Podcasts about Yerma

Sergio Bonilla nos invita a ver su obra de teatro Yerma See omnystudio.com/listener for privacy information.

Eigentlich spielten Kinder in der Lebensplanung des beruflich erfolgreichen und wohlsituierten Paares bislang keine Rolle. Doch jetzt möchte SIE das Projekt Kind angehen. Er hat auch nichts dagegen. So weit so gut. Doch mit jedem Monat, in dem SIE wieder nicht schwanger geworden ist, arbeitet SIE verbissener an dem Plan und richtet das ganze Leben danach aus. Ihr Kinderwunsch wird zur alles zerstörenden Obsession. Simon Stone hat »Yerma« nach Motiven von Federico Garcia Lorca geschrieben. Im Zentrum steht das Drama der ungewollt kinderlos bleibenden Frau. War es bei Lorca eine Bäuerin im katholischen Spanien der 30er Jahre, deren Frau-Sein untrennbar an das Gebären von Kindern gebunden war, ist es bei Stone eine erfolgsverwöhnte Großstädterin, die ein Scheitern nicht akzeptiert, wenn SIE sich einmal etwas in den Kopf gesetzt hat. Die Geschichte geht unter die Haut, soviel sei schon verraten. Hören Sie in unserem Podcast in einzelne Szenen hinein. Außerdem hat sich Podcasterin Katja Schlonski mit Regisseur Elias Perrig, Hauptdarstellerin Juliane Schwabe und Schauspieler Nils Brück unterhalten. Die beiden spielen ein Paar, das sich durch den unerfüllten Kinderwunsch in einem Albtraum wiederfindet.

Para el mundo, Núria Espert es 'la gran dama del teatro', la Premio Princesa de Asturias de las Artes, la Yerma y la Bernarda Alba de Lorca o la Medea de Eurípides, pero esta noche en "El Faro", Núria ha decidido ser "La chica de Hospitalet"  que tiene miedo al mar, que esperaba a la salida del teatro a que su madre viniese a buscarla andando después de la función y que en "Los nidos del arte" pronunció temblorosa una y otra vez los primeros versos del "Romance de la Luna Luna". La actriz ha recibido a Mara Torres en su casa de Madrid para hacer un recorrido por sus más de 70 años de carrera teatral. A inicios de 2025 volverá a los escenarios de la mano de Mario Gas con la obra "Todos pájaros".

Para el mundo, Núria Espert es 'la gran dama del teatro', la Premio Princesa de Asturias de las Artes, la Yerma y la Bernarda Alba de Lorca o la Medea de Eurípides, pero esta noche en "El Faro", Núria ha decidido ser "La chica de Hospitalet"  que tiene miedo al mar, que esperaba a la salida del teatro a que su madre viniese a buscarla andando después de la función y que en "Los nidos del arte" pronunció temblorosa una y otra vez los primeros versos del "Romance de la Luna Luna". La actriz ha recibido a Mara Torres en su casa de Madrid para hacer un recorrido por sus más de 70 años de carrera teatral. A inicios de 2025 volverá a los escenarios de la mano de Mario Gas con la obra "Todos pájaros".

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Acceso anticipado para Fans - Seguimos analizando grandes obras de la historia del teatro partiendo desde cómo empiezan, cuál es su escena central y cuál su escena final. Nos sirven estas grandes obras para explicar algunos conceptos dramatúrgicos, entender un poco sobre estructuras y escuchar unas músicas muy locas creadas por la IA. ¡Saludos y ya casi, casi feliz verano! Escucha este episodio completo y accede a todo el contenido exclusivo de Drama o Qué. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/860808

Hoy recordaremos la vida del más grande e importante dramaturgo y poeta español del S.XX, Federico del Sagrado Corazón de Jesús García Lorca, que menos mal que los apellidos son bonitos, porque el nombre era pa mirar regulá a los padres. El pequeño Federico nació el 5 de junio de 1898 en Fuente Vaqueros, Granada, en una familia que no miraba el precio del aceite y vestían a los niños en invierno con pantalones cortos y calcetines altos. Fue el mayor de cinco hermanos, bueno 4, porque el segundo se lo llevó de chico una pulmonía; Bueno 3, pero no me quiero adelantar. Su madre, Vicenta, que era maestra, notó que el niño era más listo que Samuel L. Jackson en la Jungla de Cristal y más sensible que la pantalla de un iPhone nuevo, así que para que pudiera asistir a primaria se mudaron a Asquerosa, que con muy buen criterio le han cambiado el nombre a Valderrubio. En 1908, sin haber cumplido aún los 10 años, echa la matrícula pa un instituto en Almería, porque de más chico tuvo unos problemillas físicos que le dejaron los andares como a Robocop y encima Federico bailaba las sevillanas con las manos mejor que Sara Baras. Allí había un maestro, íntimo amigo de la familia, que le podía echar un ojillo y llevarle un bocadillo de emergencia, porque que le iban a quitar el bocadillo lo sabía hasta Rappel que no acierta ni con la llave de su casa en la cerradura. Para colmo a los 6 meses le salió un flemón que parecía que le había hecho una subida de pómulos el cirujano de Madona, así que tuvieron que volver a Granada porque el maestro lo podía defender de tó, pero no de que tuviera la cara como Mickey Rourke. En 1914 se matriculó en la Universidad de Granada para estudiar 2 carreras, Filosofía y Letras y Derecho y lo que más le gustó fueron los viajes de fin de curso. En 1919, cuando termina sus estudios en Granada se muda a Madrid, a la Residencia de Estudiantes, donde conoció a Dalí, Luis Buñuel y Rafael Alberti, no como tú que conociste al Chino, al Largo y al Cabesa. En la Residencia estuvo hasta 1928, ¡Ojo! 9 años pagándole al niño la Residencia, que a los padres se le hizo más largo que Arrayán (Risa fuerte) Menos mal que en estos años Dalí le regalaba cuadros y Juan Ramón Jiménez lo que escribía en las servilletas cuando iba a desayunar. También es verdad que Federico escribiría sus cositas, como el Romancero Gitano, pero se puso triste porque no le gustó ni a Buñuel ni a Dalí. En 1925 conoció a Emilio Aladrén con quién mantuvo una intensa relación afectiva hasta que Emilio lo dejó por una mujer pa casarse, que lo de ser homosexual le molestaba a “esa gente de la que usted me habla” En esta época ya formaba parte de la Generación del 27, conocía a más intelectuales que Isabel Presysler y tenía las entradas como Gary Oldman en Drácula. Entre que la dictadura de Primo de Rivera lo censuraba y que llevaba la ruptura con Emilio peor que Chenoa, en 1929 se fue a Nueva York en el Olympic, que ya hay que tener ganas de quitarte de en medio pa montarte en el primo hermano del Titanic. Nueva York le provocó una mihita de angustia, no le gustaba cómo trataban a los negros, ni el capitalismo, ni beber batido de fresa con las hamburguesas. Escribió Poeta en Nueva York y tiró pa La Habana en marzo de 1930. En junio ya estaba er tío otra vez, aquí, en Madrid. Con la instauración de la Segunda República española en abril de 1931, Lorca vio el cielo abierto pa representar todas sus obras censuradas y regalarnos Yerma o La Casa de Bernarda Alba. El Ministerio de Educación financió La Barraca, un grupo de universitarios que representaba obras teatrales por ciudades y pueblos de España. Por fin Lorca tenía un proyecto propio; Tenía 33 años, pero todavía vivía con los padres. En 1933 se estrenó en Argentina Bodas de Sangre, triunfando más que una foto de Sabrina en Instagram y consiguiendo por fin la independencia económica pa alquilarse un partidito y comprarse un Ford Fiesta de segunda mano. En un año, Lorca trabajó más que Abascal en su vida y en la que le queda. Federico volvió a España en 1934, pero se movía más que el bisoñé de Trump con levante fuerte en el Estrecho: se fue a Barcelona, a Valencia, a Uruguay, con lo que me cuesta a mí coger el coche pa ir a Chiclana. Pero en 1935 se empieza a vivir en nuestro país una época de violencia e intolerancia dirigida contra personajes progresistas como Alberti o el propio Lorca, al que le mandaban WhatsApp con el emoji de la berenjena y le decían que “¡No debiera jugar al corro con ciertas !” Varios países le ofrecieron a Lorca el exilio porque lo que venía lo vio hasta Aramís Fuster, que no acierta ni a poner bien la tapa de la olla express. García Lorca rechazó las ofertas y cogió un tren para reunirse con su familia el 14 de julio de 1936, que ojalá hubiera cogido el tren en Extremadura para no haber llegado nunca a Granada. El 16 de agosto la Guardia Civil fue a buscarlo acusándolo de espía ruso, que es mu socorrío, de Masón, socialista y homosexual, aunque este motivo no lo entiendo muy bien porque entre los falangistas, fascistas, militares y la sección católica también hay muchos homosexuales, no tiene demasiado sentido. A lo mejor fue porque no lo escondió. O porque le dio calabazas al delegao de la FRANQUIcia en Sevilla, eso ya nunca lo sabremos. En la madrugada del 18 de agosto de 1936, le dieron pan con trazas de frutos secos y Lorca se murió porque era alérgico a las nueces. (Pausa) NO, que no os engañen, esta panda de imbéciles fusilaron en su mejor momento a nuestro mejor poeta por ser un peligro progresista para el nuevo régimen dictatorial que venía. Su cuerpo se perdió en una fosa común, pero ustedes siempre podrán recordarlo cada vez que un vidente no acierte ni con el USB a la tercera o alguien comente que la Ley de Memoria Histórica no sirve de nada.

