movies at ABC Television, overseeing the casting of the series "Alias", "NYPD Blue", "The Practice" and the made for television movies "Gilda Radner - It's Always Something" and "The Music Man", starring Matthew Broderick and Kristin Chenoweth, to name just a few.  Merri then returned to the East Coast to teach and coach actors – something she still does (and loves) as time permits, when Tara Rubin offered her a Senior Casting Director position where she's been happily ensconced ever since, working on, among many others - the Broadway, touring and international companies of THE WHO'S TOMMY, COMPANY, AIN'T TOO PROUD, JERSEY BOYS,THE PHANTOM OF THE OPERA, LES MISERABLES, SCHOOL OF ROCK, MISS SAIGON, A BRONX TALE, CLUELESS the Musical, TREVOR the Musical (2023 Artios Award) and FIDDLER ON THE ROOF (2024 Artios Award) The TRC office is also responsible for the casting of Billy Crystal's series “Before” for Apple TV and the Broadway productions of The Outsiders, SIX and Death Becomes Her, just to name a few  Merri also casts for many theaters regionally – including The Papermill Playhouse, Lyric Opera of Chicago,  The Old Globe, Seattle Rep, The Goodman and The La Jolla Playhouse.  She is the very proud Casting Director of the critically acclaimed web series SUBMISSIONS ONLY and also boasts having cast many other independent TV & film projects, workshops and readings. In 2024, Merri took on some passion projects on the side, as well. These include the highly acclaimed and starry concert production of “FOLLIES” at Carnegie Hall for Transport Group's annual benefit gala, and a reading of a new play at The Actors Studio written by Lyle Kessler (“Orphans”) and directed by Academy Award winner Bobby Moresco – starring Chazz Palminteri, Tim Blake Nelson and Gina Gershon. In addition, Merri is now also the Casting Director at The South Carolina New Play Festival. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week on the show we've got a double header.FIrst up: Amy Ashton and Mia Fiorella of the La Jolla Playhouse will help me make a path through the lineup of this year's Without Walls Festival, which is coming up April 24-27th on the campus of UC San Diego.Then Jimmy Reckitt and I talk about making Vampire LARPS which is exactly what he does as the Head of Story for By Night Studios and their upcoming event Darkness Emergent: Los Angeles, the latest in the Darkness Emergent series of blockbuster LARPS which comes to the Biltmore Hotel in LA on Memorial Day weekend.SHOW NOTESWithout Walls Festival Lineup AnnouncementWithout Walls FestivalDarkness EmergentBy Night StudiosEnemies of the Night Backerkit Campaign Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Looking at the names on the marquees, it may seem like almost all the sound designers on Broadway are men. But there are many women who have been working in the industry for years and it's time to shine a light on them! This is another installment of Good Show's Women in Sound Series. Today's guest is Joanna Lynne Staub. Joanna Lynne Staub is a New York City based Sound Designer & Audio Engineer. She has over two decades of experience on Broadway, Off-Broadway, Regional Theatre, Concerts, Television, Corporate, Podcasts, & Multi-Media Events. Joanna's experience as a producer and audio engineer for Television, Sporting Events, Concerts, Studio Engineering, Podcasts, Corporate Events, and Multi-media projects allows her to generate expansive ideas and ​innovative outlooks for any project.​ ​Her award-winning sound designs and original music have been heard across the United States in such places as La Jolla Playhouse, Goodman Theatre, Public Theatre, Seattle REP, ​The Alliance Theatre, The 5th Avenue Theatre, Dallas Theatre Center, Trinity Rep, Geva Theatre, and Oregon Shakespeare Festival.​ She has worked as an engineer and associate sound designer on over three-dozen Broadway Shows & National Touring Companies - Both Musicals & Plays. With a background as a classically-trained musician, coupled with extensive technological, logistical, and acoustical training, she brings a unique view ​to both artistic and technical design. www.jlssound.com Connect with GOOD SHOW! Instagram: @goodshowpodcast  Tik Tok: @goodshowpodcast   Learn more about your ad choices. Visit megaphone.fm/adchoices

We wouldn't march very far to see this iteration of this show. We saw it in previews, so much could change! There is potential. https://lajollaplayhouse.org/show/3-summers-of-lincoln/

This episode we are joined by the delightful Jordan Tyson!  Jordan is currently starring as June in the Broadway revival of Gypsy with Audra McDonald and made her Broadway debut as Young Allie in The Notebook.  Her other theater credits include Lempicka at La Jolla Playhouse, Into the Woods at PCLO, Bulrusher at McCarter/Berkeley Rep and Streets of New York at Irish Repertory.We speak with Jordan about her career, the importance of self care while working, making her Broadway debut, working with Audra McDonald and much more!

Cisneros will appear at the 30th annual Writer's Symposium by the Sea. Also, we get a behind-the-scenes look at two musicals currently onstage in San Diego — "Wicked" and a new La Jolla Playhouse production, "3 Summers of Lincoln."

THE HALF-GOD OF RAINFALLBY INUA ELLAMSDIRECTED BY LINDSAY SMILINGFebruary 11 – March 2, 2025Nigerian-born British poet and playwright Inua Ellams blends Yoruba and Greek mythologies into an incredible story of a demigod-turned-NBA superstar in The Half-God of Rainfall. The epic poem follows a half-Nigerian mortal, half-Greek God named Demi, who possesses extraordinary powers yet is burdened by the expectations of his lineage. Demi's powers grow as he leaves his West Nigerian village for the bright lights of the NBA, where he emerges as an all-world talent driven by passion, power, and destiny. Under the directorial vision of Wilma Co-Artistic Director Lindsay Smiling, (recently seen on stage in Fat Ham and My Mama and the Full-Scale Invasion) The Half-God of Rainfall features the HotHouse Acting Company and explores the intersection of patriarchy, imperialism, and American basketball.Suli Holum (she/her) received a Helen Hayes nomination for her role in The Wilma's My Mama and the Full Scale Invasion (co-produced with DC's Woolly Mammoth Theatre Co). Co-Founder Pig Iron Theatre Company and Stein | Holum Projects (SHP). Awards: Drama Desk Award, TCG/Fox Resident Actor Fellowship, Barrymore Award, Independence Fellowship, NEFA Touring Grant. Solo performance: Chimera and The Wholehearted (SHP) presented by FringeArts, HERE/Under the Radar, La Jolla Playhouse, Center Theatre Group (LA), Z Space and The Gate (London). In development: The Woman Question, Pew supported commission for Peoples' Light with HotHouse member Melanye Finister. Wilma: Romeo and Juliet, Dance Nation, Minor Character, Cherry Orchard, Twelfth Night. Off-Broadway: Hot and Throbbing (Signature Theater); Regional: Born Yesterday (Arena Stage); International: A Doll's House (FringeArts/Oslo Opera House); TV/Film: Baby Grief, The Fourth Wall, Ghostlight, Law & Order SVU, Mare of Easttown. FOR TICKETS AND INFORMATION: https://wilmatheater.org/event/thehalfgodofrainfall/

We would jazz walk a mile or so to see this show. By Anna Ouyang Moench Directed by Les Waters Christmas, but not as you know it. Leave the little ones at home and gather ‘round for a very Playhouse take on Christmas. Your Local Theater Presents: A Christmas Carol, by Charles Dickens, Again is a laugh-out-loud funny and heartfelt story for theatre lovers and holiday enthusiasts alike. Eddie is a young actor, fresh out of Juilliard and ready to make his mark on the American Theatre. His dreams are within reach… sort of. First he's just going to do this regional production of A Christmas Carol. As the years pass, Eddie finds himself back at the same local theatre, over and over and over again. Much remains the same: the play, the stage manager, the green room — though Eddie finds himself in different costumes as he ages through the male roles over the course of his career. Anna Ouyang Moench is not just an award-winning playwright. Her work as a screenwriter includes Apple TV+'s Severance and the second season of the multi-award-winning Netflix show, Beef. Her comedic and incisive style is on display in this moving new play; a love letter to actors, artists and dreamers of all professions who make sacrifices large and small in service of their work… and ultimately wonder whether it was worth it.

