Town in Berkshire, England
POPULARITY
Categories
A military governor and his provost marshal—occupation duty in wartime Alexandria, Virginia, paired two unlikely partners, John Slough and Henry Horatio Wells. As we explore our theme of "Rivalries and Partnerships" this year, Madeline Feierstein joins the Emerging Civil War Podcast to explore the highly successful working relationship between Slough and Wells and the profound impact they had on occupation policy throughout the war.The Emerging Civil War Podcast is hosted by Chris Mackowski. This episode is brought to you by Civil War Trails, the world's largest open-air museum, offering more than 1,500 sites across six states. Request a brochure at civilwartrails.org to start planning your trip today.
Certains enfants ne vont plus à l'école, d'autres ont cours en sous-sol, d'autres encore font des aller-retours entre les salles de classe et les abris. Comment leur parler de la guerre ? Plongée dans le quotidien d'une institutrice et de ses élèves à Odessa, dans le sud du pays. Dans l'Ukraine en guerre, l'école se met à l'écoute des enfants Bientôt quatre ans de guerre en Ukraine, 4 ans que l'invasion russe bouleverse le quotidien des familles, et des enfants. Comment aborder les peurs, les angoisses sans les alimenter, comment garder de la joie dans le quotidien ? Le soir, à table, devant les plus petits, la guerre est souvent un sujet tabou ; et c'est souvent l'école qui initie le dialogue. Théo Renaudon nous ouvre aujourd'hui les portes de l'école primaire n°19 de la ville d'Odessa, où Madame Holikova enseigne aux 10/11 ans. Et comme tous les matins, la journée commence par une minute de silence. En Slovaquie, le troisième procès des assassins présumés du journaliste slovaque Jan Kuciak débute aujourd'hui C'est l'une des affaires les plus sensibles de l'histoire récente du pays : celle de l'assassinat du journaliste d'investigation Ján Kuciak et de sa compagne, en 2018. Il y a moins d'un an, la Cour suprême avait annulé l'acquittement du principal suspect et un nouveau procès commence donc pour déterminer qui a commandité ce double meurtre. Les précisions de notre correspondant régional, Alexis Rosenzweig. Robert Burns : un héros national écossais toujours d'actualité En Écosse - et bien au-delà - depuis 225 ans, des millions de personnes se retrouvent fin janvier 2026 pour célébrer le poète et héros national Robert Burns. Elles se réunissent autour d'un repas riche en humour, en poésies, tradition et haggis - cette panse de brebis farcie, qui est au cœur de la célébration. Célébration qui n'oublie pas les idées : de l'égalité des genres à l'autodétermination des peuples, les valeurs démocrates de ce partisan de la Révolution française restent présentes dans les esprits. À Glasgow, le reportage de Thomas Harms. La chronique de la revue21, avec Guillaume Gendron : plongée au cœur d'une Data City, dans la grisaille anglaise À Slough, à l'ouest de Londres, les fumées blanches ont remplacé les noires émanations de l'industrie. Désormais, la triste ville de la série « The Office » est un « lieu-clé de la connectivité mondiale ». Quelles retombées économiques ? Quel impact environnemental et social ? * Un reportage à découvrir en Kioske et sur le site de la Revue21. Texte : Thomas Andrei, photos : Theo McInnes.
Certains enfants ne vont plus à l'école, d'autres ont cours en sous-sol, d'autres encore font des aller-retours entre les salles de classe et les abris. Comment leur parler de la guerre ? Plongée dans le quotidien d'une institutrice et de ses élèves à Odessa, dans le sud du pays. Dans l'Ukraine en guerre, l'école se met à l'écoute des enfants Bientôt quatre ans de guerre en Ukraine, 4 ans que l'invasion russe bouleverse le quotidien des familles, et des enfants. Comment aborder les peurs, les angoisses sans les alimenter, comment garder de la joie dans le quotidien ? Le soir, à table, devant les plus petits, la guerre est souvent un sujet tabou ; et c'est souvent l'école qui initie le dialogue. Théo Renaudon nous ouvre aujourd'hui les portes de l'école primaire n°19 de la ville d'Odessa, où Madame Holikova enseigne aux 10/11 ans. Et comme tous les matins, la journée commence par une minute de silence. En Slovaquie, le troisième procès des assassins présumés du journaliste slovaque Jan Kuciak débute aujourd'hui C'est l'une des affaires les plus sensibles de l'histoire récente du pays : celle de l'assassinat du journaliste d'investigation Ján Kuciak et de sa compagne, en 2018. Il y a moins d'un an, la Cour suprême avait annulé l'acquittement du principal suspect et un nouveau procès commence donc pour déterminer qui a commandité ce double meurtre. Les précisions de notre correspondant régional, Alexis Rosenzweig. Robert Burns : un héros national écossais toujours d'actualité En Écosse - et bien au-delà - depuis 225 ans, des millions de personnes se retrouvent fin janvier 2026 pour célébrer le poète et héros national Robert Burns. Elles se réunissent autour d'un repas riche en humour, en poésies, tradition et haggis - cette panse de brebis farcie, qui est au cœur de la célébration. Célébration qui n'oublie pas les idées : de l'égalité des genres à l'autodétermination des peuples, les valeurs démocrates de ce partisan de la Révolution française restent présentes dans les esprits. À Glasgow, le reportage de Thomas Harms. La chronique de la revue21, avec Guillaume Gendron : plongée au cœur d'une Data City, dans la grisaille anglaise À Slough, à l'ouest de Londres, les fumées blanches ont remplacé les noires émanations de l'industrie. Désormais, la triste ville de la série « The Office » est un « lieu-clé de la connectivité mondiale ». Quelles retombées économiques ? Quel impact environnemental et social ? * Un reportage à découvrir en Kioske et sur le site de la Revue21. Texte : Thomas Andrei, photos : Theo McInnes.
The Truth About Change - Pastor Toby Slough by Victory City Church
Why is Slough twice as productive as Mansfield? What's the secret to reviving the economy in the North? Can we save the high street in 2026? Steph and Robert speak to Andrew Carter, CEO of Centre For Cities, a leading think tank focussed on how to improve the performance of our towns and cities. Email: therestismoney@goalhanger.com X: @TheRestIsMoney Instagram: @TheRestIsMoney TikTok: @RestIsMoney https://goalhanger.com Learn more about your ad choices. Visit podcastchoices.com/adchoices
Adam Hurrey is joined on the Adjudication Panel by Charlie Eccleshare and David Walker. On the agenda: the freescoring Dominic Calvert-Lewin passes a very particular threshold, Match of the Day exceeds its goalkeeper pundit quota, Joe Cole somehow morphs into Harry Redknapp on the radio, Michael B Jordan renames AFC Bournemouth, absurd salary-cap developments in the USA... and a tree with Richard Keys's voice. Sign up for Dreamland, the new members-only Football Clichés experience, to access our exclusive new show and much more: https://dreamland.footballcliches.com Learn more about your ad choices. Visit podcastchoices.com/adchoices
Episode 87 Dover Beach by Matthew Arnold Mark McGuinness reads and discusses ‘Dover Beach' by Matthew Arnold. https://media.blubrry.com/amouthfulofair/media.blubrry.com/amouthfulofair/content.blubrry.com/amouthfulofair/87_Dover_Beach_by_Matthew_Arnold.mp3 Poet Matthew Arnold Reading and commentary by Mark McGuinness Dover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies fairUpon the straits; on the French coast the lightGleams and is gone; the cliffs of England stand,Glimmering and vast, out in the tranquil bay.Come to the window, sweet is the night-air!Only, from the long line of sprayWhere the sea meets the moon-blanched land,Listen! you hear the grating roarOf pebbles which the waves draw back, and fling,At their return, up the high strand,Begin, and cease, and then again begin,With tremulous cadence slow, and bringThe eternal note of sadness in. Sophocles long agoHeard it on the Aegean, and it broughtInto his mind the turbid ebb and flowOf human misery; weFind also in the sound a thought,Hearing it by this distant northern sea. The Sea of FaithWas once, too, at the full, and round earth's shoreLay like the folds of a bright girdle furled.But now I only hearIts melancholy, long, withdrawing roar,Retreating, to the breathOf the night-wind, down the vast edges drearAnd naked shingles of the world. Ah, love, let us be trueTo one another! for the world, which seemsTo lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain;And we are here as on a darkling plainSwept with confused alarms of struggle and flight,Where ignorant armies clash by night. Podcast Transcript This is a magnificent and haunting poem by Matthew Arnold, an eminent Victorian poet. Written and published at the mid-point of the nineteenth century – it was probably written around 1851 and published in 1867 – it is not only a shining example of Victorian poetry at its best, but it also, and not coincidentally, embodies some of the central preoccupations of the Victorian age. The basic scenario is very simple: a man is looking out at the sea at night and thinking deep thoughts. It's something that we've all done, isn't it? The two tend to go hand-in-hand. When you're looking out into the darkness, listening to the sound of the sea, it's hard not to be thinking deep thoughts. If you've been a long time listener to this podcast, it may remind you of another poet who wrote about standing on the shore thinking deep thoughts, looking at the sea, Shakespeare, in his Sonnet 60: Like as the waves make towards the pebbled shore,So do our minutes hasten to their end; Arnold's poem is not a sonnet but a poem in four verse paragraphs. They're not stanzas, because they're not regular, but if you look at the text on the website, you can clearly see it's divided into four sections. The first part is a description of the sea, as seen from Dover Beach, which is on the shore of the narrowest part of the English channel, making it the closest part of England to France: The sea is calm tonight.The tide is full, the moon lies fairUpon the straits; – on the French coast the lightGleams and is gone; the cliffs of England stand,Glimmering and vast, out in the tranquil bay. And as you can hear, the poem has a pretty regular and conventional rhythm, based on iambic metre, ti TUM, with the second syllable taking the stress in every metrical unit. But what's slightly unusual is that the lines have varying lengths. By the time we get to the third line: Upon the straits; – on the French coast the light There are five beats. There's a bit of variation in the middle of the line, but it's very recognisable as classic iambic pentameter, which has a baseline pattern going ti TUM, ti TUM, ti TUM, ti TUM, ti TUM. But before we get to the pentameter, we get two short lines: The sea is calm tonight.Only three beats; andThe tide is full, the moon lies fair – four beats. We also start to notice the rhymes: ‘tonight' and ‘light'. And we have an absolutely delightful enjambment, where a phrase spills over the end of one line into the next one: On the French coast the light,Gleams and is gone. Isn't that just fantastic? The light flashes out like a little surprise at the start of the line, just as it's a little surprise for the speaker looking out to sea. OK, once he's set the scene, he makes an invitation: Come to the window, sweet is the night-air! So if there's a window, he must be in a room. There's somebody in the room with him, and given that it's night it could well be a bedroom. So this person could be a lover. It's quite likely that this poem was written on Arnold's honeymoon, which would obviously fit this scenario. But anyway, he's inviting this person to come to the window and listen. And what does this person hear? Well, helpfully, the speaker tells us: Listen! you hear the grating roarOf pebbles which the waves draw back, and fling,At their return, up the high strand,Begin, and cease, and then again begin,With tremulous cadence slow, and bringThe eternal note of sadness in. Isn't that just great? The iambic metre is continuing with some more variations, which we needn't go into. And the rhyme is coming more and more to the fore. Just about every line in this section rhymes with another line, but it doesn't have a regular pattern. Some of the rhymes are close together, some are further apart. There's only one line in this paragraph that doesn't rhyme, and that's ‘Listen! You hear the grating roar'. If this kind of shifting rhyme pattern reminds you of something you've heard before, you may be thinking all the way back to Episode 34 where we looked at Coleridge's use of floating rhymes in his magical poem ‘Kubla Khan'. And it's pretty evident that Arnold is also casting a spell, in this case to mimic the rhythm of the waves coming in and going out, as they ‘Begin, and cease, and then again begin,'. And then the wonderful last line of the paragraph, as the waves ‘bring / The eternal note of sadness in'. You know, in the heart of the Victorian Age, when the Romantics were still within living memory, poets were still allowed to do that kind of thing. Try it nowadays of course, and the Poetry Police will be round to kick your front door in at 5am and arrest you. Anyway. The next paragraph is a bit of a jump cut: Sophocles long agoHeard it on the Aegean, and it broughtInto his mind the turbid ebb and flowOf human misery; So Arnold, a classical scholar, is letting us know he knows who Sophocles, the ancient Greek playwright was. And he's establishing a continuity across time of people looking out at the sea and thinking these deep thoughts. At this point, Arnold explicitly links the sea and the thinking: weFind also in the sound a thought,Hearing it by this distant northern sea. And the thought that we hear when we listen to the waves is what Arnold announces in the next verse paragraph, and he announces it with capital letters: The Sea of FaithWas once, too, at the full, and round earth's shoreLay like the folds of a bright girdle furled. And for a modern reader, I think this is the point of greatest peril for Arnold, where he's most at risk of losing us. We may be okay with ‘the eternal note of sadness', but as soon as he starts giving us the Sea of Faith, we start to brace ourselves. Is this going to turn into a horrible religious allegory, like The Pilgrim's Progress? I mean, it's a short step from the Sea of Faith to the Slough of Despond and the City of Destruction. And it doesn't help that Arnold uses the awkwardly rhyming phrase ‘a bright girdle furled' – that's not going to get past the Poetry Police, is it? But fear not; Arnold doesn't go there. What comes next is, I think, the best bit of the poem. So he says the Sea of Faith ‘was once, too, at the full', and then: But now I only hearIts melancholy, long, withdrawing roar,Retreating, to the breathOf the night-wind, down the vast edges drearAnd naked shingles of the world. Well, if you thought the eternal note of sadness was great, this tops it! It's absolutely fantastic. That line, ‘Its melancholy, long, withdrawing roar,' where the ‘it' is faith, the Sea of Faith. And the significance of the line is underlined by the fact that the word ‘roar' is a repetition – remember, that one line in the first section that didn't rhyme? Listen! you hear the grating roar See what Arnold did there? He left that sound hovering at the back of the mind, without a rhyme, until it came back in this section, a subtle but unmistakeable link between the ‘grating roar' of the actual sea at Dover Beach, and the ‘withdrawing roar' of the Sea of Faith: Its melancholy, long, withdrawing roar, Isn't that the most Victorian line ever? It encapsulates the despair that accompanied the crisis of faith in 19th century England. This crisis was triggered by the advance of modern science – including the discoveries of fossils, evidence of mass extinction of previous species, and the theory of evolution, with Darwin's Origin of Species published in 1859, in between the writing and publication of ‘Dover Beach'. Richard Holmes, in his wonderful new biography of the young Tennyson, compares this growing awareness of the nature of life on Earth to the modern anxiety over climate change. For the Victorians, he writes, it created a ‘deep and existential terror'. One thing that makes this passage so effective is that Arnold has already cast the spell in the first verse paragraph, hypnotising us with the rhythm and rhyme, and linking it to the movement of the waves. In the second paragraph, he says, ‘we find also in the sound a thought'. And then in the third paragraph, he tells us the thought. And the thought that he attaches to this movement, which we are by now emotionally invested in, is a thought of such horror and profundity – certainly for his Victorian readers – that the retreat of the sea of faith really does feel devastating. It leaves us gazing down at the naked shingles of the world. The speaker is now imaginatively out of the bedroom and down on the beach. This is very relatable; we've all stood on the beach and watched the waves withdrawing beneath our feet and the shingle being left there. It's an incredibly vivid evocation of a pretty abstract concept. Then, in the fourth and final verse paragraph, comes a bit of a surprise: Ah, love, let us be trueTo one another! Well, I for one was not expecting that! From existential despair to an appeal to his beloved. What a delightful, romantic (with a small ‘r') response to the big-picture, existential catastrophe. And for me, it's another little echo of Shakespeare's Sonnet 60, which opens with a poet contemplating the sea and the passing of time and feeling the temptation to despair, yet also ends with an appeal to the consolation of love: And yet to times in hope my verse shall stand,blockquotePraising thy worth, despite his cruel hand. Turning back to Arnold. He says ‘let us be true / To one another'. And then he links their situation to the existential catastrophe, and says this is precisely why they should be true to each other: for the world, which seemsTo lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain; It sounds, on the face of it, a pretty unlikely justification for being true to one another in a romantic sense. But actually, this is a very modern stance towards romantic love. It's like the gleam of light that just flashed across the Channel from France – the idea of you and me against an unfeeling world, of love as redemption, or at least consolation, in a meaningless universe. In a world with ‘neither joy, nor love, nor light,' our love becomes all the more poignant and important. Of course, we could easily object that, regardless of religious faith, the world does have joy and love and light. His very declaration of love is evidence of this. But let's face it, we don't always come to poets for logical consistency, do we? And we don't have to agree with Matthew Arnold to find this passage moving; most of us have felt like this at some time when we've looked at the world in what feels like the cold light of reality. He evokes it so vividly and dramatically that I, for one, am quite prepared to go with him on this. Then we get the final three lines of the poem:We are here as on a darkling plainSwept with confused alarms of struggle and flight,Where ignorant armies clash by night. I don't know about you, but I find this a little jarring in the light of what we've just heard. We've had the magnificent description of the sea and its effect on human thought, extending that into the idea of faith receding into illusion, and settling on human love as some kind of consolation for the loss of faith. So why do we need to be transported to a windswept plain where armies are clashing and struggling? It turns out to be another classical reference, to the Greek historian Thucydides' account of the night battle of Epipolae, where the two armies were running around in the dark and some of them ended up fighting their own side in the confusion. I mean, fine, he's a classical scholar. And obviously, it's deeply meaningful to him. But to me, this feels a little bit bolted on. A lot of people love that ending, but to me, it's is not as good as some of the earlier bits, or at least it doesn't quite feel all of a piece with the imagery of the sea. But overall, it is a magnificent poem, and this is a small quibble. Stepping back, I want to have another look at the poem's form, specifically the meter, and even more specifically, the irregularity of the meter, which is quite unusual and actually quite innovative for its time. As I've said, it's in iambic meter, but it's not strictly iambic pentameter. You may recall I did a mini series on the podcast a while ago looking at the evolution of blank verse, unrhymed iambic pentameter, from Christopher Marlowe and Shakespeare's dramatic verse, then Milton's Paradise Lost and finally Wordsworth's Tintern Abbey. ‘Dover Beach' is rhymed, so it's not blank verse, but most of the techniques Arnold uses here are familiar from those other poets, with variations on the basic rhythm, sometimes switching the beats around, and using enjambment and caesura (a break or pause in the middle of the line). But, and – this is quite a big but – not every line has five beats. The lines get longer and shorter in an irregular pattern, apparently according to Arnold's instinct. And this is pretty unusual, certainly for 1851. It's not unique, we could point to bits of Tennyson or Arthur Hugh Clough for metrical experiments in a similar vein, but it's certainly not common practice. And I looked into this, to see what the critics have said about it. And it turns out the scholars are divided. In one camp, the critics say that what Arnold is doing is firmly in the iambic pentameter tradition – it's just one more variation on the pattern. But in the other camp are people who say, ‘No, this is something new; this is freer