Cabalgamos junto a Carla Berrocal sobre "La tierra yerma" by InOutRadio

00.00 a 01.00: Iniciamos el programa abriendo "La libreta" de Paco Tomás, que hoy se pregunta: ¿cuánto tiempo necesitamos para olvidar? Este 2024 se cumplen noventa años de la llamada noche de los cuchillos largos en Alemania. Pero también de Flash Gordon, de la Yerma de Lorca o del nacimiento del pato Donald. Después, la actualidad y el humor de Raquel Sastre en "Corte y confección". Y, además, conversamos con nuestros despiertos sobre su mejor recuerdo de infancia.Escuchar audio

'La tierra yerma' es un cómic de autodefensa, dolor y duelo, de lo que perdemos y de lo que nos quitan. Un tebeo entre el pulp y el manga, lleno de mujeres maravillosa y aventuras, y que firma Carla Berrocal. El actor, director, guionista, músico, pintor y fotógrafo, Viggo Mortensen, está en España para presentar 'Hasta el fin del mundo', un western que dirige y protagoniza y que trata sobre el perdón.Visitamos la nueva exposición de la hispanosuiza Eva Lootz en Alcalá 31. Nos recibe con una cita de Cézanne: "Si aún quieres ver algo, date prisa, todo está desapareciendo'. La muestra recoge 1.000 dibujos de la artista.Terminamos con Martín Llade y las canciones que nos ayudan a entender y celebrar los 200 años de la novena sinfonía de Beethoven.Escuchar audio

Playwright Oliver Mayer joined us before the premiere of his new play Ghost Waltz. Oliver shares his experience writing operas, the medium's influence on his playwriting and the musicality of English as well as the intimacy of theatre and creative control, the after affects of "crashing into the wall. We also explore writing rituals, interruptions, reframing your story, breaking bad habits and the dangers of wit, where to start a scene and "when the mask falls," and wrap things up with dialogue and stage directions, the rules of twos and threes, the use of music, translating works, and saving (L.A.) theatre and nontraditional venues. It was certainly another page in the lesson books for me. I hope you walk away with something insightful. Enjoy.Oliver Mayer is a playwright, poet, essayist and librettist, whose newest opera 3 Paderewskis, composed by Jenni Brandon, received its world premiere at Washington D.C.'s Kennedy Center in 2019. He is the author of more than 30 plays, from his ground-breaking Blade to the Heat to its long-awaited sequel - Members Only; he is currently at work on Ultimate Mix Tape, the third play in the Blade trilogy. Other produced plays include Blood Match and Yerma in the Desert (inspired by the plays of Federico Garcia Lorca), Fortune is a Woman, The Wallowa Project, Dias y Flores, Dark Matters, Young Valiant, Joy of the Desolate, The Sinner from Toledo, Laws of Sympathy and Ragged Time. He is developing new plays with The Wallis Annenberg Center for the Performing Arts and the Getty Villa. He is a tenured professor and Associate Dean of Faculty at USC's School of Dramatic Arts. The world premiere of his play Ghost Waltz opens at the Los Angeles Theater Center on May 4th and runs through June 6th. For tickets to Ghost Waltz, visit -https://www.latinotheaterco.org/ghostwaltzTo view the video format of this episode, visit -https://youtu.be/hDj406wgr6gLinks mentioned in this episode -Latino Theater Company -https://www.latinotheaterco.orgLive at the Met -https://www.metopera.org/season/radio/saturday-matinee-broadcasts/Website and Socials for Oliver Mayer -Website -www.olivermayer.comUSC - School of Dramatic Arts -https://dramaticarts.usc.edu/faculty-qa-oliver-mayer/Websites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show

Dos ‘lorcas' totalmente diferentes. La casa de Bernarda Alba, dirigida por Sanzol, y Yerma, en versión de María Goiricelaya. Te lo cuento en detalle, en Mucha mierda #16 --- Send in a voice message: https://podcasters.spotify.com/pod/show/mucha-mierda8/message

På Dramaten spelas just nu Federico García Lorcas pjäs Yerma, en av hans tre så kallade kvinnopjäser. Nina Zanjani gestaltar smärtan i att inte kunna få barn och kritikerna jublar. Lyssna på alla avsnitt i Sveriges Radio Play. P1 Kultur uppmärksammar den spanske poeten och dramatikern Federico García Lorca (1898-1936) vars pjäs ”Yerma” sätts upp på Dramaten i Stockholm.Pjäsen handlar om infertilitet och längtan efter barn och är regisserad av den superhyllade belgiska regissören Lisaboa Houbrechts, född 1992. ”Ett av den samtida europeiska teaterns mest spännande namn”, skriver Dramaten i programmet och Cecilia Blomberg har träffat henne.Vi pratar också med författaren Lina Wolff som bott länge i Spanien - om Lorcas betydelse för hennes skrivande. Det var nämligen han som satte igång hennes författarskap.DÄRFÖR ÖKAR RYSSLAND TRYCKER PÅ SINA FÖRFATTAREI Ryssland förföljs inte bara landets oppositionella, utan också en rad välkända författare på grund av sin kritik mot kriget i Ukraina. I veckan utfärdades en arresteringsorder mot bästsäljande författaren Boris Akunin, som förts upp på listan över extremister och terrorister. Kulturredaktionens Fredrik Wadström kommenterar läget.HAJPAD DANSK FÖRFATTARE MED SKRIVKRAMP: ASTA OLIVIA NORDENNHOFDessutom handlar det om dansk litteratur. Stjärnskottet Asta Olivia Nordenhof, född 1988, får Kulturredaktionens litteraturkritiker att stråla. Nu kommer hennes nya roman ”Djävulsboken”. Hon påstår att den är del två i en svit på sju böcker. Problemet är bara hennes skrivkramp som slog till redan efter första delen. Anna Tullberg och Lina Kalmteg analyserar hennes projekt och berättar varför de längtat så efter del 2. Just den här trenden med litterära serier tittar vi också lite närmare på. Lina Kalmteg har pratat med Lisa Lindberg, förläggare på Norstedts förlag. OBS-ESSÄN GRÄVER NER SIG: EN TEXT OM JORDBRUK”Tro och jord har alltid hört ihop. I tusentals år har den odlande människan vädjat till gudarna: Låt solen lysa eller molnen komma, låt regnet falla eller markerna torka upp.” Så inleder författaren Maria Küchen onsdagens OBS-essä. En text om att bruka jorden. Programledare: Cecilia BlombergProducent: Nina Asarnoj

La maternidad no es un derecho, es un deseo. A veces se cumple, otras no o no como lo esperábamos. Ana Wagener y Ana Gabarain protagonizan 'La casa de Bernarda Alba'. María Goiricelaya nos trae 'Yerma'. Eduardo Galán y Helena Pimenta 'La Regenta'. Txani Rodríguez 'La seca'. La búsqueda de algo mejor, a través de diferentes aproximaciones al deseo femenino

https://go.ivoox.com/wv/premios23?p=102806 Hoy César Vidal entrevistará a Miguel Rix, director, realizador, guionista y productor audiovisual autor del documental: Yerma 2030. Puede comprar entradas en: https://yerma2030.com/ ______________ Suscríbete a CesarVidal.TV y escucha este audio antes que nadie y sin publicidad: https://www.cesarvidal.tvThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/3690946/advertisement

https://go.ivoox.com/wv/premios23?p=102806 Hoy César Vidal entrevistará a Miguel Rix, director, realizador, guionista y productor audiovisual autor del documental: Yerma 2030. Puede comprar entradas en: https://yerma2030.com/ ______________ Suscríbete a CesarVidal.TV y escucha este audio antes que nadie y sin publicidad: https://www.cesarvidal.tvThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4262462/advertisement

Mariana Aparicio is actrice en sinds 2019 onderdeel van het vaste acteursensemble van Het Nationaal Theater. Onder leiding van artistiek leider Eric de Vroedt speelde ze in de Leedvermaak triologie van Judith Herzberg en was ze te zien in Yerma. In het kader van het programma HNT Speelt Altijd werkte ze in 2020 samen met regisseur Noël Fischer aan het stuk Ademen van Duncan MacMillan en daarnaast creëerde ze samen met bezoekers de pop-up tentoonstelling (ont)SPUL(len). Afgelopen seizoen speelde ze in De jaren en Coriolanus. Voor haar rol in De Jaren kreeg Aparicio afgelopen zondag de Theo d'Or 2023. Femke van der Laan gaat met Mariana Aparicio in gesprek.