Check out this podcast replay of the SDCF Virtual Panel: Demystifying Pre-Production with Knud Adams, Maija García, and Delicia Turner Sonnenberg. This conversation focuses on the pre-production process, giving insights and a better understanding of all the things that happen between when a director signs a contract and first rehearsal. The panelists talked about what they have discovered over the years makes for the strongest pre-production process for them before rehearsals begin. Transcript available upon request. We hosted this panel in June 2024. Knud Adams is an Obie-winning director of artful new plays, based in New York. This season, he's directing English on Broadway. His work has been featured on "Best of the Year" lists by The New York Times, New York Magazine, The New Yorker, and The Washington Post. An avid developer of new work, his world-premiere productions include: Primary Trust (Roundabout), English (Atlantic/Roundabout), Bodies They Ritual (Clubbed Thumb), Private (Mosaic), The Headlands (LCT3), Paris (Atlantic), and The Workshop (Soft Focus). Knud also directed the radio play Vapor Trail, which premiered at the Tribeca Film Festival. Maija García is a theater director, cultural innovator and advocate for equity in the arts. She recently directed I am Betty, a world premiere hit new musical at History Theater by Cristina Luzarrága and Denise Prosek; VALOR, a Spanish golden-age play by Ana Caro; and OUR HOOD, a bi-lingual cineplay by John Leguizamo. Director of Movement for Spike Lee's Oscar award-winning Blackkklansman, CHI-RAQ and She's Gotta Have It on Netflix, and Executive Producer of Art of Dance, a documentary film, García's Theater Directing credits include Bill T. Jones' FELA! World Tour; CRANE: on earth in sky by Heather Henson and Ty Defoe and Salsa Mambo Cha Cha Cha in La Habana Cuba. Regional Theater credits include original choreography for West Side Story at the Guthrie Theater; Kiss My Aztec by John Leguizamo and Tony Toccone at Berkeley Rep, and La Jolla Playhouse; Snow in Midsummer by Frances Ya-Chu Cowhig at Oregon Shakespeare Festival; Cuba Libre by Carlos Lacámara at Artists Repertory Theater (PAMTA Award); and Fats Waller Dance Party with Jason Moran and Meshell N'degeocello at Harlem Stage, SF Jazz and the Kennedy Center. Garcia founded Organic Magnetics to generate urban folklore for the future. She wrote, produced and directed Ghosts of Manhattan: 1512-2012, an interactive history and I am New York: Juan Rodriguez. Director of Education and Professional Training at Guthrie Theater, Maija served on the Tony Award Nominating Committee and is a proud member of SDC since 2008.  Delicia Turner Sonnenberg is a director, artistic leader, teacher, and mother. She is a founder and the former Artistic Director of MOXIE Theatre, which she helmed for twelve acclaimed seasons. Delicia has directed plays for the Old Globe Theatre, San Diego REP, La Jolla Playhouse, Actors Theatre of Louisville Humana Festival, Cygnet Theatre, New Village Arts, and Diversionary Theatre, among others. Delicia has directed countless workshops and staged readings of new plays for National New Play Network, Old Globe, Bay Area Playwrights Festival, San Diego REP, and Arena Stage. Delicia was twice a recipient of the Van Lier Directing Fellowship through Second Stage Theatre in New York and is an alumna of the New York Drama League's Directors Program, as well as Theatre Communication Group's New Generations Program.

We would walk 45 minutes in freezing New England with no gloves to see this show. By Eboni Booth Directed by Knud Adams Winner of the 2024 Pulitzer Prize for Drama Happy hour is a state of mind. When Primary Trust by Eboni Booth premiered in New York in 2023, The Observer said, “it will restore your faith in theatre's elemental storytelling powers.” The Daily Beast said it's “pretty darn near to perfect.” Don't miss the West Coast premiere of this award-winning New York Times Critic's Pick play that will surprise you, and fill you with hope. Kenneth, a 38-year-old bookstore worker in a small upstate New York town, spends his evenings sipping mai tais at the local tiki bar with his best friend Bert. When he's suddenly laid off, Kenneth faces challenges he has long avoided—with transformative and heart-warming results. Primary Trust is a touching story of new beginnings, old (and new) friends, and finding the courage to see the world for the first time.

Veteran theater and film actor James Sutorius has performed for the most prestigious regional and repertory theater companies including The Old Globe, La Jolla Playhouse, Center Theatre Group, South Coast Repertory, and Pasadena Playhouse. He's also performed at Lincoln Center, Yale Repertory, Long Wharf Theatre, Seattle Repertory, and many more. In 2007, he won two San Diego Theatre Critics Awards for his performance as George in "Who's Afraid of Virginia Woolf?" and for his multiple supporting roles in John Strand's play "Lincolnesque." James made his Broadway debut in 1973 in "The Changing Room." In his very first entrance as a member of a rugby team, he had to walk downstage and strip off all his clothes! Instead of finding the experience terrifying, he actually found it liberating. And he played Laertes opposite Sam Waterston's Hamlet at the Vivian Beaumont Theater, alongside a cast of rising stars including Jane Alexander, Mandy Patinkin, George Hearn and John Heard. Most recently James was seen on Broadway in Aaron Sorkin's play "The Farnsworth Invention" that was directed by Des McAnuff and produced by Steven Spielberg. James was the voice for Ragu Spaghetti Sauce for 17 years, spawning the national catchphrase "Now, THAT'S Italian!" He continues to pitch other products for Coca Cola and Wrangler Jeans. He also lends his distinctive voice to audio books and short story anthologies on tape.On TV, James' break came when he starred as investigative reporter Mike Andros in The Andros Targets. He's also appeared on such well-known TV series as Dynasty, Cannon, Kojak, St. Elsewhere, Family Ties, 21 Jump Street, Murder, She Wrote, L.A. Law, The X Files, Judging Amy, and many others. And he was a regular on Bob Crane's short-lived sitcom, The Bob Crane Show. Additionally, he's appeared in such notable TV movies as: A Death in Canaan, A Question of Love, Skokie, Space, and On Wings of Eagles. In feature films, James can be seen in Dancing as Fast as I Can starring Jill Clayburgh and Windy City with John Shea and Kate Capshaw.

