Podcast appearances and mentions of David Chipperfield

Send us a textSomething extraordinary is about to light up the Quad Cities skyline. The Figge Art Museum's glass façade will soon transform into Evanescent Field – a breathtaking light installation and the largest public art display in Iowa's history.As the Figge celebrates its centennial year, Executive Director Melissa Mohr and one of the Senior Curators, Joshua Johnson, reveal the journey behind this monumental project. World-renowned artist Leo Villareal, creator of San Francisco's famous Bay Lights, has designed a mesmerizing installation featuring over 3,000 feet of programmable LED lights woven throughout the museum's glass exterior. Unlike typical light displays, Evanescent Field creates sequences that never repeat, responding specifically to the Mississippi River, the community, and the building itself."We wanted to give something back to the community that's supported us for 100 years," explains Mohr. The installation fulfills architect David Chipperfield's original vision for the building as a beacon of creativity and accessibility. Johnson describes how Villareal transforms LEDs from commercial tools into what he calls a "digital campfire" – a gathering place where art transcends traditional boundaries. Visible to everyone passing by, whether commuting to work or traveling through the region, Evanescent Field removes barriers to experiencing art.The public unveiling happens May 17th at "Glow Up" – a community celebration featuring live music, family activities and food trucks, culminating when Villareal himself activates the installation as darkness falls. Even after the celebration ends, the lights will continue illuminating the Quad Cities nightly, becoming a postcard-worthy image representing the region's creative spirit.Discover the technical marvels, artistic vision, and hopeful future this landmark installation represents. As the Figge looks toward its next hundred years, Evanescent Field symbolizes its commitment to weaving art more deeply into the fabric of the community – creating a museum that truly belongs to everyone. Don't miss your chance to witness this stunning merger of architecture, technology and artistic expression that will forever change how we see the Quad Cities after dark.QC, That's Where is a podcast powered by Visit Quad Cities. Through the people, partnerships, and personalities woven throughout the Quad Cities region, you'll meet real Quad Citizens and hear the untold stories of the region.Follow Visit Quad Cities on social media and never miss an episode of #QCThatsWhere.FacebookInstagramLinkedInX

È stato presentato il progetto di massima relativo al restauro architettonico e alla rifunzionalizzazione del Teatro romano, sviluppato dall'architetto David Chipperfield su commissione di Fondazione Brescia Musei d'intesa con il Comune di Brescia e la Camera di Commercio Industria Artigianato e Agricoltura di Brescia.

Le 7 mars 2023, la presse annonce que l'architecte David Chipperfield a remporté cette année le "Nobel" de l'architecture, le Prix Pritzker ! Dans ce SPOT n°3 de Com d'Archi, nous nous emparons du sujet en 7 minutes chrono en surfant sur passé, futur et surtout présent ! Un présent que le Pritzker a voulu sage et à l'occasion de cette édition.Anne-Charlotte DepondtImage teaser © The Neues Museum, photo courtesy of SMB / Ute Zscharnt for David Chipperfield ArchitectsRéalisation son : Julien Rebours____Si le podcast COM D'ARCHI vous plaît n'hésitez pas :. à vous abonner pour ne pas rater les prochains épisodes,. à nous laisser des étoiles et un commentaire, :-),. à nous suivre sur Instagram @comdarchipodcast pourretrouver de belles images, toujours choisies avec soin, de manière à enrichirvotre regard sur le sujet.Bonne semaine à tous ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

On March 7, 2023, the press announced that the architect David Chipperfield had won this year's "Nobel" prize for architecture, the Pritzker Prize! In this SPOT n°3 of Com d'Archi, we take up the subject in 5-7 minutes, surfing on past, future and especially present! A present that the Pritzker wanted to be wise and on the occasion of this edition.Anne-Charlotte DepondtImage teaser © The Neues Museum, photo courtesy of SMB / Ute Zscharnt for David Chipperfield ArchitectsSound engineering : Julien Rebours___If you like the podcast do not hesitate:. to subscribe so you don't miss the next episodes,. to leave us stars and a comment :-),. to follow us on Instagram @comdarchipodcast to find beautiful images, always chosen with care, so as to enrich your view on the subject.Nice week to all of you ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

ELISA ORLANSKI OURS Elisa Orlanski Ours is at the top of the architecture and design world game. She is a highly regarded designer, educator, and industry leader who currently serves as Chief Planning & Design Officer at Corcoran Sunshine Marketing Group. A founder of the firm's Planning & Design department, Elisa has been instrumental in transforming the relationship between the design and the real estate industries, fusing architectural marketing with strong design principles throughout all phases of residential, hotel, and amenity space planning.  Elisa's portfolio boasts an impressive array of projects, ranging from master plans and hotel- branded developments to individual villas, with NYC highlights including 220 Central Park South, 56 Leonard, Hudson Yards, One High Line, and historic landmark conversions like The Greenwich Lane and The Apthorp. Through her work with Corcoran Sunshine, Corcoran New Development, and the brand's affiliate network, she has consulted with developers including Silverstein Properties, Related, Rudin Management, and Vornado Realty Trust, and has shaped the architectural landscape of New York City through collaborations with architects including Robert A. M. Stern, BIG Architects, Foster and Partners, Selldorf Partners, KPF, SOM, Yabu Pushelberg, Thomas Juul Hansen, Champalimaud, and Rockwell Group. Elisa has also had the privilege of working on the first NYC residential development with Herzog and de Meuron, Shigeru Ban, David Chipperfield, Studio Gang, Jean Nouvel, Zaha Hadid, Studio Sofield, Adjaye Associates, and Michaelis Boyd.  Elisa holds a BA in architecture with a concentration in computer science from Barnard College and a master's in architecture from Columbia University. She is a dedicated working mother of two young boys who is actively dedicated to her community, supporting the NYC public school system and the Architecture League. She serves on the board of Southworth Development, an owner and operator of six golf resorts. ELISA RELATED LINKS Corcoran Sunshine AIA NYC Center for Architecture Salone del Mobile - Milano Architectural Digest GENERAL INFO| TOP OF THE GAME: Official website: https://topofthegame-thepod.com/ RSS Feed: https://feed.podbean.com/topofthegame-thepod/feed.xml Hosting service show website: https://topofthegame-thepod.podbean.com/ Javier's LinkTree: https://linktr.ee/javiersaade  SUPPORT & CONNECT: LinkedIn: https://www.linkedin.com/showcase/96934564 Facebook: https://www.facebook.com/profile.php?id=61551086203755 Twitter: https://twitter.com/TOPOFGAMEpod Subscribe on Podbean: https://www.podbean.com/site/podcatcher/index/blog/vLKLE1SKjf6G Email us: info@topofthegame-thepod.com   THANK YOU FOR LISTENING – AVAILABLE ON ALL MAJOR PLATFORMS  

David Chipperfield is a world renowned, Pritzker prize-winning architect with major buildings in cities across the globe from Berlin to Beijing. But with a long career behind him he has changed the emphasis and ambition of his practice. Susan Marling joins him in Compostela in Galicia, northern Spain, as he opens a handsome new home for his foundation. The Casa Ria, in a converted health sanitorium in the centre of town, is about looking at architecture differently. It is not about designing and building new buildings, rather it is about improving people's quality of life. Working in a series of coastal and rural towns north of Compostela David and the team address issues of town planning – to bring public space back into focus, to reconnect communities with the sea and to deal with traffic that pollutes town centres and makes them dangerous.

This week Merlin Fulcher is joined by the architectural worker, writer and editors of the magazine Failed Architecture to discuss: Rachel Reeves commits £500 million pounds more for affordable housing // Leading economist calls on Labour to spend large on arts and culture projects // David Chipperfield's Chinese Embassy plans called in by Angela Rayner // And reflecting on the centenary of the British Empire Exhibition at WembleyTo help support excellent and accessible, independent journalism about the buildings and the urban environment, please become an Open City friend by clicking here.The Brief is recorded and produced at the Open City offices located in Bureau. Bureau is a co-working space for creatives offering a new approach to membership workspace. Bureau prioritises not just room to think and do, but also shared resources and space to collaborate. To book a free day pass follow this link.The Brief is produced in association with the Architects' Journal, and the C20 Society.The Brief is also supported by Bloomberg Connects, the free arts and culture app. Hosted on Acast. See acast.com/privacy for more information.

