Podcasts about ismat chughtai

Qurratulain Hyder could weave a story in a manner that was quick in its pace and yet lingering in its mood. Her characters, often from urban backgrounds, live lives riddled with irony, while Qurratulain Hyder narrates their story with sardonic humour.One of the sharpest minds of her times, she spread her wings wide in the literary skies- she wrote for newspapers, short stories, memoirs and that magnificent historical novel, Aag Ka Dariya ( that she later translated into English herself as River of Fire)- a novel that encompasses the fates of four recurring characters over two and a half millennia. Let's listen today to a story that well illustrates her sparkling skills as a storyteller par excellence!कुर्रतुलैन हैदर एक ऐसी कहानीकार थीं जिनके कथानक  गति में तेज़ और फिर भी अपने मूड में स्थिर होते हैं। उनके पात्र, जो अक्सर शहरी पृष्ठभूमि से होते हैं, विडंबनाओं से भरे जीवन जीते हैं, कुर्रतुलैन हैदर उन पात्रों की कहानी अपनी अनूठी व्यंग्यात्मक शैली के साथ बयान करती हैं। अपने समय की सबसे प्रखर लेखकों में से एक, उन्होंने साहित्य के आसमान में अपने पंख फैलाए- उन्होंने अखबारों, लघु कथाओं, संस्मरणों के साथ-साथ उन्होंने वह  शानदार ऐतिहासिक उपन्यास, आग का दरिया लिखा, जिसका बाद में उन्होंने खुद अंग्रेजी में ‘रिवर ऑफ फायर' के रूप में अनुवाद किया। ये एक ऐसा उपन्यास है जो ढाई सहस्राब्दियों में चार आवर्ती पात्रों के भाग्य को समेटे हुए है। आइए आज एक ऐसी कहानी सुनें जो एक कहानीकार के रूप में उनके शानदार कौशल को बखूबी दर्शाती है!ऐनी आपा के नाम से जानी जानी वाली क़ुर्रतुल ऐन हैदर  प्रसिद्ध उपन्यासकार और लेखिका थीं। उनका जन्म उत्तर प्रदेश के शहर अलीगढ़ में हुआ था। उनके पिता थे 'सज्जाद हैदर यलदरम' जो उर्दू के जाने-माने लेखक तो थे ही, साथ ही ब्रिटिश शासन के राजदूत की हैसियत से अफगानिस्तान, तुर्की इत्यादि देशों में भी रहे  और उनकी मां 'नजर' बिन्ते-बाकिर भी उर्दू की लेखिका थीं। कुर्रतुलऐन बचपन से ही पाश्चात्य संस्कृति में पली-बढ़ीं। उन्होंने प्रारंभिक शिक्षा लालबाग, लखनऊ, उत्तर प्रदेश स्थित गाँधी स्कूल में प्राप्त की व तत्पश्चात अलीगढ़ से हाईस्कूल पास किया।उन्होंने लखनऊ विश्वविद्यालय से एम.ए. किया। फिर लन्दन के हीदरलेस आर्ट्स स्कूल में शिक्षा ग्रहण की। भारत और पाकिस्तान के विभाजन के समय  में उनके भाई-बहन व रिश्तेदार पाकिस्तान पलायन कर गए। लखनऊ में अपने पिता की मौत के बाद कुर्रतुल ऐन हैदर भी अपने बड़े भाई मुस्तफा हैदर के साथ पाकिस्तान पलायन कर गयीं। लेकिन वहां से वे लन्दन चली गयीं। वहाँ स्वतंत्र लेखक व पत्रकार के रूप में वह बीबीसी लन्दन से जुड़ीं तथा दि टेलीग्राफ की रिपोर्टर व इम्प्रिंट पत्रिका की प्रबन्ध सम्पादक भी रहीं। कुर्रतुल ऐन हैदर इलेस्ट्रेड वीकली के संपादन से भी जुडी रही । १९५६ में जब वे भारत भ्रमण पर आईं तो उनके पिताजी के अभिन्न मित्र मौलाना अबुल कलाम आज़ाद ने उनसे पूछा कि क्या वे भारत आना चाहतीं हैं? कुर्रतुल ऐन हैदर के हामी भरने पर उन्होंने इस दिशा में कोशिश करने की बात कही और अन्ततः वे वह लन्दन से आकर मुम्बई में रहने लगीं और तब से भारत में हीं रहीं। उन्होंने विवाह नहीं किया। उन्होंने अपना कैरियर एक पत्रकार की हैसियत से शुरू किया लेकिन इसी दौरान वे लिखती भी रहीं और उनकी कहानियां, उपन्यास, अनुवाद, रिपोर्ताज़ वग़ैरह सामने आते रहे। वो उर्दू में लिखती और अँग्रेजी में पत्रकारिता करती थीं। उनके बहुत से उपन्यासों का अनुवाद अंग्रेज़ी और हिंदी भाषा में हो चुका है। साहित्य अकादमी में उर्दू सलाहकार बोर्ड की वे दो बार सदस्य भी रहीं। विजिटिंग प्रोफेसर के रूप में वे जामिया इस्लामिया विश्वविद्यालय व अलीगढ मुस्लिम विश्वविद्यालय और अतिथि प्रोफेसर के रूप में कैलिफोर्निया विश्वविद्यालय से भी जुड़ी रहीं।१९५९ में उनका सबसे प्रसिद्ध उपन्यास आग का दरिया प्रकाशित हुआ जिसे आज़ादी के बाद लिखा जाने वाला सबसे बड़ा उपन्यास माना गया। -----About this channel: On this Youtube channel, you can listen to Hindi and Urdu Stories by famous writers of Hindi sahitya/ literature. Here you will find stories and poetry by great authors of Hindi and Urdu. Some of these are classics and others are rare gems that you may never have heard or read. There are works by well known writers such as Premchand, Sharat Chandra, Manto, Ismat Chughtai, Mohan Rakesh, Phanishwar Nath Renu, Mannu Bhandari, Harishankar Parsai. -----

Listen to Hindi kahaniyan and Urdu Kahaniyan by famous as well as lesser known writers. You will find here stories from everyone from Premchand to Ismat Chughtai ; Suryabala to Mohan Rakesh, Kaleshwar and Mannu Bhandari.---There are certain tropes that one comes across in Hindi narratives, whether it be stories, TV series or films. One such is that of the mother suffering at the hands of her adult children. While one can argue that it is not far from reality, one has to admit that it is only in the hands of an accomplished writer that the nuances come through and words spoken by characters come alive, elevating the story above the mundane. हिंदी कहानियों में कुछ ऐसे कथानक आपको देखने को मिलेंगे, चाहे वे कहानियाँ हों, टीवी सीरीज़ हों या फ़िल्में, जिनमे एक माँ अपने वयस्क बच्चों के हाथों पीड़ित होती है। हालाँकि यह वास्तविकता से बहुत दूर नहीं है, लेकिन यह भी स्वीकारना होगा कि केवल एक कुशल लेखक ही कहानी की बारीकियाँ इस तरह सामने ला सकता है की संवाद जीवंत हो जाएँ और कहानी अपनी अमिट छाप छोड़ जाये।Storyjam,podcast,Bhisham sahani,Bhisham Sahni,Hindi,kahani,kahaniyan,literature,Hindi literature,books,hindi books,hindi kahani,khoon ka rishta class 11,hindi audio story,urdu audio story,radio story,audible,progressive writers,bedtime stories,hindi mein kahani,saag meat,radio storytelling,chief ki dawat,chief ki dawat class 12,chief ki dawat kahani,chief ki dawat by bhisham sahni

The stories of losing home are the most profoundly disturbing. Yet these “stories” are the reality of millions of people across the world, everyday. Today there are over 117.3 million people who have been forcibly displaced from their homes. We forget and we repeat ad infinitum the same patterns of greed, revenge and loss. And yet, in the midst of this unspeakable sadness, there is a glimmer of hope- not offered by politicians, big institutions or organizations, but in the basic decency and humanity of a common man, who against all odds, decides to do what is right. ------------------------- अपने घर से विस्थापित हो जाने की कहानी सिर्फ़ एक दर्दनाक कहानी नहीं। ये आज दुनिया के करोड़ों लोगों की वास्तविकता है। लालच, प्रतिशोध और पीड़ा के चक्रव्यूह में से ना निकल पाने वाले मानव समुदाय की सच्चाई भी है। लेकिन फिर भी, इस अकथनीय दुःख के बीच, आशा की एक किरण है - राजनेताओं, बड़े संस्थानों या संगठनों में नहीं, बल्कि एक आम इंसान की बुनियादी शालीनता और मानवता में। ------------------------ Listen to Hindi kahaniyan and Urdu Kahaniyan by famous as well as lesser known writers. You will find here stories from everyone from Premchand to Ismat Chughtai ; Suryabala to Mohan Rakesh, Kaleshwar and Mannu Bhandari.