Dean & Alex are back with their August reads. We both venture into some dystopian fiction, we also both read some plays, we have our one and only Coyote Corner, and we hear form authors Sara Staggs (sarastaggswrites.com) and J. Lee (jleethrillers.com).Books discussed include:- Uncle Vania (Anton Chekov, 1988)- Cuando El Coyote Castiga / When El Coyote Punishes (J. Mallorquí, 1974)- The Lady Of The Camellias (Alexandre Dumas Jr., 1848)- Uncontrollable (Sara Staggs, 2023)- Bodas De Sangre / Blood Wedding; Yerma; La Casa De Bernarda Alba / The House Of Bernarda Alba (Lorca, 1932-6)- Brave New World (Aldous Huxley, 1932)- The Handmaid's Tale (Margaret Atwood, 1985)- A Man And Two Women (Doris Lessing, 1963)- The Deadly Deal (J. Lee, 2023)Visit us at booksboys.com for links and merch, and patreon.com/booksboys for all our other shows including Playboys, Darkplace Dreamers, Forensic Friends, Poetry Pals, Film Fellows, Music Men and more. Hosted on Acast. See acast.com/privacy for more information.

Dean & Alex are back with their August reads. We both venture into some dystopian fiction, we also both read some plays, we have our one and only Coyote Corner, and we hear form authors Sara Staggs (sarastaggswrites.com) and J. Lee (jleethrillers.com).Books discussed include:- Uncle Vania (Anton Chekov, 1988)- Cuando El Coyote Castiga / When El Coyote Punishes (J. Mallorquí, 1974)- The Lady Of The Camellias (Alexandre Dumas Jr., 1848)- Uncontrollable (Sara Staggs, 2023)- Bodas De Sangre / Blood Wedding; Yerma; La Casa De Bernarda Alba / The House Of Bernarda Alba (Lorca, 1932-6)- Brave New World (Aldous Huxley, 1932)- The Handmaid's Tale (Margaret Atwood, 1985)- A Man And Two Women (Doris Lessing, 1963)- The Deadly Deal (J. Lee, 2023)Visit us at booksboys.com for links and merch, and patreon.com/booksboys for all our other shows including Playboys, Darkplace Dreamers, Forensic Friends, Poetry Pals, Film Fellows, Music Men and more. Hosted on Acast. See acast.com/privacy for more information.

Federico García Lorca (Fuente Vaqueros, Granada, 1898-1936) fue poeta y dramaturgo. Es el autor de obras de teatro como 'La casa de Bernarda Alba', 'Bodas de Sangre' o 'Yerma' y de poemarios como 'Romancero gitano' o 'Poeta en Nueva York'.

O bardo do amor e da liberdade dos ciganos e camponeses nasceu há 125 anos em Fuentes Vagueros, morto pelos franquistas por ser maçom, socialista e omisso. Federico García Lorca nasceu em 5 de junho de 1898 em Fuente Vagueros, Espanha, extraordinário poeta e dramaturgo, cujos versos, cujas palavras ainda hoje continuam a inflamar o mundo inteiro com paixão libertária, e que os franquistas capturaram em Granada e fuzilaram em Fuentegrande de Alfacar perto de Víznar na madrugada de 19 de agosto de 1936, dispersando seus restos mortais. As acusações que lhe foram feitas e que "confessou", segundo os milicianos da terceira brigada franquista que o interrogaram, foram as de ser "socialista, maçom" e de "praticar homossexualidade e outras aberrações". Acusações que emergem de um documento da polícia franquista, encontrado em 2015 pela estação de rádio Ser e pelo site Eldiario.es., através do qual foi possível rastrear o relatório oficial que remonta ao verão de 1936. Garcia Lorca foi capturado no casa de amigos, foi levado à prefeitura e fuzilado às pressas. O mesmo documento não deixa de assinalar que o poeta pertencia à pousada Alhambra, que se reunia num hotel situado no bosque ao pé da cidade, e no qual o autor do Romancero Gitano era identificado com o nome iniciático de Homero. Há três anos, a Espanha, em virtude de uma lei recente que proíbe a exibição dos símbolos da regime e o culto dos partidários de Franco, retiraram da basílica de Macarena, em Sevilha, o corpo do general franquista Gonzalo Queipo de Llano, que comandou o Exército Nacionalista do Sul em 1936-37 e teria ordenado a execução do poeta. Figura emblemática da geração de 27, grupo de poetas que introduziram a vanguarda na literatura espanhola, Garcia Lorca matriculou-se primeiro na Universidade de Granada e depois em 1919 obteve a admissão na prestigiosa Residência de Estudiantes, lugar de novas cultura e jovens promessas. Aqui fez amizade com Luis Buñuel e Salvador Dalí, bem como com muitas outras personalidades proeminentes. Data deste período a publicação do "Libro de poemas", bem como a preparação das coletâneas "Canciones" e "Poema del Cante jondo" (Poema da Canção Profunda), a que se seguiu o drama teatral "El maleficio de la maríposa" (A maldição da borboleta) encenada apenas uma vez, e do drama histórico "Mariana Pineda" para o qual Salvador Dalí desenhou a cenografia. Seguir-se-ão as obras surrealistas em prosa “Santa Lucía y san Lázaro”, “Nadadora sumeringa” (O nadador submerso) e “Suicide en Alejandría”, para o teatro “El paseo de Buster Keaton£” e “La doncella, el marinero y el estudiante” (A menina, o marinheiro e o estudante), bem como as coleções poéticas “Primer romancero gitano”, “Oda a Salvador Dalí” e um grande número de artigos, composições, publicações diversas, palestras e a preparação da revista «Gallo» de Granada e a exposição de desenhos em Barcelona. As cartas enviadas neste período por Garcia Lorca aos seus amigos mais próximos confirmam que, apesar da atividade febril, o poeta naquele momento atravessava uma forte crise, devido à impossibilidade de viver serenamente a sua homossexualidade. Na primavera de 1929 obteve uma bolsa de estudos e trocou a Espanha pelos Estados Unidos, onde escreveu "Poeta en Nueva York", uma espécie de denúncia de uma sociedade com contrastes excessivos entre pobres e ricos, classes marginalizadas e dominantes, caracterizada pelo racismo. Depois reencontramo-lo em Cuba, um período feliz, onde Garcia Lorca faz novas amizades entre os escritores locais, dá conferências, recita poesia, participa em festas e colabora com as revistas literárias da ilha, «Musicalia» e «Revista de Avance». , no qual publica a "Degollacíon del Bautista" (Degolação do Batista) e começa a escrever os dramas teatrais "El público" e "Así que pasen cinco años" (Até cinco anos se passam) amadurecendo o interesse amadurecido pelo público afro-cubano motivos e ritmos dos quais a famosa lírica Son de negros en Cuba é fortemente influenciada por ela, que acaba por ser uma canção de amor para a alma negra da América. Em julho de 1930 o poeta retornou à Espanha que, após a queda da ditadura de Primo de Rivera, vivia uma fase de intensa vida democrática e cultural. Em 1931, com a ajuda de seu amigo e mentor Fernando de los Ríos, que entretanto se tornara Ministro da Instrução Pública, García Lorca realizou o projeto de um popular teatro itinerante chamado La Barraca que, percorrendo as aldeias, representava o povo espanhol repertório clássico. Nesses anos conheceu Rafael Rodríguez Rapún, a quem dedicaria, ainda que não explicitamente, os Sonetos do amor sombrio, publicados postumamente, e escreveu suas obras teatrais mais conhecidas, conhecidas como a 'trilogia rural': "Bodas de sangre, Yerma e a casa de Bernarda Alba". Com a morte de seu banderillero e amigo toureiro Ignacio Sánchez Mejías em 13 de agosto de 1934 (depois de ter sido ferido por um touro dois dias antes), o poeta dedicou o famoso "Llanto" (Lamentação) e nos anos seguintes publicou "Seis poemas galegos” (Seis poemas galegos), desenha a coleção poética do “Diván del” em 1936, publica “Bodas de sangre” (Bodas de Sangue); em 19 de junho conclui "La casa de Bernarda Alba" depois de ter contribuído, em fevereiro do mesmo ano, juntamente com Rafael Alberti e Bergamín, para a fundação da Associação de intelectuais antifascistas. García Lorca recusa a possibilidade de asilo que lhe é oferecido pela Colômbia e pelo México e a 13 de julho regressa a Granada, à casa da Huerta de San Vicente, para lá passar o verão e rever o pai. Poucos dias depois, a rebelião de Franco explodiu no Marrocos, atingindo rapidamente a cidade andaluza e estabelecendo um clima de feroz repressão. Em 16 de agosto de 1936, o prefeito socialista de Granada (cunhado do poeta) foi baleado. Lorca, que se refugiou na casa de seu amigo, o poeta falangista Luis Rosales Camacho, foi preso no mesmo dia e três dias depois fuzilado. Com a morte de Franco em 1975, García Lorca pôde finalmente e com razão voltar a ser aquele importantíssimo expoente da vida cultural e política de seu país. Em 1986, a tradução para o inglês feita pelo cantor e autor Leonard Cohen do poema “Pequeño vals vienés” de García Lorca, e com música do próprio Cohen, alcançou o primeiro lugar nas paradas de discos mais vendidos na Espanha. Na Praça de Santa Ana, em Madrid, é-lhe dedicada uma estátua, obra do escultor Julio López Hernández. Ressoam dentro de nós as palavras de sua última entrevista, no "Sol" de Madri, divulgada poucos dias antes de seu assassinato: "Eu canto a Espanha e a sinto por dentro, mas antes de tudo sinto que sou um homem de mundo e irmão de todos". --- Send in a voice message: https://podcasters.spotify.com/pod/show/malhete-podcast/message