At the start of September, a massive chunk of the international art world descended on South Korea for a bounty of high-profile art offerings. The marquee event was Frieze Seoul, in its third edition, at the Coex convention center in the luxe Gangnam district, running alongside the long-established Korea International Art Fair. But they represented just one element of the action. All over Seoul, museums and galleries were opening big shows, angling for attention. Samsung's Leeum museum hosted an Anicka Yi blowout and a superb show of young artists curated by Rirkrit Tiravanija. The beauty giant Amorepacific welcomed Elmgreen & Dragset at a museum in the basement of its David Chipperfield–designed headquarters, while Gagosian set up shop with a Derrick Adams exhibition on the ground floor. Up above, local heavyweights came out swinging—PKM with Yoo Youngkuk, Pace with the potent pairing of Lee Ufan and Mark Rothko, and Jason Haam with Urs Fischer. Celebrities were everywhere. Parties were everywhere. No one seemed to be sleeping. Everyone was on the move. And the festivities were not confined to Seoul. The esteemed Gwangju Biennale inaugurated its 15th edition in that southern city the day after the fairs opened, a sharp, tough show curated by the Frenchman Nicolas Borriaud that ran alongside more than 30 national pavilions. And along the country's southern coast, the latest Busan Biennale also drew crowds, with more than 60 artists selected by its curators, Vera Mey and Philippe Pirotte. There was so much happening that it was impossible to see it all—even with a dedicated driver—which many VIPs had—and even if you were willing to forgo moments of rest. This week, Artnet Pro editor Andrew Russeth is joined by London-based reporter and co-author of the Asia Pivot newsletter Vivienne Chow to discuss the art, the food, and everything in between.

At the start of September, a massive chunk of the international art world descended on South Korea for a bounty of high-profile art offerings. The marquee event was Frieze Seoul, in its third edition, at the Coex convention center in the luxe Gangnam district, running alongside the long-established Korea International Art Fair. But they represented just one element of the action. All over Seoul, museums and galleries were opening big shows, angling for attention. Samsung's Leeum museum hosted an Anicka Yi blowout and a superb show of young artists curated by Rirkrit Tiravanija. The beauty giant Amorepacific welcomed Elmgreen & Dragset at a museum in the basement of its David Chipperfield–designed headquarters, while Gagosian set up shop with a Derrick Adams exhibition on the ground floor. Up above, local heavyweights came out swinging—PKM with Yoo Youngkuk, Pace with the potent pairing of Lee Ufan and Mark Rothko, and Jason Haam with Urs Fischer. Celebrities were everywhere. Parties were everywhere. No one seemed to be sleeping. Everyone was on the move. And the festivities were not confined to Seoul. The esteemed Gwangju Biennale inaugurated its 15th edition in that southern city the day after the fairs opened, a sharp, tough show curated by the Frenchman Nicolas Borriaud that ran alongside more than 30 national pavilions. And along the country's southern coast, the latest Busan Biennale also drew crowds, with more than 60 artists selected by its curators, Vera Mey and Philippe Pirotte. There was so much happening that it was impossible to see it all—even with a dedicated driver—which many VIPs had—and even if you were willing to forgo moments of rest. This week, Artnet Pro editor Andrew Russeth is joined by London-based reporter and co-author of the Asia Pivot newsletter Vivienne Chow to discuss the art, the food, and everything in between.

This week David and Marina f have a casual conversation about their recent trip to Switzerland. The two cover their tour of Sky-Frame's headquarters and factory; Zurich, Lucerne, Bern, and Domodossola; architecture by Le Corbusier, David Chipperfield, Jean Nouvel, and Renzo Piano; food; and more. This episode is supported by Integrated Projects • Canvas • Enscape • Autodesk • Programa • Graphisoft SUBSCRIBE  • Apple Podcasts  • YouTube  • Spotify CONNECT  • Website: www.secondstudiopod.com • Office  • Instagram • Facebook  • Call or text questions to 213-222-6950 SUPPORT Leave a review  EPISODE CATEGORIES  •  Interviews: Interviews with industry leaders.  •  Project Companion: Informative talks for clients.    •  Fellow Designer: Tips for designers.  •  After Hours: Casual conversations about everyday life. •  Design Reviews: Reviews of creative projects and buildings.

Con el responsable de comunicación del Primavera Sound, Joan Pons, repasamos los más de 150 nombres del cartel de este año: Lana del Rey, The National o Vampire Weekend. Despedimos a Alice Munro, la Premio Nobel de Literatura canadiense ha fallecido a los 92 años dejando un legado de cuentos e historias que nos han hecho reflexionar durante años. Use Lahoz trae el 'Ensayo sobre el gusto' de Montesquieu, una muestra de las reflexiones que nos producen los placeres de las bellas artes y las obras del espíritu. Estamos en el Festival de Cannes con nuestra Conxita Casanovas porque Meryl Streep ha recibido la Palma de Oro de Honor por una vida dedicada al cine. Seguimos con Israel Galván y Natalia Menéndez que presentan 'Dream' en el Teatro Español de Madrid. Uno de nuestros grandes bailarines internacionales junto a uno de los grandes nombres de nuestra dramaturgia. Terminamos con David Chipperfield, Premio Pritzker 2023, que ha conversado con Iñigo Picabea en su última visita a España. Escuchar audio

La sesión se desarrolla en inglés (con subtítulos en español). El arquitecto y urbanista británico, galardonado con el premio Pritzker de Arquitectura 2023, Sir David Chipperfield (Londres, 1953) dialogará con el arquitecto, catedrático y crítico Luis Fernández-Galiano en esta sesión de Diálogos cosmopolitas, la nueva serie de entrevistas a destacadas personalidades internacionales en los diferentes ámbitos de la cultura. David Chipperfield, considerado como uno de los arquitectos más comprometidos con el bienestar social y la sostenibilidad, recibió en 2011 el premio de Arquitectura Contemporánea de la Unión Europea Mies van der Rohe por la reconstrucción, con Julian Harp, del Museo Nuevo de Berlín. A lo largo de cuatro décadas de trabajo, entre sus obras destacan la Ciudad de la Justicia de Barcelona, la renovación y ampliación de la Real Academia de las Artes de Londres y la rehabilitación de la Nueva Galería Nacional de Berlín, diseñada por Mies van der Rohe. En 2017 creó la Fundación RIA (Rede de Innovación Arousa), con sede en Galicia.Más información de este acto

Martin Duplantier fell into architecture as a child. Armed with this DNA, he took three courses of study: HEC, architecture and urban planning, including experience in Catalonia. Then, during his first years with David Chipperfield, his vision as an architect took shape. A competition for HEC launched him as a freelancer. In this English-language issue of Com d'Archi, we take a closer look at Ukraine, of course, where Martin practises. His "insider" view, unique here in France, deserves to be widely known and relayed. Image teaser DR © Martin Duplantier ArchitectesSound engineering : Bastien Michel___If you like the podcast do not hesitate:. to subscribe so you don't miss the next episodes,. to leave us stars and a comment :-),. to follow us on Instagram @comdarchipodcast to find beautiful images, always chosen with care, so as to enrich your view on the subject.Nice week to all of you ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Martin Duplantier est tombé dans l'architecture quand il était petit. Fort de cet ADN, il suit trois cursus : HEC, architecture, urbanisme dont une expérience catalane. Puis, lors de ses premières armes chez David Chipperfield, sa vision d'architecte s'affermit. Un concours pour HEC le lance en tant qu'indépendant. Dans ce numéro de Com d'Archi, avec Martin Duplantier nous parlons voyages, goût, cultures, terre crue, bambou, projets, on évoque René Coulon, Paul Chemetov, Franck Boutté et l'Ukraine, bien sûr, où il exerce, aussi.Images teaser DR © Martin DuplantierIngénierie son : Bastien Michel____Si le podcast COM D'ARCHI vous plaît n'hésitez pas :. à vous abonner pour ne pas rater les prochains épisodes,. à nous laisser des étoiles et un commentaire, :-),. à nous suivre sur Instagram @comdarchipodcast pour retrouver de belles images, toujours choisies avec soin, de manière à enrichir votre regard sur le sujet.Bonne semaine à tous! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

“The artist working alone in their studio is the antithesis of what we do every day as architects […] and yet one hopes that the work you produce might have the same resonance.”Jamie Fobert a Canadian-born architect who has found himself increasingly working on projects at the centre of British culture. Fobert, who has recently become chair of the Architecture Foundation's board of trustees, studied at the University of Toronto before moving to London in 1988, where he worked for for David Chipperfield, before establishing his own practice in 1996. He is best known for his work with major fashion brands and cultural institutions, and has designed retail spaces for Selfridges, Versace and Givenchy, as well as major extensions and alterations to galleries and museums including Tate St Ives, Kettles Yard in Cambridge, and most recently London's National Portrait Gallery. Scaffold is an Architecture Foundation production, hosted by Matthew Blunderfield. Download the London Architecture Guide App via the App Store or Google Play Hosted on Acast. See acast.com/privacy for more information.

