Podcast appearances and mentions of Andrea Arnold

Wilson comes on the podcast to talk about all the films he saw at the 49th edition of the Hong Kong International Film Festival. Come listen to us talk about the newest films from around the world, including Wang Bing's Youth Trilogy, Lav Diaz's Phantosmia, Andrea Arnold's Bird, and many more. Join our FREE patreon, discord server, and our socials @ www.deepcutpod.comTimestamps:00:00:00 Intro00:03:17 Festival as a whole00:08:44 Baby00:10:25 Youth Trilogy00:15:47 Bel Ami00:17:50 Drug War00:20:09 Bird00:21:54 The Texas Chainsaw Massacre00:24:46 Man's Castle00:27:58 Việt and Nam 00:31:24 Yalla Parkour00:36:09 Harvest00:38:55 Never Too Late00:40:04 Fire of Wind00:42:15 To Kill a Mongolian Horse00:44:10 Santosh00:45:41 I'm Still Here00:49:21 Bona00:53:08 Dreams (Sex Love)00:56:40 Misericordia00:58:38 The Botanist01:00:17 Seeds 01:02:05 Blue Sun Palace 01:04:58 On Becoming a Guinea Fowl01:06:22 Separated 01:09:04 Phantosmia 01:13:15 Outro

Puntata dedicata a Thunderbolts* della Marvel, a Bird di Andrea Arnold con Franz Rogowski e Barry KeoghanPer le serie, dialoghiamo con Fabio Radaelli su L'arte della gioia di Valeria Golino (SKY). Stanze di Cinema è la trasmissione di Ciao Como Radio dedicata a cinema, cultura e spettacoli.A cura di Marco Albanese, Carlo Cairoli e Daniele Valsecchi.

Novos filmes de Paolo Marinou-Blanco, Andrea Arnold e Michel Hazanavicius

Honza je zpět! Jmenuje se Šíma, píše pro Alarm a Deník N a coby hostující palec si posvítil mimo jiné na Operaci Back Bag. Překvapil Steven Soderbergh? Jak se s nálepkou sociálně realistické filmařky popasovala v Ptáčeti Andrea Arnold? A co na to indián Bolek Polívka, dostal by od Setha Rogena soukromý tryskáč anebo scénářem přes hubu?

Mientras busca atención y aventuras en la ciudad donde vive, la adolescente Bailey conoce y ayuda a un particular adulto a quien llaman "Bird". Andrea Arnold escribe y dirige este largometraje, en que se mezclan tintes de drama y humor con una mirada social al lugar donde ella misma creció en Inglaterra. Barry Keoghan y Franz Rogowski destacan en un reparto donde también está la debutante Nykiya Adams como la joven protagonista. Ya disponible en salas de cine.

Filmvärldens mest musikaliska regissör fick Barry Keoghan att dansa i Bird. Lyssna på alla avsnitt i Sveriges Radio Play. Den brittiska regissören Andrea Arnold har gjort filmer som ”Fish tank” och ”American honey”. Förutom flickor och djur spelar musiken en viktig roll i hennes filmer. Nu är hon tillbaka med filmen "Bird", om en 12-årig flicka från fattiga förhållanden i brittiska Kent som söker sig till en mystisk främling när hennes pappa ska gifta om sig. I filmen hör vi band som The Verve och Coldplay. För vår reporter Emma Engström berättar hon hur hon använder musiken i sina filmer.

Novellprisvinnaren gästar P1 Kultur! Dessutom: Linus Tunström regisserar Juloratoriet på Dramaten efter pappa Görans roman. Och vad blev efterspelet till Grammisgalan? Lyssna på alla avsnitt i Sveriges Radio Play. LINUS TUNSTRÖM OM ATT GÖRA TEATER AV SIN FARS ROMAN ”JULORATORIET”I helgen var det premiär för ”Juloratoriet” på Dramaten. Regissör är Linus Tunström som alltså gjort teater av sin far Göran Tunströms älskade roman från 1983. En familjeberättelse som tar avstamp i Sunne i Värmland och spänner över tre generationer och två världsdelar – med relationen mellan fäder och söner i fokus. Linus Tunström är gäst i P1 Kultur.EFTERSPELET TILL GRAMMISGALAN – UPPROP FÖR REPLOKALERNAS ÖVERLEVNADI ett pressmeddelande från Studieförbunden aviseras att en tredjedel av Sveriges replokaler försvinner och närmare 20 000 ungdomar förlorar sin kreativa fristad, till följd av nedskärningarna till studieförbunden. På Grammisgalan sjösattes en ”räddningskampanj” via en film av Jonas Åkerlund. Kulturnytts musikreporter Tanja Ulriksson vet mer.ANDREA ARNOLD OM BIOAKTUELLA DRAMAT ”BIRD”Möt Andrea Arnold (”Fish tank”) som regisserat dramat ”Bird” om 12-åriga Bailey som bor med sin opålitliga pappa Bug och sin halvbror Hunter i en husockupation i norra Kent. Men plötsligt dyker en mystisk man upp i ett grönområde. Han kallar sig Bird. P1 Kulturs Emma Engström har intervjuat Andrea Arnold.FILMTIPSET: INDISKA DRAMAT ”ALL WE IMAGINE AS LIGHT”På filmfestivalen i Cannes tog ”All we imagine as light” av regissören Payal Kapadia hem priset Grand Prix du Jury, festivalens andraplats efter Guldpalmen. Det är ett romantiskt vardagsdrama om sjuksystrar i Mumbai - och deras relationer.KLASSIKERN: ”ATT HA OCH INTE HA” – BACALL OCH BOGART TROLLBINDERLauren Bacall och Humphrey Bogart möttes för första gången på vita duken i ”Att ha och inte ha” från 1944. Gnistorna flög rakt in i verkligheten - de blev ett par och filmhistoria skrevs. Kulturjournalisten Jenny Aschenbrenner djupdyker tillsammans med filmvetaren Stefan Ramqvist i regissörens Howard Hawkes klassiska filmatisering av Ernest Hemingways roman.Programledare: Lisa BergströmProducent: Henrik Arvidsson

Az angolszász függetlenfilm egyik veteránja, Andrea Arnold új rendezésseljelentkezett – ez a nagyon szerethető Bird. Aztán itt van egy magyar filmis, Hajdu Szabival a főszerepben: a Minden Rendben. És egy franciaszínházas-kosztümös mozival, meg a Wickeddel is jövünk. Végre Gellértis megnézte.