verse,' and it is anticipating free verse, the non-metrical poetry with no set line lengths that came to be the dominant verse form of the 20th century. Personally, I think you can look back to Wordsworth and see a continuity with his poetic practice. But you could equally look forward, to a link with T. S. Eliot's innovations in ‘The Love Song of J. Alfred Prufrock' and The Waste Land. Eliot is often described as an innovator in free verse, which is true up to a point, but a lot of his writing in that early period isn't strictly free verse; it's a kind of broken up metrical verse, where he often uses an iambic metre with long and short lines, which he varies with great intuitive skill – in a similar manner to Arnold's ‘Dover Beach'. Interestingly, when ‘Dover Beach' was first published, the reviews didn't really talk about the metre, which is ammunition for the people who say, ‘Well, this is just a kind of iambic pentameter'. Personally, I think what we have here is something like the well-known Duck-Rabbit illusion, where you can look at the same drawing and either see a duck or a rabbit, depending how you look at it. So from one angle, ‘Dover Beach' is clearly continuing the iambic pentameter tradition; from another angle, it anticipates the innovations of free verse. We can draw a line from the regular iambic pentameter of Wordsworth (writing at the turn of the 18th and 19th century) to the fractured iambic verse of Eliot at the start of the 20th century. ‘Dover Beach' is pretty well halfway between them, historically and poetically. And I don't think this is just a dry technical development. There is something going on here in terms of the poet's sense of order and disorder, faith and doubt. Wordsworth, in the regular unfolding of his blank verse, conveys his basic trust in an ordered and meaningful universe. Matthew Arnold is writing very explicitly about the breakup of faith, and we can start to see it in the breakup of the ordered iambic pentameter. By the time we get to the existential despair of Eliot's Waste Land, the meter is really falling apart, like the Waste Land Eliot describes. So overall, I think we can appreciate what a finely balanced poem Arnold has written. It's hard to categorise. You read it the first time and think, ‘Oh, right, another conventional Victorian melancholy lament'. But just when we think he's about to go overboard with the Sea of Faith, he surprises us and with that magnificent central passage. And just as he's about to give in to despair, we get that glimmering spark of love lighting up, and we think, ‘Well, maybe this is a romantic poem after all'. And maybe Arnold might look at me over his spectacles and patiently explain that actually, this is why that final metaphor of the clashing armies is exactly right. Friend and foe are running in first one direction, then another, inadvertently killing the people on the wrong side. So the simile gives us that sense of being caught in the cross-currents of a larger sweep of history. With all of that hovering in our mind, let's go over to the window once more and heed his call to listen to the sound of the Victorian sea at Dover Beach. Dover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies fairUpon the straits; on the French coast the lightGleams and is gone; the cliffs of England stand,Glimmering and vast, out in the tranquil bay.Come to the window, sweet is the night-air!Only, from the long line of sprayWhere the sea meets the moon-blanched land,Listen! you hear the grating roarOf pebbles which the waves draw back, and fling,At their return, up the high strand,Begin, and cease, and then again begin,With tremulous cadence slow, and bringThe eternal note of sadness in. Sophocles long agoHeard it on the Aegean, and it broughtInto his mind the turbid ebb and flowOf human misery; weFind also in the sound a thought,Hearing it by this distant northern sea. The Sea of FaithWas once, too, at the full, and round earth's shoreLay like the folds of a bright girdle furled.But now I only hearIts melancholy, long, withdrawing roar,Retreating, to the breathOf the night-wind, down the vast edges drearAnd naked shingles of the world. Ah, love, let us be trueTo one another! for the world, which seemsTo lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain;And we are here as on a darkling plainSwept with confused alarms of struggle and flight,Where ignorant armies clash by night. Matthew Arnold Matthew Arnold was a British poet, critic, and public intellectual who was born in 1822 and died in 1888. His father was Thomas Arnold, the famed headmaster of Rugby School. Arnold studied Classics at Oxford and first became known for lyrical, melancholic poems such as ‘Dover Beach', ‘The Scholar-Gipsy', and ‘Thyrsis', that explore the loss of faith in the modern world. Appointed an inspector of schools, he travelled widely and developed strong views on culture, education, and society. His critical essays, especially Culture and Anarchy, shaped debates about the role of culture in public life. Arnold remains a central figure bridging Romanticism and early modern thought. A Mouthful of Air – the podcast This is a transcript of an episode of A Mouthful of Air – a poetry podcast hosted by Mark McGuinness. New episodes are released every other Tuesday. You can hear every episode of the podcast via Apple, Spotify, Google Podcasts or your favourite app. You can have a full transcript of every new episode sent to you via email. The music and soundscapes for the show are created by Javier Weyler. Sound production is by Breaking Waves and visual identity by Irene Hoffman. A Mouthful of Air is produced by The 21st Century Creative, with support from Arts Council England via a National Lottery Project Grant. Listen to the show You can listen and subscribe to A Mouthful of Air on all the main podcast platforms Related Episodes Dover Beach by Matthew Arnold Episode 87 Dover Beach by Matthew Arnold Mark McGuinness reads and discusses ‘Dover Beach' by Matthew Arnold.Poet Matthew ArnoldReading and commentary by Mark McGuinnessDover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies... Recalling Brigid by Orna Ross Orna Ross reads and discusses ‘Recalling Brigid’ from Poet Town. From The Rime of the Ancient Mariner by Samuel Taylor Coleridge Episode 85 From The Rime of the Ancient Mariner by Samuel Taylor Coleridge Mark McGuinness reads and discusses a passage from ‘The Rime of the Ancient Mariner' by Samuel Taylor Coleridge.Poet Samuel Taylor ColeridgeReading and commentary by Mark McGuinnessFrom...
For this Christmas bonus episode, Louis sits down with writer, comedian, and panel-show super-host, Jimmy Carr. Jimmy discusses what lies behind his unique brand of ‘edgy' comedy, why he remained a virgin until the age of 26 and performing at the Riyadh Comedy Festival despite public criticism. Jimmy's film, ‘Fackham Hall', is out in cinemas now. Warnings: Strong language and adult themes. Links/Attachments: Book: Before & Laughter, Jimmy Carr (2021) https://www.jimmycarr.com/product/book-laughter/ Fackham Hall (2025) https://www.imdb.com/title/tt29008225/ Jimmy Carr Tour https://www.jimmycarr.com/tour/uk-ireland/ Alex Hormozi quote: https://www.instagram.com/p/DIzTPjPTZB0/ Book: Homo Ludens by Johan Huizinga https://www.penguinrandomhouse.com/books/203913/homo-ludens-by-johan-huizinga/ Peter McGraw's Benign Violations https://petermcgraw.org/a-brief-introduction-to-the-benign-violation-theory-of-humor/ Book: Discipline and Punish, Michel Foucault (1975) https://www.penguin.co.uk/books/13651/discipline-and-punish-by-michel-foucault-trans-alan-sheridan/9780241386019 Bob Monkhouse joke about cancer: https://www.youtube.com/watch?v=BTUvRW7gtGU Jimmy Carr: His Dark Material (2021) https://www.imdb.com/title/tt16259786/ Nadine Dorries' comment about Jimmy Carr joke: https://www.independent.co.uk/news/uk/nadine-dorries-jimmy-carr-netflix-jewish-roma-b2008317.html Jimmy Carr's joke about injured soldiers: https://www.telegraph.co.uk/news/uknews/6486964/Jimmy-Carr-feels-terrible-about-injured-soldiers-joke.html#:~:text=Jimmy%20Carr%20'feels%20terrible'%20about%20injured%20soldiers%20joke Saint Lawrence, the patron Saint of comedy: https://www.catholicmom.com/articles/2015/08/10/st-lawrence-patron-saint-of-comedians TV Show: ‘Game of Thrones' (2011-2019) https://www.imdb.com/title/tt0944947/ Dave Chappelle quote: https://btr.michaelkwan.com/2017/03/26/sunday-snippet-dave-chappelle/#:~:text=Posted%20by%20Michael%20Kwan%20%7C%20Mar,Maybe%20it%20was%20something%20else. TV Show: ‘The Black and White Minstrel Show' (1958-1978) https://www.imdb.com/title/tt0198065/ TV Show: ‘The Young Ones' (1982-1984) https://www.imdb.com/title/tt0083505/ Titania McGrath quote: https://x.com/TitaniaMcGrath/status/1453065592651517964 Musical: We Will Rock You, Ben Elton (2002) https://wewillrockyoulondon.co.uk/ John Betjeman's Slough poem: https://allpoetry.com/poem/8493391-Slough-by-Sir-John-Betjeman TV Show: ‘The Office' (2001-2003) https://www.imdb.com/title/tt0290978/ Naval Ravikant https://nav.al/rich TV Show: 8 Out of 10 Cats Does Countdown (2012 – 2025) https://www.channel4.com/programmes/8-out-of-10-cats-does-countdown The Fog of War (2004) https://tv.apple.com/gb/movie/the-fog-of-war/umc.cmc.3j815y9s5id2nvfztrlfh75il?action=play Eric Weinstein's Intellectual Dark Web https://www.whatisemerging.com/videos/inside-the-intellectual-dark-web-eric-weinstein Hillary Clinton's ‘deplorable' speech: https://www.bbc.co.uk/news/election-us-2016-37330420 Jordan Peterson on compelled speech https://www.bbc.co.uk/news/world-us-canada-37875695 Credits: Producer: Millie Chu Assistant Producer: Emilia Gill Production Manager: Francesca Bassett Music: Miguel D'Oliveira Audio Mixer: Tom Guest Video Mixer: Scott Edwards Shownotes compiled by Elly Young Executive Producer: Arron Fellows A Mindhouse Production for Spotify www.mindhouse.co.uk Learn more about your ad choices. Visit podcastchoices.com/adchoices
A man who needs no introduction: comedian, writer and TV host Jimmy Carr. In this conversation we find out what makes Jimmy tick and hear about his origin story: he tells Gyles about his childhood in Slough, and his close relationship with his charismatic mother. We hear about his dyslexia, and how teachers at school encouraged him to apply to Cambridge. We hear about what, if anything, is off-limits in comedy, and the importance of being present for your children. Gyles and Jimmy also discuss the distinction between charm and charisma. Plus we hear about Jimmy's new movie, Fackham Hall, out in the UK on December 12 2025 (today!) This is a revealing, wise and yes, charming, conversation with one of the most well-known comedians in the UK. In January 2026 Rosebud will be launching their subscribers' club: The Rosebud Family. We'll be giving you more info about this throughout December, so keep listening! Cue the music! Hosted on Acast. See acast.com/privacy for more information.
