Podcasts about Slough

Episode 87 Dover Beach by Matthew Arnold Mark McGuinness reads and discusses ‘Dover Beach' by Matthew Arnold. https://media.blubrry.com/amouthfulofair/media.blubrry.com/amouthfulofair/content.blubrry.com/amouthfulofair/87_Dover_Beach_by_Matthew_Arnold.mp3 Poet Matthew Arnold Reading and commentary by Mark McGuinness Dover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies fairUpon the straits; on the French coast the lightGleams and is gone; the cliffs of England stand,Glimmering and vast, out in the tranquil bay.Come to the window, sweet is the night-air!Only, from the long line of sprayWhere the sea meets the moon-blanched land,Listen! you hear the grating roarOf pebbles which the waves draw back, and fling,At their return, up the high strand,Begin, and cease, and then again begin,With tremulous cadence slow, and bringThe eternal note of sadness in. Sophocles long agoHeard it on the Aegean, and it broughtInto his mind the turbid ebb and flowOf human misery; weFind also in the sound a thought,Hearing it by this distant northern sea. The Sea of FaithWas once, too, at the full, and round earth's shoreLay like the folds of a bright girdle furled.But now I only hearIts melancholy, long, withdrawing roar,Retreating, to the breathOf the night-wind, down the vast edges drearAnd naked shingles of the world. Ah, love, let us be trueTo one another! for the world, which seemsTo lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain;And we are here as on a darkling plainSwept with confused alarms of struggle and flight,Where ignorant armies clash by night. Podcast Transcript This is a magnificent and haunting poem by Matthew Arnold, an eminent Victorian poet. Written and published at the mid-point of the nineteenth century – it was probably written around 1851 and published in 1867 – it is not only a shining example of Victorian poetry at its best, but it also, and not coincidentally, embodies some of the central preoccupations of the Victorian age. The basic scenario is very simple: a man is looking out at the sea at night and thinking deep thoughts. It's something that we've all done, isn't it? The two tend to go hand-in-hand. When you're looking out into the darkness, listening to the sound of the sea, it's hard not to be thinking deep thoughts. If you've been a long time listener to this podcast, it may remind you of another poet who wrote about standing on the shore thinking deep thoughts, looking at the sea, Shakespeare, in his Sonnet 60: Like as the waves make towards the pebbled shore,So do our minutes hasten to their end; Arnold's poem is not a sonnet but a poem in four verse paragraphs. They're not stanzas, because they're not regular, but if you look at the text on the website, you can clearly see it's divided into four sections. The first part is a description of the sea, as seen from Dover Beach, which is on the shore of the narrowest part of the English channel, making it the closest part of England to France: The sea is calm tonight.The tide is full, the moon lies fairUpon the straits; – on the French coast the lightGleams and is gone; the cliffs of England stand,Glimmering and vast, out in the tranquil bay. And as you can hear, the poem has a pretty regular and conventional rhythm, based on iambic metre, ti TUM, with the second syllable taking the stress in every metrical unit. But what's slightly unusual is that the lines have varying lengths. By the time we get to the third line: Upon the straits; – on the French coast the light There are five beats. There's a bit of variation in the middle of the line, but it's very recognisable as classic iambic pentameter, which has a baseline pattern going ti TUM, ti TUM, ti TUM, ti TUM, ti TUM. But before we get to the pentameter, we get two short lines: The sea is calm tonight.Only three beats; andThe tide is full, the moon lies fair – four beats. We also start to notice the rhymes: ‘tonight' and ‘light'. And we have an absolutely delightful enjambment, where a phrase spills over the end of one line into the next one: On the French coast the light,Gleams and is gone. Isn't that just fantastic? The light flashes out like a little surprise at the start of the line, just as it's a little surprise for the speaker looking out to sea. OK, once he's set the scene, he makes an invitation: Come to the window, sweet is the night-air! So if there's a window, he must be in a room. There's somebody in the room with him, and given that it's night it could well be a bedroom. So this person could be a lover. It's quite likely that this poem was written on Arnold's honeymoon, which would obviously fit this scenario. But anyway, he's inviting this person to come to the window and listen. And what does this person hear? Well, helpfully, the speaker tells us: Listen! you hear the grating roarOf pebbles which the waves draw back, and fling,At their return, up the high strand,Begin, and cease, and then again begin,With tremulous cadence slow, and bringThe eternal note of sadness in. Isn't that just great? The iambic metre is continuing with some more variations, which we needn't go into. And the rhyme is coming more and more to the fore. Just about every line in this section rhymes with another line, but it doesn't have a regular pattern. Some of the rhymes are close together, some are further apart. There's only one line in this paragraph that doesn't rhyme, and that's ‘Listen! You hear the grating roar'. If this kind of shifting rhyme pattern reminds you of something you've heard before, you may be thinking all the way back to Episode 34 where we looked at Coleridge's use of floating rhymes in his magical poem ‘Kubla Khan'. And it's pretty evident that Arnold is also casting a spell, in this case to mimic the rhythm of the waves coming in and going out, as they ‘Begin, and cease, and then again begin,'. And then the wonderful last line of the paragraph, as the waves ‘bring / The eternal note of sadness in'. You know, in the heart of the Victorian Age, when the Romantics were still within living memory, poets were still allowed to do that kind of thing. Try it nowadays of course, and the Poetry Police will be round to kick your front door in at 5am and arrest you. Anyway. The next paragraph is a bit of a jump cut: Sophocles long agoHeard it on the Aegean, and it broughtInto his mind the turbid ebb and flowOf human misery; So Arnold, a classical scholar, is letting us know he knows who Sophocles, the ancient Greek playwright was. And he's establishing a continuity across time of people looking out at the sea and thinking these deep thoughts. At this point, Arnold explicitly links the sea and the thinking:                                     weFind also in the sound a thought,Hearing it by this distant northern sea. And the thought that we hear when we listen to the waves is what Arnold announces in the next verse paragraph, and he announces it with capital letters: The Sea of FaithWas once, too, at the full, and round earth's shoreLay like the folds of a bright girdle furled. And for a modern reader, I think this is the point of greatest peril for Arnold, where he's most at risk of losing us. We may be okay with ‘the eternal note of sadness', but as soon as he starts giving us the Sea of Faith, we start to brace ourselves. Is this going to turn into a horrible religious allegory, like The Pilgrim's Progress? I mean, it's a short step from the Sea of Faith to the Slough of Despond and the City of Destruction. And it doesn't help that Arnold uses the awkwardly rhyming phrase ‘a bright girdle furled' – that's not going to get past the Poetry Police, is it? But fear not; Arnold doesn't go there. What comes next is, I think, the best bit of the poem. So he says the Sea of Faith ‘was once, too, at the full', and then: But now I only hearIts melancholy, long, withdrawing roar,Retreating, to the breathOf the night-wind, down the vast edges drearAnd naked shingles of the world. Well, if you thought the eternal note of sadness was great, this tops it! It's absolutely fantastic. That line, ‘Its melancholy, long, withdrawing roar,' where the ‘it' is faith, the Sea of Faith. And the significance of the line is underlined by the fact that the word ‘roar' is a repetition – remember, that one line in the first section that didn't rhyme? Listen! you hear the grating roar See what Arnold did there? He left that sound hovering at the back of the mind, without a rhyme, until it came back in this section, a subtle but unmistakeable link between the ‘grating roar' of the actual sea at Dover Beach, and the ‘withdrawing roar' of the Sea of Faith: Its melancholy, long, withdrawing roar, Isn't that the most Victorian line ever? It encapsulates the despair that accompanied the crisis of faith in 19th century England. This crisis was triggered by the advance of modern science – including the discoveries of fossils, evidence of mass extinction of previous species, and the theory of evolution, with Darwin's Origin of Species published in 1859, in between the writing and publication of ‘Dover Beach'. Richard Holmes, in his wonderful new biography of the young Tennyson, compares this growing awareness of the nature of life on Earth to the modern anxiety over climate change. For the Victorians, he writes, it created a ‘deep and existential terror'. One thing that makes this passage so effective is that Arnold has already cast the spell in the first verse paragraph, hypnotising us with the rhythm and rhyme, and linking it to the movement of the waves. In the second paragraph, he says, ‘we find also in the sound a thought'. And then in the third paragraph, he tells us the thought. And the thought that he attaches to this movement, which we are by now emotionally invested in, is a thought of such horror and profundity – certainly for his Victorian readers – that the retreat of the sea of faith really does feel devastating. It leaves us gazing down at the naked shingles of the world. The speaker is now imaginatively out of the bedroom and down on the beach. This is very relatable; we've all stood on the beach and watched the waves withdrawing beneath our feet and the shingle being left there. It's an incredibly vivid evocation of a pretty abstract concept. Then, in the fourth and final verse paragraph, comes a bit of a surprise: Ah, love, let us be trueTo one another! Well, I for one was not expecting that! From existential despair to an appeal to his beloved. What a delightful, romantic (with a small ‘r') response to the big-picture, existential catastrophe. And for me, it's another little echo of Shakespeare's Sonnet 60, which opens with a poet contemplating the sea and the passing of time and feeling the temptation to despair, yet also ends with an appeal to the consolation of love: And yet to times in hope my verse shall stand,blockquotePraising thy worth, despite his cruel hand. Turning back to Arnold. He says ‘let us be true / To one another'. And then he links their situation to the existential catastrophe, and says this is precisely why they should be true to each other: for the world, which seemsTo lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain; It sounds, on the face of it, a pretty unlikely justification for being true to one another in a romantic sense. But actually, this is a very modern stance towards romantic love. It's like the gleam of light that just flashed across the Channel from France – the idea of you and me against an unfeeling world, of love as redemption, or at least consolation, in a meaningless universe. In a world with ‘neither joy, nor love, nor light,' our love becomes all the more poignant and important. Of course, we could easily object that, regardless of religious faith, the world does have joy and love and light. His very declaration of love is evidence of this. But let's face it, we don't always come to poets for logical consistency, do we? And we don't have to agree with Matthew Arnold to find this passage moving; most of us have felt like this at some time when we've looked at the world in what feels like the cold light of reality. He evokes it so vividly and dramatically that I, for one, am quite prepared to go with him on this. Then we get the final three lines of the poem:We are here as on a darkling plainSwept with confused alarms of struggle and flight,Where ignorant armies clash by night. I don't know about you, but I find