Hi there, you submarine watchers! We're here for another special edition of Silhouettes JB Podcast! We've got Jersey Boys "Elder" David Cace in the Zoom studio helpin' us put the finishing touches on our special party celebrating the 20th anniversary of the original production of Jersey Boys at the La Jolla Playhouse in sunny California! David regales us with stories of running mozzarella cheese and Italian bread from Hoboken, New Jersey to Las Vegas for his friend and original Four Season, Tommy DeVito, being in the room getting ready for the Rock and Roll Hall of Fame induction with Tommy and Nick Massi and so much more. Our party is on Monday, October 14th, 2024 at the famous Patsy's Italian Restaurant, 236 W 56th St, New York, NY 10019 from 6:00 PM-9:00 PM! Broadway is dark, so all your favorite stars will be there! Some family members to expect: Rick Elice (original book writer), David Noroña (La Jolla Playhouse cast), Tony Award Nominee J. Robert Spencer (Broadway), Andy Karl (Broadway), Renée Marino (Broadway, Tour, Film), Quinn VanAntwerp (Broadway, Canada), Travis Cloer (Broadway, Vegas) Aaron De Jesus (Vegas, Tour, New World Stages) and John Edwards (Broadway)! Oh, what a night it's going to be! Get your tickets here: https://www.eventbrite.com/e/oh-what-a-night-celebrating-20-years-of-jersey-boys-for-fans-by-fans-tickets-899366067117?utm-campaign=social&utm-content=attendeeshare&utm-medium=discovery&utm-term=listing&utm-source=cp&aff=ebdsshcopyurl A; Salud!♥️

Hi there, you submarine watchers! We're here for a special edition of Silhouettes JB Podcast! We've got Pamela Singer and Wanda Libardi in the Zoom studio helpin' us gear up for our special party celebrating the 20th anniversary of the original production of Jersey Boys at the La Jolla Playhouse in sunny California! Fun fact: Did you know that Leslie Odom Jr. played Barry Belson, replacing Titus Burgess who went to go do the Beach Boys musical, Good Vibrations on Broadway‽ Our party is on Monday, October 14th, 2024 at the famous Patsy's Italian Restaurant, 236 W 56th St, New York, NY 10019 from 6:00 PM-9:00 PM! Broadway is dark, so all your favorite stars will be there! Some family members to expect: Rick Elice (original book writer), David Noroña (La Jolla Playhouse cast), Tony Award Nominee J. Robert Spencer (Broadway), Andy Karl (Broadway), Renée Marino (Broadway, Tour, Film), Quinn VanAntwerp (Broadway, Canada), Klara Zieglerova (original set designer) and John Edwards (Broadway)! Oh, what a night it's going to be! Get your tickets here: https://www.eventbrite.com/e/oh-what-a-night-celebrating-20-years-of-jersey-boys-for-fans-by-fans-tickets-899366067117?utm-campaign=social&utm-content=attendeeshare&utm-medium=discovery&utm-term=listing&utm-source=cp&aff=ebdsshcopyurl A; Salud!♥️

Joe Iconis is a musical theater writer and performer. He has been nominated for a Tony Award, two Drama Desk Awards and a Lucille Lortel Award, is the recipient of an Ed Kleban Award, Jonathan Larson Award and Richard Rodgers Award.  Joe's musical Be More Chill (with Joe Tracz) opened this season at Broadway's Lyceum Theatre, following a sold-out Off-Broadway run at The Pershing Square Signature Center and a world premiere at Two River Theatre. He is the author of Broadway Bounty Hunter (with Lance Rubin and Jason SweetTooth Williams; Barrington Stage Company and Greenwich House Theater Off-Broadway), Bloodsong of Love (Ars Nova, NAMT), The Black Suits (Center Theater Group, Barrington Stage Company), ReWrite (Urban Stages, Goodspeed Opera House), Theaterworks USA's The Plant That Ate Dirty Socks and We The People. Musicals currently in development include The Untitled Unauthorized Hunter S. Thompson Musical (for La Jolla Playhouse), Punk Rock Girl, and Love In Hate Nation. His music appeared on Season 2 of NBC's “Smash,” with his song “Broadway, Here I Come!” hailed by The New York Times as a new entry in The Great American Songbook. Albums: Be More Chill (OCR), which has been streamed over 220 million times; Things To Ruin (OCR); Two-Player Game; and The Joe Iconis Rock and Roll Jamboree all available on Sh-K-Boom/Ghostlight Records. His concert act, Joe Iconis and Family, frequently plays Feinstein's/54 Below, The Laurie Beechman Theater, Weston Playhouse, and other venues around the country. Joe is deliriously inspired by Robert Altman, Dolly Parton, Martin Scorsese, Sardi's, The Rolling Stones, whiskey, The Muppets, and The Family of artists he frequently surrounds himself with.

Becky Robbins is native to Colorado where she lived until moving to California to honor both mountains and the ocean. The variety in her career choices have included medicine, the business of creation and development of personal growth and at this time, the business of creating art. Her life choices that have contributed to this endeavor owe to her love of Nature both above and below the sea, of worldwide indigenous cultures, science, music, theater and the exploration of the psychology and spirituality of humans and creatures.   Her art became the focus of her life after leaving the personal development business and having a curiosity for all things that have profound depth and interconnectedness in tangible and ethereal ways.  Minimal academic art education created the freedom for Becky to immerse in series of art vastly different and unique that have led her to this current expression which is her signature style, while every painting is its own individual world.   Her art is informed by her love of adventure travel and back roads experiences chosen to illuminate the land, its creatures, the cultures and their self-expression in both lifestyle and the things they make. This depth of knowledge which is never complete nor permanent is what gives each painting its own voice and keeps Becky returning to the easel as a tool for her own awareness and expansion in her personal life and operating system in the world at large.   Her work is experienced in the images portrayed, collaborated at times with other artists and photographers, and in the manner the viewer is taken on a personal journey of their own. Each oil painted piece is a half-year process itself and perceived through the lens of the artist and the world she inhabits.    Her current projects include a show created for television called The Art of Art. It's a cinematographic experience seeing individual creators in the process of their craft and it's hosted by Becky. She interviews these masters and ties in those who use the creations.How does paint get in a tube? That question created the trip through the Old Holland Paint Company labs where pigments from the Masters were obtained and are still used to make some of the best oil paints in the world. That episode ends with a tour through the Restoration Department at the Metropolitan Museum of Modern Art in NYC. A visual feast! Another episode stars saddle makers and the intricate process they use and includes the Pine Ridge Indian Reservation and how a group is focused on creating indoor arenas for the children to be able to have refuge in the long South Dakota winters, reviving their heritage by learning to ride horses, participating in relay races between tribes and much more.   Becky has had remarkable healing experiences after 2 total knee replacement surgeries by using lasers that are unique in the world, created by a unique doctor and is devoted to getting these out into the world to assist others with healing from surgeries, injuries, cognitive decline and more. It's a passion for her to help others achieve the freedom she now has.    Becky describes herself as an outdoor person when not in her studio, loves an active lifestyle of skiing, diving, hiking, and and more. An avid learner, she enjoys her guitar, djembe drums, research and discovery. She is an advocate of HeartMath and meditation, her spiritual evolution and care of this planet Earth. She is a devoted supporter of La Jolla Playhouse and Scripps Institute of Oceanography's Birch Aquarium and a program Just Like My Child for Girl Power in Uganda and India. . She treasures her family and lives and works in Del Mar, California.  

