Podcasts about reproduced

Reproduced from ‪@garlandn‬ with thanks. This week I spoke with Garland Nixon about my recent experience inside a Kenyan police cell. Why were we in Nairobi joining an anti-imperialist conference and then a street protest against the France-Africa summit in the first place? What is France's interest in Kenya, and what is the Kenyan government's role in Nato and in the African front of WW3? And what can three days and nights in police cells teach us about the nature of the Kenyan state and its relationship to its own people? What do the conditions and processes we experienced there reveal about the nature of neocolonial rule in Africa? One other notable aspect of our incarceration was that while it was major news in Kenya and some other parts of the world, the British media, British political establishment AND the British 'left' (antiwar movement, trade union movement, 'independent' media, various 'communist' and 'socialist' parties) all maintained a strict silence over the event. No one here seemed remotely interested in highlighting the unlawful locking up of a British citizen and anti-imperialist activist in a nation that is known to be a close 'ally' (proxy) of Britain. Meanwhile, the political nature of our detention was made very clear to us, since the Kenyan state had to break its own constitution and the police had to override all their own procedures to keep us locked up for so long without bringing us to court. It was made clear that the orders came from 'on high', but HOW high? Were those giving the orders inside or OUTSIDE the country? The fight for freedom and sovereignty in Kenya and Africa continue, and our comrades in the CPM Kenya are building a broad movement that aims to carry through the national-democratic revolution that was denied the people in 1963. Their activities and the growing anger of the impoverished masses has clearly put fear into the ruling comprador elite and their imperialist paymasters. A luta continua! ______________________________________________ Subscribe! Donate! Join us in building a bright future for humanity! http://www.thecommunists.org http://www.lalkar.org http://www.redyouth.org Telegram: https://t.me/thecommunists Twitter: / cpgbml Soundcloud: / proletarianradio Rumble: https://rumble.com/c/theCommunists Odysee: https://odysee.com/@proletariantv:2 Facebook: / cpgbml Online Shop: https://shop.thecommunists.org/ Education Program: Each one teach one! http://www.londonworker.org/education... Join the struggle! https://www.thecommunists.org/join/ Donate: https://www.thecommunists.org/donate/

Reproduced from ‪@garlandn‬ with thanks. https://www.youtube.com/live/DF8LUavwio4 This week I spoke with Garland Nixon about ‘democracy' in western imperialist nations. What is its true content and who does it serve? Can working people really influence the structures of power and governmental decision-making? And if not, why not? We talked about the class nature of the state and democracy, and highlighted the prejudices which are instilled so deeply in workers' heads from such a young age that we find it hard to see past the shibboleths of ‘everybody knows ...' and recognise the extent to which we have been lied. We also discussed the steady shift away from ruling by consent to ruling by force, and the role that political policing is now playing in western societies. True to form, the British ruling class has introduced political policing in a roundabout, arms-length way, by creating and funding allegedly ‘independent' (zionist) organisations which are turning out to be thoroughly embedded into the state machinery, but which allow the government to retain plausible deniability. In fact, Britain's zionist political police function in much the same way as Anglo-American imperialism's zionist settler colony, which polices the middle east/west Asian region and practices all kinds of repressive techniques that are then brought back to be used on the home population. All while allowing the imperialists to pretend that the crimes being committed there are nothing to do with them. ______________________________________________ Subscribe! Donate! Join us in building a bright future for humanity! http://www.thecommunists.org http://www.lalkar.org http://www.redyouth.org Telegram: https://t.me/thecommunists Twitter: / cpgbml Soundcloud: / proletarianradio Rumble: https://rumble.com/c/theCommunists Odysee: https://odysee.com/@proletariantv:2 Facebook: / cpgbml Online Shop: https://shop.thecommunists.org/ Education Program: Each one teach one! http://www.londonworker.org/education... Join the struggle! https://www.thecommunists.org/join/ Donate: https://www.thecommunists.org/donate/

In this episode we're delighted to be joined by Maurice J.Casey, a research fellow at Queens University Belfast and author of Hotel Lux: An Intimate History of Communism's Forgotten Radicals, which was published by Footnote in 2025. Hotel Lux is a fascinating, moving account of the lives of women and men who travelled to Moscow in the 1920s to work for the Comintern. We really enjoyed both reading and talking through the book with Maurice, exploring how the book came about, and ideas of friendship, tragedy, hope and memory. In March 2026 Maurice produced a documentary for the BBC about The Alpenpost, an incredible source that he discovered during his research for the book. You can listen to it here: BBC Radio 4 - Illuminated, The Alpenpost: A Girl's Guide to Fighting Hitler and Stalin--------------------------------------------------------------You can keep in touch with the podcast our email: abcwithdannyandjim@gmail.com,and our Substack: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://abcwithdannyandjim.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.If you enjoy this podcast, do tell your friends, colleagues and comrades to listen. The podcast music is Stealing Orchestra & RafaelDionísio, 'Gente da minha terra (que me mete um nojo do caralho).' Reproduced from the Free Music Archive under a Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License, available here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/35ToW4W⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The podcast logo is an adapted version of the Left Book Clublogo (1936-48), reproduced, edited and shared under a Creative Commons Attribution-Share Alike 4.0 International licence. Original available here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/35Nd6cv⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.The image in this episode is the cover of Maurice's fantastic book.  

Reproduced from ‪@garlandn‬ with thanks. • IMPERIALISM: DECADENT & DOOMED W/JOTI BRAR... Last week I spoke with Garland Nixon about the growing repression in Britain. What measures has the British state been taking to clamp down on antiwar and anti-zionist speech? What is motivating these moves, and what more does the government have in the pipeline? How many British workers have realised that the old Diplock system – as used to imprison anyone accused of 'terrorism-related' offences in the north of Ireland for decades – is being implemented by the backdoor in Britain right now? How many trade union or antiwar leaders have stood up to oppose the removal of our rights to free speech and a fair trial? How many have even made their members aware of them never mind organising to resist the implementation of these fascistic measures? Right now, fast-track courts are being trialled in one part of the country. And non-jury trials are being introduced for some categories of offences. Both moves have been justified (of course) with the excuse that we 'need to clear the backlog of court cases' and 'deliver justice to the victims of rape and paedophilia'. Crocodile tears for working-class people the government couldn't give a damn about to mask their real agenda. Add it all together and what you have is a set-up whereby it won't be very long before a person who speaks out or acts effectively against zionism and in favour of the resistance to imperialist/zionist genocides and war in the middle east will be: 1. arrested, 2. fast-tracked through a judge-only court straight to jail, and then 3. debanked and kicked out of the country with their citizenship removed (another nice little move that the government is currently experimenting with, without a murmur of opposition from any MP, 'antiwar' or trade union mis-leader). The silence of the 'British left' is shameful but not surprising. As the (fifth) arrest (and suspension from work) of our general secretary Dr Ranjeet Brar (on trumped-up charges of 'inciting racial hatred') demonstrates: Fascism doesn't need jackboots, it just needs a trained and compliant set of enforcers and a pacified populace that has been steadily inured to all the system's outrages. Note to the order-followers: Beware, this was not considered a valid excuse at the Nuremberg tribunals, and it still isn't. (Youtube ( • ‘Democracies' crackdown on freedom of spee... )) ______________________________________________ Subscribe! Donate! Join us in building a bright future for humanity! http://www.thecommunists.org http://www.lalkar.org http://www.redyouth.org Telegram: https://t.me/thecommunists Twitter: / cpgbml Soundcloud: / proletarianradio Rumble: https://rumble.com/c/theCommunists Odysee: https://odysee.com/@proletariantv:2 Facebook: / cpgbml Online Shop: https://shop.thecommunists.org/ Education Program: Each one teach one! http://www.londonworker.org/education... Join the struggle! https://www.thecommunists.org/join/ Donate: https://www.thecommunists.org/donate/

Reproduced from ‪@garlandn‬ with thanks. • IMPERIALISM: DECADENT& DOOMED W/JOTI BRAR ... This week I spoke with Garland Nixon about the war in Iran and what it means not only for Iran but for the wider region and the entire world. What have we learned about the difference in the ways the imperialist and anti-imperialist countries approach war? We discussed the fact that Iran has for decades held off using its real nuclear option: domination of the Hormuz strait. The fact that is it using it now shows that the war that it knew would eventually be forced upon it has finally arrived. And for Iran it is existential, and the outcomes it is fighting for are non-negotiable. We compared Iran's objectives fighting Nato and the Zionist proxies with Russia's in its fight against Nato and the Banderite proxies, and noted that they are almost the same: removal of military threats against the country; removal of fascist proxies on the doorstep; acceptance of the country's sovereign right to determine its own affairs in peace; reparations. Meanwhile, despite a bit of ‘hesitation' (partly owing to genuine disputes about how to proceed and partly for public consumption), the rest of the imperialist camp is ultimately going all-in on the USA's war against Iran. Because they know that their economic system is on the verge of total meltdown, and war is their only possible salvation. And they also know that they will ultimately stand or fall as one. Those of us who live in the imperialist countries need to be doing everything possible to organise a real anti-imperialist mass movement here at home. Iran, Palestine, Lebanon, Iraq, Yemen, Russia, the Sahel states, Venezuela, Cuba are all on the front lines of this war, sacrificing their lives in the fight against our common class enemies. We must join them in that fight and work together to deliver the knock-out blow! Subscribe! Donate! Join us in building a bright future for humanity! www.thecommunists.org www.lalkar.org www.redyouth.org Telegram: t.me/thecommunists Twitter: twitter.com/cpgbml Soundcloud: @proletarianradio Rumble: rumble.com/c/theCommunists Odysee: odysee.com/@proletariantv:2 Facebook: www.facebook.com/cpgbml Online Shop: https://shop.thecommunists.org/ Education Program: https://thecommunists.org/education-programme/ Each one teach one! www.londonworker.org/education-programme/ Join the struggle www.thecommunists.org/join/ Donate: www.thecommunists.org/donate/

Reproduced from ‪@garlandn‬ with thanks. • IMPERIALISM: DECADENT & DOOMED W/JOTI BRAR... This week I talked with Garland Nixon about the illegal and aggressive war that has been launched by US imperialism and its Israeli zionist proxies against Iran. What are the wider ramifications for the politics and economics of the middle east? What could it mean for workers in Europe and the west? Apparently, strategists in the White House have been ‘surprised' by the Iranian people's robust response to this latest attempt to destroy their independence, integrity and sovereignty. Yet anyone paying attention for the last year knew well what was coming if the imperialists restarted their aggression of last June. The longer the war continues, the more the economic and military structures of Anglo-American control over the middle east – air and naval bases, embassies, intelligence structures, corporate and oil infrastructure, money-laundering facilities and tech machinery and the entire zionist settler-colony – will come under fire. And the more that continues, the more the oppressed populations of the region will be motivated to rise up against the illegitimate stooges who rule over them to join with the already-existing Axis of Resistance in their existential fight for the liberation and sovereignty not only of Iran but of all the peoples of west Asia. Workers in the west are in for a rude awakening if they think this war will leave them unscathed. We must draw the correct conclusions – that imperialism, not the Iranian people, is our real enemy, and that our trade unions and antiwar movement must be remodelled to stand up for our interests against the bloodsucking, warmongering British imperialist financier class. Subscribe! Donate! Join us in building a bright future for humanity! www.thecommunists.org www.lalkar.org www.redyouth.org Telegram: t.me/thecommunists Twitter: twitter.com/cpgbml Soundcloud: @proletarianradio Rumble: rumble.com/c/theCommunists Odysee: odysee.com/@proletariantv:2 Facebook: www.facebook.com/cpgbml Online Shop: https://shop.thecommunists.org/ Education Program: https://thecommunists.org/education-programme/ Each one teach one! www.londonworker.org/education-programme/ Join the struggle www.thecommunists.org/join/ Donate: www.thecommunists.org/donate/