this a little jarring in the light of what we've just heard. We've had the magnificent description of the sea and its effect on human thought, extending that into the idea of faith receding into illusion, and settling on human love as some kind of consolation for the loss of faith. So why do we need to be transported to a windswept plain where armies are clashing and struggling? It turns out to be another classical reference, to the Greek historian Thucydides' account of the night battle of Epipolae, where the two armies were running around in the dark and some of them ended up fighting their own side in the confusion. I mean, fine, he's a classical scholar. And obviously, it's deeply meaningful to him. But to me, this feels a little bit bolted on. A lot of people love that ending, but to me, it's is not as good as some of the earlier bits, or at least it doesn't quite feel all of a piece with the imagery of the sea. But overall, it is a magnificent poem, and this is a small quibble. Stepping back, I want to have another look at the poem's form, specifically the meter, and even more specifically, the irregularity of the meter, which is quite unusual and actually quite innovative for its time. As I've said, it's in iambic meter, but it's not strictly iambic pentameter. You may recall I did a mini series on the podcast a while ago looking at the evolution of blank verse, unrhymed iambic pentameter, from Christopher Marlowe and Shakespeare's dramatic verse, then Milton's Paradise Lost and finally Wordsworth's Tintern Abbey. ‘Dover Beach' is rhymed, so it's not blank verse, but most of the techniques Arnold uses here are familiar from those other poets, with variations on the basic rhythm, sometimes switching the beats around, and using enjambment and caesura (a break or pause in the middle of the line). But, and – this is quite a big but – not every line has five beats. The lines get longer and shorter in an irregular pattern, apparently according to Arnold's instinct. And this is pretty unusual, certainly for 1851. It's not unique, we could point to bits of Tennyson or Arthur Hugh Clough for metrical experiments in a similar vein, but it's certainly not common practice. And I looked into this, to see what the critics have said about it. And it turns out the scholars are divided. In one camp, the critics say that what Arnold is doing is firmly in the iambic pentameter tradition – it's just one more variation on the pattern. But in the other camp are people who say, ‘No, this is something new; this is freer verse,' and it is anticipating free verse, the non-metrical poetry with no set line lengths that came to be the dominant verse form of the 20th century. Personally, I think you can look back to Wordsworth and see a continuity with his poetic practice. But you could equally look forward, to a link with T. S. Eliot's innovations in ‘The Love Song of J. Alfred Prufrock' and The Waste Land. Eliot is often described as an innovator in free verse, which is true up to a point, but a lot of his writing in that early period isn't strictly free verse; it's a kind of broken up metrical verse, where he often uses an iambic metre with long and short lines, which he varies with great intuitive skill – in a similar manner to Arnold's ‘Dover Beach'. Interestingly, when ‘Dover Beach' was first published, the reviews didn't really talk about the metre, which is ammunition for the people who say, ‘Well, this is just a kind of iambic pentameter'. Personally, I think what we have here is something like the well-known Duck-Rabbit illusion, where you can look at the same drawing and either see a duck or a rabbit, depending how you look at it. So from one angle, ‘Dover Beach' is clearly continuing the iambic pentameter tradition; from another angle, it anticipates the innovations of free verse. We can draw a line from the regular iambic pentameter of Wordsworth (writing at the turn of the 18th and 19th century) to the fractured iambic verse of Eliot at the start of the 20th century. ‘Dover Beach' is pretty well halfway between them, historically and poetically. And I don't think this is just a dry technical development. There is something going on here in terms of the poet's sense of order and disorder, faith and doubt. Wordsworth, in the regular unfolding of his blank verse, conveys his basic trust in an ordered and meaningful universe. Matthew Arnold is writing very explicitly about the breakup of faith, and we can start to see it in the breakup of the ordered iambic pentameter. By the time we get to the existential despair of Eliot's Waste Land, the meter is really falling apart, like the Waste Land Eliot describes. So overall, I think we can appreciate what a finely balanced poem Arnold has written. It's hard to categorise. You read it the first time and think, ‘Oh, right, another conventional Victorian melancholy lament'. But just when we think he's about to go overboard with the Sea of Faith, he surprises us and with that magnificent central passage. And just as he's about to give in to despair, we get that glimmering spark of love lighting up, and we think, ‘Well, maybe this is a romantic poem after all'. And maybe Arnold might look at me over his spectacles and patiently explain that actually, this is why that final metaphor of the clashing armies is exactly right. Friend and foe are running in first one direction, then another, inadvertently killing the people on the wrong side. So the simile gives us that sense of being caught in the cross-currents of a larger sweep of history. With all of that hovering in our mind, let's go over to the window once more and heed his call to listen to the sound of the Victorian sea at Dover Beach. Dover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies fairUpon the straits; on the French coast the lightGleams and is gone; the cliffs of England stand,Glimmering and vast, out in the tranquil bay.Come to the window, sweet is the night-air!Only, from the long line of sprayWhere the sea meets the moon-blanched land,Listen! you hear the grating roarOf pebbles which the waves draw back, and fling,At their return, up the high strand,Begin, and cease, and then again begin,With tremulous cadence slow, and bringThe eternal note of sadness in. Sophocles long agoHeard it on the Aegean, and it broughtInto his mind the turbid ebb and flowOf human misery; weFind also in the sound a thought,Hearing it by this distant northern sea. The Sea of FaithWas once, too, at the full, and round earth's shoreLay like the folds of a bright girdle furled.But now I only hearIts melancholy, long, withdrawing roar,Retreating, to the breathOf the night-wind, down the vast edges drearAnd naked shingles of the world. Ah, love, let us be trueTo one another! for the world, which seemsTo lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain;And we are here as on a darkling plainSwept with confused alarms of struggle and flight,Where ignorant armies clash by night. Matthew Arnold Matthew Arnold was a British poet, critic, and public intellectual who was born in 1822 and died in 1888. His father was Thomas Arnold, the famed headmaster of Rugby School. Arnold studied Classics at Oxford and first became known for lyrical, melancholic poems such as ‘Dover Beach', ‘The Scholar-Gipsy', and ‘Thyrsis', that explore the loss of faith in the modern world. Appointed an inspector of schools, he travelled widely and developed strong views on culture, education, and society. His critical essays, especially Culture and Anarchy, shaped debates about the role of culture in public life. Arnold remains a central figure bridging Romanticism and early modern thought. A Mouthful of Air – the podcast This is a transcript of an episode of A Mouthful of Air – a poetry podcast hosted by Mark McGuinness. New episodes are released every other Tuesday. You can hear every episode of the podcast via Apple, Spotify, Google Podcasts or your favourite app. You can have a full transcript of every new episode sent to you via email. The music and soundscapes for the show are created by Javier Weyler. Sound production is by Breaking Waves and visual identity by Irene Hoffman. A Mouthful of Air is produced by The 21st Century Creative, with support from Arts Council England via a National Lottery Project Grant. Listen to the show You can listen and subscribe to A Mouthful of Air on all the main podcast platforms Related Episodes Dover Beach by Matthew Arnold Episode 87 Dover Beach by Matthew Arnold Mark McGuinness reads and discusses ‘Dover Beach' by Matthew Arnold.Poet Matthew ArnoldReading and commentary by Mark McGuinnessDover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies... Recalling Brigid by Orna Ross Orna Ross reads and discusses ‘Recalling Brigid’ from Poet Town. 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For this Christmas bonus episode, Louis sits down with writer, comedian, and panel-show super-host, Jimmy Carr. Jimmy discusses what lies behind his unique brand of ‘edgy' comedy, why he remained a virgin until the age of 26 and performing at the Riyadh Comedy Festival despite public criticism.   Jimmy's film, ‘Fackham Hall', is out in cinemas now.  Warnings: Strong language and adult themes.     Links/Attachments:  Book: Before & Laughter, Jimmy Carr (2021)  https://www.jimmycarr.com/product/book-laughter/    Fackham Hall (2025)  https://www.imdb.com/title/tt29008225/    Jimmy Carr Tour  https://www.jimmycarr.com/tour/uk-ireland/     Alex Hormozi quote:  https://www.instagram.com/p/DIzTPjPTZB0/     Book: Homo Ludens by Johan Huizinga  https://www.penguinrandomhouse.com/books/203913/homo-ludens-by-johan-huizinga/    Peter McGraw's Benign Violations  https://petermcgraw.org/a-brief-introduction-to-the-benign-violation-theory-of-humor/     Book: Discipline and Punish, Michel Foucault (1975)  https://www.penguin.co.uk/books/13651/discipline-and-punish-by-michel-foucault-trans-alan-sheridan/9780241386019     Bob Monkhouse joke about cancer:  https://www.youtube.com/watch?v=BTUvRW7gtGU    Jimmy Carr: His Dark Material (2021)  https://www.imdb.com/title/tt16259786/     Nadine Dorries' comment about Jimmy Carr joke:  https://www.independent.co.uk/news/uk/nadine-dorries-jimmy-carr-netflix-jewish-roma-b2008317.html     Jimmy Carr's joke about injured soldiers:  https://www.telegraph.co.uk/news/uknews/6486964/Jimmy-Carr-feels-terrible-about-injured-soldiers-joke.html#:~:text=Jimmy%20Carr%20'feels%20terrible'%20about%20injured%20soldiers%20joke     Saint Lawrence, the patron Saint of comedy:  https://www.catholicmom.com/articles/2015/08/10/st-lawrence-patron-saint-of-comedians     TV Show: ‘Game of Thrones' (2011-2019)  https://www.imdb.com/title/tt0944947/     Dave Chappelle quote:  https://btr.michaelkwan.com/2017/03/26/sunday-snippet-dave-chappelle/#:~:text=Posted%20by%20Michael%20Kwan%20%7C%20Mar,Maybe%20it%20was%20something%20else.     TV Show: ‘The Black and White Minstrel Show' (1958-1978)  https://www.imdb.com/title/tt0198065/     TV Show: ‘The Young Ones' (1982-1984)  https://www.imdb.com/title/tt0083505/     Titania McGrath quote:  https://x.com/TitaniaMcGrath/status/1453065592651517964     Musical: We Will Rock You, Ben Elton (2002)  https://wewillrockyoulondon.co.uk/     John Betjeman's Slough poem:  https://allpoetry.com/poem/8493391-Slough-by-Sir-John-Betjeman     TV Show: ‘The Office' (2001-2003)  https://www.imdb.com/title/tt0290978/    Naval Ravikant  https://nav.al/rich     TV Show: 8 Out of 10 Cats Does Countdown (2012 – 2025)  https://www.channel4.com/programmes/8-out-of-10-cats-does-countdown     The Fog of War (2004)  https://tv.apple.com/gb/movie/the-fog-of-war/umc.cmc.3j815y9s5id2nvfztrlfh75il?action=play     Eric Weinstein's Intellectual Dark Web  https://www.whatisemerging.com/videos/inside-the-intellectual-dark-web-eric-weinstein    Hillary Clinton's ‘deplorable' speech:   https://www.bbc.co.uk/news/election-us-2016-37330420     Jordan Peterson on compelled speech  https://www.bbc.co.uk/news/world-us-canada-37875695         Credits:  Producer: Millie Chu   Assistant Producer: Emilia Gill  Production Manager: Francesca Bassett   Music: Miguel D'Oliveira   Audio Mixer: Tom Guest  Video Mixer: Scott Edwards   Shownotes compiled by Elly Young  Executive Producer: Arron Fellows       A Mindhouse Production for Spotify   www.mindhouse.co.uk   Learn more about your ad choices. Visit podcastchoices.com/adchoices