Vijaydan Detha, popularly knowne as “Bijji”, spent several decades collecting folk stories from in and around his village Borunda in rajasthan. In their retelling his stories straddled myths and legends, reality and fantasy, observation and a commentary on the world of his beloved Rajasthan.   His work received national and international acclaim – he was awarded the Padma Shri, the Rajasthan Ratna Award and the Sahitya Akademi Award among various others.  विजयदान देथा, जिन्हें "बिज्जी" के नाम से जाना जाता है, ने राजस्थान में अपने गाँव बोरुंदा और उसके आसपास से लोक कहानियाँ एकत्र करने में कई दशक बिताए। उनकी कहानियों में मिथक और किंवदंतियाँ, वास्तविकता और कल्पना, अवलोकन और उनके प्रिय राजस्थान पर एक टिप्पणी शामिल है।  उनके काम को राष्ट्रीय और अंतर्राष्ट्रीय प्रशंसा मिली - उन्हें कई अन्य पुरस्कारों के अलावा पद्म श्री, राजस्थान रत्न पुरस्कार और साहित्य अकादमी पुरस्कार से सम्मानित किया गया। Beta Kiska? - Vijaydan Detha  Translation: Kailash Kabir बेटा किसका ? - विजयदान देथा अनुवाद - कैलाश कबीर Many of his stories and novels have been adapted for the stage and the screen including Mani Kaul's Duvidha (1973), Habib Tanvir and Shyam Benegal's Charandas Chor (1975), Prakash Jha's Parinati (1986), Amol Palekar's Paheli (2005), Pushpendra Singh's The Honour Keeper (2014), Dedipya Joshii's Kaanchli Life in a Slough(2020), Pushpendra Singh's Laila aur Satt Geet (2020) ---- जीवन परिचय लोक कथाओं एवं कहावतों का अद्भुत संकलन करने वाले पद्मश्री विजयदान देथा की कर्मस्थली उनका पैथृक गांव बोरुंदा दा ही रहा तथा एक छोटे से गांव में बैठकर अन्तर्राष्ट्रीय स्तर के साहित्य का सृजन किया। राजस्थानी लोक संस्कृति की प्रमुख संरक्षक संस्था रूपायन संस्थान (जोधपुर) के सचिव देथा का जन्म 1 सितंबर 1926 को बोरूंदा में हुआ। प्रारम्भ में 1953 से 1955 तक बिज्जी ने हिन्दी मासिक प्रेरणा का सम्पादन किया। बाद में हिन्दी त्रैमासिक रूपम, राजस्थानी शोध पत्रिका परम्परा, लोकगीत, गोरा हट जा, राजस्थान के प्रचलित प्रेमाख्यान का विवेचन, जैठवै रा सोहठा और कोमल कोठारी के साथ संयुक्त रूप से वाणी और लोक संस्कृति का सम्पादन किया। विजयदान देथा की लिखी कहानियों पर दो दर्जन से ज़्यादा फ़िल्में बन चुकी हैं, जिनमें मणि कौल द्वारा निर्देशित 'दुविधा' पर अनेक राष्ट्रीय और अन्तर्राष्ट्रीय पुरस्कार मिल चुके हैं। इसके अलावा वर्ष 1986 में उनकी कथा पर चर्चित फ़िल्म निर्माता-निर्देशक प्रकाश झा द्वारा निर्देशित फिल्म परिणीति काफ़ी प्रभावित हुई है। राजस्थान साहित्य अकादमी 1972-73 में उन्हें विशिष्ट साहित्यकार के रूप में सम्मानित कर चुकी है।[1]'दुविधा' पर आधारित हिंदी फिल्म 'पहेली' में अभिनेता शाहरुख खान और रानी मुखर्जी मुख्य भूमिकाओं में थे। यह उनकी किसी रचना पर बनी अंतिम फिल्म है।[2] रंगकर्मी हबीब तनवीर ने विजयदान देथा की लोकप्रिय कहानी 'चरणदास चोर' को नाटक का स्वरूप प्रदान किया था और श्याम बेनेगल ने इस पर एक फिल्म भी बनाई थी। Listen to Hindi kahaniyan and Urdu Kahaniyan by famous as well as lesser known writers. You will find here stories from everyone from Premchand to Ismat Chughtai ; Suryabala to Mohan Rakesh, Kaleshwar and Mannu Bhandari.

मुग़लों ने अपनी सल्तनत अंग्रेज़ों को कब और कैसे बक्शी, ये जानिए गप्पबाज़ हीरो जी से। लेकिन अगर वाकयी हिंदुस्तान पर अंग्रेज़ी हुकूमत के पीछे की कहानी पता लगानी है तो William Dalrymple और Anita Anand की podcast 'Empire' सुनिए यहाँ - https://open.spotify.com/show/0sBh58hSTReUQiK4axYUVx?si=659c1a5311b94616 Thumbnail Art: Title: Shah 'Alam, Mughal Emperor (1759–1806), Conveying the Grant of the Diwani to Lord Clive, August 1765Artist: Benjamin West  (1738–1820) भगवतीचरण वर्मा की लिखी और कहानियां यहाँ सुनिए - छेह आने का टिकट - https://www.youtube.com/watch?v=A2saxt8KRFw वसीयत-https://youtu.be/hZ4KnyxR8EU दो बांके- https://youtu.be/8cVo5NQAhbk ------------------------------------ भगवती चरण वर्मा  का जीवन परिचय /Bhagwati Charan Verma ka Jeevan Parichay भगवती चरण वर्मा का जन्म उत्तर प्रदेश के उन्नाव जिले में हुआ था। उन्होंने प्रयागराज से बी॰ए॰, एल॰एल॰बी॰ की डिग्री प्राप्त की लेकिन उनकी रूचि कविता लेखन में थी । फिर उपन्यासकार के रूप में वे विख्यात हुए। वर्मा जी ने 1936 के करीब फिल्म कारपोरेशन, कलकत्ता में कार्य भी किया। ‘विचार' नामक साप्ताहिक के प्रकाशन-संपादन के बाद बंबई में फिल्म-कथालेखन उन्होंने किया। इसके उपरांत  दैनिक ‘नवजीवन' का सम्पादन, फिर आकाशवाणी के कई केंन्दों में कार्य भी वर्मा जी ने किया।  उनके उपन्यास ‘चित्रलेखा'  पर दो बार फिल्म-निर्माण हुआ। पद्मभूषण तथा राज्यसभा की मानद सदस्यता भी उन्हें प्राप्त हुई।    -------- Listen to Hindi kahaniyan and Urdu Kahaniyan by famous as well as lesser known writers. You will find here stories from everyone from Premchand to Ismat Chughtai ; Suryabala to Mohan Rakesh, Kaleshwar and Mannu Bhandari. Youtube channel, you can listen to Hindi and Urdu Stories by famous writers of Hindi sahitya/ literature. Here you will find stories and poetry by great authors of Hindi and Urdu. Some of these are classics and others are rare gems that you may never have heard or read. There are works by well known writers such as Premchand, Sharat Chandra, Manto, Ismat Chughtai, Mohan Rakesh, Phanishwar Nath Renu, Mannu Bhandari, Harishankar Parsai. Some are rare works by Dilip Kumar, Balraj Sahani and Gulzar. ----- Meet me at these Social Media links: Facebook : https://www.facebook.com/StoryjamArti Instagram : @arti_storyjam My podcast on other platforms: Spotify open.spotify.com/show/0rG7ez0Pku1MuWhfvo6Dtz Apple Podcasts podcasts.apple.com/us/podcast/storyjam-hindi-urdu-audio-stories/id1513845846 Gaana.com gaana.com/podcast/storyjam-hindi-urdu-audio-stories-season-1 RadioPublic radiopublic.com/storyjam-GmywpN Pocket Casts pca.st/rwdymlsd Overcast overcast.fm/itu #Hindi #StoryJam #Bhagwaticharanvermachitralekha #chitralekha #bhagwaticharanverma #upanyas #kahaniyan

There are some relationships that have copious amounts written about them, and then there are a handful that we seldom read about. One such is that of a father-in-law and daughter-in-law. In India their conversations are seldom spoken about, often buried under the heavy burden of familial hierarchy. This story by Ajay Jugran offers a glimpse of tender affection and respect between a daughter-in-law and her father-in-law, in a story steeped in a bygone era in a misty small town. ------------------ कुछ रिश्ते ऐसे होते हैं जिनके बारे में बहुत कुछ लिखा गया है, और फिर कुछ रिश्ते ऐसे होते हैं जिनके बारे में हम शायद ही कभी पढ़ते हैं। ऐसा ही एक रिश्ता है ससुर और बहू का। भारत में उनकी बातचीत अक्सर पारिवारिक परम्पराओं के भारी बोझ के नीचे दबी रहती है। अजय जुगरान की यह कहानी एक छोटे शहर में, एक बीते युग में, एक बहू और उसके ससुर के बीच कोमल स्नेह और सम्मान की झलक पेश करती है। ----------------- Listen to Hindi kahaniyan and Urdu Kahaniyan by famous as well as lesser known writers. You will find here stories from everyone from Premchand to Ismat Chughtai ; Suryabala to Mohan Rakesh, Kaleshwar and Mannu Bhandari. #hindi #sahitya #shortStories #storytelling

