Podcasts about Chautauqua Institution

How can you write science-based fiction without info-dumping your research? How can you use AI tools in a creative way, while still focusing on a human-first approach? Why is adapting to the fast pace of change so difficult and how can we make the most of this time? Jamie Metzl talks about Superconvergence and more. In the intro, How to avoid author scams [Written Word Media]; Spotify vs Audible audiobook strategy [The New Publishing Standard]; Thoughts on Author Nation and why constraints are important in your author life [Self-Publishing with ALLi]; Alchemical History And Beautiful Architecture: Prague with Lisa M Lilly on my Books and Travel Podcast. Today's show is sponsored by Draft2Digital, self-publishing with support, where you can get free formatting, free distribution to multiple stores, and a host of other benefits. Just go to www.draft2digital.com to get started. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jamie Metzl is a technology futurist, professional speaker, entrepreneur, and the author of sci-fi thrillers and futurist nonfiction books, including the revised and updated edition of Superconvergence: How the Genetics, Biotech, and AI Revolutions Will Transform Our Lives, Work, and World. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes How personal history shaped Jamie's fiction writing Writing science-based fiction without info-dumping The super convergence of three revolutions (genetics, biotech, AI) and why we need to understand them holistically Using fiction to explore the human side of genetic engineering, life extension, and robotics Collaborating with GPT-5 as a named co-author How to be a first-rate human rather than a second-rate machine You can find Jamie at JamieMetzl.com. Transcript of interview with Jamie Metzl Jo: Jamie Metzl is a technology futurist, professional speaker, entrepreneur, and the author of sci-fi thrillers and futurist nonfiction books, including the revised and updated edition of Superconvergence: How the Genetics, Biotech, and AI Revolutions Will Transform Our Lives, Work, and World. So welcome, Jamie. Jamie: Thank you so much, Jo. Very happy to be here with you. Jo: There is so much we could talk about, but let's start with you telling us a bit more about you and how you got into writing. From History PhD to First Novel Jamie: Well, I think like a lot of writers, I didn't know I was a writer. I was just a kid who loved writing. Actually, just last week I was going through a bunch of boxes from my parents' house and I found my autobiography, which I wrote when I was nine years old. So I've been writing my whole life and loving it. It was always something that was very important to me. When I finished my DPhil, my PhD at Oxford, and my dissertation came out, it just got scooped up by Macmillan in like two minutes. And I thought, “God, that was easy.” That got me started thinking about writing books. I wanted to write a novel based on the same historical period – my PhD was in Southeast Asian history – and I wanted to write a historical novel set in the same period as my dissertation, because I felt like the dissertation had missed the human element of the story I was telling, which was related to the Cambodian genocide and its aftermath. So I wrote what became my first novel, and I thought, “Wow, now I'm a writer.” I thought, “All right, I've already published one book. I'm gonna get this other book out into the world.” And then I ran into the brick wall of: it's really hard to be a writer. It's almost easier to write something than to get it published. I had to learn a ton, and it took nine years from when I started writing that first novel, The Depths of the Sea, to when it finally came out. But it was such a positive experience, especially to have something so personal to me as that story. I'd lived in Cambodia for two years, I'd worked on the Thai-Cambodian border, and I'm the child of a Holocaust survivor. So there was a whole lot that was very emotional for me. That set a pattern for the rest of my life as a writer, at least where, in my nonfiction books, I'm thinking about whatever the issues are that are most important to me. Whether it was that historical book, which was my first book, or Hacking Darwin on the future of human genetic engineering, which was my last book, or Superconvergence, which, as you mentioned in the intro, is my current book. But in every one of those stories, the human element is so deep and so profound. You can get at some of that in nonfiction, but I've also loved exploring those issues in deeper ways in my fiction. So in my more recent novels, Genesis Code and Eternal Sonata, I've looked at the human side of the story of genetic engineering and human life extension. And now my agent has just submitted my new novel, Virtuoso, about the intersection of AI, robotics, and classical music. With all of this, who knows what's the real difference between fiction and nonfiction? We're all humans trying to figure things out on many different levels. Shifting from History to Future Tech Jo: I knew that you were a polymath, someone who's interested in so many things, but the music angle with robotics and AI is fascinating. I do just want to ask you, because I was also at Oxford – what college were you at? Jamie: I was in St. Antony's. Jo: I was at Mansfield, so we were in that slightly smaller, less famous college group, if people don't know. Jamie: You know, but we're small but proud. Jo: Exactly. That's fantastic. You mentioned that you were on the historical side of things at the beginning and now you've moved into technology and also science, because this book Superconvergence has a lot of science. So how did you go from history and the past into science and the future? Biology and Seeing the Future Coming Jamie: It's a great question. I'll start at the end and then back up. A few years ago I was speaking at Lawrence Livermore National Laboratory, which is one of the big scientific labs here in the United States. I was a guest of the director and I was speaking to their 300 top scientists. I said to them, “I'm here to speak with you about the future of biology at the invitation of your director, and I'm really excited. But if you hear something wrong, please raise your hand and let me know, because I'm entirely self-taught. The last biology course I took was in 11th grade of high school in Kansas City.” Of course I wouldn't say that if I didn't have a lot of confidence in my process. But in many ways I'm self-taught in the sciences. As you know, Jo, and as all of your listeners know, the foundation of everything is curiosity and then a disciplined process for learning. Even our greatest super-specialists in the world now – whatever their background – the world is changing so fast that if anyone says, “Oh, I have a PhD in physics/chemistry/biology from 30 years ago,” the exact topic they learned 30 years ago is less significant than their process for continuous learning. More specifically, in the 1990s I was working on the National Security Council for President Clinton, which is the president's foreign policy staff. My then boss and now close friend, Richard Clarke – who became famous as the guy who had tragically predicted 9/11 – used to say that the key to efficacy in Washington and in life is to try to solve problems that other people can't see. For me, almost 30 years ago, I felt to my bones that this intersection of what we now call AI and the nascent genetics revolution and the nascent biotechnology revolution was going to have profound implications for humanity. So I just started obsessively educating myself. When I was ready, I started writing obscure national security articles. Those got a decent amount of attention, so I was invited to testify before the United States Congress. I was speaking out a lot, saying, “Hey, this is a really important story. A lot of people are missing it. Here are the things we should be thinking about for the future.” I wasn't getting the kind of traction that I wanted. I mentioned before that my first book had been this dry Oxford PhD dissertation, and that had led to my first novel. So I thought, why don't I try the same approach again – writing novels to tell this story about the genetics, biotech, and what later became known popularly as the AI revolution? That led to my two near-term sci-fi novels, Genesis Code and Eternal Sonata. On my book tours for those novels, when I explained the underlying science to people in my way, as someone who taught myself, I could see in their eyes that they were recognizing not just that something big was happening, but that they could understand it and feel like they were part of that story. That's what led me to write Hacking Darwin, as I mentioned. That book really unlocked a lot of things. I had essentially predicted the CRISPR babies that were born in China before it happened – down to the specific gene I thought would be targeted, which in fact was the case. After that book was published, Dr. Tedros, the Director-General of the World Health Organization, invited me to join the WHO Expert Advisory Committee on Human Genome Editing, which I did. It was a really great experience and got me thinking a lot about the upside of this revolution and the downside. The Birth of Superconvergence Jamie: I get a lot of wonderful invitations to speak, and I have two basic rules for speaking: Never use notes. Never ever. Never stand behind a podium. Never ever. Because of that, when I speak, my talks tend to migrate. I'd be speaking with people about the genetics revolution as it applied to humans, and I'd say, “Well, this is just a little piece of a much bigger story.” The bigger story is that after nearly four billion years of life on Earth, our one species has the increasing ability to engineer novel intelligence and re-engineer life. The big question for us, and frankly for the world, is whether we're going to be able to use that almost godlike superpower wisely. As that idea got bigger and bigger, it became this inevitable force. You write so many books, Jo, that I think it's second nature for you. Every time I finish a book, I think, “Wow, that was really hard. I'm never doing that again.” And then the books creep up on you. They call to you. At some point you say, “All right, now I'm going to do it.” So that was my current book, Superconvergence. Like everything, every journey you take a step, and that step inspires another step and another. That's why writing and living creatively is such a wonderfully exciting thing – there's always more to learn and always great opportunities to push ourselves in new ways. Balancing Deep Research with Good Storytelling Jo: Yeah, absolutely. I love that you've followed your curiosity and then done this disciplined process for learning. I completely understand that. But one of the big issues with people like us who love the research – and having read your Superconvergence, I know how deeply you go into this and how deeply you care that it's correct – is that with fiction, one of the big problems with too much research is the danger of brain-dumping. Readers go to fiction for escapism. They want the interesting side of it, but they want a story first. What are your tips for authors who might feel like, “Where's the line between putting in my research so that it's interesting for readers, but not going too far and turning it into a textbook?” How do you find that balance? Jamie: It's such a great question. I live in New York now, but I used to live in Washington when I was working for the U.S. government, and there were a number of people I served with who later wrote novels. Some of those novels felt like policy memos with a few sex scenes – and that's not what to do. To write something that's informed by science or really by anything, everything needs to be subservient to the story and the characters. The question is: what is the essential piece of information that can convey something that's both important to your story and your character development, and is also an accurate representation of the world as you want it to be? I certainly write novels that are set in the future – although some of them were a future that's now already happened because I wrote them a long time ago. You can make stuff up, but as an author you have to decide what your connection to existing science and existing technology and the existing world is going to be. I come at it from two angles. One: I read a huge number of scientific papers and think, “What does this mean for now, and if you extrapolate into the future, where might that go?” Two: I think about how to condense things. We've all read books where you're humming along because people read fiction for story and emotional connection, and then you hit a bit like: “I sat down in front of the president, and the president said, ‘Tell me what I need to know about the nuclear threat.'” And then it's like: insert memo. That's a deal-killer. It's like all things – how do you have a meaningful relationship with another person? It's not by just telling them your story. Even when you're telling them something about you, you need to be imagining yourself sitting in their shoes, hearing you. These are very different disciplines, fiction and nonfiction. But for the speculative nonfiction I write – “here's where things are now, and here's where the world is heading” – there's a lot of imagination that goes into that too. It feels in many ways like we're living in a sci-fi world because the rate of technological change has been accelerating continuously, certainly for the last 12,000 years since the dawn of agriculture. It's a balance. For me, I feel like I'm a better fiction writer because I write nonfiction, and I'm a better nonfiction writer because I write fiction. When I'm writing nonfiction, I don't want it to be boring either – I want people to feel like there's a story and characters and that they can feel themselves inside that story. Jo: Yeah, definitely. I think having some distance helps as well. If you're really deep into your topics, as you are, you have to leave that manuscript a little bit so you can go back with the eyes of the reader as opposed to your eyes as the expert. Then you can get their experience, which is great. Looking Beyond Author-Focused AI Fears Jo: I want to come to your technical knowledge, because AI is a big thing in the author and creative community, like everywhere else. One of the issues is that creators are focusing on just this tiny part of the impact of AI, and there's a much bigger picture. For example, in 2024, Demis Hassabis from Google DeepMind and his collaborative partner John Jumper won the Nobel Prize for Chemistry with AlphaFold. It feels to me like there's this massive world of what's happening with AI in health, climate, and other areas, and yet we are so focused on a lot of the negative stuff. Maybe you could give us a couple of things about what there is to be excited and optimistic about in terms of AI-powered science? Jamie: Sure. I'm so excited about all of the new opportunities that AI creates. But I also think there's a reason why evolution has preserved this very human feeling of anxiety: because there are real dangers. Anybody who's Pollyanna-ish and says, “Oh, the AI story is inevitably positive,” I'd be distrustful. And anyone who says, “We're absolutely doomed, this is the end of humanity,” I'd also be distrustful. So let me tell you the positives and the negatives, and maybe some thoughts about how we navigate toward the former and away from the latter. AI as the New Electricity Jamie: When people think of AI right now, they're thinking very narrowly about these AI tools and ChatGPT. But we don't think of electricity that way. Nobody says, “I know electricity – electricity is what happens at the power station.” We've internalised the idea that electricity is woven into not just our communication systems or our houses, but into our clothes, our glasses – it's woven into everything and has super-empowered almost everything in our modern lives. That's what AI is. In Superconvergence, the majority of the book is about positive opportunities: In healthcare, moving from generalised healthcare based on population averages to personalised or precision healthcare based on a molecular understanding of each person's individual biology. As we build these massive datasets like the UK Biobank, we can take a next jump toward predictive and preventive healthcare, where we're able to address health issues far earlier in the process, when interventions can be far more benign. I'm really excited about that, not to mention the incredible new kinds of treatments – gene therapies, or pharmaceuticals based on genetics and systems-biology analyses of patients. Then there's agriculture. Over the last hundred years, because