Bailey lives with her brother Hunter and her father Bug, who raises them alone in a squat in northern Kent. Bug doesn't have much time to devote to them. Bailey looks for attention and adventure elsewhere. Andrea Arnold. 2024.

Polo Ramírez conversó con Andrés Rodríguez Spoerer, gerente de Música de la Fundación Ibáñez Atkinson, sobre las Audiciones Internacionales FIA 2025. Además, habló con Javiera Contador, actriz, presentadora de televisión, locutora de radio, humorista y productora chilena, sobre la obra Tóxicas, que se presenta en el Teatro Nescafé de las Artes. En Sin Spoilers, Paula Frederick comentó las películas Bird, de Andrea Arnold, y Parthenope, de Paolo Sorrentino, que se estrenarán esta semana.

A teenage girl with nothing to lose joins a traveling magazine sales crew, and gets caught up in a whirlwind of hard partying, law bending and young love as she criss-crosses the Midwest with a band of misfits. Andrea Arnold. 2016.

Le 1er janvier 2025 sortait Bird, le dernier film de la réalisatrice britannique Andrea Arnold. Un film qui poursuit sa veine de réalisme social, tout en s'aventurant du côté de l'onirisme. Alors, la sortie de Bird nous a donné envie de nous réunir pour parler de la carrière d'Andrea Arnold, figure de proue du cinéma indépendant britannique, héritière du naturalisme de Ken Loach, et aussi grande passionnée des images de la nature.Chapitrage :05:37 : Red Road (2006)17:55 : Fish Tank (2009)37:39 : Les Hauts de Hurlevent (2011)56:31 : Bird (2025)Animation, réalisation, montage, son : Mariana AgierParticipantes : Alicia Arpaïa, Mariana Agier, Léon Cattan, Lisa DurandGénérique : © SorocinéMusique : © Antonin Agier et Hugo CardonaPhoto : © RankinHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

This week on Primal Screen, guest host Alice takes us through reviews of Andrea Arnold's stunning tribute to childhood in BIRD as well as THE LAST SHOWGIRL that holds what could be the performance of Pamela Anderson's career. We also hear from Rough Cut Films to discuss on their 'Summer Sacraments' event on March 1, presented alongside Static Vision Film Collective. Included as well is the full interview interview with Charles Williams, director of the newly released prison thriller INSIDE, starring Guy Pierce and Cosmo Jarvis. Tune in to Primal Screen on Monday nights from 7pm on @3rrr 102.7

Simon Morris looks at two films with a lot riding on them – the new Bridget Jones: Mad About The Boy, and the introduction of a new Captain America: Brave New World. But he wonders if Andrea Arnold's miniscule Bafta nominee, Bird, might be a more helpful way to go.Go to this episode on rnz.co.nz for more details

Pamela Anderson and Gia Coppola on The Last Showgirl, a film about a seasoned showgirl who must plan for her future when her show abruptly closes after a 30-year run.British director Andrea Arnold on Bird, a surprising coming-of-age fable starring Nikiya Adams and Barry Keoghan.Actor Claes Bang discusses William Tell, where a once peaceful hunter leads his people in rebellion in 14th-century Switzerland.  (WILLIAM TELL will be available to rent or buy on all the usual digital platforms from March 10.)Presenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Brendan O'NeillExecutive Producer, Rhiannon Brown

Pamela Anderson and Gia Coppola on The Last Showgirl, a film about a seasoned showgirl who must plan for her future when her show abruptly closes after a 30-year run.British director Andrea Arnold on Bird, a surprising coming-of-age fable starring Nikiya Adams and Barry Keoghan.Actor Claes Bang discusses William Tell, where a once peaceful hunter leads his people in rebellion in 14th-century Switzerland.  (WILLIAM TELL will be available to rent or buy on all the usual digital platforms from March 10.)Presenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Brendan O'NeillExecutive Producer, Rhiannon Brown

Coming-of-Age-Geschichte, die nicht glatt poliert sondern ehrlich, hart, roh und dabei wunderschön anzusehen ist! Das Sozialdrama aus der Feder von Andrea Arnold, die auch Regie führte, ist stark autobiografisch geprägt, thematisiert prekäre Familienverhältnisse und schafft es dabei magische Hoffnungsschimmer einzufangen. Eine Sneak Preview über die ich mich wieder sehr gefreut habe und euch kurz in meiner Review zusammenfasse!Follow me now on Instagram

Everything changes for 15-year-old Mia when her mum brings home a new boyfriend. Andrea Arnold. 2009.

