Podcasts about Slough

SLOW HORSES: SLOUGH HOUSE podcast talk the season premiere of Episode 6 where River takes a car ride, Tavener spills Lamb's secret and Slow Horses are put out to pasture! The Slow Horses clean up the mess and leave a big mess in its place! Slow Horses s6 episode 1 'Circle of Life' breakdown on Apple TV Plus! 00:00 Intro 01:15 Bubba's rating 03:16 Catfish's rating  05:05 Call to Action 06:53 Two Books=1 Season 08:14 Is Tavener behind the assassinations? 09:47 How is Peter Judd not in prison? 10:35 Will River cheer up? 11:33 Lamb Lines 14:28 Episode Recap & Review  40:50 Triple R: Rowdy Roddy Raunch 43:13 Slow Catfish questions 46:23 Crown Court Debate 51:30 Feedback Season 6 Episode 1 'Circle of Life' River Cartwright prepares for his grandfather's funeral, while Jackson Lamb investigates the death of a former Slough House agent Director  Adam Randall Writers Mick Herron (based on the book 'London Rules' by) Gaby Chiappe (written by) Maise Parker (story editor) Cast Gary Oldman ... Jackson Lamb Jack Lowden ... River Cartwright Kristin Scott Thomas ... Diana Taverner Saskia Reeves ... Catherine Standish Rosalind Eleazar ... Louisa Guy Christopher Chung ... Roddy Ho Aimee-Ffion Edwards ... Shirley Dander  Ruth Bradley ... Emma Flyte Tom Brooke ... JK Coe Jonathan Pryce ... David Cartwright Naomi Wirthner ... Molly Doran Samuel West ... Peter Judd Joanna Scanlan ... Moira Tregorian Lucian Msamati ... Oliver Nash Kyle Soller ... Jim MyAnna Buring ... Jane Harry Lloyd ... Damien Cantor Hugo Weaving ... Frank Harkness Paul Higgins ... Struan Loy Bally Gill ... Agent Singh Melissa Parker ... Agent Cassie Racheal Ofori ... Agent Ofili Harry Greenwood ... Bruno Producers Iain Canning ... executive producer Nicky Earnshaw ... co-producer Simon Gillis ... co-executive producer Ben Harrison ... line producer Mick Herron ... consultant producer Hakan Kousetta ... executive producer Jamie Laurenson ... executive producer Gail Mutrux ... executive producer Anna O'Malley ... series producer Emile Sherman ... executive producer Will Smith ... executive producer Julian Stevens ... executive producer Douglas Urbanski ... executive producer Graham Yost ... executive producer Composers Daniel Pemberton Toydrum Cinematographer Danny Cohen Editor Zsófia Tálas Casting Melissa Gethin Clarke Nina Gold Production Designer Choi Ho Man Art Directors Oskars Vilnitis-Pantelejevs supervising art director Louise Vogel Costume Designer Guy Speranza #slowhorses #sloughhouse #garyoldman #JackLowden #appletv #appletvplus #tv #television s6e01 s06e01 s6e1

Hosted by Fiona Scott, today's podcast welcomes Emma Carter, CEO of WestSpring IT. Emma's small business is based in Bristol and offers clients technical support and IT services to companies across the UK. She's known Fiona for many years as a client and as a friend. Fiona takes Emma back to her background. Emma describes her history as working in ‘sales' although she feels she wasn't ‘that good of a salesperson' but she had the unique ability to go from industry to industry. When she was at Yellow Pages, her management and leadership skills were developed. From there, she went on to Biffa (the waste company) and from there to Excalibur which was her first experience with IT. After 9/10 years, she left and went to a digital marketing agency before joining WestSpring where she is now and thoroughly enjoying it. Fiona begins by asking Emma about her time at school and her childhood. Emma explains that she spent her childhood years in Portsmouth with her mum. She then moved to Slough for her dad's work and grew up in the most deprived area of Slough. Emma says she did well at school, but it was about working hard for her rather than ‘brains.' She's the eldest of six and learned very early that she had to contribute. She left home at sixteen and actually always wanted to be a teacher but she couldn't find work experience and actually ended up working in a mobile phone shop. She absolutely loved the experience and was offered a ‘Saturday job' at the end of it. She eventually found an apprenticeship in administration with a brilliant mentor, which is something she feels is incredibly important in life and business. Emma really touches upon her childhood in poverty and explains how money as an adult became a sense of security. She was told that sales was the easiest way to earn money and that's what she did. She always worked hard and wanted to build good relationships with people. She feels it was later in her career at Yellow Pages that she learned good relationships equals good sales and began to understand the world of business more. Fiona then goes on to ask Emma if she's a ‘tech geek' and Emma laughs in response, saying ‘no!' She feels because she went from advertising to waste disposal and then to IT doesn't feel like that. For her, management and leadership skills are what got her to where she is today. Emma says she liked to make the ‘tech' world sound human, and this is something she strives to do in her business. Fiona asks Emma to tell listeners about the company WestSpring and what she feels she has brought to the table. Emma explains that they had been around for 8 or 9 years when she joined. It was created by two amazing founders, Jason and Phil, and they started with a credit card around a kitchen table. They had seen the poor way that some MSPs had treated their clients, and they wanted to change this. They took on Emma as CEO because they felt they had taken the business as far as they could but didn't have the skill about how to grow at scale. They'd focused so hard on winning any client without finding consistency and stability to enable the business to grow. Fiona then goes on to ask Emma about why she always valued media outreach, especially during her days at Excalibur, when Fiona and Emma met. Emma says that PR and media activity helps to form trust in the relationship before it's even needed. For example, if someone was to hear her talking on the radio or a podcast, the person would get a real representation of who she is as a person and what she stands for. She feels this helps the person to make decisions before even picking up the phone or emailing. The PR and the media bit is really important. However, she does touch on her earlier days, when she used to be afraid that people would be intimidated by her and her reputation. But now, Emma feels she owns this in her everyday life and the people known to her, realise that she does this with care and isn't afraid to have difficult conversations. Fiona also talks about how she sees similar traits in herself to Emma and that they can't ‘not be themselves.' Fiona discusses with Emma how when she worked at Excalibur, she used PR to show how important and valued their team members were. Emma explains this because they had a lot of competition with bigger companies in Swindon and they found recruitment difficult, so they needed to prove to people why working for them was the best decision. The PR really allowed them to share that ethos and culture with others.  Fiona asks Emma what her biggest challenges have been so far as the CEO of WestSpring. Emma says the first was working with the founders can be very different because they struggle to give up an element of control to someone new. Secondly, some of the people found the change hard, especially when they needed to implement new structures into the company. Fiona goes on to ask Emma how she's going to tackle the challenge of keeping the small business intimate feel while allowing the company to grow. Emma says that has been a challenge over the last 6 months. They've also had to think hard about what growth means to them in their company. Emma says they've found that growth for them is sustainable growth by winning the right types of clients, not just any clients and if they're aware of what their forecast and pipeline looks like so that they can schedule recruitment and plan resources that might be needed and find partnerships and clients to support them on that growth journey. Fiona notes how Emma has always been committed to personal development and self-awareness. Emma talks about how much of this comes from the mentors she had in the past. She says James Phipps was a massive help in the early stages of her career because he signed her up to a group called Vistage which puts you around a table with other senior leaders of businesses and you have a safe space to share what's going on in your business and gives you the chance to see some great speakers. She talks about how important networking is and that socialising with others who are also CEOs and founders' means they understand the pressures you have to face every day.Fiona asks Emma, ‘When you started at WestSpring, you contacted me quite soon... why?' Emma says “as a board that it was really important to start making sure that people knew who we were straight away. We'd done well at making some relationships, but we had to tackle the idea of making sure people knew that PR isn't the same as selling. We wanted people to understand who we are and our culture. We also felt that authenticity was important and Scott Media's reputation preceded you with other clients and we had great references. We needed a mentor who was honest, would be up front and wasn't afraid to give feedback.”The two then go on to discuss a moment while Fiona was in Canada earlier this year and an opportunity on TV and radio came up for Emma to talk about working from home. Emma was able to give a different viewpoint to this as she values working in the office and she talks about the importance of such opportunities and taking them when they arise. Fiona then asks Emma what her take is on AI. Emma says that AI gives an element of automation and productivity gains that doesn't replace people. Creativity comes from humans and that can't be replaced but AI can be used well as a tool in business. She feels everyone's opinion of AI is different, but it may help to save time in certain cases or to help with organisational tasks. Emma also talks about her friends who are artists and musicians who have had their work stolen by AI. She feels this is a huge problem in today's society. There is a moral side that doesn't like the environmental impact of it but for businesses it can be helpful to use. She says for business owners they have to decide what their use of AI is like for them and how does it suit them individually. Emma says the best thing about AI for many businesses is the efficiency it brings to the table. You can contact Emma on usual social media channels under ‘WestSpring IT' and on LinkedIn or email emmacarter@westspring-IT.co.uk. Listeners can tune in to hear everything about Emma Carter's story. To get in touch with Fiona and the Scott Media team, visit www.scottmedia.uk.Join our free Facebook group at: https://www.facebook.com/groups/prtribe

In this week's episode of High on Home Grown, we dive into the biggest cannabis stories from around the world, with two very different UK cannabis factory stories, a look at the future of medical cannabis research, concerns over a proposed US hemp ban, and some promising research into medical cannabis and endometriosis. Macky starts things off with a rather unusual discovery in Slough, where Thames Valley Police uncovered a huge cannabis growing operation inside an abandoned former BHS store. Around 1,700 plants were found, with the crop estimated to have a potential yield of around 150kg and a street value of approximately £1.3 million. Two men involved in the operation have been jailed. Smee brings us another UK cannabis factory story, this time involving the director of an estate agency who used rental properties to set up cannabis grows. Several properties were used as part of the operation before police eventually caught up with him, resulting in a prison sentence. Billy looks towards the future of medical cannabis as Professor David Nutt prepares to explore the future of medical cannabis research at a symposium in London. We discuss where the science is heading and what questions researchers still need to answer as medical cannabis continues to gain attention. John takes us across the Atlantic for a look at the potential impact of the proposed US hemp ban. A new report suggests that as much as 68% of the US hemp industry could be affected, raising serious questions about what the legislation could mean for businesses, consumers and the wider hemp market. Finally, Margaret brings us some more encouraging medical cannabis research, with a study linking medical cannabis use to sustained improvements in endometriosis symptoms. We take a look at what the research found and what it could mean for people living with endometriosis. So we've got abandoned department stores, estate agents running grow houses, the future of medical cannabis research, a potentially huge shake-up of the US hemp industry and some promising medical research. Another busy week in the world of cannabis!