of the technologies of the Green Revolution and synthetic fertilisers, we've had an incredible increase in agricultural productivity. That's what's allowed us to quadruple the global population. But if we just continue agriculture as it is, as we get towards ten billion wealthier, more empowered people wanting to eat like we eat, we're going to have to wipe out all the wild spaces on Earth to feed them. These technologies help provide different paths toward increasing agricultural productivity with fewer inputs of land, water, fertiliser, insecticides, and pesticides. That's really positive. I could go on and on about these positives – and I do – but there are very real negatives. I was a member of the WHO Expert Advisory Committee on Human Genome Editing after the first CRISPR babies were very unethically created in China. I'm extremely aware that these same capabilities have potentially incredible upsides and very real downsides. That's the same as every technology in the past, but this is happening so quickly that it's triggering a lot of anxieties. Governance, Responsibility, and Why Everyone Has a Role Jamie: The question now is: how do we optimise the benefits and minimise the harms? The short, unsexy word for that is governance. Governance is not just what governments do; it's what all of us do. That's why I try to write books, both fiction and nonfiction, to bring people into this story. If people “other” this story – if they say, “There's a technology revolution, it has nothing to do with me, I'm going to keep my head down” – I think that's dangerous. The way we're going to handle this as responsibly as possible is if everybody says, “I have some role. Maybe it's small, maybe it's big. The first step is I need to educate myself. Then I need to have conversations with people around me. I need to express my desires, wishes, and thoughts – with political leaders, organisations I'm part of, businesses.” That has to happen at every level. You're in the UK – you know the anti-slavery movement started with a handful of people in Cambridge and grew into a global movement. I really believe in the power of ideas, but ideas don't spread on their own. These are very human networks, and that's why writing, speaking, communicating – probably for every single person listening to this podcast – is so important. Jo: Mm, yeah. Fiction Like AI 2041 and Thinking Through the Issues Jo: Have you read AI 2041 by Kai-Fu Lee and Chen Qiufan? Jamie: No. I heard a bunch of their interviews when the book came out, but I haven't read it. Jo: I think that's another good one because it's fiction – a whole load of short stories. It came out a few years ago now, but the issues they cover in the stories, about different people in different countries – I remember one about deepfakes – make you think more about the topics and help you figure out where you stand. I think that's the issue right now: it's so complex, there are so many things. I'm generally positive about AI, but of course I don't want autonomous drone weapons, you know? The Messy Reality of “Bad” Technologies Jamie: Can I ask you about that? Because this is why it's so complicated. Like you, I think nobody wants autonomous killer drones anywhere in the world. But if you right now were the defence minister of Ukraine, and your children are being kidnapped, your country is being destroyed, you're fighting for your survival, you're getting attacked every night – and you're getting attacked by the Russians, who are investing more and more in autonomous killer robots – you kind of have two choices. You can say, “I'm going to surrender,” or, “I'm going to use what technology I have available to defend myself, and hopefully fight to either victory or some kind of stand-off.” That's what our societies did with nuclear weapons. Maybe not every American recognises that Churchill gave Britain's nuclear secrets to America as a way of greasing the wheels of the Anglo-American alliance during the Second World War – but that was our programme: we couldn't afford to lose that war, and we couldn't afford to let the Nazis get nuclear weapons before we did. So there's the abstract feeling of, “I'm against all war in the abstract. I'm against autonomous killer robots in the abstract.” But if I were the defence minister of Ukraine, I would say, “What will it take for us to build the weapons we can use to defend ourselves?” That's why all this stuff gets so complicated. And frankly, it's why the relationship between fiction and nonfiction is so important. If every novel had a situation where every character said, “Oh, I know exactly the right answer,” and then they just did the right answer and it was obviously right, it wouldn't make for great fiction. We're dealing with really complex humans. We have conflicting impulses. We're not perfect. Maybe there are no perfect answers – but how do we strive toward better rather than worse? That's the question. Jo: Absolutely. I don't want to get too political on things. How AI Is Changing the Writing Life Jo: Let's come back to authors. In terms of the creative process, the writing process, the research process, and the business of being an author – what are some of the ways that you already use AI tools, and some of the ways, given your futurist brain, that you think things are going to change for us? Jamie: Great question. I'll start with a little middle piece. I found you, Jo, through GPT-5. I asked ChatGPT, “I'm coming out with this book and I want to connect with podcasters who are a little different from the ones I've done in the past. I've been a guest on Joe Rogan twice and some of the bigger podcasts. Make me a list of really interesting people I can have great conversations with.” That's how I found you. So this is one reward of that process. Let me say that in the last year I've worked on three books, and I'll explain how my relationship with AI has changed over those books. Cleaning Up Citations (and Getting Burned) Jamie: First is the highly revised paperback edition of Superconvergence. When the hardback came out, I had – I don't normally work with research assistants because I like to dig into everything myself – but the one thing I do use a research assistant for is that I can't be bothered, when I'm writing something, to do the full Chicago-style footnote if I'm already referencing an academic paper. So I'd just put the URL as the footnote and then hire a research assistant and say, “Go to this URL and change it into a Chicago-style citation. That's it.” Unfortunately, my research assistant on the hardback used early-days ChatGPT for that work. He did the whole thing, came back, everything looked perfect. I said, “Wow, amazing job.” It was only later, as I was going through them, that I realised something like 50% of them were invented footnotes. It was very painful to go back and fix, and it took ten times more time. With the paperback edition, I didn't use AI that much, but I did say things like, “Here's all the information – generate a Chicago-style citation.” That was better. I noticed there were a few things where I stopped using the thesaurus function on Microsoft Word because I'd just put the whole paragraph into the AI and say, “Give me ten other options for this one word,” and it would be like a contextual thesaurus. That was pretty good. Talking to a Robot Pianist Character Jamie: Then, for my new novel Virtuoso, I was writing a character who is a futurist robot that plays the piano very beautifully – not just humanly, but almost finding new things in the music we've written and composing music that resonates with us. I described the actions of that robot in the novel, but I didn't describe the inner workings of the robot's mind. In thinking about that character, I realised I was the first science-fiction writer in history who could interrogate a machine about what it was “thinking” in a particular context. I had the most beautiful conversations with ChatGPT, where I would give scenarios and ask, “What are you thinking? What are you feeling in this context?” It was all background for that character, but it was truly profound. Co-Authoring The AI Ten Commandments with GPT-5 Jamie: Third, I have another book coming out in May in the United States. I gave a talk this summer at the Chautauqua Institution in upstate New York about AI and spirituality. I talked about the history of our human relationship with our technology, about how all our religious and spiritual traditions have deep technological underpinnings – certainly our Abrahamic religions are deeply connected to farming, and Protestantism to the printing press. Then I had a section about the role of AI in generating moral codes that would resonate with humans. Everybody went nuts for this talk, and I thought, “I think I'm going to write a book.” I decided to write it differently, with GPT-5 as my named co-author. The first thing I did was outline the entire book based on the talk, which I'd already spent a huge amount of time thinking about and organising. Then I did a full outline of the arguments and structures. Then I trained GPT-5 on my writing style. The way I did it – which I fully describe in the introduction to the book – was that I'd handle all the framing: the full introduction, the argument, the structure. But if there was a section where, for a few paragraphs, I was summarising a huge field of data, even something I knew well, I'd give GPT-5 the intro sentence and say, “In my writing style, prepare four paragraphs on this.” For example, I might write: “AI has the potential to see us humans like we humans see ant colonies.” Then I'd say, “Give me four paragraphs on the relationship between the individual and the collective in ant colonies.” I could have written those four paragraphs myself, but it would've taken a month to read the life's work of E.O. Wilson and then write them. GPT-5 wrote them in seconds or minutes, in its thinking mode. I'd then say, “It's not quite right – change this, change that,” and we'd go back and forth three or four times. Then I'd edit the whole thing and put it into the text. So this book that I could have written on my own in a year, I wrote a first draft of with GPT-5 as my named co-author in two days. The whole project will take about six months from start to finish, and I'm having massive human editing – multiple edits from me, plus a professional editor. It's not a magic AI button. But I feel strongly about listing GPT-5 as a co-author because I've written it differently than previous books. I'm a huge believer in the old-fashioned lone author struggling and suffering – that's in my novels, and in Virtuoso I explore that. But other forms are going to emerge, just like video games are a creative, artistic form deeply connected to technology. The novel hasn't been around forever – the current format is only a few centuries old – and forms are always changing. There are real opportunities for authors, and there will be so much crap flooding the market because everybody can write something and put it up on Amazon. But I think there will be a very special place for thoughtful human authors who have an idea of what humans do at our best, and who translate that into content other humans can enjoy. Traditional vs Indie: Why This Book Will Be Self-Published Jo: I'm interested – you mentioned that it's your named co-author. Is this book going through a traditional publisher, and what do they think about that? Or are you going to publish it yourself? Jamie: It's such a smart question. What I found quickly is that when you get to be an author later in your career, you have all the infrastructure – a track record, a fantastic agent, all of that. But there were two things that were really important to me here: I wanted to get this book out really fast – six months instead of a year and a half. It was essential to me to have GPT-5 listed as my co-author, because if it were just my name, I feel like it would be dishonest. Readers who are used to reading my books – I didn't want to present something different than what it was. I spoke with my agent, who I absolutely love, and she said that for this particular project it was going to be really hard in traditional publishing. So I did a huge amount of research, because I'd never done anything in the self-publishing world before. I looked at different models. There was one hybrid model that's basically the same as traditional, but you pay for the things the publisher would normally pay for. I ended up not doing that. Instead, I decided on a self-publishing route where I disaggregated the publishing process. I found three teams: one for producing the book, one for getting the book out into the world, and a smaller one for the audiobook. I still believe in traditional publishing – there's a lot of wonderful human value-add. But some works just don't lend themselves to traditional publishing. For this book, which is called The AI Ten Commandments, that's the path I've chosen. Jo: And when's that out? I think people will be interested. Jamie: April 26th. Those of us used to traditional publishing think, “I've finished the book, sold the proposal, it'll be out any day now,” and then it can be a year and a half. It's frustrating. With this, the process can be much faster because it's possible to control more of the variables. But the key – as I was saying – is to make sure it's as good a book as everything else you've written. It's great to speed up, but you don't want to compromise on quality. The Coming Flood of Excellent AI-Generated Work Jo: Yeah, absolutely. We're almost out of time, but I want to come back to your “flood of crap” and the “AI slop” idea that's going around. Because you are working with GPT-5 – and I do as well, and I work with Claude and Gemini – and right now there are still issues. Like you said about referencing, there are still hallucinations, though fewer. But fast-forward two, five years: it's not a flood of crap. It's a flood of excellent. It's a flood of stuff that's better than us. Jamie: We're humans. It's better than us in certain ways. If you have farm machinery, it's better than us at certain aspects of farming. I'm a true humanist. I think there will be lots of things machines do better than us, but there will be tons of things we do better than them. There's a reason humans still care about chess, even though machines can beat humans at chess. Some people are saying things I fully disagree with, like this concept of AGI – artificial general intelligence – where machines do everything better than humans. I've summarised my position in seven letters: “AGI is BS.” The only way you can believe in AGI in that sense is if your concept of what a human is and what a human mind is is so narrow that you think it's just a narrow range of analytical skills. We are so much more than that. Humans represent almost four billion years of embodied evolution. There's so much about ourselves that we don't know. As incredible as these machines are and will become, there will always be wonderful things humans can do that are different from machines. What I always tell people is: whatever you're doing, don't be a second-rate machine. Be a first-rate human. If you're doing something and a machine is doing that thing much better than you, then shift to something where your unique capacities as a human give you the opportunity to do something better. So yes, I totally agree that the quality of AI-generated stuff will get better. But I think the most creative and successful humans will be the ones who say, “I recognise that this is creating new opportunities, and I'm going to insert my core humanity to do something magical and new.” People are “othering” these technologies, but the technologies themselves are magnificent human-generated artefacts. They're not alien UFOs that landed here. It's a scary moment for creatives, no doubt, because there are things all of us did in the past that machines can now do really well. But this is the moment where the most creative people ask themselves, “What does it mean for me to be a great human?” The pat answers won't apply. In my Virtuoso novel I explore that a lot. The idea that “machines don't do creativity” – they will do incredible creativity; it just won't be exactly human creativity. We will be potentially huge beneficiaries of these capabilities, but we really have to believe in and invest in the magic of our core humanity. Where to Find Jamie and His Books Jo: Brilliant. So where can people find you and your books online? Jamie: Thank you so much for asking. My website is jamiemetzl.com – and my books are available everywhere. Jo: Fantastic. Thanks so much for your time, Jamie. That was great. Jamie: Thank you, Joanna.The post Writing The Future, And Being More Human In An Age of AI With Jamie Metzl first appeared on The Creative Penn.