A man who needs no introduction: comedian, writer and TV host Jimmy Carr. In this conversation we find out what makes Jimmy tick and hear about his origin story: he tells Gyles about his childhood in Slough, and his close relationship with his charismatic mother. We hear about his dyslexia, and how teachers at school encouraged him to apply to Cambridge. We hear about what, if anything, is off-limits in comedy, and the importance of being present for your children. Gyles and Jimmy also discuss the distinction between charm and charisma. Plus we hear about Jimmy's new movie, Fackham Hall, out in the UK on December 12 2025 (today!) This is a revealing, wise and yes, charming, conversation with one of the most well-known comedians in the UK. In January 2026 Rosebud will be launching their subscribers' club: The Rosebud Family. We'll be giving you more info about this throughout December, so keep listening! Cue the music! Hosted on Acast. See acast.com/privacy for more information.

This week we continue our comprehensive coverage of Frost & Fire V in October 2025 in Ventura, California. We resume the story with The Lord Weird Slough Feg's set, as the guys explain their history with and admiration for this truly unique band. Then we pivot to the preparations for Night Demon's headlining set: the stress, the anxiety, the lost batteries to light up Eugene's eyes in the backdrop. We walk you through Night Demon's performance, from fan anticipation to audio clips to band reactions and impressions.LINKSSlough Feg website - The Lord Weird Slough Feg | Offical Site & Media Portalhttps://bravewords.com/concert-reviews/frost-fire-festival-2025-night-demon-celebrate-pending-hibernation/ Listen at nightdemon.net/podcast or anywhere you listen to podcasts! Follow us on Instagram Like us on Facebook

//The Wire//2300Z December 9, 2025////ROUTINE////BLUF: CONFLICT CONTINUES IN ASIA. HIGH-PROFILE MIGRANT CRIMES INCREASE TENSIONS IN THE UNITED KINGDOM. ONE STUDENT KILLED IN STABBING AT NC HIGH SCHOOL. SHOOTING REPORTED AT KENTUCKY STATE UNIVERSITY.// -----BEGIN TEARLINE------International Events-Southeast Asia: The war between Thailand and Cambodia continues as before, with a few escalations of the conflict occurring overnight. Cambodia has continued rocket attacks, and Thailand has continued shelling random locations in the disputed border region. Thailand struck a few cultural sites and temples in Cambodia yesterday afternoon, with Thai forces also deploying some armored units to the Cambodian side of the border.Analyst Comment: At the moment this is a continuation of the same style of warfare that is often common throughout the third world; both sides conducting massive airstrikes and bombing campaigns, but very few casualties being the result. This is basically an international slap fight where the only real casualties are civilians, which have far outweighed the casualties sustained by combatants on either side so far. Despite the very low ratio of combat deaths to munitions dropped, the fighting this time around is more intense than when the conflict flared up a few months ago, so this conflict does have the potential to get more serious as time goes on.United Kingdom: Tensions remain palpably high following over a dozen high-profile migrant crimes coming to light over the past few days. In the Midlands, 2x Afghans were convicted of brutally assaulting a 15-year-old in a public park in an incident which the authorities have openly admitted to covering up due to civil unrest potential (the suspects' own defense attorney stated that if the video of their attack were to be made public, it would spark a riot). Separately, a different Afghan migrant (identified as Sultani Bakatash) assaulted two girls in Manchester a few days ago.Analyst Comment: Over the weekend, it was also discovered that the wife and children of the current leader of ISIS in Somalia lives in taxpayer-funded housing in Slough, which has inflamed tensions further. Abdul Qadir Mumin was known for encouraging terrorism throughout the U.K. before fleeing to Somalia around a decade ago, leaving his wife and children behind while he wages jihad with about a thousand fighters in Somalia. Mumin was (and still is) a highly-sought target, who the United States has conducted kinetic strikes on several times. Back in 2024, there was speculation that he was killed during a strike in Somalia, however this has been proven to be incorrect over time and his official status remains unknown. This is why there is outrage over this case; this guy is not an ordinary street fighter...he's the actual leader of the ISIS branch for Somalia. The family members that remain in taxpayer-funded housing actually knew of his terrorism-encouraging speeches (he was legendary for these talks before he fled the country). He escaped to Somalia, but his family stayed behind in the UK to receive benefits.-HomeFront-Georgia: State Rep. Sharon Henderson was arrested and indicted on charges of fraud pertaining to her activities during the COVID era. Rep. Henderson is accused of falsifying her employment status so as to obtain special benefits that were made available to those who were forced out of a job due to COVID. In order to get these benefits, she allegedly claimed to be a schoolteacher after actually leaving the job to campaign for the seat that she currently occupies.North Carolina: This afternoon a stabbing was reported at North Forsyth High School, which prompted a lockdown of the local area. Concerning casualties, one student was killed in the attack.Analyst Comment: At the time of this report, this is a developing story so the details will change. Right now it looks like thi

No Such Thing as the Slough-Dover-Coventry Triangle. Guy Swarbrick, Kirsty Hodson, John Griffiths, Nick Wright and David Faithful share their favourite facts about Alfa Romeo - in the UK (mostly!). A surprising number of Alfa Romeo importers have come and gone within a triangle bounded by former offices and Slough, Dover and the current HQ in Coventry. What's going on?

Nearly a year after a lithium-ion battery fire in Moss Landing, we're learning the extent of the damage to nearby Elkhorn Slough, a protected marine estuary. Reporter: Elena Neale-Sacks, KAZU California Attorney General Rob Bonta is joining six other state attorneys in calling out buy-now-pay-later lenders, amid concerns that they're putting consumers at financial risk. Reporter: Francesca Fenzi, KQED Learn more about your ad choices. Visit megaphone.fm/adchoices

Newly published research confirms the January battery fire in Moss Landing released toxic metals into a protected marine estuary. And, an investigation into “Protect Salinas Renters” did not find evidence of wrongdoing in the group's efforts to gather signatures for a petition earlier this year.

Send us a textWhat if the trial you're facing isn't the enemy derailing your life, but the Father reshaping your heart? We open a hard but liberating claim: for Christians, affliction sits under God's providence and moves us toward deeper dependence, not despair. That shift changes how we pray, how we wait, and how we talk about spiritual warfare.We walk through Scripture to ground this view. John 17 frames life as sent ones in a hostile world, kept and sanctified in truth. James points to the prophets and Job to highlight endurance and God's compassionate outcomes. Hebrews 12 delivers the core: discipline marks out sons and yields the peaceable fruit of righteousness. Along the way, Pilgrim's Progress offers a lived picture of endurance, contrasting shallow starts with steady souls who push through the Slough of Despond. And in Job, Eliphaz reminds us that true doctrine can be misapplied; providence is real, but it is not always immediate or visible.The heart of the conversation is chastening: not punishment, but love that guarantees growth. We challenge the habit of crediting the devil for disruptions God uses to sanctify us, and we explore why divine correction never fails its purpose. Jonah's course correction, Jesus' call to relinquish anxiety in Matthew 6, and Paul's reminder in Romans 2 that kindness leads to repentance all converge on one path—training that hurts for a moment and heals for a lifetime. Expect pruning. Expect fruit. Expect joy on the far side of obedience.If this reframes your current storm, lean into it with hope. Subscribe for more conversations on theology lived, share this with someone who needs courage today, and leave a review telling us where God's discipline has grown you. Your story might be the lifeline someone else needs.Support the showBE PROVOKED AND BE PERSUADED!

Pilgrim in the Algorithm: How Digital Echo Chambers Poison Your Faith What would Pilgrim's Progress look like in the digital Age? How do we manage the unique threats Christian must overcome when walking not through the Slough of Despond, but the feed-driven maze of modern algorithms? Our attachment to social media brings with it risks. In an age of outrage, tribalism, provokers, and digital distractions, believers face new versions of Bunyan's ancient dangers—each more subtle and seductive than the last. This talk exposes the poisonous characters hiding in your timeline, reveals how Romans 16 warns us against them, and equips you to walk wisely, innocently, and faithfully toward the Celestial City.

This week, Jordan and I (Sam) lay our cards on the table re: ALICE IN BORDERLAND, keep up the pace for THE LONG WALK, get organizized with MR. SCORSESE, revoke critical immunity from THE DIPLOMAT - SEASON 3, question the supremacy of GEN V - SEASON 2, investigate the force of TASK, nuke it out with A HOUSE OF DYNAMITE, Slough off SLOW HORSES - SEASON 5 and unlock our jaws for ONE BATTLE AFTER ANOTHER... Viva la Video Village.

Hour 4 Audio from WGIG-AM in Brunswick, GA

Clare joins Earth Scientist and author Anjana Khatwa for a cliffside walk in Dorset exploring the landscapes that shaped her life, and her book The Whispers of Rock – Stories from the Earth. Starting at Spyway Barn near Langton Matravers, the route takes in clifftops, caves, and the fossil-rich coastline, revealing stories of geology and belonging. Anjana shares her journey from growing up in Slough in a traditional Indian family to becoming a leading voice in earth science. From Spyway Barn, at the National Trust car park, they walked down to Dancing Ledge, along the coast path past Winspit Caves, and up to the village of Worth Matravers before heading back to the car park.Grid Reference for Spyway Barn: SY 998 776 Map: OS Explorer 116 – Lyme Regis & BridportPresenter: Clare Balding Producer for BBC Studios: Karen Gregor

SLOW HORSES: SLOUGH HOUSE podcast talk the season finale, Episode 6 where Jackson Lamb shows his 'Scars' Coe's push knife pushes the plot forward, Shirley takes a shot, and MI5 loses a leader. The Slow Horses clean up the mess and leave a big mess in its place! Slow Horses s5 episode 6 'Scars' breakdown on Apple TV Plus! 00:00 Intro 01:45 Catfish's rating 04:39 Bubba's rating 09:00 Call to Action 10:47 Does River deserve to go to the Park? 16:15 Lamb Lines 19:12 Who's the worst? 29:07 Episode Recap & Review 56:59 Triple R: Rowdy Roddy Raunch 57:54 Crown Court Debate 1:03:56 Feedback 1:11:05 Season 6 Trailer Talk It's up to the Slow Horses to stop Farouk's team from completing its mission in a final act of mass carnage. Director Saul Metzstein Writers Mick Herron (based on the book 'London Rules' by) Will Smith (written by) Cast Gary Oldman ... Jackson Lamb Jack Lowden ... River Cartwright Kristin Scott Thomas ... Diana Taverner Saskia Reeves ... Catherine Standish Rosalind Eleazar ... Louisa Guy Christopher Chung ... Roddy Ho Aimee-Ffion Edwards ... Shirley Dander Nick Mohammed ... Mayor Zafar Jaffrey Christopher Villiers ... Dennis Gimball Ruth Bradley ... Emma Flyte Tom Brooke ... JK Coe Jonathan Pryce ... David Cartwright Naomi Wirthner ... Molly Doran Samuel West ... Peter Judd Fady Elsayed ... Kamal Ahmed Elmusrati ... Sami Cherrelle Skeete ... Devon Welles James Callis ... Claude Whelan Abraham Popoola ... Tyson Bowman Victoria Hamilton ... Dodie Gimball Hiba Bennani ... Tara Neil D'Souza ... Vikram Edward Davis ... Rob Trew Sophie Duval ... Sheila Yusuf Chaudhri ... Assassin Adam Samuel-Bal ... Skyline Restaurant Waiter Sara Kestelman ... Lena Tom Hendryk ... Andzej Jennifer Aries ... Ho's Neighbour Bilal Hasna ... Irfan Lula Marsh ... Irfan's Friend Daniel Fearn ... Carl Dallas Campbell ... Newsreader Sunny Dhillon ... Welsh Dog Colin Hoult ... Phil Bally Gill ... Agent Singh Rebecca Dyson-Smith ... Agent Smith Christian Bradley ... Agent Jim Joe Barnes ... Agent Kelly Roxy Faridany ... Agent Grendel Sean Cernow ... Dex Winnit Sarah Daykin ... Police Officer Lisa Sass Krishnan Guru-Murthy ... Debate Moderator Jono Grant ... DJ Producers Iain Canning ... executive producer Nicky Earnshaw ... co-producer Simon Gillis ... co-executive producer Ben Harrison ... line producer Mick Herron ... consultant producer Hakan Kousetta ... executive producer Jamie Laurenson ... executive producer Gail Mutrux ... executive producer Anna O'Malley ... series producer Emile Sherman ... executive producer Will Smith ... executive producer Julian Stevens ... executive producer Douglas Urbanski ... executive producer Graham Yost ... executive producer Composers Daniel Pemberton Toydrum Cinematographer Danny Cohen Editor Zsófia Tálas Casting Melissa Gethin Clarke Nina Gold Production Designer Choi Ho Man Art Directors Oskars Vilnitis-Pantelejevs supervising art director Louise Vogel Costume Designer Guy Speranza #slowhorses #sloughhouse #garyoldman #JackLowden #appletv #appletvplus #tv #television