000001a0-6dca-d318-afa4-ffee1cc30000https://www.wvik.org/podcast/river-way-stories/2026-09-04/taming-of-the-slough-adventure-raceTaming of the Slough Adventure Race234

Hope Community Church

Certains enfants ne vont plus à l'école, d'autres ont cours en sous-sol, d'autres encore font des aller-retours entre les salles de classe et les abris. Comment leur parler de la guerre ? Plongée dans le quotidien d'une institutrice et de ses élèves à Odessa, dans le sud du pays. Cette émission est une rediffusion estivale.  Dans l'Ukraine en guerre, l'école se met à l'écoute des enfants  Bientôt quatre ans de guerre en Ukraine, quatre ans que l'invasion russe bouleverse le quotidien des familles, et des enfants. Comment aborder les peurs, les angoisses sans les alimenter, comment garder de la joie dans le quotidien ? Le soir, à table, devant les plus petits, la guerre est souvent un sujet tabou ; et c'est souvent l'école qui initie le dialogue. Théo Renaudon nous ouvre aujourd'hui les portes de l'école primaire n°19 de la ville d'Odessa, où Madame Holikova enseigne aux 10/11 ans. Et comme tous les matins, la journée commence par une minute de silence.    Autriche : à Vienne, l'ombre de l'espionnage russe  Derrière ses palais, ses cafés et ses orchestres symphoniques, la capitale autrichienne a la réputation d'être, depuis la guerre froide, un nid d'espions. Siège de nombreuses organisations internationales, Vienne héberge une vaste ambassade russe dont les activités intriguent. Des habitants ont décidé d'enquêter. Reportage de Céline Béal.    La chronique de la revue21, avec Guillaume Gendron : plongée au cœur d'une Data City, dans la grisaille anglaise À Slough, à l'ouest de Londres, les fumées blanches ont remplacé les noires émanations de l'industrie. Désormais, la triste ville de la série « The Office » est un « lieu-clé de la connectivité mondiale ». Quelles retombées économiques ? Quel impact environnemental et social ? Un reportage à découvrir en Kioske et sur le site de la Revue21. Texte : Thomas Andrei, photos : Theo McInnes.   La chronique musique de Vincent Théval  Ólöf Arnalds - Heimurinn núna  (Islande). 

Certains enfants ne vont plus à l'école, d'autres ont cours en sous-sol, d'autres encore font des aller-retours entre les salles de classe et les abris. Comment leur parler de la guerre ? Plongée dans le quotidien d'une institutrice et de ses élèves à Odessa, dans le sud du pays. Cette émission est une rediffusion estivale.  Dans l'Ukraine en guerre, l'école se met à l'écoute des enfants  Bientôt quatre ans de guerre en Ukraine, quatre ans que l'invasion russe bouleverse le quotidien des familles, et des enfants. Comment aborder les peurs, les angoisses sans les alimenter, comment garder de la joie dans le quotidien ? Le soir, à table, devant les plus petits, la guerre est souvent un sujet tabou ; et c'est souvent l'école qui initie le dialogue. Théo Renaudon nous ouvre aujourd'hui les portes de l'école primaire n°19 de la ville d'Odessa, où Madame Holikova enseigne aux 10/11 ans. Et comme tous les matins, la journée commence par une minute de silence.    Autriche : à Vienne, l'ombre de l'espionnage russe  Derrière ses palais, ses cafés et ses orchestres symphoniques, la capitale autrichienne a la réputation d'être, depuis la guerre froide, un nid d'espions. Siège de nombreuses organisations internationales, Vienne héberge une vaste ambassade russe dont les activités intriguent. Des habitants ont décidé d'enquêter. Reportage de Céline Béal.    La chronique de la revue21, avec Guillaume Gendron : plongée au cœur d'une Data City, dans la grisaille anglaise À Slough, à l'ouest de Londres, les fumées blanches ont remplacé les noires émanations de l'industrie. Désormais, la triste ville de la série « The Office » est un « lieu-clé de la connectivité mondiale ». Quelles retombées économiques ? Quel impact environnemental et social ? Un reportage à découvrir en Kioske et sur le site de la Revue21. Texte : Thomas Andrei, photos : Theo McInnes.   La chronique musique de Vincent Théval  Ólöf Arnalds - Heimurinn núna  (Islande). 

We've made it to episode 99! And to mark the occasion, we're joined by someone very special - our merchandising mate, Sarah Johnson. Think Mickey to our Minnie, Ashley to our Mary-Kate, Bluey to our Bingo. You get the vibe.Sarah has been a merchandiser for over two decades, with stints at River Island, Debenhams, Arcadia, and ASOS where she was Head of Retail during the glory days of 2008, when the whole team could fit in one room on a Monday morning. Since then, Sarah founded Flourish Retail, helping businesses of all sizes get their merchandising foundations properly in place.In this episode we take a proper trip down memory lane - from accidentally allocating 200 Nehru collar suits to Slough on her first job, to building ASOS China's entire merchandising structure from scratch on Excel while on a four-day week. We talk about the evolution of the buyer-merch relationship, why the discount cycle is so hard to break, the dangers of losing junior training in the age of AI, and why sometimes all you need is someone to tell you you're making the right call.Oh, and there's a story involving Sarah being dressed as a turkey under a desk. You'll want to stay for that one.Three Key Takeaways:1. Merchandising fundamentals are non-negotiable - and they're at risk.Sarah's career spans the era of handwritten ledgers, printed POs, and building ASOS's merchandising structure from scratch on Excel. Her point is clear: understanding why the numbers work the way they do - not just clicking buttons to make them appear, is what separates great merchandisers from average ones. As AI and data tools take over, businesses risk hollowing out that junior training pipeline, and that's a danger the whole industry should take seriously.2. The buyer-merch relationship is the most important relationship in retail.Whether it was turning around a department with a trusted partner or navigating a tough range sign-off, Sarah's experience consistently shows that when buyers and merchandisers are aligned and pushing in the same direction, the business wins. When they're not, everyone suffers - including the customer. Invest in that relationship early and deliberately.3. Breaking the discount cycle requires courage and planning.Sarah has watched ASOS navigate heavy discounting cycles at least twice and come out the other side. Her view: it is possible to break out of the race to the bottom, but it requires businesses to make brave decisions -  sometimes accepting a sales dip to protect profit and brand perception. The brands that keep chasing sales at any cost are training their customers to wait, and devaluing their product in the process.Find Sarah at Flourish Retail: https://www.flourishretail.com/Support the showIf you've liked this episode please rate, follow, subscribe and share :) - and if you already have, thank you! It honestly really helps to keep this going and growing!Follow us @buyingandbeyond on Instagram Send us a DM or email hello@buyingandbeyond.co.ukWe also have a retail buyers membership @jointhebuyersclub  Find out more at www.jointhebuyersclub.co.ukAutumn fair coffee meet up- come and meet us at Autumn fair at our coffee meet up and podcast live, see link below for all the details on how to sign up:  https://www.autumnfair.com/buying-beyond?utm_source=partner&utm_medium=buying_beyond_channels&utm_campaign=buying_beyondIf you'd like to show a little more love, then head here to give us just a little bit *extra* and show us your support :) thank you!https://www.buzzsprout.com/2300060/support

An unmissable episode for Slow Horses fans, writer Mick Herron unveils the next instalment in his phenomenally successful Slough House series with host Jason Steger. Originally presented on Thursday 21 May 2026 by The Wheeler Centre in partnership with RMIT University.Spies lie. They betray. It is what they do. Readers were first introduced to Jackson Lamb and his team of misbegotten secret service agents in Slow Horses, an offbeat spy story filled with biting satire, murky morality and political prescience.In Clown Town, the latest instalment of the series, the ugly side of state security threatens to come to light as the disappearance of a mysterious book and the death of a sadistic former IRA informant has secret agent River Cartwright asking some uncomfortable questions. Filled with blackmail, covert operations and cover-ups that go all the way to the top, this page-turner sees the slow horses embroiled in their most high-stakes spy games yet.Support the Wheeler Centre: https://www.wheelercentre.com/support-us/donateSee omnystudio.com/listener for privacy information.