This week we continue our comprehensive coverage of Frost & Fire V in October 2025 in Ventura, California. We resume the story with The Lord Weird Slough Feg's set, as the guys explain their history with and admiration for this truly unique band. Then we pivot to the preparations for Night Demon's headlining set: the stress, the anxiety, the lost batteries to light up Eugene's eyes in the backdrop. We walk you through Night Demon's performance, from fan anticipation to audio clips to band reactions and impressions.LINKSSlough Feg website - The Lord Weird Slough Feg | Offical Site & Media Portalhttps://bravewords.com/concert-reviews/frost-fire-festival-2025-night-demon-celebrate-pending-hibernation/ Listen at nightdemon.net/podcast or anywhere you listen to podcasts! Follow us on Instagram Like us on Facebook
//The Wire//2300Z December 9, 2025////ROUTINE////BLUF: CONFLICT CONTINUES IN ASIA. HIGH-PROFILE MIGRANT CRIMES INCREASE TENSIONS IN THE UNITED KINGDOM. ONE STUDENT KILLED IN STABBING AT NC HIGH SCHOOL. SHOOTING REPORTED AT KENTUCKY STATE UNIVERSITY.// -----BEGIN TEARLINE------International Events-Southeast Asia: The war between Thailand and Cambodia continues as before, with a few escalations of the conflict occurring overnight. Cambodia has continued rocket attacks, and Thailand has continued shelling random locations in the disputed border region. Thailand struck a few cultural sites and temples in Cambodia yesterday afternoon, with Thai forces also deploying some armored units to the Cambodian side of the border.Analyst Comment: At the moment this is a continuation of the same style of warfare that is often common throughout the third world; both sides conducting massive airstrikes and bombing campaigns, but very few casualties being the result. This is basically an international slap fight where the only real casualties are civilians, which have far outweighed the casualties sustained by combatants on either side so far. Despite the very low ratio of combat deaths to munitions dropped, the fighting this time around is more intense than when the conflict flared up a few months ago, so this conflict does have the potential to get more serious as time goes on.United Kingdom: Tensions remain palpably high following over a dozen high-profile migrant crimes coming to light over the past few days. In the Midlands, 2x Afghans were convicted of brutally assaulting a 15-year-old in a public park in an incident which the authorities have openly admitted to covering up due to civil unrest potential (the suspects' own defense attorney stated that if the video of their attack were to be made public, it would spark a riot). Separately, a different Afghan migrant (identified as Sultani Bakatash) assaulted two girls in Manchester a few days ago.Analyst Comment: Over the weekend, it was also discovered that the wife and children of the current leader of ISIS in Somalia lives in taxpayer-funded housing in Slough, which has inflamed tensions further. Abdul Qadir Mumin was known for encouraging terrorism throughout the U.K. before fleeing to Somalia around a decade ago, leaving his wife and children behind while he wages jihad with about a thousand fighters in Somalia. Mumin was (and still is) a highly-sought target, who the United States has conducted kinetic strikes on several times. Back in 2024, there was speculation that he was killed during a strike in Somalia, however this has been proven to be incorrect over time and his official status remains unknown. This is why there is outrage over this case; this guy is not an ordinary street fighter...he's the actual leader of the ISIS branch for Somalia. The family members that remain in taxpayer-funded housing actually knew of his terrorism-encouraging speeches (he was legendary for these talks before he fled the country). He escaped to Somalia, but his family stayed behind in the UK to receive benefits.-HomeFront-Georgia: State Rep. Sharon Henderson was arrested and indicted on charges of fraud pertaining to her activities during the COVID era. Rep. Henderson is accused of falsifying her employment status so as to obtain special benefits that were made available to those who were forced out of a job due to COVID. In order to get these benefits, she allegedly claimed to be a schoolteacher after actually leaving the job to campaign for the seat that she currently occupies.North Carolina: This afternoon a stabbing was reported at North Forsyth High School, which prompted a lockdown of the local area. Concerning casualties, one student was killed in the attack.Analyst Comment: At the time of this report, this is a developing story so the details will change. Right now it looks like thi
Nearly a year after a lithium-ion battery fire in Moss Landing, we're learning the extent of the damage to nearby Elkhorn Slough, a protected marine estuary. Reporter: Elena Neale-Sacks, KAZU California Attorney General Rob Bonta is joining six other state attorneys in calling out buy-now-pay-later lenders, amid concerns that they're putting consumers at financial risk. Reporter: Francesca Fenzi, KQED Learn more about your ad choices. Visit megaphone.fm/adchoices
Newly published research confirms the January battery fire in Moss Landing released toxic metals into a protected marine estuary. And, an investigation into “Protect Salinas Renters” did not find evidence of wrongdoing in the group's efforts to gather signatures for a petition earlier this year.
Send us a textWhat if the trial you're facing isn't the enemy derailing your life, but the Father reshaping your heart? We open a hard but liberating claim: for Christians, affliction sits under God's providence and moves us toward deeper dependence, not despair. That shift changes how we pray, how we wait, and how we talk about spiritual warfare.We walk through Scripture to ground this view. John 17 frames life as sent ones in a hostile world, kept and sanctified in truth. James points to the prophets and Job to highlight endurance and God's compassionate outcomes. Hebrews 12 delivers the core: discipline marks out sons and yields the peaceable fruit of righteousness. Along the way, Pilgrim's Progress offers a lived picture of endurance, contrasting shallow starts with steady souls who push through the Slough of Despond. And in Job, Eliphaz reminds us that true doctrine can be misapplied; providence is real, but it is not always immediate or visible.The heart of the conversation is chastening: not punishment, but love that guarantees growth. We challenge the habit of crediting the devil for disruptions God uses to sanctify us, and we explore why divine correction never fails its purpose. Jonah's course correction, Jesus' call to relinquish anxiety in Matthew 6, and Paul's reminder in Romans 2 that kindness leads to repentance all converge on one path—training that hurts for a moment and heals for a lifetime. Expect pruning. Expect fruit. Expect joy on the far side of obedience.If this reframes your current storm, lean into it with hope. Subscribe for more conversations on theology lived, share this with someone who needs courage today, and leave a review telling us where God's discipline has grown you. Your story might be the lifeline someone else needs.Support the showBE PROVOKED AND BE PERSUADED!
Pilgrim in the Algorithm: How Digital Echo Chambers Poison Your Faith What would Pilgrim's Progress look like in the digital Age? How do we manage the unique threats Christian must overcome when walking not through the Slough of Despond, but the feed-driven maze of modern algorithms? Our attachment to social media brings with it risks. In an age of outrage, tribalism, provokers, and digital distractions, believers face new versions of Bunyan's ancient dangers—each more subtle and seductive than the last. This talk exposes the poisonous characters hiding in your timeline, reveals how Romans 16 warns us against them, and equips you to walk wisely, innocently, and faithfully toward the Celestial City.