SLOW HORSES: SLOUGH HOUSE podcast takes Episode 5 to the 'Circus' where a clown lets a honey pot disappear! River & Coe come clean, Lamb makes a house call, and MI5 suffers from blindness. The Slow Horses have one single episode to clean up the mess! Slow Horses s5 episode 5 'Circus' breakdown on Apple TV Plus! 00:00 Intro 01:27 Bubba's rating 03:09 Catfish's rating 06:59 Call to Action 08:06 Does Grandpa Cartwright know more? 10:28 Lamb Lines 15:16 The Terrorists Plot 17:47 Whelan's an Idiot Part 1 27:55 Shirley & Catherine return to Slough House 32:22 River & Coe report in 40:46 Lamb comes knocking 42:14 Whelan's an Idiot Part 2 46:42 Triple R: Rowdy Roddy Raunch 47:22 Crown Court Debate 51:32 Feedback Lamb debriefs River and Coe. Roddy is pulled in to help decipher a piece of code as the destabilization strategy nears its final stage. Director Saul Metzstein Writers Mick Herron (based on the book 'London Rules' by) Will Smith (written by) Cast Gary Oldman ... Jackson Lamb Jack Lowden ... River Cartwright Kristin Scott Thomas ... Diana Taverner Saskia Reeves ... Catherine Standish Rosalind Eleazar ... Louisa Guy Christopher Chung ... Roddy Ho Aimee-Ffion Edwards ... Shirley Dander Nick Mohammed ... Mayor Zafar Jaffrey Christopher Villiers ... Dennis Gimball Ruth Bradley ... Emma Flyte Tom Brooke ... JK Coe Jonathan Pryce ... David Cartwright Naomi Wirthner ... Molly Doran Samuel West ... Peter Judd Fady Elsayed ... Kamal Ahmed Elmusrati ... Sami Cherrelle Skeete ... Devon Welles James Callis ... Claude Whelan Abraham Popoola ... Tyson Bowman Victoria Hamilton ... Dodie Gimball Hiba Bennani ... Tara Neil D'Souza ... Vikram Edward Davis ... Rob Trew Sophie Duval ... Sheila Yusuf Chaudhri ... Assassin Adam Samuel-Bal ... Skyline Restaurant Waiter Sara Kestelman ... Lena Tom Hendryk ... Andzej Jennifer Aries ... Ho's Neighbour Bilal Hasna ... Irfan Lula Marsh ... Irfan's Friend Daniel Fearn ... Carl Dallas Campbell ... Newsreader Sunny Dhillon ... Welsh Dog Colin Hoult ... Phil Bally Gill ... Agent Singh Rebecca Dyson-Smith ... Agent Smith Christian Bradley ... Agent Jim Joe Barnes ... Agent Kelly Roxy Faridany ... Agent Grendel Sean Cernow ... Dex Winnit Sarah Daykin ... Police Officer Lisa Sass Krishnan Guru-Murthy ... Debate Moderator Jono Grant ... DJ Producers Iain Canning ... executive producer Nicky Earnshaw ... co-producer Simon Gillis ... co-executive producer Ben Harrison ... line producer Mick Herron ... consultant producer Hakan Kousetta ... executive producer Jamie Laurenson ... executive producer Gail Mutrux ... executive producer Anna O'Malley ... series producer Emile Sherman ... executive producer Will Smith ... executive producer Julian Stevens ... executive producer Douglas Urbanski ... executive producer Graham Yost ... executive producer   Composers Daniel Pemberton Toydrum  Cinematographer Danny Cohen Editor Zsófia Tálas  Casting Melissa Gethin Clarke Nina Gold Production Designer Choi Ho Man Art Directors Oskars Vilnitis-Pantelejevs supervising art director Louise Vogel Costume Designer Guy Speranza  #slowhorses #sloughhouse #garyoldman #JackLowden #appletv #appletvplus #tv #television

SLOW HORSES: SLOUGH HOUSE podcast kicks the bucket on a shocking Episode 5 'Missiles'. Roddy makes a call, Jackson Lamb opens a door, and the Slow Horses drop in on the candidates! Slow Horses s5 episode 4 'Missiles' breakdown on Apple TV Plus! 00:00 Intro 01:22 Bubba's rating 03:14 Catfish's rating 07:33 Call to Action 09:48 Is River's career over? 12:57 Who's to blame: River or Coe? 14:38 Double O: What smells? 16:47 Lamb Lines 18:04 Roddy at the Park 21:43 The Candidates Prep 23:13 Lamb hunts Tara 26:15 The Terrorists Shop 27:34 Whelan's Scandal 36:45 Shirley & Catherine at Jaffrey rally 41:48 River & Coe at Gimball rally 45:53 Triple R: Rowdy Roddy Raunch 47:05 Which Slow Horse are you? 48:34 Crown Court Debate 52:37 Feedback Flyte sets out to find Roddy's girlfriend. The gang is dispatched to two different campaign events to prevent another attack. Director Saul Metzstein Writers Mick Herron (based on the book 'London Rules' by) Sean Gray (written by) Cast Gary Oldman ... Jackson Lamb Jack Lowden ... River Cartwright Kristin Scott Thomas ... Diana Taverner Saskia Reeves ... Catherine Standish Rosalind Eleazar ... Louisa Guy Christopher Chung ... Roddy Ho Aimee-Ffion Edwards ... Shirley Dander Nick Mohammed ... Mayor Zafar Jaffrey Christopher Villiers ... Dennis Gimball Ruth Bradley ... Emma Flyte Tom Brooke ... JK Coe Samuel West ... Peter Judd Fady Elsayed ... Kamal Ahmed Elmusrati ... Sami Cherrelle Skeete ... Devon Welles James Callis ... Claude Whelan Abraham Popoola ... Tyson Bowman Victoria Hamilton ... Dodie Gimball Hiba Bennani ... Tara Neil D'Souza ... Vikram Edward Davis ... Rob Trew Sophie Duval ... Sheila Yusuf Chaudhri ... Assassin Adam Samuel-Bal ... Skyline Restaurant Waiter Sara Kestelman ... Lena Tom Hendryk ... Andzej Jennifer Aries ... Ho's Neighbour Bilal Hasna ... Irfan Lula Marsh ... Irfan's Friend Daniel Fearn ... Carl Dallas Campbell ... Newsreader Sunny Dhillon ... Welsh Dog Colin Hoult ... Phil Bally Gill ... Agent Singh Rebecca Dyson-Smith ... Agent Smith Christian Bradley ... Agent Jim Joe Barnes ... Agent Kelly Roxy Faridany ... Agent Grendel Sean Cernow ... Dex Winnit Sarah Daykin ... Police Officer Lisa Sass Krishnan Guru-Murthy ... Debate Moderator Jono Grant ... DJ Producers Iain Canning ... executive producer Nicky Earnshaw ... co-producer Simon Gillis ... co-executive producer Ben Harrison ... line producer Mick Herron ... consultant producer Hakan Kousetta ... executive producer Jamie Laurenson ... executive producer Gail Mutrux ... executive producer Anna O'Malley ... series producer Emile Sherman ... executive producer Will Smith ... executive producer Julian Stevens ... executive producer Douglas Urbanski ... executive producer Graham Yost ... executive producer Composers Daniel Pemberton Toydrum  Cinematographer Danny Cohen Editor Zsófia Tálas  Casting Melissa Gethin Clarke Nina Gold Production Designer Choi Ho Man Art Directors Oskars Vilnitis-Pantelejevs supervising art director Louise Vogel Costume Designer Guy Speranza  #slowhorses #sloughhouse #garyoldman #JackLowden #appletv #appletvplus #tv #television

What happens when a complaint over a scale and polish changes everything? For Alif Moosajee, a GDC investigation became the catalyst that transformed him from a dentist flying under the radar into the owner of Oakdale, one of Leicester's most distinctive private practices. This conversation charts his path from undergraduate struggles with imposter syndrome through the crucible of regulatory scrutiny to building a seven-surgery practice rooted in authentic patient care. Along the way, Alif shares hard-won insights about guided implantology, the perils of well poisoners, and why breaking kayfabe—wrestling's term for dropping the performance—might be the most honest thing you can do for your patients. It's a story about choosing growth over comfort, one calculated risk at a time.In This Episode00:01:00 - The Smiling Dentist origins 00:02:20 - Tony Robbins and the power of physiology 00:15:00 - Undergraduate struggles and fixed mindset 00:16:25 - The GDC complaint that changed everything 00:22:20 - Buying Oakdale practice 00:26:40 - Growing up in Slough and choosing dentistry 00:31:55 - Building the practice vision 00:35:20 - Firing the well poisoner 00:38:30 - Custodian of the vision 00:47:00 - The unmeasurable things that matter most 00:53:30 - Surprise and delight tactics 01:00:25 - Contentment versus ambition 01:06:00 - The Tony Robbins business mastery mistake 01:09:00 - Dark days in practice ownership 01:19:00 - Blackbox thinking 01:24:15 - Switching to fully guided implants 01:28:30 - Fantasy dinner party 01:33:55 - Last days and legacyAbout Alif MoosajeeAlif Moosajee studied dentistry at Birmingham and owns Oakdale Dental in Leicester, a seven-surgery private practice where he focuses on implant dentistry and digital workflows. Known as "The Smiling Dentist" from his book published over a decade ago, Alif has built his practice around immediate implant protocols and fully guided surgery following early clinical challenges that reshaped his approach to risk management.

SLOW HORSES: SLOUGH HOUSE podcast breaks down the Slow Horses crew suffering bad petrol and bad gas in Episode 3. Roddy faces his boss' boss, Jackson drops a story and a bomb, and the Dogs let the prey walk out! Slow Horses s5 episode 3 'Tall Tales' breakdown on Apple TV Plus!  00:00 Intro 01:11 Catfish's rating 03:15 Bubba's rating 05:26 Call to Action 07:32 Who's targeted next? 12:03 Double O: What smells? 15:18 Lamb Lines 18:20 Roddy in the Fright Cube 23:45 The Petrol plot 25:24 Whelan Scandal 28:35 The Terrorists Plot 32:24 Slow Horses Escape 39:29 The Mayoral Election 42:12 Triple R: Rowdy Roddy Raunch 45:04 Crown Court Debate 49:42 Feedback An act of sabotage grinds London to a halt. Taverner interrogates Roddy. Coe is convinced a destabilisation strategy is at play. Director Saul Metzstein Writers Mick Herron (based on the book 'London Rules' by) Sean Gray (written by) Cast Gary Oldman ... Jackson Lamb Jack Lowden ... River Cartwright Kristin Scott Thomas ... Diana Taverner Saskia Reeves ... Catherine Standish Rosalind Eleazar ... Louisa Guy Christopher Chung ... Roddy Ho Aimee-Ffion Edwards ... Shirley Dander Nick Mohammed ... Mayor Zafar Jaffrey Christopher Villiers ... Dennis Gimball Ruth Bradley ... Emma Flyte Tom Brooke ... JK Coe Samuel West ... Peter Judd Fady Elsayed ... Kamal Ahmed Elmusrati ... Sami Cherrelle Skeete ... Devon Welles James Callis ... Claude Whelan Abraham Popoola ... Tyson Bowman Victoria Hamilton ... Dodie Gimball Hiba Bennani ... Tara Neil D'Souza ... Vikram Edward Davis ... Rob Trew Sophie Duval ... Sheila Yusuf Chaudhri ... Assassin Adam Samuel-Bal ... Skyline Restaurant Waiter Sara Kestelman ... Lena Tom Hendryk ... Andzej Jennifer Aries ... Ho's Neighbour Bilal Hasna ... Irfan Lula Marsh ... Irfan's Friend Daniel Fearn ... Carl Dallas Campbell ... Newsreader Sunny Dhillon ... Welsh Dog Colin Hoult ... Phil Bally Gill ... Agent Singh Rebecca Dyson-Smith ... Agent Smith Christian Bradley ... Agent Jim Joe Barnes ... Agent Kelly Roxy Faridany ... Agent Grendel Sean Cernow ... Dex Winnit Sarah Daykin ... Police Officer Lisa Sass Krishnan Guru-Murthy ... Debate Moderator Jono Grant ... DJ Producers Iain Canning ... executive producer Nicky Earnshaw ... co-producer Simon Gillis ... co-executive producer Ben Harrison ... line producer Mick Herron ... consultant producer Hakan Kousetta ... executive producer Jamie Laurenson ... executive producer Gail Mutrux ... executive producer Anna O'Malley ... series producer Emile Sherman ... executive producer Will Smith ... executive producer Julian Stevens ... executive producer Douglas Urbanski ... executive producer Graham Yost ... executive producer Composers Daniel Pemberton Toydrum Cinematographer Danny Cohen Editor Zsófia Tálas Casting Melissa Gethin Clarke Nina Gold Production Designer Choi Ho Man Art Directors Oskars Vilnitis-Pantelejevs supervising art director Louise Vogel Costume Designer Guy Speranza #slowhorses #sloughhouse #garyoldman #JackLowden #appletv #appletvplus #tv #television