"...Generosity cannot be counterfeited, and fake generosity does not make us happier, healthier, and more purposeful in life..."This week, I'm reading a quote from The Paradox of Generosity by Christian Smith and Hilary Davidson. 2014 edition.Reflection question: Are any of our fundraising activities and messaging encouraging self-interested, fake generosity?  If so, how can we tweak them to reflect authentic generosity?Reflection on quote:Last week in our series on authentic giving, we discussed avoiding transactional approaches.  What happens if the donor wants to treat the donation as a transaction during a capital campaign?  And, if we encourage these donors to be generous for their self-serving reasons, will they reap the benefits of generosity?Capital campaigns can bring the joy of seeing donors become more kind, more amenable, more generous the more they give. And, yet, we may also encounter donors who become more demanding, more angry, more sour the more they give.  These are donors who are, as the authors said, going through the motions of generosity simply in order to reap the desired rewards.  If we tie giving to self-interested rewards, then we are more likely to encourage fake generosity and attract other donors like them.  To purchase this book: The Paradox of Generosity by Christian Smith and Hilary Davidson. Copyright: Oxford University Press 2014. Reproduced with permission of the Licensor through PLSclear.What do you think? Send me a text. To explore small town capital campaign coaching deeper and to schedule an free explore coaching call, visit ServingNonprofits.com.Music credit: Woeisuhmebop

No one is safe from the ‘Russian propaganda' sanctions – even those who make a point of avoiding Russian sources for fear of being branded as ‘biased'. The increasingly fascistic response by western regimes to inconvenient journalism and activism may act to chill speech for some, but for others it is merely highlighting the need to speak up louder and get better organised against a system that has shown itself to be entirely irreformable. Reproduced from RT News, with thanks. Subscribe! Donate! Join us in building a bright future for humanity! www.thecommunists.org www.lalkar.org www.redyouth.org Telegram: t.me/thecommunists Twitter: twitter.com/cpgbml Soundcloud: @proletarianradio Rumble: rumble.com/c/theCommunists Odysee: odysee.com/@proletariantv:2 Facebook: www.facebook.com/cpgbml Online Shop: https://shop.thecommunists.org/ Education Program: https://thecommunists.org/education-programme/ Each one teach one! www.londonworker.org/education-programme/ Join the struggle www.thecommunists.org/join/ Donate: www.thecommunists.org/donate/

WikiLeaks founder alleges that the award to María Corina Machado constitutes misappropriation and facilitation of war crimes under Swedish law. Mr Assange's complaint notes that ‘There is a real risk that the funds derived from Nobel's endowment have been or will be intentionally or negligently diverted from their charitable purpose to facilitate aggression, crimes against humanity, and war crimes.' Reproduced from WikiLeaks, with thanks. Subscribe! Donate! Join us in building a bright future for humanity! www.thecommunists.org www.lalkar.org www.redyouth.org Telegram: t.me/thecommunists Twitter: twitter.com/cpgbml Soundcloud: @proletarianradio Rumble: rumble.com/c/theCommunists Odysee: odysee.com/@proletariantv:2 Facebook: www.facebook.com/cpgbml Online Shop: https://shop.thecommunists.org/ Education Program: https://thecommunists.org/education-programme/ Each one teach one! www.londonworker.org/education-programme/ Join the struggle www.thecommunists.org/join/ Donate: www.thecommunists.org/donate/

Gentlemen, if you've ever questioned what women actually care about in a dating partner, this is the episode to tune in. We've surveyed and interviewed 500+ Apostolic women at all ages and stages of life, and there are some things that almost all of them say that they are looking for in a partner. Spoiler: it's probably not the things you think they care about. In this episode, Megan and Steven return from a short hiatus with a pile of qualitative research data about the things women say matter to them in their relationships, with a lot of lighthearted stories and one or two healthy arguments sprinkled in. We've missed you guys! Stay to the end to check out original music from Ben Drummond! Reproduced with permission. Check out this song on SoundCloud: https://soundcloud.com/benjamin-drummond-836273752/fire-walker Interested in matchmaking? Ladies, our pipeline is currently closed to female applicants, but will re-open in the Spring. Visit our website to join the waiting list. Men can get started for free and meet their first match at no cost. Check https://www.synchronyproject.com to register. Men: Join the Discord server here! https://discord.gg/hqZmtuMws9 Get the From Singles, to Shepherds Info Guide Here! https://the-synchrony-project.mykajabi.com/from-singles-to-shepherds Contact: If you want to join the conversation about this topic and give your thoughts, reach out on Instagram, Facebook, YouTube, or at questions@synchronyproject.com. Learn more about our matchmaking services and dating resources at https://synchronyproject.com. Intro music by: Balloon Planet, "Write Your Own Story," https://artlist.io/royalty-free-music/song/write-your-own-story/135437 Outro music by: Benjamin Drummond, "Fire-Walker" https://soundcloud.com/benjamin-drummond-836273752/fire-walker

"...No matter how it happens, the testimony of those who have shifted in their minds, spirits, and emotions from an imagined world of scarcity and insecurity to one of abundance, blessing, sufficiency, and overflow is almost always the same: it is liberating......"This week, I'm reading a quote from The Paradox of Generosity by Christian Smith and Hilary Davidson. 2014 edition.Reflection question: Do you believe that when you are asking, you are giving abundance, blessing, sufficiency and overflow to the donor?Reflection on quote:This week, we are starting a series on cultivating an abundance mindset during capital campaigns. When we cultivate an abundance mindset, the act of generosity from donors actually changes.During capital campaigns, we will encounter donors who give out of a believed world of scarcity and we will encounter donors who give out of a believed world of abundance.  When we approach prospective donors to our capital campaign out of a mindset of abundance, we offer donors the opportunity to shift their imagined world from scarcity and insecurity to a world of abundance, blessing, sufficiency, and overflow.  In small towns, we are giving a great blessing to our neighbors even as we are asking.To purchase this book: The Paradox of Generosity by Christian Smith and Hilary Davidson. Copyright: Oxford University Press 2014. Reproduced with permission of the Licensor through PLSclear.What do you think? Send me a text. To explore small town capital campaign coaching deeper and to schedule an free explore coaching call, visit ServingNonprofits.com.Music credit: Woeisuhmebop

One of the heartbeats of The Synchrony Project is to transform Apostolic Dating Culture so that our kids, and other young children, have a fighting chance at truly Apostolic mate selection. In this episode, Megan and Steven dive into how they're beginning to talk about dating with their children (ages 4 and 6) and what their hopes are for each of them when they step into their dating season in the future. P.S. If you want to go see the Bob Ross tutorial Megan was using while she was painting, check out the original tutorial here, and then check our Instagram to see how her version turned out! https://youtu.be/0uVe8T-vVVg?si=iEjwkcpOVzM7iCba Stay to the end to check out original music from Ben Drummond! Reproduced with permission. Check out this song on SoundCloud: https://on.soundcloud.com/0wkDKiF9oBGi6azBvm Interested in matchmaking? Ladies, our pipeline is currently closed to female applicants, but will re-open in the Spring. Visit our website to join the waiting list. Men can get started for free and meet their first match at no cost. Check https://www.synchronyproject.com to register. Men: Join the Discord server here! https://discord.gg/hqZmtuMws9 Singles at SEA 2026: We'll be setting sail February 6-9, 2026 out of Miami, Florida on Wonder of the Seas and visiting The Bahamas! Still booking as long as cabins are available. Call Chelsea Fennell at 864-901-8233 Email: spinell@dreamvacations.comContact Sis. Dana Green with questions: (832) 603-2182 Get the From Singles, to Shepherds Info Guide Here! https://the-synchrony-project.mykajabi.com/from-singles-to-shepherds Contact: If you want to join the conversation about this topic and give your thoughts, reach out on Instagram, Facebook, YouTube, or at questions@synchronyproject.com. Learn more about our matchmaking services and dating resources at https://synchronyproject.com. Intro music by: Balloon Planet, "Write Your Own Story," https://artlist.io/royalty-free-music/song/write-your-own-story/135437 Outro music by: Benjamin Drummond, "Just Like Me" https://on.soundcloud.com/0wkDKiF9oBGi6azBvm

You keep approaching people who seem like reasonable matches for you--you're both bringing the same number of attractive attributes to the table. But even so, you're struggling to meet someone who feels that both of you are 'equally matched.' In this episode, Megan and Steven rely on a metaphor of the dating marketplace to illustrate why men and women are talking past each other about what they're looking for and what they're bringing to the proverbial table. Stay to the end to check out original music from Ben Drummond! Reproduced with permission. Check out this song on SoundCloud: https://soundcloud.com/benjamin-drummond-836273752/stones-at-the-altar-when-they Interested in matchmaking? Ladies, our pipeline is currently closed to female applicants, but will re-open in the Spring. Visit our website to join the waiting list. Men can get started for free and meet their first match at no cost. Check https://www.synchronyproject.com to register. Men: Join the Discord server here! https://discord.gg/hqZmtuMws9 Singles at SEA 2026: We'll be setting sail February 6-9, 2026 out of Miami, Florida on Wonder of the Seas and visiting The Bahamas! Still booking as long as cabins are available. Call Chelsea Fennell at 864-901-8233 Email: spinell@dreamvacations.comContact Sis. Dana Green with questions: (832) 603-2182 Get the From Singles, to Shepherds Info Guide Here! https://the-synchrony-project.mykajabi.com/from-singles-to-shepherds Contact: If you want to join the conversation about this topic and give your thoughts, reach out on Instagram, Facebook, YouTube, or at questions@synchronyproject.com. Learn more about our matchmaking services and dating resources at https://synchronyproject.com. Intro music by: Balloon Planet, "Write Your Own Story," https://artlist.io/royalty-free-music/song/write-your-own-story/135437 Outro music by: Benjamin Drummond, "Stones At the Altar (When They Stayed)" https://soundcloud.com/benjamin-drummond-836273752/stones-at-the-altar-when-they

In this episode we're discussing Tomas Rothaus's Another War is Possible (PM Press, 2025) an account of the movement against capitalism over the turn of the 21st century, written by an anarchist participant in the events. You can listen to an interview with Rothaus on Last Straw Radio here: Militant Anarchist Experiences in the Antiglobalization Era | The Final Straw Radio Podcast---------------------------------------------------------------You can keep in touch with the podcast our emailabcwithdannyandjim@gmail.com, and our Substack ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://abcwithdannyandjim.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.If you enjoy this podcast, do tell your friends, colleagues and comrades to listen. The podcast music is Stealing Orchestra & RafaelDionísio, 'Gente da minha terra (que me mete um nojo do caralho).' Reproduced from the Free Music Archive under a Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License, available here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/35ToW4W⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The podcast logo is an adapted version of the Left Book Clublogo (1936-48), reproduced, edited and shared under a Creative Commons Attribution-Share Alike 4.0 International licence. Original available here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/35Nd6cv⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.The image in this episode is a photograph fromthe insurrection which accompanied the G8 summit in Genoa in 2001 .

While much has been written on the experience of republican prisoners during the conflict from 1969 onwards there has been comparatively less attention paid to writing produced by the prisoners themselves. There was a vibrant culture of education and debate inside the cages of Long Kesh, but while we have many second-hand accounts of this, relatively few copies of journals produced by the prisoners have survived.Luckily, Paddy McMenamin not only edited one of these journals for a period, but managed, with the help of his family, to smuggle several issues out. Reproduced here, they provide a fascinating snapshot of the debates taking place amongst just one group of Provisional IRA prisoners in cages 10/18 between 1974 & 1976. There is politics of course, global and local, but also history, culture, sport and craic. Despite the official narrative of the time, it is clear these young men were neither 'mindless terrorists' nor 'criminals'!The author has done all those interested in our history a service by keeping the journals safe.His commentary reminds us not only of the horror and tragedy of the time, but also that these young men were grappling with how to make sense of the conflict they had been thrown into. This book is an important contribution to understanding the politics of modern republicanism.The Celtic Soul Podcast is brought to you by More than 90 Minutes Celtic Fanzine.Please Subscribe to our independent Celtic Fan YouTube Channel Celtic Fanzine TV / celticfanzinetv– Hit the Alarm so you never miss an episode, Leave a Comment and Please share.The Podcast is available on Audio across all platforms including Spotify & AppleFor all news, blogs & upcoming events visit https://celticfanzine.comOnline Shophttps://celticfanzine.com/shop/Celtic Festival Spain 2026 Ticketshttps://CelticFestivalSpain2026.eventbrite.comFollow us on Social MediaFB /Mt90M/X celticfanzineInsta / celticfanzineTikTok @celticfanzine1 Hosted on Acast. See acast.com/privacy for more information.