देश का राजनैतिक तापमान बढ़ता जा रहा है। इस पसीने छुड़ा देने वाली रस्साकशी के माहौल में दो पल रुक कर मीठे व्यंग का शरबत पीजिये। और हाँ, एक सहानुभूति भरी नज़र ज़रा उस छुटभैये नेता की ओर भी जिसका भविष्य हर इलेक्शन से पहले थाली में कंचे सा डोलता है। As the mercury rises on the nation's elections, we are all sure to get caught in the crossfire of barbs and brickbats between parties…but for now let's pause a second to smile and savor the forgotten sweetness of a well worded satire. And if you think you have it bad, give a thought to the poor small time neta, whose future rolls around like a marble on a plate, with every election. Manohar Shyam Joshi मनोहर श्याम जोशी ने भारतीय टेलीविज़न को बहुत सी यादगार कहानियां दी- हम लोग, बुनियाद, मुंगेरी लाल के हसीन सपने इत्यादि। आधुनिक हिन्दी साहित्य के  गद्यकार, उपन्यासकार, व्यंग्यकार, पत्रकार होने के साथ साथ वे  जनवादी-विचारक, फिल्म पट-कथा लेखक,  संपादक, कुशल प्रवक्ता तथा स्तंभ-लेखक थे। उपन्यास कुरु कुरु स्वाहा -1980 कसप - 1982 हरिया हरक्युलिस की हैरानी - 1994 हमज़ाद - 1996 टा टा प्रोफ़ेसर -2001 कयाप - 2001 कौन हूँ मैं - 2006 कपीशजी - 2009 वधस्थल - 2009 उत्तराधिकारिणी - 2015 दूरदर्शन धारावाहिक हमलोग बुनियाद कक्का जी कहिन मुंगेरी लाल के हसीन सपनें हमराही ज़मीन आसमान गाथा हिन्दी फ़िल्में हे राम पापा कहते हैं अप्पू राजा भ्रष्टाचार Listen to Hindi kahaniyan and Urdu Kahaniyan by famous as well as lesser known writers. You will find here stories from everyone from Premchand to Ismat Chughtai ; Suryabala to Mohan Rakesh, Kaleshwar and Mannu Bhandari.

ग़ालिब पुरुस्कार से सम्मानित कन्हैया लाल कपूर , जिन्हे केएल कपूर के नाम से भी जाना जाता है, व्यंग हास्य और उपहासपूर्ण पैरोडी के लिए जाने गए।  अविभाजित भारत में उनका जन्म 1910. में लायलपुर में हुआ। विभाजन के उपरांत वे मोगा पंजाब में आ बसे और यहाँ कॉलेज में प्रिंसिपल के रूप में कार्यरत रहे।  Listen to Hindi kahaniyan and Urdu Kahaniyan by famous as well as lesser known writers. You will find here stories from everyone from Premchand to Ismat Chughtai ; Suryabala to Mohan Rakesh, Kaleshwar and Mannu Bhandari.

We carry with us stories of people with whom we crossed paths years, sometimes decades ago. Some are inspiring stories and others, a cautionary tale. Hariram is the kind of unforgettable character we all have known or heard about. He lived a life of greed and misfortune and died an unremarkable death- only to be remembered by a young boy who saw Hariram as the beneficiary of his mother's simple act of kindness. नमस्कार, मेरा नाम आरती है और मैं Storyjam में हर हफ्ते आपको सुनाती हूँ हिंदी में एक कहानी। अगर आप को कहानियां सुनना अच्छा लगता हैं , तो इस चैनल को सब्सक्राइब ज़रूर करें धन्यवाद! ------- Contact me: Instagram: @arti_storyjam Facebook: https://www.facebook.com/StoryjamArti Club House : @artijain ------- Meet me at these Social Media links: Facebook : https://www.facebook.com/StoryjamArti My podcast on other platforms: Spotify open.spotify.com/show/0rG7ez0Pku1MuWhfvo6Dtz Apple Podcasts podcasts.apple.com/us/podcast/storyjam-hindi-urdu-audio-stories/id1513845846 Gaana.com gaana.com/podcast/storyjam-hindi-urdu-audio-stories-season-1 RadioPublic radiopublic.com/storyjam-GmywpN Pocket Casts pca.st/rwdymlsd Overcast overcast.fm/itu #Hindi #StoryJam #hindikavita #hindipoetry #poetry #Urdupoetry ---------- About this channel: On this podcast channel, you can listen to Hindi and Urdu Stories by famous writers of Hindi sahitya/ literature. Here you will find stories and poetry by great authors of Hindi and Urdu. Some of these are classics and others are rare gems that you may never have heard or read. There are works by well known writers such as Premchand, Sharat Chandra, Manto, Ismat Chughtai, Mohan Rakesh, Phanishwar Nath Renu, Mannu Bhandari, Harishankar Parsai. Some are rare works by Dilip Kumar, Balraj Sahani and Gulzar. --- Send in a voice message: https://podcasters.spotify.com/pod/show/storyjam/message

Ismat Chughtai was one of the boldest and most outspoken writers of her day. Her cleverly-crafted short story “The Quilt” sparked a years-long obscenity trial, but it also helped establish her as a writer who wasn't afraid to shine a light on taboo subjects and speak frankly about women's experiences both in the traditional and modern Indian world. Our guest is author Tania Malik whose most recent book, Hope You Are Satisfied, is a suspense-story set in Dubai. Discussed: “Hope You Are Satisfied” by Tania Malik“The Quilt” by Ismat ChugtaiFor episodes and show notes, visit: LostLadiesofLit.com Follow us on instagram @lostladiesoflit. Follow Kim on twitter @kaskew. Sign up for our newsletter: LostLadiesofLit.com Email us: Contact — Lost Ladies of Lit Podcast

In this episode, renowned Indian poet, lyricist, and screenwriter Javed Akhtar discusses the life and work of Ismat Chughtai, a legendary Urdu writer and feminist icon. Akhtar delves into Chughtai's fearless approach towards tackling taboo subjects, particularly related to women's sexuality and societal norms. Akhtar also sheds light on Chughtai's contribution to Indian cinema, as her stories have been adapted into several acclaimed films. Throughout the episode, Akhtar pays tribute to Chughtai's enduring legacy and influence on modern Indian literature and culture.

Do you find it difficult to say ‘no'? If your answer is yes, you are in good company. Presenting, Bhagwaticharan Verma's delightful story about an unwanted guest and his soft hearted host. May this predicament never be yours! ---- भगवती चरण वर्मा का जीवन परिचय /Bhagwati Charan Verma ka Jeevan Parichay भगवती चरण वर्मा का जन्म उत्तर प्रदेश के उन्नाव जिले में हुआ था। उन्होंने प्रयागराज से बी॰ए॰, एल॰एल॰बी॰ की डिग्री प्राप्त की लेकिन उनकी रूचि कविता लेखन में थी । फिर उपन्यासकार के रूप में वे विख्यात हुए। वर्मा जी ने 1936 के करीब फिल्म कारपोरेशन, कलकत्ता में कार्य भी किया। ‘विचार' नामक साप्ताहिक के प्रकाशन-संपादन के बाद बंबई में फिल्म-कथालेखन उन्होंने किया। इसके उपरांत दैनिक ‘नवजीवन' का सम्पादन, फिर आकाशवाणी के कई केंन्दों में कार्य भी वर्मा जी ने किया। उनके उपन्यास ‘चित्रलेखा' पर दो बार फिल्म-निर्माण हुआ। पद्मभूषण तथा राज्यसभा की मानद सदस्यता भी उन्हें प्राप्त हुई। ------------ Listen to Hindi kahaniyan and Urdu Kahaniyan by famous as well as lesser known writers. You will find here stories from everyone from Premchand to Ismat Chughtai ; Suryabala to Mohan Rakesh, Kaleshwar and Mannu Bhandari. ------------ ----- Meet me at these Social Media links: Facebook : https://www.facebook.com/StoryjamArti Instagram : @arti_storyjam My podcast on other platforms: Spotify open.spotify.com/show/0rG7ez0Pku1MuWhfvo6Dtz Apple Podcasts podcasts.apple.com/us/podcast/storyjam-hindi-urdu-audio-stories/id1513845846 Gaana.com gaana.com/podcast/storyjam-hindi-urdu-audio-stories-season-1 RadioPublic radiopublic.com/storyjam-GmywpN Pocket Casts pca.st/rwdymlsd Overcast overcast.fm/itu #Hindi #StoryJam #Bhagwaticharanvermachitralekha #chitralekha #bhagwaticharanverma #upanyas #kahaniyan #vyang #satire --- Send in a voice message: https://anchor.fm/storyjam/message