SLOW HORSES: SLOUGH HOUSE podcast races into Episode 2. Roddy grabs an anime sword, Shirley grabs a needle, the villains grab an assassin's neck, and the Park's dogs grab our heroes! A fast funny Slow Horses s5 episode 2 'Incommunicado' breakdown on Apple TV Plus! 00:00 Intro 01:39 Catfish's rating  03:07 Bubba's rating  05:58 Call to Action 06:46 Why target Roddy Ho?  09:31 Double O: What smells?  12:01 Lamb Lines  15:47 Attack on Roddy Ho's Flat  21:03 River & Coe hunt for Tara 26:53 Update with MI5 31:12 Slow Horses Reunite 32:49 Claude Whelan Compromised 34:52 The Terrorists Plot 37:41 The Park comes to Slough House 43:38 Triple R: Rowdy Roddy Raunch  44:58 Crown Court Debate 48:14 Feedback Lamb intercepts an assassin. Taverner receives a key piece of intel about the Abbotsfield shooting. Director Saul Metzstein Writers Mick Herron (based on the book 'London Rules' by) Will Smith (written by) Cast Gary Oldman ... Jackson Lamb Jack Lowden ... River Cartwright Kristin Scott Thomas ... Diana Taverner Saskia Reeves ... Catherine Standish Rosalind Eleazar ... Louisa Guy Christopher Chung ... Roddy Ho Aimee-Ffion Edwards ... Shirley Dander Nick Mohammed ... Mayor Zafar Jaffrey Christopher Villiers ... Dennis Gimball Ruth Bradley ... Emma Flyte Tom Brooke ... JK Coe Samuel West ... Peter Judd Fady Elsayed ... Kamal Ahmed Elmusrati ... Sami  Cherrelle Skeete ... Devon Welles James Callis ... Claude Whelan Abraham Popoola ... Tyson Bowman Victoria Hamilton ... Dodie Gimball Hiba Bennani ... Tara Neil D'Souza ... Vikram Edward Davis ... Rob Trew Sophie Duval ... Sheila Yusuf Chaudhri ... Assassin Adam Samuel-Bal ... Skyline Restaurant Waiter Sara Kestelman ... Lena Tom Hendryk ... Andzej Jennifer Aries ... Ho's Neighbour Bilal Hasna ... Irfan Lula Marsh ... Irfan's Friend Daniel Fearn ... Carl  Dallas Campbell ... Newsreader Sunny Dhillon ... Welsh Dog Colin Hoult ... Phil Christian Bradley ... Agent Jim Krishnan Guru-Murthy ... Debate Moderator Jono Grant ... DJ Producers Iain Canning ... executive producer Nicky Earnshaw ... co-producer Simon Gillis ... co-executive producer Ben Harrison ... line producer Mick Herron ... consultant producer Hakan Kousetta ... executive producer Jamie Laurenson ... executive producer Gail Mutrux ... executive producer Anna O'Malley ... series producer Emile Sherman ... executive producer Will Smith ... executive producer Julian Stevens ... executive producer Douglas Urbanski ... executive producer Graham Yost ... executive producer Composers Daniel Pemberton Toydrum Cinematographer Danny Cohen Editor Zsófia Tálas Casting Melissa Gethin Clarke Nina Gold Production Designer Choi Ho Man Art Directors Oskars Vilnitis-Pantelejevs supervising art director Louise Vogel Costume Designer Guy Speranza #slowhorses #sloughhouse #garyoldman #JackLowden #appletv #appletvplus #tv #television

Welcome back to SLOW HORSES: SLOUGH HOUSE podcast. In the first episode of Season 5, Roddy's Beats gets smashed, Jackson's peaceful breakfast gets dashed, and Shirley's coke snorting gets crashed by River! Good morning Slow Horses s5 episode 1 'Bad Dates' breakdown on Apple TV Plus! 00:00 Intro 01:27 Bubba's rating 02:46 Catfish's rating 04:50 Call to Action 05:39 Catching up on Slow Horses 07:22 Louisa's goodbye card ranking 09:32 Double O: What smells? 11:59 Triple R: Rowdy Roddy's Raunch 14:22 The Horrific Attack 24:53 The Slow Horses 36:09 Crazy River/Lazy River 38:48 Crown Court Debate An attack rocks London, intensifying a testy mayoral race. Shirley believes one of the Slow Horses was the target of an attempted hit. Director Saul Metzstein Writers Mick Herron (based on the book 'London Rules' by) Will Smith (written by) Cast Gary Oldman ... Jackson Lamb Jack Lowden ... River Cartwright Kristin Scott Thomas ... Diana Taverner Saskia Reeves ... Catherine Standish Rosalind Eleazar ... Louisa Guy Christopher Chung ... Roddy Ho Aimee-Ffion Edwards ... Shirley Dander Nick Mohammed ... Mayor Zafar Jaffrey Christopher Villiers ... Dennis Gimball Ruth Bradley ... Emma Flyte Tom Brooke ... JK Coe Cherrelle Skeete ... Devon Welles James Callis ... Claude Whelan Abraham Popoola ... Tyson Bowman Victoria Hamilton ... Dodie Gimball Hiba Bennani ... Tara Neil D'Souza ... Vikram Edward Davis ... Rob Trew Sophie Duval ... Sheila Yusuf Chaudhri ... Assassin Dallas Campbell ... Newsreader Sunny Dhillon ... Welsh Dog Colin Hoult ... Phil Christian Bradley ... Agent Jim Krishnan Guru-Murthy ... Debate Moderator Jono Grant ... DJ Producers Iain Canning ... executive producer Nicky Earnshaw ... co-producer Simon Gillis ... co-executive producer Ben Harrison ... line producer Mick Herron ... consultant producer Hakan Kousetta ... executive producer Jamie Laurenson ... executive producer Gail Mutrux ... executive producer Anna O'Malley ... series producer Emile Sherman ... executive producer Will Smith ... executive producer Julian Stevens ... executive producer Douglas Urbanski ... executive producer Graham Yost ... executive producer Composers Daniel Pemberton Toydrum Cinematographer Danny Cohen Editor Zsófia Tálas Casting Melissa Gethin Clarke Nina Gold Production Designer  Choi Ho Man Art Directors Oskars Vilnitis-Pantelejevs supervising art director Louise Vogel Costume Designer  Guy Speranza #slowhorses #sloughhouse #garyoldman #JackLowden #appletv #appletvplus #tv #television

Exhibition Review: REFLECTIONS — SANGAT AND THE SELF at without SHAPE without FORM

Welcome, welcome, welcome to the Distraction Pieces Podcast with Scroobius Pip!This week Pip is joined by the wonderful multi talent CHRISTOPHER CHUNG!An ultra inspiring chat featuring the insanely talented Christopher, in a catchup with Pip which goes all across the timeline from the wayback early days to what's coming ahead. He's had a full on action packed journey from his origins in Australia to where he currently finds himself, and there are tons of points where forks in the road presented themselves and could have led to an entirely different life. Thankfull he stayed on track and we all now have some amazing work as a result! From early day singing, making his was to the UK via acting, working alongside national treasure Gary Oldman (and Kathy Burke at one point), meeting his wife in a stage production, playing against 'nerd' stereotypes and so much more, this is one for the appreciators but if you have never seen or heard Christopher before, this will 100% kickstart your new appreciation.SPOILER-ISH SLOW HORSES chat around 37 minutes in if you've just started - a couple of references to seasons 2 and 4, just so you know. Nothing too heavy - merely letting you know.PIP'S PATREON PAGE if you're of a supporting natureINSTAGRAMIMDBSLOW HORSES SEASON 5 TRAILERCALM main linkCALM donate linkSPEECH DEVELOPMENT WEBSTOREPIP TWITCH • (music stuff)PIP INSTAGRAMPIP TWITTERPIP PATREONPIP IMDBPOD BIBLE Hosted on Acast. See acast.com/privacy for more information.

