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During her term as 20th Poet Laureate of the Commonwealth of Virginia (2020-22), Emerita, the Academy of American Poets awarded Luisa A. Igloria one of twenty-three Poet Laureate Fellowships in 2021, to support a program of public poetry projects. She is the recipient of the Immigrant Writing Series Prize from Black Lawrence Press for Caulbearer (2024), and was one of 2 Co-Winners of the 2019 Crab Orchard Poetry Prize for Maps for Migrants and Ghosts (Southern Illinois University Press, fall 2020). In April 2021, the Writers Union of the Philippines (UMPIL) conferred on her the Gawad Pambansang Alagad ni Balagtas lifetime achievement award in the English poetry category. In 2015, she was the inaugural winner of the Resurgence Prize (UK), the world's first major award for ecopoetry, selected by former UK Poet Laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. Former US Poet Laureate Natasha Trethewey selected her chapbook What is Left of Wings, I Ask as the 2018 recipient of the Center for the Book Arts Letterpress Poetry Chapbook Prize. Other works include The Buddha Wonders if She is Having a Mid-Life Crisis (Phoenicia Publishing, Montreal, 2018), Ode to the Heart Smaller than a Pencil Eraser (2014 May Swenson Prize, Utah State University Press), and 10 other books. She is lead editor, along with co-editors Aileen Cassinetto and Jeremy S. Hoffman, of Dear Human at the Edge of Time: Poems on Climate Change in the United States (Paloma Press, September 2023). Her poems are widely published or appearing in national and international anthologies, and print and online literary journals including The Georgia Review, Orion, Shenandoah, Cincinnati Review, The Common, Indiana Review, Crab Orchard Review, Diode, Missouri Review, Rattle, Poetry East, Your Impossible Voice, Poetry, Shanghai Literary Review, Cha, and others. Luisa served as the inaugural Glasgow Visiting Writer in Residence at Washington and Lee University in 2018. Luisa also leads workshops at The Muse Writers Center in Norfolk (and serves on the Muse Board). She is a Louis I. Jaffe Professor and University Professor of English and Creative Writing, and a member of the core faculty of the MFA Creative Writing Program at Old Dominion University, which she directed from 2009-2015. Since 2010, she has been writing (at least) a poem a day. www.luisaigloria.com Social Media: Facebook https://www.facebook.com/VAPoetLaureate2020 Instagram @poetslizard X/Twitter @ThePoetsLizard https://linktr.ee/thepoetslizard
Jo Shapcott sends Frank, an enthusiastic tree-hugger, into a sap-soaked frenzy. The collection referenced is ‘Of Mutability'. The poems referenced are ‘I Go Inside The Tree', ‘My Oak' and ‘Cypress'.
1a rad: Mitt liv i sömnen Översättning: Aris Fioretos Uppläsning: Sofia Berg Böhm
Critics Sarah Crompton and Abir Mukherjee review Slow Horses, the brand new series from Apple TV+ starring Gary Oldman, Kristen Scott Thomas, Olivia Cooke, Jack Lowden, Saskia Reeves and Jonathan Pryce. Slow Horses is based on the novel of the same name by Mick Herron, which is part of the author's Slough House series. It tells the story of a team of British intelligence agents who have all committed career-ending mistakes, and subsequently work in a dumping ground department of MI5 called Slough House. New ballet film Coppelia is an innovative family feature with an original score by Maurizio Malagnini, performed by the BBC Concert Orchestra. Choreographed by Dutch National Ballet artistic director Ted Brandsen, it combines 2D and 3D animation with live action dance and features a blend of musical influences from classical to electronic. Based on the original 19th century tales of E.T.A. Hoffmann this modern adaptation tells the love story between Swan and Franz, which is jeopardised by Dr. Coppelius and his uncannily beautiful protégée Coppelia. With a diverse and world-class cast, including Michaela DePrince, Darcey Bussell, Daniel Camargo, Vito Mazzeo and Irek Mukhamedov, the adaptation is created by filmmakers Jeff Tudor, Steven De Beul and Ben Tesseur. Sarah and Abir review. Professor Andrew Biswell, Professor of Modern Literature at Manchester Metropolitan University and Director of the International Anthony Burgess Centre, marks the 50th and 60th anniversaries of ‘A Clockwork Orange' by looking into its history, controversy, and legacy. Front Row will be announcing the winner of the National Poetry Competition this evening. Previous winners include former Poet Laureate Carol Ann Duffy, and distinguished poets Tony Harrison, and Jo Shapcott.