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Bookwaves David Sedaris, whose latest collection of essays is titled “Happy Go Lucky,” and is just out in trade paperback, is interviewed by Richard Wolinsky. Recorded June 9, 2022 at Book Passage Bookstore in Corte Madera, California. David Sedaris is author of thirteen books, including Me Talk Pretty One Day, A Carnival of Snackery, The Best of Me, Calypso, Let's Explore Diabetes with Owls and others. He has been a commentator on NPR and CBS. In this wide-ranging interview he discusses life during the pandemic, his views on talking with Trump supporters, his relationship with his siblings, including his sister Amy Sedaris and her appearance on The Mandalorian, how he molds his essays, and other topics. Photos by Richard Wolinsky. Complete 65-minute Radio Wolinsky podcast.   Review of “The Wizard of Oz” at ACT's Toni Rembe (Geary) Theatre through June 25, 2023.   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  Lists of guests at the upcoming Book Festival, May 6-7, 2023, event calendar and links to previous events. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.   Monthly Calendar. On-line events only. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC).  See website for past streams. Alter Theatre. See website for upcoming productions. American Conservatory Theatre  The Wizard of Oz  adapted by John Kane for the Royal Shakespeare Theatre, based on the classic motion picture, June 1 – June 25. Aurora Theatre  Hurricane Diane by Madeleine George, June 16 – July 16. Streaming July 12 -16. Awesome Theatre Company. Check website for upcoming live shows and streaming. Berkeley Rep Let The Right One In, a stage adaptation by Jack Thorne. Through June 25, 2023 at the Roda Theatre. Out of Character, written and performed by Arfel Stachel, June 23 – July 30, Peets Theatre. Boxcar Theatre. See website for calendar listings. Brava Theatre Center: See website for events. BroadwaySF: Into the Woods, June 20-25, Curran. Les Miserables, July 6 – 23, Orpheum. Tina: The Tina Turner Musical, August 1-27, 2023, Golden Gate. Broadway San Jose: Beetlejuice, August 1 – 6. California Shakespeare Theatre (Cal Shakes). No 2023 season scheduled. See website for events calendar. Center Rep: In The Heights, May 27  – June 24. Central Works The Dignity Circle a new scheme by Lauren Smerkanich June 24 – July 23. Cinnabar Theatre. Tosca, June 9 – 25. Contra Costa Civic Theatre 2023-2024 season: Sondheim on Sondheim; Tintypes. Curran Theater: Into The Woods, direct from Broadway, June 20-25, 2023. Custom Made Theatre. Tiny Fires by Aimee Suzara, postponed to a later date in 2023. Cutting Ball Theatre. See website for upcoming season. 42nd Street Moon. She Loves Me, June 8 – June 24, Gateway Theatre. Golden Thread  See website for ongoing special events. Landmark Musical Theater.  My Unauthorized Hallmark Movie Musical, June 17, 4 pm, at the Landmark, 533 Sutter, SF. Lorraine Hansberry Theatre. In The Evening By The Moonlight by Traci Tolmaire, co-created and directed by Margo Hall, June 15 – July 2, Young Performers Theatre, Fort Mason, San Francisco. Magic Theatre. Josephine's Feast, August 2 – 20. See website for other events at the Magic. Marin Theatre Company Odyssey written and directed by Lisa Peterson, August 31 – September 24. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC)  Drag Queen Storytime Gone Wild starring the Kinsey Sicks, July 5 -16. Oakland Theater Project.  Who's Afraid of Virginia Woolf? by Edward Albee, May 26 – June 18. Pear Theater. Falsettos,  June 30 – July 23. PianoFight. Permanently closed as of March 18, 2023. Presidio Theatre. See website for upcoming productions Ray of Light:  Cruel Intentions: The '90s Musical, September 8 – October 1, Victoria Theatre. The Rocky Horror Show, Oasis Nightclub, October 6  – 31. See website for Spotlight Cabaret Series at Feinstein's at the Nikko. San Francisco Playhouse.  A Chorus Line starts June 22, 2023. SFBATCO See website for upcoming streaming and in- theater shows. San Jose Stage Company: 40th Anniversary Celebration, June 26, 2023. Shotgun Players. Yerma based on the play by Federico Garcia Lorca. Through June 18. South Bay Musical Theatre: Rent, September 30 – October 21. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Rhino  Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand, New performances most Wednesdays. TheatreWorks Silicon Valley. Steel Magnolias by Robert Harling, June 7 – July 2, 2023, Mountain View Center for the Performing Arts. Word for Word.  See schedule for  one-night readings and streaming performances. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                   The post Bookwaves/Artwaves – June 15, 2023: David Sedaris appeared first on KPFA.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Bookwaves Robert Anton Wilson (1932-2007), interviewed by Richard Wolinsky in February 1983, recorded in a car in the Santa Cruz mountains during a rainstorm. Digitized, remastered and edited in May, 2023. Robert Anton Wilson had a remarkable career. Starting as a writer of comic science fiction based on historical stories of conspiracy, his work soon turned in the direction of physics, psychology, and futurism, and described himself as an agnostic mystic. In the religion or philosophy known as discordianism, he is considered both pope and saint. A journalist in his early career, he co-edited the Playboy Magazine forum, and covered the work of both Timothy Leary and Richard Alpert, later known as Ram Dass. Most of his best known works were written in the 1970s and 1980s, though he continued to write non-fiction into the 21st century. These include The Illuminati Trilogy, co-written with Robert Shea, The Schrodinger's Cat and Cosmic Trigger trilogies, and Prometheus Rising. His early works were published by large commercial presses; his later by small presses. Most, of not all, of his books still remain in print. The three books mentioned toward the end of the interview were all published and are all available. Complete 32-minute interview.   Bookwaves Fay Weldon (1931-2023) who died on January 4th, 2023 at the age of 91, published 31 novels during her lifetime, including The Life and Loves of a She-Devil, one of four novels which later became films. She was also a playwright, short story writer, television writer and non-fiction author. Richard A. Lupoff and Richard Wolinsky interviewed her twice in the KPFA studios. This second interview was recorded on January 21, 1992 while she was on tour for two novels, Darcy's Utopia and Life Force Fay Weldon's career continued for the next thirty years after the interview with several novels, including a sequel to She-Devil, more plays, more short stories and several works of non-fiction. This interview was digitized, remastered, and edited in June, 2023 by Richard Wolinsky. First time on the air in over thirty years. Complete 34-minute Interview. First Fay Weldon interview, recorded March 1990 while she was on tour for The Cloning of Joanna May.   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  Lists of guests at the upcoming Book Festival, May 6-7, 2023, event calendar and links to previous events. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.   Monthly Calendar. On-line events only. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC).  See website for past streams. Alter Theatre. See website for upcoming productions. American Conservatory Theatre  The Wizard of Oz  adapted by John Kane for the Royal Shakespeare Theatre, based on the classic motion picture, June 1 – June 25. Aurora Theatre  Hurricane Diane by Madeleine George, June 16 – July 16. Streaming July 12 -16. Awesome Theatre Company. Check website for upcoming live shows and streaming. Berkeley Rep Let The Right One In, a stage adaptation by Jack Thorne. Through June 25, 2023 at the Roda Theatre. Boxcar Theatre. See website for calendar listings. Brava Theatre Center: See website for events. BroadwaySF: The Book of Mormon, May 23 – June 13, Orpheum. Into the Woods, June 20–15, Curran. Les Miserables, July 6 – 23, Orpheum. Tina: The Tina Turner Musical, August 1-27, 2023, Golden Gate. Broadway San Jose: Beetlejuice, August 1 – 6. California Shakespeare Theatre (Cal Shakes). No 2023 season scheduled. See website for events calendar. Center Rep: In The Heights, May 27  – June 24. Central Works The Dignity Circle a new scheme by Lauren Smerkanich June 24 – July 23. Cinnabar Theatre. Tosca, June 9 – 25. Contra Costa Civic Theatre 2023-2024 season: Sondheim on Sondheim; Tintypes. Curran Theater: Into The Woods, direct from Broadway, June 20-25, 2023. Custom Made Theatre. Tiny Fires by Aimee Suzara, postponed to a later date in 2023. Cutting Ball Theatre. 2023/24 season announcement, June 11, 4 pm. 42nd Street Moon. She Loves Me, June 8 – June 24, Gateway Theatre. Golden Thread  See website for ongoing special events. Landmark Musical Theater.  My Unauthorized Hallmark Movie Musical, June 17, 4 pm, at the Landmark, 533 Sutter, SF. Lorraine Hansberry Theatre. In The Evening By The Moonlight by Traci Tolmaire, co-created and directed by Margo Hall, June 15 – July 2, Young Performers Theatre, Fort Mason, San Francisco. Magic Theatre. Josephine's Feast, August 2 – 20. See website for other events at the Magic. Marin Theatre Company Odyssey written and directed by Lisa Peterson, August 31 – September 24. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC)  The Confession of Lily Dare by Charles Busch, May 12 – June 11. Drag Queen Storytime Gone Wild starring the Kinsey Sicks, July 5 -16/ Oakland Theater Project.  Who's Afraid of Virginia Woolf? by Edward Albee, May 26 – June 18. Pear Theater. Falsettos,  June 30 – July 23. PianoFight. Permanently closed as of March 18, 2023. Presidio Theatre. See website for upcoming productions Ray of Light: Spring Awakening, June 8-10, Victoria Theatre. Cruel Intentions: The '90s Musical, September 8 – October 1, Victoria Theatre. The Rocky Horror Show, Oasis Nightclub, October 6  – 31. See website for Spotlight Cabaret Series at Feinstein's at the Nikko. San Francisco Playhouse.  Chinglish by David Henry Hwang, May 4 – June 10, 2023. A Chorus Line starts June 22, 2023. SFBATCO See website for upcoming streaming and in- theater shows. San Jose Stage Company: 40th Anniversary Celebration, June 26, 2023. Shotgun Players. Yerma based on the play by Federico Garcia Lorca. Through June 18. South Bay Musical Theatre: Rent, September 30 – October 21. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Rhino  Gumiho, staged reading June 13. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand, New performances most Wednesdays. TheatreWorks Silicon Valley. Steel Magnolias by Robert Harling, June 7 – July 2, 2023, Mountain View Center for the Performing Arts. Word for Word.  See schedule for  one-night readings and streaming performances. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                   The post Bookwaves/Artwaves – June 8, 2023: Robert Anton Wilson – Fay Weldon appeared first on KPFA.