In this episode of The Bandwich Tapes, I reconnect (30 years later!) with bassist and singer Trish Imbrogno. We apparently shared the same summers at the Chautauqua Institution as teens, then each took “classical first” career paths before veering joyfully into other sounds. Trish tells the story of leaving a busy classical schedule to become a bluegrass/Americana bassist and bandleader and why she's never looked back. We explore topics such as discipline, groove, ensemble trust, the debate between purists and progress, and the thrill (and terror) of starting over in a new musical language. We also preview her debut EP Bluegrass Love Songs, Vol. 1 (out Nov 7) and the monster lineup that played on it.To learn more about Trish, visit her website. Music from the Episode:Think of What You've Done (Trish Imbrogno)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

Today, Kaitlin Curtice and I talk about getting to the root of what we believe. Kaitlin B. Curtice is an Indigenous poet-storyteller, a public speaker, and the award-winning author of Native and Living Resistance. She has written for Sojourners, Religion News Service, On Being, Oprah Daily, and The Liminality Journal, and her work has been featured on CBS and in USA Today. A citizen of the Potawatomi nation, Kaitlin speaks on topics such as colonialism in faith communities, interfaith relationships, and the intersection of spirituality and identity, and she has collaborated with The Aspen Institute and Chautauqua Institution. She lives near Philadelphia with her family.You can buy Everything Is a Story wherever you buy books. Subscribe to Kaitlin's Substack, The Liminality Journal at kaitlincurtice.substack.com. Follow Kaitlin on IG @kaitlincurtice. Join the Found Family crew on Substack and get your free copy of The Found Family Cheat Sheet. Support the show

In this episode, I sit down with author and poet Kaitlin Curtice to explore the ways stories shape our lives and communities. Drawing from her new book Everything Is a Story, Kaitlin reflects on the narratives that formed her growing up, the Indigenous wisdom that grounds her, and the liminal spaces where transformation takes place. We talk about cyclical and linear storytelling, the role of art and poetry in healing, and how interfaith relationships and community can help us move beyond fear and division. This conversation invites us to honor the stories we carry, let go of those that wound, and imagine new ones that lead us into kinship, belonging, and hope.Kaitlin Curtice is an award-winning author, poet-storyteller, and public speaker. As an enrolled citizen of the Potawatomi nation, Kaitlin writes on the intersections of spirituality and identity and how that shifts throughout our lives. She also speaks on these topics to diverse audiences who are interested in truth-telling and healing. As an inter-spiritual advocate, Kaitlin participates in conversations on topics such as colonialism in faith communities, and she has spoken at many conferences on the importance of inter-faith relationships. Kaitlin leads workshops and retreats, as well as lectures and keynote presentations, ranging from panels at the Aspen Climate Conference to speaking at the Chautauqua Institution and at universities, private retreat centers, and churches across the country. In 2020 Kaitlin's award-winning book Native: Identity, Belonging and Rediscovering God won Georgia Author of the Year in the religion category. Native explores the relationship between American Christianity and Indigenous peoples, drawing on Kaitlin's experiences as a Potawatomi woman.In 2023, Kaitlin released two books, first, Living Resistance: An Indigenous Vision for Seeking Wholeness Every Day, which examines the journey of resisting the status quo of hate by caring for ourselves, one another, and Mother Earth, and second, her first children's book called Winter's Gifts: An Indigenous Celebration of Nature, which is the premier book in a series of four books on the four seasons coming out with Convergent, RandomHouse Books. Her second book in the series called Summer's Magic was released in 2024.Besides her books, Kaitlin has written online for Sojourners, Religion News Service, On Being, SELF Magazine, Oprah Daily, and more. Her work has been featured on CBS and in USA Today. She also writes essays and poetry for The Liminality Journal and spends her time supporting other authors as they navigate the world of publishing. Kaitlin lives near Philadelphia with her partner, two dogs, and two kids.Kaitlin's Book:Everything is a StoryKaitlin's Recommendations:Care of the SoulThe Works of John O'DonahueSubscribe to Our Substack: Shifting CultureConnect with Joshua: jjohnson@shiftingculturepodcast.comGo to www.shiftingculturepodcast.com to interact and donate. Every donation helps to produce more podcasts for you to enjoy.Follow on Facebook, Instagram, Twitter, Threads, Bluesky or Contact me to advertise: jjohnson@shiftingculturepodcast.com Support the show

In this episode, Sabrina Lynn Motley, director of the Smithsonian Folklife Festival at the Center for Folklife and Cultural Heritage, and Jeffrey Rosen, president and CEO of the National Constitution Center, discuss how their institutions are celebrating America's 250th birthday. This conversation took place at Chautauqua Institution 2025 Summer Assembly. Resources Jeff Rosen, The Pursuit of Liberty: How Hamilton and Jefferson Ignited the Lasting Battle Over Power in America   Chautauqua Institution, Sabrina Lynn Motley and Jeffrey Rosen  National Constitution Center, America's Town Hall  Stay Connected and Learn More Questions or comments about the show? Email us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠podcast@constitutioncenter.org⁠⁠⁠⁠⁠⁠⁠⁠⁠ Continue the conversation by following us on social media @ConstitutionCtr. ⁠⁠⁠⁠⁠⁠⁠⁠⁠Sign up⁠⁠⁠⁠⁠⁠⁠⁠⁠ to receive Constitution Weekly, our email roundup of constitutional news and debate. Follow, rate, and review wherever you listen. Join us for an upcoming ⁠⁠⁠⁠⁠⁠⁠⁠⁠live program⁠⁠⁠⁠⁠⁠⁠⁠⁠ or watch recordings on ⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠. Support our important work. ⁠⁠⁠⁠⁠⁠⁠⁠⁠Donate

This was a talk I gave in 2022 at the Chautauqua Institution as the guest of the UU Fellowship of Chautauqua. It includes a poetic reading that was part of the service before the talk. 