Lucie Tiberghien - A Brooklynite since 2001, Molière in the Park's Founding Artistic Director Lucie Tiberghien was raised in France and Switzerland. Specializing in new work, Lucie spent 15 years developing and directing new plays in New York City and all over the country. She directed World Premieres at La Jolla Playhouse, CATF, Second Stage, Rattlestick Theater, Arena Stage, Hartford Stage, Kansas City Rep, Manhattan Class Company and more. As a translator and adapter, Lucie's work has been produced in Paris and in New York. In 2021, she was awarded the prestigious designation of chevalier de l'ordre des Arts et des Lettres, by the French Government. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dr. Carlton and Dangilo are back with a packed episode, and they've brought a special guest who's making waves in the cosmetic industry. This week, they welcome Chris Bustamante, better known as Injector Chris, a leader in injectables and non-surgical sexual enhancement services. From jawline filler and "hole tox" to penile girth enhancement, Chris is a master of it all at Lushful Aesthetics, NYC's premier Midtown MedSpa, known for revolutionizing sexual enhancement treatments.Chris dives deep into the dos and don'ts of injections, unraveling the science behind these procedures, and offering expert advice. But that's not all—Dangilo also gives his take on Saha Valores' new show, which premiered at San Diego's La Jolla Playhouse.The episode gets even juicier with a voicemail review about their guest. With the help of Injector Chris, the guys tackle some burning listener questions: How do you brighten your brown eye? What treatments can make Mr. Happy thicker? And how can you plump up your package after testosterone treatment?As always, they wrap things up with the feel-good "What's Your Love Language?" segment. This episode is jam-packed with information, laughs, and a whole lot of honesty. Sit back, relax, and enjoy the ride with Butt Honestly!https://www.lushfulaesthetics.comhttps://www.instagram.com/injectorchris/https://www.instagram.com/butthonestlypod/Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Chilina Kennedy is known for playing Carole King in the musical Beautiful on Broadway for over 1,200 performances. She also recently originated the Tony-award winning role of Dina on the First Broadway National Tour of The Band's Visit. Chilina's first appearance on Broadway was in 2012 when she played Mary Magdalene in Des McAnuff's Jesus Christ Superstar, which also had successful runs at the Stratford Festival of Canada and the La Jolla Playhouse. Other US credits include the world premiere of A Gentleman's Guide to Love and Murder, in which she originated the role of Phoebe at Hartford Stage and The Old Globe in San Diego (San Diego and Connecticut Outer Critics nominations), the world premiere of A Sign Of The Times as Cindy (Delaware Theatre Company), Binky in the Off-Broadway world premiere of This Ain't No Disco (Dir. Darko Tresnjak/Chor. Camille A. Brown) and Sophie in the 1st US National Tour of Mamma Mia!. Selected Canadian credits include the title role in Ted Dykstra's Evangeline (Charlottetown Festival and original recording), the title role in Ross Petty's Pantomime The Little Mermaid (Toronto Critic's Award), three seasons at the Stratford Festival (three Broadways World Awards) including Maria in Gary Griffin's West Side Story, Eva Peròn in Evita, Lois Lane in Kiss Me Kate, three seasons at the Shaw Festival, the World Premiere of The Lord of the Rings (Mirvish), Philia in A Funny Thing Happened on the Way to the Forum (Stratford/Toronto), Cecily in The Importance of Being Earnest (Neptune), and the title role in Mary Poppins (Theatre Aquarius). Chilina is also a singer/songwriter with a debut album What You Find in a Bottle, released in 2015. Chilina has written a new musical Call It Love with Eric Holmes, who is known for being a writer for “The Good Fight” on CBS. Featuring music and lyrics by Chilina, book co-written by Eric and Chilina, and musical arrangements by Rick Fox, Call It Love has been developed in the New York City area by Eclipse Theatre Company (http://eclipsetheatre.ca/). Chilina has worked with Burt Bacharach, guest starred in concert with the TSO, Colm Wilkinson and Jason Robert Brown. You can hear Chilina's voice on CBC's “Celebrate the Seasons” and “Carols for a Cure.” Chilina is a graduate of Sheridan College and the Birmingham Conservatory for classical theatre Learn more about your ad choices. Visit podcastchoices.com/adchoices

We would hang for hours from a fly line to see this show. On the Annie to Endgame difficulty scale, this play is about as hard as La Cage Aux Folles. By Sasha Velour and Moisés Kaufman Directed by Moisés Kaufman A Co-Production With Tectonic Theater Project Radical. Magical. Unforgettable. Created by groundbreaking drag artist Sasha Velour (Smoke & Mirrors, NightGowns, The Big Reveal Live Show) and legendary theatre artist Moisés Kaufman (Here There Are Blueberries, The Laramie Project), Velour: A Drag Spectacular is a sweeping, coming-of-age tale interwoven with the radical history of drag and queer expression. Inspired by Velour's origin story as a small-town, genderfluid child turned globally-renowned drag superstar, the show unfolds through a dazzling blend of innovative projection mapping, video animation, awe-inspiring lip-sync performances, and bold personal storytelling. Known for her emotional and shocking performance art, Velour harnesses the power of drag spectacle to reveal her deepest fears (and joys) and puts them on display to immerse the audience in queer fantasia. From the often confusing yet joyous search for belonging, to the deep wells of grief that catapult us to face our inner truths, Velour: A Drag Spectacular is a tour de force, rich with humanity, beauty, and above all else – DRAG.

Brian Stokes Mitchell is a two-time Tony Award-winning actor who has always thought the universe chose him. Born on Halloween when “people dress up in costumes and pretend to be other people”, the stars have indeed decided. Aside from performing, he also writes, dances, produces his own music, and orchestrates, but out of all the things he can do, his best quality is being a really good student. He details his latest project, “HOPE”, realizing that sometimes creative works have their own timing - this video dropping exactly when we need to hear it the most. He presents a profound metaphor about life as a "long sentence" full of commas rather than periods, and what his “dead questions” are. With an upcoming role in “3 Summers of Lincoln” at the La Jolla Playhouse, he recounts how the project deeply resonated with him upon reading the script. Aside from all his projects, he always makes sure to give back to the community–from being chairman of the board for the Entertainment Community Fund for 19 years to providing entertainment from his balcony during the pandemic. Stokes shares how curiosity continues to motivate him, and why we should follow our heart in all our endeavors. Brian Stokes Mitchell is a two-time Tony Award-winning, Drama Desk Award-winning, and Outer Critics Award winning actor. He is renowned for his powerful baritone voice and dynamic stage presence with standout performances in Broadway productions like “Ragtime”, “Kiss Me, Kate”, “Man of La Mancha”, and “Shuffle Along”. He's become a celebrated figure in musical theater, but beyond Broadway, he has showcased his talent on television, including shows like “Vampirina”, “Wolverine”, “Billions”, “Mr. Robot”, and of course, “Trapper John, M. D.” He's also recognized for his philanthropic work, particularly for his 19 years of serving as chairman of the board for the Entertainment Community Fund, and is a member of the Theater Hall of Fame since 2016. Connect with Brian: Website: www.brianstokes.com Facebook: @bstokesmitchell Instagram: @brianstokesm Youtube: @brianstokesmitchell7280 X: @bstokesmitchell Listen: Brian Stokes Mitchell - HOPE (feat. Jason Robert Brown) “3 Summers of Lincoln” at La Jolla Playhouse What's Possible When the Arts Belong to Everybody | Lear deBessonet with Brian Stokes Mitchell | TED Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

We would walk 20 minutes in a rainstorm to see this show. This show is about as challenging as Glass Menagerie. By Noelle Viñas Directed by Delicia Turner Sonnenberg Some storms you can't hide from. A series of intense storms – a “derecho” – is bearing down on an affluent Virginia neighborhood near D.C., where Eugenia Silva is preparing for a crucial meeting. Eugenia is a politician hoping to join the wave of women of color elected to public office. Her sister Mercedes is a struggling musician fighting to find her way on her own terms. As winds rise and thunder cracks — and tensions between the sisters reach a boiling point — Eugenia's political ambitions crash into Mercedes's need to reconnect her sister with their roots.

Today, I'm thrilled to announce my interview with the brilliant director Michael Greif, who completed a rare trifecta this season, directing the Broadway productions of Hell's Kitchen, Days of Wine and Roses, and The Notebook. Tune in today to hear him share insights from his storied career, including the personal significance of directing at the Shubert Theater, how a production of MACHINAL jumpstarted his career, the challenges and rewards of reviving ANGELS IN AMERICA, what drove him to accept a position as the artistic director of the La Jolla Playhouse, developing and refocusing NEXT TO NORMAL with Tom Kitt and Brian Yorkey, why he uses music in many of his plays, why NEVER GONNA DANCE couldn't ultimately succeed, the joy of collaborating with Patti LuPone, his long tenure with The Public Theater, how he addresses the cast of every production of RENT, the special qualities he saw in Idina Menzel and Maleah Joi Moon at the beginning of their careers, why he decided to bring Schele Williams on as his co-director for THE NOTEBOOK, the play of his that almost moved to Broadway, the musical rule that he discovered while working on GIANT, WAR PAINT, and IF/THEN, and so much more. 