     This week two movies about young women and the lengths they will go to for love and connections.     Tammy is a cheerleader with a crush on football player Michael. When Michael is abducted by Tammy's violent and jealous ex-boyfriend he is left in a coma hovering between life and death. Meanwhile, Dr. Wachinstein is preparing his new creation to show for his investors. All the potentially mad doctor needs is a fresh brain. What twist of fate will bring these three together? Can love blossom between a girl and a 1000 lbs. robot dinosaur? One of the titans of good bad film discussion viewed in all its restored and bloody glory, Tammy and the T-Rex: Gore Cut.     Star is living with her sexually abusive father and taking care of two half-siblings. When she meets Jake, the top seller in a travelling sales crew, he offers her the chance to get away. Joining the crew, Star navigates her feelings toward Jake, his approach to selling, and the tangled web of relationships between the rest of the crew. The fourth feature from Andrea Arnold and featuring a powerhouse debut performance from Sasha Lane, American Honey.     All that and a small change of plans as next week we will be placing the brilliance of Nakadai on the shelf for a bit and instead diving into some Lynchian nightmares.  Episode 396- Dino Dixie String Bikini

***Join the Seventh Row newsletter to stay updated on myfrenchfilmfestival and other unique opportunities to watch under-the-radar films: http://email.seventh-row.com Legendary British filmmaker Mike Leigh has a new film out in cinemas called Hard Truths, which is one of the best films of the year. What makes Mike Leigh's films so good and so uniquely Mike Leigh Films is inextricable from the process he uses to make them. But there are quite a few common myths and misconceptions about his process, including that his films are improvised and, confusingly, that his films are rehearsed. In this episode, Alex debunks these myths using research for her 2018 book Peterloo in Process: A Mike Leigh Collaboration. The book dives deeper into Leigh's process through interviews with him and his collaborators on the film, both behind and in front of the camera.  You can purchase a copy of Peterloo in Process at http://mikeleighbook.com Related Episodes TIFF 2024 #4: British social realism: Mike Leigh's Hard Truths and Andrea Arnold's Bird Ep. 119 Mike Leigh's Naked Ep. 32 Sorry We Missed You and Peterloo Ep. 11 Mike Leigh's Peterloo ------- Stay updated on Seventh Row Follow Seventh Row on Twitter, Bluesky and Instagram. Read our articles at seventh-row.com. Follow Alex Heeney on Bluesky, Twitter and Instagram. 

(00:59) Künstlerinnen und Künstler aus der Schweizer Comedy- und Kabarett-Szene schauen auf das vergangene Jahr zurück: Am Wochenende feiert der satirische Jahresrückblick «Bundesordner 2024» Premiere am Casinotheater Winterthur. Weitere Themen: (05:17) Deutscher Star der Neo-Klassik-Szene: Florian Christl kommt auf Tour mit aktuellem Album nach Zürich. (09:39) Eine der aktuell wichtigsten britischen Filmemacherinnen: Neuer Spielfilm «Bird» von Andrea Arnold läuft in Deutschschweizer Kinos. (13:52) Grossbrand in und um Los Angeles: Kulturhistorische Stätten werden vom Feuer bedroht.

On vous emmène au cinéma, en ce premier jour de l'année. C'est mercredi prochain, 1ᵉʳ janvier, que sort en salles en France, l'un des films remarqués du dernier festival de Cannes. Il s'agit de Bird, le nouveau long métrage de la cinéaste britannique Andrea Arnold. Elle suit le quotidien âpre d'une adolescente qui va faire la rencontre d'un homme fantasque et bienveillant. Bailey a 12 ans et grandit dans un contexte familial chaotique. Elle vit dans un squat du Kent avec son père et un demi-frère. Le père, à peine trentenaire, va bientôt se marier avec une jeune femme qu'il connaît depuis trois mois et il compte tirer profit de la bave censément hallucinogène d'un crapaud. Andréa Arnold est retournée dans son Kent natal pour filmer ces personnages en marge, qu'elle connaît bien. Mais elle dément toute intention autobiographique. Elle convoque même l'auteur français Gustave Flaubert. Elle raconte « Il a dit : "Madame Bovary, c'est moi". Vous savez, vous mettez toujours quelque chose de vous dans vos écrits. Mais je ne dirais pas pour autant que Bailey, c'est une projection de moi ».Intégrant des images tournées au téléphone portable, Bird montre le passage de l'enfance à l'adolescence d'une jeune fille frondeuse qui veut s'affirmer et s'échapper d'un quotidien fait de violence sociale et de précarité, comme l'explique la réalisatrice Andrea Arnold : « La vie n'est pas faite d'une seule couleur ou tonalité. Même dans les situations les plus dramatiques, il peut y avoir de l'humour. La vie est une alliance de drame et de comédie, de noirceur et de lumière dans mes films, je veux montrer la diversité de la vie sous toutes ses formes ».Loin d'être une chronique sociale misérabiliste, Bird tend vers la poésie, et même le fantastique avec l'apparition d'un mystérieux personnage venu de nulle part, Bird, qui va littéralement prendre Bailey sous son aile. « La première image qui me soit venue pour le film, c'est ce personnage. Je ne savais pas trop qui il était, ce qu'il représentait. Il m'a fallu du temps avant de comprendre qui c'est, mais je ne vous le dirai pas, car je pense que c'est au spectateur de recomposer le puzzle et de faire sa propre interprétation », relate-t-elle.Est-il un ange gardien ? Un homme oiseau ? Le comédien allemand Franz Rogowski lui prête son mystère et sa douceur. Il explique sa vision du personnage : « Je ne savais pas si c'était un ange ou un démon. Andrea m'a donné toutes sortes de sources d'inspiration. J'avais cette image d'un homme nu dans la nature. Tourner avec elle, c'était comme flotter dans l'espace, hors du temps, et s'abandonner dans un rêve qui échappe au langage ». Porté par une bande originale électrisante, mêlant rap, rock et électro, Bird est le portrait fougueux et plein d'espoir d'une adolescente combative À lire aussiLe Festival de Cannes vu par l'Afrique et la Russie

¡Qué buena época para ir al cine! Eso se nota en los contenidos del programa de hoy acordes a la temporada alta que estamos viviendo en las salas e inmersos también en la temporada de premios. “Cuando cae el otoño” es lo nuevo del director François Ozon, un valor seguro en la cartelera que consiguió dos premios en el Festival de San Sebastián 2024. Eso nos hace repasar su ya prolífica y sugerente trayectoria a través de sus cinco secuencias de la mano de Mary Carmen Rodríguez (también editora del podcast). “Cónclave” pisa fuerte en la carrera al Oscar 2025 y a ello contribuye también el apartado musical de la película de Edward Berger que vuelve a contar con el compositor Volker Bertelmann y que le hace ser protagonista en La Música Clásica De Nuestro Tiempo de Iker González Urresti. Andrea Arnold ha estrenado su nueva película, “Bird”, y eso nos lleva a repasar la trayectoria de una directora británica siempre preocupada por la realidad obrera pero sin olvidar cierta patina de esperanza. Además las recomendaciones de Colgados de la plataforma y la crítica de las favoritas “Emilia Pérez”, “Bird” y “Un viaje en primavera”. ¡Muchas gracias por escucharnos!