After an almost two-year hiatus (can't quite remember why now), Amblin returns with the first film released after we started this podcast: Miguel Sapochnik's 2021 streaming title FINCH. It was a strange decision for this production house to acquire the character rights to the Slough-based sales rep played by Ralph Ineson in ‘The Office', but– Oh, hang on, wrong Finch. This one is played by Tom Hanks and is attempting to navigate the post-apocalyptic US so that his robot pal Jeff (Caleb Landry-Jones) can look after his dog Goodyear (Seamus) when he's gone. Together we talk about the welcome note of hope this movie brings to the dystopian sci-fi genre, the wonderful visual effects work involved and the AppleTV+ of it all. Pop on your protective suit and join us in the sun!Follow the podcast on Twitter, Bluesky and Instagram and be sure to subscribe so you don't miss an episode! Get in touch with us either via socials or email rambinaboutamblin@gmail.com.Ramblin is created and produced by Andrew Gaudion and Joshua Glenn. A special thanks as always to Emily Tatham for the artwork, and Robert J. Hunter-Clayton & Greg Sheffield for the theme music.You can listen to The Robert J Hunter band's new single 'Head in the Sand' here: https://ffm.to/rjhheadinthesandAnd you buy tickets to their upcoming album launch show in London on October 10 here: ⁠https://events.talentbanq.com/events/talentbanq/2123808⁠

Mikee P. gets known expert horseplayer and Century Downs track announcer Murray Slough for a look at the Late Pick 4 at Assiniboia Downs on Tuesday, July 28th. The bet has a $1 minimum and a 15% takeout and a $50,000 guarantee.

Mikee P. gets known expert horseplayer and Century Downs track announcer Murray Slough for a look at the Late Pick 4 at Assiniboia Downs on Tuesday, July 28th. The bet has a $1 minimum and a 15% takeout and a $50,000 guarantee.

What makes someone run towards places most people are desperate to escape?Long before Ravi Singh became one of Britain's most remarkable humanitarian figures, he was a child caught between worlds: born in Singapore, raised in a Punjabi village, and brought to Britain at 11, where he encountered racism, loss and dislocation almost as soon as he arrived. Years later, he would go on to found Khalsa Aid, the international relief organisation known for delivering aid in some of the most dangerous and devastated places on earth.In this episode of Full Disclosure, James O'Brien sits down with Ravi to trace the experiences that shaped his lifelong commitment to service - from a childhood marked by community, faith and hardship, to the moment he realised that compassion could become a form of action in the face of injustice.Ravi reflects on growing up in a village shared by Sikh, Muslim and Hindu families, losing his father at a young age, and arriving in Britain unable to speak English, where he was confronted almost immediately by racism and exclusion. He describes the values instilled by his mother, the discipline and belonging he found in the Air Cadets, and the personal and political awakening that followed news of atrocities in Punjab.They discuss faith, identity and activism; the Sikh principles of seva and Sarbat Da Bhala; the founding of Khalsa Aid during the Kosovo crisis; and what it means to deliver practical help in places devastated by war, displacement and disaster - from Iraq and Syria to Somerset and Slough.Passionate, reflective and deeply moving, this is a conversation about loss, service, solidarity and the moral courage required to see other people's suffering as your own.Find out more about Khalsa Aid here Full Disclosure is a Global ProductionListen or watch every Friday on Global Player, YouTube or wherever you get your podcasts.

Johnny Mac delivers Daily Comedy News covering Trevor Noah's World Cup commentary about FIFA corruption and U.S. government interference, noting Noah's live streams draw about 250,000 views. He recaps Dave Chappelle's July 4 CNN appearance with Anderson Cooper and Andy Cohen, where Chappelle answers a question about being proud to be American by praising his “countrymen.” The main story is the 25th anniversary of The Office (UK): a BBC special reunites Mackenzie Crook and Martin Freeman, while Ricky Gervais marks the anniversary on YouTube with 25 David Brent moments and fan Q&As; Freeman disputes Gervais and Stephen Merchant's claims the show was entirely scripted, describing it as “loose.” A David Brent bust is unveiled at a Premier Inn in Slough. The episode also covers Adam Sandler officiating Taylor Swift's wedding and being spotted for ice cream and basketball, Amy Schumer joking online about not being invited, low view counts for some YouTube late-night shows, and Will Arnett describing Madonna doing 40 minutes of standup. 00:26 Trevor Noah's World Cup Rant01:39 Chappelle on Free Speech03:08 Office UK Anniversary Special04:02 Gervais YouTube Brent Bits05:33 Freeman Improv Debate06:56 David Brent Statue Reveal08:42 Sandler Swift Wedding Buzz09:51 Sandler Nantucket Basketball11:03 Schumer Wedding Trolls12:07 YouTube Late Night View Counts13:04 Madonna Standup Story Become a supporter of this podcast: https://www.spreaker.com/podcast/daily-comedy-news-with-johnny-mac-a-daily-briefing-on-comedians-and-the-comedy-industry--4522158/support.Daily Comedy News with Johnny Mac is a daily podcast covering comedians, stand-up comedy, late night television, and the comedy industry. New episodes every morning. Follow on Apple Podcasts, Spotify, or wherever you listen. Part of the Caloroga Shark Media network.Contact John at John@thesharkdeck dot com For Uninterrupted Listening, use the Apple Podcast App and click the banner that says Uninterrupted Listening.  $4.99/month John's Substack about media is free.This is the animal sanctuary mentioned in the February 10 episode.

Episode: 3383 Mr. Herschel's Milky Way “millstone”.  Today, an early Milky Way model.

slough by Nikita Zabelin

Gabe felt that we needed something different in our lives. And he achieved his goal.

An obscure, little known gun fight over land speculation in central California in May 1880 helped shaped local residents opinions about the railroad industry for a generation. Tune in this week as I dive into the story of the Mussel Slough Tragedy and explore how the fight between local settlers and the Southern Pacific Railroad highlights the conflicts over land, resources, and corporate power during the Gilded Age.Support the show

Adam Greener Memorial game, Friday 1st May, Slough ice rink. Face off 7pm - Doors open at 6.30pm and Tickets are only £5Support the show

Join Michelle and Zoe for an incredibly powerful and deeply moving conversation with Jordan Deen as he shares his radical journey from growing up without a father in Slough to discovering what it truly means to be a son through the transformative love of Jesus and the faithfulness of the church. This episode unpacks what it looks like to move from spiritual orphanhood to divine sonship, from performing religion to experiencing Jesus as a person, and from carrying wounds in secret to being met by a God who redeems every broken piece of your story. Jordan opens up about his mum's arranged marriage, his dad's abandonment when he was just eight years old, and growing up in a performative church culture where faith felt more like an Instagram bio than a real relationship. Discover how God used friendship and the body of Christ to restore what was lost, from a man gifting him expensive fragrance and inviting him into vulnerable conversations, to a friend's dad in California teaching him how to drive and redeeming a childhood promise his father never kept. This is a story of scars becoming lighthouses, of God's intentional humor in writing redemptive stories, and of learning to live for an audience of one. The episode also dives into what it means to carry an ache for the fatherless, how branding and storytelling can affirm people's true identity beyond their achievements, and why Jordan is moving to New York City to continue proclaiming a different narrative over those trapped in an orphan spirit. This is for anyone who has grown up without a father, who struggles with performance and proving themselves, who is learning what it means to be seen and loved by God, or who wants to understand how the church can step in and meet the deepest needs in people's lives. 00:00 Introduction and Episode Setup 01:20 Growing Up in Slough: A Mother's Arranged Marriage 03:46 God's Redemptive Story: From Fatherless to Son 05:11 A Praying Mother and Early Faith Exposure 06:27 The Performative Jesus: Growing Up in Pakistani Indian Church Culture 09:12 Jesus Becomes a Person: The Transformation 09:59 God's Promise: Father to the Fatherless 11:56 The Impact of Fatherlessness: Seeing God as Father 14:10 True Redemption: Identity Over Achievement 18:51 Living as Daniel in Babylon: Audience of One 27:18 The Fragrance Story: How Jacob Pursued Him 32:20 Learning to Drive: God Redeems Childhood Wounds 34:11 Five Years of Freelancing: Restoring Childhood, Not Building Adulthood 38:12 The Church as Lighthouse: Scars Become Beacons 40:06 The Calling: Fighting the Orphan Spirit 41:44 Moving to New York: A New Chapter in the Mission 42:54 Closing Prayer: Father to the Fatherless FOLLOW US ON INSTAGRAM: https://www.instagram.com/thewayuk/ FOLLOW US ON TIK TOK: https://www.tiktok.com/@thewayuk/ Want to know more? Find a church that has things happening for young people. Visit https://achurchnearyou.com/youth/ [In partnership with CofE Digital Projects]

With men's football pausing for an international break, Jake Smith focusses on discussing important matches for the Royal Navy, Portsmouth Women and Moneyfields Women. Ben Prince-Hall, Ollie Ward and Chris James help dissect Wednesday night's Inter-Services Cup clash with the British Army at Fratton Park, Pompey head coach Jay Sadler provides his thoughts ahead of Saturday's trip to Sheffield United and then both Britt Jeal and Karl Watson assist in previewing Moneys' upcoming FA Women's National League Plate Final meeting with Cheadle Town Stingers at Arbour Park in Slough.

An analysis of evangelism counseling in American Church History and the Counseling of the Awakened Sinner. How the allegorical picture called the Slough of Despond from Pilgrim's Progress disappeared in counseling after the 1st generation of Princeton Theological Seminary to the modern "Free Grace Movement."