On this episode I talked with Jason about his journey as an actor, from his early ambitions to his multifaceted artistic career, filming Grease: Rise Of The Pink Ladies where he played Buddy Aldridge, what it was like filming music numbers for the show and how long they took, how he is similar to Buddy, his audition for The Outsiders where he originally went in for Bob Sheldon before going in for Sodapop, how his portrayal of Sodapop has changed since the La Jolla Playhouse run, getting to make his Broadway debut, the intricate staging of the show, his favorite scenes, the profound emotional impact of The Outsiders, how Sodapop Curtis was inspired by S.E. Hinton's cousin, the milestones that come with being part of an original Broadway cast, nuances of confidence in the industry, imposter syndrome and the necessity of a supportive network to foster self-assurance, his music which can be found on all streaming platforms, and more!

 On this episode I talked with Kevin about his journey into theater, the multifaceted influences that contributed to his artistic development, from his family's love for music to his athletic background, his thought process behind choosing Carnegie Mellon University for drama school, his love and passion for writing his own music, his audition experience for The Outsiders on Broadway and his love for the book which the show does a good job matching the tone of, the impact of reading The Outsiders in school and how the black and white aesthetic and themes resonated with him, writing a poem about masculinity and fathers and sons during a trip to Atlanta, which he later shared with his cast during rehearsals for The Outsiders, the evolution of portraying the character of Bob from La Jolla Playhouse to Broadway, the challenges of creating a complex character and the learning experiences gained, how he prepared to make his Broadway debut, self confidence in this industry, and much more!

Mister & Mischief (a.k.a. Jeff and Andy Crocker) are a husband-and-wife creative team based in Los Angeles. Together, they create live experiences designed to delight audiences and turn strangers into pals. Best known for their absurdist puzzle-play Escape from Godot and their interactive pirate radio documentary 40 Watts From Nowhere, Andy and Jeff bring their brand of fun-forward storytelling to genres of all kinds. Their award-winning immersive work has been produced for the La Jolla Playhouse's Without Walls Festival, Indiecade, Denver Film Festival, Noah's Ark at the Skirball Cultural Center, and the Warehouse Theatre. Outside of Mister & Mischief, Jeff and Andy work independently in themed entertainment, developing experiences for clients including Universal Studios, Cedar Fair, The Bezark Company, The Hettema Group, Thinkwell and Walt Disney Imagineering. Mixing games, theater, and comedy into playful, participatory events, Andy and Jeff are passionate about increasing the visibility of experiential design and audience-empowering art wherever they go.

Book by Robert Cary and Des McAnuff Music and Lyrics by Johnny Cash, June Carter Cash and others Directed by Des McAnuff Love is a burning thing Country music royalty Johnny Cash and June Carter Cash remain to this day one of the most famous couples of the 20th Century. Created with the support of the family and told through the eyes of their son John Carter Cash, this new musical covers it all: their childhoods, their 1956 meeting at the Grand Ole Opry, the storied on-stage proposal in 1968, and the soaring highs and whiplash lows of fame, life on the road, addiction, arrests, controversies, marriage, family and devotion. This is a whole-hearted and clear-eyed telling of one of the most iconic love stories in music history, complete with a soundtrack of beloved hits — I Walk the Line, Ring of Fire, Hey Porter, Jackson, I've Been Everywhere and many more.

Jessica Humphrey is the President of the Musical Theater Educators' Alliance and an Assistant Professor at Texas Christian University. In this episode we discuss the Musical Theater Common Prescreen Criteria developed in partnership with MTEA, Accptd, and several Musical Theater programs across the country. We also discuss the upcoming MTEA conference in London at the Guilford School of Acting from July 23rd to July 25th, 2024. Her recommendations include: Something Wonderful: Rodgers and Hammerstein's Broadway Revolution by Todd S. Purdum and getting an “old-fashioned” planner!  Jessica is a native of Dallas, Texas and attended Western Carolina University where she received a Bachelors of Music in Musical Theatre. This is where she first started working as a dance captain for Tony nominee Charlotte d'Amboise and assistant to Tony Award nominee Terrence Mann both on productions and at their summer intensive, Triple Arts. She has continued to assist the husband and wife team until she moved to TCU. Both Terrence and Charlotte directed Jessica in shows such as A Chorus Line (where she eventually took over the role of Cassie when Tony nominated actress Ariana DeBose suffered an injury), Sweeney Todd (Johanna) and Pirates of Penzance (Edith). Jessica went on to work as a dance captain for original Rent dance captain, Owen Johnston and spent two summers as the dance captain for Wild Adventures Theme Park. After graduating in 2011, she moved to New York City where she performed in several regional shows including the regional debut of The Boy from Oz, Cats (Rumpleteazer) and Into the Woods (Little Red). Some other favorite productions have included Dames at Sea (Joan), West Side Story (Anybodys) and Brigadoon (Bonnie Jean).  Eventually she decided it was time to further her education and completed her Masters in Musical Theatre at San Diego State University where she received support from the Roscoe-Tiffany MFA Musical Theatre Scholarship and the Marion Ross Scholarship. The program is one of only a few in the nation with a terminal degree in musical theatre, and the only one that has a clear focus on both performance and academia. An important aspect of this program is working on developing new musical theatre works. Jessica worked with Dallas natives in developing the show “On the Eve” and with Tony Award Winner BD Wong and Wayne Barker on the show, “Mister Doctor”. Jessica went on to work with BD and Wayne again in New York, on a new musicalized version of Mister Holland's Opus. Jessica taught classes such as History of Musical Theatre, Acting I, and Musical Theatre performance. While completing her thesis on the evolution of rap in musical theatre, Jessica left California in order to perform in Alaska as Peter in Peter Pan. While flying every night, and completing her thesis, she also worked to choreograph numbers for the Aztec Follies, a cabaret of graduate students filmed for PBS. During her time in grad school, Jessica also worked at the famed La Jolla Playhouse, in the Development Department and the Musical Theatre Archive at SDSU, the largest Musical Theatre Archive west of the Mississippi. After moving back to New York City, where she resided until August 2018, Humphrey worked with organizations such as the Ziegfeld Society, Rosie's Theatre Kids, and Blue Lake Fine Arts Camp. She continues to study voice with the esteemed instructor Andrew Byrne and works as a performer both onstage and in voiceover.