A voice-conscious Jonah Goldberg is flying solo at the Chautauqua Institution and ready to flesh out his morning thoughts. He ruminates over the Epstein-Trump drama, discusses attempts to lower the voting age, and explains the importance of terms.Plus: a review of the week's Remnant episodes with guests Tomer Persico and Sarah Isgur. Show Notes:—This week's Dispatch Roundtable Podcast—This week's Remnant with Tomer Persico—This week's Remnant with Sarah Isgur—Last week's Remnant with Chris Stirewalt—WSJ Epstein Birthday Letter Article The Remnant is a production of The Dispatch, a digital media company covering politics, policy, and culture from a non-partisan, conservative perspective. To access all of The Dispatch's offerings—including Jonah's G-File newsletter, regular livestreams, and other members-only content—click here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's guest, Kati Hanlon Mayo, Academy Associate Director for Charlotte Ballet's Upper School, trained at The Boston School of Ballet under the direction of E. Virginia Williams & Violette Verdy. At the age of 15, she became a member of Boston Ballet 2 before joining North Carolina Dance Theatre (now Charlotte Ballet) as a principal dancer. She also performed with Chautauqua Ballet Company under the direction of Jean Pierre Bonnefoux.Her students have gone on to professional careers with companies throughout the world, including: New York City Ballet, Nederland Dans Theater, San Francisco Ballet, Boston Ballet and Houston Ballet. Kati has been a guest teacher for The Alvin Ailey American Dance Theater, The Chautauqua Institution, Regional Dance America and she is a repetiteur for the Salvatore Aiello Trust. She is a certified instructor of Dance for Parkinson's Disease through The Mark Morris Dance Group and she also completed her instructor certification with Progressing Ballet Technique.In our conversation, Kati shares about the value of mentors, allowing yourself to grow, and staying focused on your training despite the distractions of competing for roles, navigating the unknowns, and all the things that can pull your focus from your technique.Thanks for listening to our conversation, thanks for sharing this episode with a friend and for leaving a review. Takeaways from our conversation:-mentors help you understand what you don't know-a life in dance starts at a young age; requiring both physical and emotional strength and maturity-stay connected to the joyful adventure of danceLearn more about Kati and Charlotte Ballet - including their summer program at Charlotteballet.org.You can learn more about dance education and career planning for dancers at theballerinatist.com#dance #danceeducation #professionaldancer #dancecompany #ballet #ballerina #summerdanceprogram

Chautauqua County District Attorney Jason Schmidt following the sentencing of Hadi Matar in the stabbing of author Salman Rushdie full 993 Fri, 16 May 2025 15:30:00 +0000 Ck8fKMyn8rgQKPZhtEJyZcmI9wYOz0f3 news,wben,salman rushdie,chautauqua institution,chautauqua county,hadi matar,jason schmidt WBEN Extras news,wben,salman rushdie,chautauqua institution,chautauqua county,hadi matar,jason schmidt Chautauqua County District Attorney Jason Schmidt following the sentencing of Hadi Matar in the stabbing of author Salman Rushdie Archive of various reports and news events 2024 © 2021 Audacy, Inc. News

Chautauqua County Public Defender Nathaniel Barone following the sentencing of Hadi Matar for the stabbing of author Salman Rushdie full 1074 Fri, 16 May 2025 15:45:00 +0000 khRdJlHDPFpknfhgwn54eO3n02chJ3LC wben,salman rushdie,chautauqua institution,chautauqua county,hadi matar,news WBEN Extras wben,salman rushdie,chautauqua institution,chautauqua county,hadi matar,news Chautauqua County Public Defender Nathaniel Barone following the sentencing of Hadi Matar for the stabbing of author Salman Rushdie Archive of various reports and news events 2024 © 2021 Audacy, Inc. News

Jill McCormick, Communications Director of Chautauqua Institution joins us.

Today's guest, Madeline Jazz Harvey, is an Associate Professor at Colorado State University, is a dance educator, choreographer, and performer specializing in classical and contemporary ballet. Her twenty-year performance career includes dancing with Charlotte Ballet, Carolina Ballet Theatre, and Impact Dance Company. She attended summer intensive programs on full scholarship at Chautauqua Institution, Complexions Contemporary Ballet, and The Juilliard School.Madeline holds a BA and Professional Training Certificate in Dance from the University of North Carolina at Charlotte and an MFA in Choreography from Jacksonville University. Human connection and vulnerability drive her practice. Her creative research investigates play as a paradigm for choreographic process. In 2007, she was the youngest recipient of the New York Choreographic Institute Fellowship Award. She has premiered over 50 original works. She is credited with the development of ShapeX, a wellness program for children with Type II Diabetes. Currently, she is the Principal Investigator for an ongoing research study, Movement Through Parenthood, examining the efficacy of an original EA based dance intervention for improving emotional availability and wellbeing from pregnancy through postpartum. In our conversation Madeline - despite still recovering from the flu - shares the value of collegiate summer dance programs, building creative research, and collaboration as a gateway to learn and opportunity.Takeaways from our conversation:-look for dance experiences that help you take creative risk-collaboration on all levels will strengthen your practice-bring your artistic self into all areas of your lifeLearn more about Madeline at https://madelinejazzharvey.weebly.com/and CSU's dance program at: https://dance.colostate.edu/Check out Dance Lab: https://dance.colostate.edu/dance-lab/Learn more about dance training and career planning: https://www.theballerinatist.com/

Countless authors have written about death, even their own, but few have been able to document their almost deaths as publicly as Salmon Rushdie, who in August 2022 survived an assassination attempt at New York's Chautauqua Institution (ironically, just as he was about to deliver a speech about the creation of safe spaces for writers in America from elsewhere). Knife: Meditations After an Attempted Murder gives the impression the acclaimed writer is almost disappointed by the mediocrity of his would-be assassin, a young man radicalized not so much by what Rushie had written, but what had been written about him.

Hadi Matar's defense attorney Nathaniel Barone following the guilty verdict handed down in the jury trial on Friday full 481 Fri, 21 Feb 2025 19:15:40 +0000 IJOpiR761zSzTKtCPYsVnny3DSQ2Gaa5 news,wben,salman rushdie,chautauqua institution,hadi matar,mayville,chautauqua county court WBEN Extras news,wben,salman rushdie,chautauqua institution,hadi matar,mayville,chautauqua county court Hadi Matar's defense attorney Nathaniel Barone following the guilty verdict handed down in the jury trial on Friday Archive of various reports and news events 2024 © 2021 Audacy, Inc. News False

Chautauqua County District Attorney Jason Schmidt following the guilty verdict in the Hadi Matar case full 944 Fri, 21 Feb 2025 19:30:35 +0000 AxDe6hSQz6aXQTtqtZqNOSbBvnemqwYQ news,wben,salman rushdie,chautauqua institution,hadi matar,mayville,chautauqua county court,jason schmidt WBEN Extras news,wben,salman rushdie,chautauqua institution,hadi matar,mayville,chautauqua county court,jason schmidt Chautauqua County District Attorney Jason Schmidt following the guilty verdict in the Hadi Matar case Archive of various reports and news events 2024 © 2021 Audacy, Inc. News False

Attorney Paul Cambria provides his thoughts on the guilty verdict in the case of Hadi Matar in Chautauqua County full 271 Fri, 21 Feb 2025 19:45:31 +0000 k4x9WBGQbzBJNACmhRZukuZOsQkQJ9Oy news,wben,paul cambria,salman rushdie,chautauqua institution,hadi matar,mayville,chautauqua county court WBEN Extras news,wben,paul cambria,salman rushdie,chautauqua institution,hadi matar,mayville,chautauqua county court Attorney Paul Cambria provides his thoughts on the guilty verdict in the case of Hadi Matar in Chautauqua County Archive of various reports and news events 2024 © 2021 Audacy, Inc. News False

I'm excited to have Skye Jethani back on the podcast. When we talk about justice, we often think in binary terms - judgment or mercy, punishment or forgiveness. But as Skye argues, the biblical vision of justice is far more nuanced and holistic. At its core, justice is about the proper ordering of relationships - between humanity and God, as well as between individuals and communities. It's not just about retribution, but about restoring the shalom, the wholeness and flourishing, that God intended for his creation. This understanding upends many of our assumptions about justice, both in the church and in society. He challenges the popular American Christian idea that justice is something the government does, not the church. And he unpacks how this bifurcation between the "vertical" and "horizontal" dimensions of justice has deeply distorted our theology and our engagement with the world. But Skye also offers a compelling alternative - a vision of justice that holds together judgment and mercy, individual transformation and systemic change. It's a vision rooted in the cosmic victory of Christ on the cross, where the powers of evil were defeated and a new order was established. This is a conversation that spans creation, Christology, and the church's role in pursuing righteousness. Skye draws on Scripture, church history, and his own experience to paint a rich, nuanced portrait of justice that challenges us to rethink our assumptions and expand our imaginations. So join us as we reckon with justice.Skye Jethani is an award-winning author, speaker, and co-host of the Holy Post Podcast and co-founder of Holy Post Media. Skye has written more than a dozen books and served as an editor and executive at Christianity Today for more than a decade. Raised in a religiously and ethnically diverse family, his curiosity about faith led him to study comparative religion before entering seminary and pastoral ministry. With a unique ability to connect Christian thought and contemporary culture, his voice has been featured in The New York Times, USA Today, and The Washington Post, and he's spoken to audiences throughout the world as diverse as the U.S. Naval Academy, The Chautauqua Institution, and the Lausanne Movement.Skye's Book:What If Jesus Was Serious About Justice?Skye's Recommendations:How Far to the Promised LandThe Ballot and the BibleSubscribe to Our Substack: Shifting CultureConnect with Joshua: jjohnson@allnations.usGo to www.shiftingculturepodcast.com to interact and donate. Every donation helps to produce more podcasts for you to enjoy.Follow on Facebook, Instagram, Twitter, Threads, Bluesky or YouTubeConsider Giving to the podcast and to the ministry that my wife and I do around the world. Just click on the support the show link belowEmail jjohnson@allnations.us, so we can get your creative project off the ground! Support the show

Dr. Nicole first met Tayo in NYC at the Tamron Hall Show taping. Tayo is a light in this world and he is all about bring authenticity to his work with people. Tayo has been instrumental in helping people understand that their unique differences and cultural attributes are welcome in their lives, relationships, workplaces, schools, places of worship, and more. By listening to this episode you may learn something about yourself as well. Tayo Rockson is a writer, speaker, consultant, podcaster, professor, co-founder and brand strategist at UYD Management - a strategic consulting firm that empowers organizations to incorporate sustainable diversity and inclusion practices. As the son of a diplomat, Tayo grew up understanding the nuances of multicultural diversity while living on four continents. He leveraged his experiences to establish himself as an authority in communicating effectively across cultures and personal branding. He graced various stages to share his knowledge including TEDx, the prestigious Chautauqua Institution, and the United Nations. Tayo is the host of As Told by Nomads, a podcast ranked in the top 5 tier of the Top 25 Business Podcasts for Entrepreneurs on Entrepreneur.com. He's the author of Use Your Difference To Make A Difference and a professor at the prestigious Imperial College Business School as well as Felician University. In 2020, he launched the national anti-racism campaign called #LetsTalkBias. In 2021, Tayo was named in Remote Weekly's list of The 100 Most Influential Remote Experts and starred in the award winning movie, IMPACT which is about three people who embark on a personal journey to transform the way they communicate on their quest to impact the world. Additional Resources:

The trial of Hadi Matar, who's accused of attacking author Salman Rushdie at the Chautauqua Institution in 2022, continues on Tuesday. Legal analyst Paul Cambria examines the trial and tells us whether it would be smart for Matar to take the stand.

Opening statements will be made today in the trial of Hadi Matar, who's accused of attacking author Salman Rushdie while he spoke to a crowd at the Chautauqua Institution in August of 2022. CBS legal analyst Thane Rosenbaum is tracking the trial.