"...And expanding one's horizons in such ways, being exposed to new information and new possibilities in life, tends to enhance human well-being..."This week, I'm reading a quote from The Paradox of Generosity by Christian Smith and Hilary Davidson. 2014 edition.Reflection questions:What unique stories can your program staff share about the necessity of the capital campaign?How can you best include their stories in the campaign?Reflections on quote:At the Nonprofit Storytelling Conference earlier this fall, I had the opportunity to meet Clay Buck, a consultant who has done significant work in helping organizations with more abstract missions connect donors to that work.  One of his key insights is the importance of bringing the stories of program staff to donors. For all types of missions, the stories of program staff have a role in capital campaigns, especially in small towns.Capital campaign donors are used to meeting with the Executive Directors, CEOs, Board chairs, and Campaign chairs.  Donors capable of making major gifts expect to see the organizational vision, building renderings, case statements, and beneficiary stories. Yet, when we consider the research into generosity, we see that donors want to expand their horizons.  That's where the stories of program staff, in their own words, can come in. Their stories can make the vision for the building or renovation more real and concrete for the donors.  They can more credibly paint a before and after picture of the day to day impact that the donor's gift to campaign will have.  Whether it's a recorded video with a program staff or the inclusion of a program staff on a donor tour, their involvement in the storytelling for the capital campaign stretches the imagination of the donors in greater ways.To purchase this book: The Paradox of Generosity by Christian Smith and Hilary Davidson. Copyright: Oxford University Press 2014. Reproduced with permission of the Licensor through PLSclear.What do you think? Send me a text. To explore small town capital campaign coaching deeper and to schedule an free explore coaching call, visit ServingNonprofits.com.Music credit: Woeisuhmebop

https://thecommunists.org/2025/10/25/news/maccabi-hooligans-do-not-speak-for-jews/ With its shameful response to the Maccabi fans ban, the British government is exploiting jewish suffering to protect itself, not protecting jewish people. Every day more British workers are waking up to the way that accusations of ‘antisemitism' have been weaponised in order to justify the relentless spreading of islamophobia and to whitewash zionist (and British) war crimes. All in the interests of Anglo-American imperialist interests in the middle east and against the interests of jewish (and all other) workers. Reproduced from Tribune magazine with thanks. Subscribe! Donate! Join us in building a bright future for humanity! www.thecommunists.org www.lalkar.org www.redyouth.org Telegram: t.me/thecommunists Twitter: twitter.com/cpgbml Soundcloud: @proletarianradio Rumble: rumble.com/c/theCommunists Odysee: odysee.com/@proletariantv:2 Facebook: www.facebook.com/cpgbml Online Shop: https://shop.thecommunists.org/ Education Program: Each one teach one! www.londonworker.org/education-programme/ Join the struggle www.thecommunists.org/join/ Donate: www.thecommunists.org/donate/

https://thecommunists.org/2025/10/01/news/charlie-kirk-assassination-used-divide-and-rule-strategy/ Whoever was ultimately responsible, the establishment has been quick to turn the situation to its advantage. The assassination of prominent conservative commentator Charlie Kirk has sent shockwaves through the US political landscape. Reproduced from the Class Consciousness Project, with thanks. Subscribe! Donate! Join us in building a bright future for humanity! www.thecommunists.org www.lalkar.org www.redyouth.org Telegram: t.me/thecommunists Twitter: twitter.com/cpgbml Soundcloud: @proletarianradio Rumble: rumble.com/c/theCommunists Odysee: odysee.com/@proletariantv:2 Facebook: www.facebook.com/cpgbml Online Shop: https://shop.thecommunists.org/ Education Program: Each one teach one! www.londonworker.org/education-programme/ Join the struggle www.thecommunists.org/join/ Donate: www.thecommunists.org/donate/

https://thecommunists.org/2025/09/01/news/john-frank-swedish-communist-anti-imperialist-obituary/ A much respected comrade of our party's founding chair, Harpal Brar, and a fine communist activist during the most difficult period for our movement. Along with Harpal Brar, Ludo Martens and others, Comrade Teddy-John Frank was one of the pillars of the global anti-revisionist movement during the dark times after the fall of the USSR. Reproduced from the Swedish Communist party's newspaper Proletären. Subscribe! Donate! Join us in building a bright future for humanity! www.thecommunists.org www.lalkar.org www.redyouth.org Telegram: t.me/thecommunists Twitter: twitter.com/cpgbml Soundcloud: @proletarianradio Rumble: rumble.com/c/theCommunists Odysee: odysee.com/@proletariantv:2 Facebook: www.facebook.com/cpgbml Online Shop: https://shop.thecommunists.org/ Education Program: Each one teach one! www.londonworker.org/education-programme/ Join the struggle www.thecommunists.org/join/ Donate: www.thecommunists.org/donate/

In this episode we're discussing Blood in the Machine by Brian Merchant, published in 2023 by Little, Brown and Company. Blood in the Machine is an account of the Luddite rebellion in early 19th century England. Merchant's engaging study draws parallels between this account and contemporary questions about the effects of automation, big tech and AI, as well as efforts to resist and challenge the degradation of working conditions and society in general. ---------------------------------------------------------------We have now fully decamped from Twitter, but you can keep in touch with the podcast our email abcwithdannyandjim@gmail.com, and our Substack ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://abcwithdannyandjim.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. If you enjoy this podcast, do tell others about it: nothing really compares to a recommendation from a friend, colleague or comrade. The podcast music is Stealing Orchestra & Rafael Dionísio, 'Gente da minha terra (que me mete um nojo do caralho).' Reproduced from the Free Music Archive under a Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License, available here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/35ToW4W⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The podcast logo is an adapted version of the Left Book Club logo (1936-48), reproduced, edited and shared under a Creative Commons Attribution-Share Alike 4.0 International licence. Original available here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/35Nd6cv⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.The image in this episode is a statue of a Luddite cropper and his daughter, which was erected in Liversage (West Yorkshire), 200 years after the attack on Cartwright Mills, an event which features prominently in Blood in the Machine.

Mitch Jeserich reads excerpts from the classic writings The Way of Chuang Tzu translated by Thomas Merton. Thomas Merton composed a series of his own versions of the classic sayings of Chuang Tzu, the most spiritual of Chinese philosophers. Chuang Tzu, who wrote in the fourth and third centuries B.C., is the chief authentic historical spokesperson for Taoism and its founder Lao Tzu (a legendary character known largely through Chuang Tzu's writings). Indeed it was because of Chuang Tzu and the other Taoist sages that Indian Buddhism was transformed, in China, into the unique vehicle we now call by its Japanese name―Zen.   Excerpts from THE WAY OF CHUANG TZU by Thomas Merton, copyright ©1965 by The Abbey of Gethsemani. Reproduced by permission of New Directions Publishing Corp. The post The Taoist & Christian: The Way of Chuang Tzu appeared first on KPFA.

In a world where a mosquito bite can still be deadly, it is comforting to know that our mindset has shifted towards prevention and elimination. In this episode, Ruan speaks to a fellow recipient of the African Career Acceleration Fellowship, Dr Abdouramane Camara who is a pioneer in immunology, about malarial vaccines.About our Guest: Dr Abdouramane Camara is a postdoc research fellow at the West African Centre for Cell Biology of Infectious Pathogens (WACCBIP), University of Ghana. After spending over a decade in various institutions across Europe, gathering immense expertise, Dr Camara has returned to Africa to contribute to its scientific advancement by developing a new clinical test to evaluate the efficacy of vaccines at an early stage and predict long-term protection.His research focuses on understanding the mechanisms underlying the generation of long-lived plasma cells, antibody-secreting cells and their potential to be early predictors of vaccination success. He is particularly interested in malaria, a disease endemic to many African countries, and the efficacy of newly introduced malaria vaccines. Beyond malaria, he is also investigating vaccines that provide long-term or lifelong immunity, aiming to contribute to improved vaccine design and implementation strategies.Malaria life cycle: Reproduced from PATH's Malaria Vaccines website at www.malariavaccine.org, 2024Global Malaria programmeWE'D LOVE YOUR FEEDBACK ON THIS EPISODE – Visit the Microbe Mail website to sign up for updates Follow on:Instagram: Microbe_MailX/Twitter: @microbemailFacebook: MicrobeMailTiktok: @microbe.mailWatch this episode on our new YouTube channel: Microbe MailE-mail us: mail.microbe@gmail.com

Dans un monde où une piqûre de moustique peut encore être mortelle, il est réconfortant de savoir que notre mentalité s'oriente désormais vers la prévention et l'élimination. Dans cet épisode, Miriam s'entretient avec le Dr Abdouramane Camara, un lauréat de la Bourse d'accélération de carrière en Afrique et pionnier en immunologie, au sujet des vaccins antipaludiques.À propos de notre invité: Le Dr Abdouramane Camara est chercheur postdoctoral au West African Centre for Cell Biology of Infectious Pathogens (WACCBIP), à l'Université du Ghana. Après plus de dix ans passés dans plusieurs institutions européennes, il a su forger une solide expertise, le Dr Camara est revenu en Afrique pour contribuer à son avancement scientifique en développant un nouveau test clinique permettant d'évaluer l'efficacité des vaccins à un stade précoce et de prédire la protection à long terme.Ses travaux de recherche visent à élucider les mécanismes impliqués dans la génération des plasmocytes à longue durée de vie et des cellules productrices d'anticorps, ainsi qu'à explorer leur capacité à prédire précocement l'efficacité d'une vaccination. Il s'intéresse particulièrement au paludisme, une maladie endémique dans de nombreux pays africains, et à l'efficacité des nouveaux vaccins antipaludiques. Au-delà du paludisme, il étudie également les vaccins procurant une immunité à long terme, voire à vie, afin de contribuer à l'amélioration de la conception et des stratégies de mise en œuvre des vaccins.Malaria life cycle: Reproduced from PATH's Malaria Vaccines website at www.malariavaccine.org, 2024Global Malaria programmeNOUS AIMERIONS VOTRE AVIS SUR CET ÉPISODE – Visit the Microbe Mail website to sign up for updates Follow on:Instagram: Microbe_MailX/Twitter: @microbemailFacebook: MicrobeMailTiktok: @microbe.mailWatch this episode on our new YouTube channel: Microbe MailE-mail us: mail.microbe@gmail.com

In this episode, we're delighted to be joined by Andy Durgan, a historian who has lived in Barcelona since 1982, and author of several books about the revolutionary left and International volunteers in the Spanish Civil War, including Voluntarios por la revoución, which will be published in English later this year. We spoke to Andy about his role as historical advisor to Ken Loach's film Land and Freedom, one of the most significant films about the Spanish Civil War, which was released 30 years ago this summer. The film is currently available to watch on YouTube here: Land and Freedom (1995 Ken Loach) [ENG Sub] ---------------------------------------------------------------We have now fully decamped from Twitter, but you can keep in touch with the podcast our email abcwithdannyandjim@gmail.com, and our Substack ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://abcwithdannyandjim.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. If you enjoy this podcast, do tell others about it: nothing really compares to a recommendation from a friend, colleague or comrade. The podcast music is Stealing Orchestra & Rafael Dionísio, 'Gente da minha terra (que me mete um nojo do caralho).' Reproduced from the Free Music Archive under a Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License, available here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/35ToW4W⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The podcast logo is an adapted version of the Left Book Club logo (1936-48), reproduced, edited and shared under a Creative Commons Attribution-Share Alike 4.0 International licence. Original available here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/35Nd6cv⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.The image in this episode is the original poster for Land and Freedom.