When Christians suffer
Hour 4 Audio from WGIG-AM in Brunswick, GA
Clare joins Earth Scientist and author Anjana Khatwa for a cliffside walk in Dorset exploring the landscapes that shaped her life, and her book The Whispers of Rock – Stories from the Earth. Starting at Spyway Barn near Langton Matravers, the route takes in clifftops, caves, and the fossil-rich coastline, revealing stories of geology and belonging. Anjana shares her journey from growing up in Slough in a traditional Indian family to becoming a leading voice in earth science. From Spyway Barn, at the National Trust car park, they walked down to Dancing Ledge, along the coast path past Winspit Caves, and up to the village of Worth Matravers before heading back to the car park.Grid Reference for Spyway Barn: SY 998 776 Map: OS Explorer 116 – Lyme Regis & BridportPresenter: Clare Balding Producer for BBC Studios: Karen Gregor
SLOW HORSES: SLOUGH HOUSE podcast talk the season finale, Episode 6 where Jackson Lamb shows his 'Scars' Coe's push knife pushes the plot forward, Shirley takes a shot, and MI5 loses a leader. The Slow Horses clean up the mess and leave a big mess in its place! Slow Horses s5 episode 6 'Scars' breakdown on Apple TV Plus! 00:00 Intro 01:45 Catfish's rating 04:39 Bubba's rating 09:00 Call to Action 10:47 Does River deserve to go to the Park? 16:15 Lamb Lines 19:12 Who's the worst? 29:07 Episode Recap & Review 56:59 Triple R: Rowdy Roddy Raunch 57:54 Crown Court Debate 1:03:56 Feedback 1:11:05 Season 6 Trailer Talk It's up to the Slow Horses to stop Farouk's team from completing its mission in a final act of mass carnage. Director Saul Metzstein Writers Mick Herron (based on the book 'London Rules' by) Will Smith (written by) Cast Gary Oldman ... Jackson Lamb Jack Lowden ... River Cartwright Kristin Scott Thomas ... Diana Taverner Saskia Reeves ... Catherine Standish Rosalind Eleazar ... Louisa Guy Christopher Chung ... Roddy Ho Aimee-Ffion Edwards ... Shirley Dander Nick Mohammed ... Mayor Zafar Jaffrey Christopher Villiers ... Dennis Gimball Ruth Bradley ... Emma Flyte Tom Brooke ... JK Coe Jonathan Pryce ... David Cartwright Naomi Wirthner ... Molly Doran Samuel West ... Peter Judd Fady Elsayed ... Kamal Ahmed Elmusrati ... Sami Cherrelle Skeete ... Devon Welles James Callis ... Claude Whelan Abraham Popoola ... Tyson Bowman Victoria Hamilton ... Dodie Gimball Hiba Bennani ... Tara Neil D'Souza ... Vikram Edward Davis ... Rob Trew Sophie Duval ... Sheila Yusuf Chaudhri ... Assassin Adam Samuel-Bal ... Skyline Restaurant Waiter Sara Kestelman ... Lena Tom Hendryk ... Andzej Jennifer Aries ... Ho's Neighbour Bilal Hasna ... Irfan Lula Marsh ... Irfan's Friend Daniel Fearn ... Carl Dallas Campbell ... Newsreader Sunny Dhillon ... Welsh Dog Colin Hoult ... Phil Bally Gill ... Agent Singh Rebecca Dyson-Smith ... Agent Smith Christian Bradley ... Agent Jim Joe Barnes ... Agent Kelly Roxy Faridany ... Agent Grendel Sean Cernow ... Dex Winnit Sarah Daykin ... Police Officer Lisa Sass Krishnan Guru-Murthy ... Debate Moderator Jono Grant ... DJ Producers Iain Canning ... executive producer Nicky Earnshaw ... co-producer Simon Gillis ... co-executive producer Ben Harrison ... line producer Mick Herron ... consultant producer Hakan Kousetta ... executive producer Jamie Laurenson ... executive producer Gail Mutrux ... executive producer Anna O'Malley ... series producer Emile Sherman ... executive producer Will Smith ... executive producer Julian Stevens ... executive producer Douglas Urbanski ... executive producer Graham Yost ... executive producer Composers Daniel Pemberton Toydrum Cinematographer Danny Cohen Editor Zsófia Tálas Casting Melissa Gethin Clarke Nina Gold Production Designer Choi Ho Man Art Directors Oskars Vilnitis-Pantelejevs supervising art director Louise Vogel Costume Designer Guy Speranza #slowhorses #sloughhouse #garyoldman #JackLowden #appletv #appletvplus #tv #television
SLOW HORSES: SLOUGH HOUSE podcast takes Episode 5 to the 'Circus' where a clown lets a honey pot disappear! River & Coe come clean, Lamb makes a house call, and MI5 suffers from blindness. The Slow Horses have one single episode to clean up the mess! Slow Horses s5 episode 5 'Circus' breakdown on Apple TV Plus! 00:00 Intro 01:27 Bubba's rating 03:09 Catfish's rating 06:59 Call to Action 08:06 Does Grandpa Cartwright know more? 10:28 Lamb Lines 15:16 The Terrorists Plot 17:47 Whelan's an Idiot Part 1 27:55 Shirley & Catherine return to Slough House 32:22 River & Coe report in 40:46 Lamb comes knocking 42:14 Whelan's an Idiot Part 2 46:42 Triple R: Rowdy Roddy Raunch 47:22 Crown Court Debate 51:32 Feedback Lamb debriefs River and Coe. Roddy is pulled in to help decipher a piece of code as the destabilization strategy nears its final stage. Director Saul Metzstein Writers Mick Herron (based on the book 'London Rules' by) Will Smith (written by) Cast Gary Oldman ... Jackson Lamb Jack Lowden ... River Cartwright Kristin Scott Thomas ... Diana Taverner Saskia Reeves ... Catherine Standish Rosalind Eleazar ... Louisa Guy Christopher Chung ... Roddy Ho Aimee-Ffion Edwards ... Shirley Dander Nick Mohammed ... Mayor Zafar Jaffrey Christopher Villiers ... Dennis Gimball Ruth Bradley ... Emma Flyte Tom Brooke ... JK Coe Jonathan Pryce ... David Cartwright Naomi Wirthner ... Molly Doran Samuel West ... Peter Judd Fady Elsayed ... Kamal Ahmed Elmusrati ... Sami Cherrelle Skeete ... Devon Welles James Callis ... Claude Whelan Abraham Popoola ... Tyson Bowman Victoria Hamilton ... Dodie Gimball Hiba Bennani ... Tara Neil D'Souza ... Vikram Edward Davis ... Rob Trew Sophie Duval ... Sheila Yusuf Chaudhri ... Assassin Adam Samuel-Bal ... Skyline Restaurant Waiter Sara Kestelman ... Lena Tom Hendryk ... Andzej Jennifer Aries ... Ho's Neighbour Bilal Hasna ... Irfan Lula Marsh ... Irfan's Friend Daniel Fearn ... Carl Dallas Campbell ... Newsreader Sunny Dhillon ... Welsh Dog Colin Hoult ... Phil Bally Gill ... Agent Singh Rebecca Dyson-Smith ... Agent Smith Christian Bradley ... Agent Jim Joe Barnes ... Agent Kelly Roxy Faridany ... Agent Grendel Sean Cernow ... Dex Winnit Sarah Daykin ... Police Officer Lisa Sass Krishnan Guru-Murthy ... Debate Moderator Jono Grant ... DJ Producers Iain Canning ... executive producer Nicky Earnshaw ... co-producer Simon Gillis ... co-executive producer Ben Harrison ... line producer Mick Herron ... consultant producer Hakan Kousetta ... executive producer Jamie Laurenson ... executive producer Gail Mutrux ... executive producer Anna O'Malley ... series producer Emile Sherman ... executive producer Will Smith ... executive producer Julian Stevens ... executive producer Douglas Urbanski ... executive producer Graham Yost ... executive producer Composers Daniel Pemberton Toydrum Cinematographer Danny Cohen Editor Zsófia Tálas Casting Melissa Gethin Clarke Nina Gold Production Designer Choi Ho Man Art Directors Oskars Vilnitis-Pantelejevs supervising art director Louise Vogel Costume Designer Guy Speranza #slowhorses #sloughhouse #garyoldman #JackLowden #appletv #appletvplus #tv #television
SLOW HORSES: SLOUGH HOUSE podcast kicks the bucket on a shocking Episode 5 'Missiles'. Roddy makes a call, Jackson Lamb opens a door, and the Slow Horses drop in on the candidates! Slow Horses s5 episode 4 'Missiles' breakdown on Apple TV Plus! 00:00 Intro 01:22 Bubba's rating 03:14 Catfish's rating 07:33 Call to Action 09:48 Is River's career over? 12:57 Who's to blame: River or Coe? 14:38 Double O: What smells? 16:47 Lamb Lines 18:04 Roddy at the Park 21:43 The Candidates Prep 23:13 Lamb hunts Tara 26:15 The Terrorists Shop 27:34 Whelan's Scandal 36:45 Shirley & Catherine at Jaffrey rally 41:48 River & Coe at Gimball rally 45:53 Triple R: Rowdy Roddy Raunch 47:05 Which Slow Horse are you? 48:34 Crown Court Debate 52:37 Feedback Flyte sets out to find Roddy's girlfriend. The gang is dispatched to two different campaign events to prevent another attack. Director Saul Metzstein Writers Mick Herron (based on the book 'London Rules' by) Sean Gray (written by) Cast Gary Oldman ... Jackson Lamb Jack Lowden ... River Cartwright Kristin Scott Thomas ... Diana Taverner Saskia Reeves ... Catherine Standish Rosalind Eleazar ... Louisa Guy Christopher Chung ... Roddy Ho Aimee-Ffion Edwards ... Shirley Dander Nick Mohammed ... Mayor Zafar Jaffrey Christopher Villiers ... Dennis Gimball Ruth Bradley ... Emma Flyte Tom Brooke ... JK Coe Samuel West ... Peter Judd Fady Elsayed ... Kamal Ahmed Elmusrati ... Sami Cherrelle Skeete ... Devon Welles James Callis ... Claude Whelan Abraham Popoola ... Tyson Bowman Victoria Hamilton ... Dodie Gimball Hiba Bennani ... Tara Neil D'Souza ... Vikram Edward Davis ... Rob Trew Sophie Duval ... Sheila Yusuf Chaudhri ... Assassin Adam Samuel-Bal ... Skyline Restaurant Waiter Sara Kestelman ... Lena Tom Hendryk ... Andzej Jennifer Aries ... Ho's Neighbour Bilal Hasna ... Irfan Lula Marsh ... Irfan's Friend Daniel Fearn ... Carl Dallas Campbell ... Newsreader Sunny Dhillon ... Welsh Dog Colin Hoult ... Phil Bally Gill ... Agent Singh Rebecca Dyson-Smith ... Agent Smith Christian Bradley ... Agent Jim Joe Barnes ... Agent Kelly Roxy Faridany ... Agent Grendel Sean Cernow ... Dex Winnit Sarah Daykin ... Police Officer Lisa Sass Krishnan Guru-Murthy ... Debate Moderator Jono Grant ... DJ Producers Iain Canning ... executive producer Nicky Earnshaw ... co-producer Simon Gillis ... co-executive producer Ben Harrison ... line producer Mick Herron ... consultant producer Hakan Kousetta ... executive producer Jamie Laurenson ... executive producer Gail Mutrux ... executive producer Anna O'Malley ... series producer Emile Sherman ... executive producer Will Smith ... executive producer Julian Stevens ... executive producer Douglas Urbanski ... executive producer Graham Yost ... executive producer Composers Daniel Pemberton Toydrum Cinematographer Danny Cohen Editor Zsófia Tálas Casting Melissa Gethin Clarke Nina Gold Production Designer Choi Ho Man Art Directors Oskars Vilnitis-Pantelejevs supervising art director Louise Vogel Costume Designer Guy Speranza #slowhorses #sloughhouse #garyoldman #JackLowden #appletv #appletvplus #tv #television
What happens when a complaint over a scale and polish changes everything? For Alif Moosajee, a GDC investigation became the catalyst that transformed him from a dentist flying under the radar into the owner of Oakdale, one of Leicester's most distinctive private practices. This conversation charts his path from undergraduate struggles with imposter syndrome through the crucible of regulatory scrutiny to building a seven-surgery practice rooted in authentic patient care. Along the way, Alif shares hard-won insights about guided implantology, the perils of well poisoners, and why breaking kayfabe—wrestling's term for dropping the performance—might be the most honest thing you can do for your patients. It's a story about choosing growth over comfort, one calculated risk at a time.In This Episode00:01:00 - The Smiling Dentist origins 00:02:20 - Tony Robbins and the power of physiology 00:15:00 - Undergraduate struggles and fixed mindset 00:16:25 - The GDC complaint that changed everything 00:22:20 - Buying Oakdale practice 00:26:40 - Growing up in Slough and choosing dentistry 00:31:55 - Building the practice vision 00:35:20 - Firing the well poisoner 00:38:30 - Custodian of the vision 00:47:00 - The unmeasurable things that matter most 00:53:30 - Surprise and delight tactics 01:00:25 - Contentment versus ambition 01:06:00 - The Tony Robbins business mastery mistake 01:09:00 - Dark days in practice ownership 01:19:00 - Blackbox thinking 01:24:15 - Switching to fully guided implants 01:28:30 - Fantasy dinner party 01:33:55 - Last days and legacyAbout Alif MoosajeeAlif Moosajee studied dentistry at Birmingham and owns Oakdale Dental in Leicester, a seven-surgery private practice where he focuses on implant dentistry and digital workflows. Known as "The Smiling Dentist" from his book published over a decade ago, Alif has built his practice around immediate implant protocols and fully guided surgery following early clinical challenges that reshaped his approach to risk management.