Send us a textJoin us for Bishop Wright's latest podcast series: The Heart of Moral Leadership. Moral leadership is critical in turbulent political times because it provides a compass for guiding people through uncertainty, promoting justice, and fostering unity. In periods of division, leaders with strong ethical principles inspire trust, encourage empathy, and model behavior that prioritizes the common good over personal gain.Jesus' leadership, marked by compassion, forgiveness, and a radical commitment to loving one's neighbor, offers a moral framework that transcends political and social boundaries. His teachings focus on humility, service, and advocating for the marginalized—values that resonate throughout history and remain relevant today. In the series intro, Bishop Wright has a conversation with The Rev. Dr. Robert Franklin, Senior Advisor to the President of Emory University and the James T. and Berta R. Laney Chair in Moral Leadership. They discuss what defines a moral leader and draw examples from Jesus, Dr. King, and President Jimmy Carter. Dr. Franklin shares the importance of nurturing a collective responsibility, urging us all to embody ethical behaviors and cultivate a moral compass in our daily lives. Listen in for the full conversation. Dr. Franklin is the Senior Advisor to the President of Emory University and holds the James T. and Berta R. Laney Chair in Moral Leadership. Before joining Emory, Franklin was a visiting scholar at Stanford University's Martin Luther King Jr. Institute and Director of the Interfaith Religion Department at the Chautauqua Institution in New York. An ordained minister, Franklin served as President of the Interdenominational Theological Center (ITC) in Atlanta from 1997 to 2002.A celebrated author, Franklin has published four books: Moral Leadership: Integrity, Courage, Imagination (2020); Crisis in the Village: Restoring Hope in African American Communities (2007); Another Day's Journey: Black Churches Confronting the American Crisis (1997); and Liberating Visions: Human Fulfillment and Social Justice in African-American Thought (1990).Support the show Follow us on IG and FB at Bishop Rob Wright.

In the second hour of "Connections with Evan Dawson" on 2/5/25, we discuss the Chautauqua Institution and preview the new PBS documentary "Chautauqua at 150: Wynton Marsalis' All Rise."

Jury selection has started in the trial of Hadi Matar, who is accused of attacking author Salman Rushdie at the Chautauqua Institution in 2022. Paul Cambria gives his thoughts on what position the defense may take.

Once upon a time, there was a little girl who wanted to dance and sing and shine in front of a huge crowd. And one day she would find her voice, and do just that… Her name… is Amanda. [This episode originally aired in October, 2021.] About the Narrator Jacqueline Green followed her dream to become a dancer with the Alvin Ailey American Dance Theater in New York City. She began her dance training at age 13 at the Baltimore School for the Arts. She is a 2011 cum laude graduate of the Ailey/Fordham BFA Program, and also trained at the Pennsylvania Regional Ballet, the Chautauqua Institution for Dance, and The School at Jacob's Pillow.  Credits This podcast is a production of Rebel Girls and is based on the book series Good Night Stories for Rebel Girls. This special mini episode was produced by Isaac Kaplan-Woolner. Sound design and mixing by Bianca Salinas. This episode was written by Abby Scher and proofread by Joe Rhatigan. Executive Producer is Katie Sprenger. A big thanks to the whole Rebel Girls team who make this show possible! Original theme music was composed and performed by Elettra Bargiacchi . For more, visit www.rebelgirls.com. Until next time, stay REBEL!

"Dance Talk” ® with Joanne Carey and special guest, Isabella LaFreniere, Principal Dancer, New York City Ballet. In this episode of Dance Talk, host Joanne Carey interviews Isabella Lafreniere, a principal dancer with the New York City Ballet. They discuss Isabella's journey into dance, the challenges of continuous improvement, and the demanding schedule of a professional dancer. Isabella shares her experiences from a recent tour in Copenhagen, the significance of costumes in ballet, and her roles in The Nutcracker. The conversation highlights the dedication and hard work behind the glamour of ballet, as well as the excitement of upcoming performances. Isabella LaFreniere was born in Lambertville, Michigan, and began her dance training at the age of seven at the Northeast Academy of Dance under Giuseppe Canale and Scott Heinrich. At 11, she began studying with Anna Reznik and Alexei Kremnev, first at the Southold Dance Theatre in South Bend, Indiana, and then at the Joffrey Academy of Dance in Chicago, Illinois. She began studying at the School of American Ballet (SAB), the official school of New York City Ballet, during the 2008 summer course, and enrolled as a full-time student during the 2010 winter term. She received additional training at the Chautauqua Institution and Pacific Northwest Ballet summer programs. Ms. LaFreniere became an apprentice with NYCB in August 2013 and joined the Company as a member of the corps de ballet in June 2014. Ms. LaFreniere was promoted to the rank of soloist dancer in January 2022 and principal dancer in February 2023.  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠⁠⁠⁠ ⁠https://dancetalkwithjoannecarey.com/⁠ Follow Joanne on Instagram @westfieldschoolofdance YOUTUBE: https://www.youtube.com/channel/UC4NldYaDOdGWsVd2378IyBw Tune in. Follow. Like us. And Share.   Please leave us review about our podcast!   “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Have you ever felt lonely as a leader? Leadership can be a lonely place sometimes, but it doesn't have to be. Join us this week for an inspiring and thought-provoking episode with creative coach Jen Jones Donatelli in an episode that redefines leadership and building community. This conversation covers the ethics and challenges of forming deep connections while maintaining professional boundaries, and the human need for belonging and community. Together we discuss the difference between being the 'sage on the stage' to being the 'guide on the side', making the case for genuine relational leadership. They also touch on overcoming fears, finding purpose in new environments, and how leaders can support their mental health. If you're intrigued by the balance of leading with empathy, maintaining authenticity, and finding your tribe, this episode is packed with invaluable insights. Tune in to discover how to overcome leadership loneliness and how to create safe and supportive spaces for growth and transformationJen's Bio: Jen Jones Donatelli is a certified Co-Active coach (PCC-level), creative facilitator and founder of Creative Groove—a small business offering courses, coaching, and community around the art of creative living. Jen has also taught for schools and organizations including Loyola Marymount University, Ohio University, MediaBistro, StoryStudio Chicago, Literary Cleveland, and Chautauqua Institution. Prior to her work with Creative Groove, Jen worked in various forms of media and entertainment for nearly 20 years. Her resume spans feature films, award shows, talk shows, sitcoms, red carpet reporting, and print/online journalism for outlets including Glamour, REDBOOK, Business Insider, Playboy, Los Angeles Confidential and many more. Jen's work has taken her into the kitchens of Wolfgang Puck and Thomas Keller, hidden gems throughout California and Mexico, and even into Ozzy Osbourne's bedroom. (True story!) She is a proud graduate of the E.W. Scripps School of Journalism at Ohio University.

The Right Rev. Eugene Taylor Sutton, senior pastor of the Chautauqua Institution, delivers a compelling sermon titled "Here Comes the Judge!" Reflecting on Numbers 11:4-29 and Mark 9:38-50, Bishop Sutton confronts the age-old tension between judgment and discernment within the Christian faith. "Judgmentalism is a social sin: it is the habit of constantly finding fault with what others say and do." In this message, he calls us to seek understanding with humility and love, urging us to discern as God discerns.

Empowering the practice of architecture to achieve consistent, predictable, positive impacts on human well-being and planetary health is perhaps one of the most pressing topics in the AEC today. Starting with a review of the history of the search for Bioclimatic Law, this conversation with Dr Bill Braham, FAIA is an invitation to architects to reclaim their power. Bioclimatic Law is the relationship between architecture and life. In practice “life” is more narrowly defined by architecture as “comfort” or “comfort, health and well-being”. At its core bioclimatic design asks “What are the climate opportunities?”. The basic principle is to start with a clear understanding of the ambient climate and map those inputs to the design of the building - its massing, orientation, enclosure systems, and window sizes, locations, and shading devices. Beyond these truly passive methods, there are always active systems involved in maintaining a balance between heat flowing into the building and heat sources within the building.Our buildings mediate between the external climate and our lives. From a thermal perspective, actively managing the enclosure can lead to comfortable indoor conditions 60-80% of the time in most climates. From a well being perspective, as the external climate becomes more unpredictable and severe we have an opportunity to improve the quality of the lived experience of the buildings we deliver to ourselves to protect and shelter us. Join Kristof as he and Bill enjoy a thoughtful, wide-ranging discussion about the role of architecture in society and the role of buildings as extensions of our lives and goals. Big picture, we also want to thank you for being listeners who, in our increasingly soundbite world, appreciate the depth, breadth and subtlety of conversations like this. We're happy that you're noticing and valuing that we “go there” in these idea exchanges. Please keep your emails and comments coming.Bill BrahamWilliam Braham, PhD, FAIA is a Professor of Architecture at the University of Pennsylvania, where he previously served as Department Chair and Chair of the Faculty Senate, and is currently Director of the Master of Environmental Building Design and of the Center for Environmental Building + Design. He has worked on energy and architecture for over 35 years as a designer, consultant, researcher, and author of numerous articles and books. His most recent projects include energy and carbon plans for Nakashima Woodworkers and Chautauqua Institution and building performance modelling for Daikin Open Innovation Lab, Silicon Valley.His books include:Architecture and Systems Ecology: Thermodynamic Principles for Environmental Building Design (Routledge, 2016)TeamHosted by Kristof IrwinEdited by Nico MignardiProduced by M. Walker

Christine Fallert Kessides became a first-time novelist at age 70, when her young adult book, Magda, Standing, was published and received significant acclaim. Christine was born and raised in Pittsburgh, Pennsylvania, and was interested in the fact that all her ancestors (those she could identify) were from Germany. After reviewing her family genealogy and reflecting on some of her relatives' experiences, she was inspired to write Magda's story.  About the novel Magda, Standing: When her father pulls her out of high school to care for her invalid mother and little brother, sixteen-year-old Magda is devastated—but the greater challenge is saving her family in the face of a war and pandemic.  Magda, Standing -- a YA (Young Adult) historical novel released June 2023 from Bold Story Press -- concerns a girl in a German immigrant family in Pittsburgh in 1916-19, confronting the impacts on her family of World War One and the Spanish flu.     The novel speaks to many themes that young people confront today: Balancing the demands of family and tradition with their own ambitions; seeking education despite financial obstacles; dealing with mental illness in a family member; feeling public resentment of immigrants; facing first-time independence from home; and confronting violence and death. Awards include: Gold medalist - 2024 Ben Franklin Award from Independent Book Publishers Association, IBPA - for Young Adult Audiobook Silver medalist - 2023 Story Circle Sarton's Book Award - Young Adult category Bronze medalist - 2023 MOONBEAM Children's Book Award - Young Adult Fiction: Historical/Cultural  Finalist for the 2023 international Eyelands Book Award for published Historical Fiction/Memoir  In this episode, we discuss themes in her book that touch on immigration to the U.S., the effect of pandemics and how the devastation of the Spanish Flu outsized the Covid-19 pandemic in fatalities, the critical importance of nurses, World War I, family and the challenges attendant to coming of age. Takeaways from Magda, Standing, include driving hard to pursue one's dreams and how we can survive almost anything with support, particularly from family. Christine attended college and graduate school at Northwestern University and Princeton University, respectively. She had a career writing policy reports for the World Bank on international development. In her spare time, she volunteers with nonprofits that support women and families and especially enjoys reading, travel, yoga and sharing books with friends. She lives outside Washington DC, in suburban Maryland with her husband, and sees their four children, two grandchildren, and four grand-dogs as often as possible. Christine currently is writing the sequel to Magda, Standing, as well as working on a children's picture book. She spoke about Magda, Standng at the historic Chautauqua Institution (live and on Zoom) in August. Learn more and follow Christine: ⁠www.magda-standing.com⁠             Facebook: https://www.facebook.com/profile.php?id=100091383818477   Instagram: https://www.instagram.com/magdastandingnovel/ --- Support this podcast: https://podcasters.spotify.com/pod/show/maria-leonard-olsen/support