WSDOT crews will temporarily close westbound SR 14 at Camas's Exit 14 to collect samples from the Camas Slough Bridge deck, planning needed paving work for summer. Learn about detours and travel updates for Clark County infrastructure projects. https://www.clarkcountytoday.com/news/overnight-closure-planned-on-westbound-sr-14-camas-slough-bridge-tuesday/ #ClarkCounty #Camas #Transportation #WSDOT #SR14 #Bridge #Roadwork #Traffic #Detour #Infrastructure

An analysis of evangelism counseling in American Church History and the Counseling of the Awakened Sinner. How the allegorical picture called the Slough of Despond from Pilgrim's Progress disappeared in counseling after the 1st generation of Princeton Theological Seminary to the modern "Free Grace Movement."

I Am the Resurrection and the Life | Pastor Toby Slough by Victory City Church

A military governor and his provost marshal—occupation duty in wartime Alexandria, Virginia, paired two unlikely partners, John Slough and Henry Horatio Wells. As we explore our theme of "Rivalries and Partnerships" this year, Madeline Feierstein joins the Emerging Civil War Podcast to explore the highly successful working relationship between Slough and Wells and the profound impact they had on occupation policy throughout the war.The Emerging Civil War Podcast is hosted by Chris Mackowski. This episode is brought to you by Civil War Trails, the world's largest open-air museum, offering more than 1,500 sites across six states. Request a brochure at ⁠⁠⁠⁠⁠civilwartrails.org⁠⁠⁠⁠⁠ to start planning your trip today.

Certains enfants ne vont plus à l'école, d'autres ont cours en sous-sol, d'autres encore font des aller-retours entre les salles de classe et les abris. Comment leur parler de la guerre ? Plongée dans le quotidien d'une institutrice et de ses élèves à Odessa, dans le sud du pays.  Dans l'Ukraine en guerre, l'école se met à l'écoute des enfants  Bientôt quatre ans de guerre en Ukraine, 4 ans que l'invasion russe bouleverse le quotidien des familles, et des enfants. Comment aborder les peurs, les angoisses sans les alimenter, comment garder de la joie dans le quotidien ? Le soir, à table, devant les plus petits, la guerre est souvent un sujet tabou ; et c'est souvent l'école qui initie le dialogue. Théo Renaudon nous ouvre aujourd'hui les portes de l'école primaire n°19 de la ville d'Odessa, où Madame Holikova enseigne aux 10/11 ans. Et comme tous les matins, la journée commence par une minute de silence.    En Slovaquie, le troisième procès des assassins présumés du journaliste slovaque Jan Kuciak débute aujourd'hui C'est l'une des affaires les plus sensibles de l'histoire récente du pays : celle de l'assassinat du journaliste d'investigation Ján Kuciak et de sa compagne, en 2018. Il y a moins d'un an, la Cour suprême avait annulé l'acquittement du principal suspect et un nouveau procès commence donc pour déterminer qui a commandité ce double meurtre. Les précisions de notre correspondant régional, Alexis Rosenzweig.   Robert Burns : un héros national écossais toujours d'actualité En Écosse - et bien au-delà - depuis 225 ans, des millions de personnes se retrouvent fin janvier 2026 pour célébrer le poète et héros national Robert Burns. Elles se réunissent autour d'un repas riche en humour, en poésies, tradition et haggis - cette panse de brebis farcie, qui est au cœur de la célébration. Célébration qui n'oublie pas les idées : de l'égalité des genres à l'autodétermination des peuples, les valeurs démocrates de ce partisan de la Révolution française restent présentes dans les esprits. À Glasgow, le reportage de Thomas Harms.   La chronique de la revue21, avec Guillaume Gendron : plongée au cœur d'une Data City, dans la grisaille anglaise À Slough, à l'ouest de Londres, les fumées blanches ont remplacé les noires émanations de l'industrie. Désormais, la triste ville de la série « The Office » est un « lieu-clé de la connectivité mondiale ». Quelles retombées économiques ? Quel impact environnemental et social ? * Un reportage à découvrir en Kioske et sur le site de la Revue21. Texte : Thomas Andrei, photos : Theo McInnes.

