Podcast appearances and mentions of jenni brandon

Playwright Oliver Mayer joined us before the premiere of his new play Ghost Waltz. Oliver shares his experience writing operas, the medium's influence on his playwriting and the musicality of English as well as the intimacy of theatre and creative control, the after affects of "crashing into the wall. We also explore writing rituals, interruptions, reframing your story, breaking bad habits and the dangers of wit, where to start a scene and "when the mask falls," and wrap things up with dialogue and stage directions, the rules of twos and threes, the use of music, translating works, and saving (L.A.) theatre and nontraditional venues. It was certainly another page in the lesson books for me. I hope you walk away with something insightful. Enjoy.Oliver Mayer is a playwright, poet, essayist and librettist, whose newest opera 3 Paderewskis, composed by Jenni Brandon, received its world premiere at Washington D.C.'s Kennedy Center in 2019. He is the author of more than 30 plays, from his ground-breaking Blade to the Heat to its long-awaited sequel - Members Only; he is currently at work on Ultimate Mix Tape, the third play in the Blade trilogy. Other produced plays include Blood Match and Yerma in the Desert (inspired by the plays of Federico Garcia Lorca), Fortune is a Woman, The Wallowa Project, Dias y Flores, Dark Matters, Young Valiant, Joy of the Desolate, The Sinner from Toledo, Laws of Sympathy and Ragged Time. He is developing new plays with The Wallis Annenberg Center for the Performing Arts and the Getty Villa. He is a tenured professor and Associate Dean of Faculty at USC's School of Dramatic Arts. The world premiere of his play Ghost Waltz opens at the Los Angeles Theater Center on May 4th and runs through June 6th. For tickets to Ghost Waltz, visit -https://www.latinotheaterco.org/ghostwaltzTo view the video format of this episode, visit -https://youtu.be/hDj406wgr6gLinks mentioned in this episode -Latino Theater Company -https://www.latinotheaterco.orgLive at the Met -https://www.metopera.org/season/radio/saturday-matinee-broadcasts/Website and Socials for Oliver Mayer -Website -www.olivermayer.comUSC - School of Dramatic Arts -https://dramaticarts.usc.edu/faculty-qa-oliver-mayer/Websites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show

Water is mysterious. It is cleansing, it is dangerous, and it is life-giving. In our everyday life we can tend to overlook just how fascinating and important water is. Water is interesting both scientifically and biblically, so it's only fitting that we explore it. And in this episode we do just that. Because this is a complex topic, we asked several experts to join us in this episode. You'll hear from Kent Frens, Jenni Brandon, Sandra Postel, and Ben McFarland who each talk about water through their areas of expertise. Here's some fun Ocean Facts Check out Applied Ocean Sciences This episode originally aired on April 23, 2020 Join a conversation about this episode on the BioLogos Forum. UK listeners, we're coming your way! Check out the live podcast event in Cambridge on 7th September and get your tickets here.

Jenni's Website: https://jennibrandon.comIntro Piece: Starry Night for clarinetEars to the Earth Concert: https://www.youtube.com/watch?v=IH-GqJAbdmY&t=2s

In Devin’s interview with composer Jenni Brandon, they discuss composing for soloists and small ensembles, including health and wellness for musicians, and the music of Jenni Brandon, highlighting her Fives Frogs which will have it’s Colorado premiere with the Arapahoe Philharmonic. Jenni Brandon is a consummate composer, conductor, singer & collaborator. She has received commissions to write for soloists, small ensembles, opera companies and orchestras.  Jenni has had her works performed at the Kennedy Center and has more than 20 albums. Her works are published and distributed by all the major publishing companies including her own, Jenni Brandon Music.Thank you to all the incredible performers who performed the works of Jenni Brandon and record labels who made this show possible, including the Blue Griffin Label, MSR Classics Label, New Focus Recordings, and courtesy of Jenni Brandon. Wood Song was performed by oboist Lindabeth Binkley on her new CD “From Earth & Sky: Music of Jenni Brandon”. Double Helix was recorded by bassoonist Christin Schillinger with Jed Moss on piano on “Bassoon Unbounded”. In the City at Night for solo English horn from Jaqueline LeClair’s new CD “Music for English Horn Alone”. All movements from “Five Frogs” from Jenni Brandon’s CD “Song of California”.Thank you for joining us. you can always find more info at OneSymphony.org. For info on composer Jenni Brandon, you can find her online at JenniBrandon.com. Please feel free to rate, review or share the show! Until next time, thank you for being part of the music!