[DA] FanFiction: Gladiator II, Wicked, Celeste Clara y Ricardo desde Madrid, @holasoyramon desde Azuqueca de Henares y Manolo desde Leganés hablamos de estrenos en cines y en plataformas. Gladiator II – 2024 – Ridley Scott – #YoVoyAlCine Wicked - Wicked: Part One - 2024 - Jon M. Chu - #YoVoyAlCine Mamen Mayo (Serie) - 2024 - Eduard Sola (Creador), Miguel Angel Faura (Creador) - SkyShowtime Celeste (Miniserie) - 2024 - Diego San José (Creador) - Movistar Plus+ Yo, adicto (Miniserie) - 2024 - Aitor Gabilondo (Creador), Javier Giner (Creador), Elena Trapé - Disney+ El Pingüino (Miniserie) - The Penguin - 2024 - Lauren LeFranc (Creadora) - Max España Oddity – 2024 – Damian McCarthy – #YoVoyAlCine Borgo - 2023 - Stéphane Demoustier - #YoVoyAlCine Las chicas de la estación – 2024 – Juana Macías – #YoVoyAlCine Bird – 2024 – Andrea Arnold – #YoVoyAlCine Desmontando a Lucía - 2024 - Alberto Utrera - #YoVoyAlCine Mala persona – 2024 – Fernando García-Ruiz – Amazon Prime Festival de Cine Italiano de Madrid Campo di battaglia - 2024 - Gianni Amelio - Festival de Cine Italiano de Madrid En la nave del encanto (Documental) - 2024 - Pedro Alonso, Enrique Baró Ubach - Se estrenará en Netflix como Miniserie El ministro de propaganda – Führer und Verführer – 2024 – Joachim Lang - #YoVoyAlCine Vaiana 2 (Animación) - Moana 2 - 2024 - David G. Derrick Jr., Jason Hand, Dana Ledoux Miller - #YoVoyAlCine Los años nuevos (Miniserie) - 2024 - Rodrigo Sorogoyen (Creador), Paula Fabra (Creadora), Sara Cano (Creadora) - Movistar Plus+ Festival de Cine de Zaragoza Las cucarachas (Corto) - 2024 - Ainoa Aldanondo No te muevas - Don't Move - 2024 - Brian Netto, Adam Schindler - Netflix Senna (Miniserie) - 2024 - Vicente Amorim, Julia Rezende - Netflix Winnie the Pooh: El bosque sangriento - Winnie-The-Pooh: Blood and Honey 2 - 2024 - Rhys Frake-Waterfield - #YoVoyAlCine Emilia Pérez – 2024 – Jacques Audiard – #YoVoyAlCine Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Entre tantos estrenos pre navideños y comerciales, como la segunda parte de 'Vaiana' o el drama erótico que adapta a Megan Maxwell, el nuevo cine español intenta sacar la cabeza. 'Por donde pasa el silencio' es el debut de Sandra Romero con un drama sobre las dinámicas familiares, la incomunicación, el regreso al pueblo y el amor entre hermanos. Es una de nuestras recomendaciones, pero también os animamos a ver 'Bird', lo nuevo de Andrea Arnold, y 'El ministro de propaganda', la película que explica las tácticas de Goebbels para fabricar el marketing nazi, y cómo sirve de espejo hoy con tantos bulos y manipulaciones interesadas. En televisión, 'Los años nuevos', la anatomía a una pareja en 10 años de Rodrigo Sorogoyen.

La animación es una de las apuestas fijas en taquilla para reunir a un público familiar, y más en vísperas de Navidades. Ya está en cines 'Vaiana 2', segunda parte de uno de los grandes éxitos de Disney. Pero nosotros, ya sabéis, mimamos el cine de autor y nuestra recomendación de la semana es 'Bird', la nueva película de la británica Andrea Arnold y su capacidad de mirar a los márgenes en esta ocasión con cierto realismo mágico. Además, el cine español adapta a la superventas Megan Maxwell en 'Pídeme lo que quieras' y la andaluza Sandra Romero debuta con un drama familiar en 'Por donde pasa el silencio'. En televisión, gran estreno, una de las series del año, 'Los años nuevos', de Rodrigo Sorogoyen, Paula Fabra y Sara Cano.

On the November edition of the Cinetopia Radio Show & Podcast, the Cinetopia team review 4 general release films currently out in cinemas, Emilia Pérez directed by Jacques Audiard, Andrea Arnold's Bird, Sean Baker's Palme d'Or winning film, Anora, and Conclave. Cinetopia's Amanda Rogers is also joined with Yulia Kovanova, who cover this year's IDFA (International Documentary Festival Amsterdam), and interview Bonnie Cohen, one of the directors of The White House Effect and David Usui, director of Been Here, Stay Here, films featured as part of this year's IDFA festival. Running order: 2:14 - Emilia Pérez review 19:00 - Bird review 36:07 - Anora review 50:39 - Conclave review 1:07:18 - IDFA coverage 1:22:38 - Interview with Bonnie Cohen, co-director of The White House Effect 1:56:57 - Interview with David Usui, director of Been Here Stay Here