SLOW HORSES: SLOUGH HOUSE podcast breaks down the Slow Horses crew suffering bad petrol and bad gas in Episode 3. Roddy faces his boss' boss, Jackson drops a story and a bomb, and the Dogs let the prey walk out! Slow Horses s5 episode 3 'Tall Tales' breakdown on Apple TV Plus! 00:00 Intro 01:11 Catfish's rating 03:15 Bubba's rating 05:26 Call to Action 07:32 Who's targeted next? 12:03 Double O: What smells? 15:18 Lamb Lines 18:20 Roddy in the Fright Cube 23:45 The Petrol plot 25:24 Whelan Scandal 28:35 The Terrorists Plot 32:24 Slow Horses Escape 39:29 The Mayoral Election 42:12 Triple R: Rowdy Roddy Raunch 45:04 Crown Court Debate 49:42 Feedback An act of sabotage grinds London to a halt. Taverner interrogates Roddy. Coe is convinced a destabilisation strategy is at play. Director Saul Metzstein Writers Mick Herron (based on the book 'London Rules' by) Sean Gray (written by) Cast Gary Oldman ... Jackson Lamb Jack Lowden ... River Cartwright Kristin Scott Thomas ... Diana Taverner Saskia Reeves ... Catherine Standish Rosalind Eleazar ... Louisa Guy Christopher Chung ... Roddy Ho Aimee-Ffion Edwards ... Shirley Dander Nick Mohammed ... Mayor Zafar Jaffrey Christopher Villiers ... Dennis Gimball Ruth Bradley ... Emma Flyte Tom Brooke ... JK Coe Samuel West ... Peter Judd Fady Elsayed ... Kamal Ahmed Elmusrati ... Sami Cherrelle Skeete ... Devon Welles James Callis ... Claude Whelan Abraham Popoola ... Tyson Bowman Victoria Hamilton ... Dodie Gimball Hiba Bennani ... Tara Neil D'Souza ... Vikram Edward Davis ... Rob Trew Sophie Duval ... Sheila Yusuf Chaudhri ... Assassin Adam Samuel-Bal ... Skyline Restaurant Waiter Sara Kestelman ... Lena Tom Hendryk ... Andzej Jennifer Aries ... Ho's Neighbour Bilal Hasna ... Irfan Lula Marsh ... Irfan's Friend Daniel Fearn ... Carl Dallas Campbell ... Newsreader Sunny Dhillon ... Welsh Dog Colin Hoult ... Phil Bally Gill ... Agent Singh Rebecca Dyson-Smith ... Agent Smith Christian Bradley ... Agent Jim Joe Barnes ... Agent Kelly Roxy Faridany ... Agent Grendel Sean Cernow ... Dex Winnit Sarah Daykin ... Police Officer Lisa Sass Krishnan Guru-Murthy ... Debate Moderator Jono Grant ... DJ Producers Iain Canning ... executive producer Nicky Earnshaw ... co-producer Simon Gillis ... co-executive producer Ben Harrison ... line producer Mick Herron ... consultant producer Hakan Kousetta ... executive producer Jamie Laurenson ... executive producer Gail Mutrux ... executive producer Anna O'Malley ... series producer Emile Sherman ... executive producer Will Smith ... executive producer Julian Stevens ... executive producer Douglas Urbanski ... executive producer Graham Yost ... executive producer Composers Daniel Pemberton Toydrum Cinematographer Danny Cohen Editor Zsófia Tálas Casting Melissa Gethin Clarke Nina Gold Production Designer Choi Ho Man Art Directors Oskars Vilnitis-Pantelejevs supervising art director Louise Vogel Costume Designer Guy Speranza #slowhorses #sloughhouse #garyoldman #JackLowden #appletv #appletvplus #tv #television
SLOW HORSES: SLOUGH HOUSE podcast races into Episode 2. Roddy grabs an anime sword, Shirley grabs a needle, the villains grab an assassin's neck, and the Park's dogs grab our heroes! A fast funny Slow Horses s5 episode 2 'Incommunicado' breakdown on Apple TV Plus! 00:00 Intro 01:39 Catfish's rating 03:07 Bubba's rating 05:58 Call to Action 06:46 Why target Roddy Ho? 09:31 Double O: What smells? 12:01 Lamb Lines 15:47 Attack on Roddy Ho's Flat 21:03 River & Coe hunt for Tara 26:53 Update with MI5 31:12 Slow Horses Reunite 32:49 Claude Whelan Compromised 34:52 The Terrorists Plot 37:41 The Park comes to Slough House 43:38 Triple R: Rowdy Roddy Raunch 44:58 Crown Court Debate 48:14 Feedback Lamb intercepts an assassin. Taverner receives a key piece of intel about the Abbotsfield shooting. Director Saul Metzstein Writers Mick Herron (based on the book 'London Rules' by) Will Smith (written by) Cast Gary Oldman ... Jackson Lamb Jack Lowden ... River Cartwright Kristin Scott Thomas ... Diana Taverner Saskia Reeves ... Catherine Standish Rosalind Eleazar ... Louisa Guy Christopher Chung ... Roddy Ho Aimee-Ffion Edwards ... Shirley Dander Nick Mohammed ... Mayor Zafar Jaffrey Christopher Villiers ... Dennis Gimball Ruth Bradley ... Emma Flyte Tom Brooke ... JK Coe Samuel West ... Peter Judd Fady Elsayed ... Kamal Ahmed Elmusrati ... Sami Cherrelle Skeete ... Devon Welles James Callis ... Claude Whelan Abraham Popoola ... Tyson Bowman Victoria Hamilton ... Dodie Gimball Hiba Bennani ... Tara Neil D'Souza ... Vikram Edward Davis ... Rob Trew Sophie Duval ... Sheila Yusuf Chaudhri ... Assassin Adam Samuel-Bal ... Skyline Restaurant Waiter Sara Kestelman ... Lena Tom Hendryk ... Andzej Jennifer Aries ... Ho's Neighbour Bilal Hasna ... Irfan Lula Marsh ... Irfan's Friend Daniel Fearn ... Carl Dallas Campbell ... Newsreader Sunny Dhillon ... Welsh Dog Colin Hoult ... Phil Christian Bradley ... Agent Jim Krishnan Guru-Murthy ... Debate Moderator Jono Grant ... DJ Producers Iain Canning ... executive producer Nicky Earnshaw ... co-producer Simon Gillis ... co-executive producer Ben Harrison ... line producer Mick Herron ... consultant producer Hakan Kousetta ... executive producer Jamie Laurenson ... executive producer Gail Mutrux ... executive producer Anna O'Malley ... series producer Emile Sherman ... executive producer Will Smith ... executive producer Julian Stevens ... executive producer Douglas Urbanski ... executive producer Graham Yost ... executive producer Composers Daniel Pemberton Toydrum Cinematographer Danny Cohen Editor Zsófia Tálas Casting Melissa Gethin Clarke Nina Gold Production Designer Choi Ho Man Art Directors Oskars Vilnitis-Pantelejevs supervising art director Louise Vogel Costume Designer Guy Speranza #slowhorses #sloughhouse #garyoldman #JackLowden #appletv #appletvplus #tv #television
Welcome back to SLOW HORSES: SLOUGH HOUSE podcast. In the first episode of Season 5, Roddy's Beats gets smashed, Jackson's peaceful breakfast gets dashed, and Shirley's coke snorting gets crashed by River! Good morning Slow Horses s5 episode 1 'Bad Dates' breakdown on Apple TV Plus! 00:00 Intro 01:27 Bubba's rating 02:46 Catfish's rating 04:50 Call to Action 05:39 Catching up on Slow Horses 07:22 Louisa's goodbye card ranking 09:32 Double O: What smells? 11:59 Triple R: Rowdy Roddy's Raunch 14:22 The Horrific Attack 24:53 The Slow Horses 36:09 Crazy River/Lazy River 38:48 Crown Court Debate An attack rocks London, intensifying a testy mayoral race. Shirley believes one of the Slow Horses was the target of an attempted hit. Director Saul Metzstein Writers Mick Herron (based on the book 'London Rules' by) Will Smith (written by) Cast Gary Oldman ... Jackson Lamb Jack Lowden ... River Cartwright Kristin Scott Thomas ... Diana Taverner Saskia Reeves ... Catherine Standish Rosalind Eleazar ... Louisa Guy Christopher Chung ... Roddy Ho Aimee-Ffion Edwards ... Shirley Dander Nick Mohammed ... Mayor Zafar Jaffrey Christopher Villiers ... Dennis Gimball Ruth Bradley ... Emma Flyte Tom Brooke ... JK Coe Cherrelle Skeete ... Devon Welles James Callis ... Claude Whelan Abraham Popoola ... Tyson Bowman Victoria Hamilton ... Dodie Gimball Hiba Bennani ... Tara Neil D'Souza ... Vikram Edward Davis ... Rob Trew Sophie Duval ... Sheila Yusuf Chaudhri ... Assassin Dallas Campbell ... Newsreader Sunny Dhillon ... Welsh Dog Colin Hoult ... Phil Christian Bradley ... Agent Jim Krishnan Guru-Murthy ... Debate Moderator Jono Grant ... DJ Producers Iain Canning ... executive producer Nicky Earnshaw ... co-producer Simon Gillis ... co-executive producer Ben Harrison ... line producer Mick Herron ... consultant producer Hakan Kousetta ... executive producer Jamie Laurenson ... executive producer Gail Mutrux ... executive producer Anna O'Malley ... series producer Emile Sherman ... executive producer Will Smith ... executive producer Julian Stevens ... executive producer Douglas Urbanski ... executive producer Graham Yost ... executive producer Composers Daniel Pemberton Toydrum Cinematographer Danny Cohen Editor Zsófia Tálas Casting Melissa Gethin Clarke Nina Gold Production Designer Choi Ho Man Art Directors Oskars Vilnitis-Pantelejevs supervising art director Louise Vogel Costume Designer Guy Speranza #slowhorses #sloughhouse #garyoldman #JackLowden #appletv #appletvplus #tv #television
Exhibition Review: REFLECTIONS — SANGAT AND THE SELF at without SHAPE without FORM
Welcome, welcome, welcome to the Distraction Pieces Podcast with Scroobius Pip!This week Pip is joined by the wonderful multi talent CHRISTOPHER CHUNG!An ultra inspiring chat featuring the insanely talented Christopher, in a catchup with Pip which goes all across the timeline from the wayback early days to what's coming ahead. He's had a full on action packed journey from his origins in Australia to where he currently finds himself, and there are tons of points where forks in the road presented themselves and could have led to an entirely different life. Thankfull he stayed on track and we all now have some amazing work as a result! From early day singing, making his was to the UK via acting, working alongside national treasure Gary Oldman (and Kathy Burke at one point), meeting his wife in a stage production, playing against 'nerd' stereotypes and so much more, this is one for the appreciators but if you have never seen or heard Christopher before, this will 100% kickstart your new appreciation.SPOILER-ISH SLOW HORSES chat around 37 minutes in if you've just started - a couple of references to seasons 2 and 4, just so you know. Nothing too heavy - merely letting you know.PIP'S PATREON PAGE if you're of a supporting natureINSTAGRAMIMDBSLOW HORSES SEASON 5 TRAILERCALM main linkCALM donate linkSPEECH DEVELOPMENT WEBSTOREPIP TWITCH • (music stuff)PIP INSTAGRAMPIP TWITTERPIP PATREONPIP IMDBPOD BIBLE Hosted on Acast. See acast.com/privacy for more information.