Green Grass Snake (from Serpent Music, 1977)                          Michael Kibbe (1945- )“A sunlit emerald shimmering to tease the eye; a parting of the grass—this ribbon passes by.” Kibbe wrote this music for a performance piece. “It was premiered in Los Angeles with the composer playing the oboe. A group of interpretive dances writhed, snakelike, across the floor around the two instrumentalists.” The Grasshopper (from Two Insect Pieces,1934)              Benjamin Britten (1913-1976)At the age of 21, Benjamin Britten wrote Two Insect Pieces for his friend, the oboist Sylvia Spencer, and played it with her privately. Its first public performance was after both their deaths, in a memorial service for Spencer. That Mockingbird (from On Holt Avenue, 2006)                            Jenni Brandon (1977- )“Written for the oboist Jennifer Mitchell, this piece portrays life ‘On Holt Avenue' in Los Angeles, California as told by the composer.”  Mockingbirds are garrulous, accurate mimics of other birds. They fool nobody, however, because they are way too loud and have no editor. Their nonstop recitals are strings of unrelated sound bites, like an iPod running amok. Gardens (1975)                                                                              Peter Schickele (1935- )  1. Morning  2. Noon   3. NightPeter Schickele is a prolific composer, musician, author and satirist. He writes musical parodies in the persona of P.D.Q. Bach. For other compositions he uses his own name. In this piece he shows his reflective side and his skill as a musical colorist.All quotes are from the composers. Internet links to their biographies are:https://www.michaelkibbe.comhttps://www.britannica.com/biography/Benjamin-Brittenhttps://jennibrandon.comhttps://www.schickele.com/psbio.htm

Take a step into nature, into the love of a wife and mother, and the strength of a young woman. Be inpsired by the tenacity of young trees. Award winning composer Jenni Brandon's optimistic music explores the small things–often the things that really matter. Jenni's music appears on over 20 albums, and has been awarded the Sorel Medallion, American Prize, Paderewski Cycle, Women Composers Festival of Hartford International Composition Competition, and Bassoon Chamber Music Composition Competition among others.

Water is mysterious. It is cleansing, it is dangerous, and it is life-giving. In our everyday life we can tend to overlook just how fascinating and important water is. Water is interesting both scientifically and biblically, so it’s only fitting that we explore it. And in this episode we do just that. Because this is a complex topic, we asked several experts to join us in this episode. You’ll hear from Kent Frens, Jenni Brandon, Sandra Postel, and Ben McFarland who each talk about water through their areas of expertise. Join a conversation about this episode on the Biologos Forum! Check out Applied Ocean Sciences Here’s some fun Ocean Facts

The Great Pacific Garbage Patch is a vast, swirling soup of trash, twice the size of Texas. Can we ever clean it up? That’s what 8 year old Ila wants to know. She lives in Hawaii and likes to pick up trash whenever she goes to the beach. She lives closer to the garbage patch than most of us. Finding the answer to her question, led us to create one of our favorite episodes of Tumble. We talk to Jenni Brandon about how she learned about the garbage patch, what it is like to be there, and what can be done about it. We’re on summer baby break, but Season 5 is coming in Fall 2019! We rely on listener support to keep making the show. Pledge on Patreon for bonus interview episodes, birthday shoutouts, and more!