Zum 125. Geburtstag von Federico García Lorca: In „Yerma“ erzählt Lorca die Tragödie einer jungen Frau in Andalusien, die nach Jahren einer unerfüllten Ehe den Mann erwürgt.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Bookwaves Martin Amis in 2007. Martin Amis (1949-2023), in conversation with host Richard Wolinsky for the “Probabilities” program, recorded in the KPFA studios November 26, 1991 while on tour for the paperback edition of “London Fields.” First of five interviews conducted over a 23 year span. Martin Amis, who died of esophageal cancer on May 19th, 2023 at the age of 73, was a leading English novelist, essayist, memoirist and screenwriter. Known for such novels as London Fields, Money, Time's Arrow, The Information and The Zone of Interest, his memoir Experience won the Booker Prize, and his essay collection The War Against Cliché is now considered a classic. The son of novelist and essayist Kingsley Amis, Martin Amis was close friends with Christopher Hitchens, Saul Bellow and Philip Larkin, all of whom he wrote about in his final novel, which was actually a memoir, Inside Story, in 2020. This is the first of five interviews recorded with Martin Amis. and has not been heard in over a quarter century and was digitized, remastered and edited in May, 2023. Front photo by Richard Wolinsky in the KPFA studios in 2014. Page photo: Creative Commons.   Artwaves Susi Damilano and Bill English, co-founders of San Francisco Playhouse. Bill English, Artistic Director of San Francisco Playhouse, in conversation with Richard Wolinsky, recorded via Zencastr May 29, 2023. San Francisco Playhouse was founded in 2003 by Bill English and Susi Damilano and has grown into a major regional theatre, with several world premieres later moving on to future productions in New York and elsewhere. In this interview, Bill English discusses the current show at San Francisco Playhouse, Chinglish by David Henry Hwang, which runs through June 10, 2023, and the upcoming production of A Chorus Line, which starts previews on June 22, 2023. He also talks about the upcoming 2023-2024 season, as well as the state of the company three years after the pandemic shutdown.   Review of “Let The Right One In' at Berkeley Rep's Roda Theatre through June 25, 2023.   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  Lists of guests at the upcoming Book Festival, May 6-7, 2023, event calendar and links to previous events. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.   Monthly Calendar. On-line events only. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC).  See website for past streams. Alter Theatre. See website for upcoming productions. American Conservatory Theatre  The Wizard of Oz  adapted by John Kane for the Royal Shakespeare Theatre, based on the classic motion picture, June 1 – June 25. Aurora Theatre  Hurricane Diane by Madeleine George, June 16 – July 16. Streaming July 12 -16. Awesome Theatre Company. Check website for upcoming live shows and streaming. Berkeley Rep Let The Right One In, a stage adaptation by Jack Thorne. Through June 25, 2023 at the Roda Theatre. Boxcar Theatre. See website for calendar listings. Brava Theatre Center: See website for events. BroadwaySF: The Book of Mormon, May 23 – June 13, Orpheum. Into the Woods, June 20–15, Curran. Les Miserables, July 6 – 23, Orpheum. Tina: The Tina Turner Musical, August 1-27, 2023, Golden Gate. Broadway San Jose: Beetlejuice, August 1 – 6. California Shakespeare Theatre (Cal Shakes). No 2023 season scheduled. See website for events calendar. Center Rep: In The Heights, May 27  – June 24. Central Works The Dignity Circle a new scheme by Lauren Smerkanich June 24 – July 23. Cinnabar Theatre. Tosca, June 9 – 25. Contra Costa Civic Theatre 2023-2024 season: Sondheim on Sondheim; Tintypes. Curran Theater: Into The Woods, direct from Broadway, June 20-25, 2023. Custom Made Theatre. Tiny Fires by Aimee Suzara, postponed to a later date in 2023. Cutting Ball Theatre. Towards Opulence, The Opera. June 3-4. 42nd Street Moon. She Loves Me, June 8 – June 24, Gateway Theatre. Golden Thread  See website for ongoing special events. Landmark Musical Theater.  Hair, May 6 – June 4, at the Landmark, 533 Sutter, SF. Lorraine Hansberry Theatre. In The Evening By The Moonlight by Traci Tolmaire, co-created and directed by Margo Hall, June 15 – July 2, Young Performers Theatre, Fort Mason, San Francisco. Magic Theatre. Josephine's Feast, August 2 – 20. See website for other events at the Magic. Marin Theatre Company Odyssey written and directed by Lisa Peterson, August 31 – September 24. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC)  The Confession of Lily Dare by Charles Busch, May 12 – June 11. Oakland Theater Project.  Who's Afraid of Virginia Woolf? by Edward Albee, May 26 – June 18. Pear Theater. Falsettos,  June 30 – July 23. PianoFight. Permanently closed as of March 18, 2023. Presidio Theatre. See website for upcoming productions Ray of Light: Spring Awakening In Concert, June 8-10, Victoria Theatre. Cruel Intentions: The '90s Musical, September 8 – October 1, Victoria Theatre. The Rocky Horror Show, Oasis Nightclub, October 6  – 31. See website for Spotlight Cabaret Series at Feinstein's at the Nikko. San Francisco Playhouse.  Chinglish by David Henry Hwang, May 4 – June 10, 2023. A Chorus Line starts June 22, 2023. SFBATCO See website for upcoming streaming and in- theater shows. San Jose Stage Company: 40th Anniversary Celebration, June 26, 2023. Shotgun Players. Yerma based on the play by Federico Garcia Lorca. Through June 18. South Bay Musical Theatre: Singin' In the Rain, May 13 – June 3. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Rhino  Gumiho, staged reading June 13. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand, New performances most Wednesdays. TheatreWorks Silicon Valley. Steel Magnolias by Robert Harling, June 7 – July 2, 2023, Mountain View Center for the Performing Arts. Word for Word.  See schedule for  one-night readings and streaming performances. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season, starting February. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                 The post Bookwaves/Artwaves – June 1, 2023: Martin Amis – Bill English appeared first on KPFA.