This season on my podcast, Baring It All with Call Me Adam, I am highlighting My Entertainment Idols.Today, I am going back in time and Behind-The-Curtain to bring you this blast from the past, my 2010 interview with then 3-time Tony nominated Broadway Actress Kelli O'Hara.Now, here's a little Behind-The-Curtain Story….In 2010, I got to attend the opening night of Kelli O'Hara's one-woman show Beyond The Ingenue at Michael Feinstein's cabaret club, Feinstein's at the Regency on the Upper East Side in NYC.In addition to seeing the concert, I got to interview Kelli live, at the VIP after party. When you listen to this episode, I hope you feel all the excitement that I felt, and was swirling around me, while talking to Kelli at that opening night party.When this interview took place, I did not have a podcast, so I had to transcribe the interview into print format. Now I do have a podcast, and I am so excited to share this interview with you.In this interview, Kelli is Baring It All with Call Me Adam about:Who inspired her to become a performerThe Best Advice she has receivedA Strange or Unusual Talent she hasFavorite way to stay in shapeSo much moreTo read the interview, and see a photo of me & Kelli, click here!Special Thanks:Dan Fortune, Fortune CreativeTheme Song by Bobby CroninPodcast Logo by Liam O'DonnellEdited by Adam RothenbergUnderscore Intro Music by CutiqueConnect with Me:Website: www.callmeadam.comFacebook: @CallMeAdamNYCInstagram: @CallMeAdamNYCMore on Kelli O'Hara:Kelli O'Hara has unequivocally established herself as one of Broadway's great leading ladies. She recently starred in the Tony Award-winning revival of South Pacific at Lincoln Center, enrapturing audiences and critics alike with her soulful and complex interpretation of Nellie Forbush, and garnering a third Tony nomination.A native of Oklahoma, Kelli received a degree in opera, and, after winning the State Metropolitan Opera Competition, moved to New York and enrolled in the Lee Strasberg Institute.She made her Broadway debut in Jekyll & Hyde and followed it with Sondheim's Follies, Sweet Smell of Success opposite John Lithgow, and Dracula. In 2003 Kelli committed to a production of The Light in the Piazza at Seattle's Intiman Theatre. The show landed on Broadway in 2005 and earned Kelli her first Tony and Drama Desk Award nominations. She moved from one huge critical and commercial success to another when she joined Harry Connick on Broadway in the 2006 Tony award-winning production of The Pajama Game, for which Kelli received Tony, Drama Desk, and Outer Critics Award nominations. Kelli has worked regionally and Off Broadway in Sunday in the Park with George at Reprise, My Life With Albertine at Playwright's Horizons, and Beauty at the La Jolla Playhouse.In addition to her critically acclaimed performance as Eliza Doolittle in the New York Philharmonic production of My Fair Lady, Kelli has performed a solo concert at Carnegie Hall with the New York Pops conducted by Rob Fisher. She has sung at Carnegie Hall with Barbara...

Bonus Episode Alert! Survival Jobs Co-Host Samantha Tuozzolo is live on the red carpet of "Lempicka" from Sunday, April 14, 2024! Featuring interviews with the stars and production team of the show including Amber Iman, Eden Espinosa, Andrew Samonsky, and Beth Leavel among others! ABOUT THE SHOW One of the world's greatest artists deserves the world's biggest stage: LEMPICKA comes to Broadway, following critically acclaimed, sold-out runs at the Williamstown Theatre Festival and the La Jolla Playhouse. From the Tony Award®-winning director of HADESTOWN and starring Eden Espinosa, this New York Times Critic's Pick is a sweeping musical portrait of a woman who changed art and culture forever. Spanning decades of political and personal turmoil and told through a thrilling, pop-infused score, LEMPICKA boldly explores the contradictions of a world in crisis, a woman ahead of her era, and an artist whose time has finally come. You can support the podcast and the hosts at www.buymeacoffee.com/SurvivalJobsPod and on Instagram at @surivaljobspod | @SammyTutz | @JasonACoombs.  Info on Your Hosts:  Broadway World Article on our Season 3 Launch Party Follow Samantha: Instagram  |  Samantha's Official Website here Follow Jason on Instagram  | Twitter. Check out Jason's Official Website here Check out and support The Bridgeport Film Fest Important Links: Support the citizens of Gaza Native Land Map US Interior Indian Affairs NPR: "How To Help Puerto Rico" Article How to Help the People of Florida Article Abortion Funds Website Plan C Pills Website National Write Your Congressman Link How to help Uvalde families NPR Article Where to Donate to Support Access to Abortions Right Now Support Us... Please!  If you're feeling generous, Buy Us A Coffee HERE! Please don't become complacent: Support the Black Mamas Matter Alliance Support Families Detained and Separated at the Border.  Support the AAPI Civic Engagement Fund. Support Black Trans Folx here Donate to the Community League of the Heights (CLOTH) Support the People of Palestine How to be an Ally to the AAPI Community 168 Ways to Donate in Support of Black Lives and Communities of Color The New York Times: On Mexico's Border With U.S., Desperation as Migrant Traffic Piles Up PBS: How to help India during its COVID surge — 12 places you can donate Covid quarantine didn't stop antisemitic attacks from rising to near-historic highs Opening and Closing Theme Music: "One Love" by Beats by Danny | Game Music: "Wake Up" by MBB.  If you enjoy Survival Jobs: A Podcast be sure to subscribe and follow us on your preferred podcast listening app! Also, feel free to follow us on Instagram and Twitter! Thank you!! Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode I talked with Jordan about when her passion for theatre and performing started, the moment she knew she wanted to make theatre a career for herself, growing up on the east coast and whether she went to theatre shows often, becoming a well-rounded performer, playing Ariel in The Little Mermaid at B'way Method Academy, workshopping shows, what peaks her interest when reading a script for a play or musical, playing Kizette in Lempicka at La Jolla Playhouse, her audition process for Younger Allie in The Notebook, her experience premiering the show at Chicago Shakespeare Theatre, when she found out out that the show would be transferring to Broadway, the preparation that goes into making one's Broadway debut, making the role of Allie her own, developing chemistry for the show, funny moments on stage, and MUCH MORE! --- Support this podcast: https://podcasters.spotify.com/pod/show/backstagewithbeccab/support

We are excited to bring you another episode in our podcast series Choreographers in Conversation.  This series allows choreographers to interview other choreographers whose work excites them as a way to learn more about their craft and preserve the stories of these exciting artists in our industry. In this episode Choreographer Camden Gonzales interviews Choreographer Sonya Tayeh. They explore Sonya's choreographic process, philosophy around the importance and impact of choreography and dancers in the theatre world, as well as delving into the work she has done throughout her career.  Bios:  Camden Gonzales is an artist, performer, and choreographer based in NYC. She is currently the Associate Choreographer for Moulin Rouge The Musical overseeing multiple companies across the globe. She is also the Associate Choreographer for the upcoming musical Gatsby (featuring original music by Florence Welch) which will debut at A.R.T. in Boston this summer. Other select credits include Sing Street (Associate Choreographer) at The Huntington Theatre, A Sherlock Carol (Assistant Director) New World Stages, Peter and The Starcatcher (Choreographer) White Heron Theatre, Hamilton (Dance Captain/Swing) National Tour, Groundhog Day (Dance Captain/Swing) Broadway. www.camdengonzales.com  Sonya Tayeh is a New York City based TONY® Award winning choreographer and director. Since paving her professional career, her work has been characterized as a blend of powerful versatility and theatrical range.   Selected credits include: Moulin Rouge! Broadway, Australia, UK, Tour (Hirschfeld theatre/Dir Alex Timbers), UP HERE (Hulu Musical Series), The Sign in Sidney Brustein's Window Broadway (James Earl Jones Theatre), Is It Thursday Yet? (La Jolla Playhouse), Sing Street Broadway (Huntington Theatre, Boston/Dir Rebecca Taichman), Martha Graham Dance Company (Joyce Theatre/Tour), American Ballet Theatre/What Becomes of Love Film, Unveiling with Moses and dancers (Fall For Dance/City Center), Rent Live! (Fox Network/Dir Michael Grief and Alex Rudzinski), The Lucky Ones (Ars Nova/Dir. Anne Kauffman), Face the Torrent for Malpaso Dance Co. (commissioned by The Music Center/LA), You'll Still Call Me By Name (commissioned by New York Live Arts and Jacobs Pillow Dance Festival), Martha Graham Dance Company's Lamentation Variation Series (Joyce Theatre), Hundred Days (New York Theatre Workshop/Dir. Anne Kauffman), The Skin Of Our Teeth (Theatre for a New Audience/Dir. Arin Arbus), Andrew Lippas' The Wild Party (City Center Encores!/Dir. Leigh Silverman), Kung Fu (Signature Theatre/Dir. Leigh Silverman) Tayeh has directed and choreographed for world renowned music artists including Miley Cyrus (Directed and Choreographed The Gypsy Heart Tour), Florence and the Machine (Choreographed performances for The Brit Awards, The Voice and American Idol), Kyle Minogue (Aphrodite Tour)  She has gleaned many accolades for her versatile work, including a Tony award, two Emmy noms, one Drama Desk award, an Obie Award and two Lucille Lortel Awards for “Outstanding Choreography.” https://www.sonyatayeh.com/