Today's guest in this third episode of the Fischoff Effect series is Matt Landry from the Akropolis Reed Quintet.  In this series, I bring you five former winners of the Fischoff competition to talk about their experience preparing for and competing at Fischoff, and about the wonderful adventures and opportunities that have followed their win! My guests this week are Blaise Magniere from the Avalon String Quartet, Dorival Puccini from Axiom Brass, Matt Landry from the Akropolis Reed Quintet , Christopher Whitley from the Thalea String Quartet, and Lydia Reah from the former Kairos String Quartet!  Whether you are a musician about to compete at the competition, or a music lover looking for a fresh approach to practicing and preparing for a concert, make sure to subscribe and tune in everyday, because those conversations are bursting with inspiration and EXTREMELY useful information!  Each group has a unique and motivating story and my guests are so generous with their insightful tips and advice!    About Fischoff Founded in 1973 in South Bend, Indiana, the Fischoff National Chamber Music Competition has grown to become the largest chamber music competition in the world, attracting the finest and most talented young musicians from around the globe. and is one of the most prestigious classical music prizes attainable today. Since its founding, more than 6,000 musicians have participated, many of whom have gone on to distinguished careers in music performance and education.  Fischoff is also deeply committed to music education and partners with competition alumni to bring free, innovative Arts-in-Education programs directly to children in their own schools and community centers. Since 1995, nearly 50,000 children, youth and adults have received free educational programming of the highest order. Website: http://www.fischoff.org/ Facebook: https://www.facebook.com/TheFischoff Instagram: https://www.instagram.com/fischoffchambermusic/     Meet the Akropolis Reed Quintet – 2012 Senior Wind Division Silver Medal, 2014 Senior Wind Division Gold Medal, & 2015 Fischoff Educator Award Kari Landry, clarinet | Andrew Koeppe, bass clarinet | Ryan Reynolds, bassoon | Matt Landry, saxophone | Tim Gocklin, oboe   https://akropolisquintet.org/ Facebook: https://www.facebook.com/akropolisquintet/ Instagram: https://www.instagram.com/akropolis5tet/ YouTube: https://www.youtube.com/channel/UCGAiaA8x7b3W_OpBKgg7eXg   Hailed for their “imagination, infallible musicality, and huge vitality” (Fanfare Magazine), Akropolis was founded in 2009 at the University of Michigan and has won seven national chamber music prizes since 2011, including the 2014 Fischoff Gold Medal and the 2015 Fischoff Educator Award. Akropolis is an alumnus of APAP's prestigious Young Performer's Career Advancement Program and is generously supported by grants from the National Endowment for the Arts (NEA), Michigan Council for Arts and Cultural Affairs, CultureSource, Paul M. Angell Family Foundation, Aaron Copland Fund for Music, Chamber Music America, Alice M. Ditson Fund, Amphion Foundation, High Wire Lab, and Quicken Loans. Celebrating their 10th anniversary, Akropolis' 19/20 season features 10 commissions for the ensemble including the first concerto for reed quintet and wind band by Roshanne Etezady, a chamber concerto by Jenni Brandon with guest bassoonist Monica Ellis of Imani Winds, a work for reed quintet and rideable percussion bicycle by Steven Snowden, and more. The season also features a 10-show, choreographed and staged production with BodyVox Dance in Portland, OR and Akropolis' 3rd annual Together We Sound festival in Detroit featuring a multimedia collaboration with Detroit projection artist, L05 (Carlos Garcia). Akropolis' recent and upcoming appearances includes stops at Caramoor, Chamber Music Northwest, the Oneppo Series at Yale University, the Chautauqua Institution, Artist Series of Sarasota, Chamber Music Abu Dhabi, Chamber Music Columbus, and more. Akropolis has been awarded a juried showcase at APAP (YPCA), Chamber Music America twice, Performing Arts Exchange, Western Arts Alliance, and the Mid-Atlantic Performing Arts Market. With three studio albums, including its March 2017 release of The Space Between Us, called “pure gold” by the San Francisco Chronicle, Akropolis has recorded 17 original reed quintet works. Akropolis' 2018 Together We Sound festival featured an improvisatory new work with YAK and a concert with acclaimed soprano Shara Nova. Akropolis premiered the first work for reed quintet and string quartet by David Schiff with the Dover Quartet in 2015 and has performed with artists like the Miró Quartet and renowned clarinetist David Shifrin. Akropolis has even performed with HarperCollins published author and scientist, Vic Strecher. In April 2017, Akropolis' residency in Abu Dhabi featured a performance of Marc Mellits' Splinter with original Arabic poetry performed by Khalifa University students, written around Mellits' music. Establishing Akropolis WORKS in 2016, Akropolis' members teach an annual 7-week music business mini-course at the University of Michigan as well as two semester-long courses at Michigan State University. They have delivered WORKS lectures to university musicians around the United States on marketing, financial planning, brand identity, and more. Equally committed to students K-12, Akropolis reached over 10,000 K-12 students in 2018. They conduct an annual school year long residency with students at three Detroit high schools including chamber music and music composition. Winner of a coveted Chamber Music America Classical Commissioning Grant, Akropolis has premiered more than 50 works from composers in 7 countries and was selected to adjudicate and premiere the 2018 Barlow Prize funded by the Barlow Endowment, the first time the prize was given for a reed quintet work. Akropolis' members are the first of any reed quintet to judge major chamber music competitions including the Fischoff (2018) and Chamber Music Yellow Springs (2019) competitions. Akropolis produces a YouTube Web Premiere Series with more than 50,000 views, showcasing new works, arrangements, and composer interviews for a live Internet audience. In 2012 Akropolis created Akropolis Collection and has now sold over 400 original and arranged sheet music works to more than 100 new and established reed quintets. Akropolis regularly appears in unconventional settings, including performances in office spaces in Detroit as part of its Corporate-to-Corner Tour in January 2017. In May 2016 Akropolis conducted a live recording session featuring audience participation for John Steinmetz's Sorrow and Celebration for reed quintet and audience, which Akropolis commissioned in 2014. Akropolis presents its annual Together We Sound festival in Detroit each June, bringing together multidisciplinary collaborators, new works, and educational outreach to increase arts access throughout the city. Akropolis is a 501(c)(3) nonprofit organization generously supported by individuals around the world. All Akropolis events include informative musical introductions and a chance to greet the artists. Originating at the University of Michigan in Ann Arbor, Akropolis remains its founding members: Tim Gocklin (oboe), Kari Landry (clarinet), Matt Landry (saxophone), Andrew Koeppe (bass clarinet), and Ryan Reynolds (bassoon). Akropolis is represented exclusively by Ariel Artists. Contact Matthew Kulas at matthew@arielartists.com for booking.   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a huge thank you to my producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/   Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/