Geoff and Marie's Good Life: Part 13Appetites Vary.Diversity is a good thing.Based on posts by Only In My Mind, in 15 parts. Listen to the Podcast at Explicit Novels.I guided my friend through to join the women and helped him to the head of the table. Megan sat to his right, Lucy to his left. I sat opposite him, Marie to my right, Angie to my left. Rather than a traditional Sunday roast, Megan had ordered a beef wellington with horseradish mashed potatoes, and green vegetables sautéed in garlic butter. The ladies were at ease in their near nudity; Angie having, just about, covered her bare tits with some pointless scrap of translucent fabric.The men, well, we did them the courtesy of admiring them. The conversation was surprisingly normal, by our standards at least. Lucy expressed her gratitude at being offered a place to stay. She was a little overwhelmed when Megan corrected her. Not a place to stay; a home.I shared the photo that Mike had sent me, showing Eddie with his new friend. "He rejected Lucy for HER?" Was Charles' incredulous response. Lucy was more sanguine. As far as she was concerned, Eddie had made his preference clear. In her mind she was already single, with an entire team of people willing to love her and a wealth of emotions that she needed to set out on canvas. That thought also reminded her. The day we christened her studio, she was determined to make a mold of my genitalia, while I was erect."How many castings are you intending to make?" I asked, in all innocence."A dozen or so in latex or silicone rubber for your Harem, or the Coven as Marie refers to us." I shrugged. That seemed a lot but, what the hell.She fell silent for a moment, as though calculating. "And then I thought, because it's such a nice shape, I'd do a limited edition of signed epoxy castings, about a hundred, each numbered and with its own unique marbled pattern."Everyone stopped eating and stared at her. "What?" She seemed defensive. "He only has to make a squiggle. Not his actual name, for pity's sake." She shook her head. "I was going to ask him if I could add a drop of his semen into the epoxy to infuse it with his essence. I could double the asking price then." She looked around the table at each of us in turn. "Well, think about it, anyway," she suggested to my wife and I.We changed the subject to our plans for the wedding and returned to enjoying our meal. For dessert there were individual warm pear frangipanes with brandy ice cream. By the time we had finished, not a morsel was left.We helped to tidy the kitchen and, after sitting and chatting for a little while longer, my three companions dressed and we left, making a short diversion to return the restaurant's delivery boxes. I picked up their home delivery menu on the way out. I was mortified; our meal must have cost our hosts over three hundred pounds. My 'expensive' wine from M and S seemed a bit pathetic by comparison.As we drove home, they discussed, without inviting input from me, my plans for the evening. Apparently, while I pleasured each of them individually in my bed, the other two would discuss the details of our wedding ceremony. We hadn't decided on a date but we needed to have the costumes selected very soon so that we could give the students who were making the outfits the design brief for each guest for their course-work. Lucy was intrigued at the idea of creating some scenic backdrops for the venue as well as helping with prop design. I was content to be well out of it.I'd swallowed one of my little chemical helpers as soon as we got home so, leaving my wife and Lucy to look on-line for inspiration, Angie joined me in bed. "Angie. I promised you a special treat if you earned it. You've earned it today, with Charles. But tonight would you be disappointed if we just made love? No toys, just you and me? Then we can find enough time to really explore your kinky side.""It's a deal," she agreed, unbuttoning my shirt. "You, me and the toy box can wait for another day. I'm okay if it's just the two of us for now."I helped off with her top and we kissed for a while, me savoring the feel of her lace covered tits against my chest. In time, we wanted more so we finished undressing ourselves and I led her to the bed. She sat me at the edge and knelt between my thighs. "I'm doing this because I want to," she reassured me. To be fair, I intended to return the favor, because I also wanted to. Isn't it nice that we have balance in our lives.Angie's oral ministrations were affectionate rather than porn-worthy, intended to show her love rather than display her ability to swallow my entire cock. When she finally took me over the edge, there were no theatrics; no swirling my cum in her mouth. She just quietly swallowed my sperm, cleaned me and looked lovingly up at me. Angie is a complex character. Strong, assertive, willful even. But behind that was a vulnerability, an uncertainty in social interactions. But with Marie and I, she relaxed totally.Pulling her to her feet I made her swap places and I knelt in turn, between her thighs. I repeated her own words to her before I leaned in to taste the nectar between those lips. For ten full minutes I knelt there, kissing her thighs, her mound; running my tongue along her labia and, briefly now and again, tantalizing her clit.As soon as I felt myself harden again, I knew it was time. I stood up and stretched (I'm fairly fit, but the years, and rugby, have taken their toll) then joined her on the bed. We made ourselves comfortable, Angie having decided she wanted 'snuggling' from behind. I indulged her. It isn't the best position for vigorous sex. It isn't the most visually stimulating; but, for screwing someone you love, it has a special languorous intimacy that I cherish. There was no rush for us to climax. My cock was perfectly content to slip slowly back and forth in Angie's slick tunnel.I realized that I was getting close and started to use my hand on her clit. She stopped me. "Take your time, Geoff," she murmured. "I've come once already. This is nice as it is. You need to learn that sometimes we need the intimacy as much as the orgasm."I think I understood. So, instead of our customary race to the finishing line, we kept a slow, tender rhythm until I couldn't hold back any longer and spurted inside her. "See," she murmured. "Wasn't that nice. You came and I could just enjoy the experience without arsing about having to fake an orgasm. This was much more satisfying."We lay for another ten minutes, just talking, before Angie left for the bathroom. I got up and used the shared bathroom then, wearing just my dressing gown, went downstairs. Marie and Lucy were studying our TV, where Marie was casting the images of Star Wars costumes that people had shown an interest in for our wedding. Lucy was trying to decide what outfit appealed to her.I gave Marie a pointed look to suggest the it was her turn upstairs. She shook her head. "Angela is going home tonight and Lucy tells me we're dropping her off at her place. I'm happy to wait until bed-time."Lucy smiled and shook her head too. "If you want me, I'm yours. But I'm content that I've had my ration for today. Tuesday, however, Marie will be at the shop. Would that be a convenient time for you to model for me?"'Model': Now there was an innocent enough expression; slightly less so if you prefixed it with the word, 'penis', for accuracy. Presumably, once the casting was done, my erection wouldn't be allowed to go to waste. So, two birds, one stone; cock casting and studio christening all in one visit. Mr. Efficiency, that's me.I dressed and made us a light supper and we ate once Angie re-joined us. At nine o'clock we left our planning session, having given Lucy some ideas to work with, and I drove her home. Angela and Marie followed us. We shared a bottle of wine, Angie sticking to the one glass, while Lucy showed us the unfinished works in her studio. She pointed to a stack of half a dozen propped against a wall. "I can't finish those," she commented in a flat tone. "I started them while Eddie was pissing me about, but my outlook has changed since, well, you know, and I'm in such a different place now that I don't know where the next brush stroke goes." She picked one up and examined it critically. "This isn't art," she decided. "This is an emotional breakdown on canvas." She made to throw it away. I stopped her. She looked at me in surprise."It's an asset," I reminded her. "If Eddie gets a solicitor and he bids for a share of your works, give him these.""But they aren't finished," she protested."Would Eddie know that?""No, but;”"So," I pointed out, gently. "Keep them. If Eddie plays silly buggers and demands a share of your work as marital assets, you can honestly say these were painted while you were together, the judge would be impressed and you unload these on Eddie.""But they are shit," she argued."And where would Eddie go to unload this shit?"Her eyes widened. "The gallery in town," she gloated. "If Eddie tried to sell them there, Carl, the owner, would check with me for the provenance. I'd tell him the truth and he'd sell them off cheap as unsigned, unfinished, unattributed works; he'd have to. Both to keep me sweet and keep his reputation." The three women exchanged malicious smiles. "I almost hope he tries it," she added. "I'd love to put one over on him one last time."We stayed with her until ten, when she declared that it was time for us to get away and for her to go to bed. Eddie was, fortunately for all of us, still notable by his absence. We left, agreeing to return before eleven the next morning, and Angie dropped Marie and me off on her way home. The two of us followed Lucy's example and went straight to bed.As we cuddled up close, we each asked the other, almost in unison, "Are we still okay?" The fact that we were both concerned more about our spouse's feelings than our own, suggested that we were. Then my wife slipped her nightie off and lay back down next to me. What followed convinced me that we were fine.The next morning, Angie collected us after breakfast and we arrived at Lucy's house about quarter to eleven. By then, the two guys in the van had moved most of the boxes with her clothes out of her bedroom and were starting to empty her studio. They refused our offer of help so we made them a cup of tea and retired to the kitchen out of their way. We were still there twenty minutes later when Megan arrived.Accepting a coffee from Lucy, Megan produced two brown, official looking, envelopes from her bag. They were both addressed to Eddie. The first one she held up had a large figure '1' in the top left corner. "This," she explained. "Is Eddie's formal notice that you have begun divorce proceedings and letting him know that, to comply with the legal requirements, you are now living apart, effective from midnight tonight."She turned her attention to me. "I liked your suggestion that Lucy keeps those depressing unsigned works to hand. We have included our proposals for the fair division of assets and advised Eddie to seek his own legal advice. If he gets greedy, we will have to try to agree a compromise or go to court for a Financial Order. In either of those cases, those works could come in useful."She held up the second envelope, appropriately enough with a figure '2' in the corner. This document," she announced, cheerfully. "Informs your soon-to-be ex-husband that you are waiving your right to occupy, granted by the trust set up for Alison. Your daughter, the de-facto owner, has retained me to act on her behalf to put it on the rental market."She gave a beatific smile that lit up the room. "As Lucy occupied under the terms of the trust, there is no tenancy agreement. Eddie's name appears on none of the utilities so, as far as Alison is concerned, he can pay the commercial rental fee, and stay, or piss off and live with his girlfriend. He certainly hasn't a leg to stand on if he thinks she'll let him live here for free, now that Lucy has moved out.""What will you be asking for the rent?" I asked, just out of interest. She told us. The rest of us sat, slack-jawed, gaping around the table at each other. "How much?" I admit, my voice came out in a less than masculine squeak. She repeated the figure. "That's more than the fucking mortgage would be," I pointed out, then begged Megan to excuse my language."True," Megan conceded, unperturbed by my profanity. "But a landlord has to cover additional contingencies; electrical safety, insurance, maintenance, management fees and the like." She shrugged. "We are actually not stiffing Eddie. If he can't afford to pay, I guarantee we'll have a family in here paying that per month, within three weeks of taking possession.""Eddie can't afford that," Lucy observed, without satisfaction. "Even if he stopped drinking and gambling, he'd barely be able to cover the rent. He'd just about have pennies left to live on.""That's as may be," Megan replied, acerbically. "But much of my professional life has been spent dealing with people who ignored the consequences of their actions." She listed some examples on her fingers. "Drunk drivers, offspring contesting their parents' wills after years of ignoring them, vandals, shoplifters, idiots who thought it was okay to defraud insurance companies and, yes, cheating spouses." She shook her head in despair. "Nobody made them act that way; they made choices, just like Eddie. He could have managed his money instead of blowing it on booze and horses. He could have treated his wife with respect. He did neither; he made his choice, so he gets to own whatever that brings."We were contemplating her words when one of the movers knocked on the kitchen door and announced that they were finished. He suggested that Lucy go through each room before they left, to confirm that the guys had collected everything that she wanted taken. It was a somber moment as we five checked each room in turn."Is there anything of yours in the garage?" I enquired, remembering that Lucy sometimes sculpted in metal.She smiled and shook her head. "I moved my welding gear to Megan's last week. They had room in their garage and I knew that Eddie would never notice that it was gone." She took one more slow look around the living room. "No. That's it. This is Alison's house now. I've lost two husbands here. I won't say that the wrong one died; but I'm close. Fuck it. Let's go."We followed her out and watched as she locked up and gave her keys to Megan. We stood and waved as the two of them got into their cars to follow the van to Lucy's new home. I think we all realized that this day had been long coming, but even knowing that, we still knew that Lucy had to be hurting inside.We three went home. Lucy, Charles and Megan needed time together to reach some sort of accommodation about, well, Lucy's accommodation. Our presence wasn't required. We grabbed a light lunch and I turned the TV on. Dear God! There were adverts on already for Christmas. I turned to my wife to see if she found it as irritating as I did, only to pause at the thoughtful expression on her face."Angie," she said. Our fiancée looked up. "You like stately homes, don't you?" Angie agreed this was, in fact, the case. "Well how do you feel about a trip to Derbyshire?""Because?" Angie prompted."Because I think you'd love Chatsworth," Marie suggested. "And in November there's a Christmas market in the grounds and the house will be beautifully seasonally decorated." My wife turned her attention to me. "Geoffrey?""Sounds good to me," I agreed. "I'll book three tickets.""I'll book us somewhere to stay," Angie offered. "Somewhere nice."So that was agreed. Finishing our lunch, we decided that we ought to get some fresh air, so we went for a stroll together. Marie assumed her place holding my right hand and Angie holding my left. Without really intending to, our return path took us past the pub. We decided that, as we were obviously people of low moral standards, we might as well go in.Tony, the landlord knew us well enough; Marie and her friends are there every other Friday after all. We chatted as he pulled my pint and poured the girls' white wines. I remembered there was a function room upstairs and asked to see it. It didn't take long. It was just a large rectangular room. On the plus side, it had a small, raised stage at the far end and there was a bar near the door. On the other hand, it was a bit tired.Tony saw my expression. "I know," he acknowledged. "It desperately needs repainting, but since Covid, it's been a Catch22. We need new business but we don't have the cash to invest to attract it."I paced out the room and we went back to the lounge. "If the walls were just white," I suggested. "Then you could mount a projection system on the ceiling and have an almost infinite selection of décor for any occasion."My girls listened to our conversation with interest. Tony considered my idea. "So, instead of choosing a color scheme for the room, I just paint it plain white and project whatever the customer wants for their occasion," he mused."Exactly," I agreed. Gender reveals, weddings, kids' themed parties or Goth Halloweens; hit enter on the computer and the room's personalized.""Or Star Wars weddings," Angie contributed. "Nice thinking Geoff."I bowed, modestly. "Peter works in IT," I reminded the girls. "This isn't directly his field but he may know someone who could advise us." I turned back to our host. "Would you be interested if I could find out what an installation like that would entail?"Apparently, he would and, after discussing the practicalities of hosting our celebration there, we resumed our walk home in a rather more excited mood. We were still talking about the logistics when Colin arrived, with Mia in tow, and asked what we were arguing about. We'd moved onto the timing by then. Angie favored March but Marie was concerned that our student friends needed more time to design and create our growing collection of outfits. My wife thought a summer wedding would be nicer, possibly even outdoors. I was on the fence.Colin looked at us with a mixture of surprise and, it hurts me to admit this, disappointment. "Surely you know the date. There's only one day it can be." He looked sadly at our blank stares. "For goodness sake grandpeople. Star Wars Day! May the Fourth."I confess: I hung my head in shame. I glanced at Angie. She was shaking her head, muttering, "So damn obvious that a child could see it. What's wrong with me?"Marie was bemused. "What's going on? What do you mean; Star Wars Day? Is that a thing? Do people send cards?"Mia took pity on her in the face of Colin's despairing silence. "May the Fourth sounds like the Jedi blessing, you know, May the Force be with you," she explained patiently. "May the Fourth; May the Force."Marie 'got it' then. "So if there's one day in the year to do Jedi stuff, it's May the Fourth." She gave a deep sigh. "God! But nerds are weird." She looked fondly at Angie and me. "And I'm stuck with two of them."It was Marie's turn to cook and Colin asked if Mia could eat with us as her mum was working late. Of course, she was welcome and Angie volunteered to help in the kitchen. The two women left us, with Marie making very clear who was in charge as they went.That left me with the two teens. "Homework?" I asked."Did it at lunchtime," answered Colin."Me too," Mia added."Right then. Go amuse yourselves. You can have the TV if you want.""Well Grandad. The thing is; We were talking about 'The Talk', and we have some questions.""Oh you do, do you?" This wasn't quite how I'd visualized this going. "To be honest, I don't think it would be appropriate for me to have that particular discussion with Mia." I turned to address my comments directly to her. "Mia, sweetheart, this is a conversation that you should really be having with your mum. Even if it makes her too uncomfortable and there are no aunts or older female cousins to ask, it should still be a woman you talk to rather than me.""But why?" She asked."Because if anyone found that a man had been discussing sex with a young woman not related to him, they might think that he was grooming her. Can you imagine how being accused of that would change all of our lives?""I suppose so," she conceded."How about this?" I suggested. "You ask your mum the same questions that Colin has for me and you can compare notes. But," I put on my laboratory manager voice. "No personal research!" They nodded, grinning, and I told them to clear off: I'd deal with that problem later. I sloped off to read my book; I felt as though I'd not has a minute to myself in ages.Marie and Angie had excelled themselves. When Linda arrived, we sat down to a dish of roast Mediterranean vegetables served with potato wedges, fetta, pitta bread and smoked garlic mayonnaise. I hadn't heard a single cross word from the kitchen either. The kids demolished their meals and asked for second helpings. Marie made sure that there was some left for Wendy, who was coming to collect Mia on her way h