Inma Pérez-Quirós, más conocida como Inma 'La Bruja', es una actriz muy querida y reconocida de nuestro país. Y, aunque nacida en la cercana localidad de Casares, San Pedro Alcántara ha sido su pueblo desde pequeña, forjando su vocación entre nosotros. Ha participado en gran cantidad de producciones televisivas como Acacias 38, La que se avecina, El secreto de Puente Viejo, El Ministerio del Tiempo, o Veneno, entre otras muchas. En la gran pantalla también ha vestido la piel de grandes personajes en películas como El Niño, La mula, The Anarchist's Wife, Mataharis, Carmen o Yerma. Orgullosos de nuestra Inma 'La Bruja', nuestras niñas han querido hacerle un pequeño homenaje, entrevistándola para su Radio CEIP San Pedro. Seguro que van a disfrutar mucho con sus historias y vivencias. Tras la entrevista, como siempre, seguirán las secciones habituales.

We talk to the cast of The Lehman Trilogy about the award-winning play which arrived in the West End this month, and the challenges of staging a story that spans 160 years and multiple characters. We also review the musical Standing at the Sky's Edge, with songs by Richard Hawley, which opened last week at the National Theatre as well as a new take on Phaedra starring Ozark star Janet McTeer, also at the National..In this episode:Part one: Standing at the Sky's Edge We review Standing at the Sky's Edge by playwright Chris Bush, with songs by Richard Hawley. The performers include Maimuna Memon and Faith Omole, with joyful dancehall choreography by Lynne Page. This is a musical about Sheffield's brutalist Park Hill housing estate.Part two: Lehman Trilogy cast interview - from 07:07Recorded at the Gillian Lynne TheatreWe're joined by Nigel Lindsay, Michael Balogun and Hadley Fraser to discuss the National Theatre's The Lehman Trilogy and its return to London's West End after huge success on Broadway. The actors talk about the physical nature, and how fulfillment, at playing numerous roles in a show that runs for more than three hours and why it's “unlike anything they've done before”. And Lindsay reveals the unusual way he got the job. Part three: Phaedra - from 17:00We talk about Phaedra at the National, starring Janet McTeer. Has Australian writer and director Simon Stone followed his acclaimed production of Yerma with another must-see show in adapting this Greek tragedy for the modern day? Alongside McTeer in the show is Call My Agent star Assaad Bouab and Canadian screen actor Mackenzie Davis. Hosted on Acast. See acast.com/privacy for more information.

Pink never thought her success would last this long. In the 10th grade, she was voted “most likely to be behind bars in 10 years” when in actuality, she became one of the most beloved and enduring pop stars of the 21st century. In this conversation, Pink tells Tom about the highs and lows of her music career, what it took to survive the industry and what inspired her new album, “Trustfall.” Plus, the actor Sarah Gadon (True Detective, A Dangerous Method, Enemy) gravitates toward challenging characters — and her latest role is no exception. Sarah opens up to Tom (22:08) about making her onstage debut in “Yerma,” about a woman's struggle with infertility, and why she says the character she plays is the “ultimate heroine.”

Welcome back to the 120th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 120th episode we bring you a duet review of Coal Mine Theatre's production of Yerma, adapted by Simon Stone (after Federico Garcia Lorca), starring Sarah Gadon in the lead role. Join Jillian Robinson and Ryan Borochovitz, as they discuss the vibrant venue, the power of proximity, and the whims and woes of womanhood. Yerma is playing at the new Coal Mine Theatre (2076 Danforth Ave, Toronto, ON) until March 5th, 2023. Tickets can be purchased from the following link: https://www.coalminetheatre.com/yerma Less importantly, this review contains many SPOILERS for Yerma. It will begin with a general non-spoiler review until the 10:00:00 mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists: Jillian Robinson – Instagram: @jillian.robinson96 // See her in the Women at Play(s) Festival: https://www.ticketscene.ca/events/43374/ (final week!) Ryan Borochovitz – [Just send all that love to CoH instead; he won't mind!] Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatre --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support

Welcome back to the 119th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 119th episode we bring you a classic cup review of the Young Vic's 2016 production of Yerma, adapted and directed by Simon Stone (after Federico Garcia Lorca), starring Billie Piper in the lead – though not necessarily titular! – role. Watch the play on NTatHome (subscription needed): https://www.ntathome.com/yerma Stay tuned next week, for our review of the more local production of Yerma, currently playing in Toronto by Coal Mine Theatre until March 5th, 2023! Tickets for that production can be found at the following link: https://www.coalminetheatre.com/yerma CONTENT WARNING: Yerma deals with themes of reproductive autonomy, abortion, substance abuse, self-harm, and suicide; this review, likewise, speaks directly to these topics. Listener discretion is strongly advised. Follow our panelists: Ryan Borochovitz – [Just send all that love to CoH instead; he won't mind!] Carly Billings – Instagram: @mscarlybillings & @afterlifetheatreco Alicia Plummer – Instagram: @itsaliciaplummer // TikTok: hialiciabyealicia Jimmy Zhao – Email: jimmy.zhao.writing@gmail.com // TikTok: jjyzhao // YouTube: I Will Say This Tho Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatre --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support

L'actor, director esc

Entrevista a la actriz, que protagoniza 'Yerma', dirigida por Juan Carlos Martel Bayod. Esta Yerma de 2023 es mucho más que el drama de una mujer que no puede tener hijos. A lo mejor sí los tiene y sueña con no haberlos tenido. Hablamos con María Hervás de Lorca, de maternidad, crianza y nuevo feminismo.

La escritora Elvira Navarro regresa con 'Las voces de Adriana', un tríptico sobre la muerte, el duelo, la memoria y los afectos y lealtades familiares. La actriz María Hervás protagoniza 'Yerma', una adaptación contemporánea de la obra de Lorca, que bebe del nuevo feminismo y la forma de entender la maternidad. Libros y teatro nos recuerdan que la guerra trasciende a cualquier ser humano, país y época

Trilogia da Terra Espanhola traz três peças traduzidas por Luciana Ferrari Montemezzo do poeta e dramaturgo espanhol, Federico García Lorca, além dos comentários da tradutora. As peças são Bodas de sangue, Yerma e A casa de Bernarda Alba. Vamos saber um pouco sobre o autor? Federico García Lorca viveu entre 1898 e 1936. Morreu com apenas 38 anos, assassinado no início da Guerra Civil Espanhola, que aconteceu entre 1936 e 1939.

«Yerma» de Federico García Lorca es todo un clásico de la dramaturgia española y toca temas universales que están de actualidad hoy día, como la infertilidad.Charlamos con María Goiricelaya, directora de esta nueva versión del original lorquiano que mañana podremos ver en Ermua ...

Einführung in die Generacion de 27 und die spezifisch historische Situation Spaniens/Anadalusiens im ersten Drittel des 20.Jahrhunderts. Darstellung von Frederico Lorcas Lyrik in den Romanceros Gitanos.Vorstellung seiner Ästhetik/Symbolik und seiner Dramen durch die Trilogie Bluthochzeit,Yerma und Das Hausvon Bernarda Alba in Hinblick auf denaufkommendenBürgerkrieg und Faschismus.

I am BEYOND EXCITED that we are joined by my OG Idol, Billie Piper, who made the first album I ever bought - fun fact! Believe it or not, Billie first burst into our lives 25 years ago - so this is technically the Silver Jubilee of Queen Billie, which should be a national holiday, right? As a 15 year old popstar, Billie became the youngest person ever to go straight to number one with the eternal bop, Because We Want To before going on to land two more number one singles with Girlfriend and Day & Night. How her hit, Honey 2 The Bee wasn't ever a number one is still an injustice that haunts me until this day. But here we are… Billie then turned to acting with the comeback of Doctor Who starring as the Doctor's assistant, Rose Tyler opposite Christopher Eccleston and David Tennant and The Secret Diary of A Call Girl. Billie even continued to set records with her new career path by winning all six of the possible best stage actress awards, including an Olivier award, for her stage debut in Yerma. Now Billie is back with the second season of the BAFTA nominated TV show, I Hate Suzie, which she co-created with Succession writer, Lucy Prebble. If you haven't watched the first season of the show, it follows the former child star, Suzie Pickles as her life implodes when private images of her leak online. And let me tell you RIGHT NOW, the second season is just as good as the first with more twists and turns for our anti-hero, Suzie. I Hate Suzie Too is available on Sky Atlantic and streaming service NOW from 20 December.Today Billie joins us to talk about being a horny dancer (same here!) - tis the season, after all - and how exploring anxiety and mental health on I Hate Suzie has impacted her own well being. Billie also opens up about how seeing her 14 year old son grow up has made her reflect further on her own teenage stardom and the advice she wishes she could go back and give her popstar self. She also shares some great words about balance and pressure which I think we all need to hear and will relate to, and about finding a new level of confidence turning 40 this year. Billie Piper is still THE coolest person on the planet in my mind, so I hope you love this chat just as much as me as it really shows just how this icon has managed to stay relevant for a quarter of a century across so many disciplines. If you have missed any of the episodes of Reign Season six go check them out now - we've been joined by some truly inspiring people from Chloe Grace Moretz to Lena Dunham. I hope you keep on listening and finding the power to Reign in your own lives. If you love this episode, please get in touch (follow me across social media @joshsmithhosts), I love hearing from you. Love, Josh xxxP.S I am thrilled that this episode of the podcast is sponsored by Malfy Gin, a gin from Italy inspired by the glamour of the Amalfi Coast. This Christmas, Malfy Gin has partnered with By Rotation, the UK's largest fashion rental platform, to curate an edit of the most stylish partywear, for you to channel La Dolce Vita at any festive occasion. To receive 15% off* your rental, just use the code ‘MALFY' on the ‘La Dolce Vita Edit' on the By Rotation app. *Terms and conditions applyEnjoy Malfy Responsibly bedrinkaware.co.uk