Our friends Andrew & Polly from the podcast Ear Snacks introduce their favorite Tumble episode. Listener Ilya asks if there's a way to remove all the trash from the ocean. Scientist Jenni Brandon helps us investigate the Great Pacific Garbage Patch - a vast, swirling soup of trash, twice the size of Texas. Stay tuned to the end of the episode to hear how listeners suggested solving this huge environmental problem. Tumble t-shirts are now available in kid's, men's, and women's sizes. Get yours at sciencepodcastforkids.com/shop! Is Tumble a part of your daily routine? Show your love by pledging to our Patreon at patreon.com/tumblepodcast. Lastly, we could use your help with an audience survey for our partner, Wondery! Go to wondery.com/survey and answer a couple quick questions about your listening habits. We'll be forever grateful to your anonymous contribution!

The Great Pacific Garbage Patch is a vast, swirling soup of trash, twice the size of Texas. Can we ever clean it up? That’s what 8 year old Ila wants to know. She lives in Hawaii and likes to pick up trash whenever she goes to the beach. She lives closer to the garbage patch than most of us. We talk to Jenni Brandon, a researcher who has been to the Great Pacific Garbage Patch - a place where few people will visit, but where we all have an impact. She tells us how surreal it is to sail through trash, why the garbage patch exists, and what scientists are doing about it. To find out more, visit tumblepodcast.com Marine debris photo courtesy of Jenni Brandon. 

Join 'She' for a 15 minute Guided Meditation. Sound and Silence...Breathe! Welcoming in the silence! Sound, Breath Practice and Silence! Re-Connecting to your Peace, Voice and Heart! Sounds&Music by 'She'. If inspired, support the ARTs. Intro by Jenni Brandon. Connect with Suzanne Toro Bare Naked Bliss

Join Jenni Brandon and ‘She' as they explore composition, music, collaboration, listening focus and discipline. Jenni will share her wisdom and way in the world of music, yoga and everyday life.  Jenni Brandon (b. 1977) is an award-winning composer whose music has been commissioned by many ensembles and performed in venues across the world, including Zankel Hall in Carnegie Hall. Among the ensembles that have performed her works are the Musical Arts Quintet, Yale Glee Club, The Singers-Minnesota Choral Artists, UT Arlington Wind Symphony, Conundrum, the Young New Yorkers Chorus, Vox Femina, the Sundance Trio, and Voices of Ascension.  Jenni also makes guest composer appearances across the country, frequently giving talks on the business of music and musician collaboration.   She is active as a conductor and was the music director of The Concert Singers in Los Angeles for nine years, and often makes guest appearances with ensembles to conduct her works and other works.  Active also as a mezzo-soprano, she has appeared with the Boston Pops, Pacific Chorale, Los Angeles Philharmonic, and at the Hollywood Bowl. Songs shared Spider Suite, The Sequoia Trio  and The Giver of Stars   Jenni Brandon  Music Yoga with Jenni Facebook  Twitter