This week on the show we've got a DOUBLE HEADER!First up Amy Ashton & Mia Fiorella of La Jolla Playhouse's WITHOUT WALLS FESTIVAL will be here to give us a preview of the fest that is headed back to the UC San Diego campus for the first time since 2015 this April 4th - 7th.Then Samantha Gorman & Danny Cannizzaro of Tender Claws, the studio behind NoPro favorites like The Under Presents and Virtual Virtual Reality are here to talk about their latest release: STRANGER THINGS VR which launched on Meta's QUEST platform last week.SHOW NOTESWithout Walls FestivalStranger Things VRThe 2024 No Proscenium Audience Awards Nominees2024 NoPro Audience Awards Ballot- (Backer Access Only)2024 NoPro Special Reader Award Ballot Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Today on What's My Frame I'm joined by Casting Director, Michael Donovan. Michael has cast over one thousand theatre productions, including shows produced at the Ahmanson Theatre, the Hollywood Bowl, Pasadena Playhouse, Mark Taper Forum, Kirk Douglas Theatre, Walt Disney Concert Hall, Geffen Playhouse, International City Theatre, La Jolla Playhouse, Getty Villa, Ricardo Montalban Theatre, Garry Marshall Theatre, Colony Theatre, Theatre @ Boston Court, 24th St. Theatre, The Soraya, San Francisco Symphony, Arizona Theatre Company, both the Palazzo Theatre and the Paris Theatre in Las Vegas, Arkansas Rep, Kentucky Shakespeare Festival, Indiana Rep, as well as several national tours. Michael is the recipient of nine Artios Awards. Beyond his prolific career in theatre; he's cast over a thousand commercials. He teaches at Pepperdine and USC, is President of the Foundation for New American Musicals, and serves on the Board of Directors for Camp Bravo.  He somehow still finds time to give back teaching at the SAG-AFTRA Foundation and to join us for this very special episode. Now let's get to the conversation! Join Michael on Instagram Michael Donovan Casting --- Hosted by Laura Linda Bradley Join the WMF creative community now! Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site ⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our monthly newsletter!⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  --- Support this podcast: https://podcasters.spotify.com/pod/show/whats-my-frame/support

From cults and documentaries to their deeply thought out character motivations, actors John Lavelle and Haskell King look back on their theatre journey. The two share their background, doing productions when they were younger, and what eventually made them pursue acting as a career. Currently starring in "Russian Troll Farm: A Workplace Comedy", they talk about how they got involved with the show, hitting it off on the first meeting, and the allure of cults and how people get drawn into them. With the show being as relatable as ever today, they reflect on how it changed their relationship with social media, how they interact with it, and the complexity of playing as bad guys. John and Haskell also impart some advice to aspiring actors and their motivations, including the desire to be seen and connect with others and become a better person for one's family. Haskell King has performed all over the Off-Broadway and regional stages such as the Irish Repertory Theatre, Ensemble Studio Theatre, and the Abingdon Theatre. His TV and film credits include “Dear Edward”, “Law & Order: Criminal Intent”, “As the World Turns”, “The Fly Room”, and “Shadow & Lies”. John Lavelle has been on Broadway in “The Graduate”, and off-Broadway stages including La Jolla Playhouse, The Shakespeare Center LA, and The Old Globe. His TV and film credits include “Selma”, “Frozen”, “Wreck-It Ralph”, “Zootopia”, “The Taking of Pelham 123”, “Kipo and the Age of Wonderbeasts”, and “Grace and Frankie” among many others. They are both part of the stellar cast of the off-Broadway production of “Russian Troll Farm”, an office comedy, at the Vineyard Theater in New York City. More info and tix here: https://vineyardtheatre.org/shows/russian-troll-farm/ Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Broadway star Caesar Samayoa (Come From Away) joins The Art of Kindness with Robert Peterpaul to discuss his heart-lifting new show How to Dance in Ohio, self care on Broadway and much more under the kindness sun. Caesar Samayoa is a performer who's been seen in the original broadway companies of Come From Away (Kevin J./Ali), Sister Act (Pablo), The Pee-wee Herman Show and now, How to Dance in Ohio (Dr. Emilio Amigo). Off-Broadway/Regional credits include: Evita (Perón, A.R.T./STC); Los Otros (Carlos, A.R.T./New York); Love's Labour's Lost (Don Armado, The Delacorte Theater); Bernstein's Mass (Carnegie Hall); Yale Rep, La Jolla Playhouse, Goodspeed Musicals, Tectonic Theater Project, Seattle Rep. Film/TV credits: Come From Away (Apple TV+); “Ray Donovan” (Showtime), “The Blacklist” (NBC). Awards: HOLA José Ferrer Tespis Award. Follow Caesar: @caesarsamayoa Follow us: @artofkindnesspod / @robpeterpaul Support the show! (https://www.buymeacoffee.com/theaok) Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 145: Stupider Than Burning Man Bat Country blazes a trail of mischief through Black Rock City Gather for a summit with the infamous Bat Country, a camp that emerged from the dust and has grown into a global community. Arash is joined by Handful, Begley, and Kip as they embark on a journey back to their crew's beginnings, from the Mad Max-esque early days of Burning Man to the current LED-infused Black Rock City. We're treated to an array of stories, including their participation in New Mexico's SunBurn and the founding of West Virginia's Frostburn. The conversation begins with Bat Country's gathering at the La Jolla Playhouse for The Untitled, Unauthorized Hunter S. Thompson Musical and eventually delves into the infamous "Flat Gate" incident from Burning Man 2019 before wrapping with some enchanting playa magic stories. Join us for an insider's perspective on the dynamic world of Bat Country and the captivating tales of their journey through the Burner community. This episode was produced by Ferrell Jesus and was recorded at The Jacobs Center for Neighborhood Innovation in San Diego, CA. facebook.com/visitbatcountry www.frostburn.org theloveburn.com nmsunburn.com jacobscenter.org The full DJ set by Big Yachty can be heard here on Soundcloud: https://on.soundcloud.com/EgK2tWsKtXNVemv38 Hosted by (mr)Arash, the original Burner Podcast is the longest running traditional audio podcast in the extended international community of Burning Man. Independently produced and focused on Burner consciousness and topics of intracultural interest, explore 140+ previous episodes at burnerpodcast.com/previous-episodes. Burner Podcast host Arash Afshar is an Iranian-American SoCal-based professional photographer and founder of Justified Hype creative collective. Connect with him directly at mrarash.com/hello. Burner Podcast is produced by Arash and a rotating team of burners including instagram.com/darthjfizz, instagram.com/muloka, instagram.com/lolmonday and instagram.com/leehemingway among many others. Follow instagram.com/BurnerPodcast and facebook.com/burnerpodcast for wildly irregular updates.