Matthias Heskamp ist Architekt, Mastermind, Koordinator, Schreiner, Sprachrohr und vieles mehr. Er lernte 10 Jahre bei Pritzgerpreisträger Álvaro Siza in Porto und war Projektleiter bei David Chipperfield. Heute ist Matthias Teil von paper planes e.V. und setzt sich für autofreie Straßen ein. Projekte an denen paper planes e.V. beteiligt oder Initiator ist, sind die Radbahn Berlin, Parklet Bergmannstraße, pop-up-Wald, Morgenfarm, forsTerase, Hey Graefekietz und das MANIFEST DER FREIEN STRASSE. Matthias und Ruben sprechen über paper planes e.V. , DAS MANIFEST DER FREIEN STRASSE und über Gemeinwohl. Webseite: https://www.paper-planes.net/#projekte MANIFEST DER FREIEN STRASSE: https://www.paper-planes.net/#strassen-befreien Instagram: https://www.instagram.com/strassen_befreien/ Tagesschau-Beitrag: https://www.tagesschau.de/inland/gesellschaft/mittendrin-graefekiez-100.html jour.fixe Instagram: https://www.instagram.com/jour.fixe/

Nick is a legendary photographer and founder of the influential website SHOWstudio, which has pioneered the use of moving image in fashion. I've come to his London studio to find out more about his incredibly colourful life through the lens of the homes he's lived in. He tells me about growing up in a grandiose apartment in Paris, the impact of his dyslexia, and how falling in love with photography unlocked a relentless work ethic. His unlikely entrypoint into image-making was joining a group of skinheads as a teenager, mainly because he liked the look of the girls. He talks about the life-changing experience of building a house in his twenties, with a certain young architect named David Chipperfield. We discuss the future of AI, how being a photographer gives him unique access to anyone in the world, and the day he turned Lady Gaga into a man. As Nick says, 'there's nothing more important than the spaces you live in, for shaping you, how you feel about things, making you feel positive about life and love.' He's full of wisdom and wit, and this is certainly a conversation I will always remember. This conversation was recorded in person at SHOWstudio, London. For more on Nick Knight: Head over to our website for more images of Nick's home Check out SHOWstudio Read more about the David Chipperfield project For more from the The Modern House: Sign up to our newsletter for weekly interior inspiration Subscribe to our YouTube channel Follow us on Instagram Check out Matt Gibberd's latest book, A Modern Way To Live Executive Producer: Kate Taylor of Feast CollectiveProduction: Hannah PhillipsMusic: FatherGraphic Design: Tom YoungTo get in touch, email us at podcast@themodernhouse.com Hosted on Acast. See acast.com/privacy for more information.

Comenzaremos la primera parte del programa hablando del aniversario de la masacre escolar en Uvalde, la más trágica en la historia de Texas; y de la reunión entre el presidente cubano Miguel Díaz-Canel y Josep Borell de la Unión Europea. Hablaremos también del primer “pronóstico de microplásticos” en París; y para finalizar, del ganador del premio Pritzker 2023, el arquitecto David Chipperfield.    Para nuestra sección Trending in Latin America tenemos dos conversaciones muy interesantes. Hablaremos de la película ¡Que Viva México!, que ha dividido al público con su representación de la sociedad mexicana. Cerraremos la emisión hablando de la exhibición Chosen Memories en el MoMa de Nueva York, donde se presentan obras de varios artistas latinoamericanos. - Uvalde, a un año del tiroteo escolar más trágico de la historia de Texas - Cuba recibe al líder de la diplomacia europea - París recibe su primer “pronóstico de microplásticos” - David Chipperfield recibe el premio mayor de la arquitectura - La película que ataca a López Obrador y divide al público y a la crítica - El MoMa de Nueva York presenta una muestra de artistas latinoamericanos

Sir David Chipperfield is one of the world's most successful architects. This year he was awarded the Pritzker Prize, known as the “Nobel Prize for architecture”. Before the ceremony, we met him in Berlin.

Welcome to 2023! After our now-traditional summer hiatus we are back. Arch, Tash and Jeremy discuss this year's NZIA Gold Medal award winners Stevens Lawson, the work of David Chipperfield, and an article we loved by Kate Wagner before capping off our chat with the highlights of our summers. We're glad to be back into our year of exciting conversations! Theme Music: The Cosmic Wheels

O episódio tradicional do Arquicast sobre o Prêmio Pritzker deste ano de 2023 trouxe à tona a premiação do arquiteto britânico David Chipperfield. Como de praxe, o programa discutiu a composição do júri e especulou sobre as decisões tomadas. Chipperfield é um renomado arquiteto que tem trabalhado em projetos em todo o mundo, suas obras refletem uma compreensão profunda do contexto histórico e cultural dos locais em que trabalha. O arquiteto britânico é membro do Royal Institute of British Architects e membro honorário tanto do American Institute of Architects quanto do Bund Deutscher Architekten. Ele recebeu inúmeras distinções, incluindo o título de Cavaleiro pelos serviços à arquitetura no Reino Unido e na Alemanha. Em 2011, recebeu a Medalha Real de Ouro da RIBA e, em 2013, o Praemium Imperiale da Japan Art Association, ambos dados em reconhecimento por sua trajetória. Recentemente, em 2021, ele foi nomeado membro da Ordem dos Companheiros de honra por seus serviços à arquitetura. O episódio contou com a participação de Maressa Fonseca, Bruno Sarmento e Caio Dias, cada um deles trazendo uma visão específica sobre a obra de Chipperfield. Caio compartilhou histórias e bastidores da produção, Bruno leu as obras com precisão e Maressa apontou os caminhos para reflexões mais profundas. Uma das características marcantes do trabalho de Chipperfield é sua abordagem sensível à restauração e reutilização de edifícios antigos, como no caso do Neues Museum em Berlim. Neste ano, o júri citou o aspecto clássico da obra de Chipperfield, que pode ser interpretada pela sensibilidade de composição e utilização correta e harmônica dos materiais. A discussão sobre a obra de Chipperfield é valiosa para entendermos como a arquitetura pode ser sensível ao contexto cultural e histórico e, ao mesmo tempo, ser inovadora e funcional. A premiação reconhece sua contribuição para o desenvolvimento da arquitetura contemporânea e o legado que deixam para a posteridade. O episódio está disponível no YouTube em uma versão estendida, gravado em vídeo e com muitas imagens das obras que acompanham as descrições dos participantes. Até a próxima!