"An award-winning author, speaker, and co-host of the Holy Post Podcast, Skye has written more than a dozen books and served as an editor and executive at Christianity Today for more than a decade. Raised in a religiously and ethnically diverse family, his curiosity about faith led him to study comparative religion before entering seminary and pastoral ministry. With a unique ability to connect Christian thought and contemporary culture, his voice has been featured  in The New York Times, USA Today, and The Washington Post, and he's spoken to audiences throughout the world as diverse as the U.S. Naval Academy, The Chautauqua Institution, and the Lausanne Movement." [https://www.withgoddaily.com/about/]   Help sustain the work of RLC: www.redletterchristians.org/donate/ To check out what RLC is up to, please visit us www.redletterchristians.org  Follow us on Twitter: @RedLetterXians Instagram: @RedLetterXians Follow Shane on Instagram: @shane.claiborne Twitter: @ShaneClaiborne Intro song by Common Hymnal: https://commonhymnal.com/   

Ross Levi, executive director of the New York State Division of Tourism (I Love NY), talks with James Shillinglaw of Insider Travel Report about the state's top attractions this summer, including state parks, the Chautauqua Institution, new museums and resorts. Levi also explains why New York State is working to attract travelers to every corner of the state.  For more information, visit www.iloveny.com. If interested, the original video of this podcast can be found on the Insider Travel Report Youtube channel or by searching for the podcast's title on Youtube.

TW: this episode contains graphic descriptions of violence and injuries.  Two years ago, Sir Salman Rushdie, one of the most celebrated and famous authors in the world was on stage at the Chautauqua Institution in upstate New York, when a figure dressed in black clothes and a mask rushed onto stage and stabbed him numerous times. He nearly died.  Today, I'm so honoured that this extraordinary man joins me to talk about what this experience taught him - and how the forces of love ultimately triumphed over the forces of hatred. We talk about his new book, Knife: Meditations on an Attempted Murder, as well as his early failures at boarding school where he was bullied for being a foreigner who was too clever and bad at games. Plus his failure to be an actor and his early writing rejections. There is some amazing advice in here for anyone involved in the act of creativity about leaning into the messy imperfections and getting to understand who you really are in the process. And…what Margaret Thatcher was *really* like. As always, I'd LOVE to hear about your failures. Every week, my guest and I choose a selection to read out and answer on our special subscription offering, Failing with Friends. We'll endeavour to give you advice, wisdom, some laughs and much, much more.  Knife by Salman Rushdie is available to buy now.  Have something to share of your own? I'd love to hear from you! Click here to get in touch: howtofailpod.com Production & Post Production Manager: Lily Hambly   Studio and Mix Engineer: Gulliver Tickell and Josh Gibbs Senior Producer: Selina Ream Executive Producer: Carly Maile How to Fail is an Elizabeth Day and Sony Music Entertainment Production.   Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Thank you for joining us on today's episode on Inside the Taubman Approach. I'm your host, Dr. Benjamin Harding. Today we welcome Father Sean Duggan to the podcast. Pianist Sean Duggan is a monk of St. Joseph Abbey in Covington, Louisiana. He is also a professor of piano at SUNY Fredonia. Father Sean is a master pianist and a master teacher.  His teaching and playing was and is enhanced in studying with Edna Golandsky. His work in the playing of Bach and memorization is renowned. We cover so much in this episode. Also - bonus! A video of this interview is available on our YouTube channel. Check out the show notes of the podcast for the link and for more information on Father Sean Duggan. YouTube Interview Link: https://www.youtube.com/watch?v=Iw5lYnjvjMQFather Sean Duggan at SUNY Fredonia: https://www.fredonia.edu/academics/colleges-schools/school-music/music/faculty/Sean-DugganPianist Sean Duggan is a monk of St. Joseph Abbey in Covington, Louisiana. He obtained his music degrees from Loyola University in New Orleans and Carnegie Mellon University. He received a Master's degree in theology from Notre Dame Seminary in New Orleans. From 1988 to 2001 he taught music, Latin, and religion at St. Joseph Seminary College in Louisiana and was director of music and organist at St. Joseph Abbey.In September 1983 he won first prize in the Johann Sebastian Bach International Competition for Pianists in Washington, D.C., and again in August 1991. Having a special affinity for the music of Bach, in 2000 he performed the complete cycle of Bach's keyboard works eight times in various American and European cities. For seven years he hosted a weekly program on the New Orleans NPR station entitled “Bach on Sunday.” He is presently in the midst of recording the complete cycle of Bach's keyboard (piano) music, which will comprise 24 CDs.Before he joined the Benedictine order he was pianist and assistant chorus master for the Pittsburgh Opera Company for three years. He has performed with many orchestras including the Louisiana Philharmonic, the Buffalo Philharmonic, the Leipzig Gewandhaus Orchestra, the Leipzig Baroque Soloists, the Prague Chamber Orchestra, the American Chamber Orchestra, and the Pennsylvania Sinfonia. From 2001 to 2004 he was a visiting professor of piano at the University of Michigan. Currently he is associate professor of piano at SUNY at Fredonia. During the fall semester of 2008 he was also a guest professor of piano at Eastman School of Music. He has been a guest artist and adjudicator at the Chautauqua Institution for several summers, and is also a faculty member of the Golandsky Institute at Princeton, New Jersey. He continues to study the Taubman approach with Edna Golandsky in New York City.The Golandsky Institute's mission is to provide cutting-edge instruction to pianists based on the groundbreaking work of Dorothy Taubman. This knowledge can help them overcome technical and musical challenges, cure and prevent playing-related injuries, and lead them to achieve their highest level of artistic excellence.Please visit our website at: www.golandskyinstitute.org.

On 12 Aug 2022, over 30 years after a fatwa had been ordered against him, Salman Rushdie was attacked as he was about to give a public lecture at the Chautauqua​ Institution. By his own admission, he shouldn't have survived such serious injuries. So what was it that helped him to persevere and how has it changed his outlook on life. We spoke with him about the hard work of recovery, the need to write about the ordeal, and what it means to have a second chance at living.

Today With Fawn Chang: Today on Window Treatments for Profit, I am joined by Fawn Chang, a behavioral interior designer, color expert and industry insider. She is sharing how our environments impact our well-being, how window treatments play a crucial role, and how we can position ourselves as consultants for healthier living spaces. Fawn has inspired audiences around the world — teaching how the brain and body interact with our surroundings, and today she is bringing insight on how to create spaces that don't just look beautiful, but actually enhance our health, wealth, and happiness…and how to sell them too. Pick It Apart [2:27] Fawn introduces ‘wellness real estate' and how wellness window treatments can be incorporated. [13:29] Fawn and LuAnn discuss biophilia, its positive impacts in an environment, and how window treatment professionals can capitalize on this. [19:49] LuAnn asks Fawn how to counsel consumers on circadian rhythms and the ideal room darkening window treatments. [24:31] Fawn explains how our bodies and subconscious minds are always reading and reacting to our environments, and the implications of the low-level stress they can cause. [31:02] Fawn and LuAnn discuss body language and best practices when it comes to body language and sales. [50:59] LuAnn reiterates the tools she and Fawn discussed, and shares how these can make you — the window treatment professional — more valuable to interior designers and worth a higher rate. LuAnn and Fawn Chang's Ah-Ha Moments “The outside is always moving in a fashion that is more random than what we see on the our screens, right? That calms the body that puts us into our rest, restore, digest, create, and play mode. We have access to higher order thinking in our brain. We have access to the healing aspects of our body, and then…as long as it's tracking the sunlight, our body's rhythms can train to where they're meant to be.” - Fawn Chang “[In interior design] biophilia feels very normal now, but I have never ever thought about how window treatment people should be capitalizing and leveraging it.” - LuAnn Nigara “Our body and unconscious mind is reading the environment about eight-and-a-half seconds before our thinking mind is aware…Your unconscious reads it, evaluates it, qualifies it.” - Fawn Chang “Embracing Biophilia design and wellness design and having it as another tool in our toolbox as window treatment professionals — we're going to be more important to interior designers. And…consumers will pay easily up to 20% more for products when wellness design is important to them…when it matters to that person, they will pay more.” - LuAnn Nigara “We're not trying to manipulate somebody, we're actually trying to create a connection. That's the whole basis of of sales, and all of this — talking about the neuroscience of having someone feel comfortable in their own house so that you can get to the next level of the sales conversation with them. It's looking for a genuine beginning of a relationship.” - LuAnn Nigara  More About Fawn Chang With over 2500 presentations delivered to audiences internationally, Fawn inspires and shifts perceptions that change lives.  She has a remarkable ability to allow her audience to see how the brain/body work and how to make simple changes for better business, better health, wealth, longevity and more profit.   Fawn's passion is people and she knows that life was NEVER meant to be a struggle.  Using neuroscience, she shows how the human spirit in each of us is confounded by what is in our environment, which speaks to the unconscious mind creating our behavior.  Our true nature begs to be brought forth but is locked within our environments.   Fawn delivers easily digestible, practical and easy-to-implement actionable tips and tools, backed by modern science, ready for immediate application enjoyable, approachable and understandable all with delightful humor. Fawn Chang is a Keynote Speaker, International Interior Designer, Color Marketing and Trending Expert and a Feng Shui Expert.  A former Medical Practice Administrator and teacher, Fawn's presentations bring together neurophysiology and design with conversational style, humor and actionable takeaways. Significantly, she was the designer on a multi-state study to determine the influence of color on students' engagement with incredible results, moving students and teachers from 50% engagement to 100% engagement just with the use and designed placement of wall color.    Fawn writes Health, Safety & Wellness Certified CEU approved seminars and workshops for delivery to design professionals, architects (AIA Certified)  interior designers (IDCEC Certified), builders and general audiences.  Fawn works with the world's foremost paint companies to help audiences understand the power and impact of color and design in their lives.  Fawn has worked with PPGPaints, Exciting Windows & Exciting Colors, and currently works with the over 68 Global and Independent Manufacturers who are Members of  Color Guild International. Fawn is represented by Alan Morell of Creative Management Partners (Beverly Hills/Toronto/New York) to represent her literary, media, and speaking endeavours. For more info contact: amorell@creativemanagementpartners.com A Behavioral Interior Designer, Design Psychology Expert, and Color Marketing and Trending Expert, Fawn is an industry insider,  on the cutting edge of the latest colour and design trends. Fawn writes Health, Safety & Wellness Certified CEU approved seminars and workshops for delivery to design professionals, architects (AIA Certified)  interior designers (IDCEC Certified), builders and general audiences.  Fawn works with the world's foremost paint companies to help audiences understand the power and impact of color and design in their lives.  Fawn has worked with PPGPaints, Exciting Windows & Exciting Colors, and currently works with the over 68 Global and Independent Manufacturers who are Members of  Color Guild International. Her widely varied background includes Medical Practice Administration for a large (40K+ patients, 3 hospitals) Ophthalmology Practice, Fine Art and IT, teaching and developing curriculum K-8.  Fawn also worked with University of Chicago, National Science Foundation and Rose Planetarium at the Museum of Natural History in Manhattan as project lead and writer, developing an exhibit to explain the science of DASI (Degree Angular Scale Interferometer) which measures the Cosmic Microwave Background from Antarctica, for delivery to general audiences understandable at a 5th grade level. Her message has taken her all over the world, speaking to audiences and design industry conferences including: IDS West, AIA, ASID, IDCEC, NKBA, CDECA, CODI and more.  She has lectured at Washington State University, Auburn University, University of Akron, University of Utah, the Art Institutes, LaRoche College, the Chautauqua Institution, and Carnegie Mellon University's Osher Institute, University of Nevada Osher Institute and many others. Connect with Fawn Chang Website Instagram Facebook Facebook Facebook Facebook A Big THANK YOU to Today's Podcast Sponsor: This episode is sponsored by Exciting Windows! What's new with LuAnn Nigara LuAnn University - Registration is now OPEN for the Winter 2024 semester! Watch the Docuseries! http://www.luannnigara.com/cob Get The Goodies! For checklists, resources, and extra goodies from A Well-Designed Business sign up for free here. To Get on LuAnn's Email List, text the word designbiz to 444999! Purchase LuAnn's Books Here: Book 1: The Making of A Well – Designed Business: Turn Inspiration into Action Audiobook: The Making of A Well – Designed Business: Turn Inspiration into Action Book 2: A Well-Designed Business – The Power Talk Friday Experts Pre-Order Book 3: A Well-Designed Business – The Power Talk Friday Experts Volume 2 Connect with LuAnn Nigara LuAnn's Website LuAnn's Blog Power Talk Friday Like Us: Facebook | Tweet Us: Twitter | Follow Us: Instagram | Listen Here: Podcast Other Shows Mentioned:  WTFP #61: Jessica Harling: The 7 Step Sales Process and 3 Proven Sales Techniques to be More Successful Other Resources Mentioned: 10 Proven Secrets To Never-Ending Success 10 Proven Secrets for Never-Ending Business Demand The Impact of Biophilic Learning Spaces on Student Success Air Cleaning Technology In Fabric For Use In Window Treatments Air Cleaning Technology In Fabric For Use In Window Treatments. A Prototype Phase Changing Fabric That Acts As A Heat Source Trends 2024 and Beyond by WGSN