New “Rough Road” signs and lower speeds are now in place on the SR 14 West Camas Slough Bridge after years of rough pavement. WSDOT says the bridge remains structurally sound, but with limited preservation funding, resurfacing has no timeline. Drivers are urged to slow down and stay alert. https://www.clarkcountytoday.com/news/new-warning-signs-and-lower-speed-limit-on-sr-14-west-camas-slough-bridge/ #CamasWA #SR14 #WSDOT #Transportation #TrafficSafety #BridgeMaintenance #ClarkCountyWA

Mikee P. grabs Western Canadian Expert Horseplayer and announcer Murray Slough to break down the Late Pick 4 at Assiniboia Downs on Wednesday, August 20, 2025. The Pick 4 has its usual $1 minimum and a $50,000 minimum.

Mikee P. grabs Western Canadian Expert Horseplayer and announcer Murray Slough to break down the Late Pick 4 at Assiniboia Downs on Wednesday, August 20, 2025. The Pick 4 has its usual $1 minimum and a $50,000 minimum.

DONATE HERE: https://www.justgiving.com/page/why-callum-fmvssloughfans The bald twins takeover; as Steaky and Dee (sketch show coming to Channel 5 soon) discuss all the shenanigans whilst in Slough - the controversies, the highs and lows, the post-match shenanigans. Well done Callum, well done Slough, and well done for raising so much money for Mind Charity!Oh and some exciting #FM26 News!!DONATE HERE: https://www.justgiving.com/page/why-callum-fmvssloughfans VIVA LA FMT!https://twitch.tv/whycallumOur links:https://linktr.ee/fmtpodhttps://twitch.tv/richowensfmhttps://twitch.tv/jebaroohttps://twitch.tv/deeboiplayshttps://twitch.tv/the_steak_bake

Hope Community Church

Hope Community Church

Toby Slough has learned to find peace through the storms. In 1988, Toby was diagnosed with a panic and anxiety disorder, but rather than let it wreck his faith, God birthed a desire in his heart to see more people find peace and wholeness in their mental health. Toby and his wife founded Goby Ministries to provide books and resources that reframe the conversation around mental health and help people find God's strength in weakness. On this episode, Toby's shares some of his story with Joey Svendsen and Lynne Stroy and the three unpack the need, especially for leaders, to be more transparent in their flawed humanity.  A bonus conversation with Toby and the hosts centers around grace, patience, and judgmental dispositions toward those who inconvenience us—like Joey, when he came very close to accidentally standing up Toby for this episode. Be a Patron of the podcast  for an extended version of this episode. You'll also be supporting Seacoast ministries in local prisons.  On this Episode: Toby Slough I Instagram I Goby Ministries Hosts:  Lynne Stroy / Joey Svendsen  We have a YouTube Channel for videos of all episodes since Jan. 2024. Also we have a Facebook Page for listeners to keep up with the latest news on "Things You Won't Hear on Sunday" Podcast. Producer/Editor/host: Joey SvendsenSound Engineer/Editor: Katelyn Vandiver Be a Patron of the podcast

Join me from the duck boat in a quiet slough where I'm scouting for the upcoming teal season. In this episode, I break down what I'm seeing in the marsh, share the “Comment of the Week” with one positive and one negative take from recent YouTube videos, and wrap things up with Woody's Top 5. Partners of The North American Waterfowler Podcast: • Flight Day Ammunition – 10% off with code FDH10 at flightdayammo.com • Weatherby Shotguns – weatherby.com • Purina Dog Food – purina.com • Mammoth Guardian Dog Crates – Discount code GUARDIAN15, found by searching Mammoth dog crate on Amazon • Shotty Gear – 10% off with code FDH10 at shottygear.com Learn more about your ad choices. Visit megaphone.fm/adchoices

1 Peter 4:1If you've ever been in that muddy hole called the Slough of Despond, you can relate to Christian in The Pilgrim's Progress. Despondency, or the pits, is really pessimism. It's a gloomy, negative attitude, which often comes when we rely on ourselves instead of God. Whenever negative thoughts come knocking, don't open the door. Instead, turn your thoughts to God.

In this episode of Kermode on Film, Mark is joined by three fantastic guests for a lively film conversation, recorded at the BFI Southbank on Monday 10th April 2023.This is Part 1 of Show 79, in which Mark welcomes director Andrew Legge to discuss his innovative debut feature LOLA, a genre-defying Irish-British sci-fi set during World War II. Andrew talks about the creative challenges and joys of shooting the film in a “found footage” style, and about the journey of bringing such a unique vision to the screen.Next up is director Pravesh Kumar, who speaks about his heartfelt debut feature Little English, a comedy-drama set in suburban Slough about family, tradition, and finding your voice.Mark then welcomes actor, writer and improvisational legend Josie Lawrence, who talks about her performance in A Clever Woman, a bold and intimate film created through improvisation.Films and Productions Mentioned in This Episode:LOLA (Andrew Legge)Little English (Pravesh Kumar)A Clever Woman (Jon Sanders)Pakeezah (Kamal Amrohi, 1972)Rosemary's Baby (Roman Polanski, 1968)Merry Christmas Mr Lawrence (Nagisa Ôshima, 1983)Guests in This Episode:Andrew LeggePravesh KumarJosie LawrenceOpening title quotes from:Mary Poppins (Robert Stevenson, Walt Disney Productions – featuring Julie Andrews)Nope (Jordan Peele, Universal Pictures – featuring Keke Palmer)Withnail & I (Bruce Robinson, HandMade Films – featuring Richard E. Grant)The Exorcist (William Friedkin, Warner Bros. – featuring Ellen Burstyn and Linda Blair)These films are essential viewing.Watch them. Love them. Share them.They are masterpieces.MK3D is a production of HLA AgencyThis episode was edited by Alex Archbold Jones© HLA Agency Hosted on Acast. See acast.com/privacy for more information.

Football Manager Community vs Slough Town LOLLUJO & WHYCALLUM The FM Show Podcast Its time to announce the biggest Football Manager charity match, and its taking place at Slough Town on August 16th. WhyCallum makes his debut on The FM Show to talk about a project where he's managed to bring 17 Football Manager creators together to take on a team of Slough fans in a charity match immediately before Slough start their league campagin. The match will be raising money for MIND, and the FM squad will feature all the cast of The FM Show, plus its manager has quite a pedigree. Kevvy 8 Times, Lollujo is in the dugout calling the shots, so its an absolute pleasure to have Lollujo with us on the show to promote the event also. If you'd like to buy tickets for the event, click here https://sloughtownfc.net/article/3626/Charity-match-at-Arbour-Park-for-MIND If you want to join the Slough match discord to organise travel or make some friends prior to the game, click here https://discord.gg/JawdJDWJzr If you've enjoyed todays show, please leave a like on the video and consider hitting subscribe to the channel. Also leave a comment about your favourite part of the episode. Support us on Patreon and join the The FM Show squad! Enjoy early access to our public episodes, bonus weekly episodes, exclusive content, and you get access to secret channels on our Discord for just £3 a month! Sign up now: http://www.patreon.com/TheFMShowPod WE HAVE MERCH! https://httpsthefmshowpod.creator-spring.com/ Treat yourself to some merch. We've got tees, sweatshirts, hoodies, and are personal favourite, the legends tee. Follow Our Socials https://www.youtube.com/channel/UCJwruCy5lH44iFcyE150oeg http://www.twitter.com/thefmshowpod https://www.tiktok.com/@thefmshowpod http://www.instagram.com/thefmshowpod Join the Discord: https://discord.gg/TKPCUEZDvt Listen Now Spotify: https://open.spotify.com/show/6t7BLXSECt0y9AWHU1WgRj Apple: https://podcasts.apple.com/gb/podcast/the-fm-show-a-football-manager-podcast/id1698580502 Amazon: https://a.co/d/9hJSX0U Tony Jameson http://www.tonyjameson.co.uk http://www.twitter.com/tonyjameson http://www.instagram.com/tonyjameson https://www.tiktok.com/@tonyjamesonfm https://www.facebook.com/tonyjamesonfm http://twitch.tv/tonyjamesonfm https://www.youtube.com/@tonyjamesonFM RDF Tactics https://www.rdftactics.com http://www.twitter.com/rdftactics http://www.instagram.com/rdftactics http://twitch.tv/rdftactics http://www.youtube.com/@RDFTactics Si Maggio http://www.twitter.com/simaggioFM http://www.twitch.tv/simaggio https://www.youtube.com/@SiMaggio WhyCallum http://www.twitch.tv/whycallum http://www.twitter.com/whycallum_ Football Shirt Social http://www.twitter.com/footyshirtsoc https://www.youtube.com/watch?v=a0FIqZvpICI The Football Manager podcast for all of your Football Manager needs. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hour 4 Audio from WGIG-AM and FM in Brunswick, GA

A new episode of FMT? In THIS economy?Join Rich, Dee and Steaky as they talk you through what's bene going on in their digital worlds this week.On this episode, we're joined by FMT alumni / royalty / all round good egg Callum for a podcast in thjree parts.Chapter 1: The Lionesses and how brilliant they areChapter 2 : Callum's FM meet-up and charity football match on August 16th at Slough townChapter 3: It all goes a bit (read: A LOT) off the rails. Squirrels. White Dog Poo. Just gets odd.VIVA LA FMT!Our links:linkre.ee/fmtpodCallum's links:twitch.tv/whycallumx.com/whycallum_Cupburger Mutual Aid:https://www.cupburger.org/https://opencollective.com/cupburger

WHAT IF HUMANISM REALLY HAD ITS WAY? Welcome to God’s Love for the Unlovable and Gospel Rant series and format. We are calling the series Vagabond Diaries. We want it to be fun, informative, and life-changing—something that you would find valuable to pass on to others and laugh and cry together a bit. In today’s Vagabond Diary, a tip of the hat to Bunyan’s Pilgrim’s progress, we will meet Pilgrim. He has stumbled into the Slough of Flatness where he meets the Humanist. Let’s have some fun. Welcome to God’s Love for the Unlovable and Gospel Rant.Support The Show: https://www.gospelrant.com/ Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.