简介： 罗大佑的天地舞台令人激动人心，但身边这些日常的公共空间也常常给我们带来惊喜和触动。 对于这些日常的公共空间来说，不需要宏大叙事，它只是让人停驻，让人碰头，让人交流。 尤扬说，「上海还是变了，好像大家还在喝咖啡，好像还在运动，但是有一种紧张感，围挡、垃圾、隔断、核酸亭，那些线索都还在」。 松恺说，「他觉得只有跑步，落在脚上，落在地上，才是跟我们自己有关的」。 在这个三月底，回想去年此时上海所即将经历的一切，以及每天铺天盖地对于ChatGPT的讨论，我们更加珍惜线下，珍惜街头，珍惜每一朵花和每一个人，珍惜每一个春天。 本期封面：新华·社区营造中心 松恺为本期播客整理了近七十张他拍摄的特别美好的公共空间 (https://mp.weixin.qq.com/s/wpIkLCOGLaGCei_2GeE5kQ)。 这竟然没有做成付费内容？？大家赶紧去看！ 在这期节目里，你会听到： 01:00 新华·社区营造中心，以及上海的一些社区中心 08:40 城市里可以停留的地方 15:20 把花坛侧沿改成座椅，需要政府批吗 17:40 外摆这件事是要专门批的 20:56 老人才是在不断发现犄角旮旯里这些好地方 22:22 老年人年轻人的速率是不一样的，公共空间让他们相遇 28:15 徐汇滨江的公共空间演变 33:25 北斋美术馆前小公园 39:18 我们现在的公共建筑是否足够体现公共性 44:26 设计应该从行为学出发，snohetta opera house和西岸美术馆两个正面案例 47:35 除了好的设计，好的城市运营也很重要 50:35 忆苦思甜，聊聊去年我们失去的春天 54:10 方舱的公共生活 1:01:10 ChatGPT的时代，人能做什么呢 人物： 璟璐、尤扬、松恺 松恺的bilibili：https://space.bilibili.com/615576 松恺的网站：https://traceimage.cn/ 片尾音乐： One More Time, One More Chance / 山崎まさよし，动画《秒速5厘米》片尾曲 相关链接： 新华·社区营造中心 (https://mp.weixin.qq.com/s/SM21U4SbgHSgUIMTsvKSqw) 社区中心天花板-徐汇区天平街道「66梧桐院」 (https://m.thepaper.cn/newsDetail_forward_20791420) 苏州河42公里沿岸贯通 (https://www.thepaper.cn/newsDetail_forward_101703) 番禺路222弄改造 (https://www.sohu.com/a/355254186_617377) 青山周平从胡同里的椅子谈社会居住观念 (https://www.thepaper.cn/newsDetail_forward_1539509) 「新华好椅活动」 (https://new.qq.com/rain/a/20211210A02KUI00) 愚园路名人墙改造 / 薄宏涛，筑境设计 (http://www.acctn.com/casexq.html?content=49) 改造后遇到一位老人在类似亭子间的位置拉小提琴-录像 (http://cloud.traceimage.cn/wp-content/uploads/2023/03/YuYuanRd_OldMan_Violin.mov) 西岸滨江绿地 / Hassell (https://www.gooood.cn/west-bund-waterfront-public-realm-shanghai-china-by-hassell.htm) 北斋美术馆 / 妹岛和世：官网 (http://hokusai-museum.jp/modules/Page/pages/view/2900) 北斋美术馆，松恺拍摄剪辑的视频 (https://traceimage-1311097504.cos.ap-shanghai.myqcloud.com/wp-content/uploads/2022/05/%E4%B8%9C%E4%BA%AC-%E5%A2%A8%E7%94%B0%E5%8C%97%E9%BD%8B%E7%BE%8E%E8%A1%93%E9%A4%A8-Video.m4v) Oslo Opera House / Snøhetta (https://www.archdaily.com/440/oslo-opera-house-snohetta) 西岸美术馆 / David Chipperfield (https://www.archdaily.cn/cn/928335/xi-an-mei-zhu-guan-david-chipperfield-architects) 相关图片： 青山周平胡同里拍椅子 https://n.sinaimg.cn/spider20221111/585/w1706h1279/20221111/16a0-7e0d088060f008a1a626488d28df8f4f.jpg 愚园路长椅 https://mz.eastday.com/59707520.jpeg?imageslim 愚园路名人墙 | 松恺 https://traceimage-1311097504.cos.ap-shanghai.myqcloud.com/wp-content/uploads/2022/05/%E4%B8%8A%E6%B5%B7-%E5%BE%AE%E5%9E%8B%E5%9F%8E%E5%B8%82%E8%AE%B0%E5%BF%86%E5%8D%9A%E7%89%A9%E9%A6%86%E6%84%9A%E5%9B%AD%E8%B7%AF%E5%90%8D%E4%BA%BA%E5%A2%99%E6%94%B9%E9%80%A0-3-scaled.jpg 徐汇滨江Manner店后的野化道路 | Jinglu 天气好时聚满了人，但照片是2022年3月31日的 https://cloud.traceimage.cn/wp-content/uploads/2023/03/IMG_8109-scaled.jpg 北斋美术馆 | 松恺 https://traceimage-1311097504.cos.ap-shanghai.myqcloud.com/wp-content/uploads/2022/05/%E4%B8%9C%E4%BA%AC-%E5%A2%A8%E7%94%B0%E5%8C%97%E9%BD%8B%E7%BE%8E%E8%A1%93%E9%A4%A8-2-scaled.jpg Oslo Opera House / Snøhetta https://images.adsttc.com/media/images/500e/bce4/28ba/0d0c/c700/0108/slideshow/stringio.jpg?1413951989 西岸美术馆 https://images.adsttc.com.qtlcn.com/media/images/5dca/ffd9/3312/fd75/1400/0068/slideshow/1053_10_SM_191106_N8.jpg?1573584844 更多图片见：松恺的整理 (https://mp.weixin.qq.com/s/wpIkLCOGLaGCei_2GeE5kQ) 收听方式： 推荐在泛用性播客客户端中搜索「所建所闻」订阅之后收听。 苹果手机推荐使用Podcasts、Overcast、Castro 安卓手机推荐使用AntennaPod、Pocket Casts、Castbox 此外还可以在「小宇宙」及Spotify上收听。 联系方式： 网站：architalk.xyz 邮箱：hi@architalk.xyz 新浪微博：所建所闻 (https://m.weibo.cn/profile/6895347942) Twitter：ArchiTalkXYZ (https://twitter.com/ArchiTalkXYZ) Instagram：architalk.xyz (https://www.instagram.com/architalk.xyz/) Special Guests: 尤扬 and 松恺.

Quem é o vencedor do Prêmio Pritzker 2023? Dê o play e confira detalhes sobre a vida e a obra do arquiteto britânico David Chipperfield. . . . REFERÊNCIAS: https://www.pritzkerprize.com/laureates/sir-david-alan-chipperfield-ch#laureate-page-2501 https://davidchipperfield.com/

In French in this CDA S4#52/FR (monday online), "Did you say Pritzker? 2023 the wise year!" by Anne-Charlotte Depondt and in English in the CDAS4#52 /EN (wednesday online), read by Esther.En français dans le CDA S4#52/FR (lundi en ligne), "Vous avez dit Pritzker ? 2023 l'année sage !" par Anne-Charlotte Depondt et en anglais dans le CDAS4#52/EN (mercredi en ligne), lu par Esther.____On March 7, 2023, the press announced that the architect David Chipperfield had won this year's "Nobel" prize for architecture, the Pritzker Prize! In this SPOT n°3 of Com d'Archi, we take up the subject in 5-7 minutes, surfing on past, future and especially present! A present that the Pritzker wanted to be wise and on the occasion of this edition.Anne-Charlotte DepondtImage teaser © The Neues Museum, photo courtesy of SMB / Ute Zscharnt for David Chipperfield ArchitectsSound engineering : Julien Rebours___If you like the podcast do not hesitate:. to subscribe so you don't miss the next episodes,. to leave us stars and a comment :-),. to follow us on Instagram @comdarchipodcast to find beautiful images, always chosen with care, so as to enrich your view on the subject.Nice week to all of you ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

No Decor e Arte de hoje, Janina Ester fala sobre o Pritzker, maior prêmio da arquitetura mundial. Em 2023, o arquiteto, urbanista e ativista David Chipperfield foi agraciado com a premiação, que apresenta um trabalho discreto mas transformados. Para saber mais, confira o programa.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

In French in this CDA S4#52/FR (monday online), "Did you say Pritzker? 2023 the wise year!" by Anne-Charlotte Depondt and in English in the CDAS4#52 /EN (wednesday online), read by Esther.En français dans le CDA S4#52/FR (lundi en ligne), "Vous avez dit Pritzker ? 2023 l'année sage !" par Anne-Charlotte Depondt et en anglais dans le CDAS4#52/EN (mercredi en ligne), lu par Esther.____Le 7 mars 2023, la presse annonce que l'architecte David Chipperfield a remporté cette année le "Nobel" de l'architecture, le Prix Pritzker ! Dans ce SPOT n°3 de Com d'Archi, nous nous emparons du sujet en 7 minutes chrono en surfant sur passé, futur et surtout présent ! Un présent que le Pritzker a voulu sage et à l'occasion de cette édition.Anne-Charlotte DepondtImage teaser © The Neues Museum, photo courtesy of SMB / Ute Zscharnt for David Chipperfield ArchitectsRéalisation son : Julien Rebours____Si le podcast COM D'ARCHI vous plaît n'hésitez pas :. à vous abonner pour ne pas rater les prochains épisodes,. à nous laisser des étoiles et un commentaire, :-),. à nous suivre sur Instagram @comdarchipodcast pourretrouver de belles images, toujours choisies avec soin, de manière à enrichirvotre regard sur le sujet.Bonne semaine à tous ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

The Department of Justice issued a report that found that the Louisville Police Department has a pattern of using excessive force and targeting Black residents. Local activists see the report as "vindication," a justification of their long-held claims against the department. Chanelle Helm, an organizer and activist with Black Lives Matter Louisville, joins us. Then, Here & Now's Deepa Fernandes recently visited family in Australia. While listening to the radio, she heard broadcasters acknowledging the indigenous land they were on. That's the norm in Australia, but what is the significance? Aboriginal artist Tess Allas joins us. And, Pritzker Prize-winning architect David Chipperfield's work is often described as "understated." Now, Chipperfield is more interested in how cities develop than in designing individual buildings. He joins us.