Born in the remote Khojand province of Tajikistan in 1964, Farzaneh Khojandi is widely regarded as the most exciting woman poet writing in Persian today and has a huge following in Iran and Afghanistan as well as in Tajikistan, where she is simply regarded as the country's foremost living writer. Her frequently playful and witty poetry draws on the rich tradition of Persian literature in an often subversive and humorous way. Khojandi was translated by Narguess Farzad, Senior Lecturer, Persian Studies, at SOAS and Chair of Centre for Iranian Studies WITH the UK poet Jo Shapcott, who has won a number of literary prizes including the Commonwealth Writers' Prize for Best First Collection, the Forward Prize for Best Collection and the National Poetry Competition. Persian poetry is rightly famed for the richness of its heritage and many classical Persian poets, such as Rumi and Hafez, are famous across the world. But little is known about how contemporary Persian-language poets have continued to enrich and enliven their tradition, a gap that the PTC sought to fill in its early days translating Persian poets working within the local variations of Dari spoken in Afghanistan, Farsi from Iran and Tajik from Tajikistan.
A live recording of the National Poetry Competition 40th Anniversary Readings at Kings Place, held on 20th March 2019 featuring, featuring Caleb Parkin, Geraldine Clarkson, Mary Jean Chan, Fran Lock, Liz Berry, Mark Pajak, Stephen Sexton, Sinéad Morrissey, Ian Duhig and Jo Shapcott. Supported by Cockayne – Grants for the Arts and The London Community Foundation. You can enter the 2019 National Poetry Competition for yourself at poetrysociety.org.uk/npc. The deadline for entries is 31 October 2019. This is part 1 of 2!
A live recording of the National Poetry Competition 40th Anniversary Readings at Kings Place, held on 20th March 2019 featuring, featuring Caleb Parkin, Geraldine Clarkson, Mary Jean Chan, Fran Lock, Liz Berry, Mark Pajak, Stephen Sexton, Sinéad Morrissey, Ian Duhig and Jo Shapcott. Supported by Cockayne – Grants for the Arts and The London Community Foundation. You can enter the 2019 National Poetry Competition for yourself at poetrysociety.org.uk/npc. The deadline for entries is 31 October 2019. This is part 2 of 2!
Translated by Jo Shapcott and Narguess Farzad. This week's poem is 'Behind The Mass Of Green' by Farzaneh Khojandi from Tajikistan. The poem is read first in English translation by Jo Shapcott and then in Tajik by Farzaneh. Farzaneh Khojandi is a poet with a huge following in Afghanistan and Iran as well as her native Tajikstan. She is widely regarded as the most exciting woman poet writing in Persian today and is revered as Tajikistan’s foremost living writer. Thank you for listening to the Dual Poetry Podcast, one poem in two languages from the Poetry Translation Centre. As ever we will be releasing a translated poem each week. Please take a moment to rate and review this podcast on iTunes or wherever you download.
In this episode, Hannah talks about the poem that has been a friend to her – ‘Of Mutability' by Jo Shapcott. We're delighted to feature ‘Of Mutability' in this episode and would like to thank Faber & Faber for granting us permission to share the poem in this way. You can find ‘Of Mutability' in OF MUTABILITY by Jo Shapcott (Faber & Faber, 2011). Reproduced by permission of Faber & Faber. Hannah visited The Poetry Exchange at Manchester Central Library, as part of the celebrations of International Mother Languages Day in the city. Many thanks to our partners Manchester Libraries, Archives Plus, The Manchester Writing School at Manchester Metropolitan University and Manchester UNESCO City of Literature. https://www.manchester.gov.uk/libraries http://www.archivesplus.org/about-archives/ http://www.manchesterwritingschool.co.uk/ http://www.manchestercityofliterature.com/ Hannah is in conversation with The Poetry Exchange team members, Michael Shaeffer and Fiona Bennett. ‘Of Mutability' Too many of the best cells in my body are itching, feeling jagged, turning raw in this spring chill. It's two thousand and four and I don't know a soul who doesn't feel small among the numbers. Razor small. Look down these days to see your feet mistrust the pavement and your blood tests turn the doctor's expression grave. Look up to catch eclipses, gold leaf, comets, angels, chandeliers, out of the corner of your eye, join them if you like, learn astrophysics, or learn folksong, human sacrifice, mortality, flying, fishing, sex without touching much. Don't trouble, though, to head anywhere but the sky.