What would two great writers from history talk about if they were to meet? We may not find that out, but when one translates the works of the other, what is evident is a sense of common concern, a shared worldview and a hat tip to the greatness of the other. When Premchand translated works of Leo Tolstoy, he didn't just use his vast and rich vocabulary to retell the great Russian's work in Hindustani, he took the story and drew its essence in a way that the story became Indian. Incidentally, if you listen carefully you'll recognize another work or two that may have been inspired by the original. Do let me know if you do! -------- मुंशी प्रेमचंद का जीवन परिचय : धनपत राय श्रीवास्तव जिन्हे साहित्य प्रेमी प्रेमचंद के नाम से जाने जाते हैं, हिन्दी और उर्दू के शायद सबसे अधिक लोकप्रिय रचनाकार हैं । उन्होंने सेवासदन, प्रेमाश्रम, रंगभूमि, निर्मला, गबन, कर्मभूमि, गोदान आदि लगभग डेढ़ दर्जन उपन्यास तथा कफन, पूस की रात, पंच परमेश्वर, बड़े घर की बेटी, बूढ़ी काकी, दो बैलों की कथा आदि तीन सौ से अधिक कहानियाँ लिखीं। उनके उपन्यास सुर कथाएं हिन्दी तथा उर्दू दोनों भाषाओं में प्रकाशित हुईं। अपने दौर की सभी प्रमुख उर्दू और हिन्दी पत्रिकाओं जमाना, सरस्वती, माधुरी, मर्यादा, चाँद, सुधा आदि में भी उन्होंने लिखा।वे हिन्दी समाचार पत्र जागरण तथा साहित्यिक पत्रिका हंस के संपादक और प्रकाशक भी रहे। इसके लिए उन्होंने सरस्वती प्रेस खरीदा जो बाद में घाटे में रहा और बन्द करना पड़ा। प्रेमचंद फिल्मों की पटकथा लिखने मुंबई भी गए और लगभग तीन वर्ष तक रहे। वे जीवन के अंतिम दिनों तक वे साहित्य सृजन में लगे रहे। ----- About this channel: On this Youtube channel, you can listen to Hindi and Urdu Stories by famous writers of Hindi sahitya/ literature. Here you will find stories and poetry by great authors of Hindi and Urdu. Some of these are classics and others are rare gems that you may never have heard or read. There are works by well known writers such as Premchand, Sharat Chandra, Manto, Ismat Chughtai, Mohan Rakesh, Phanishwar Nath Renu, Mannu Bhandari, Harishankar Parsai. Some are rare works by Dilip Kumar, Balraj Sahani and Gulzar. ----- Meet me at these Social Media links: Facebook : https://www.facebook.com/StoryjamArti My podcast on other platforms: Spotify open.spotify.com/show/0rG7ez0Pku1MuWhfvo6Dtz Apple Podcasts podcasts.apple.com/us/podcast/storyjam-hindi-urdu-audio-stories/id1513845846 Gaana.com gaana.com/podcast/storyjam-hindi-urdu-audio-stories-season-1 RadioPublic radiopublic.com/storyjam-GmywpN Pocket Casts pca.st/rwdymlsd Overcast overcast.fm/itu #Hindi #StoryJam #premchand #premchandkikahani #premchandkikahaniyan #premchandkipremkahani #leotolstoy #russian #russianshortstory --- Send in a voice message: https://anchor.fm/storyjam/message

Gonu Jha is to Mithila, Bihar what Birbal is to North India. When the greedy, corrupt or miserly make trouble for the common man, Gonu Jha with his wit, common sense and humour saves the day! ------ Listen to Hindi kahaniyan and Urdu Kahaniyan by famous as well as lesser known writers. You will find here stories from everyone from Premchand to Ismat Chughtai ; Suryabala to Mohan Rakesh, Kaleshwar and Mannu Bhandari. -------------------- #bihar #hindi #kahani #gonujha #mithila #birbalkikahani #storyjam --- Send in a voice message: https://anchor.fm/storyjam/message

In this episode, gender and language studies scholar Dr. Geeta Patel discusses why Ismat Chughtai's Lihaaf was charged for obscenity, the 'homely' girl in matrimonial ads, and challenging notions of respectability in Indian society.‘In Perspective' is The Swaddle's podcast series where academics reveal little-known facts about Indian history, society and culture. Notes: 00:00:53:00- What role did modern Indian literature play in nationalist discourses in the 20th century? How does the work of Meeraji (Mohammad Sanaullah Dar) help us conceive of new modernizing nationalisms in this context? 00:09:54:04- What is ‘homeliness?' How have linkages between domesticity and a woman's identity been forged since 19th century India? Is this changing today? 00:16:16:03- Why was Ismat Chughtai's 1942 short story ‘Lihaaf' charged for being obscene? What do the narratives around that story tell us about the Indian state's perceptions of gender and sexuality at the time?00:19:52:21- What is the heteronuclear family? In what ways do we see the ideal of the heteronuclear family propagated in advertisements post independence in India? 00:24:57:15- What are the problems with how we understand sex and desire in popular discourse in India today? What does reclaiming narratives around pleasure and desire entail?

The way Harishankar Parsai's satire continues to remain relevant even after so many years of its writing is astonishing. Till such time as humans remain greedy and ruthless, Parsai will be topical. The only weapon against that depressing thought is humour! Do you imagine there will be a time when people won't understand what Parsai is going on about? Bholaram Ka Jeev is a satire by well known satirist Harishankar Parsai. व्यंग लेखक हरिशंकर परसाई द्वारा लिखित, 'भोलाराम का जीव' सुनिए - ------------------------------- Listen to Hindi kahaniyan and Urdu Kahaniyan by famous as well as lesser known writers. You will find here stories from everyone from Premchand to Ismat Chughtai ; Suryabala to Mohan Rakesh, Kamleshwar and Mannu Bhandari. #hindi #satire #vyang #harishankarparsai #parsai #bholaramkajeev #humor #humour #kahani #hindisahitya #storyjam #kahaniyan --- Send in a voice message: https://anchor.fm/storyjam/message

As the first study of its kind, Gender, Sexuality and Feminism in Pakistani Urdu Writing (Anthem, 2022) offers a new understanding of progressive women's poetry in Urdu and the legacy of postcolonial politics. It underlines Urdu's linguistic hybridities, the context of the zenana, reform, and rekhti to illustrate how the modernising impulse under colonial rule impacted women as subjects in textual form. It argues that canonical texts for sharif women from Mirat-ul Arus to Umrao Jan Ada need to be looked at alongside women's diaries and autobiographies so that we have an overall picture of gendered lives from imaginative fiction, memoirs and biographies. In the late nineteenth century, ideas of the cosmopolitan and local were in conversation with the secular and sacred across different Indian literatures. Emerging poets from the zenana can be traced back to Zahida Khatun Sherwania from Aligarh and Haya Lakhnavi from Lucknow who had very unique trajectories as sharif women. With the rise of anti-colonial nationalism, the Indian women's movement gathered force and those who had previously been confined to the private sphere took their place in public as speaking subjects. The influence of the Left, Marxist thought and resistance against colonial rule fired the Progressive Writers Movement in the 1930s. The pioneering writer and activist Rashid Jahan was at the helm of the movement mediating women's voices through a scientific and rational lens. She was succeeded by Ismat Chughtai, who like her contemporary Saadat Hasan Manto courted controversy by writing openly about sexualities and class. With the onset of partition, as the progressive writers were split across two nations, they carried with them the vision of a secular borderless world. In Pakistan, Urdu became an ideological ground for state formation, and Urdu writers came under state surveillance in the Cold War era. The study picks up the story of progressive women poets in Pakistan to try and understand their response to emerging dominant narratives of nation, community and gender. How did national politics and an ideological Islamisation that was at odds with a secular separation of church and state affect their writing? Despite the disintegration of the Progressive Writers Movement and the official closure of the Left in Pakistan, the author argues that an exceptional legacy can be found in the voices of distinctive women poets including Ada Jafri, Zehra Nigah, Sara Shagufta, Parvin Shakir, Fahmida Riaz and Kishwar Naheed. Their poems offer new metaphors and symbols borrowing from feminist thought and a hybrid Islamicate culture. Riaz and Naheed joined forces with the women's movement in Pakistan in the 1980s and caused some discomfort amongst Urdu literary circles with their writing. Celebrated across both sides of the border, their poetry and politics is less well known than the verse of the progressive poet par excellence Faiz Ahmed Faiz or the hard hitting lyrics of Habib Jalib. The book demonstrates how they manipulate and appropriate a national language as mother tongue speakers to enunciate a middle ground between the sacred and secular. In doing so they offer a new aesthetic that is inspired by activism and influenced by feminist philosophy. Iqra Shagufta Cheema is a writer, researcher, and chronic procrastinator. When they do write, they write in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. Check out their latest book chapter Queer Love: He is also Made in Heaven. They can be reached via email at IqraSCheema@gmail.com or Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