Click here to get early, ad-free access to the Londown, and support accessible independent journalism from Open City.This week Merlin speaks to the historian, and writer and presenter of the audio walking tours series - historicity - Angus Lockyer.Lambeth pulls the plug on controversial estate demolitions | London's David Chipperfield wins the Pritzker Prize - architecture's most coveted title | A UK-wide retrofitting program to unlock 35 billion pounds for the economy | And a new award-winning map spotlighting the women written out of London's built environment history The Londown is recorded and produced at the Open City offices located in Bureau. Bureau is a co-working space for creatives offering a new approach to membership workspace. Bureau prioritises not just room to think and do, but also shared resources and space to collaborate. To book a free day pass follow this link.The Londown is produced in association with the Architects' Journal. If you enjoyed the show, we recommend you subscribe to the AJ for all the latest news, building studies, expert opinion, cultural analysis, and business intelligence from the UK architecture industry. Listeners can save 15% on a subscription using this link. Hosted on Acast. See acast.com/privacy for more information.

As Ukraine denies any involvement in blowing up the Nordstream 2 pipeline, we examine what might have happened. Plus, protests in Tbilisi turn violent after the government backs a new law on foreign agents; we celebrate the work of David Chipperfield, this year's winner of the Pritzker prize, and we shine a light on the cinema of Bhutan. See omnystudio.com/listener for privacy information.

Rodrigo Guendelman conversó con arquitecto Pablo Altiques y Jeannette Plaut, directora de Constructo, comentaron lo que ha sido la trayectoria de este arquitecto reconocido por la Fundación Hyatt.

One of the most skilled and thoughtful architects today, David Chipperfield applies his vision to everything from museums and grand public spaces to office towers and luxury retail flagships. On this episode, Dan speaks with the maestro on how he got his start, his famed rebuilding of Berlin's Neues Museum, his second life in Galicia, Spain, and more. Hosted on Acast. See acast.com/privacy for more information.

GRAND PRIX NATIONAL - PYRAMIDE D'OR Le lauréat est : EMERIGE “Morland Mixité Capitale” à Paris (75) Architecte: David Chipperfield Architects / CALQ Architecture Lauréate de « Réinventer Paris » en 2016, l'équipe projet chargée de Morland Mixité Capitale devait relever un immense défi : restructurer et réhabiliter l'ancien site administratif de la préfecture pour y accueillir onze usages différents et créer « un immeuble-quartier ». La réhabilitation structurelle et architecturale du bâtiment a demandé la création de deux niveaux de sous-sol, la construction de bâtiments neufs côté Seine et côté boulevard Morland, chacun posé sur des arches de six mètres de hauteur, geste architectural majeur de David Chipperfield. Ces seuls éléments peinent à résumer l'ampleur de l'entreprise. Au rez-de-chaussée, la cour pavée et les arches forment un cloître au style contemporain, avec ses rues actives et habitées, ses espaces végétalisés. Ouvert au public, l'ensemble accueille des usagers, des habitants aussi bien que des promeneurs, riverains ou touristes. La rue intérieure traversante permet de découvrir un lieu surprenant, en effervescence quasi permanente ! Ses 199 logements (sociaux et intermédiaires pour 80 % d'entre eux), l'auberge de jeunesse de 404 lits qui s'y est établie, un hôtel 5 étoiles de 162 chambres et une galerie d'art avoisinent une crèche, une salle de sport, une piscine, des commerces, un espace d'agriculture urbaine et un marché alimentaire. Le volet tertiaire a notamment permis d'accueillir des sièges sociaux, tels ceux de La Banque Postale Asset Management, du Groupe L'Occitane, ou encore d'un grand brasseur européen. Petite ville dans la ville, le complexe immobilier bénéficie d'un emplacement privilégié, au centre de Paris et en bordure de Seine, en même temps qu'il apporte un nouveau dynamisme à ce secteur du 4e arrondissement de la Capitale. SITE INTERNET : https://www.emerige.com/

In French in this CDA S2#42 (Monday online), "Mastering the artwork with Jean-Philippe Le Boeuf”, an interview of Jean-Philippe Le Boeuf President and Partner of the CALQ Architecture Office - English in CDA S2#43 (Wednesday online), "Morland Mixité Capitale project in Paris France", by Jean-Philippe Le Boeuf, CALQ Architecture Office, project with David Chipperfield ; artistic concept with Olafur Eliasson and Studio Other Spaces .En français dans ce CDA S2#42 (lundi en ligne), "Maîtriser l'oeuvre avec Jean-Philippe Le Boeuf", une interview de Jean-Philippe Le Boeuf Président et Associé de l'agence d'architecture CALQ - En anglais dans le CDA S2#43", "Le projet Morland Mixité Capitale à Paris", par Jean-Philippe Le Boeuf, CALQ agence d'architecture, projet avec David Chipperfield ; concept artistique avec Olafur Eliasson et Studio Other Spaces ._____L'agence CALQ vient d'être classée au 11ème rang des agences d'architecture françaises (classement annuel publié par la revue d'A). Et pour cause, figurent à son actif beaucoup des actuelles et grandes maîtrises d'oeuvre d'exécution. Citons pour exemple le très récent et vaste projet de réhabilitation de la Poste du Louvre (35000m2) dont l'architecte mandataire est Dominique Perrault (Lagneau Architecte du Patrimoine).Mais CALQ ne s'en tient pas là, puisqu'elle signe de sa propre conception et de son exécution, et aussi, de nombreux projets. Le projet Morland Mixité Capitale, avec le très grand David Chipperfield, symbolise à la fois la nécessité des agences d'aujourd'hui à faire alliance sur les projets d'envergure, mais aussi la capacité de CALQ à faire face aux grands défis architecturaux de notre temps.Dans ce Com d'Archi S2#42, Jean-Philippe Le Boeuf, président et associé de CALQ, raconte son histoire et celle de son agence. Car c'est par l'amour du travail bien fait que CALQ s'est hissée dans le top 20 des agences françaises. Tous les passionnés d'architecture apprécieront ce moment inédit passé avec Jean-Philippe Le Boeuf._____Si le podcast vous plaît n'hésitez pas :. à vous abonner pour ne pas rater les prochains épisodes,. à nous laisser des étoiles et un commentaire, :-),. à nous suivre sur Instagram @comdarchipodcast pour retrouver de belles images, toujours choisies avec soin, de manière à enrichir votre regard sur le sujet.Belle semaine à tous ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