It's Blockbuster Tuesday for a change, with just an aroma of the arthouse on this midweek edition of Breakfast All Day. First, we have an early, spoiler-free review of "Wicked," the much-anticipated film version of the beloved Broadway musical. It doesn't come out until this weekend but we wanted to talk about Jon M. Chu's film as soon as we could. Cynthia Erivo and Ariana Grande star in this prequel to "The Wizard of Oz," which is 2 hours and 40 minutes long -- and it's only part one! Part two comes out next November, so we'll be back for that, too. Then, we review "Bird," the kind of auteur-driven indie you're used to hearing about from us on Tuesdays. Andrea Arnold's film follows a 12-year-old girl who lives with her drug addict father (Barry Keoghan) but goes on an adventure with a kind, mysterious stranger (Franz Rogowski). Either you'll go with the magical realism turn it takes or you won't. In theaters now in limited release. Finally, in anticipation of the sequel this weekend, we revisit the OG "Gladiator" from 2000. Ridley Scott's film won five Academy Awards including best picture and best actor for Russell Crowe. Alonso didn't love it back then, so we wanted to rewatch it now to see what we think. What are yor thoughts on "Gladiator"? Let us know! And check out our "Gladiator II" review here: https://www.patreon.com/posts/gladiator-ii-no-115786961 And for our Patreon subscribers, we've started recapping "Dune: Prophecy." The HBO series takes place some 10,000 years before the birth of Paul Atreides. You'll need to take notes, because it's a lot. You can always purchase videos like this individually if you're not a member. Find out more here: https://www.patreon.com/c/bfastallday/shop * Subscribe to Christy's Saturday Matinee newsletter: https://christylemire.beehiiv.com/

Today we're talking about Anora, the new critical darling about the whirlwind romance between a Brooklyn sex worker and the hell-raising son of a Russian oligarch. The film follows the couple's chaotic week together, their impulsive marriage, and what happens when the oligarchs hear the news and demand an annulment. It's directed by Sean Baker, known for The Florida Project and Tangerine. It won the Cannes prestigious Palme d'Or award and is tipped as an Oscar winner. Who holds the power in the film? And why do people love it? FT film critic Danny Leigh and deputy news editor India Ross join Lilah to discuss. -------We love hearing from you. Lilah is on Instagram @lilahrap, and email at lilahrap@ft.com. And we're grateful for reviews on Apple and Spotify!-------Links (all FT links get you past the paywall): – Danny Leigh's interview with director Sean Baker is here: https://on.ft.com/3YJXqBF – His five-star review of Anora is here: https://on.ft.com/40PEFzc – Danny recommends Andrea Arnold's Bird and the documentary Soundtrack to a Coup d'etat. India mentioned the film American Honey– Look out on the FT for Lilah's piece about the Met's employee art show– FT subscribers can share your suggestions for Woman of the Year 2024 in the comments here, before November 25. Who has had a big year, in your industry and elsewhere? Who has earned accolades, accomplished remarkable things, made huge strides, produced important work or set records? Who has shaped this year? -------Clips copyright Neon and FilmNation EntertainmentRead a transcript of this episode on FT.com Hosted on Acast. See acast.com/privacy for more information.

Somehow holiday films are in full swing with Red One and Hot Frosty. Meanwhile some heavy emotional fodder with the musical Emilia Pérez, and Andrea Arnold's Bird. Find us at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.werewatchingwhat.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/werewatchingwhat⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/thedhk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/thedhk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠facebook.com/thedhkmovies⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠tiktok.com/werewatchingwhat

In the mid-'70s, legendary director William Friedkin — fresh off THE EXORCIST — helicoptered into South America with tens of millions of dollars… and emerged with malaria and a bleak, thrilling masterpiece called SORCERER. The only problem was the competition: A little movie called STAR WARS.Host Rico Gagliano tells the story of how SORCERER crashed and burned at the box office — with help from the film's screenwriter Walon Green (THE WILD BUNCH), Oscar-winning producer Mark Johnson (THE HOLDOVERS), and more.The latest season of The MUBI Podcast – BOX OFFICE POISON — dives into six visionary films... that were also notorious flops. Inspired by the new book of the same name by Tim Robey, film critic for The Telegraph, every episode is a wild ride through a great movie's rise, and fall, and rise. BIRD is now showing in theaters across the US, UK, Canada and Ireland. Visit mubi.com/bird for showtimes and tickets. COW is streaming on MUBI in many countries. You can also check out our special episode with Andrea Arnold about the film - listen here. To stream some of the films we've covered on the podcast, check out the collection Featured on the MUBI Podcast. Availability of films varies depending on your country.Check out the latest MUBI Podcast Expanded piece - an exclusive preface to Tim Robey's book, Box Office Poison, which inspired this season. Read the article here.MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.

"Bird" had its world premiere at the 2024 Cannes Film Festival, where it received positive reviews for Andrea Arnold's writing and direction and the performances from the cast in this fantastical coming-of-age story. Actors Nykiya Adams, Barry Keoghan, and Franz Rogowski were all kind enough to spend some time talking with us about their work on the film. Please be sure to check out the film, which is now playing in New York City and will expand next week to more theaters in Los Angeles, Chicago, Atlanta, and Houston from MUBI. The film is up for your consideration in all eligible categories at the 97th Academy Awards. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we review the Washington family's August Wilson adaptation THE PIANO LESSON (06:20), Andrea Arnold's latest coming-of-age drama BIRD (22:54), and Berlinale-winning Palestinian documentary NO OTHER LAND (38:20). And, in our HOT TAKE (52:03), Star Wars: Episodes 10-12 are reportedly in the works and Simon Kinberg is set to write the trilogy. We have thoughts… If you would like to donate directly towards humanitarian aid in Gaza please visit  https://www.map.org.uk/ https://www.safebowgazanaid.com/take-action-now Join the conversation or suggest a Hot Take for the gang to discuss tweet us at @FadeToBlackPod Follow us: @amonwarmann, @clarisselou, @hannainesflint Music by ⁠The Last Skeptik⁠ If you like the show do subscribe, leave a review and rate us too!