As the first study of its kind, Gender, Sexuality and Feminism in Pakistani Urdu Writing (Anthem, 2022) offers a new understanding of progressive women's poetry in Urdu and the legacy of postcolonial politics. It underlines Urdu's linguistic hybridities, the context of the zenana, reform, and rekhti to illustrate how the modernising impulse under colonial rule impacted women as subjects in textual form. It argues that canonical texts for sharif women from Mirat-ul Arus to Umrao Jan Ada need to be looked at alongside women's diaries and autobiographies so that we have an overall picture of gendered lives from imaginative fiction, memoirs and biographies. In the late nineteenth century, ideas of the cosmopolitan and local were in conversation with the secular and sacred across different Indian literatures. Emerging poets from the zenana can be traced back to Zahida Khatun Sherwania from Aligarh and Haya Lakhnavi from Lucknow who had very unique trajectories as sharif women. With the rise of anti-colonial nationalism, the Indian women's movement gathered force and those who had previously been confined to the private sphere took their place in public as speaking subjects. The influence of the Left, Marxist thought and resistance against colonial rule fired the Progressive Writers Movement in the 1930s. The pioneering writer and activist Rashid Jahan was at the helm of the movement mediating women's voices through a scientific and rational lens. She was succeeded by Ismat Chughtai, who like her contemporary Saadat Hasan Manto courted controversy by writing openly about sexualities and class. With the onset of partition, as the progressive writers were split across two nations, they carried with them the vision of a secular borderless world. In Pakistan, Urdu became an ideological ground for state formation, and Urdu writers came under state surveillance in the Cold War era. The study picks up the story of progressive women poets in Pakistan to try and understand their response to emerging dominant narratives of nation, community and gender. How did national politics and an ideological Islamisation that was at odds with a secular separation of church and state affect their writing? Despite the disintegration of the Progressive Writers Movement and the official closure of the Left in Pakistan, the author argues that an exceptional legacy can be found in the voices of distinctive women poets including Ada Jafri, Zehra Nigah, Sara Shagufta, Parvin Shakir, Fahmida Riaz and Kishwar Naheed. Their poems offer new metaphors and symbols borrowing from feminist thought and a hybrid Islamicate culture. Riaz and Naheed joined forces with the women's movement in Pakistan in the 1980s and caused some discomfort amongst Urdu literary circles with their writing. Celebrated across both sides of the border, their poetry and politics is less well known than the verse of the progressive poet par excellence Faiz Ahmed Faiz or the hard hitting lyrics of Habib Jalib. The book demonstrates how they manipulate and appropriate a national language as mother tongue speakers to enunciate a middle ground between the sacred and secular. In doing so they offer a new aesthetic that is inspired by activism and influenced by feminist philosophy. Iqra Shagufta Cheema is a writer, researcher, and chronic procrastinator. When they do write, they write in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. Check out their latest book chapter Queer Love: He is also Made in Heaven. They can be reached via email at IqraSCheema@gmail.com or Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

As the first study of its kind, Gender, Sexuality and Feminism in Pakistani Urdu Writing (Anthem, 2022) offers a new understanding of progressive women's poetry in Urdu and the legacy of postcolonial politics. It underlines Urdu's linguistic hybridities, the context of the zenana, reform, and rekhti to illustrate how the modernising impulse under colonial rule impacted women as subjects in textual form. It argues that canonical texts for sharif women from Mirat-ul Arus to Umrao Jan Ada need to be looked at alongside women's diaries and autobiographies so that we have an overall picture of gendered lives from imaginative fiction, memoirs and biographies. In the late nineteenth century, ideas of the cosmopolitan and local were in conversation with the secular and sacred across different Indian literatures. Emerging poets from the zenana can be traced back to Zahida Khatun Sherwania from Aligarh and Haya Lakhnavi from Lucknow who had very unique trajectories as sharif women. With the rise of anti-colonial nationalism, the Indian women's movement gathered force and those who had previously been confined to the private sphere took their place in public as speaking subjects. The influence of the Left, Marxist thought and resistance against colonial rule fired the Progressive Writers Movement in the 1930s. The pioneering writer and activist Rashid Jahan was at the helm of the movement mediating women's voices through a scientific and rational lens. She was succeeded by Ismat Chughtai, who like her contemporary Saadat Hasan Manto courted controversy by writing openly about sexualities and class. With the onset of partition, as the progressive writers were split across two nations, they carried with them the vision of a secular borderless world. In Pakistan, Urdu became an ideological ground for state formation, and Urdu writers came under state surveillance in the Cold War era. The study picks up the story of progressive women poets in Pakistan to try and understand their response to emerging dominant narratives of nation, community and gender. How did national politics and an ideological Islamisation that was at odds with a secular separation of church and state affect their writing? Despite the disintegration of the Progressive Writers Movement and the official closure of the Left in Pakistan, the author argues that an exceptional legacy can be found in the voices of distinctive women poets including Ada Jafri, Zehra Nigah, Sara Shagufta, Parvin Shakir, Fahmida Riaz and Kishwar Naheed. Their poems offer new metaphors and symbols borrowing from feminist thought and a hybrid Islamicate culture. Riaz and Naheed joined forces with the women's movement in Pakistan in the 1980s and caused some discomfort amongst Urdu literary circles with their writing. Celebrated across both sides of the border, their poetry and politics is less well known than the verse of the progressive poet par excellence Faiz Ahmed Faiz or the hard hitting lyrics of Habib Jalib. The book demonstrates how they manipulate and appropriate a national language as mother tongue speakers to enunciate a middle ground between the sacred and secular. In doing so they offer a new aesthetic that is inspired by activism and influenced by feminist philosophy. Iqra Shagufta Cheema is a writer, researcher, and chronic procrastinator. When they do write, they write in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. Check out their latest book chapter Queer Love: He is also Made in Heaven. They can be reached via email at IqraSCheema@gmail.com or Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

As the first study of its kind, Gender, Sexuality and Feminism in Pakistani Urdu Writing (Anthem, 2022) offers a new understanding of progressive women's poetry in Urdu and the legacy of postcolonial politics. It underlines Urdu's linguistic hybridities, the context of the zenana, reform, and rekhti to illustrate how the modernising impulse under colonial rule impacted women as subjects in textual form. It argues that canonical texts for sharif women from Mirat-ul Arus to Umrao Jan Ada need to be looked at alongside women's diaries and autobiographies so that we have an overall picture of gendered lives from imaginative fiction, memoirs and biographies. In the late nineteenth century, ideas of the cosmopolitan and local were in conversation with the secular and sacred across different Indian literatures. Emerging poets from the zenana can be traced back to Zahida Khatun Sherwania from Aligarh and Haya Lakhnavi from Lucknow who had very unique trajectories as sharif women. With the rise of anti-colonial nationalism, the Indian women's movement gathered force and those who had previously been confined to the private sphere took their place in public as speaking subjects. The influence of the Left, Marxist thought and resistance against colonial rule fired the Progressive Writers Movement in the 1930s. The pioneering writer and activist Rashid Jahan was at the helm of the movement mediating women's voices through a scientific and rational lens. She was succeeded by Ismat Chughtai, who like her contemporary Saadat Hasan Manto courted controversy by writing openly about sexualities and class. With the onset of partition, as the progressive writers were split across two nations, they carried with them the vision of a secular borderless world. In Pakistan, Urdu became an ideological ground for state formation, and Urdu writers came under state surveillance in the Cold War era. The study picks up the story of progressive women poets in Pakistan to try and understand their response to emerging dominant narratives of nation, community and gender. How did national politics and an ideological Islamisation that was at odds with a secular separation of church and state affect their writing? Despite the disintegration of the Progressive Writers Movement and the official closure of the Left in Pakistan, the author argues that an exceptional legacy can be found in the voices of distinctive women poets including Ada Jafri, Zehra Nigah, Sara Shagufta, Parvin Shakir, Fahmida Riaz and Kishwar Naheed. Their poems offer new metaphors and symbols borrowing from feminist thought and a hybrid Islamicate culture. Riaz and Naheed joined forces with the women's movement in Pakistan in the 1980s and caused some discomfort amongst Urdu literary circles with their writing. Celebrated across both sides of the border, their poetry and politics is less well known than the verse of the progressive poet par excellence Faiz Ahmed Faiz or the hard hitting lyrics of Habib Jalib. The book demonstrates how they manipulate and appropriate a national language as mother tongue speakers to enunciate a middle ground between the sacred and secular. In doing so they offer a new aesthetic that is inspired by activism and influenced by feminist philosophy. Iqra Shagufta Cheema is a writer, researcher, and chronic procrastinator. When they do write, they write in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. Check out their latest book chapter Queer Love: He is also Made in Heaven. They can be reached via email at IqraSCheema@gmail.com or Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