The Morland Mixité Capitale is a big and emblematic project of the Réinventer Paris I competition. The winners, David Chipperfield architects and Calq Architecture Office were selected in 2016. The end of the construction site is attended in 2021. The team is prestigious with David Chipperfield (with BRS) and Calq, but with also Olafur Eliasson (artistic concept with Studio Other Space), Michel Desvigne (landscaper), RDAI (interior architect), Encore Heureux (project house), SOCIÉTÉ PARISIENNE DU NOUVEL ARSENAL | PERL (operator) etc. In this Com d'Archi S2#43 Jean-Philippe Le Boeuf (Calq president) speaks about the project intentions decided by the two both main architectural offices. In an exceptional site, the design of the project is guided by the principles of openness, mixing, sharing, innovation, artistic influence and social responsibility. Whether rehabilitated or newly constructed, the buildings will have multiple uses: offices, housing, daycare, youth hostel, shops, hotel, swimming pool, fitness area, art space, bar and restaurant... The best by the Jean-Philippe Le Boeuf voice...Podcast CDAS2#43 teaser image copyright David Chipperfield Architects___If you like the podcast do not hesitate:. to subscribe so you don't miss the next episodes,. to leave us stars and a comment :-),. to follow us on Instagram @comdarchipodcast to find beautiful images, always chosen with care, so as to enrich your view on the subject.Nice week to all of you ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Today our guests are Ivi Diamantopoulou and Jaffer Kolb of New Affiliates an architecture practice working between Athens and New York. Ivi Diamantopoulou is a graduate of Princeton University, where she was awarded the Suzanne Kolarik Underwood Prize for excellence in design and the Stanley J. Seeger fellowship; and a Diploma with honors graduate of Architecture and Engineering from the University of Patras, Greece. She is a registered architect in NY and Greece, with over a decade of experience in design and built work. Ivi frequently teaches design, history and theory of architecture, among others at Columbia and Syracuse Universities. Jaffer Kolb is a graduate of Princeton University, with a Master of Urban Planning from the London School of Economics, and a Bachelor of Arts in Film Studies from Wesleyan University. Jaffer worked on the 13th Architecture Biennale of Venice under David Chipperfield and was the US editor for the Architectural Review. Jafer teaches at Yale School of Architecture and Columbia GSAPP. Ivi and Jaffer joined us as speakers at the ESO Conference in June in Athens, Greece organized by Vasilis.

We talk to Max Hollein, director of the Metropolitan Museum of Art, about the new plans for the museum's wing of modern and contemporary art, including the appointment of the architect Frida Escobedo in place of David Chipperfield. As The Art Newspaper is about to publish its annual museum attendance survey, showing that visitors are beginning slowly to return to museums after the height of the pandemic, we ask Hollein how the vision for the museum has changed following the events of the past two years. Plus, Aimee Dawson talks to the curator Sam Bardaouil about the exhibition Beirut and the Golden Sixties: A Manifesto of Fragility at the Gropius Bau in Berlin. And in this episode's Work of the Week, as the Menil Collection in Houston, Texas, opens a major Meret Oppenheim survey, the show's curator Natalie Dupêcher discusses Oppenheim's Surrealist object Ma gouvernante – My Nurse – Mein Kindermädchen (1936): a pair of white heels on a silver platter, trussed like a chicken.The Art Newspaper's visitor attendance survey is in the April print edition, and online next week at theartnewspaper.com, or on our app for iOS and Android, which you can get from the App Store or Google Play.Beirut and the Golden Sixties: A Manifesto of Fragility, Gropius Bau, Berlin, until 12 June.Meret Oppenheim: My Exhibition, Menil Collection, Houston, until 18 September; Museum of Modern Art, New York, 30 October-4 March 2023 See acast.com/privacy for privacy and opt-out information.

mit Alexander Schwarz, Partner von David Chipperfield Architects

Amos Goldreich graduated Architectural Association in London in 1999, and subsequently worked for a number of London firms, including the likes of David Chipperfield, Stanton Williams, Haworth Tompkins and Feilden Clegg Bradley Studios. In 2010, Amos established Amos Goldreich Architecture, which is heavily involved in social projects. Amos is also part of the think tank Architects Aware, actively working to fight London's growing homelessness. I wanted to interview Amos about his recent switch to a 4.5-day work week for his entire office and discuss with him the benefits, drawbacks and challenges. Check it out, perhaps it will inspire you to do the same!   About the podcast: Single Serves is a podcast where we interview experts on single issues of interest to architects and designers. The thought-provoking ideas shared here are intended to inspire our listeners to become well-rounded entrepreneurs who are the leaders of their field. Credits: Produced by Révélateur Studio, ©2021 and edited by Chris Rodd.

Dive into London's swimming culture with Merlin, and 20th Century Society President, Catherine Slessor this week on the Londown. Shock as Croydon blocks sale of Brick by Brick to Urban Splash, fees hiked at Hampstead Ponds casting shadows over London's swimming culture, David Chipperfield submits plans for new Chinese Embassy in Tower Hamlets, a new Building Safety Bill promises leaseholders rights to sue developers, and why architecture needs more (and better) public speakers.The Londown is produced in association with the Architects' Journal. If you enjoyed the show, we recommend you subscribe to the AJ for all the latest news, building studies, expert opinion, cultural analysis, and business intelligence from the UK architecture industry. Listeners can save 15% on a subscription using this link. See acast.com/privacy for privacy and opt-out information.

Originally published on: June 25, 2020.As visitors from around the world return to Rodeo Drive, we invite you to listen back and celebrate one of the visionaries who created it: Michael Chow. He is a restaurateur, an artist, and the designer of Giorgio Armani’s flagship mega boutique on Rodeo Drive. When the store opened its doors in 1988, people were stunned at the 13,000 square feet interior with a sweeping staircase, white gold leaf and glorious light. It inspired Armani’s famed uplit runway, became a Hollywood hot spot, and set the trend for retailers to team up with famous architects: think Prada and Rem Koolhaas; Louis Vuitton, Chanel and Peter Marino; Valentino Menswear, Bally and David Chipperfield. Chow’s design for Giorgio Armani Beverly Hills has remained intact. But is the age of the vast boutique over? Hear Bronwyn Cosgrave in conversation with Michael Chow, Interior Design deputy editor Edie Cohen and writer and former editor-in-chief of French Vogue Joan Juliet Buck.Podcast webpage: rodeodrive-bh.com/podcast@rodeodriveCONTACTLyn Winter, Executive Producer, Lyn Winter, Inc., 213 446 0788, rodeodrive@lynwinter.com See acast.com/privacy for privacy and opt-out information.

Monocle’s May issue lifts the lid on our picks of the world’s best-designed buildings and products in our inaugural Design Awards. From big names such as David Chipperfield to small pleasures like electric switches, we celebrate the makers refining our lives. Elsewhere, there’s custom dog food and glamorous grannies – what more could you want? Available now at [The Monocle Shop](https://monocle.com/shop/product/1957927/issue-143/)

Monocle’s May issue lifts the lid on our picks of the world’s best-designed buildings and products in our inaugural Design Awards. From big names such as David Chipperfield to small pleasures like electric switches, we celebrate the makers refining our lives. Elsewhere, there’s custom dog food and glamorous grannies – what more could you want? Available now at [The Monocle Shop](https://monocle.com/shop/product/1957927/issue-143/)

The Morland Mixité Capitale is a big and emblematic project of the Réinventer Paris I competition. The winners, David Chipperfield architects and Calq Architecture Office were selected in 2016. The end of the construction site is attended in 2021. The team is prestigious with David Chipperfield (with BRS) and Calq, but with also Olafur Eliasson (artistic concept with Studio Other Space), Michel Desvigne (landscaper), RDAI (interior architect), Encore Heureux (project house), SOCIÉTÉ PARISIENNE DU NOUVEL ARSENAL | PERL (operator) etc. In this Com d'Archi S2#43 Jean-Philippe Le Boeuf (Calq president) speaks about the project intentions decided by the two both main architectural offices. In an exceptional site, the design of the project is guided by the principles of openness, mixing, sharing, innovation, artistic influence and social responsibility. Whether rehabilitated or newly constructed, the buildings will have multiple uses: offices, housing, daycare, youth hostel, shops, hotel, swimming pool, fitness area, art space, bar and restaurant... The best by the Jean-Philippe Le Boeuf voice...Podcast CDAS2#43 teaser image copyright David Chipperfield Architects___If you like the podcast do not hesitate:. to subscribe so you don't miss the next episodes,. to leave us stars and a comment :-),. to follow us on Instagram @comdarchipodcast to find beautiful images, always chosen with care, so as to enrich your view on the subject.Nice week to all of you ! Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