In this episode we are joined by Carolyn Eichner, Professor of History and Women's and Gender Studies at University of Wisconsin Milwaukee, to discuss her brilliant book The Paris Commune: A Brief History (Rutgers University Press, 2022). We hope you enjoy this conversation, which ranges from the origins of the Commune to its legacy in France and the contemporary world, and includes discussion of the role of women, the nature of political power and the threat of repression during the 72-days of upheaval and revolution in Paris. ---------------------------------------------------------------We have now fully decamped from Twitter, but you can keep in touch with the podcast our email abcwithdannyandjim@gmail.com, and our Substack ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://abcwithdannyandjim.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. If you enjoy this podcast, do tell others about it: nothing really compares to a recommendation from a friend, colleague or comrade. The podcast music is Stealing Orchestra & Rafael Dionísio, 'Gente da minha terra (que me mete um nojo do caralho).' Reproduced from the Free Music Archive under a Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License, available here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/35ToW4W⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The podcast logo is an adapted version of the Left Book Club logo (1936-48), reproduced, edited and shared under a Creative Commons Attribution-Share Alike 4.0 International licence. Original available here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/35Nd6cv⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.The image in this episode is the battery of cannons on Montmartre in March 1871, which was the scene for the outbreak of revolutionary uprising in Paris.

The Love of God is: 1. The Light and Life of mankind 2. Rejected by the darkness 3. Reproduced in us by God

In this episode we are discussing Cybernetic Revolutionaries by Eden Medina (MIT Press, 2011), which examines the effort to create a cybernetic system of communication and industrial management during the socialist government of Salvador Allende in Chile, from 1970 to 1973. Medina uses this fascinating case study to explore the relationship of two utopian visions: one socialist, and one technological, embodied in figures such as British cybernetics pioneer Stafford Beer and Fernando Flores, a member of Allende's government and advocate of Beer's ideas. Links to references in the episode: La Batalla de Chile Elizabeth Stainforth and Jo Lindsay Walton, 'Computing Utopia: The Horizons of Computational Economies in History and Science Fiction,' Science Fiction Studies, 46:3 (2019) --------------------------------------------------------------- You can keep in touch with the podcast our email abcwithdannyandjim@gmail.com, and Twitter ⁠⁠⁠⁠@abcdannyandjim⁠⁠⁠⁠. You can subscribe to our newsletter here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://abcwithdannyandjim.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The podcast music is Stealing Orchestra & Rafael Dionísio, 'Gente da minha terra (que me mete um nojo do caralho).' Reproduced from the Free Music Archive under a Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License, available here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/35ToW4W⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The podcast logo is an adapted version of the Left Book Club logo (1936-48), reproduced, edited and shared under a Creative Commons Attribution-Share Alike 4.0 International licence. Original available here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/35Nd6cv⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The image in this episode is one of Stafford Beer's schematics for the Cybersyn project, which was displayed in the central operations room in Santiago.

We own no rights to this song that we are parodying. All rights to: (c)1986 Metallica. Reproduced with SEGA Genesis sound-font and Ian singing as the leader of The Lollipop Guild.

In this episode we discuss Christopher Hill's The World Turned Upside Down: Radical Ideas During the English Revolution, originally published in 1972. This book is widely regarded as a seminal work of history from below, which popularised the concept of the English Revolution and helped to establish the ideas of the Levellers, Diggers, Seekers and Ranters as a key part of the radical tradition in England and beyond. --------------------------------------------------------------- You can keep in touch with the podcast our email abcwithdannyandjim@gmail.com, and Twitter ⁠⁠⁠⁠@abcdannyandjim⁠⁠⁠⁠. You can subscribe to our newsletter here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://abcwithdannyandjim.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The podcast music is Stealing Orchestra & Rafael Dionísio, 'Gente da minha terra (que me mete um nojo do caralho).' Reproduced from the Free Music Archive under a Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License, available here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/35ToW4W⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The podcast logo is an adapted version of the Left Book Club logo (1936-48), reproduced, edited and shared under a Creative Commons Attribution-Share Alike 4.0 International licence. Original available here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/35Nd6cv⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The image in this episode is a 17th century woodcut depicting a group of Ranters, one of the sects discussed by Hill.

THIS IS THE CORRECT AUDIO, PLEASE IGNORE EARLIER VERSION OF EPISODE 39 In this episode we discuss The Fall and Rise of the British Left (Verso, 2019) by Andrew Murray. We originally intended this episode to coincide with the UK General Election in July 2024, seeing this as a good moment to reflect on the electoral turn of the left in Britain in the 2010s. While this scheduling didn't quite work out, we still felt this work, written by an advisor to Jeremy Corbyn at the peak of expectations for a left-wing Labour victory, would make for an interesting and (somewhat) timely discussion.  ---------------------------------------------------------------- The first ABC Edition Pamphlet, Danny's translation of Víctor García: ‘José Xena Torrent: A Contribution to a Necessary Biography,' is now available to buy for cost price of £2 + postage.  For UK listeners, the easiest way to place a single order is to send £3.35 via PayPal to abcwithdannyandjim@gmail.com, and put your postal address in the comments. For larger or international orders, please email abcwithdannyandjim@gmail.com, and we will arrange in conversation.  You can keep in touch with the podcast via the above email, and Twitter ⁠⁠⁠⁠@abcdannyandjim⁠⁠⁠⁠. You can subscribe to our newsletter here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://abcwithdannyandjim.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The podcast music is Stealing Orchestra & Rafael Dionísio, 'Gente da minha terra (que me mete um nojo do caralho).' Reproduced from the Free Music Archive under a Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License, available here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/35ToW4W⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The podcast logo is an adapted version of the Left Book Club logo (1936-48), reproduced, edited and shared under a Creative Commons Attribution-Share Alike 4.0 International licence. Original available here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/35Nd6cv⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The image in this episode is from the 1985 Labour Party Conference. 

August 2024 Hut 6 was the section at Bletchley Park which broke the German army and air force Enigma ciphers. Historical accounts usually focus on the early part of the war, when a small and inexperienced team was established in a newly-built wooden hut. But by 1944 Hut 6 looked very different. It was a hardened unit of several hundred people, supported by cutting-edge technology. Hut 6 personnel had honed their methods through bitter experience against Enigma ciphers which continued to increase in both number and security. Recent research into Bletchley Park's unique collections has revealed more about how this vital section worked. We have discovered how they kept the intelligence production line running despite fighting a daily battle not just against the ciphers, but against the dangers of inefficiency, poor morale and organisational friction. For this episode Research Officer Dr Thomas Cheetham is joined by Bletchley Park digitisation volunteer (and all-round brainbox) Craig Heath to take a detailed look inside Hut 6. Many thanks to Sarah Langston and Joel Desborough for voicing our archival documents. Image: ©The Registration Room in Hut 6, Block D. Reproduced by kind permission, Director GCHQ. #BPark, #Bletchleypark, #WW2, #Enigma,

NOTE This episode is the first dual release show for Top Of The Game. It was produced by and originally released on Evan Epstein's podcast, Boardroom Governance, on August 26, 2024. Our host enjoyed the tables being turned on him and being a guest, The conversation covers a broad range of topics: leadership, capitalism, boards, technology (AI), macro dynamics and the future. Original