As the first study of its kind, Gender, Sexuality and Feminism in Pakistani Urdu Writing (Anthem, 2022) offers a new understanding of progressive women's poetry in Urdu and the legacy of postcolonial politics. It underlines Urdu's linguistic hybridities, the context of the zenana, reform, and rekhti to illustrate how the modernising impulse under colonial rule impacted women as subjects in textual form. It argues that canonical texts for sharif women from Mirat-ul Arus to Umrao Jan Ada need to be looked at alongside women's diaries and autobiographies so that we have an overall picture of gendered lives from imaginative fiction, memoirs and biographies. In the late nineteenth century, ideas of the cosmopolitan and local were in conversation with the secular and sacred across different Indian literatures. Emerging poets from the zenana can be traced back to Zahida Khatun Sherwania from Aligarh and Haya Lakhnavi from Lucknow who had very unique trajectories as sharif women. With the rise of anti-colonial nationalism, the Indian women's movement gathered force and those who had previously been confined to the private sphere took their place in public as speaking subjects. The influence of the Left, Marxist thought and resistance against colonial rule fired the Progressive Writers Movement in the 1930s. The pioneering writer and activist Rashid Jahan was at the helm of the movement mediating women's voices through a scientific and rational lens. She was succeeded by Ismat Chughtai, who like her contemporary Saadat Hasan Manto courted controversy by writing openly about sexualities and class. With the onset of partition, as the progressive writers were split across two nations, they carried with them the vision of a secular borderless world. In Pakistan, Urdu became an ideological ground for state formation, and Urdu writers came under state surveillance in the Cold War era. The study picks up the story of progressive women poets in Pakistan to try and understand their response to emerging dominant narratives of nation, community and gender. How did national politics and an ideological Islamisation that was at odds with a secular separation of church and state affect their writing? Despite the disintegration of the Progressive Writers Movement and the official closure of the Left in Pakistan, the author argues that an exceptional legacy can be found in the voices of distinctive women poets including Ada Jafri, Zehra Nigah, Sara Shagufta, Parvin Shakir, Fahmida Riaz and Kishwar Naheed. Their poems offer new metaphors and symbols borrowing from feminist thought and a hybrid Islamicate culture. Riaz and Naheed joined forces with the women's movement in Pakistan in the 1980s and caused some discomfort amongst Urdu literary circles with their writing. Celebrated across both sides of the border, their poetry and politics is less well known than the verse of the progressive poet par excellence Faiz Ahmed Faiz or the hard hitting lyrics of Habib Jalib. The book demonstrates how they manipulate and appropriate a national language as mother tongue speakers to enunciate a middle ground between the sacred and secular. In doing so they offer a new aesthetic that is inspired by activism and influenced by feminist philosophy. Iqra Shagufta Cheema is a writer, researcher, and chronic procrastinator. When they do write, they write in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. Check out their latest book chapter Queer Love: He is also Made in Heaven. They can be reached via email at IqraSCheema@gmail.com or Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

हिंदी सिनेमा के मशहूर लेखक और पत्रकार, ख्वाजा अहमद अब्बास की टिपण्णी सिनेमा के स्टॉक किरदारों पर और साथ ही किस्सा एक ऐसी अदाकारा का जो परदे पर भले ही बेईमान वैम्प का रोल निभाती थी, लेकिन असलियत में अपने काम और हुनर की तरफ उसकी शिद्दत काबिल-इ-तारीफ थी. कौन थी ये मशहूर एक्ट्रेस? -------------- Khwaja Ahmad Abbas was the “genius” writer behind most of Raj Kapoor's superhit (and on one occasion flop) films- Awaara, Shri 420, Ram Teri Ganga Maili and Mera Naam Joker. However these came later. K.A Abbas had already proved his mettle as a writer with Shantaram's ‘Dr. Kotnis ki Amar Kahani' and Chetan Anand's ‘Neecha Nagar'. He helped “strugglers” like Dev Anand and later Amitabh Bachchan. His stories were often considered not “literary” enough but he stood steadfast in his belief about telling the stories of everyday people in language that was theirs. -------------------- Look for other stories on StoryJam by K A Abbas: Ababeel Tiddi --------------------- Listen to Hindi kahaniyan and Urdu Kahaniyan by famous as well as lesser known writers. You will find here stories from everyone from Premchand to Ismat Chughtai ; Suryabala to Mohan Rakesh, Kaleshwar and Mannu Bhandari. ----Social Media Links: ---- Facebook : https://www.facebook.com/StoryjamArti Instagram : @arti_storyjam Club House : @artijain --------------------- #khwajaAhmadAbbas #KAAbbas #rkfilms #vshantaram #chetananand #Awaara, #Shri420, #RamTeriGangaMaili #MeraNaamJoker #rajkapoor #devanand #writer #hindicinema #bollywood #IPTA #ProgressiveWritersMovement #punjab #urdu #urdustories #urdukahani #listenstories #Hindi #hindikahani #radiostories #storyjam #hindistories #urdustories #hindikahani #khwajaahmadabbas #shri420 #ramterigangamaili #progressivewriters #urdukahani #hindishortstories #shortstories #bedtimestories #audiostories #Bollywood #bollywoodkahani #KAAbbas #rkfilms #rajkapoor #chetananand #cinema #hindicinema #rajkapoormovies #films #filmi --- Send in a voice message: https://anchor.fm/storyjam/message

Writer-director Abhishek Chaubey joins us for a chat on his films (Ishqiya, Dedh Ishqiya, Udta Punjab, Sonchiriya) as well as Omkara and Maqbool, films which he co-wrote/assisted on. Abhishek and I chatted about adapting classics, writing good story endings, and prioritizing storytelling voice ahead of cinematic chops. He shared some cool stories around casting Naseeruddin Shah in Ishqiya, shooting the shootout at the train station in Dedh Ishqiya, the decision to nod to Ismat Chughtai's Lihaaf, and working with the Pakistani actor, Salman Shahid (Mushtaq Bhai). Abhishek also talked about learning from Vishal  Bhardwaj, his mentor and friend. Join us!Ishqiya, Dedh Ishqiya, and Udta Punjab are currently streaming on Netflix.Sonchiriya is currently streaming on Zee5.Feedback/comments/questions: loveofcinemasf@gmail.comCredits:Produced and hosted by: Himanshu Joglekar (@loveofcinemasf8)Editor: Devika JoglekarMusic: Nakul AbhyankarCopyrights © Love of Cinema 2022Support the show

We all like to root for the underdog- in movies! In real life it gets a little complicated and awkward, like it does for the narrator in Agyeya's story. Will all that pent up justified anger lead to a free-for-all, or will it go flat after a while, like soapsuds? --------------------------------- Sachchidananda Hirananda Vatsyayan, better known by his nom de plume Agyeya, held a prominent presence in the world of Hindi literature. It is widely believed that he brought experimentalism to Hindi poetry. Though long before he was known for his poetry, he had started writing short stories and novels. As a young man he contributed to a magazine edited by Munshi Premchand. In fact there is an interesting anecdote about his pen name, Agyeya. As a freedom fighter young Sachchidanand was imprisoned. While in jail he used to send his short stories to well known writer, Jainendra. Since his name could not be used, Jainendra passed on his articles to Munshi Premchand saying that the writer's name was ‘Agyeya' meaning unknowable. --------------------------------- On my channel you can listen to Hindi and Urdu Stories by famous writers of Hindi sahitya/ literature. Here you will find stories and poetry by great authors of Hindi and Urdu. Some of these are classics and others are rare gems that you may never have heard or read. There are works by well known writers such as Premchand, Sharat Chandra, Manto, Ismat Chughtai, Mohan Rakesh, Phanishwar Nath Renu, Mannu Bhandari, Harishankar Parsai. Some are rare works by Dilip Kumar, Balraj Sahani and Gulzar. ----- -------------------------------------------------------- Meet me at these Social Media links: Facebook : https://www.facebook.com/StoryjamArtiMy podcast on other platforms: Spotifyopen.spotify.com/show/0rG7ez0Pku1MuWhfvo6Dtz Apple Podcastspodcasts.apple.com/us/podcast/storyjam-hindi-urdu-audio-stories/id1513845846 Gaana.comgaana.com/podcast/storyjam-hindi-urdu-audio-stories-season-1 RadioPublicradiopublic.com/storyjam-GmywpNPocket Castspca.st/rwdymlsdOvercastovercast.fm/itu #Hindi #StoryJam #hindikahani #Agyeya #agyeyakirachnayein #agyeyakikahani #agyeyakikavitayien --- Send in a voice message: https://anchor.fm/storyjam/message

'Adakar' is a theatre and cultural group that seeks to provide a platform to showcase the creative expression and talents of the South Asian community in Australia. Group founder Saba Zaidi has picked up two classic plays by feminist Urdu writer Ismat Chughtai based on women living a life of oppression. Along with director Saba Zaidi, artists Abida Malik and Zar Khan have acted in these plays. The jubilant team is happy to join together after Covid and members are sharing about their roles and storyline besides experiences of working together in Australian theatre.