In French in this CDA S2#42 (Monday online), "Mastering the artwork with Jean-Philippe Le Boeuf”, an interview of Jean-Philippe Le Boeuf President and Partner of the CALQ Architecture Office - English in CDA S2#43 (Wednesday online), "Morland Mixité Capitale project in Paris France", by Jean-Philippe Le Boeuf, CALQ Architecture Office, project with David Chipperfield ; artistic concept with Olafur Eliasson and Studio Other Spaces .En français dans ce CDA S2#42 (lundi en ligne), "Maîtriser l'oeuvre avec Jean-Philippe Le Boeuf", une interview de Jean-Philippe Le Boeuf Président et Associé de l'agence d'architecture CALQ - En anglais dans le CDA S2#43", "Le projet Morland Mixité Capitale à Paris", par Jean-Philippe Le Boeuf, CALQ agence d'architecture, projet avec David Chipperfield ; concept artistique avec Olafur Eliasson et Studio Other Spaces ._____L'agence CALQ vient d'être classée au 11ème rang des agences d'architecture françaises (classement annuel publié par la revue d'A). Et pour cause, figurent à son actif beaucoup des actuelles et grandes maîtrises d'oeuvre d'exécution. Citons pour exemple le très récent et vaste projet de réhabilitation de la Poste du Louvre (35000m2) dont l'architecte mandataire est Dominique Perrault (Lagneau Architecte du Patrimoine). Mais CALQ ne s'en tient pas là, puisqu'elle signe de sa propre conception et de son exécution, et aussi, de nombreux projets. Le projet Morland Mixité Capitale, avec le très grand David Chipperfield, symbolise à la fois la nécessité des agences d'aujourd'hui à faire alliance sur les projets d'envergure, mais aussi la capacité de CALQ à faire face aux grands défis architecturaux de notre temps.Dans ce Com d'Archi S2#42, Jean-Philippe Le Boeuf, président et associé de CALQ, raconte son histoire et celle de son agence. Car c'est par l'amour du travail bien fait que CALQ s'est hissée dans le top 20 des agences françaises. Tous les passionnés d'architecture apprécieront ce moment inédit passé avec Jean-Philippe Le Boeuf._____Si le podcast vous plaît n'hésitez pas :. à vous abonner pour ne pas rater les prochains épisodes,. à nous laisser des étoiles et un commentaire, :-),. à nous suivre sur Instagram @comdarchipodcast pour retrouver de belles images, toujours choisies avec soin, de manière à enrichir votre regard sur le sujet.Belle semaine à tous ! Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

In this installment of our 'Well Read' segment, we offer some biographical and contextual insight into the life and work of David Chipperfield. Subscribe to our Newsletter Follow us on Instagram

In Zeiten von Corona sind Museumsbesuche leider sehr selten, denn viele Museen sind derzeit geschlossen. So auch die Museumsinsel in Berlin. Somit kann die James Simon Galerie, das zentrale Eingangsportal der Museumsinsel, nur von aussen bestaunt werden. Für leidenschaftliche Bauingenieure und Fans des Podcasts Baustelle Bauwesen könnte aber interessant sein, dass das eigentliche ingenieurstechnische Kunstwerk hinter der Galerie leider auch dann nicht zu bewundern ist, wenn das Museum besucht werden kann. Es liegt nämlich unter dem eigentlichen Gebäude: Die Gründung. Die von David Chipperfield entworfene Galerie wurde vor Kurzem mit Platz 1 des ArchitekturPreis Berlin ausgezeichnet. Dieser Preis konnte aber nur gewonnen werden, weil die Geotechniker es durch ihren Gründungsentwurf ermöglichten, die Lasten über Pfähle in den Baugrund zu bringen. Somit war bei diesem Bauwerk das Zusammenspiel aus Geotechnik, Architektur und Tragwerksplanung essentiell. Michi berichtet über die Details in Episode #14 der Serie Bauwerke. Viel Spaß! Wenn euch diese Episode gefallen hat, dann hinterlasst doch ein Kommentar, meldet euch bei uns auf der Homepage oder schreibt uns bei Instagram. Wir freuen uns! Und wenn euch das was wir machen so gut gefällt, dann unterstützt uns doch mit einem kleinen Paket auf unserem Steady. Damit könnt ihr nämlich garantieren, dass wir euch auch in Zukunft mit den wichtigen Themen der Baustelle Bauwesen beliefern. Danke! Buch Ingenieurbaukunst - Engineering Made in Germany James Simon Galerie - Ingenieurgruppe Bauen

What do architects, outdoor enthusiasts and kitchenware specialists have in common? They all make for great product designers. For proof, we check out David Chipperfield’s new suitcase, Japanese brand Snow Peak’s tasteful tents and share some inspiration from Switzerland’s V-Zug.

Corinne M. Flick speaks with Sir David Chipperfield, architect and founder of Fundación RIA, about:What Does the New Century Require from Architecture?

When Giorgio Armani opened his flagship mega boutique on Rodeo Drive in 1988 people were stunned at the 13,000 square feet interior with a sweeping staircase, white gold leaf and glorious light.It was created by Michael Chow, legendary restaurateur and artist. It inspired Armani’s famed uplit runway, became a Hollywood hot spot, and set the trend for retailers to team up with famous architects: think Prada and Rem Koolhaas; Louis Vuitton, Chanel and Peter Marino; Valentino Menswear, Bally and David Chipperfield.Chow’s design for Giorgio Armani Beverly Hills has remained intact. “It’s very simple to be timeless,” says Chow. “You just have to be true to yourself.”But is the age of the vast boutique over? Hear Bronwyn Cosgrave in conversation with Michael Chow, Interior Design magazine editor Edie Cohen and writer and former editor-in-chief of French Vogue Joan Juliet Buck.Podcast CreditsHost, Bronwyn Cosgrave.Editors, Frances Anderton and Avishay Artsy.Theme music by Brian Banks.Production Coordinators Livia Mandoul, Mirabelle Alan, and Guthrie McCarty-Vachon.Executive Producer, Lyn Winter.Rodeo Drive - The Podcast is presented by the Rodeo Drive Committee with the support of the City of Beverly Hills.Rodeo Drive CommitteeFounded in 1972, Rodeo Drive, Inc., also known as The Rodeo Drive Committee is a 501 C (6) non-profit organization, that provides a forum where its members—consisting of retailers, hoteliers, and landowners—can engage, share a dialogue, and help shape the present and future of the iconic, world-famous shopping destination. For further information about Rodeo Drive -The Podcast, please contact:Lyn Winter, Inc., 213 446 0788, rodeodrive@lynwinter.com See acast.com/privacy for privacy and opt-out information.

Dezeen's Face to Face podcast series continues with an interview with British architect David Chipperfield who describes growing up on a farm, struggling at school, how Zaha Hadid saved him from failing his architecture diploma – and why he still suffers from imposter syndrome.

Simon Pole  is the Global design director, at Unispace and has over 25 years experience leading complex projects throughout Europe, the middle East, Asia, New Zealand, America and currently Australia. Over the years, Simon has worked alongside well known names including: Patrick Schumacher, David Chipperfield and local Australian design legends like Nick Corollas and David Whitaker. Simon's ideas enhance workplace performance and change the way businesses do business. He is a global leader in agile work styles across multiple industry sectors, delivering groundbreaking concepts and award winning environments for his clients. Host: Ben Lornie joins us for the first time, Ben is a senior associate and the Education lead with PTID.  Ben has realised projects across five continents, collaborating with university and corporate organisations to create future-focused built environments, that support people and enhance the human experience. Ben regularly presents at conferences and participates in panel discussions as part of PTID's commitment to contributing to a research driven design philosophy. Support our launch partner Zenith Interiors and supporting partner Total Synergy - Try Synergy for free for 30 days   Get in touch with the team at The business of Architecture and Design: Email - adrpodcast@niche.com.au Other links: Unispace PTID Produced by: Paul Lidgerwood, managing director, Joanne Davies, Commercial Content Director of Australian Design Review and Architectural Review, and Niche Media.  Australian Design Review See omnystudio.com/listener for privacy information.