I told stories at the Chautauqua Institution once.  

This We Question & Learn program will feature an interview with Debra Sunya Moore, Senior Vice President and Chief Program Officer at the Chautauqua Institution, talking about the upcoming season. Then our guests will be Ferki Ferati, President of the Jefferson Educational Society along with Ben Speggen, Vice President, outlining the Jefferson's outreach and activities. You can hear these guests, Sunday afternoon, March 3rd starting at 4 on WQLN NPR, and then online at WQLN dot o r g slash we question.

Happy New Year friends! We are so excited for 2024 and all that it holds for us! Several months ago I read a book and immediately knew I wanted to start off 2024 on The Happy Hour with the author. Have you felt like you do a lot for God, and you still feel disconnected? Do you ever feel like you are reading your Bible all the time, and doing all the right things, yet still live in so much fear? Do you find yourself desperate for control? If any of that is you, you are not alone! On today's show Holy Post Podcast Host and author, Skye Jethani challenges us to stop living our life under, over, from, and for God, and start living life with him! An award-winning author, speaker, and co-host of the Holy Post Podcast, Skye has written more than a dozen books and served as an editor and executive at Christianity Today for more than a decade. Raised in a religiously and ethnically diverse family, his curiosity about faith led him to study comparative religion before entering seminary and pastoral ministry. With a unique ability to connect Christian thought and contemporary culture, his voice has been featured  in The New York Times, USA Today, and The Washington Post, and he's spoken to audiences throughout the world as diverse as the U.S. Naval Academy, The Chautauqua Institution, and the Lausanne Movement.You guys, if you're anything like me, this conversation may start off with a lot of conviction, but hang in there! There is so much hope in all of this too! Skye reminds us that from the beginning of time God has shown his people patience and grace while he waits for us to simply come be with him. SHOW LINKS:WithWhat if Jesus was Serious About Heaven?What if Jesus was Serious about the Church?What if Jesus was Serious about Prayer?What if Jesus was Serious?The Holy PostPivotSkye JethaniConnect with JamiePre-Order Why Can't I Get it Together?

In this episode, Skye Jethani and I have a fantastic conversation around what we get wrong about heaven. Spoiler alert – almost everything! How can we center Jesus in our faith and not heaven? Why is the gospel more than just going to heaven when you die? How can we taste heaven here and now? How can we be people where heaven and earth overlap? What is the new heavens and new earth? Will the earth be burned up in fire at the end? We answer these questions and more. Join us, as we get a Jesus centered view of heaven and be inspired to live a life that carries the presence and Spirit of God in the world here and now. An award-winning author, speaker, and co-host of the Holy Post Podcast, Skye has written more than a dozen books and served as an editor and executive at Christianity Today for more than a decade. Raised in a religiously and ethnically diverse family, his curiosity about faith led him to study comparative religion before entering seminary and pastoral ministry. With a unique ability to connect Christian thought and contemporary culture, his voice has been featured in The New York Times, USA Today, and The Washington Post, and he's spoken to audiences throughout the world as diverse as the U.S. Naval Academy, The Chautauqua Institution, and the Lausanne Movement. Skye's Book:What If Jesus Was Serious About Heaven?Skye's Devotional:With God DailySkye's Podcasts:Holy PostSkye's Recommendations:Into the Heart of Romans by N.T. WrightWhat's So Amazing About Grace? by Philip YanceyConnect with Joshua: jjohnson@allnations.usGo to www.shiftingculturepodcast.com to interact and donate. Every donation helps to produce more podcasts for you to enjoy.Follow on Facebook, Instagram, Twitter, or Threads at www.facebook.com/shiftingculturepodcasthttps://www.instagram.com/shiftingculturepodcast/https://twitter.com/shiftingcultur2https://www.threads.net/@shiftingculturepodcastConsider Giving to the podcast and to the ministry that my wife and I do around the world. Just click on the support the show link below.Support the show

Ron Destro is an award-winning writer, actor, director, and teacher. Trained in the US and UK, his mentors have included Royal Shakespeare Company founder John Barton, Oscar-winner F Murray Abraham, TV legend Lucille Ball, painter Pierre Matisse, and teachers at the Iowa Writers Workshop. He received the Kennedy Center New American Play Award for his work, Hiroshima, for which Yoko Ono wrote the original score.             He runs the nonprofit New York and London summer-based Oxford Shakespeare Company, which trains actors and presents Shakespeare plays in historic locations, including Hamlet in Elsinore, Macbeth in Birnam Wood, and Richard III on Bosworth Field.             He's lectured on the Shakespeare authorship question at Harvard University, Chautauqua Institution and the Edinburgh Skeptics Society.             His new book, The Starre, The Moone, The Sunne, is an Elizabethan murder mystery, the solving of which just happens to reveal the identity of the real “William Shakespeare.” I've read The Starre, The Moone, The Sunne and can tell you it's uniquely entertaining, especially as Ron has written it as if he was an author living in the Elizabethan era. Funny, dramatic, raucous, and filled with an amazing theatrical energy, I highly recommend it to you.             And if you're into the Bard of Avon, please check out Ron's excellent book, The Shakespeare Masterclasses, featuring fantastic insights from 13 of the world's greatest classical actors.            Among some of Ron's more unusual achievements, he taught Christopher Reeve to smoke, was told by Groucho Marx to give somebody the finger, and nearly ran Michael York off a mountaintop in a toboggan.www.rondestro.com

This week's podcast guest is Judith Turner-Yakamoto (Loving the Dead and Gone, Regal House, September 2022). We discuss how she pulled her manuscript just before it was going to press because she realized she needed to “kill someone”, how even though she worked for 20 years as a publicist, she still considers the publishing business a deeply strange pond, how getting comfortable with sharing deeply-personal posts on Facebook has helped grow her readership and brought her speaking opportunities, and how she found her publisher through becoming a finalist for the Petrichor Prize, an annual fiction writing competition. Judith Turner-Yamamoto's debut novel LOVING THE DEAD AND GONE, a Mariel Hemingway Book Club pick, won the 2023 Independent Publisher Book Awards Gold Medal in Southern Regional Fiction. The North Carolina Society of Historians recognized the novel with the 2023 Historical Novel Award. Shortlisted for the 2023 Eric Hoffer Book Awards Grand Prize, the book was also honorable mention in General Fiction and finalist for the First Horizon Award for Debut Fiction. Judith's other awards include two Virginia Arts Commission fellowships, an Ohio Arts Council fellowship, the Thomas Wolfe Fiction Prize, and the Virginia Screenwriting Award.   Judith's publications include StorySOUTH, Mississippi Review, Deep South, and many anthologies. Her articles have appeared in Elle, Travel & Leisure, AARP, and the Los Angeles Times, and her interviews aired on NPR affiliate WVXU. A Kentucky Humanities Speakers Bureau scholar, Judith speaks at conferences and book festivals, including the Chautauqua Writers' Center, Chautauqua Institution, the Santa Barbara Writers Conference, and Gaithersburg Book Festival. She lives on the Kentucky/Ohio border where her love of travel and place continues to inspire her writing. To learn more about Judith, click here.