This episode we share Kevin “Blax” Burroughs, the Artistic Associate Director with Oceanside Theatre Company. 2022 Craig Noel Award Winner for Outstanding Specialty Artist, Burroughs is a proud African-American singer, dancer, actor, director, choreographer, and lighting designer born and raised in San Diego. He's been a performer, board member, and/or member of the creative team with companies that include Moonlight Stage Productions, New Village Arts, San Diego Repertory Theatre, Cygnet Theatre, OnStage Playhouse, CCAE Theatricals, SDMT, and La Jolla Playhouse, as well as youth theaters and educational institutions. He worked as a performer and choreographer right out of high school, before adding lighting design to his repertoire later in his career. He's proudly self-taught, having learned to become a lighting designer via YouTube videos, collaborating with other designers, and through on-the-job experience designing show after show.  We had a great conversation talking creativity, theatre, inspirations, creative tips and more! You can follow him on IG @blaxparadise or FB @Kevin Blax Burroughs. Brewing some inspiration for your week! SHARE, SUBSCRIBE, COMMENT SUPPORT THE SHOW www.buymeacoffee.com/TheCreativeBrew Weekly shoutouts sponsored by Oceanside Comic Stronghold, your weekly neighborhood comic shop in Oceanside, CA. offering comics, graphic novels, merch and more. You can swing by to get your comics and follow them on IG @oceanside_comicshop End music credits by Marlon D check out his new album on IG @mdlens Branding Work I Podcast Interviews I Speaking Engagements I www.langfordesign.com Contact me @ info@langfordesign.com IG: @thecreativebrewtv FB/thecreativebrewtv

In late September of 1978, a Pacific Southwest Airlines jet and a small Cessna collided over North Park and 144 people were killed. We hear more from San Diego City Councilmember Stephen Whitburn on plans to make a memorial 45 years later. In other News, San Diego city leaders recently rejected a grand jury's advice to help fix the city's crumbling roads. Plus, the La Jolla Playhouse is hosting the world premiere of the play “SUMO” today. We hear from the playwright.

Dylan Key is a theater artist, director, educator, and producer who has created performances at La Jolla Playhouse, Undermain Theater, Dallas Actors' Lab, Kitchen Dog Theater, and The Dallas Museum of Art. From 2011-2016 Dylan was the associate director and right hand man to Undermain Theater's Artistic Director the late Katherine Owens whose life and career is the subject of today's podcast.

I'm guessing if you listen to a podcast about original cast albums, then you know who Joe Iconis is and you probably also know how thrilled I am to be talking with him this week. Aside from his Tony-nominated score for Be More Chill, Joe's other vast musical credits include the likes of The Black Suits, Punk Rock Girl!, Bloodsong of Love, Broadway Bounty Hunter, and Love in Hate Nation.  He's coming to us from La Jolla Playhouse where he is debuting his newest musical: The Untitled Unauthorized Hunter S. Thompson Musical. Topics include: parents with shitty musical tastes, Inner-City Mother Goose, Carol Hall, Elaine Stritch, and Mandy Patinkin auditioning for Back to the Future Mr Joe Iconis Dot Com The Untitled Unauthorized Hunter S. Thompson Musical at La Jolla! Featured recordings: The Best Little Whorehouse in Texas - Original Cast (1978) • Free to Be... You and Me - Marlo Thomas and Friends (1972) • Company - Original Broadway Cast (1970) • Guys and Dolls - The New Broadway Cast Recording (1992) ORIGINAL CAST MERCH! Visit our Patreon for access to our monthly live stream The Original Cast at the Movies where 2023 is THE YEAR OF BARBRA celebrating the filmography of Ms. Barbra Joan Streisand! Patreon • Twitter • Facebook • Email

Live from The Gospel According To Heather press event, I interviewed my friend, Actress & Singer, Lauren Elder.In this interview, Lauren pulled back the curtain to reveal:What made her want to be part of The Gospel According To HeatherWhat she related to most about the show & her character Grace KrebsOne rule she lives byVisit my website, Call Me Adam dot com, for behind-the-curtain story you won't hear in the interview!In The Gospel According To Heather, Heather Krebs just wants a boyfriend. But how can she even navigate her way through high school if she might be the New Messiah? A small town in Ohio grapples with politics, religion and teenage romance in this eclectic pop musical.The Gospel According To Heather plays at Theater 555 in NYC through the newly extended date of July 16, 2023.*At The Gospel According To Heather press event, members of the media were given a sneak peak of this new Off-Broadway Musical. More on Lauren Elder:Lauren Elder is an actress, singer-songwriter, and world champion whistler living in New York City. Most recently, Lauren played Mary in the world premiere production of Mary and Max, A New Musical, by Bobby Cronin and Crystal Skillman, at Theatre Calgary, directed by Stafford Arima. She was nominated for a Betty Mitchell Award for Outstanding Performance By An Actress for her portrayal of Mary.Lauren has been seen on Broadway in Side Show and Hair and in the West End in Hair.Other NYC Theater: Hair (Shakespeare in the Park/NY Public Theater), The Village of Vale (Lincoln Center), Orange Star Smasharoo;Regional: Side Show (Kennedy Center, La Jolla Playhouse), Kingsmen Shakespeare Festival.TV: Law & Order SVU, Louie, Boardwalk Empire, The Tonight Show, The 83rd Macy's Thanksgiving Day Parade, The 63rd Annual Tony Awards.Lauren is also a children's performer, director, internationally respected performance coach, and on faculty at NY Film Academy and A Class Act NY.She performs regularly in nightclubs around NYC, including 54 Below, Joe's Pub, Birdland, and Club Cumming. Her debut album can be found on iTunes and Spotify!Special Thanks:Richard Hillman PRTheme Song by Bobby CroninPodcast Logo by Liam O'DonnellEdited by Adam RothenbergMore Call Me Adam:Website: www.callmeadam.comFacebook: @CallMeAdamNYCInstagram: @CallMeAdamNYC

I'm proud to introduce to my listeners - - -New to the Jeremiah Show - - - The Angel Babies Show! This is the story of two sisters, talking about the things they love most: They will bring you the latest and best of Pop Culture, Social Media, Entertainment, Music, and Fashion every week! The debut show by The Angel Babies - Two sisters, Elise & Ava Lynn! Ava Lynn - 19-year-old Ava Lynn Thuresson was a contestant on Season 22 of The Voice. Following her high school graduation, she was on Camila Cabello's team, working with pop-star Charlie Puth. She is a Competitive dancer, model, and journalist for the syndicated news magazine show California Life HD. Now, she is the lead singer in her college band and records in a competitive A cappella group. She loves her family, and photography, and is most proud of her songwriting. Elise Thuresson is a storyteller specializing in acting, writing, modeling, and media. Elise has interned at Hollywood agencies, FilmNation's production company, and a syndicated newsmagazine show, California Life. She acted in Shakespeare productions at the La Jolla Playhouse and The Old Globe Theatre in high school. Now, she is co-president of her college's theatre club, Under the Lights, and an officer for her school's film club. She enjoys making short films with friends, creative writing, and spending time with family. Follow them: Elise - @elisethuresson On YouTube - @CaliforniaLifeHD Ava Lynn - @avalynnthuresson On YouTube - @avalynnthuresson726

When she's not not behind her computer or visiting the shops in Florida and Houston, our CEO and Founder Jennifer Wheeler Kahn is probably chasing her two boys #InternHudson and #InternJudah around the house, park, library, or museum. Kahn was a professional Stage Manager for 17 years getting to work on such shows as: The Deaf West Revival of Spring Awakening (Broadway), In the Heights (National Tour), The Hunchback of Notre Dame (La Jolla Playhouse and Paper Mill Playhouse), Hold Onto me Darling (Off-Broadway at the Atlantic), Kinship (starring Cynthia Nixon and Christopher Lowell at Williamstown Theatre Festival), and many productions at The Old Globe Theatre and La Jolla Playhouse in San Diego. Over her last 4 years as a Stage Manager she also ran a blog on giveback and ethical style. SCENERY was born as the love child of these two parts of her heart. Ethical style, Theatre, and giving back to make theatre more accessible for others. Learn more about your ad choices. Visit podcastchoices.com/adchoices