The Truth About Change - Pastor Toby Slough by Victory City Church

Why is Slough twice as productive as Mansfield? What's the secret to reviving the economy in the North? Can we save the high street in 2026? Steph and Robert speak to Andrew Carter, CEO of Centre For Cities, a leading think tank focussed on how to improve the performance of our towns and cities. Email: the⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠restismoney@goalhanger.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ X: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@TheRestIsMoney⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@TheRestIsMoney⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@RestIsMoney⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://⁠⁠⁠goalhanger.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Adam Hurrey is joined on the Adjudication Panel by Charlie Eccleshare and David Walker. On the agenda: the freescoring Dominic Calvert-Lewin passes a very particular threshold, Match of the Day exceeds its goalkeeper pundit quota, Joe Cole somehow morphs into Harry Redknapp on the radio, Michael B Jordan renames AFC Bournemouth, absurd salary-cap developments in the USA... and a tree with Richard Keys's voice. Sign up for Dreamland, the new members-only Football Clichés experience, to access our exclusive new show and much more: https://dreamland.footballcliches.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Episode 87 Dover Beach by Matthew Arnold Mark McGuinness reads and discusses ‘Dover Beach' by Matthew Arnold. https://media.blubrry.com/amouthfulofair/media.blubrry.com/amouthfulofair/content.blubrry.com/amouthfulofair/87_Dover_Beach_by_Matthew_Arnold.mp3 Poet Matthew Arnold Reading and commentary by Mark McGuinness Dover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies fairUpon the straits; on the French coast the lightGleams and is gone; the cliffs of England stand,Glimmering and vast, out in the tranquil bay.Come to the window, sweet is the night-air!Only, from the long line of sprayWhere the sea meets the moon-blanched land,Listen! you hear the grating roarOf pebbles which the waves draw back, and fling,At their return, up the high strand,Begin, and cease, and then again begin,With tremulous cadence slow, and bringThe eternal note of sadness in. Sophocles long agoHeard it on the Aegean, and it broughtInto his mind the turbid ebb and flowOf human misery; weFind also in the sound a thought,Hearing it by this distant northern sea. The Sea of FaithWas once, too, at the full, and round earth's shoreLay like the folds of a bright girdle furled.But now I only hearIts melancholy, long, withdrawing roar,Retreating, to the breathOf the night-wind, down the vast edges drearAnd naked shingles of the world. Ah, love, let us be trueTo one another! for the world, which seemsTo lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain;And we are here as on a darkling plainSwept with confused alarms of struggle and flight,Where ignorant armies clash by night. Podcast Transcript This is a magnificent and haunting poem by Matthew Arnold, an eminent Victorian poet. Written and published at the mid-point of the nineteenth century – it was probably written around 1851 and published in 1867 – it is not only a shining example of Victorian poetry at its best, but it also, and not coincidentally, embodies some of the central preoccupations of the Victorian age. The basic scenario is very simple: a man is looking out at the sea at night and thinking deep thoughts. It's something that we've all done, isn't it? The two tend to go hand-in-hand. When you're looking out into the darkness, listening to the sound of the sea, it's hard not to be thinking deep thoughts. If you've been a long time listener to this podcast, it may remind you of another poet who wrote about standing on the shore thinking deep thoughts, looking at the sea, Shakespeare, in his Sonnet 60: Like as the waves make towards the pebbled shore,So do our minutes hasten to their end; Arnold's poem is not a sonnet but a poem in four verse paragraphs. They're not stanzas, because they're not regular, but if you look at the text on the website, you can clearly see it's divided into four sections. The first part is a description of the sea, as seen from Dover Beach, which is on the shore of the narrowest part of the English channel, making it the closest part of England to France: The sea is calm tonight.The tide is full, the moon lies fairUpon the straits; – on the French coast the lightGleams and is gone; the cliffs of England stand,Glimmering and vast, out in the tranquil bay. And as you can hear, the poem has a pretty regular and conventional rhythm, based on iambic metre, ti TUM, with the second syllable taking the stress in every metrical unit. But what's slightly unusual is that the lines have varying lengths. By the time we get to the third line: Upon the straits; – on the French coast the light There are five beats. There's a bit of variation in the middle of the line, but it's very recognisable as classic iambic pentameter, which has a baseline pattern going ti TUM, ti TUM, ti TUM, ti TUM, ti TUM. But before we get to the pentameter, we get two short lines: The sea is calm tonight.Only three beats; andThe tide is full, the moon lies fair – four beats. We also start to notice the rhymes: ‘tonight' and ‘light'. And we have an absolutely delightful enjambment, where a phrase spills over the end of one line into the next one: On the French coast the light,Gleams and is gone. Isn't that just fantastic? The light flashes out like a little surprise at the start of the line, just as it's a little surprise for the speaker looking out to sea. OK, once he's set the scene, he makes an invitation: Come to the window, sweet is the night-air! So if there's a window, he must be in a room. There's somebody in the room with him, and given that it's night it could well be a bedroom. So this person could be a lover. It's quite likely that this poem was written on Arnold's honeymoon, which would obviously fit this scenario. But anyway, he's inviting this person to come to the window and listen. And what does this person hear? Well, helpfully, the speaker tells us: Listen! you hear the grating roarOf pebbles which the waves draw back, and fling,At their return, up the high strand,Begin, and cease, and then again begin,With tremulous cadence slow, and bringThe eternal note of sadness in. Isn't that just great? The iambic metre is continuing with some more variations, which we needn't go into. And the rhyme is coming more and more to the fore. Just about every line in this section rhymes with another line, but it doesn't have a regular pattern. Some of the rhymes are close together, some are further apart. There's only one line in this paragraph that doesn't rhyme, and that's ‘Listen! You hear the grating roar'. If this kind of shifting rhyme pattern reminds you of something you've heard before, you may be thinking all the way back to Episode 34 where we looked at Coleridge's use of floating rhymes in his magical poem ‘Kubla Khan'. And it's pretty evident that Arnold is also casting a spell, in this case to mimic the rhythm of the waves coming in and going out, as they ‘Begin, and cease, and then again begin,'. And then the wonderful last line of the paragraph, as the waves ‘bring / The eternal note of sadness in'. You know, in the heart of the Victorian Age, when the Romantics were still within living memory, poets were still allowed to do that kind of thing. Try it nowadays of course, and the Poetry Police will be round to kick your front door in at 5am and arrest you. Anyway. The next paragraph is a bit of a jump cut: Sophocles long agoHeard it on the Aegean, and it broughtInto his mind the turbid ebb and flowOf human misery; So Arnold, a classical scholar, is letting us know he knows who Sophocles, the ancient Greek playwright was. And he's establishing a continuity across time of people looking out at the sea and thinking these deep thoughts. At this point, Arnold explicitly links the sea and the thinking:                                     weFind also in the sound a thought,Hearing it by this distant northern sea. And the thought that we hear when we listen to the waves is what Arnold announces in the next verse paragraph, and he announces it with capital letters: The Sea of FaithWas once, too, at the full, and round earth's shoreLay like the folds of a bright girdle furled. And for a modern reader, I think this is the point of greatest peril for Arnold, where he's most at risk of losing us. We may be okay with ‘the eternal note of sadness', but as soon as he starts giving us the Sea of Faith, we start to brace ourselves. Is this going to turn into a horrible religious allegory, like The Pilgrim's Progress? I mean, it's a short step from the Sea of Faith to the Slough of Despond and the City of Destruction. And it doesn't help that Arnold uses the awkwardly rhyming phrase ‘a bright girdle furled' – that's not going to get past the Poetry Police, is it? But fear not; Arnold doesn't go there. What comes next is, I think, the best bit of the poem. So he says the Sea of Faith ‘was once, too, at the full', and then: But now I only hearIts melancholy, long, withdrawing roar,Retreating, to the breathOf the night-wind, down the vast edges drearAnd naked shingles of the world. Well, if you thought the eternal note of sadness was great, this tops it! It's absolutely fantastic. That line, ‘Its melancholy, long, withdrawing roar,' where the ‘it' is faith, the Sea of Faith. And the significance of the line is underlined by the fact that the word ‘roar' is a repetition – remember, that one line in the first section that didn't rhyme? Listen! you hear the grating roar See what Arnold did there? He left that sound hovering at the back of the mind, without a rhyme, until it came back in this section, a subtle but unmistakeable link between the ‘grating roar' of the actual sea at Dover Beach, and the ‘withdrawing roar' of the Sea of Faith: Its melancholy, long, withdrawing roar, Isn't that the most Victorian line ever? It encapsulates the despair that accompanied the crisis of faith in 19th century England. This crisis was triggered by the advance of modern science – including the discoveries of fossils, evidence of mass extinction of previous species, and the theory of evolution, with Darwin's Origin of Species published in 1859, in between the writing and publication of ‘Dover Beach'. Richard Holmes, in his wonderful new biography of the young Tennyson, compares this growing awareness of the nature of life on Earth to the modern anxiety over climate change. For the Victorians, he writes, it created a ‘deep and existential terror'. One thing that makes this passage so effective is that Arnold has already cast the spell in the first verse paragraph, hypnotising us with the rhythm and rhyme, and linking it to the movement of the waves. In the second paragraph, he says, ‘we find also in the sound a thought'. And then in the third paragraph, he tells us the thought. And the thought that he attaches to this movement, which we are by now emotionally invested in, is a thought of such horror and profundity – certainly for his Victorian readers – that the retreat of the sea of faith really does feel devastating. It leaves us gazing down at the naked shingles of the world. The speaker is now imaginatively out of the bedroom and down on the beach. This is very relatable; we've all stood on the beach and watched the waves withdrawing beneath our feet and the shingle being left there. It's an incredibly vivid evocation of a pretty abstract concept. Then, in the fourth and final verse paragraph, comes a bit of a surprise: Ah, love, let us be trueTo one another! Well, I for one was not expecting that! From existential despair to an appeal to his beloved. What a delightful, romantic (with a small ‘r') response to the big-picture, existential catastrophe. And for me, it's another little echo of Shakespeare's Sonnet 60, which opens with a poet contemplating the sea and the passing of time and feeling the temptation to despair, yet also ends with an appeal to the consolation of love: And yet to times in hope my verse shall stand,blockquotePraising thy worth, despite his cruel hand. Turning back to Arnold. He says ‘let us be true / To one another'. And then he links their situation to the existential catastrophe, and says this is precisely why they should be true to each other: for the world, which seemsTo lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain; It sounds, on the face of it, a pretty unlikely justification for being true to one another in a romantic sense. But actually, this is a very modern stance towards romantic love. It's like the gleam of light that just flashed across the Channel from France – the idea of you and me against an unfeeling world, of love as redemption, or at least consolation, in a meaningless universe. In a world with ‘neither joy, nor love, nor light,' our love becomes all the more poignant and important. Of course, we could easily object that, regardless of religious faith, the world does have joy and love and light. His very declaration of love is evidence of this. But let's face it, we don't always come to poets for logical consistency, do we? And we don't have to agree with Matthew Arnold to find this passage moving; most of us have felt like this at some time when we've looked at the world in what feels like the cold light of reality. He evokes it so vividly and dramatically that I, for one, am quite prepared to go with him on this. Then we get the final three lines of the poem:We are here as on a darkling plainSwept with confused alarms of struggle and flight,Where ignorant armies clash by night. I don't know about you, but I find this a little jarring in the light of what we've just heard. We've had the magnificent description of the sea and its effect on human thought, extending that into the idea of faith receding into illusion, and settling on human love as some kind of consolation for the loss of faith. So why do we need to be transported to a windswept plain where armies are clashing and struggling? It turns out to be another classical reference, to the Greek historian Thucydides' account of the night battle of Epipolae, where the two armies were running around in the dark and some of them ended up fighting their own side in the confusion. I mean, fine, he's a classical scholar. And obviously, it's deeply meaningful to him. But to me, this feels a little bit bolted on. A lot of people love that ending, but to me, it's is not as good as some of the earlier bits, or at least it doesn't quite feel all of a piece with the imagery of the sea. But overall, it is a magnificent poem, and this is a small quibble. Stepping back, I want to have another look at the poem's form, specifically the meter, and even more specifically, the irregularity of the meter, which is quite unusual and actually quite innovative for its time. As I've said, it's in iambic meter, but it's not strictly iambic pentameter. You may recall I did a mini series on the podcast a while ago looking at the evolution of blank verse, unrhymed iambic pentameter, from Christopher Marlowe and Shakespeare's dramatic verse, then Milton's Paradise Lost and finally Wordsworth's Tintern Abbey. ‘Dover Beach' is rhymed, so it's not blank verse, but most of the techniques Arnold uses here are familiar from those other poets, with variations on the basic rhythm, sometimes switching the beats around, and using enjambment and caesura (a break or pause in the middle of the line). But, and – this is quite a big but – not every line has five beats. The lines get longer and shorter in an irregular pattern, apparently according to Arnold's instinct. And this is pretty unusual, certainly for 1851. It's not unique, we could point to bits of Tennyson or Arthur Hugh Clough for metrical experiments in a similar vein, but it's certainly not common practice. And I looked into this, to see what the critics have said about it. And it turns out the scholars are divided. In one camp, the critics say that what Arnold is doing is firmly in the iambic pentameter tradition – it's just one more variation on the pattern. But in the other camp are people who say, ‘No, this is something new; this is freer verse,' and it is anticipating free verse, the non-metrical poetry with no set line lengths that came to be the dominant verse form of the 20th century. Personally, I think you can look back to Wordsworth and see a continuity with his poetic practice. But you could equally look forward, to a link with T. S. Eliot's innovations in ‘The Love Song of J. Alfred Prufrock' and The Waste Land. Eliot is often described as an innovator in free verse, which is true up to a point, but a lot of his writing in that early period isn't strictly free verse; it's a kind of broken up metrical verse, where he often uses an iambic metre with long and short lines, which he varies with great intuitive skill – in a similar manner to Arnold's ‘Dover Beach'. Interestingly, when ‘Dover Beach' was first published, the reviews didn't really talk about the metre, which is ammunition for the people who say, ‘Well, this is just a kind of iambic pentameter'. Personally, I think what we have here is something like the well-known Duck-Rabbit illusion, where you can look at the same drawing and either see a duck or a rabbit, depending how you look at it. So from one angle, ‘Dover Beach' is clearly continuing the iambic pentameter tradition; from another angle, it anticipates the innovations of free verse. We can draw a line from the regular iambic pentameter of Wordsworth (writing at the turn of the 18th and 19th century) to the fractured iambic verse of Eliot at the start of the 20th century. ‘Dover Beach' is pretty well halfway between them, historically and poetically. And I don't think this is just a dry technical development. There is something going on here in terms of the poet's sense of order and disorder, faith and doubt. Wordsworth, in the regular unfolding of his blank verse, conveys his basic trust in an ordered and meaningful universe. Matthew Arnold is writing very explicitly about the breakup of faith, and we can start to see it in the breakup of the ordered iambic pentameter. By the time we get to the existential despair of Eliot's Waste Land, the meter is really falling apart, like the Waste Land Eliot describes. So overall, I think we can appreciate what a finely balanced poem Arnold has written. It's hard to categorise. You read it the first time and think, ‘Oh, right, another conventional Victorian melancholy lament'. But just when we think he's about to go overboard with the Sea of Faith, he surprises us and with that magnificent central passage. And just as he's about to give in to despair, we get that glimmering spark of love lighting up, and we think, ‘Well, maybe this is a romantic poem after all'. And maybe Arnold might look at me over his spectacles and patiently explain that actually, this is why that final metaphor of the clashing armies is exactly right. Friend and foe are running in first one direction, then another, inadvertently killing the people on the wrong side. So the simile gives us that sense of being caught in the cross-currents of a larger sweep of history. With all of that hovering in our mind, let's go over to the window once more and heed his call to listen to the sound of the Victorian sea at Dover Beach. Dover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies fairUpon the straits; on the French coast the lightGleams and is gone; the cliffs of England stand,Glimmering and vast, out in the tranquil bay.Come to the window, sweet is the night-air!Only, from the long line of sprayWhere the sea meets the moon-blanched land,Listen! you hear the grating roarOf pebbles which the waves draw back, and fling,At their return, up the high strand,Begin, and cease, and then again begin,With tremulous cadence slow, and bringThe eternal note of sadness in. Sophocles long agoHeard it on the Aegean, and it broughtInto his mind the turbid ebb and flowOf human misery; weFind also in the sound a thought,Hearing it by this distant northern sea. The Sea of FaithWas once, too, at the full, and round earth's shoreLay like the folds of a bright girdle furled.But now I only hearIts melancholy, long, withdrawing roar,Retreating, to the breathOf the night-wind, down the vast edges drearAnd naked shingles of the world. Ah, love, let us be trueTo one another! for the world, which seemsTo lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain;And we are here as on a darkling plainSwept with confused alarms of struggle and flight,Where ignorant armies clash by night. Matthew Arnold Matthew Arnold was a British poet, critic, and public intellectual who was born in 1822 and died in 1888. His father was Thomas Arnold, the famed headmaster of Rugby School. Arnold studied Classics at Oxford and first became known for lyrical, melancholic poems such as ‘Dover Beach', ‘The Scholar-Gipsy', and ‘Thyrsis', that explore the loss of faith in the modern world. Appointed an inspector of schools, he travelled widely and developed strong views on culture, education, and society. His critical essays, especially Culture and Anarchy, shaped debates about the role of culture in public life. Arnold remains a central figure bridging Romanticism and early modern thought. A Mouthful of Air – the podcast This is a transcript of an episode of A Mouthful of Air – a poetry podcast hosted by Mark McGuinness. New episodes are released every other Tuesday. You can hear every episode of the podcast via Apple, Spotify, Google Podcasts or your favourite app. You can have a full transcript of every new episode sent to you via email. The music and soundscapes for the show are created by Javier Weyler. Sound production is by Breaking Waves and visual identity by Irene Hoffman. A Mouthful of Air is produced by The 21st Century Creative, with support from Arts Council England via a National Lottery Project Grant. Listen to the show You can listen and subscribe to A Mouthful of Air on all the main podcast platforms Related Episodes Dover Beach by Matthew Arnold Episode 87 Dover Beach by Matthew Arnold Mark McGuinness reads and discusses ‘Dover Beach' by Matthew Arnold.Poet Matthew ArnoldReading and commentary by Mark McGuinnessDover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies... Recalling Brigid by Orna Ross Orna Ross reads and discusses ‘Recalling Brigid’ from Poet Town. 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A man who needs no introduction: comedian, writer and TV host Jimmy Carr. In this conversation we find out what makes Jimmy tick and hear about his origin story: he tells Gyles about his childhood in Slough, and his close relationship with his charismatic mother. We hear about his dyslexia, and how teachers at school encouraged him to apply to Cambridge. We hear about what, if anything, is off-limits in comedy, and the importance of being present for your children. Gyles and Jimmy also discuss the distinction between charm and charisma. Plus we hear about Jimmy's new movie, Fackham Hall, out in the UK on December 12 2025 (today!) This is a revealing, wise and yes, charming, conversation with one of the most well-known comedians in the UK. In January 2026 Rosebud will be launching their subscribers' club: The Rosebud Family. We'll be giving you more info about this throughout December, so keep listening! Cue the music! Hosted on Acast. See acast.com/privacy for more information.