  A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists.   Important Resources QTViet Cafe website Instagram Facebook Register for QTViet Cafe's 8 Year Anniversary Bilingual Letter for a Free Palestine (English/Viet) Transcript Cheryl Truong: Good evening! You were currently tuned in to APEX Express. I'm your host Cheryl Truong, and tonight is an AACRE night. What is AACRE, you might be asking. Comprised of 11 grassroots, social justice groups, the Asian Americans for Civil Rights and Equality Network — AACRE — leverages the power of its network to focus on long-term movement building and support for Asian Americans committed to social justice. Speaking of AACRE groups, APEX Express is proud to be a part of the AACRE network. Tonight. We have some special guests from a collective near and dear to my heart. Hải Võ and Jean Jean Phạm from QTViệt Cafe. QTViệt Cafe is a project of Asian refugees United, which is one of the 11 Asian American social justice groups within the AACRE network. Hải, do you want to kick us off by introducing yourself? And QTViệt Cafe?  Hai Vo: Co chào mọi người! Hi everyone. Thanks Cheryl for inviting QTViệt Cafe to be here today. My name is Hải. I go by my name. It means ocean in Việt. And just so excited to be here today. , I'm part of the Queer Trans Việt Cafe Collective. We are a cultural organizing hub by and for queer and trans Việt folks for our freedom and liberation. And we do that through the creative arts, ancestral life ways, and, connecting intergenerationally with our parents, our elders, families, and friends. We'll be celebrating eight years, and I've been a part of it in the beginning when Mơ asked me to help advise and start the project. What started out as an idea to essentially really bring us together and meet other queer and trans Việt people, and with a little bit of SEED funding from the Impact Hub and Youth Impact Hub Oakland project and fellowship, we've been able to not just grow our numbers, but also really more importantly, My healing and then our collective healing.  Just so grateful to be here. And I'm just so excited that Jean, you can join us. Jean is just amazing all around, such a thoughtful intuitive person, designer, friend, just all around beauty of an artist. Thank you for introducing me to the world of visual art and just so many things that you've just been exploring over the years. So, yeah, I'll pass it over.  Jean Pham: Oh my god, thanks Hải. That's honestly too generous. And thanks for inviting us here, Cheryl. That's really awesome that we have this opportunity to share about QTViệt Cafe and our work. My name is Jean. I use they/ them pronouns. I've been a part of of QTViệt Cafe since 2018 when I first moved here to the Bay Area and honestly was looking for queer and trans Việt Namese community, which although I grew up in Orange County, I have always found it very difficult to relate and find other QTViets I've been a part of the various programming and events that QTViệt has put on, including our Healers and Artists cohort. I think my role in QTViệt Cafe is honestly to just , go with the flow. I try to make myself available as much as I can. I try to help with designing things. A big cornerstone of QTViệt Cafe is repairing our connection with our ancestral and cultural heritage in a way that still celebrates and maintains our queerness and transness at the forefront. A lot of this I found has been through the culinary arts, which to me was a big point of growth. Literally using taste and smell to connect us with memory and feeling and healing. QTViệt Cafe is honestly such a special place here. It started in Oakland here in the East Bay, but we have members all across the Bay Area and even outwards in different states and locales. So it's been a pretty amazing journey to see how vast the QTViet Cafe network has expanded and definitely excited to talk about it. So yeah, I'll just check there. Again, thanks for having us.  Cheryl Truong: Thanks so much for sharing that, and especially the culinary aspect of QTV, I think is really what makes y'all so, so special. And honing that ancestral connection through food, too, is something I noticed that you all do , extremely well. Hai brings up that we're celebrating eight years of QTV at Cafe, coming up very, very soon, which is such a long time to celebrate trans and queer Việt Namese magic. I want to know what does this milestone mean to you, maybe it tastes a certain way, maybe it smells like nuoc mam or something like that. Jean Pham: Yeah, eight years is a long time. I think it's longer than any relationship I've ever had. , I've always found the QTViet Cafe such a beautiful, open space. It's very different from any organization I've ever been a part of. There's been times when, I've been overwhelmed and had to step away, but I've always just been invited back and I've been given that grace to be as involved as I want to. There's something we practice it's called penguin theory where we try to support the inner penguins like who you know move in advance of work but also have space for us to be modular. We built this bastion of work here in a Bay and I've eight years I think really to me starts or begins this journey of connecting with a greater diasporic queer and trans Việt Namese collective. So, last year was a big points in our journey as QTViet cafe, because we were able to. a fundraise and take about a dozen members to go back to Việt Nam and connect with Queer and Trans Việt Namese in Saigon. And that was just honestly, such like a unbelievable thing. Totally out of my imagination that we were able to do it. But now it really peaks our imagination of yes, , there's queer and trans Việt Namese people all over the world. Next year marks the 50th year since the Việt Nam War had ended, and there's diasporic queer and trans Việt Namese all across the U. S., but also France and Germany, Australia, Japan. We were able to form these meaningful connections here in the East Bay, but I think what I'm thinking about now is how do we take these lessons we've learned in community building and creating our own traditions and connecting with other locales, like in the queer and trans people in Australia , LA or New York or Texas of which, they do exist. There are other collectives, queer and trans Vietnamese there, but, how do we further unite the different threads of Diasporic Viets, and so it's kind of a very hard question to answer, but I think, again, we have such a strong organizing and magic that I think People that we connect with, they get why does work is important and it's what's what's needed right now. To build these strong points of relationships and solidarity across different locales internationally and outside of our own safe collective spaces. Hai Vo: Yeah, I resonate with everything that Jean shared. I think for me, eight years of continuing to gather and to organize and to be with one another means that the vision of a cultural healing hub, by and for queer and trans people to learn our ancestral ways, to be creative with one another, to heal with our elders still resonates like it still matters. I'm getting emotional about it because I just been thinking a lot about, this question. We're approaching 10 years and even 12 years. And I keep asking myself, as a queer Việt person, am I more free? Am I more liberated? I think I want to be asking myself that question deeply in the next phase of my life. Having gone through a journey on my own to explore my own gender, sexuality and be more loving of my trans femness and explore my art around food and food waste and being a diasporic cultural food worker, but also explore my eco- femme writing and erotica. Those things are really exciting for me, but also when we started QTViet Cafe, I came to peace with potentially being estranged from my parents. I noticed that a lot in our community, like that's a possibility. After my mom passed in 2018 and inviting my dad to, you know, I've invited my parents every year to come to QTViet, they haven't. Me inviting my dad to bring a picture of my mom for the altar. For me, like, okay, that's the cultural organizing piece. But deep down, I just really wanted to celebrate my mom and I just wanted my dad to be there. And to like witness how I've grown, witness my friends and family, witness the chosen family that I've built over time. And my dad came and my dad stayed through the program. My dad donated. My dad could have chosen not to go.  My dad could have left the program. My dad could have not donated. If anything, he could have probably done a lot of things Not in support of what we do. And not to say that this happens with every person or every family, but I think that for me, that's the power in trying to heal our relationships with ourselves and our families and with each other. Every year I hear more struggles, as queer and trans Việt people, and I also hear more joys and liberations, and so I think for me, yeah, eight years means that, we still are surviving, and we are still thriving any way that we can. Whether that's through our foodways, our practice of trying to continue the language, whether it's connecting on our different art forms, I'm hopeful. Eight years means being more of ourselves, and it means being able to experience one another being more of ourselves.  In my relationship with my dad, I've been able to be more honest. I see my dad as more honest, and I hope that by doing this cultural organizing work and arts as a way to practice healing justice, I want more of us to see each other as human. Queer, trans, Việt-ness is not a sickness or a disease. But also our parents are more than that role, that they're humans who experience war and trauma and are also healing too. And so, I think, that's a big part of what eight years means to me. Eight years also means we have, like, hundreds of recipes. I still haven't written out all the recipes, but in my mental Rolodex, we have lots of recipes, lots of songs, lots of poems, visual , art pieces, photos, videos. We just have so much art that expresses the queer trans Việt experience, especially the diaspora. I'm excited to, create more of it and also help archive that and document that and celebrate that as we approach, 10, 12 years and into the farther future.  My example is specific to my dad, but I think that we all heal in different ways with ourselves and our relationship to body and spirit, our relationship to other family, other friends, how we relate to each other, how we relate to the world. I see that in, in every one of us. Jean Pham: Everything Hai is saying is so important and beautiful. The landscape that QTViet formed in eight years ago was in many ways very different from now. There's a lot more shift in their communities too. Eight years ago, for example, I grew up in Orange County. Little Saigon, outside of Việt Nam, it's the densest Việt Namese population, where in San Jose, it's like the largest Việt Namese populations outside of Việt Nam . Still at their core like very deeply conservative locales. And, it's one of the reasons why I was seeking community in the eight years since then I think we've seen a kind of a shift. Our generation of Việt Namese diasporic students, descendants, inhabitants, we're challenging the politics, reckoning of, what does it mean for us, who descendants of refugees, people who hold all these different complexities, who also struggling to find our own space, what does it mean for us to, create and shape our own worlds, or to even resist against some of the things we were taught. I've been in QTViệt Cafe for most of my 20s, and I really feel the collective has honestly raised me in many ways that changed me for the better. I remember, one of my first QTViệt Cafe meetings, everyone was just cooking. I came in, like, on time. I was coming from a very different environment in terms of political organizing, where it's very we have a set agenda, everything's really disciplined. In QTViet Cafe spaces, we spend most, like, an hour or two just kind of checking in with each other, making sure everyone just felt okay and present, and able to move. A big part of it is still just being in community, cooking with each other, sharing recipes, and that's so central to the work. It's a slower pace, but I also felt like it's also ingenuous. It's really about building relationships and families. So many of us have complicated relationships with our blood families and. within QTViet Cafe spaces, sometimes we do talk about it, and sometimes there is space for us to explore that form of hardship, but people just understand. If we come in a space as a queer and trans Viet, there are certain experiences that are almost unfortunately, , universal, or you can just deeply feel. And everyone just almost telepathically holds that space for each other in a very, like, beautiful way. Cheryl Truong: You bring up how last year you were all able to go to Việt Nam, to the motherland. What is the landscape there? Like politically, emotionally, spiritually. Jean Pham: Yeah, last year we went in October, it was almost a week before Halloween I believe, and we had been preparing for this journey for half a year and it was actually delayed. Originally there were plans for , queer and trans Việt Namese. to go Việt Nam together in 2020. But because of the onset of the lockdown, these plans were not scrapped, but just put on pause until we could travel in a meaningful and safe way.  I would say the landscape in Việt Nam with the queer and trans, community we met, it was a big shock to me. It was, very loving, you know, like When I told my parents I was going my mom sent me this large message about how dangerous Việt Nam is, it's like a third world country, that people are gonna try to scam me or steal my belongings and that I should always be on guard, that even my friends can't necessarily be trusted because they might be fooled too. And I didn't necessarily believe her all the way, right? I think I thought she was being a little bit just overprotective. And when I met people in Việt Nam, no, it was like the exact opposite. Everyone was very curious, where are you from? Why are you here?  We met with a collective called the Bạc Xỉu Collective. Bạc Xỉu is a type of Việtnamese coffee. I thought it was interesting that both our collectives are named after community spaces that revolve around coffee. The Bạc Xỉu Collective were very, like, loving and open to us. They were just so curious that our group existed. A lot of them practice the art of drag, but they also had members who were involved with very different art forms, pretty similar to us. I think one of the questions I was trying to reckon with was, what does it mean to explore your queerness and transness, when you're not confronted with whiteness in the way that we are as people living in America. Obviously, white supremacy is global, but I felt it's such a new way to be queer in Việt Nam, if that makes sense. One of the highlights from meeting the collective was one of the first nights when we had rented this apartment suite and we invited a lot of the locals to come over and we just had a nice little kiki moment. We had brought over gifts. Hải is always very hospitable and gracious and prepared. Hải brought this entire suitcase full of seeds of gifts of prints of artwork that we had created and we exchanged it with them and they also just had a moment where we went around in a circle just shared who we are. It was bilingual. I was really nervous. I was like looking up on Google Translate, how to say something very, it was just like, Hi, my name is Jean. I'm from California. This is something I know how to say, but I was just so nervous in the moment that I was using Google Translate for it. But everyone was so nice. Local people in Việt Nam can speak, especially young people have a level of fluency in English so we were able to communicate pretty effectively, despite some of the language barriers. But I remember they were just interested and wanted to learn more. I honestly wish I could have stayed longer and just been in that moment forever.  I think the last thing I'll add: we just had a little like cute little party moment and I was like, what music do I put on? And so I just put on my regular music that I put on for, folks at home, like all like the gay boys and stuff I hang out with. And I just found that everyone, like Rihanna is universal. Like you put on Rihanna and no matter where you are in the world, people will freak out which I thought was so hilarious.  Hai Vo: A thousand percent agree. I loved everything that you shared, Gene. That question around, yeah, I love that you brought up that question.  As someone who grew up a part of my life in the diaspora, white supremacy and whiteness, it's just, it just happened. It's just every day. Most of the Bạc Xỉu Collective is a lot younger than our group. Most of the country actually is very young. I think a good percentage, if the majority of the country is under 25. I bring that up because I think that there's a level of a cultural revolution happening around art in general in Việt Nam in my experience in the last, let's say last like six years that I've been going almost every other year. And then to be able to meet other queer and trans Viet folks who were born, grew up there, live there, to hear them say things like, Yeah, I want to do drag and I want to do drag forever and this is what's going to free me and liberate me. , that's like very inspiring. I think in many ways, those of us who grew up here or, had time here in the diaspora, whiteness kind of, distracts, makes distractions, , and so , to, hear these young queer, Việt, local folks be so adamant and, and really, , trying, like, they're going to shows, they're making their own shows, they start doing their own events, asking for tickets and working with local shops and local bars to make their dreams happen. The one maybe kind of interesting thing that I want to share that I thought about in your question, Jean, is we met Bạc Xỉu Collective at a time when I went back, with Mơ, also part of QTViet Cafe, end of 2022. And up until that point, I had done visits back starting 2018 after my mom passed and, I wanted this trip to be a bit of a pre trip, kind of a research trip, and getting ready for the bigger trip with the dozen of us that Jean mentioned,. So, the night after we landed, we were introduced to the Bạc Xỉu Collective. A lot of these local Việt drag artists started this collective because they were in houses that had folks who were other than Việt, of them white European folks, and so they just were like, we want to create our own all Việt drag house, and do this show all in Việt. You know, make it bilingual, but centered on Việt-ness. , I think that's what we're trying to do. In the diaspora. I think there's different nuances in the places, but to be able to hear a queer drag Việt show Mostly like 95 percent Việt, and for most of the the space that we were at, was mostly Việt, I was like, oh, this is what it feels like to be at home. It was both and both comforting, exciting, my creative curiosity was going, but also there were moments where I was like, I don't understand that, you know?  I think they experienced their own challenges as artists over there , in trying to center their Việt-nesa and then we have our challenges here too. but they have a lot of freedom and access and connection to their Việt-ness because that's our motherland. During our time there where I was able to bring, parts of our altar that we bring and we practice here as part of our gatherings to honor our ancestors and, It was interesting, before that kiki that Jean mentioned I was asked if I could share about the altar, and then for some reason, I think at the end of the night I realized I didn't share, and then after we danced and catwalked, Some people started leaving. Some of the collective members, noticed the altar, and then they started bowing and recognizing Chị Phụng and Xuân Diệu, and they were wondering who put it together.  I think it was just me noticing them knowing what this is, where I didn't have to explain. Them just honoring them, just taking a minute, like, it was like a minute of our hundreds of minutes that we had together that night. But I just started getting emotional and crying that night because this is a moment where I don't have to explain. There's my kin who get it. And they looked at me after and they're like, well, you're crying. And I'm like, yeah, I'm crying because this practice, this ritual I feel only a few of us get it in the diaspora. What seems so special here in the diaspora is actually just very normal.  They were like, yeah, this is what I know about Chị Phụng and you should look up these other queer ancestors that I didn't know about. And I'm like, oh my God, this is one of the reasons why I wanna be here. So better understand our people. They were like, yeah, look at this up. Look at this up. Like look this, look up this person. Two nights later when we had our show together, we brought elements of the same altar, but Bạc Xỉu also brought things. They brought, their contributions and offerings to the altar, and food. It was a collaborative ritual that we had together and before the show as part of the hype up and the prep. We got to cúng mǎ to honor our ancestors and I'll never forget that moment to be able to practice ritual in addition to the show where we're sharing our expressive creative arts. Everyone knew the importance of why we were doing that and that we come from a deep lineage of queer trans, have probably paved the way and fought for their existence and for our existence to be here. I think that spiritually, that's a way that I felt like I was able to connect over there. I'd also say in your question, Cheryl, I think the last time I heard the the government approves same sex marriage. I would say culturally, it's a whole other story. I think because of colonization, imperialism, um, queerness and transness has been erased. And so I think that why it's so important for us to do this work in the diaspora because, our parents and our elders, they have left a motherland and so there's a gap in culture and understanding, and, it's a harder struggle to justify that actually, no, we have queer, trans, Việt history, and we come from a lineage of queer folks, and I think that for me that cultural work is so important because by sharing the history of our people, by sharing our creative expression, by sharing the struggles of, who we are both here in the diaspora and also in Việt Nam. And a lot of those struggles are around the same things. Family acceptance, belonging, economic justice, employment, , access to resources, access to healthcare, jobs. Those things are actually very similar , in my meeting, in my connecting with queer folks there. Those systems that are, creating those struggles are the same, like they're the same capitalist, Corporate imperialist systems. What I'm hopeful for is that what we're doing as queer and trans Việt folks in the diaspora, connecting with queer and trans Việt folks who are in Việt Nam know– I want to imagine a world without borders. For me the art and the creativity and trying to transform the struggles that we all experience as queer and trans people to stories and actually life ways of resilience. I'm hoping changing hearts and minds. Will ultimately transform practice and policy. The government might be saying one thing, but at home, it's actually a different story. That's why our work is important to try to change heart and minds. I want to get to a place where my dad would be like, okay, yeah, same sex marriage. My child and their friends, are members of the community who are respectful and joyful and wanting to contribute to society, just as much as our, just as much as our queer trans, Việt ancestors have to. Cheryl Truong: Thank you so much for bringing us here, Hai.  You've highlighted some really important point. Colonization capitalism, white supremacy. These are, systems of oppression that while they manifest differently, as you say, they are global in nature and. In escapable and then impact is both here in America and also in Vietnam.  The motherland, like the forces at play are very much the same. I really appreciate the insights that both of you have shared, especially in response to Jean's extremely evocative question about what it means to explore queerness and transness when you're not confronted with whiteness. Hai,, your story about the altar and Bạc Xỉu Collective connection to ancestral practices and rituals. They're embracing of our trans and queer Viet histories. And how. How it creates this deep sense of kinship. I think these are powerful reflections. The diaspora. You know, as you say. As a result of imperialism and capitalism.  Makes us a bit disconnected from these wisdoms at the motherland and what you share truly clarifies. And sharpens. What's up the forces at play and the vast systemic issues that we're confronting. But also, it really deepens my admiration for. The extremely revolutionary work that QTVIet Cafe is doing to bridge this gap and are in our world, filled with borders.  Okay. We're going to take a quick music break. But stay tuned. We'll be right back.   Cheryl Truong: And we're back. You were listening to apex express on 94.1, FM KPFA and online@kpfa.org. You were just listening to change the world by baby Chris.  We are still here with Hai Vo and Jean Pham from QTViet Cafe. For the first half of our show, we were reflecting on what eight years of QTV at cafe means and also learning. And also about the trip that they took together as a collective to Vietnam last year to learn more about trans and queer. Experience of local Vietnamese of local Viet. And of course, as the artists that they all are, they created a film about it. Let's get back to the show.  Speaking of changing hearts and minds, tell me about this documentary that you all created when you were in Việt Nam.  Hai Vo: I think the idea started because, so my parents and my brother left as boat people in 86 and I was born In Iowa in 87 after being sponsored by a Presbyterian Church. I went for the first time to Việt Nam when I was 7 and again when I was 12. I remember my parents were obsessed with camcorders. I don't know if you all have this but, there's still so many VHS tapes that I think I need to digitize, But I think the spirit of homeland trips being documented in my family is such a thing.  When I was thinking about this trip, 2018, when I started coming back when I was 12, it wasn't until 22 years later, when I was 34, that I came back after my mom passed. Going back, I was , curious about how people document their experience going back to the homeland and these days with reels and social media, people doing daily blogs and just all the things, I was curious. But I think there's an element of that kind of old school, just document everything. And then coming back here a few weeks later, just over dinner, just see everything unedited. Um, so, yeah, that was part of the inspiration and then fortunately, 1 of our collective members, and, and members Tracy Nguyen and folks with the Sunkist SunKissed,they've been documenting the QTViet Cafe experience since the beginning, really.  So much of what's on YouTube and online of our work is, through their documentation. Basically was like, Sal, I don't have a lot of money. We don't have a lot of money, but here's a little bit of money that I fundraise so far and we can keep fundraising as part of the collective effort. What do you say about trying to document this experience with us? I think what's so powerful about the collective is by it for us. Knowing that Sal and other folks who practice videography and film are already part of the collective and are already interested in a trip, I think, it's easier to share and connect on the goal of connecting with other queer and trans folks.  We've never done a trip like this and then two, we've never documented a trip like this. Everything was new. And we were going into it. We had like ideas of how we wanted to film this and there were some proposals and we Filmed some of the activities that we had before the trip like some of our planning retreats and some of our fundraising events. Sal did some interviews of how we felt before in all the feelings of like anxious and excited, nervous. And I ultimately was just like, Sal, here's our best agenda, here's like a guide of what each day will look like. Ultimately, I want to give all of us a creative permission just experience this trip and to let's do our best to document it. And as long as we're truthful and honest. As long as we can just share our full humanhood, whatever happens on the other side, I think will be amazing. After that, it just had a little bit of relief knowing that. Honestly, we were inspired by Videos that other queer trans folks were doing in Việt Nam. It's like abstract and editorial and like voiceover and like, it's just like, just put it out there. That was part of our inspo. I think just as much as, our identities and sexualities and gender are fluid, I wanted to encourage, the film and documentation to be just as fluid. Fortunately, we had folks who were filming and doing sound, and with the support of , everyone in the collective, we're all taking photos and doing videos. We're, hoping to just share honestly and report not just our experience, but also share the struggles that we experienced as queer and trans people, the struggles that queer and trans people, in Việt Nam experience to the power of what it means to collaborate together and, um, do something historic and do a first event there ever. we hope to share our post trip reflections of what it's meant for us.  Jean Pham: Yeah, it was just like a fun process for us to take upon this trip and each of us in our own way, document it. QTViet Cafe has different disciplines of artists– filmmakers, photographers, writers, dancers, and so forth, that one of the things we were also asked to do was, to take our own photos and to share it throughout the entire process.  For me it was a different experience because this is my first time going to Việt Nam. My parents came here in 89 and I was born in 95. I guess if you're not a part of the diasporic Việt Namese American population, there are certain, like, ideas held about Việt Nam that some people from the older generation have about, Việt Nam as , a socialist country. And also, like, what it means for people who are refugees to be reckoned with, how their country has transformed. And so I've never gone back to Việt Nam because my parents honestly thought this is like a lost country. It's not home for us anymore. And so a lot of ideas about Việt Nam and what it is now, we're, Reproduced and given to me and of course, like it's a lot of unpacking too, right? Because I honestly don't believe a lot of these held ideas that they have about Việt Nam. And it was important for me to want to experience that. Việt Nam for myself, in a way where I could truly see what the country is and not in a way that necessarily demonizes it or even romanticizes it. A lot of like diasporic poetry and art and writing I feel kind of like hinges or teeters that like point of almost romanticizing their ancestral country. And I think it's important for us to unpack all these like held beliefs and biases. In college, I did a lot of poetry, slam poetry, and I always recognized the language barrier is a big part of access, not being able to fully understand or communicate with our parents is a tension that many like second or third generation Americans face. The way that I think QTViet Cafe interacts with that is pretty ingenious, but also very, what one should do, which is just simply to learn the language. We need to teach each other the language so that we can communicate with each other in Việt Namese. That was another big part of our preparation too.  Some collective members. held Việt Namese classes for us to talk to each other, talk to locals, talk to other queer folks. And also the language is important because as much as we have our own lingo and slang as queer and trans communities here, so do they in Việt Nam, in Việt Namese. With the documentary, not everyone has the same experience, right? For me, it was my first time. So I was trying to visit places where my parents grew up, trying to see the city from my own eyes. Some people had a lot more connection with Việt Nam and had visited it, Việt Nam and Saigon many times before. So in a documentary, there are certain members of the collective that have like more keyed interviews that kind of talk about that difference because even within our collective, we're not monolithic in terms of our experiences and you can see the different ways like we're shaped by it.  I think the last thing I'll share with you is definitely, and Hai, and I kind of talked about this. It's in conversation pretty often, but a lot of eateries, Việt Namese restaurants in the US are kind of stuck in time because a lot of them are, restaurants that are Staffed and created by diasporic Việt Namese refugees. The food has like definitely developed a lot in Việt Nam. And so has the language. It almost feels like, you know, us in a diaspora, us here in California, we're in like a time bubble. And going to Việt Nam breaks that. And lets us experience what does Việt Nam look like now in like 2024, 2023. Now that it has like modernized. You know, most people, most queer and trans Việt Namese people we've met were either in underground economies or they're gig workers or they're freelance workers. I think there's a lot of parallels between the ways that queer and trans people move here and also in Việt Nam. Although there is definitely like that point of us visiting Việt Nam as Americans. or people who have American passports, there is a class dynamic to it. So yeah, it, I would say part of the complication is There are things we were trying to resolve within our own bodies by going back to Việt Nam, but also things we had to reckon with, like the differences too, and how, I think for me, one of the most jarring things was realizing that in Saigon, there are provinces or like neighborhood, entire neighborhoods that are home to just people who immigrated out from their countries and had access to a larger degree of wealth and who are actively perhaps displacing Saigonese locals and realizing that if I wasn't careful, then these are structural issues that can be created if we don't examine our place like in context. Yeah. And I'll check there. Yeah.  Cheryl Truong: Thanks so much for sharing Jean and Hai. That's just about all the time we have left tonight. For those interested in seeing the premiere of their Đồng Quể documentary, learning more about QTViet Cafe. And or celebrating eight years of queer trans Viet magic, please join QTViet Cafe on September 1st in Oakland, California. They will be having an exciting celebration. ? Hai, how can people learn more? Hai Vo: Yeah, we're excited to invite everyone to our eight year anniversary. We're premiering Đồng Quể, which is the film of their Việt Nam trip. We are planning to have it, on Sunday, September 1st. 5 to 9 at Firehouse Oakland in Chinatown. And, yeah, we're live on the tickets and registration.  It'll be up on our IG, @qtvietcafe, it'll be up on our Facebook, it'll be up on our website. Folks can also subscribe to our newsletter too via our website. Yeah, September 1st, Sunday, evening time, 5 to 9, Chinatown at Firehouse in Oakland.  Cheryl Truong: Thank you all. So thank you both so much for being here for coming on the show. And for our listeners, please join us September 1st at the firehouse in Oakland. You hear all of these stories, these intimate details at Jean and Hai have shared with us income to live. For those interested in learning more. QTViet Cafe's socials Facebook, Instagram website, all that good stuff will be in the show notes as well as a link to their registration form. As well as their bilingual letter for a free Palestine. That was written in collaboration with members of QTViet Cafe, the Dallas, Asian American historical society, and also various other community supporters. This letter is bilingual. It starts off with dear family. And is meant to catalyze an intergenerational conversation about Palestine. Everyone has a different relationship story to our families and lineage, so this resource is a conversation starter so please check it out.  It'll also be in the show notes.   Thank you all so much for listening and I'll see you next time. .  Apex express is produced by Miko Lee, Paige Chung, Jalena Keane-Lee, Preeti Mangala Shekar. Shekar, Anuj Vaidya, Kiki Rivera, Swati Rayasam, Nate Tan, Hien Nguyen, Nikki Chan, and Cheryl Truong   Tonight's show was produced by me, cheryl. Thanks to the team at KPFA for all of their support. And thank you for listening!  The post APEX Express – August 22, 2024 – 8 Years of QTViet Cafe! appeared first on KPFA.