In this special episode of Florida Uncut, we're bringing you our first-ever live recording, captured this past weekend at the Wild Space Gallery in St. Pete.The conversation centers around the behind-the-scenes efforts that brought the Florida Wildlife Corridor Foundation's 2024 expedition film to life. Every two years, the Foundation leads a week-long journey, on foot, bike, and water, through a region of the Corridor that needs greater public awareness and protection.This year's expedition took place in Southwest Florida, tracing a route from the Western Everglades to the Caloosahatchee River, an infamously challenging crossing point for the endangered Florida Panther.Our panel features several team members (Ethan Coyle, Alex Freeze, and Joe Whalen) who helped make the expedition possible. You'll hear untold stories from the trail, hilarious moments of gear failure, and candid reflections on the logistics, challenges, and triumphs that didn't make it into the final film.If you're near St. Pete, be sure to check out the companion gallery exhibit, “Blazing the Trail: From Strand to Slough,” on display at the Wild Space Gallery through August 30. The exhibit dives deeper into the people, process, and wild beauty behind the making of this year's expedition film. I want to give an enormous thank you to Ethan, Alex, and Joe for the amazing conversation. I love working with them. I want to also especially thank Leslie Elsasser, Noel Smith, Kat Duval, and Tony Palms for opening up the Wild Space Gallery to tell these stories and for the opportunity to host our first live podcast. I am so thankful and still buzzing from the experience! Wild Space Gallery on Google Maps. Don't miss it! Be sure to come check out the exhibit by August 30th. The gallery is open Wed-Sat 2-6pm. Also, mark you calendars for the film premiere of our expedition on September 18th at the Tampa Theater.

This seven-week series will explore the warnings in the Book of Proverbs regarding seven destructive traits: anger, apathy, pride, fear, bitterness, slander, and distraction. Each week, we will discuss how to recognize these obstacles in our lives and provide biblical guidance on how to navigate around them.•NEXT STEPS- Have you made a decision to follow Jesus? You may be wondering what's next on your journey. We want to help! Let us guide you to your next steps in your walk with Christ: https://atmosphere.church/new-to-faith•JOIN A LIFE GROUP- Find the community you've been looking for. Discover the prayer warriors waiting to stand with you. If you're interested in joining or starting a Life Group, visit https://atmosphere.church/life-groups•ABOUT ATMOSPHERE.CHURCH- Wherever you are in life, you have a purpose. Atmosphere.Church wants to help you find your next step. Our hope is that your journey will include joining us in-person at our location in Thousand Oaks, California or globally online at https://atmosphere.church/watch•For the best experience connecting with us, download the Atmosphere.Church app at https://qrco.de/atmosphere-ca

A new MP3 sermon from The Narrated Puritan is now available on SermonAudio with the following details: Title: Help - At the Slough of Despond-Pictures From Pilgrim's Progress Subtitle: Pilgrim's Progress Speaker: C. H. Spurgeon Broadcaster: The Narrated Puritan Event: Audiobook Date: 6/24/2025 Length: 19 min.

John Bunyan, whom we shall see to be the master of Christian experience as well as of holy allegory has, in the passage at the head of this chapter, described a part of the work of these "helps" which is most valuable, and most required. "The man whose name was Help" came to Christian when he was floundering in the foul morass of despondency.

Would you like to attend a live recording of Florida Uncut? Be sure to save the date of July 12, 5–9 PM for a new exhibition "Blazing the Trail: From Strand to Slough" and a live recording of "Wild Takes: Florida Uncut Podcast Live" from 5-8pm at the Wild Space Gallery in St. Pete! I'll be there interviewing the folks behind the scenes of the Florida Wildlife Corridor Foundation's last expedition, and upcoming film. In this episode, we catch up with Joe Howard, one of the original trekkers on the O2O: Path to Connection expedition. Joe reflects on his journey across the Ocala to Osceola Wildlife Corridor, an ambitious, 57-mile boots-on-the-ground adventure aimed at raising awareness for one of the most critical wildlife linkages in Florida.We're speaking with Joe, a career Florida state parks manager, nearly two years after the trek because the story didn't end on the trail. Just last week, the Florida Cabinet approved a major land acquisition in the O2O region, securing nearly 78,000 acres of high-priority conservation land. It's a huge victory for Florida's Wildlife Corridor, and for the vision Joe and the O2O team helped bring to life.Tune in as we talk with Joe about the power of storytelling, what it meant to be part of the expedition, and how it feels to see real policy action happen in a place he walked to protect.Watch O2O: Path to Connection hereRead more about the approved funding for the 77,877 acres of land here. 

Morse code transcription: vvv vvv Woman charged 4,586 for two hour car park stay in Slough Shared ownership It was sold as a dream but became a nightmare Trump told Israel not to kill Irans supreme leader Blaise Metreweli appointed as MI6s first female chief Suffolk MP Patrick Spencer pleads not guilty to sexual assault Air India Investigators find cockpit voice recorder from crashed plane Bat Yam Israelis back conflict with Iran in neighbourhood struck by missile Lower Thames Crossing project awarded 590m by Rachel Reeves Man suspected of shooting Minnesota lawmakers arrested after huge manhunt Man and woman who died while skydiving in Devon named

Catherine returns on a flying visit from the Canary Islands to tell us all about the luxury of an actor's life. Meanwhile, Helen is looking forward to a few weeks in Croydon and Slough...NEW MERCH: www.trustyhogs.com/merchThank you so much for listening!Support us at www.patreon.com/TrustyHogs for exclusive bonus content, merch, and more!Trust us with your own problems and questions... TrustyHogs@gmail.comPlease give us a follow @TrustyHogs on all socialsBe sure to subscribe and rate us (unless you don't like these little piggies - 5 Stars only!)All links: https://audioalways.lnk.to/trustyhogsSNThank you to our Patreon supporters...EXECUTIVE PRODUCERS: Guy Goodman / Simon Moores / Stefanie Catracchia / Oliver Jago / Anthony Conway / Neil Redmond / Angela S / Sadie Cashmore / Sarah Deakin / Amanda McCall / Charlie WeemesPRODUCERS: Elle / Richard Bald / Harald van Dijk / Tim & Dom / David Walker / Rachel R / Claire Owen-Jones / Sarah & Molly / Raia Fink / Cordelia / Rachel Page / Helen A / Tina Linsey / Amy O'Riordan / Abbie Worf / Matt Sims / Luke Bright / Leah / Kate / Liz Fort / Taz / Anthony / Klo / Becky Fox / Dean Michael / Sophie Chivers / Carey Seuthe / Charley A / KC / Jam Rainbird / Tamsyne Smith-Harding / Ezra Peregrine / Bryn / Laura Pollock / Leah Overend / Steven Chicken / Hayley Singer / Dougie RobertsonWith Helen Bauer (Daddy Look at Me, Live at the Apollo) & Catherine Bohart (Roast Battle, Mock the Week, 8 Out of 10 Cats)FOLLOW HELEN, CATHERINE & ANDREW...@HelenBaBauer@CatherineBohart@StandUpAndrew Hosted on Acast. See acast.com/privacy for more information.

What's in a name? Rather a lot, as Jane and Fi discover in this email-only episode. They also discuss gardening, Slough, Bruce Springsteen, and Laura Ashley. Plus, they read out your responses to an email from Thursday's episode... And if you fancy sending us a postcard, the address is:Jane and FiTimes Radio, News UK1 London Bridge StreetLondonSE1 9GFIf you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioThe next book club pick has been announced! We'll be reading Leonard and Hungry Paul by Rónán Hession. Follow us on Instagram! @janeandfi Podcast Producer: Eve Salusbury Executive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

Episode 143 of the Destination Angler Fly Fishing Podcast – May 8, 2025 Our destination is SW Montana and Yellowstone country veteran outfitter and dry fly aficionado, Walter Wiese, Yellowstone Country Fly Fishing, Livingston, Montana.  We explore the aftermath of the massive 2022 flood and how it's changed—or not—some of the most iconic rivers in the West, like the Yellowstone, Lamar, and Slough Creek, the Madison, Gallatin, and more.  Which ones bounced back? Which ones are still healing? And what can you expect if you go?  Along the way, he shares dry fly wisdom, his own go-to patterns, and hot tips on indicator fishing.  Plus, stories of salmon fly eating grizzlies, swimming buffalos, and a client you can't believe.   With host, Steve Haigh Be the first to know about new episodes.  Become a subscriber  Destination Angler on YouTube Contact Walter:       https://flyfishmontana.biz/   |Facebook @ycflyfishing   Instagram @yellowstonecountryflyfishing | YouTube @YellowstoneCountryFlyFishing Destination Angler Podcast:   Website YouTube Instagram & Facebook  @DestinationAnglerPodcast  Please check out our Sponsors: Facebook @troutinsights Instagram @TroutRoutes    Adamsbuilt Fishing  THE trusted source for quality fly fishing gear, built to last at an affordable price. Waders, Nets, Outerwear.  Facebook & Instagram @Adamsbuilt Got Fishing  Crafting world-class fly-fishing adventures specially designed to your level of experience and budget.    Facebook @GotFishingAdventures Instagram @GotFishing  TroutRoutes  Podcast listeners can try one month of TroutRoutes PRO for FREE by clicking the link in the episode description. Explore your water with TroutRoutes today.   Get 1 Month Free   Comments & Suggestions:  host, Steve Haigh, email shaigh@DestinationAnglerPodcast.com Available on Apple, Spotify, or wherever you get your podcasts. Recorded March 27, 2025

Merriam-Webster's Word of the Day for April 23, 2025 is: slough • SLUFF • verb Slough is a formal verb used for the action of getting rid of something unwanted. It is usually used with off. Slough can also mean "to lose a dead layer of (skin)" or "to become shed or cast off." // The editorial urges the mayor not to slough off responsibility for the errors in the report. // The exfoliating cleanser promises to gently slough away dead skin cells. See the entry > Examples: "Before she left her apartment, she gathered and washed some in a bowl. Then she drew a bath and soaked for a while, eating the figs one by one, swallowing even the hard stems. The steam and water loosened her tense muscles, and her aches started to vanish. She scrubbed herself until the dead skin sloughed off, and underneath, she was new." — Sally Wen Mao, Ninetails: Nine Tales, 2024 Did you know? There are two verbs spelled slough in English, as well as two nouns, and both sets have different pronunciations. The first noun, referring to a swamp or a discouraged state of mind, is pronounced to rhyme with either blue or cow. Its related verb, which can mean "to plod through mud," has the same pronunciation. The second noun, pronounced to rhyme with cuff, refers to the shed skin of a snake (as well as anything else that has been cast off). Its related verb describes the action of shedding or eliminating something, just like a snake sheds its skin. This slough comes from Middle English slughe and is related to slūch, a Middle High German word meaning "snakeskin."

Merriam-Webster's Word of the Day for April 23, 2025 is: slough • SLUFF • verb Slough is a formal verb used for the action of getting rid of something unwanted. It is usually used with off. Slough can also mean "to lose a dead layer of (skin)" or "to become shed or cast off." // The editorial urges the mayor not to slough off responsibility for the errors in the report. // The exfoliating cleanser promises to gently slough away dead skin cells. See the entry > Examples: "Before she left her apartment, she gathered and washed some in a bowl. Then she drew a bath and soaked for a while, eating the figs one by one, swallowing even the hard stems. The steam and water loosened her tense muscles, and her aches started to vanish. She scrubbed herself until the dead skin sloughed off, and underneath, she was new." — Sally Wen Mao, Ninetails: Nine Tales, 2024 Did you know? There are two verbs spelled slough in English, as well as two nouns, and both sets have different pronunciations. The first noun, referring to a swamp or a discouraged state of mind, is pronounced to rhyme with either blue or cow. Its related verb, which can mean "to plod through mud," has the same pronunciation. The second noun, pronounced to rhyme with cuff, refers to the shed skin of a snake (as well as anything else that has been cast off). Its related verb describes the action of shedding or eliminating something, just like a snake sheds its skin. This slough comes from Middle English slughe and is related to slūch, a Middle High German word meaning "snakeskin."