In the wake of the global pandemic and long season that called the 'church" to be church in new and innovative ways - is creativity in a state of crisis or growth? Clergywoman and church consultant Rev. Dr. Karen Chamis invites churches and church leaders to move beyond dreaming - to bring dreams to fruition.Karen believes that creativity empowered is key to helping individuals and organizations to live in alignment with their purpose . Listen to a conversation with Karen  and Tara, at the Athenaeum Hotel at Chautauqua Institution, in May of 2023 to learn more about the power of creativity in times of change. Karen worked in the nonprofit world for most of her life: working as a Zoo Educator, assisting with refugee and asylum seekers, and sitting on the Board of a Community Theater. She is ordained in the Presbyterian Church USA and in December 2022 stepped down from a mid-council position in order to discern where life might take her next and to tackle several writing projects.Her passion is helping organizations to reach their goals. Her toolkit includes training in creative studies, mediation, coaching, systems theory, and grant-writing. Her PhD is in the area of Organizational Leadership, and dissertation is focused on the impact of the COVID pandemic on organizational identity and culture.When Karen is not strategizing or writing, she's  knitting, spinning, and gardening.Contact Rev. Dr. Karen Chamis, go to: http://www.karenchamis.com/Wild Goose Festival is a transformational community grounded in faith-inspired social justice. We learn and grow by co-creating art, music, story, theater, and spectacle, engaging in a wide variety of robust, courageous conversations with each other and with thought leaders and artists from other communities. Apply the discount code TARA at checkout for a $50 discount on the price of an adult weekend ticket. Join Tara every Thursday at noon to discuss Be the Bridge by Latasha Morrison. This book presents a vision of what it means for every follower of Jesus to become a bridge-builder—committed to pursuing justice and racial unity in light of the gospel. The book is available for purchase everywhere and the online discussion group is free. Just email Tara for the Zoom link.Support the showWhen in Western New York, please join Pastor Tara in worship at First Presbyterian Church of Jamestown NY on Sundays at 10:30 am.

In this episode, we go back to the mid-1980s when Michael Eisner decided to bring The Chautauqua Institution's blend of enrichment, entertainment, and fun back to Florida with a “uniquely Disney” touch. Originally conceived to be part of Celebration, The Disney Institute opened in February of 1996, offering “Discovery Vacations” where guests could choose from a variety of classes on the topics of Culinary Arts, Design Arts, Entertainment Arts, Environment, Lifestyles, Story Arts, and Sport and Fitness.

[This episode originally aired October 2021.] Once upon a time, there was a girl who went from making pancakes with her parents to making history as an international rockstar and YouTube sensation — all before turning twelve years old! Her name is Nandi. Jacqueline Green followed her dream to become a dancer with the Alvin Ailey American Dance Theater in New York City. She began her dance training at age 13 at the Baltimore School for the Arts. She is a 2011 cum laude graduate of the Ailey/Fordham BFA Program, and also trained at the Pennsylvania Regional Ballet, the Chautauqua Institution for Dance, and The School at Jacob's Pillow.  This podcast is a production of Rebel Girls and is based on the book series Good Night Stories for Rebel Girls. This episode was produced by Isaac Kaplan-Woolner. Sound design and mixing by Bianca Salinas. This episode was written by Abby Scher and proofread by Joe Rhatigan. Executive Producer was Katie Sprenger. Original theme music was composed and performed by Elettra Bargiacchi. A big thanks to the whole Rebel Girls team who make this show possible! For more, visit www.rebelgirls.com. Until next time, stay REBEL!

Ali Miller is a New York City-based artist from Long Island, NY, working in painting, drawing, and sculpture. Miller constructs fantastical nonlinear-narratives, addressing themes of expectation, using extreme and surreal scenarios. Miller received her MFA from the Maryland Institute College of Art, Hoffberger School of Painting in 2012 and her BFA from Alfred University in 2008. She has attended residencies at the Atlantic Center for the Arts, Golden Foundation, Vermont Studio Center, Chateau Orqueveaux, and Chautauqua Institution. In 2012, Miller received the Best in Show Prize at the Bethesda Painting Awards. Miller's work has been exhibited both nationally and internationally, and her work can be found in both public and private collections. She is currently represented by High Noon Gallery. Sound & Vision is sponored by Golden Artist Colors. Golden makes the best acrylics and mediums, QoR Watercolors and williamsburg Oil paints in New Berlin, NY. An employee owned company, Golden is dedicated to making the best paints tht artists can use in their studios. I have been painting with Golden for over 23 years and I swear by it. Check out their paints at your local art store or at Goldenpaints.com. S&V is also sponsored by Fulcrum Coffee Roasters. They make amazing coffee and ship their beans to your doorstep so you canhave incredible coffee at home. Check out their coffee at fulcrumcoffee.com and add the code alfredstudio to your order and get 20% off your order. Why I make Art is out now. you can get it here: https://www.amazon.com/Why-Make-Art-Contemporary-Artists/dp/1733622098

Salman Rushdie, author of The Satanic Verses, has spent decades in hiding as radical Muslims have hunted and killed many others involved with the controversial novel. Recently, he reemerged in New York, only to be stabbed near-fatally as he took the stage. But are others wrong to draw parallels between the rhetoric used by his attackers and the rhetoric we see increasingly in the West?Plus, Substack writer Sam Thielman had his contract unfairly terminated, but Jesse uncovers events in his past that suggest he may not be quite as fair to others. Then, enjoy the chaos as internet insanity bleeds over into the opera scene once again, this time with an abolitionist twist.Salman RushdieThe attack on Rushdiehttps://www.cnn.com/2022/08/15/us/salman-rushdie-attack-monday/index.htmlBari Weiss’s history of the fatwa against himJesse’s review of Helen Joyce’s bookhttps://www.nytimes.com/2021/09/07/books/review/trans-helen-joyce.htmlThe MacLachlan assaulthttps://www.newstatesman.com/politics/2017/09/trans-rights-terfs-and-a-bruised-60-year-old-what-happened-at-speakers-cornerThe outcome of the casehttps://www.dailymail.co.uk/news/article-5613057/Model-punched-feminist-smashed-120-camera-violent-brawl-walks-free-court.htmlThe Julie Bindel casehttps://www.scotsman.com/news/scottish-news/feminist-speaker-julie-bindel-attacked-transgender-person-edinburgh-university-after-talk-545841Sam ThielmanAckerman’s post mildly criticizing Substack (note Thielman credit)https://foreverwars.ghost.io/forever-wars-off-substack-on-ghost/Thielman details how Substack punished him for editing the posthttps://foreverwars.ghost.io/substack-retaliates-against-forever-wars-editor/Substack backpedalsOur episode on the Gist controversyPesca’s suspensionhttps://www.nytimes.com/2021/02/22/business/media/slate-mike-pesca-suspended.htmlThielman isn’t happy how things turned outJesse’s responseThielman digs himself deeper re: Donald MacNeil Jr.Sam’s devastating response, a masterpiece of polemics thoroughly discrediting Jesse and dishonoring his descendants for centuries to comeTheater BlowupPlaywrights Ensemble resigns collectivelyhttps://medium.com/@ofvictorygardensplaywrights/letter-from-the-playwrights-of-victory-gardens-theater-fcbd3e1d1840A list of demands for white american theater, invoking, of all things, the 13th Amendmenthttps://www.weseeyouwat.com/The results of the protest outside the theaterhttps://www.nytimes.com/2021/04/18/theater/ken-matt-martin-victory-gardens.htmlThe internal conflict at Victory Gardenshttps://www.nytimes.com/2022/08/01/theater/victory-gardens-theater-chicago.html?smtyp=curKen-Matt’s statementhttp://www.kenmatt.com/blog/2022/7/18/for-those-doing-the-workImage: People listen as writers gather to read selected works of British author Salman Rushdie, one week after he was stabbed while on stage, during a rally to show solidarity for free expression outside the New York Public Library in New York City on August 19, 2022. - Hadi Matar has pleaded not guilty to attempted murder charges after being accused of stabbing British author Salman Rushdie multiple times on stage during a literary event at the Chautauqua Institution. The severely injured author is recovering well according to family and friends, after the assault left him with multiple stab wounds on August 12, 2022. (Photo by TIMOTHY A. CLARY / AFP) (Photo by TIMOTHY A. CLARY/AFP via Getty Images) This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit www.blockedandreported.org/subscribe

This is The Briefing, a daily analysis of news and events from a Christian worldview.Part I (00:13 - 09:26) Decades of Fatwa and Last Week's Attack on Author Salman Rushdie: Theology, Honor Religion, and the HeadlinesPart II (09:26 - 16:25) ‘Intellectual Improvement Should Lead to Moral Improvement': The Significance of the The Chautauqua Institution and Its MovementPart III (16:25 - 22:45) Where Has News Reporting Gone?: Study Shows CNN and MSNBC Make Big Move Left Since 2016Study: CNN, MSNBC Took Sharp Left Turns During Trump's Presidency by Washington Post (Erik Wemple)Sign up to receive The Briefing in your inbox every weekday morning.Follow Dr. Mohler:Twitter | Instagram | Facebook | YouTubeFor more information on The Southern Baptist Theological Seminary, go to sbts.edu.For more information on Boyce College, just go to BoyceCollege.com.To write Dr. Mohler or submit a question for The Mailbox, go here.

The school board in Fargo, North Dakota, has voted to stop reciting the Pledge of Allegiance due to the words “under God.” Author Salman Rushdie was stabbed roughly ten times Friday as he prepared to speak at the Chautauqua Institution in western New York. And a perceptive essay in the New York Times explains why Iran remains such a threat to the US. In The Daily Article for August 15, 2022, Dr. Jim Denison considers these news stories and why Christians should embrace our missional command to “do all to the glory of God” (1 Corinthians 10:31). on the stupendous magnificence of God's creation, see my latest article, “Supergiant Betelgeuse has unprecedented stellar eruption.” Please request your copy of What Are My Spiritual Gifts? today. In it you'll learn about 17 spiritual gifts and read of people in the Bible who exemplify each gift. Moreso, you'll learn why God specifically gifted you the way he did.

An update on the woman who allegedly poisoned her husband with Drano. Indian-born author Salman Rushie was stabbed before a speech at the Chautauqua Institution. Ukraine and Russia trade blame for the Zaporizhzhia nuclear plant shelling as fighting continues. A woman in Florida has been arrested after she drowned her chihuahua and bragged about it on social media.

Summertime and the living isn't so easy. So it's time to reclaim the joy of the season and have fun, fun, fun until our collective T-Bird gets taken away, or yet more of our Constitutional freedoms are negated by radical, extremist justices who wouldn't recognize fun if you spotted them the F and the U. The warm glow of summer also gets diminished by the constant reminder that every new high temperature, wild fire, and melting tarmac portends the increasingly imminent melt down of the planet. But let's get out there and have some fun while we can still tolerate being more that 4 feet from an air conditioner. Lewis offers some recommendations for summer fun, including seeing relatives, taking in a theatrical production, visiting a museum, and partaking in some fine dining and beverages. If you're anywhere near the Upstate New York area, you can check out the National Comedy Center, comedycenter.org, the Chautauqua Institution, chq.org, or your host on 7/22 at the Falls View Casino in Niagara Falls (the Canadian side): https://www.ticketmaster.ca/event/10005C70D4EF4D55. And for those of you in the DC-Metro area, there's a production of Lewis''s play "One Slight Hitch" at the Bowie Community Theater through the end of July: https://www.bctheatre.com. The rants this week take on a slight international flavor with submissions from New Zealand and Canada, and also include ones about the many inconveniences and struggles of modern life. Learn more about your ad choices. Visit podcastchoices.com/adchoices