In this episode we discuss The Fall and Rise of the British Left (Verso, 2019) by Andrew Murray. We originally intended this episode to coincide with the UK General Election in July 2024, seeing this as a good moment to reflect on the electoral turn of the left in Britain in the 2010s. While this scheduling didn't quite work out, we still felt this work, written by an advisor to Jeremy Corbyn at the peak of expectations for a left-wing Labour victory, would make for an interesting and (somewhat) timely discussion. ---------------------------------------------------------------- The first ABC Edition Pamphlet, Danny's translation of Víctor García: ‘José Xena Torrent: A Contribution to a Necessary Biography,' is now available to buy for cost price of £2 + postage. For UK listeners, the easiest way to place a single order is to send £3.35 via PayPal to abcwithdannyandjim@gmail.com, and put your postal address in the comments. For larger or international orders, please email abcwithdannyandjim@gmail.com, and we will arrange in conversation. You can keep in touch with the podcast via the above email, and Twitter ⁠⁠⁠⁠@abcdannyandjim⁠⁠⁠⁠. You can subscribe to our newsletter here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://abcwithdannyandjim.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠ The podcast music is Stealing Orchestra & Rafael Dionísio, 'Gente da minha terra (que me mete um nojo do caralho).' Reproduced from the Free Music Archive under a Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License, available here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/35ToW4W⁠⁠⁠⁠⁠⁠⁠⁠⁠ The podcast logo is an adapted version of the Left Book Club logo (1936-48), reproduced, edited and shared under a Creative Commons Attribution-Share Alike 4.0 International licence. Original available here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/35Nd6cv⁠⁠⁠⁠⁠⁠⁠⁠⁠. The image in this episode is from the 1985 Labour Party Conference.