"Puertas abiertas"

Gaur Ispilu Beltzan antzerkiari buruz hitz egingo dugu. Azaroaren 26 eta 27an, Gasteszenan, 'Yerma' izeneko antzezlana ikusteko aukera izan dugu.Horrez gain, Josemi Beltránekin zinemaren inguruan solasteko aukera izango dugu, ostegunero egin ohi dugun moduan '¡Subtítulos!' atalean.Amaitzeko, Jon Gartziak musika gomendioak ekarri dizkigu saioa girotzeko, Kanta Katiluan.Jantzi kaskoak eta adi!---Hoy hablaremos sobre teatro en Ispilu Beltza. Los días 26 y 27 de noviembre podremos ver en Gasteszena la obra 'Yerma'.También tendremos como cada jueves a Josemi Beltrán, para hablar de cine en su sección '¡Subtítulos!'.Para terminar, Jon Gartzia nos traerá sus recomendaciones musicales, en la sección 'Kanta Katilua'.Ponte los cascos, que empezamos!

Una Yerma orgànica que remou els sentits. Crítica teatral de l'obra «Yerma», de Federico García Lorca. Intèrprets: Joan Amargós, María Hervás, David Menéndez, Bàrbara Mestanza, Isabel Rocatti, Yolanda Sey i Camila Viyuela. Espai escènic: Frederic Amat. Música original: Raül Refree. Vestuari: Frederic Amat i Rosa Esteva. So: Roc Mateu i Raül Refree. Il·luminació: Maria Domènech. Assessora de moviment: Lali Ayguadé. Caracterització: Ignasi Ruiz. Ajudant d'escenografia: Roger Orra. Ajudanta de vestuari: Maria Albadalejo. Alumna en pràctiques: Clara Cabutí (EDIDP - UPC). Construcció d'escenografia: Pascualin Estructures i Big Imatge. Construcció del titella: Martí Doy. Construcció de màscares: Frederic Amat i Martí Doy. Confecció de vestuari: Cortana i Goretti Puente. Producció: Teatre Lliure. Agraïments: Toni Rumbau. Ajudanta de direcció: Júlia Valdivieso. Direcció: Juan Carlos Martel Bayod. Sala Fabià Puigserver. Teatre Lliure Montjuïc. Barcelona, 18 novembre 2022. Veu: Andreu Sotorra Música: Te diré niño mío que sí Intèrpret: Raul Refree i companyia de «Yerma» Composició: Raül Refree a partir del text de García Lorca Àlbum: Teatre Lliure (Yerma), 2022

La murciana Ilu Ros ha ilustrado el universo rural de Federico García Lorca. Una interpretación de 'Yerma', 'Bodas de sangre' y 'La casa de Bernarda Alba' con los textos originales del poeta granadino. 'Una trilogía rural', publicada por Lumen. Escuchar audio

La murciana Ilu Ros ha ilustrado el universo rural de Federico García Lorca. Una interpretación de 'Yerma', 'Bodas de sangre' y 'La casa de Bernarda Alba' con los textos originales del poeta granadino. 'Una trilogía rural', publicada por Lumen. Marta Pazos encara la última semana de 'Twist', un espectáculo que mezcla rock y circo y que rememora las matinales del Teatro Circo Price de Madrid en los años 60. Miguel Ángel Delgado nos demuestra que los esqueletos cuentan historias y se pueden leer gracias a 'Escrito en los huesos', libro de la antropóloga forense Sue Black que publica Capitán Swing. Y Susana Santaolalla nos acerca a lo nuevo de Paula Hawkins, 'Punto ciego'. Escuchar audio

Primera parte de la obra: Yerma. Una mujer casada que no puede vivir en un matrimonio sin hijos.

This week we are revisiting actress and director Billie Piper and Bexy Cameron who was born into a cult called the Children of God.Billie Piper has been famous since she was 14, first a popstar then an award winning actress often playing complicated female characters, starring in Doctor Who, Secret Diary of A Call Girl, Collateral, I Hate Suzie, Yerma (for which she won 6 best actress awards) and, in 2021, Rare Beasts, which she wrote and directed. On Changes, Billie opened up about her life, relationships and early fame and the impact of that on her, including having to answer inappropriate questions in high profile interviews. Bexy Cameron, was born into one of the world's most notorious cults called the Children of God which her parents became the leaders of. She was 9 years old when she experienced her first exorcism. Children in the cult were raised to believe that sex was love and there were no boundaries. Bexy escaped and is now leading a happy life and is able to speak about what happened to her having written a book about her experience called 'Cult Following: My Escape and Return to the Children of God'. Here we revisit the beginning of her story before she escaped. Content warning: child abuse is referencedYou can buy Cult Following: My Escape and Return to the Children of God by Bexy Cameron here: https://www.amazon.co.uk/Cult-Following-escape-return-Children/dp/1786580926Listen to the full episodes here:Billie Piperhttps://podfollow.com/changeswithanniemacmanus/episode/8a434451433883c231836d9712570fe60355a3e8/viewBexy Cameron https://podfollow.com/changeswithanniemacmanus/episode/c6f46ccbea3e9988fb9e901a3cfdd9a26e639543/view Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

This week my guest is singer, and songwriter, Alexandra Cabanilla now known as CABA.She tells us of her journey and how music has taken her all over the world.https://cabamusica.com/Singer, songwriter, actress, producer, and vocal coach. She has become one of the most talented exponents of Ecuadorian vocal music, being part of important jazz and contemporary music projects in Ecuador. She opened for renowned musicians such as Jorge Drexler and Marco Antonio Solis.In the academic field, she was a student of the FOSJE (Youth Orchestra Foundation of Ecuador), and a student of the National Conservatory. She has a degree in Contemporary Music from the Universidad San Francisco de Quito joint with Berklee College of Music. Certified teacher in "Music Together" early musical stimulation.Winner of the "Emisarios Del Jazz 2008" contest organized by the Embassy of the United States, performing at the Kennedy Center in Washington DC followed by a national tour in Ecuador with this format.She ventured into the world of musicals with leading roles: Old-fashioned lover ,   Enriqueta and the ever-late story, Enredos entre dos y Les Miserables as Fantine, Yerma in Canto Yermo , an adaptation of the original script by García Lorca, Chicago as Velma Kelly.General producer of the Opera Madame Butterfly 2018 and Producer of Chicago el musical 2019.In 2012, she was invited to perform the soundtrack of the renowned Mexican documentary ABC Nunca Más by famous director Pedro Ultreras.This is how he brings original compositions of Ecuadorian music to movie theaters in Mexican and North American lands with great reception.In 2014, she became the first Ecuadorian to be hired as a solo singer by the prestigious Cirque du Soleil , in the OVO show.2015 tour in Japan. Obtaining a Pedro Pablo Traversari award for personalities from the world of the arts 2015.After his two record productions (Pasional and Sweet Christmas), he is now working on his third record album, hoping to be on digital platforms.This podcast is sponsored byMichigan ArtShareColdPlunge RecordsTo become a sponsor for this podcast, go to the Patreon link below.https://www.patreon.com/TiaTime1Produced by Green Bow Music https://www.canr.msu.edu/michigan_artshare/https://www.coldplungerecords.com/

Join us as we have a look at the Parshat (Torah Portion) called Bechukotai or “In His Statutes”. It is a particularly interesting Parshat for me as it was the Portion I was born under. There is little question in my life I have always been drawn to His Word and Instructions, the commandments, or statutes. As a member of the Body of the House of Yisrah-el', I ask and cannot answer if everyone has some sort of pull to the Parshat of their birth. If any of you need help in finding that portion let me know I can help you find it. Vayiqra (Leviticus) 26:3 – 46 Mal'akiy 4:5 Yerma'yahu (Jeremiah) 31:31-34 Which is repeated in Hebrews 8:8-12