This week's Empire Podcast isn't so much jam-packed as marmaladen with great guests, as Chris Hewitt talks to Paddington In Peru stars Hugh Bonneville and Emily Mortimer (the new Mrs. Brown) about tarantulas, Paddington tantrums, and shooting in the wilds of Basingstoke [20:47 - 35:27 approx]; the great British director Andrea Arnold about her new film, Bird, working with non-actors, and shooting in Gravesend [51:56 - 1:07:39 approx]; and Agatha All Along showrunner Jac Schaeffer, in an extended excerpt from our spoiler special interview, about [SPOILER], [BIGGER SPOILER] and shooting in [SPOILER]. Listen to that one only once you've seen Agatha All Along, naturally. [1:34:29 - 1:50:10 approx] Then, Chris is joined in the podbooth by Helen O'Hara, James Dyer, and Alex Godfrey for a merry old show in which they break down their viewing habits, discuss the week's movie news (and yes, this was recorded before the news broke about Simon Kinberg writing a new Star Wars trilogy; we'll discuss that next week), and review Paddington In Peru, Blitz, Bird, Piece By Piece, and Red One. Orange you glad you picked this episode? Enjoy.

On Truth & Movies this week, we discuss Paddington In Peru, the subject of the latest issue, Andrea Arnold's Bird and spoke to its star Nykiya Adams. Finally we review the documentary No Other Land.Joining host David Jenkins are Adam Woodward and Fatima Sheriff.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comTwitter and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.

Simon goes on a leafy adventure with Hugh Bonneville to talk ‘Paddington In Peru', the latest addition to the most kind and polite of all cinematic universes—and for those of us who need cheering up this week, their conversation is just the tonic. The film sees Britain's favourite bear journey back to his native land with the Brown family on a quest to visit Aunt Lucy. Pass the marmalade sandwiches. Plus, Mark reviews ‘Blitz', Steve McQueen's wartime drama starring Saoirse Ronan as a mother attempting to navigate a bombarded London with her young son; Andrea Arnold's free-spirited social realist drama ‘Bird' starring Barry Keoghan; and, as we enter the Christmas Corridor, ‘Red One' in which the North Pole's head of Security (played by Dwayne Johnson) teams up with an infamous bounty hunter (Chris Evans) to save a kidnapped Santa Claus. Another week of top takes from Mark & Simon! A few extra tickets for our Live Christmas Spectacular have dropped – snap them up here before they go: https://www.fane.co.uk/kermode-and-mayo Timecodes (for Vanguardistas, who also listen ad-free): Bird review: 08:25 Blitz Review: 13:53 Hugh Bonneville Interview: 28:59 Paddington In Peru Review: 45:35 Red One Review: 56:32 You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee! A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts To advertise on this show contact: podcastadsales@sonymusic.com And to find out more about Sony's new show Origins with Cush Jumbo, click here Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week we review two films from directors who like to shine a light on communities on the margins. First up, we take a look at the coming-of-age drama Bird, the sixth feature film from Andrea Arnold. It concerns a young girl named Bailey (Nykiya Adams), who thinks she's met a kindred spirit in the title character Bird, played by Franz Rogowski. But all is not as it seems.  Next, it's Anora, the eighth feature from Sean Baker, which won the coveted Palme d'Or earlier this year. The film introduces us to Ani (Mikey Madison), a dancer at a New York strip club, whose life gets turned upside down when she spends a whirlwind week with a gawky Russian playboy, Ivan (Mark Eydelshteyn).  And as both Anora and Bird are notable for their ambitious tonal shifts, we take a look at some of our favourite (and least favourite) tonal shifts in cinema. TIMESTAMPS What We've Been Watching - horrors (The Blob, The Ring, Immaculate), Juror #2 and Gilmore Girls (2:17) Bird review (10:42) Anora review (25:10) Our favourite tonal shifts in movies ft Sorry to Bother You, Mute Witness, Laura, Psycho (39:13) Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on Twitter, Instagram, Letterboxd and TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk Intro/outro music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license  

Mumbai-based director Subhadra Mahajan discusses her debut feature film ‘Second Chance' which just had its Hollywood premiere at AFI, following a World premiere at Karlovy Vary earlier this year. Past inspirations include her love for the Iranian New Wave and Andrea Arnold's ‘Fish Tank'.She speaks on her filmmaking journey, influenced by classic Hollywood films, and reflects on her storytelling process, character development, and the collaborative nature of filmmaking. The discussion also delves into the themes of healing, nature, and the unlikely friendships made while making films. Subhadra emphasizes the importance of breaking traditional filmmaking rules to foster creativity, the challenges of working with a low budget, and the significance of community in film festivals. What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

This week, Davy reports back from his adventures in Newcastle, where THE FACE spotlighted local talent for the New Noise gig series. Our Branded Content Editor Joe Bobowicz is back on the pod to tell us all about Art Basel Paris, where Shuang Li celebrated her love of My Chemical Romance and Young Boy Dancing Group served snacks and refreshments in a very, erm, unconventional manner. Matthew shares his thoughts on Ali Abbasi's questionable Trump biopic, The Apprentice, while Jade recommends Andrea Arnold's Barry Keoghan-starring kitchen sink drama, Bird. Tyler, the Creator has dropped his Zamrock-sampling comeback single NOID and his new album Chromakopia is out on Monday. We're excited, but since Tyler dissed the new generation of artists in a recent interview, has this once eternally-teenage maverick finally reached old head status? Press play to hear our thoughts. This podcast was recorded at Red Bull London.