This week we continue our comprehensive coverage of Frost & Fire V in October 2025 in Ventura, California. We resume the story with The Lord Weird Slough Feg's set, as the guys explain their history with and admiration for this truly unique band. Then we pivot to the preparations for Night Demon's headlining set: the stress, the anxiety, the lost batteries to light up Eugene's eyes in the backdrop. We walk you through Night Demon's performance, from fan anticipation to audio clips to band reactions and impressions.LINKSSlough Feg website - The Lord Weird Slough Feg | Offical Site & Media Portalhttps://bravewords.com/concert-reviews/frost-fire-festival-2025-night-demon-celebrate-pending-hibernation/ Listen at nightdemon.net/podcast or anywhere you listen to podcasts! Follow us on Instagram Like us on Facebook

//The Wire//2300Z December 9, 2025////ROUTINE////BLUF: CONFLICT CONTINUES IN ASIA. HIGH-PROFILE MIGRANT CRIMES INCREASE TENSIONS IN THE UNITED KINGDOM. ONE STUDENT KILLED IN STABBING AT NC HIGH SCHOOL. SHOOTING REPORTED AT KENTUCKY STATE UNIVERSITY.// -----BEGIN TEARLINE------International Events-Southeast Asia: The war between Thailand and Cambodia continues as before, with a few escalations of the conflict occurring overnight. Cambodia has continued rocket attacks, and Thailand has continued shelling random locations in the disputed border region. Thailand struck a few cultural sites and temples in Cambodia yesterday afternoon, with Thai forces also deploying some armored units to the Cambodian side of the border.Analyst Comment: At the moment this is a continuation of the same style of warfare that is often common throughout the third world; both sides conducting massive airstrikes and bombing campaigns, but very few casualties being the result. This is basically an international slap fight where the only real casualties are civilians, which have far outweighed the casualties sustained by combatants on either side so far. Despite the very low ratio of combat deaths to munitions dropped, the fighting this time around is more intense than when the conflict flared up a few months ago, so this conflict does have the potential to get more serious as time goes on.United Kingdom: Tensions remain palpably high following over a dozen high-profile migrant crimes coming to light over the past few days. In the Midlands, 2x Afghans were convicted of brutally assaulting a 15-year-old in a public park in an incident which the authorities have openly admitted to covering up due to civil unrest potential (the suspects' own defense attorney stated that if the video of their attack were to be made public, it would spark a riot). Separately, a different Afghan migrant (identified as Sultani Bakatash) assaulted two girls in Manchester a few days ago.Analyst Comment: Over the weekend, it was also discovered that the wife and children of the current leader of ISIS in Somalia lives in taxpayer-funded housing in Slough, which has inflamed tensions further. Abdul Qadir Mumin was known for encouraging terrorism throughout the U.K. before fleeing to Somalia around a decade ago, leaving his wife and children behind while he wages jihad with about a thousand fighters in Somalia. Mumin was (and still is) a highly-sought target, who the United States has conducted kinetic strikes on several times. Back in 2024, there was speculation that he was killed during a strike in Somalia, however this has been proven to be incorrect over time and his official status remains unknown. This is why there is outrage over this case; this guy is not an ordinary street fighter...he's the actual leader of the ISIS branch for Somalia. The family members that remain in taxpayer-funded housing actually knew of his terrorism-encouraging speeches (he was legendary for these talks before he fled the country). He escaped to Somalia, but his family stayed behind in the UK to receive benefits.-HomeFront-Georgia: State Rep. Sharon Henderson was arrested and indicted on charges of fraud pertaining to her activities during the COVID era. Rep. Henderson is accused of falsifying her employment status so as to obtain special benefits that were made available to those who were forced out of a job due to COVID. In order to get these benefits, she allegedly claimed to be a schoolteacher after actually leaving the job to campaign for the seat that she currently occupies.North Carolina: This afternoon a stabbing was reported at North Forsyth High School, which prompted a lockdown of the local area. Concerning casualties, one student was killed in the attack.Analyst Comment: At the time of this report, this is a developing story so the details will change. Right now it looks like thi

Nearly a year after a lithium-ion battery fire in Moss Landing, we're learning the extent of the damage to nearby Elkhorn Slough, a protected marine estuary. Reporter: Elena Neale-Sacks, KAZU California Attorney General Rob Bonta is joining six other state attorneys in calling out buy-now-pay-later lenders, amid concerns that they're putting consumers at financial risk. Reporter: Francesca Fenzi, KQED Learn more about your ad choices. Visit megaphone.fm/adchoices

Newly published research confirms the January battery fire in Moss Landing released toxic metals into a protected marine estuary. And, an investigation into “Protect Salinas Renters” did not find evidence of wrongdoing in the group's efforts to gather signatures for a petition earlier this year.