Vieja: ¿A ti te gusta tu marido? Yerma: ¿Cómo? Vieja: ¿Que si lo quieres? ¿Si deseas estar con él?... Yerma: No sé. Vieja: ¿No tiemblas cuando se acerca a ti? ¿No te da así como un sueño cuando acerca sus labios? Dime. Yerma: No, no le he sentido nunca.... Mi marido... me lo dio mi padre y yo lo acepté. Con alegría. Ésta es la pura verdad. Pues el primer día que me puse novia con él ya pensé... en los hijos.... Vieja: Todo lo contrario que yo. Quizá por eso no hayas parido a tiempo. Los hombres tienen que gustar, muchacha. Han de deshacernos las trenzas y darnos de beber agua en su misma boca. Así corre el mundo. Yerma: El tuyo, que el mío, no.... Yo me entregué a mi marido..., y me sigo entregando para ver si llega [mi hijo], pero nunca por divertirme. Vieja: ¡Y resulta que estás vacía! Yerma: No, vacía, no, porque me estoy llenando de odio. Dime, ¿tengo yo la culpa? ¿Es preciso buscar en el hombre el hombre nada más? Entonces, ¿qué vas a pensar cuando te deja en la cama con los ojos tristes mirando al techo y da media vuelta y se duerme? ¿He de quedarme pensando en él o en lo que puede salir relumbrando de mi pecho?... Vieja: ... ¡Qué criatura tan hermosa eres! Déjame. No me hagas hablar más.... Yerma: Entonces, que Dios me ampare. Vieja: Dios, no. A mí no me ha gustado nunca Dios. ¿Cuándo os vais a dar cuenta de que no existe? Son los hombres los que te tienen que amparar. Yerma: Pero ¿por qué me dices eso?, ¿por qué? Vieja: (Yéndose) Aunque debía haber Dios, aunque fuera pequeñito, para que mandara rayos contra los hombres de simiente podrida que encharcan la alegría de los campos.1 Esta escena de la tragedia titulada Yerma, obra teatral que escribió Federico García Lorca en 1934, está preñada del tema de la maternidad frustrada. Es tal la frustración que siente Yerma, la protagonista principal, que la lleva a matar a su indiferente esposo. Tal vez Yerma hubiera soportado la desgracia de casarse con un hombre estéril sin saberlo, pero no que él le dijera que no le importaba que no pudieran tener hijos, que la vida era más dulce sin ellos y que por eso él era feliz no teniéndolos.2 En realidad, si fuera posible, el más frustrado debiera ser Dios, el mismo que nunca le cayó bien a la anciana del diálogo de García Lorca. Porque ella es sólo una de un sinnúmero de personas que le han echado la culpa de sus penas a un Dios que alegan que no existe. Lo cierto es que los culpables de nuestras desgracias somos los hombres, y el único que puede ampararnos es Dios. Si acudimos a Él, lejos de mandar rayos contra nosotros cuando los merecemos, Dios será «nuestro amparo y nuestra fortaleza, nuestra ayuda segura en momentos de angustia».3 Carlos ReyUn Mensaje a la Concienciawww.conciencia.net 1 Federico García Lorca, «Yerma: Poema trágico», publicado en Colección Alianza Cien (Madrid, Alianza Editorial, 1996), pp. 24-27. 2 Ibíd., pp. 91-93 y contraportada. 3 Sal 46:1

Esta es una muestra de "La casa de Bernarda Alba". La versión completa tiene una duración total de 1 h 20 min.Encuentra este audiolibro completo en https://bit.ly/3sdvZzRNarrado por: Gloria Muñoz, Elena González, Rebeca Hernando, Carmen Mayordomo, Marta Poveda, Sol de la Barreda, Beatriz Melgares Luna, Cristina Arias y Antonio Martínez Asensio.Considerada la obra más madura de Lorca, La casa de Bernarda Alba cierra la llamada trilogía de la tragedia -formada también por Bodas de sangre y Yerma-. Su carácter realista y la opresión en el pecho que se siente ante la represión de unas mujeres atrapadas en un frío infierno de luto, celos, silencio y sueños truncados se ha interpretado como un presagio de los oscuros tiempos que se avecinaban y en los que el propio Lorca se convertiría en una víctima prematura.© 2021, Penguin Random House Grupo Editorial, S. A. U.#penguinaudio #audiolibro #audiolibros #lorca #garcialorca #lacasadebernardaalba See acast.com/privacy for privacy and opt-out information.

Lorca és un dels genis de la literatura espanyola del segle XX. Nascut a Fuente Vaqueros, província de Granada, el 1898. Malgrat ser una època força conflictiva, la seva família té força recursos per no passar gaire penúries. La seva mare, mestra de professió, é la seva primera influència literària i el motiva per la lectura des de ben jove. Rep formació a la Universitat de Granada on es llicencia en Filosofia i Lletres i Dret. És durant aquest període que viu en residències d’estudiants i entra en contacte amb d’altres escriptors, artistes i científics. La seva passió per la reflexió, la justícia, la poesia, la música i el teatre el porten a començar a escriure més seriosament i publica el seu primer llibre de poesia. Així és com entra en contacte amb d’altres poetes de l’anomenada ‘Generació del 27’ i obté un gran èxit entre bona part de la societat de l’època, però també odis i recances entre un sector oposat a les seves idees. Lorca viatja a Nova York i a diferents països d’Amèrica del Sud per donar a conèixer la seva obra i establir relació amb d’altres personalitats artístiques del moment. L’obra de Lorca està carregada de símbols literaris que s’identifiquen amb unes idees i uns elements característics i comuns presents en gran part de les seves composicions ; tan poètiques, amb títols destacats com ‘Romancero gitano’ (1928), ‘Poeta en Nueva York’ (1931), o ‘Sonetos del amor oscuro’ (1936); o dramàtica, on destaquen les tres grans tragèdies rurals de l’autor, ‘Bodas de sangre’ (1933), ‘Yerma’ (1934) i ‘La casa de Bernarda Alba’ (1936). ‘Doña Rosita la soltera o el lenguaje de las flores’ és un drama en tres actes escrit el 1935; i és, a més, la darrera obra estrenada en vida de Lorca, el desembre de 1935 al Principal Palace de Barcelona amb la companyia de Margarida Xirgu. La trama de l’obra, basada en una història real viscuda per la cosina del mateix autor, narra la relació de Doña Rosita amb el seu cosí, que és alhora el seu promès. Quan el cosí ha d’emigrar a l’Argentina per fer fortuna, la parella es veu obligada a separar-se, però abans de fer-ho, tots dos es prometen amor etern. La distància i el temps sembla que no són obstacles per mantenir viu l’amor entre ells i Doña Rosita rep, periòdicament, les cartes d’amor que li envia el seu promès. L’espera del retrobament es fa llarga i els fets es desencadenen de manera diferent als previstos. La versió radiofònica que avui posem en antena és un enregistrament del Quadre de Veus de Radioteatre de l'any 2004, segons l’adaptació de Joan Carles Peris, sota la direcció de Joan Garrigó, i amb les veus de Júlia González en Doña Rosita, Dolors Trenchs en la Ama, Glòria Farrés en la Tía, Margarida Fabregat en la Madre, Marta Plaza en Manola 1 i Ayola 2, Laura Castillo en Manola 2 i Ayola 1, Joana Palau en Solterona 1, Rosa aguado en Solterona 2, Francisco Domingo en el Tío, Joan Salvador en el Sobrino, Ramon Bravo en Don Martín, Jordi Bernad en el Catedrático de Economía i Ismael Majó en un Muchacho. La narració és de Ricard Pagès, el Muntatge Musical de Nina Mataix, i la realització tècnica de Joan Borràs.

Hello there gorgeous creep1 Here we are, once again, with a brand new audio delight. Ready to fling merrily down your ears and run riot round your mind. Aren't you lucky! In this episode, we hear the second part of the previous episode (duh). So if you haven't listened to Part 1 yet...then obviously do that. Billie Piper and Keeley begin making their way to Stonehenge and some very serious truths are revealed. A horde of celebs are laying in wait for them. And they get some help from a couple of Druids. Featuring Druids, Stonehenge, Doctor Who, Yerma, Stephen Fry, Alan Carr, Jeremy Clarkson, Idris Elba, Sandi Toksvig, David Baddiel, Frank Skinner and so much more. Ko-Fi: https://ko-fi.com/PianoTeeth Website: https://www.pianoteeth.co.uk/ Insta: @the_piano_teeth Please note, nothing that happens should be taken seriously. Including the very poor impersonations of the celebrities involved. This whole thing is the incoherent rambling of a mad man with a bleach problem. As a result, it shouldn't be listened to by anyone. Including yourself. Enjoy sexy scumbag and be well.