My interview with Filipina American poet, Luisa A. Igloria, has not only been informative but quite enthralling as well. Listen to her explain how nature, place, and histories had such a profound influence on her work. Also discover how her daily ritual of writing a poem a day for eight years and going nourished her creative process and well-being. http://yourartsygirlpodcast.com/episodes Luisa A. Igloria is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. Former US Poet Laureate Natasha Trethewey selected her chapbook What is Left of Wings, I Ask as the 2018 recipient of the Center for the Book Arts Letterpress Poetry Chapbook award. Other works include The Buddha Wonders if She is Having a Mid-Life Crisis (Phoenicia Publishing, Montreal, 2018), Ode to the Heart Smaller than a Pencil Eraser (2014 May Swenson Prize, Utah State University Press), and 12 other books. She teaches on the faculty of the MFA Creative Writing Program at Old Dominion University, which she directed from 2009-2015, as well as at the MUSE Writers Center in Norfolk. Her website is: http://www.luisaigloria.com Profile at The Poetry Foundation: http://www.poetryfoundation.org/bio/luisa-a-igloria Author profile photo - photo credits: Gabriela A. Igloria
As part of the Shakespeare Lives in 2016 programme, celebrating the work of William Shakespeare on the 400th anniversary of his death, the British Council supported The Poetry Archive to record and present a collection of Shakespeare sonnets and responses by modern day poets. The collection contains recordings of twenty sonnets read by ten major poets. Each poet has chosen a favourite sonnet by Shakespeare and, inspired by that sonnet, has written a new poem of their own. All these works are included in a new Bloomsbury anthology, 'On Shakespeare's Sonnets - A Poets' Celebration', published in partnership with the Royal Society of Literature and Kings College London. The book contains thirty new poems, not all in sonnet form, alongside thirty of Shakespeare’s 154 sonnets. Find out more about the anthology: literature.britishcouncil.org/project/on…es-sonnets Listen to the full collection of readings: www.poetryarchive.org/content/shakespeare-400
As part of the Shakespeare Lives in 2016 programme, celebrating the work of William Shakespeare on the 400th anniversary of his death, the British Council supported The Poetry Archive to record and present a collection of Shakespeare sonnets and responses by modern day poets. The collection contains recordings of twenty sonnets read by ten major poets. Each poet has chosen a favourite sonnet by Shakespeare and, inspired by that sonnet, has written a new poem of their own. All these works are included in a new Bloomsbury anthology, 'On Shakespeare's Sonnets - A Poets' Celebration', published in partnership with the Royal Society of Literature and Kings College London. The book contains thirty new poems, not all in sonnet form, alongside thirty of Shakespeare’s 154 sonnets. Find out more about the anthology: literature.britishcouncil.org/project/on…es-sonnets Listen to the full collection of readings: www.poetryarchive.org/content/shakespeare-400
Medicine Unboxed 2015 MORTALITY looked at life and death and the lines that separate them. We will marvel at how molecules are arranged into life and examine other beginnings and endings, of the universe and how all nature folds and unfolds in time. We will wonder about time. We will hear the sounds of loss and grief and recovery and how death is felt in war, in hospital, in our homes and fields. We will see medicine’s hand raised against death and suffering and explore its duties to the living and dying. We will ask what a life costs and what it is worth. We will look at social and cultural differences in the experience of death, how immortality is conceived in mythology and sought in technology, our pursuit of the afterlife, and how fact and imagination meet in our encounter with death.
JO SHAPCOTT, poet, has won a number of literary prizes including the Commonwealth Writers' Prize for Best First Collection, the Forward Prize for Best Collection and the National Poetry Competition. Her most recent collection, Of Mutability, was published in 2010 and won the Costa Book Award. In 2011 Jo Shapcott was awarded the Queen's Gold Medal for Poetry. Jo is patron of Medicine Unboxed.
The Imagined Voice - Jackie Kay and Jo Shapcott in conversation with Sam Guglani.
JO SHAPCOTT, poet, has won a number of literary prizes including the Commonwealth Writers' Prize for Best First Collection, the Forward Prize for Best Collection and the National Poetry Competition. Her most recent collection, Of Mutability, was published in 2010 and won the Costa Book Award. In 2011 Jo Shapcott was awarded the Queen's Gold Medal for Poetry. Jo is patron of Medicine Unboxed.