Send us a textWhat if the trial you're facing isn't the enemy derailing your life, but the Father reshaping your heart? We open a hard but liberating claim: for Christians, affliction sits under God's providence and moves us toward deeper dependence, not despair. That shift changes how we pray, how we wait, and how we talk about spiritual warfare.We walk through Scripture to ground this view. John 17 frames life as sent ones in a hostile world, kept and sanctified in truth. James points to the prophets and Job to highlight endurance and God's compassionate outcomes. Hebrews 12 delivers the core: discipline marks out sons and yields the peaceable fruit of righteousness. Along the way, Pilgrim's Progress offers a lived picture of endurance, contrasting shallow starts with steady souls who push through the Slough of Despond. And in Job, Eliphaz reminds us that true doctrine can be misapplied; providence is real, but it is not always immediate or visible.The heart of the conversation is chastening: not punishment, but love that guarantees growth. We challenge the habit of crediting the devil for disruptions God uses to sanctify us, and we explore why divine correction never fails its purpose. Jonah's course correction, Jesus' call to relinquish anxiety in Matthew 6, and Paul's reminder in Romans 2 that kindness leads to repentance all converge on one path—training that hurts for a moment and heals for a lifetime. Expect pruning. Expect fruit. Expect joy on the far side of obedience.If this reframes your current storm, lean into it with hope. Subscribe for more conversations on theology lived, share this with someone who needs courage today, and leave a review telling us where God's discipline has grown you. Your story might be the lifeline someone else needs.Support the showBE PROVOKED AND BE PERSUADED!

Pilgrim in the Algorithm: How Digital Echo Chambers Poison Your Faith What would Pilgrim's Progress look like in the digital Age? How do we manage the unique threats Christian must overcome when walking not through the Slough of Despond, but the feed-driven maze of modern algorithms? Our attachment to social media brings with it risks. In an age of outrage, tribalism, provokers, and digital distractions, believers face new versions of Bunyan's ancient dangers—each more subtle and seductive than the last. This talk exposes the poisonous characters hiding in your timeline, reveals how Romans 16 warns us against them, and equips you to walk wisely, innocently, and faithfully toward the Celestial City.

When Christians suffer

Hour 4 Audio from WGIG-AM in Brunswick, GA

Clare joins Earth Scientist and author Anjana Khatwa for a cliffside walk in Dorset exploring the landscapes that shaped her life, and her book The Whispers of Rock – Stories from the Earth. Starting at Spyway Barn near Langton Matravers, the route takes in clifftops, caves, and the fossil-rich coastline, revealing stories of geology and belonging. Anjana shares her journey from growing up in Slough in a traditional Indian family to becoming a leading voice in earth science. From Spyway Barn, at the National Trust car park, they walked down to Dancing Ledge, along the coast path past Winspit Caves, and up to the village of Worth Matravers before heading back to the car park.Grid Reference for Spyway Barn: SY 998 776 Map: OS Explorer 116 – Lyme Regis & BridportPresenter: Clare Balding Producer for BBC Studios: Karen Gregor

SLOW HORSES: SLOUGH HOUSE podcast talk the season finale, Episode 6 where Jackson Lamb shows his 'Scars' Coe's push knife pushes the plot forward, Shirley takes a shot, and MI5 loses a leader. The Slow Horses clean up the mess and leave a big mess in its place! Slow Horses s5 episode 6 'Scars' breakdown on Apple TV Plus! 00:00 Intro 01:45 Catfish's rating 04:39 Bubba's rating 09:00 Call to Action 10:47 Does River deserve to go to the Park? 16:15 Lamb Lines 19:12 Who's the worst? 29:07 Episode Recap & Review 56:59 Triple R: Rowdy Roddy Raunch 57:54 Crown Court Debate 1:03:56 Feedback 1:11:05 Season 6 Trailer Talk It's up to the Slow Horses to stop Farouk's team from completing its mission in a final act of mass carnage. Director Saul Metzstein Writers Mick Herron (based on the book 'London Rules' by) Will Smith (written by) Cast Gary Oldman ... Jackson Lamb Jack Lowden ... River Cartwright Kristin Scott Thomas ... Diana Taverner Saskia Reeves ... Catherine Standish Rosalind Eleazar ... Louisa Guy Christopher Chung ... Roddy Ho Aimee-Ffion Edwards ... Shirley Dander Nick Mohammed ... Mayor Zafar Jaffrey Christopher Villiers ... Dennis Gimball Ruth Bradley ... Emma Flyte Tom Brooke ... JK Coe Jonathan Pryce ... David Cartwright Naomi Wirthner ... Molly Doran Samuel West ... Peter Judd Fady Elsayed ... Kamal Ahmed Elmusrati ... Sami Cherrelle Skeete ... Devon Welles James Callis ... Claude Whelan Abraham Popoola ... Tyson Bowman Victoria Hamilton ... Dodie Gimball Hiba Bennani ... Tara Neil D'Souza ... Vikram Edward Davis ... Rob Trew Sophie Duval ... Sheila Yusuf Chaudhri ... Assassin Adam Samuel-Bal ... Skyline Restaurant Waiter Sara Kestelman ... Lena Tom Hendryk ... Andzej Jennifer Aries ... Ho's Neighbour Bilal Hasna ... Irfan Lula Marsh ... Irfan's Friend Daniel Fearn ... Carl Dallas Campbell ... Newsreader Sunny Dhillon ... Welsh Dog Colin Hoult ... Phil Bally Gill ... Agent Singh Rebecca Dyson-Smith ... Agent Smith Christian Bradley ... Agent Jim Joe Barnes ... Agent Kelly Roxy Faridany ... Agent Grendel Sean Cernow ... Dex Winnit Sarah Daykin ... Police Officer Lisa Sass Krishnan Guru-Murthy ... Debate Moderator Jono Grant ... DJ Producers Iain Canning ... executive producer Nicky Earnshaw ... co-producer Simon Gillis ... co-executive producer Ben Harrison ... line producer Mick Herron ... consultant producer Hakan Kousetta ... executive producer Jamie Laurenson ... executive producer Gail Mutrux ... executive producer Anna O'Malley ... series producer Emile Sherman ... executive producer Will Smith ... executive producer Julian Stevens ... executive producer Douglas Urbanski ... executive producer Graham Yost ... executive producer Composers Daniel Pemberton Toydrum Cinematographer Danny Cohen Editor Zsófia Tálas Casting Melissa Gethin Clarke Nina Gold Production Designer Choi Ho Man Art Directors Oskars Vilnitis-Pantelejevs supervising art director Louise Vogel Costume Designer Guy Speranza #slowhorses #sloughhouse #garyoldman #JackLowden #appletv #appletvplus #tv #television

SLOW HORSES: SLOUGH HOUSE podcast takes Episode 5 to the 'Circus' where a clown lets a honey pot disappear! River & Coe come clean, Lamb makes a house call, and MI5 suffers from blindness. The Slow Horses have one single episode to clean up the mess! Slow Horses s5 episode 5 'Circus' breakdown on Apple TV Plus! 00:00 Intro 01:27 Bubba's rating 03:09 Catfish's rating 06:59 Call to Action 08:06 Does Grandpa Cartwright know more? 10:28 Lamb Lines 15:16 The Terrorists Plot 17:47 Whelan's an Idiot Part 1 27:55 Shirley & Catherine return to Slough House 32:22 River & Coe report in 40:46 Lamb comes knocking 42:14 Whelan's an Idiot Part 2 46:42 Triple R: Rowdy Roddy Raunch 47:22 Crown Court Debate 51:32 Feedback Lamb debriefs River and Coe. Roddy is pulled in to help decipher a piece of code as the destabilization strategy nears its final stage. Director Saul Metzstein Writers Mick Herron (based on the book 'London Rules' by) Will Smith (written by) Cast Gary Oldman ... Jackson Lamb Jack Lowden ... River Cartwright Kristin Scott Thomas ... Diana Taverner Saskia Reeves ... Catherine Standish Rosalind Eleazar ... Louisa Guy Christopher Chung ... Roddy Ho Aimee-Ffion Edwards ... Shirley Dander Nick Mohammed ... Mayor Zafar Jaffrey Christopher Villiers ... Dennis Gimball Ruth Bradley ... Emma Flyte Tom Brooke ... JK Coe Jonathan Pryce ... David Cartwright Naomi Wirthner ... Molly Doran Samuel West ... Peter Judd Fady Elsayed ... Kamal Ahmed Elmusrati ... Sami Cherrelle Skeete ... Devon Welles James Callis ... Claude Whelan Abraham Popoola ... Tyson Bowman Victoria Hamilton ... Dodie Gimball Hiba Bennani ... Tara Neil D'Souza ... Vikram Edward Davis ... Rob Trew Sophie Duval ... Sheila Yusuf Chaudhri ... Assassin Adam Samuel-Bal ... Skyline Restaurant Waiter Sara Kestelman ... Lena Tom Hendryk ... Andzej Jennifer Aries ... Ho's Neighbour Bilal Hasna ... Irfan Lula Marsh ... Irfan's Friend Daniel Fearn ... Carl Dallas Campbell ... Newsreader Sunny Dhillon ... Welsh Dog Colin Hoult ... Phil Bally Gill ... Agent Singh Rebecca Dyson-Smith ... Agent Smith Christian Bradley ... Agent Jim Joe Barnes ... Agent Kelly Roxy Faridany ... Agent Grendel Sean Cernow ... Dex Winnit Sarah Daykin ... Police Officer Lisa Sass Krishnan Guru-Murthy ... Debate Moderator Jono Grant ... DJ Producers Iain Canning ... executive producer Nicky Earnshaw ... co-producer Simon Gillis ... co-executive producer Ben Harrison ... line producer Mick Herron ... consultant producer Hakan Kousetta ... executive producer Jamie Laurenson ... executive producer Gail Mutrux ... executive producer Anna O'Malley ... series producer Emile Sherman ... executive producer Will Smith ... executive producer Julian Stevens ... executive producer Douglas Urbanski ... executive producer Graham Yost ... executive producer   Composers Daniel Pemberton Toydrum  Cinematographer Danny Cohen Editor Zsófia Tálas  Casting Melissa Gethin Clarke Nina Gold Production Designer Choi Ho Man Art Directors Oskars Vilnitis-Pantelejevs supervising art director Louise Vogel Costume Designer Guy Speranza  #slowhorses #sloughhouse #garyoldman #JackLowden #appletv #appletvplus #tv #television