It's the bug's world now, we're just living in it.

In this episode we discuss M. E. O'Brien and Eman Abdelhadi's speculative fiction Everything for Everyone: An Oral History of the New York Commune, 2052-2072 (Common Notions Press, 2022). We both really enjoyed this slight departure from our usual reading choices for the podcast, which provoked and stimulated how we think about history, and the experience and nature of post-revolutionary society. You can find interviews authors of this book here: https://positionspolitics.org/an-interview-with-m-e-obrien/ https://open.spotify.com/episode/6lSfPYDDsyuvRNB3DgvcIx?si=1T076vlXTC6hVfOfTrq6mQ ---------------------------------------------------------------- The first ABC Edition Pamphlet, Danny's translation of Víctor García: ‘José Xena Torrent: A Contribution to a Necessary Biography,' is now available to buy for cost price of £2 + postage. For UK listeners, the easiest way to place a single order is to send £3.35 via PayPal to abcwithdannyandjim@gmail.com, and put your postal address in the comments. For larger or international orders, please email abcwithdannyandjim@gmail.com, and we will arrange in conversation. You can keep in touch with the podcast via the above email, and Twitter ⁠⁠⁠⁠@abcdannyandjim⁠⁠⁠⁠. You can subscribe to our newsletter here: ⁠⁠⁠⁠⁠⁠⁠⁠https://abcwithdannyandjim.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠ The podcast music is Stealing Orchestra & Rafael Dionísio, 'Gente da minha terra (que me mete um nojo do caralho).' Reproduced from the Free Music Archive under a Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License, available here: ⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/35ToW4W⁠⁠⁠⁠⁠⁠⁠⁠ The podcast logo is an adapted version of the Left Book Club logo (1936-48), reproduced, edited and shared under a Creative Commons Attribution-Share Alike 4.0 International licence. Original available here: ⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/35Nd6cv⁠⁠⁠⁠⁠⁠⁠⁠. The image in this episode is some of the cover art for Everything for Everyone.

A huge thanks to Seth White for the awesome music!Thanks to Palmtoptiger17 for the beautiful logo: https://www.instagram.com/palmtoptiger17/Facebook Page: https://www.facebook.com/thewayfourth/?modal=admin_todo_tourYouTube: https://www.youtube.com/channel/UCTd3KlRte86eG9U40ncZ4XA?view_as=subscriberInstagram: https://www.instagram.com/theway4th/ Kingdom Outpost: https://kingdomoutpost.org/My Reading List Goodreads: https://www.goodreads.com/author/show/21940220.J_G_ElliotChristian Peace and Nonviolence: https://www.goodreads.com/book/show/11451761-christian-peace-and-nonviolence?from_search=true&from_srp=true&qid=lpCu4Cfk0v&rank=8Permission's Sheet: https://drive.google.com/drive/folders/1FN9Dg3xONxG08mJ8IYarKFDH1zlSwGZL?usp=drive_linkExcerpts from Letter 18, Letters of St. Paulinus of Nola, Vol. 1, translated and annotated by P.G. Walsh, 175-177, copyright © 1966 by Rev. Johannes Quasten, Rev. Walter J. Burghardt, and Thomas Comerford Lawler, published by Newman Press, an imprint of Paulist Press, Inc, New York/Mahwah, NJ. www.paulistpress.com.Catholic Peacemakers, Excerpt from Humbert of Romans A Work in Three Parts, pgs. 658-661, translated by Ronald G. Musto. Taylor and Francis Group LLC (Books) US, 2002. Reproduced with permission of the Licensor through PLSclear.  Thanks to our monthly supporters Philip Does Laverne Miller Jesse Killion ★ Support this podcast on Patreon ★

In this episode, our hearts are full as we are joined by the glorious poet Imtiaz Dharker, talking about the poem that has been a friend to her: 'Meeting Point' by Louis MacNeice.We are also thrilled to say that this episode will be with you in the month that Poems as Friends - The Poetry Exchange 10th Anniversary Anthology is published - on 9th May 2024. We are hugely grateful to everyone who has contributed poems and stories to its pages, and to all of you for your support and love for The Poetry Exchange over the last 10 years. Imtiaz Dharker is one of the leading and most widely respected poets of our age. "Reading her, one feels that were there to be a World Laureate, Imtiaz Dharker would be the only candidate." - Carol Ann Duffy. Imtiaz Dharker grew up a 'Muslim Calvinist' in a Lahori household in Glasgow, was adopted by India and married into Wales. She was awarded the Queen's Gold Medal for Poetry in 2014. Her main themes are drawn from a life of transitions: childhood, exile, journeying, home, displacement, religious strife and terror, and latterly, grief. On 23rd May 2024, Imtiaz's latest collection Shadow Reader is published by Bloodaxe Books. Shadow Reader is a radiant criss-cross of encounters, messages and Punjabi proverbs, shot through with the dark thread of an unwelcome prophecy. ‘Does the warp look back at the one who is weaving and say, This is not how I remember it…?' We are so delighted to share this conversation with you in the month that Shadow Reader - and our anthology of Poems as Friends - join us in the world. Imtiaz Dharker is in conversation with Fiona Bennett and Roy McFarlane.*********Meeting Point by Louis MacNeiceTime was away and somewhere else,There were two glasses and two chairsAnd two people with the one pulse(Somebody stopped the moving stairs):Time was away and somewhere else.And they were neither up nor down;The stream's music did not stopFlowing through heather, limpid brown,Although they sat in a coffee shopAnd they were neither up nor down.The bell was silent in the airHolding its inverted poise—Between the clang and clang a flower,A brazen calyx of no noise:The bell was silent in the air.The camels crossed the miles of sandThat stretched around the cups and plates;The desert was their own, they plannedTo portion out the stars and dates:The camels crossed the miles of sand.Time was away and somewhere else.The waiter did not come, the clockForgot them and the radio waltzCame out like water from a rock:Time was away and somewhere else.Her fingers flicked away the ashThat bloomed again in tropic trees:Not caring if the markets crashWhen they had forests such as these,Her fingers flicked away the ash.God or whatever means the GoodBe praised that time can stop like this,That what the heart has understoodCan verify in the body's peaceGod or whatever means the Good.Time was away and she was hereAnd life no longer what it was,The bell was silent in the airAnd all the room one glow becauseTime was away and she was here. © 1967 by Louis MacNeice. Reproduced with permission of David Higham Associates, Ltd. Hosted on Acast. See acast.com/privacy for more information.

This time around, guest Hip Hop MD stamens your pistol and Julian admits (surprising no one) that he flows with nerd core.QUESTIONSJulian: "What rapper would make the greatest scientist, and what would their game changing discovery or invention be?" from MaynardMaynard (Hip Hop MD): "What if people reproduced like plants do" from AnonymousDo you have an absurd question? Maybe it's silly idea you had, a shower thought about the nature of reality, or a ridiculous musing about your favorite food? If you want an answer, no matter the question, tell us!Visit our website ThatsAbsurdShow.com to listen to every episode of the show, see what videos or images we share from our research. Also on our website you can submit questions directly to us thatsabsurdshow.com/ask. If you love email for some reason you can also share them to hello at thatsabsurdshow.com. If we use your question we'll give you a shout out in the episode.SUPPORT THE SHOW: JOIN NEBULAWant to listen without any ads and support our show? You can! Join Nebula with our link and you get both. You get an ad-free feed of our show and it directly supports the making of That's Absurd Please Elaborate (and tons of other independent creator content too). To join visit go.nebula.tv/thatsabsurdshow.SOCIALS[[ MAYNARD / HIP HOP MD ]]Instagram: https://www.instagram.com/hiphopscienceshowThreads: https://www.threads.net/@hiphopscienceshowTiktok: https://www.tiktok.com/@hiphopscienceshowWebsite: https://www.hiphopscienceshow.com/YouTube: https://www.youtube.com/hiphopscienceshowLinkedIn: https://www.linkedin.com/in/maynardokereke/Facebook: https://www.facebook.com/HipHopScienceShow/[[ JULIAN ]]Instagram: instagram.com/huggetoutThreads: threads.net/@huggetoutX: x.com/huggetout[[ TRACE ]]Instagram: instagram.com/tracedominguezYouTube: youtube.com/@tracedominguezThreads: threads.net/@tracedominguezTiktok: tiktok.com/@tracedominguezCREDITSThis episode of That's Absurd Please Elaborate was written by Trace Dominguez and Julian Huguet, edited by Kyle Sisk, and produced by all three of us.Theme Music by Epidemic Sound; learn more here: http://nebula.tv/epidemicThanks for listening to That's Absurd Please Elaborate. We appreciate you!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A huge thanks to Seth White for the awesome music!Thanks to Palmtoptiger17 for the beautiful logo: https://www.instagram.com/palmtoptiger17/Facebook Page: https://www.facebook.com/thewayfourth/?modal=admin_todo_tourYouTube: https://www.youtube.com/channel/UCTd3KlRte86eG9U40ncZ4XA?view_as=subscriberInstagram: https://www.instagram.com/theway4th/ Kingdom Outpost: https://kingdomoutpost.org/My Reading List Goodreads: https://www.goodreads.com/author/show/21940220.J_G_ElliotChristian Peace and Nonviolence: https://www.goodreads.com/book/show/11451761-christian-peace-and-nonviolence?from_search=true&from_srp=true&qid=lpCu4Cfk0v&rank=8Permission's Sheet: https://drive.google.com/drive/folders/1FN9Dg3xONxG08mJ8IYarKFDH1zlSwGZL?usp=drive_linkSoelle's "The Silent Cry": https://www.fortresspress.com/store/product/9780800632663/The-Silent-Cry Violence and Nonviolence. From The Silent Cry: Mysticism and Resistance by Dorothee Soelle copyright 2001 Fortress Press. Reproduced by permission.  Thanks to our monthly supporters Philip Does Laverne Miller Jesse Killion ★ Support this podcast on Patreon ★

In today's episode, we're heading to the Arctic Circle with intrepid scientist, Dr. Morley, as she searches for an elusive Jellyfish. This lovely story by Chloe Savage is all about never giving up and always following your dreams. Published by Walker Books. With music by Oleksii Kaplunskyi. Kind Permission has been granted by the Author and Publisher for this reading. Copyright (c) 2022 Chloe Savage from The Search for the Giant Arctic Jellyfish, Written and Illustrated by Chloe Savage. Reproduced with kind permission of Walker Books Ltd, London, SE11 5HJ. www.walker.co.uk.