'Adakar' is a theatre and cultural group that seeks to provide a platform to showcase the creative expression and talents of the South Asian community in Australia. Group founder Saba Zaidi has picked up two classic plays by feminist Urdu writer Ismat Chughtai based on women living a life of oppression. Along with director Saba Zaidi, artists Abida Malik and Zar Khan have acted in these plays. The jubilant team is happy to join together after Covid and members are sharing about their roles and storyline besides experiences of working together in Australian theatre. - عصمت چغتائی کی  پرانے دور کی دو تلخ کہانیاں  'دوزخ‘ اور 'مغل بچہ‘  جبر کی زندگی گزارنے والی خواتین کی حالت زار کی عکاس ہیں۔ بے باک موضوعات کو اداکار ٹھیٹر کی بانی صبا ذیدی نے اسٹیج پر سجانے کا بیڑہ اٹھایا ہے ۔ اداکار ایک ایسا تھیٹر اور ثقافتی گروپ ہے جو آسٹریلیا میں جنوبی ایشیائی کمیونٹی کے تخلیقی اظہار اور صلاحیتوں کے اظہار کے لیے ایک پلیٹ فارم مہیا کررہا ہے۔ اس پوڈکاسٹ میں صبا ذیدی کے ساتھ اِن ڈراموں میں کردار ادا کرنے والی عابدہ ملک اور زار خان بھی  اپنے کرداروں اورآسٹریلین  ٹھیٹر میں سب کے ساتھ مل کر کام کرنے کےدلچسپ تجربات بیان کر رہی ہیں۔ 

A short story, originally written in Dari by Afghan novelist, short story writer, journalist, and scholar, Rahnaward Zaryab. A poignant story about growing up, made more so by the fact that it comes at a time when the life of a child in Afghanistan is everything a child's life should not be- uncertain, violent, aching with personal losses. Here's hoping that through all the rise of smoke and rubble, the flame of imagination and hope will resurface, more resilient, shining brighter! #childhood, #AfghanistanChildren #Afghan #GrowingUp Listen to Hindi kahaniyan and Urdu Kahaniyan by famous as well as lesser known writers. You will find here stories from everyone from Premchand to Ismat Chughtai ; Suryabala to Mohan Rakesh, Kaleshwar and Mannu Bhandari. --- Send in a voice message: https://anchor.fm/storyjam/message

Curated by Irfan Ismat Chughtai (21 August 1915 – 24 October 1991) was an Indian Urdu novelist, short story writer, liberal humanist and filmmaker. Beginning in the 1930s, she wrote extensively on themes including female sexuality and femininity, middle-class gentility, and class conflict, often from a Marxist perspective. With a style characterised by literary realism, Chughtai established herself as a significant voice in the Urdu literature of the twentieth century, and in 1976 was awarded the Padma Shri by the Government of India. Source https://youtu.be/6pSvo_ypoPQ Interviewer: Mujtaba Hussain, Pakistan Cover Image Courtesy: Google Cover: Irfan --- Send in a voice message: https://podcasters.spotify.com/pod/show/sm-irfan/message

Ismat Chughtai's writing, especially her short stories, are full of sharp unapologetic observations about the politics of the household as well as of society at large. Her work shows unbiased compassion and above all humor like none other. Today a short story that Ismat Chughtai probably wrote for children, but one that alleviates adults from mundane dullness of everyday life. -------------- नमस्कार, मेरा नाम आरती है और मैं Storyjam में हर हफ्ते आपको सुनाती हूँ हिंदी में एक कहानी। अगर आप को कहानियां सुनना अच्छा लगता हैं , तो इस चैनल को सब्सक्राइब ज़रूर करें। धन्यवाद! ------------------------------ Social Media Links: Facebook : https://www.facebook.com/StoryjamArti Instagram : @arti_storyjam Club House : @artijain ------------- #Hindi #StoryJam #hindikavita #Urdupoetry #urdu #IsmatChughtai #Ismat #IsmatAapa #gangajamuni #lihaaf #lihaf #Manto #Feminism #indiafeminism #childrensStory #kidsstory #shortstory --- Send in a voice message: https://anchor.fm/storyjam/message

Pankaj Mishra's Run and Hide tells a story of modern Indian times, as the hidden pasts of wealthy, Gatsby-style tech entrepreneurs must be reckoned with. And to help put this modern India in context, Dr Pragya Dhital will consider the resonances of the tumultuous period of "The Emergency", the response of the Indian government to a period of "internal disturbance" in the 1970s. She discusses the homemade or samizdat style leaflets which journalists like Ram Dutt Tripathi used to great effect. The cuisine of India is a national symbol around the world, but Dr Sharanya Murali explores how this most traditional artform, cookery, can become iconoclastic when utilised in performance art by the likes of Pushpamala N and Raj Goody. And Dr Vikram Visana will consider populism in India, telling us how differing parties are vying to answer questions of national identity which seem increasingly ill-suited to the challenges facing this modern democracy - and one of the key figures he discusses is KM Munshi. Asked for their key cultural figures of India the panel made some eclectic choices. Seek out the short stories of Ismat Chughtai who endured an obscenity trial for her works, and VS Naipaul was viewed as a great chronicler of a crisis in the Hindu struggle with the modern world. Bilkis Dadi was the most recognisable face of the Shaheen Bagh protests against the Citizenship Amendment Act and the music of Mehdi Hassan was remembered as a culturally unifying force between India and Pakistan. Read more at: https://www.shethepeople.tv/news/shaheen-baghs-bilkis-dadi-on-bbcs-100-women-of-2020-list/ Presented by Rana Mitter Produced by Kevin Core If you want more programmes exploring South Asian culture and history you can find Rana looking at the film Pather Panchali made by Satyajit Ray and the writing of Sunjeev Sahota https://www.bbc.co.uk/programmes/b060zmjs Maha Rafi Atal, Anindita Ghosh, Jahnavi Phalkey and Yasmin Khan share their research in an episode called Everything You Never Knew About Indian history https://www.bbc.co.uk/programmes/b069yb6k O What a Lovely Savas explores India's First World War experiences https://www.bbc.co.uk/programmes/b047zvbj Tariq Ali on the 50th anniversary of 1968 uprisings https://www.bbc.co.uk/programmes/p05x9zq2 Rana explores Pakistan politics and water supplies https://www.bbc.co.uk/programmes/m000s9cg Amitav Gosh on weaving the ancient legend about the goddess of snakes, Manasa Devi into a journey between America, the Sundarbans and Venice https://www.bbc.co.uk/programmes/m00066px Arundhati Roy https://www.bbc.co.uk/programmes/b08slx9t

Chudamani Mishra makes a will before he dies. The will tells us as much about him as it does about its beneficiaries in this funny, ironic and wise story. ---------------------- चूड़ामणि मिश्रा मरने से पहले वसीयत बना गए हैं। वसीयत हमें उनके बारे में जितना बताती है उतना ही वह उस वसीयत के लाभार्थियों के बारे में बताती है, इस मज़ेदार, विडंबनापूर्ण कहानी में - ------------------------------------ भगवती चरण वर्मा का जीवन परिचय /Bhagwati Charan Verma ka Jeevan Parichay भगवती चरण वर्मा का जन्म उत्तर प्रदेश के उन्नाव जिले में हुआ था। उन्होंने प्रयागराज से बी॰ए॰, एल॰एल॰बी॰ की डिग्री प्राप्त की लेकिन उनकी रूचि कविता लेखन में थी । फिर उपन्यासकार के रूप में वे विख्यात हुए। वर्मा जी ने 1936 के करीब फिल्म कारपोरेशन, कलकत्ता में कार्य भी किया। ‘विचार' नामक साप्ताहिक के प्रकाशन-संपादन के बाद बंबई में फिल्म-कथालेखन उन्होंने किया। इसके उपरांत दैनिक ‘नवजीवन' का सम्पादन, फिर आकाशवाणी के कई केंन्दों में कार्य भी वर्मा जी ने किया। उनके उपन्यास ‘चित्रलेखा' पर दो बार फिल्म-निर्माण हुआ। पद्मभूषण तथा राज्यसभा की मानद सदस्यता भी उन्हें प्राप्त हुई। -------- Listen to Hindi kahaniyan and Urdu Kahaniyan by famous as well as lesser known writers. You will find here stories from everyone from Premchand to Ismat Chughtai ; Suryabala to Mohan Rakesh, Kaleshwar and Mannu Bhandari. --- Send in a voice message: https://anchor.fm/storyjam/message