SLOW HORSES: SLOUGH HOUSE podcast kicks the bucket on a shocking Episode 5 'Missiles'. Roddy makes a call, Jackson Lamb opens a door, and the Slow Horses drop in on the candidates! Slow Horses s5 episode 4 'Missiles' breakdown on Apple TV Plus! 00:00 Intro 01:22 Bubba's rating 03:14 Catfish's rating 07:33 Call to Action 09:48 Is River's career over? 12:57 Who's to blame: River or Coe? 14:38 Double O: What smells? 16:47 Lamb Lines 18:04 Roddy at the Park 21:43 The Candidates Prep 23:13 Lamb hunts Tara 26:15 The Terrorists Shop 27:34 Whelan's Scandal 36:45 Shirley & Catherine at Jaffrey rally 41:48 River & Coe at Gimball rally 45:53 Triple R: Rowdy Roddy Raunch 47:05 Which Slow Horse are you? 48:34 Crown Court Debate 52:37 Feedback Flyte sets out to find Roddy's girlfriend. The gang is dispatched to two different campaign events to prevent another attack. Director Saul Metzstein Writers Mick Herron (based on the book 'London Rules' by) Sean Gray (written by) Cast Gary Oldman ... Jackson Lamb Jack Lowden ... River Cartwright Kristin Scott Thomas ... Diana Taverner Saskia Reeves ... Catherine Standish Rosalind Eleazar ... Louisa Guy Christopher Chung ... Roddy Ho Aimee-Ffion Edwards ... Shirley Dander Nick Mohammed ... Mayor Zafar Jaffrey Christopher Villiers ... Dennis Gimball Ruth Bradley ... Emma Flyte Tom Brooke ... JK Coe Samuel West ... Peter Judd Fady Elsayed ... Kamal Ahmed Elmusrati ... Sami Cherrelle Skeete ... Devon Welles James Callis ... Claude Whelan Abraham Popoola ... Tyson Bowman Victoria Hamilton ... Dodie Gimball Hiba Bennani ... Tara Neil D'Souza ... Vikram Edward Davis ... Rob Trew Sophie Duval ... Sheila Yusuf Chaudhri ... Assassin Adam Samuel-Bal ... Skyline Restaurant Waiter Sara Kestelman ... Lena Tom Hendryk ... Andzej Jennifer Aries ... Ho's Neighbour Bilal Hasna ... Irfan Lula Marsh ... Irfan's Friend Daniel Fearn ... Carl Dallas Campbell ... Newsreader Sunny Dhillon ... Welsh Dog Colin Hoult ... Phil Bally Gill ... Agent Singh Rebecca Dyson-Smith ... Agent Smith Christian Bradley ... Agent Jim Joe Barnes ... Agent Kelly Roxy Faridany ... Agent Grendel Sean Cernow ... Dex Winnit Sarah Daykin ... Police Officer Lisa Sass Krishnan Guru-Murthy ... Debate Moderator Jono Grant ... DJ Producers Iain Canning ... executive producer Nicky Earnshaw ... co-producer Simon Gillis ... co-executive producer Ben Harrison ... line producer Mick Herron ... consultant producer Hakan Kousetta ... executive producer Jamie Laurenson ... executive producer Gail Mutrux ... executive producer Anna O'Malley ... series producer Emile Sherman ... executive producer Will Smith ... executive producer Julian Stevens ... executive producer Douglas Urbanski ... executive producer Graham Yost ... executive producer Composers Daniel Pemberton Toydrum  Cinematographer Danny Cohen Editor Zsófia Tálas  Casting Melissa Gethin Clarke Nina Gold Production Designer Choi Ho Man Art Directors Oskars Vilnitis-Pantelejevs supervising art director Louise Vogel Costume Designer Guy Speranza  #slowhorses #sloughhouse #garyoldman #JackLowden #appletv #appletvplus #tv #television

SLOW HORSES: SLOUGH HOUSE podcast breaks down the Slow Horses crew suffering bad petrol and bad gas in Episode 3. Roddy faces his boss' boss, Jackson drops a story and a bomb, and the Dogs let the prey walk out! Slow Horses s5 episode 3 'Tall Tales' breakdown on Apple TV Plus!  00:00 Intro 01:11 Catfish's rating 03:15 Bubba's rating 05:26 Call to Action 07:32 Who's targeted next? 12:03 Double O: What smells? 15:18 Lamb Lines 18:20 Roddy in the Fright Cube 23:45 The Petrol plot 25:24 Whelan Scandal 28:35 The Terrorists Plot 32:24 Slow Horses Escape 39:29 The Mayoral Election 42:12 Triple R: Rowdy Roddy Raunch 45:04 Crown Court Debate 49:42 Feedback An act of sabotage grinds London to a halt. Taverner interrogates Roddy. Coe is convinced a destabilisation strategy is at play. Director Saul Metzstein Writers Mick Herron (based on the book 'London Rules' by) Sean Gray (written by) Cast Gary Oldman ... Jackson Lamb Jack Lowden ... River Cartwright Kristin Scott Thomas ... Diana Taverner Saskia Reeves ... Catherine Standish Rosalind Eleazar ... Louisa Guy Christopher Chung ... Roddy Ho Aimee-Ffion Edwards ... Shirley Dander Nick Mohammed ... Mayor Zafar Jaffrey Christopher Villiers ... Dennis Gimball Ruth Bradley ... Emma Flyte Tom Brooke ... JK Coe Samuel West ... Peter Judd Fady Elsayed ... Kamal Ahmed Elmusrati ... Sami Cherrelle Skeete ... Devon Welles James Callis ... Claude Whelan Abraham Popoola ... Tyson Bowman Victoria Hamilton ... Dodie Gimball Hiba Bennani ... Tara Neil D'Souza ... Vikram Edward Davis ... Rob Trew Sophie Duval ... Sheila Yusuf Chaudhri ... Assassin Adam Samuel-Bal ... Skyline Restaurant Waiter Sara Kestelman ... Lena Tom Hendryk ... Andzej Jennifer Aries ... Ho's Neighbour Bilal Hasna ... Irfan Lula Marsh ... Irfan's Friend Daniel Fearn ... Carl Dallas Campbell ... Newsreader Sunny Dhillon ... Welsh Dog Colin Hoult ... Phil Bally Gill ... Agent Singh Rebecca Dyson-Smith ... Agent Smith Christian Bradley ... Agent Jim Joe Barnes ... Agent Kelly Roxy Faridany ... Agent Grendel Sean Cernow ... Dex Winnit Sarah Daykin ... Police Officer Lisa Sass Krishnan Guru-Murthy ... Debate Moderator Jono Grant ... DJ Producers Iain Canning ... executive producer Nicky Earnshaw ... co-producer Simon Gillis ... co-executive producer Ben Harrison ... line producer Mick Herron ... consultant producer Hakan Kousetta ... executive producer Jamie Laurenson ... executive producer Gail Mutrux ... executive producer Anna O'Malley ... series producer Emile Sherman ... executive producer Will Smith ... executive producer Julian Stevens ... executive producer Douglas Urbanski ... executive producer Graham Yost ... executive producer Composers Daniel Pemberton Toydrum Cinematographer Danny Cohen Editor Zsófia Tálas Casting Melissa Gethin Clarke Nina Gold Production Designer Choi Ho Man Art Directors Oskars Vilnitis-Pantelejevs supervising art director Louise Vogel Costume Designer Guy Speranza #slowhorses #sloughhouse #garyoldman #JackLowden #appletv #appletvplus #tv #television

Welcome, welcome, welcome to the Distraction Pieces Podcast with Scroobius Pip!This week Pip is joined by the wonderful multi talent CHRISTOPHER CHUNG!An ultra inspiring chat featuring the insanely talented Christopher, in a catchup with Pip which goes all across the timeline from the wayback early days to what's coming ahead. He's had a full on action packed journey from his origins in Australia to where he currently finds himself, and there are tons of points where forks in the road presented themselves and could have led to an entirely different life. Thankfull he stayed on track and we all now have some amazing work as a result! From early day singing, making his was to the UK via acting, working alongside national treasure Gary Oldman (and Kathy Burke at one point), meeting his wife in a stage production, playing against 'nerd' stereotypes and so much more, this is one for the appreciators but if you have never seen or heard Christopher before, this will 100% kickstart your new appreciation.SPOILER-ISH SLOW HORSES chat around 37 minutes in if you've just started - a couple of references to seasons 2 and 4, just so you know. Nothing too heavy - merely letting you know.PIP'S PATREON PAGE if you're of a supporting natureINSTAGRAMIMDBSLOW HORSES SEASON 5 TRAILERCALM main linkCALM donate linkSPEECH DEVELOPMENT WEBSTOREPIP TWITCH • (music stuff)PIP INSTAGRAMPIP TWITTERPIP PATREONPIP IMDBPOD BIBLE Hosted on Acast. See acast.com/privacy for more information.

Mikee P. grabs Western Canadian Expert Horseplayer and announcer Murray Slough to break down the Late Pick 4 at Assiniboia Downs on Wednesday, August 20, 2025. The Pick 4 has its usual $1 minimum and a $50,000 minimum.