In this episode we are delighted to be joined by Dr Alexandra Paulin-Booth, to discuss her book Time and Radical Politics in France, published by Manchester University Press in 2023. Alex's work treats the conception of time as both a window and a key into the left and right in France, during the turbulent period between the Dreyfuss Affair and the First World War. You can see Alex's profile and a list of her publications here. ---------------------------------------------------------------- The first ABC Edition Pamphlet, Danny's translation of Víctor García: ‘José Xena Torrent: A Contribution to a Necessary Biography,' is now available to buy for cost price of £2 + postage. For UK listeners, the easiest way to place a single order is to send £3.35 via PayPal to abcwithdannyandjim@gmail.com, and put your postal address in the comments. For larger or international orders, please email abcwithdannyandjim@gmail.com, and we will arrange in conversation. You can keep in touch with the podcast via the above email, and Twitter ⁠⁠⁠⁠@abcdannyandjim⁠⁠⁠⁠. You can subscribe to our newsletter here: ⁠⁠⁠⁠⁠⁠⁠https://abcwithdannyandjim.substack.com/⁠⁠⁠⁠⁠⁠⁠ The podcast music is Stealing Orchestra & Rafael Dionísio, 'Gente da minha terra (que me mete um nojo do caralho).' Reproduced from the Free Music Archive under a Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License, available here: ⁠⁠⁠⁠⁠⁠⁠https://bit.ly/35ToW4W⁠⁠⁠⁠⁠⁠⁠ The podcast logo is an adapted version of the Left Book Club logo (1936-48), reproduced, edited and shared under a Creative Commons Attribution-Share Alike 4.0 International licence. Original available here: ⁠⁠⁠⁠⁠⁠⁠https://bit.ly/35Nd6cv⁠⁠⁠⁠⁠⁠⁠. The image in this episode is the cover of an issue of La voix du peuple in 1905, which is used on the front cover of Alex's book.

In this episode we speak to our longtime friend and comrade Jessica Thorne about her work on anarchist prisoners under the Franco regime in Spain. Jess has recently completed a PhD at Royal Holloway, University of London on this subject, which is also discussed in an article recently published in European History Quarterly, available here. See also Jess's brilliant article on football and radical politics in Franco's prisons, available via History Workshop here. ---------------------------------------------------------------- The first ABC Edition Pamphlet, Danny's translation of Víctor García: ‘José Xena Torrent: A Contribution to a Necessary Biography,' is now available to buy for cost price of £2 + postage. For UK listeners, the easiest way to place a single order is to send £3.35 via PayPal to abcwithdannyandjim@gmail.com, and put your postal address in the comments. For larger or international orders, please email abcwithdannyandjim@gmail.com, and we will arrange in conversation. You can keep in touch with the podcast via the above email, and Twitter ⁠⁠⁠@abcdannyandjim⁠⁠⁠. You can subscribe to our newsletter here: ⁠⁠⁠⁠⁠⁠https://abcwithdannyandjim.substack.com/⁠⁠⁠⁠⁠⁠ The podcast music is Stealing Orchestra & Rafael Dionísio,  'Gente da minha terra (que me mete um nojo do caralho).' Reproduced from the Free Music Archive under a Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License, available here: ⁠⁠⁠⁠⁠⁠https://bit.ly/35ToW4W⁠⁠⁠⁠⁠⁠ The podcast logo is an adapted version of the Left Book Club logo (1936-48), reproduced, edited and shared under a Creative Commons Attribution-Share Alike 4.0 International licence. Original available here: ⁠⁠⁠⁠⁠⁠https://bit.ly/35Nd6cv⁠⁠⁠⁠⁠⁠. The image in this episode is a photograph of Carabanchel prison in Madrid, which we discuss during the episode.

In this episode we were delighted to be joined by Ronald Grigor Suny, one of the most distinguished scholars of the Russian Revolution in the world. Suny has written extensively on a huge range of topics, including nationalism within the Russian and Soviet empires, the Armenian genocide and, in 2020, a monumental biography of the young Joseph Stalin, which was the starting point of our conversation. A fuller sense of Suny's vast historical work can be found here: https://lsa.umich.edu/history/people/emeritus/rgsuny.html and here: https://political-science.uchicago.edu/directory/Ronald-Suny ---------------------------------------------------------------- The first ABC Edition Pamphlet, Danny's translation of Víctor García: ‘José Xena Torrent: A Contribution to a Necessary Biography,' is now available to buy for cost price of £2 + postage. For UK listeners, the easiest way to place a single order is to send £3.35 via PayPal to abcwithdannyandjim@gmail.com, and put your postal address in the comments. For larger or international orders, please email abcwithdannyandjim@gmail.com, and we will arrange in conversation. You can keep in touch with the podcast via the above email, and Twitter ⁠⁠@abcdannyandjim⁠⁠. You can subscribe to our newsletter here: ⁠⁠⁠⁠⁠https://abcwithdannyandjim.substack.com/⁠⁠⁠⁠⁠ The podcast music is Stealing Orchestra & Rafael Dionísio,  'Gente da minha terra (que me mete um nojo do caralho).' Reproduced from the Free Music Archive under a Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License, available here: ⁠⁠⁠⁠⁠https://bit.ly/35ToW4W⁠⁠⁠⁠⁠ The podcast logo is an adapted version of the Left Book Club logo (1936-48), reproduced, edited and shared under a Creative Commons Attribution-Share Alike 4.0 International licence. Original available here: ⁠⁠⁠⁠⁠https://bit.ly/35Nd6cv⁠⁠⁠⁠⁠. The image in this episode is the front cover of Suny's Stalin: Passage to Revolution (Princeton University Press, 2020).

January 2024 Eighty years ago, in January 1944, the first Colossus computer was delivered to Bletchley Park. This machine and the nine that followed it have acquired legendary status within the story of World War Two codebreaking. The machines have also been described as the world's first large-scale electronic digital computers – direct precursors of the digital world in which we live today. But in 1944 the computer age still lay far in the future. These machines were built for a specific and vital purpose, to assist with the breaking of the wireless messages of Germany's senior commanders, enciphered using the Lorenz cipher machine and known at BP as ‘Tunny'. What role did Colossus actually play in the breaking of Tunny? The Colossus machines were members of a wider family of machines, and the Newmanry – the department in which they operated - was only one of several teams at Bletchley Park, all of whom were crucial to the successful breaking of the cipher. In this ‘It Happened Here' episode, Bletchley Park historians Dr Tom Cheetham and Dr David Kenyon are here to place 'Colossus in Context' and examine where exactly these machines fitted into the effort to break Tunny. Many thanks to Dr Ben Thomson for voicing our archival documents. Image: ©Crown. Reproduced by kind permission, Director, GCHQ #BPark, #Bletchleypark, #WW2, #Colossus80,

Scriptures Referenced:Matthew 27:62–66; Mark 15:42-47; Acts 17:31; 1 Corinthians 15:51-58Links ReferencedJesus' Resurrection and Christian Origins. Originallypublished in Gregorianum, 2002, 83/4, 615–635. Reproduced by permission of the author https://ntwrightpage.com/2016/07/12/jesus-resurrection-and-christian-origins/Edwin Yamauchi, Easter: Myth, Hallucination, or History? Available online www.leaderu.com/everystudent/easter/articles/yama.htmlGary Habermas' website has many helpful articles on all things Resurrectional as well—http://www.garyhabermas.com/articles/articles.htmWorks Referenced- John Stott, Basic Christianity- William Lane Craig in Copan and Tacelli, Jesus' Resurrection , Fact or Figment—A Debate Between William Lane Craig and Gerd Lüdemann (Downers Grover, Intervarsity Press, 2000) - Gary Habermas and Mike Licona, The Case for the Resurrection of Jesus (Grand Rapids: Kregel, 2004). - NT Wright, The Resurrection of the Son of God, (Minneapolis, Fortress Press, 2003)

August 2023 This month we examine the often-overlooked story of GC&CS's work on diplomatic codes and ciphers.  This vital work predated work on military codes, beginning when CG&CS was created in 1919. Work continued throughout World War Two, with some staff eventually leaving Bletchley Park to carry on as the Government Communications Bureau in Berkeley Street London. In this special episode our Research Historian Dr David Kenyon is joined by GCHQ's Departmental Historian Dr David Abrutat, to discuss all things diplomatic and beyond. This episode features the following contributors from our Oral History Archive: Sir Arthur Bonsall  Stephen Freer Many thanks to Dr Ben Thomson for voicing our archival documents. Image: ©Crown. Reproduced by kind permission, Director, GCHQ #BPark, #Bletchleypark, #WW2, #Enigma, #GCHQ,

Summer is BBQ season. North Carolina-based father and son duo Ed and Ryan Mitchell, who are legendary pitmasters, released their latest cookbook Ed Mitchell's Barbeque which includes best techniques for roasting meat and recipes for sides and appetizers. Ryan joins us to discuss.  Sheri's Smoked Mac 'n' Cheese (Courtesy of Harper Collins) Serves 4 • Prep Time: 20 minutes • Cooking Time: 45 minutes (if baked) or 1 hour (if smoked)     RYAN MITCHELL, Ed Mitchell's son   Everyone has a macaroni and cheese memory. Mac and cheese has become as American as  burgers and pie. My sister, Sheri, was the first person to bring different ideas about how  to reimagine macaroni and cheese back to Wilson and to our family. Sheri was a cheese  connoisseur. In the 1980s, she was hobnobbing with folks at Georgetown and Howard  University in Washington, DC, and attending parties with fancy cheese boards and wine.  During the holidays, when she would come home to Wilson, she introduced us to  all kinds of cheeses, pâté, and crackers that we were unfamiliar with. Sheri started to add  bacon and different cheeses to our macaroni and cheese. She took it to the next level. We  hadn't known that mac and cheese could be jazzed up. I didn't know there were other  kinds of cheese past the ones that were available in our stores in Wilson County. I credit  Sheri for creating our mac and cheese dish.  We prefer to grate our cheeses instead of buying packaged shredded cheese. Grating  your own cheese will give you a creamier and more flavorful dish.    1 16-ounce box elbow noodles  Salt and freshly ground black pepper  4 tablespoons (1/2 stick) butter  2 tablespoons all-purpose  flour  2 cups milk  1 teaspoon onion powder  1 teaspoon garlic powder  1 cup freshly shredded extra-sharp  cheddar cheese  1 cup heavy cream  1 cup freshly shredded smoked Gouda  cheese  1 cup freshly shredded aged cheddar or  North Carolina hoop cheese  1 egg, beaten  1 cup freshly shredded mozzarella  cheese  1 cup freshly shredded Colby Jack cheese    COOK the elbow noodles in boiling water with 1 teaspoon salt for 8 minutes,  or until al dente. Drain and place in a casserole or baking dish. Season with a  sprinkle each of salt and pepper.  IN a medium-sized pot, melt the butter on low heat, then whisk in the flour.  Add the milk and stir until it starts to thicken. Add the onion powder and  garlic powder. Add the extra-sharp cheddar and 1/2 cup of the cream. Stir until  smooth. Add the Gouda and remaining 1/2 cup cream. Stir until smooth.    MIX the beaten egg and mozzarella in with the elbow noodles, then pour the  cheese sauce over the noodles. Top evenly with the Colby Jack. Cook the  macaroni and cheese on a smoker for 45 minutes or bake at 350ºF until golden  brown and bubbling, about 30 minutes. Turn on the broiler and broil the  macaroni and cheese for 3 minutes. Do not leave your macaroni and cheese  unattended when you turn on the broiler; the cheese will caramelize quickly.   Excerpted from Ed Mitchell's Barbeque © 2023 by Ed Mitchell and Ryan Mitchell.   Food & Author photos by Baxter Miller.  Reproduced by permission of Ecco, an imprint of HarperCollins Publishers. All rights reserved. 

No medication except my f*cking anti-depressants. OVERTIME segment now available for members. The new Driving While Gaining was AWESOME!! Submit A Question For The Show Join The SwoleFam APPAREL - Use code "DAILYSWOLE" for 10% off Download The 7 Pillars Ebook Watch The Daily Swole Try A Swolega Class From Inside Swolenormous X Get Your Free $10 In Bitcoin Questions? Email Us: Support@Swolenormous.com

Join the Wizard Of Weird as he re-creates some very important work from the great Doctor!See omnystudio.com/listener for privacy information.