Born in Amritsar, short story writer Ghulam Abbas moved to Pakistan at the time of the partition. One of his short stories, Aanandi was adapted into a film called 'Mandi' by filmmaker Shyam Benegal. ------------------ Listen to Hindi kahaniyan and Urdu Kahaniyan by famous as well as lesser known writers. You will find here stories from everyone from Premchand to Ismat Chughtai ; Suryabala to Mohan Rakesh, Kaleshwar and Mannu Bhandari. ---------------- #ghulamabbas #entrepreneurship #storyjam #partitionstories #pakistan #india #humor #funnystory #hindistory #hindi #hindikahani #urdustory #urdukahani #urdukahaniya --- Send in a voice message: https://anchor.fm/storyjam/message

Thinking of Ismat Chughtai today as we come closer to her death Anniversary. Ismat boldly went where few women then or even now dare to go. She took on the world of men, including their writings, and turned it all on its head. She appropriated their language, their stereotypes, their prejudices and shaped bold narratives about women that unmasked the genteel society's hypocrisy and bigotry. ------ ----Social Media Links: ---- Facebook : https://www.facebook.com/StoryjamArti Instagram : @arti_storyjam Club House : @artijain ----------------------------------- इस्मत चुग़ताई का जीवन परिचय ------------------------------------- इस्मत चुग़ताई की कहानियों में मध्यवर्ग और निम्न मध्यवर्गीय के जीवन पर से पर्दा हट जाता है, खासकर उन तबकों की औरतों के जीवन पर से। उनकी बेबाक बातें अक्सर समाज के ठेकेदारों को चुभ जाती थी। सो उनपर मुक़द्दमे भी चले और उनकी किताबें बैन भी हुईं। उनका भाषा प्रवाह अद्भुत था और लिखने की शैली में ठेठ मुहावरेदार गंगा जमुनी भाषा का उपयोग होता था, जिससे उनका लेखन बेहद लोकप्रिय रहा। लकिन उनके लेखन की सबसे आकर्षक बात थी, उनकी निर्भीक सोच , जो एक अनूठा दृष्टिकोण और सोच पेश करती थी। इस्मत चुग़ताई, जिन्हे लोग प्यार से इस्मत आपा कहते थे, का जन्म 21 अगस्त 1915 को उत्तर प्रदेश के बदायूं में हुआ। इन विख्यात इस लेखिका का निधन 24 अक्टूबर 1991 को हुआ। उनकी वसीयत के अनुसार मुंबई के चन्दनबाड़ी में उन्हें अग्नि को समर्पित किया गया। ---------------------------------------- My podcast on other platforms: Spotifyopen.spotify.com/show/0rG7ez0Pku1MuWhfvo6Dtz Apple Podcastspodcasts.apple.com/us/podcast/storyjam-hindi-urdu-audio-stories/id1513845846 Gaana.comgaana.com/podcast/storyjam-hindi-urdu-audio-stories-season-1 RadioPublicradiopublic.com/storyjam-GmywpN Pocket Castspca.st/rwdymlsd Overcastovercast.fm/itu #Hindi #StoryJam #hindikavita #Urdupoetry #urdu #IsmatChughtai #Ismat #IsmatAapa #gangajamuni #lihaaf #lihaf #Manto #Feminism #indiafeminism --- Send in a voice message: https://anchor.fm/storyjam/message

Nobody can say for sure! Though Section 292 of the (IPC) which defines obscenity is vague, it has been used against writers and artists like Ismat Chughtai to Saadat Hasan Manto, AIB and more recently, when Milind Soman ran naked on the beach. What is it all about? And what did a man named Cockburn have to do with it? Find out in this episode of The Longest Constitution! Gautam Bhatia, ‘The Supreme Court discards the Hicklin test', Available at: ( https://indconlawphil.wordpress.com/2014/02/07/obscenity-the-supreme-court-discards-the-hicklin-test/ )Shruti Sundar Ray, ‘Explained: What is the measure of ‘obscenity' in India?', ( https://indianexpress.com/article/explained/explained-milind-soman-obscenity-in-india-6998750/ )You can follow Priya on social media:Instagram: ( https://www.instagram.com/naik.priya/ )Twitter: ( https://twitter.com/fundamentallyp )Linkedin: ( https://www.linkedin.com/in/priya-mirza-73666310/ )You can listen to this show and other awesome shows on the IVM Podcasts app on Android: https://ivm.today/android or iOS: https://ivm.today/ios, or any other podcast app.See omnystudio.com/listener for privacy information.

To celebrate the start of pride month, Ben Pollard and Jenny Recaldin discuss six intersectional queer people from history. Jenny discusses feminist abolitionist Angelina Grimké, gay moon deities Mitra and Varuna, and Disney legend and the mastermind behind Beauty and the Beast and The Little Mermaid, Howard Ashman. Ben discusses Marxist Urdu author Ismat Chughtai, intersex plantation worker Thomas(ine) Hall, and famed drag queen and political activist Marsha P Johnson.

What is love...for another, for self, for life itself? Where do you find this love and can you will it into existence? If you like the story or find that you "know" a character from the story, do drop in a line. ----- नमस्कार, मेरा नाम आरती है और मैं Storyjam में हर हफ्ते आपको सुनती हूँ एक हिंदी कहानी. अगर आप और कहानियां सुनना चाहते हैं , तो इस चैनल को सब्सक्राइब ज़रूर करें। धन्यवाद! इस कहानी के अंत में जिस गाने का ज़िक्र हुआ है, वो सुनने का मन करे तो यहाँ सुनिए Kay Sera Sera https://www.youtube.com/watch?v=Qh6WtwfMPdQ मेरी लिखी और कहानियां सुनना चाहते हैं (धन्यवाद)...तो यहाँ सुनें- Sukoon House https://youtu.be/yKRsX_osB1o Gumshuda https://youtu.be/CeBVvT9B7ys About this channel: इस चैनल पर सुनिए कहानियाँ नयी पुरानी. सुप्रसिद्ध लेखकों की रचनाएं, हिंदी और उर्दू में, यहाँ प्रसिद्द लेखकों जैसे प्रेमचंद, मंटो, इस्मत चुग़ताई, मोहन राकेश, फणीश्वर नाथ रेणु, मन्नू भंडारी की लोकप्रिय कहानियाँ तो मिलेगी ही , साथ ही कुछ दुर्लभ लेखभी मिलेंगे On this channel, you can listen to Hindi and Urdu Stories by famous writers of Hindi sahitya/ literature. Here you will find stories and poetry by great authors of Hindi and Urdu. Some of these are classics and others are rare gems that you may never have heard or read. There are works by well known writers such as Premchand, Sharat Chandra, Manto, Ismat Chughtai, Mohan Rakesh, Phanishwar Nath Renu, Mannu Bhandari, Harishankar Parsai. Some are rare works by Dilip Kumar, Balraj Sahani and Gulzar. ---------- Meet me at these Social Media links: Facebook : https://www.facebook.com/StoryjamArti My podcast on other platforms: Spotify open.spotify.com/show/0rG7ez0Pku1MuWhfvo6Dtz Apple Podcasts podcasts.apple.com/us/podcast/storyjam-hindi-urdu-audio-stories/id1513845846 Gaana.com gaana.com/podcast/storyjam-hindi-urdu-audio-stories-season-1 RadioPublic radiopublic.com/storyjam-GmywpN Pocket Casts pca.st/rwdymlsd Overcast overcast.fm/itu #Hindi #StoryJam #kahani --- Send in a voice message: https://anchor.fm/storyjam/message

Ismat Chughtai needs no introduction. A pillar of Urdu literature, she wrote fearlessly about oppressive gender roles and hypocrisy of the middle and upper-middle class. Her fearlessness got her into trouble often and her work was banned. But she didn't care. She wrote instinctively and with candour. That's the only way I know how to write, she would say. --- Send in a voice message: https://anchor.fm/storyjam/message

A pioneer of modern urdu writing, Rashid Jahan appeared on the literary scene with a bang in 1932. She was one of four twenty year olds, (and the only girl among them) who brought out the urdu compilation- Angaarey. It was a collection of such sharp and incisive commentary about the upper class, especially the Muslim society of which they were a part, that there was an uproar. So much so that the British banned their book. Rashid was more than a writer, she was a true iconoclast. An activist deeply committed to the ideals of equality and justice. She was a doctor who dressed in her 'khaddar' sari and sleeveless blouse and short hair, walked the dusty paths of rural areas, seeking and treating patients. She was a feminist, before anyone in her world knew the meaning of the word. She was a literary flag bearer, someone who later Ismat Chughtai said she was indebted to for opening her eyes. While Rashid's writing on and about women is stellar, today I chose a story that places her in the wider landscape of social commentary. --- Send in a voice message: https://anchor.fm/storyjam/message

Pesha by Ismat Chughtai investigates the authors encounters with prostitutes. She attempts to understand their profession and how over time her understanding of them changes. Ismat Chughtai is arguably one of the most prominent, urdu language, woman writers of her time. Mainly a short story writer, she also wrote films and novels too.