New “Rough Road” signs and lower speeds are now in place on the SR 14 West Camas Slough Bridge after years of rough pavement. WSDOT says the bridge remains structurally sound, but with limited preservation funding, resurfacing has no timeline. Drivers are urged to slow down and stay alert. https://www.clarkcountytoday.com/news/new-warning-signs-and-lower-speed-limit-on-sr-14-west-camas-slough-bridge/ #CamasWA #SR14 #WSDOT #Transportation #TrafficSafety #BridgeMaintenance #ClarkCountyWA
Mikee P. grabs Western Canadian Expert Horseplayer and announcer Murray Slough to break down the Late Pick 4 at Assiniboia Downs on Wednesday, August 20, 2025. The Pick 4 has its usual $1 minimum and a $50,000 minimum.
Mikee P. grabs Western Canadian Expert Horseplayer and announcer Murray Slough to break down the Late Pick 4 at Assiniboia Downs on Wednesday, August 20, 2025. The Pick 4 has its usual $1 minimum and a $50,000 minimum.
DONATE HERE: https://www.justgiving.com/page/why-callum-fmvssloughfans The bald twins takeover; as Steaky and Dee (sketch show coming to Channel 5 soon) discuss all the shenanigans whilst in Slough - the controversies, the highs and lows, the post-match shenanigans. Well done Callum, well done Slough, and well done for raising so much money for Mind Charity!Oh and some exciting #FM26 News!!DONATE HERE: https://www.justgiving.com/page/why-callum-fmvssloughfans VIVA LA FMT!https://twitch.tv/whycallumOur links:https://linktr.ee/fmtpodhttps://twitch.tv/richowensfmhttps://twitch.tv/jebaroohttps://twitch.tv/deeboiplayshttps://twitch.tv/the_steak_bake
Hope Community Church
Hope Community Church
Toby Slough has learned to find peace through the storms. In 1988, Toby was diagnosed with a panic and anxiety disorder, but rather than let it wreck his faith, God birthed a desire in his heart to see more people find peace and wholeness in their mental health. Toby and his wife founded Goby Ministries to provide books and resources that reframe the conversation around mental health and help people find God's strength in weakness. On this episode, Toby's shares some of his story with Joey Svendsen and Lynne Stroy and the three unpack the need, especially for leaders, to be more transparent in their flawed humanity. A bonus conversation with Toby and the hosts centers around grace, patience, and judgmental dispositions toward those who inconvenience us—like Joey, when he came very close to accidentally standing up Toby for this episode. Be a Patron of the podcast for an extended version of this episode. You'll also be supporting Seacoast ministries in local prisons. On this Episode: Toby Slough I Instagram I Goby Ministries Hosts: Lynne Stroy / Joey Svendsen We have a YouTube Channel for videos of all episodes since Jan. 2024. Also we have a Facebook Page for listeners to keep up with the latest news on "Things You Won't Hear on Sunday" Podcast. Producer/Editor/host: Joey SvendsenSound Engineer/Editor: Katelyn Vandiver Be a Patron of the podcast
Join me from the duck boat in a quiet slough where I'm scouting for the upcoming teal season. In this episode, I break down what I'm seeing in the marsh, share the “Comment of the Week” with one positive and one negative take from recent YouTube videos, and wrap things up with Woody's Top 5. Partners of The North American Waterfowler Podcast: • Flight Day Ammunition – 10% off with code FDH10 at flightdayammo.com • Weatherby Shotguns – weatherby.com • Purina Dog Food – purina.com • Mammoth Guardian Dog Crates – Discount code GUARDIAN15, found by searching Mammoth dog crate on Amazon • Shotty Gear – 10% off with code FDH10 at shottygear.com Learn more about your ad choices. Visit megaphone.fm/adchoices
1 Peter 4:1If you've ever been in that muddy hole called the Slough of Despond, you can relate to Christian in The Pilgrim's Progress. Despondency, or the pits, is really pessimism. It's a gloomy, negative attitude, which often comes when we rely on ourselves instead of God. Whenever negative thoughts come knocking, don't open the door. Instead, turn your thoughts to God.
In this episode of Kermode on Film, Mark is joined by three fantastic guests for a lively film conversation, recorded at the BFI Southbank on Monday 10th April 2023.This is Part 1 of Show 79, in which Mark welcomes director Andrew Legge to discuss his innovative debut feature LOLA, a genre-defying Irish-British sci-fi set during World War II. Andrew talks about the creative challenges and joys of shooting the film in a “found footage” style, and about the journey of bringing such a unique vision to the screen.Next up is director Pravesh Kumar, who speaks about his heartfelt debut feature Little English, a comedy-drama set in suburban Slough about family, tradition, and finding your voice.Mark then welcomes actor, writer and improvisational legend Josie Lawrence, who talks about her performance in A Clever Woman, a bold and intimate film created through improvisation.Films and Productions Mentioned in This Episode:LOLA (Andrew Legge)Little English (Pravesh Kumar)A Clever Woman (Jon Sanders)Pakeezah (Kamal Amrohi, 1972)Rosemary's Baby (Roman Polanski, 1968)Merry Christmas Mr Lawrence (Nagisa Ôshima, 1983)Guests in This Episode:Andrew LeggePravesh KumarJosie LawrenceOpening title quotes from:Mary Poppins (Robert Stevenson, Walt Disney Productions – featuring Julie Andrews)Nope (Jordan Peele, Universal Pictures – featuring Keke Palmer)Withnail & I (Bruce Robinson, HandMade Films – featuring Richard E. Grant)The Exorcist (William Friedkin, Warner Bros. – featuring Ellen Burstyn and Linda Blair)These films are essential viewing.Watch them. Love them. Share them.They are masterpieces.MK3D is a production of HLA AgencyThis episode was edited by Alex Archbold Jones© HLA Agency Hosted on Acast. See acast.com/privacy for more information.