Part 1: Zach, Grace, and Andrew talk about movies they saw this week at the Toronto International Film Festival, including: Anora, Bird, Cloud, The Brutalist, The Last Showgirl and Rumors.Part 2 (48:04): The group continues their Journalism in Film series with 1987's Broadcast News.See movies discussed in this episode here.Don't want to listen? Watch the podcast on our YouTube channel.Also follow us on:FacebookTwitterLetterboxd

In this episode of the TIFF 2024 season, Alex discusses two new films from masters of British social realism: Andrea Arnold's Bird and Mike Leigh's Hard Truths. Bird had its world premiere at Cannes in May; Hard Truths had its world premiere at TIFF. Alex finds similarities in subject matter and storytelling approach between the films, including the very strong performances from some Seventh Row favourites, and discusses what each of them is individually doing that's worth noting.  Alex wrote the book on Mike Leigh's Peterloo and his process, so her discussion of Hard Truths places it within Leigh's oeuvre and discusses how his signature process helped make this film an impressive achievement. On this episode 0:00 Intro to the episode 3:34 Andrea Arnold's Bird 16:32 Mike Leigh's Hard Truths 38:14 Closing remarks, more from TIFF to find and look forward to More Andrea Arnold An essay on landscape and limbo in Fish Tank by Gillie Collins A review of American Honey by Elena Lazic An interview with editor Joe Bini by Orla Smith on editing Lynne Ramsay's You Were Never Really Here and how that differs from working with Andrea Arnold More Mike Leigh Read our ebook on Mike Leigh's Peterloo: mikeleighbook.com Listen to Ep. 32: Sorry We Missed You and Peterloo (Members Only) Listen to Ep. 119: Mike Leigh's Naked (FREE) Listen to us discuss Vera Drake and its place in the history of abortion movies in our Abortion on Film season. About the TIFF 2024 season: In the TIFF 2024 season, Editor-in-Chief Alex Heeney will discuss some of the best under-the-radar gems at the 2024 Toronto International Film Festival through themed episodes. This is for you if: You're attending TIFF and looking for recommendations; You're looking ahead to your local film festival for must-see titles; and/or You're interested in how filmmakers from around the world explore similar topics/genres, even if you're not sure if you'll ever see the films. The season will be spoiler-free and designed to be listened to even if you haven't seen the films (or are worried you won't ever be able to).  Check out all of our TIFF 2024 coverage here: https://seventh-row.com/tif24 ---- Interested in attending a film festival? Get my five essential tips for the film adventurer seeking a fantastic festival experience. These tips are tailored to TIFF but will work for any other film festival. Sign up here: http://email.seventh-row.com/tiff24

Today I speak with my friend and exceptional filmmaker Ellie Foumbi, about her Independent Spirt Award-nominated 'Our Father The Devil,' which is now on the Criterion Channel following a premiere at last year's Venice International Film Festival. We also discuss the influence of Andrea Arnold's film 'Red Road' (2006) on her work.We reminisce about our initial meeting and collaboration in 2012, mutual connections in the industry, and Ellie's process of making an effective micro-budget thriller - which involves the balance of intrigue, character development, and a clear antagonist to create tension and engage the audience. Ellie shares her thoughts on the future of cinema, the significance of her work being featured on Criterion, and the importance of patience and honing one's skills through short films and workshops. What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

Getting a breakout role in film and television is the dream for many aspiring actors, but just as important are the projects one chooses to take after that breakout gig. Given the business' habit of boxing artists into the first thing the world sees them do well, it can be a great challenge to amass a diverse body of work. How does one steer clear of those limitations and carve a path forward with volume and diversity? Perhaps by taking a cue from Kaya Scodelario.Scodelario's star began to soar via her work as Effy Stonem in the hit British teen series, Skins. After doing four seasons of the show, Scodelario began to pick up other television and film credits, credits ranging from Hollywood blockbusters like 2010's Clash of the Titans to Andrea Arnold's Wuthering Heights, which celebrated its big debut at the 2011 Venice Film Festival before going on to other top tier fests like the Toronto International Film Festival and Sundance.Over a decade later, Scodelario still enjoys a vast range of work. She headlined the 2019 horror gem Crawl, jumped into a popular game franchise with Resident Evil: Welcome to Raccoon City, and then did the Christmas romantic comedy, This Is Christmas. Yet another vastly different standout credit on her resume? The new Guy Ritchie Netflix series, The Gentlemen, a kinetic crime comedy that's enjoying a good deal of Emmy buzz this season. Inspired by Ritchie's 2019 film, The Gentlemen series stars Theo James as Edward Horniman. After his father passes, Eddie inherits the family estate and becomes Duke of Halstead. As if all that isn't enough to process, Eddie is soon made aware that his father secretly made an arrangement with Bobby Glass' (Ray Winstone) weed empire. If Eddie continues to let them grow their product below ground on his property, he'll get large sums of money in return, money Eddie needs given the state of the family farm and his brother's (Daniel Ings) habit of accumulating massive debts with dangerous figures. The person in charge of this weed empire while Bobby is in prison? His daughter, Scodelario's Susie Glass.In celebration of The Gentlemen's successful Season 1 run, Scodelario joined me for an episode of Collider Ladies Night to retrace her steps from breaking out via Skins to starring in an acclaimed Guy Ritchie production. Hosted on Acast. See acast.com/privacy for more information.