JO SHAPCOTT, poet, has won a number of literary prizes including the Commonwealth Writers' Prize for Best First Collection, the Forward Prize for Best Collection and the National Poetry Competition. Her most recent collection, Of Mutability, was published in 2010 and won the Costa Book Award. In 2011 Jo Shapcott was awarded the Queen's Gold Medal for Poetry. Jo is patron of Medicine Unboxed.
Join us for an afternoon of poetry readings and discussion as Gillian Clarke, Imtiaz Dharker, Sean Borodale and Jo Shapcott talk about their recent experience as poets in residence with the Thresholds project in the University of Cambridge Museums and collections. The poets will be in conversation with Professors Isobel Armstrong and Steven Connor. Poets Sean Borodale, Gillian Clarke, Imtiaz Dharker, Jo Shapcott in conversation with: Steve Connor, Grace 2 Professor of English in the University of Cambridge and Isobel Armstrong, Emeritus Professor of English at Birkbeck College, University of London. To read the four poems that will be discussed during this event visit http://www.thresholds.org.uk/ and search under Gillian Clarke, Imtiaz Dharker, Sean Borodale and Jo Shapcott
Jo Shapcott talks about Medicine Unboxed: "Extraordinarily, extraordinary. Like a university education up to PhD level in one-and-a-half days".
Jo Shapcott reads 'I go inside the tree' from 'Of Mutability'.
John Burnside talks to Sam Guglani and Jo Shapcott about metaphor and imagination and its force in the world. We hear John reads his poem "First Signs of Ageing" via Soundcloud.
What is the imagination for? Sam Guglani and Jo Shapcott explore cracks in the edifice of reason, and what new ways we can understand the imagination. Jo draws on her experience of her own illness and how the imagination works with a diagnosis of serious illness - her "cellular imagination".
Questions from the audience for Jo Shapcott: should imagination be prescribed, metaphor and the collective imagination, empathy and imagination as core clinical values, the roll of poetry in medical education and why hypotheses don't arrive from heaven.
Poets Jo Shapcott and George Szirtes on their poems inspired by Titian's interpetations of Ovid.
Titian, who ruled the Venetian art world for over 60 years, is the subject of this edition of Night Waves. Anne McElvoy is joined by biographer Sheila Hale, artist Conrad Shawcross, poet Jo Shapcott and art historian Martin Kemp to discuss the life and influence of the most famous artist in Europe, ‘a sun amidst small stars'.
Mark Lawson unwraps a selection of new interviews with arts headline makers of 2011. Booker Prize winner Julian Barnes explains why he no longer refuses to read his reviews, and poet Jo Shapcott, winner of the Costa Prize for her collection Of Mutability, discusses why the book's subject, her cancer, is never referred to explicitly. Director Nicholas Hytner and writer Richard Bean reflect on the success of their hit play One Man, Two Guvnors, which will make its way to Broadway after a sell-out UK tour and London run. Film-maker Andrea Arnold is best known for contemporary dramas such as Red Road and Fish Tank, but her 2011 version of Wuthering Heights won wide acclaim. She reveals why her next film won't be an adaptation. Architect Sir David Chipperfield received the RIBA Royal Gold Medal this year, as well as completing the Turner Contemporary in Margate and the Hepworth in Wakefield. He discusses how the current wranglings in Europe could affect his profession. Producer Ellie Bury.
Andrew Marr talks to the science fiction writer China Mieville, whose latest planetary creation explores the links between language and thought, and asks what it means to have no concept of lying. AN Wilson explores a world closer to home, but no less alien, medieval Florence, as he tries to uncover the life and work of Dante. Jonathan Bates' play, Being Shakespeare also attempts to bring to life the work of the Bard and the real man behind the legend, by placing him in his historical context. And the prize-winning poet Jo Shapcott argues for the transformative nature of poetry. Producer: Katy Hickman.
An evening of poetry was held at the Bookshop to celebrate the publication of David Harsent's collection, *Night*. Jo Shapcott and Don Paterson joined David Harsent for a spellbinding set of readings, touching upon bee-keeping, Rothko, saints and siestas, and culminating in an atmospheric reading from *Night* itself. See acast.com/privacy for privacy and opt-out information.
A programme of specially commissioned new poetry about bees, featuring new work from the distinguished poets David Harsent, Luke Heeley, Fiona Sampson, Jo Shapcott and Matthew Welton. Poems commissioned by the Festival,...