Football Manager Community vs Slough Town LOLLUJO & WHYCALLUM The FM Show Podcast Its time to announce the biggest Football Manager charity match, and its taking place at Slough Town on August 16th. WhyCallum makes his debut on The FM Show to talk about a project where he's managed to bring 17 Football Manager creators together to take on a team of Slough fans in a charity match immediately before Slough start their league campagin. The match will be raising money for MIND, and the FM squad will feature all the cast of The FM Show, plus its manager has quite a pedigree. Kevvy 8 Times, Lollujo is in the dugout calling the shots, so its an absolute pleasure to have Lollujo with us on the show to promote the event also. If you'd like to buy tickets for the event, click here https://sloughtownfc.net/article/3626/Charity-match-at-Arbour-Park-for-MIND If you want to join the Slough match discord to organise travel or make some friends prior to the game, click here https://discord.gg/JawdJDWJzr If you've enjoyed todays show, please leave a like on the video and consider hitting subscribe to the channel. Also leave a comment about your favourite part of the episode. Support us on Patreon and join the The FM Show squad! Enjoy early access to our public episodes, bonus weekly episodes, exclusive content, and you get access to secret channels on our Discord for just £3 a month! Sign up now: http://www.patreon.com/TheFMShowPod WE HAVE MERCH! https://httpsthefmshowpod.creator-spring.com/ Treat yourself to some merch. We've got tees, sweatshirts, hoodies, and are personal favourite, the legends tee. Follow Our Socials https://www.youtube.com/channel/UCJwruCy5lH44iFcyE150oeg http://www.twitter.com/thefmshowpod https://www.tiktok.com/@thefmshowpod http://www.instagram.com/thefmshowpod Join the Discord: https://discord.gg/TKPCUEZDvt Listen Now Spotify: https://open.spotify.com/show/6t7BLXSECt0y9AWHU1WgRj Apple: https://podcasts.apple.com/gb/podcast/the-fm-show-a-football-manager-podcast/id1698580502 Amazon: https://a.co/d/9hJSX0U Tony Jameson http://www.tonyjameson.co.uk http://www.twitter.com/tonyjameson http://www.instagram.com/tonyjameson https://www.tiktok.com/@tonyjamesonfm https://www.facebook.com/tonyjamesonfm http://twitch.tv/tonyjamesonfm https://www.youtube.com/@tonyjamesonFM RDF Tactics https://www.rdftactics.com http://www.twitter.com/rdftactics http://www.instagram.com/rdftactics http://twitch.tv/rdftactics http://www.youtube.com/@RDFTactics Si Maggio http://www.twitter.com/simaggioFM http://www.twitch.tv/simaggio https://www.youtube.com/@SiMaggio WhyCallum http://www.twitch.tv/whycallum http://www.twitter.com/whycallum_ Football Shirt Social http://www.twitter.com/footyshirtsoc https://www.youtube.com/watch?v=a0FIqZvpICI The Football Manager podcast for all of your Football Manager needs. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Hour 4 Audio from WGIG-AM and FM in Brunswick, GA
WHAT IF HUMANISM REALLY HAD ITS WAY? Welcome to God’s Love for the Unlovable and Gospel Rant series and format. We are calling the series Vagabond Diaries. We want it to be fun, informative, and life-changing—something that you would find valuable to pass on to others and laugh and cry together a bit. In today’s Vagabond Diary, a tip of the hat to Bunyan’s Pilgrim’s progress, we will meet Pilgrim. He has stumbled into the Slough of Flatness where he meets the Humanist. Let’s have some fun. Welcome to God’s Love for the Unlovable and Gospel Rant.Support The Show: https://www.gospelrant.com/ Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.
In this special episode of Florida Uncut, we're bringing you our first-ever live recording, captured this past weekend at the Wild Space Gallery in St. Pete.The conversation centers around the behind-the-scenes efforts that brought the Florida Wildlife Corridor Foundation's 2024 expedition film to life. Every two years, the Foundation leads a week-long journey, on foot, bike, and water, through a region of the Corridor that needs greater public awareness and protection.This year's expedition took place in Southwest Florida, tracing a route from the Western Everglades to the Caloosahatchee River, an infamously challenging crossing point for the endangered Florida Panther.Our panel features several team members (Ethan Coyle, Alex Freeze, and Joe Whalen) who helped make the expedition possible. You'll hear untold stories from the trail, hilarious moments of gear failure, and candid reflections on the logistics, challenges, and triumphs that didn't make it into the final film.If you're near St. Pete, be sure to check out the companion gallery exhibit, “Blazing the Trail: From Strand to Slough,” on display at the Wild Space Gallery through August 30. The exhibit dives deeper into the people, process, and wild beauty behind the making of this year's expedition film. I want to give an enormous thank you to Ethan, Alex, and Joe for the amazing conversation. I love working with them. I want to also especially thank Leslie Elsasser, Noel Smith, Kat Duval, and Tony Palms for opening up the Wild Space Gallery to tell these stories and for the opportunity to host our first live podcast. I am so thankful and still buzzing from the experience! Wild Space Gallery on Google Maps. Don't miss it! Be sure to come check out the exhibit by August 30th. The gallery is open Wed-Sat 2-6pm. Also, mark you calendars for the film premiere of our expedition on September 18th at the Tampa Theater.
This seven-week series will explore the warnings in the Book of Proverbs regarding seven destructive traits: anger, apathy, pride, fear, bitterness, slander, and distraction. Each week, we will discuss how to recognize these obstacles in our lives and provide biblical guidance on how to navigate around them.•NEXT STEPS- Have you made a decision to follow Jesus? You may be wondering what's next on your journey. We want to help! Let us guide you to your next steps in your walk with Christ: https://atmosphere.church/new-to-faith•JOIN A LIFE GROUP- Find the community you've been looking for. Discover the prayer warriors waiting to stand with you. If you're interested in joining or starting a Life Group, visit https://atmosphere.church/life-groups•ABOUT ATMOSPHERE.CHURCH- Wherever you are in life, you have a purpose. Atmosphere.Church wants to help you find your next step. Our hope is that your journey will include joining us in-person at our location in Thousand Oaks, California or globally online at https://atmosphere.church/watch•For the best experience connecting with us, download the Atmosphere.Church app at https://qrco.de/atmosphere-ca
A new MP3 sermon from The Narrated Puritan is now available on SermonAudio with the following details: Title: Help - At the Slough of Despond-Pictures From Pilgrim's Progress Subtitle: Pilgrim's Progress Speaker: C. H. Spurgeon Broadcaster: The Narrated Puritan Event: Audiobook Date: 6/24/2025 Length: 19 min.
Episode 143 of the Destination Angler Fly Fishing Podcast – May 8, 2025 Our destination is SW Montana and Yellowstone country veteran outfitter and dry fly aficionado, Walter Wiese, Yellowstone Country Fly Fishing, Livingston, Montana. We explore the aftermath of the massive 2022 flood and how it's changed—or not—some of the most iconic rivers in the West, like the Yellowstone, Lamar, and Slough Creek, the Madison, Gallatin, and more. Which ones bounced back? Which ones are still healing? And what can you expect if you go? Along the way, he shares dry fly wisdom, his own go-to patterns, and hot tips on indicator fishing. Plus, stories of salmon fly eating grizzlies, swimming buffalos, and a client you can't believe. With host, Steve Haigh Be the first to know about new episodes. Become a subscriber Destination Angler on YouTube Contact Walter: https://flyfishmontana.biz/ |Facebook @ycflyfishing Instagram @yellowstonecountryflyfishing | YouTube @YellowstoneCountryFlyFishing Destination Angler Podcast: Website YouTube Instagram & Facebook @DestinationAnglerPodcast Please check out our Sponsors: Facebook @troutinsights Instagram @TroutRoutes Adamsbuilt Fishing THE trusted source for quality fly fishing gear, built to last at an affordable price. Waders, Nets, Outerwear. Facebook & Instagram @Adamsbuilt Got Fishing Crafting world-class fly-fishing adventures specially designed to your level of experience and budget. Facebook @GotFishingAdventures Instagram @GotFishing TroutRoutes Podcast listeners can try one month of TroutRoutes PRO for FREE by clicking the link in the episode description. Explore your water with TroutRoutes today. Get 1 Month Free Comments & Suggestions: host, Steve Haigh, email shaigh@DestinationAnglerPodcast.com Available on Apple, Spotify, or wherever you get your podcasts. Recorded March 27, 2025
Merriam-Webster's Word of the Day for April 23, 2025 is: slough SLUFF verb Slough is a formal verb used for the action of getting rid of something unwanted. It is usually used with off. Slough can also mean "to lose a dead layer of (skin)" or "to become shed or cast off." // The editorial urges the mayor not to slough off responsibility for the errors in the report. // The exfoliating cleanser promises to gently slough away dead skin cells. See the entry > Examples: "Before she left her apartment, she gathered and washed some in a bowl. Then she drew a bath and soaked for a while, eating the figs one by one, swallowing even the hard stems. The steam and water loosened her tense muscles, and her aches started to vanish. She scrubbed herself until the dead skin sloughed off, and underneath, she was new." — Sally Wen Mao, Ninetails: Nine Tales, 2024 Did you know? There are two verbs spelled slough in English, as well as two nouns, and both sets have different pronunciations. The first noun, referring to a swamp or a discouraged state of mind, is pronounced to rhyme with either blue or cow. Its related verb, which can mean "to plod through mud," has the same pronunciation. The second noun, pronounced to rhyme with cuff, refers to the shed skin of a snake (as well as anything else that has been cast off). Its related verb describes the action of shedding or eliminating something, just like a snake sheds its skin. This slough comes from Middle English slughe and is related to slūch, a Middle High German word meaning "snakeskin."
Merriam-Webster's Word of the Day for April 23, 2025 is: slough SLUFF verb Slough is a formal verb used for the action of getting rid of something unwanted. It is usually used with off. Slough can also mean "to lose a dead layer of (skin)" or "to become shed or cast off." // The editorial urges the mayor not to slough off responsibility for the errors in the report. // The exfoliating cleanser promises to gently slough away dead skin cells. See the entry > Examples: "Before she left her apartment, she gathered and washed some in a bowl. Then she drew a bath and soaked for a while, eating the figs one by one, swallowing even the hard stems. The steam and water loosened her tense muscles, and her aches started to vanish. She scrubbed herself until the dead skin sloughed off, and underneath, she was new." — Sally Wen Mao, Ninetails: Nine Tales, 2024 Did you know? There are two verbs spelled slough in English, as well as two nouns, and both sets have different pronunciations. The first noun, referring to a swamp or a discouraged state of mind, is pronounced to rhyme with either blue or cow. Its related verb, which can mean "to plod through mud," has the same pronunciation. The second noun, pronounced to rhyme with cuff, refers to the shed skin of a snake (as well as anything else that has been cast off). Its related verb describes the action of shedding or eliminating something, just like a snake sheds its skin. This slough comes from Middle English slughe and is related to slūch, a Middle High German word meaning "snakeskin."