Welcome back! Justin (finally) won the listener poll on Twitter/X, so we're covering Fish Tank, from director Andrea Arnold. However, before that, Mike talks about The Fall Guy and they give their thoughts on Conan O'Brien Must Go. - Intro (00:00:00 - 00:05:20) - News on the March! (00:05:20)     -  Conan O'Brien Must Go (00:05:20)      - The Fall Guy (00:14:46) - Fish Tank (00:26:25) - Criterion Poll: Films from the 1990's (01:18:50) - Outro    For all your movie and game news, reviews, and more, check out our friends at www.cinelinx.com. Follow us on: Twitter/X Facebook Instagram Email us at: casualcinemedia@gmail.com Talk Criterion Collection, film, tv, and other stuff with us in our Facebook group at:  https://www.facebook.com/groups/casualcinecast Intro/Outro Music courtesy of Jake Wagner-Russell at www.soundcloud.com/bopscotch

Ep. 251: Cannes 2024: Nick Davis on Bird, Grand Tour, Emilia Perez, Motel Destino Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. On the latest episode chock full of highlights from the 2024 Cannes Film Festival, I welcome a dear old friend, Nick Davis, a professor of film at Northwestern University and writer/editor of his own outstanding longtime site of film criticism (nick-davis.com). On his inaugural visit to Cannes, he shared his typically quicksilver thoughts on a slate of boldly imagined movies: Bird (directed by Andrea Arnold), Emilia Perez (Jacques Audiard), Grand Tour (Miguel Gomes), and Motel Destino (Karim Ainouz). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

On Truth & Movies this week, the team are coming at you live from the 2024 Cannes Film Festival with a round-up of all the great and the good movies they've caught, including Andrea Arnold's Bird, David Cronenberg's The Shrouds and Francis Ford Coppola's Megalopolis.Joining host David Jenkins are Hannah Strong and Sophie Monks Kaufman. Hosted on Acast. See acast.com/privacy for more information.

【聊了什么The What】 戛纳电影节第四天，《疲惫娇娃》的一芳和《赶场 Way To Cinemas》播客的Selina在戛纳电影宫的天台坐了下来录制本期特辑节目，聊聊戛纳体验和目前看过的电影。 谢谢豆瓣对本期播客的支持，现在豆瓣也可以听播客啦！ 剪辑和时间轴：陆小鸟，汤包（赶场） 主播：Selina（小红书 About Cannons）赶场 Way To Cinemas，一芳《疲惫娇娃 CyberPink》 On the fourth day of the 77th Cannes Film Festival, Yifang and Selina (host of Way To Cinemas) sat down to record this special episode, talking about their experience with the festival and the films they've seen so far. Thanks to douban.com for their support, you can now find our podcast on Douban. 【时间轴 The When】 00:45 好开心，竟然与《疲惫娇娃》联动上啦！ 01:13 第一次来戛纳的一芳 03:07 开幕片《第二幕》 04:14 《原钻》（野性钻石） 06:08 《拿针的女孩》 08:08 《鸟》 09:12 《折射》 10:26 《一部未完成的电影》（本期内容不多，未来会再聊） 12:28 《大都会》“当一个男导演花太多时间去思考罗马帝国，就会拍出来这样一部电影” 14:42 《噢，加拿大》“他的故事，他的人生，他的一切，我根本就不想知道” 16:49 《善良的种类》 24:51 《狗镇》 26:51 《风流一代》 00:45 "Way to Cinemas" is excited to be collaborating with "Cyberpink" 01:13 Yifang's first time at Cannes 03:07 Opening Film: "The Second Act" by Quentin Dupieux 04:14 "Wild Diamond" by Agathe Riedinger 06:08 "The Girl with the Needle" by Magnus von Horn 08:08 《鸟》"Bird" by Andrea Arnold 09:12 《折射》Ljósbrot (When the Light Breaks) by Rúnar Rúnarsson 10:26 "An Unfinished Film" 12:28 "Megalopolis" by Francis Ford Coppola, "this is what happens when a male director spends too much time thinking about the Roman empire" 14:42 "Oh Canada" by Paul Schrader, "I could care less about the protagonist's story, his life, his everything" 16:49 "Kind of Kindness" by Yorgos Lanthimos 24:51 "Black Dog" by Guan Hu 26:51 "Caught in the Tides" by Jia Zhang-Ke 【疲惫红书 CyberRed】 除了播客以外，疲惫娇娃的几个女的在小红书上开了官方账号，我们会不定期发布【疲惫在读】、【疲惫在看】、【疲惫旅行】、【疲惫Vlog】等等更加轻盈、好玩、实验性质的内容。如果你想知道除了播客以外我们在关注什么，快来小红书评论区和我们互动。 Apart from the podcast, we have set up an official account on Xiaohongshu. We will periodically post content such as “CyberPink Reading,” “CyberPink Watching,” “CyberPink Traveling,” “CyberPink Vlog,” and more. Those are lighter, more fun and more experimental stuff about our lives. Leave us some comments on Xiaohongshu! 【买咖啡 Please Support Us】 如果喜欢这期节目并愿意想要给我们买杯咖啡： 海外用户：https://www.patreon.com/cyberpinkfm 海内用户：https://afdian.net/@cyberpinkfm 商务合作邮箱：cyberpinkfm@gmail.com 商务合作微信：CyberPink2022

Cannes 2024 has arrived—and our intrepid on-the-Croisette crew of Film Comment contributors is high-tailing it from screening to screening, ready to cut through the noise with a series of thoughtful dispatches, interviews, and podcasts. For today's episode, critics Kelli Weston and Jessica Kiang join Film Comment Editor Devika Girish to unpack three of the most highly anticipated premieres of the festival: Francis Ford Coppola's operatic fable Megalopolis, Andrea Arnold's magical realist Bird, and Yorgos Lanthimos's macabre anthology film, Kinds of Kindness. Subscribe today to the Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2024 edition: www.filmcomment.com/newsletter-sign-up/

Cannes 2024 has arrived—and our intrepid on-the-Croisette crew of Film Comment contributors is high-tailing it from screening to screening, ready to cut through the noise with a series of thoughtful dispatches, interviews, and podcasts. For today's episode, critics Kelli Weston and Jessica Kiang join Film Comment Editor Devika Girish to unpack three of the most highly anticipated premieres of the festival: Francis Ford Coppola's operatic fable Megalopolis, Andrea Arnold's magical realist Bird, and Yorgos Lanthimos's macabre anthology film, Kinds of Kindness. Subscribe today to the Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2024 edition: www.filmcomment.com/newsletter-sign-up/