Rick Valicenti (founder and design director of Thirst, a communication design practice for clients in the architectural, performing arts and education communities), Iker Gil (architect, director of MAS Studio, editor in chief of the quarterly design journal, MAS Context), and Jenn Stucker (associate professor and division chair of graphic design at BGSU, founding board member of the American Institute of Graphic Arts, AIGA Toledo) discuss community-based collaborative design.    Transcript: Introduction: From Bowling Green State University and the Institute for the Study of Culture and Society, this is BG Ideas. Intro Song Lyrics: I'm going to show you this with a wonderful experiment. Jolie Sheffer: Welcome to the BG Ideas podcast, a collaboration between the Institute for the Study of Culture and Society and the School of Media and Communication at Bowling Green State University. I'm Jolie Sheffer, associate professor of English and american culture studies and the director of ICS. Today we're joined by three guests working in collaborative design fields. First is Rick Valicenti, the founder and design director of Thirst, a communication design practice for clients in the architectural, performing arts and education communities. His work has been exhibited in the Museum of Modern Art and resides in the permanent collections of the Yale University Library, Denver Art Museum, and the Art Institute of Chicago. In 2011, he was honored by the White House with the Smithsonian Cooper-Hewitt National Design Award for communication design. Jolie Sheffer: We're also joined by Iker Gil, an architect, the director of MAS Studio, editor in chief of the quarterly design journal, MAS Context, and the editor of the book, Shanghai Transforming. He curated the exhibition, Bold: Alternative Scenarios for Chicago, included in the inaugural Chicago Architecture Biennial. Iker is the associate curator of the US Pavilion at the 16th Annual Venice Architecture Biennale. In 2010, he received the Emerging Visions Award from the Chicago Architectural Club. Jolie Sheffer: Finally, I'd like to welcome Jenn Stucker an associate professor and division chair of graphic design at BGSU. Her work has been published in several books on design and she's received various awards including two international design awards from How Magazine for her community based works in Toledo. She's also a founding board member of the American Institute of Graphic Arts, AIGA Toledo. And she previously co-chaired two national AIGA design education conferences. Jolie Sheffer: The three of them are here to talk to me as part of the Edwin H. Simmons Creative Minds series. Thank you and welcome to BGSU. I'm thrilled to discuss more of your work on creativity and collaboration. I like to start by having you each give a little background on your current work and how you came into the kind of design work that you're doing. So Rick, how did your career change from your time as a student at BGSU to your work now? What are some of those major u-turns or forks in the road for you? Rick Valicenti: Well, thank you. That's a good question. That's a really good question. Okay, so let me fast backwards to 1973 when I graduated from Bowling Green. I went back to Pittsburgh, spent some time in a steel mill for two years, went to graduate school at the University of Iowa. Came to Chicago afterwards with two graduate degrees in photography and discovered that I was not interested in photographing hotdogs, cornflakes and beer. So with that I thought I would leverage a time in the writer's workshop doing a little bit of letter press work as well as my time at Bowling Green studying design. And I thought I'll be a designer. It wasn't that easy. But it has been a journey for now almost four decades since then to get to a place where I feel there's relevance in what I do. And that has been the challenge, and it continues to be the challenge. Design, as you know, is a practice that has at its core, or patronage, somebody else. Rick Valicenti: In fact, it's been said you have to be given permission to practice graphic design. Not necessarily the case, you can do self-initiated projects. And it was in leveraging what I learned in graduate school, which was how to make up a project, how to provide for myself a thesis and then create work in response to that. That has allowed me to both do that on my own as well as in collaboration with other people. And then to encourage younger designers under some guidance to do the same. And of late, the more interesting work has been work that has been related to an issue, not unlike the work that Jenn practices in her classwork. But to me that's the most fulfilling and it was unfortunately not the work that I showed because it was work I was prepared to end the evening with. But I chose because we had been blabbing for so long last night to just stop early. But it's okay. Jolie Sheffer: Tell me what led you to start your own firm? Rick Valicenti: I was one of those lucky designers who, while it was difficult to crack the Chicago design scene, two years of doing what I would refer to as thankless design work, design work where I was asked to do something prescriptive. Like do this by Friday. Yes, I could do that. I was quite good at it. I lucked out by having the opportunity to be the dark room guy for a very reputable Chicago designer, who was at that time 63 years old. And so in his last three and a half years of practice I had moved from the new guy in the studio to the last employee he had. And it was a fantastic experience to be in the company of real design practice. Design practice that understood the history, it understood the present, and it was looking out to the future. This guy was connected to the other thought leaders in the Chicago design community and I had access to them even though it was vicarious. Jolie Sheffer: Great. Thank you. Iker, tell us about your journey into Chicago architecture and the current kinds of collaboration you do. How has your approach to design changed over time and what were some of those key junctures for you? Iker: So I'm originally from Bilbao, which is a city in the North of Spain in the Basque country. And I think a lot of the changes in design and a lot of the ways that I've been thinking had been motivated also by the change of place or how the people that I've encounter or any other aspects that really change as I move from other places. So from Bilbao I went to Barcelona to study architecture. I had the chance there to not only have the professors that were faculty there, but also other visiting professors, like David Chipperfield and Kazuyo Sejima. So that was a way of beginning to connect with other experiences that maybe were not the local ones. And I was very interested in expanding that. And I've had the luck to get a scholarship from IIT in Chicago to go there for a year. Iker: So it was a little bit coincidentally in a way that I ended up in Chicago. And I was there for a year as an exchange student, I still had to do my thesis so I went back to Spain. But there was something about Chicago, a apart from my girlfriend that now is my wife, who is from Chicago. But there was something very intriguing about the city, a lot of potential, very different from being in Barcelona. But there was something always in Barcelona that was interesting for me about the cultural aspect of architecture. There was the aspects of people building a significant building or just a civic building that there was always a publication and an exhibition, a way of coming together to talk about why those things were important. Iker: So when I went to Chicago, when I moved back and I did my master's, I worked for an office. I was always interested in the ADL, the community, the design community, the architecture community. How do you strengthen that and how do you create the platforms to do that beyond what you can design? So I decided at some point that I really wanted to make sure that I did both of those things. And I went on my own about 11 years ago just to make sure that I could create the designs within my office, but create other platforms for others to have that conversation. And more recently I've been able to create the structures to support or organize design competitions and really began being interested in not only the final product, but how do you structure the conditions for those things to happen. Jolie Sheffer: So you're talking about not just designing buildings, but designing communities and relationships. Iker: Yep. And I think that's a role of, in my case, an architect or designers. Like the work that you do, but also the work in the city that you do. And how are you part of the community, and also how are you proactive shaping that community? Not something that you want to benefit from someone else's effort to structure something. What is what you can do and why you can give to the community back? Jolie Sheffer: Great. Jenn, talk to us about your path into graphic design and how your approach has shifted over time. Jenn Stucker: So I was at graduate here at BGSU. Very proud of the training and the experience that I had from Ron Giacomini, a chair that Rick also had the opportunity to study under. And when I graduated I went right out into the field, I got a job in graphic design. And I think was pretty good at my craft and pretty good at making. And also at the same time pursuing this educational path. I am originally a transplant from Colorado, I guess you could say. And one of the things about the Toledo area is there's this "neh" mentality. It's the rust belt. I- Jolie Sheffer: Better days are behind us. Jenn Stucker: Yeah. [crosstalk 00:09:16]. Yes. It's definitely like, why did you move from Colorado to Toledo? Is usually the question that I get asked. And I'm always like, wow, there's so many great things here. You're four hours from Chicago, you're this far from Toronto, you're this far from here. In Colorado you're four hours from the border of Wyoming, at least where I live. Right? And you're looking at the same topography and you're not getting any cultural change. And so for me, my family was here. My husband and his family. And so I was here for the long haul. Jenn Stucker: So the idea really just became, I need to bloom where I'm planted. I need to make this space and place better, and contribute to it and work towards that. Changing the attitude, how do we create positivity in this community? And so I started getting involved in creating projects that really illuminated Toledo in a positive way. And so then I reflected back on the fact that I wasn't necessarily armed with that as a student, with that understanding of the fact that I had agency and power that I could do something. I didn't necessarily have training with, how do you collaborate and get a, you know, writing a grant to get the funding for this? And who do I need to talk to and who needs to bring this to the table? And all of those things. Jenn Stucker: So part of that I think now is coming to what I do as an educator, is to show those students. I tell them, I have no idea what I'm doing. I'm completely fumbling through this. I don't know what I'm doing. This dots project in Toledo that I'm literally the one that's going to be photographing all the dots around Toledo, or trying to find spaces in January and it's cold. And then actually putting them down on the ground and actually taking them off the ground and doing these sort of things. I don't know that when I'm creating the idea. But I know it has to get done and I'm going to do that. And the fact that I'm just Jenn is what I tell them. I'm just one person, I'm not any different than you. And so I try to give them a lot of power that they can do that thing that they want to make change for. Jolie Sheffer: You're all talking about very place-based design practices, or in different ways your work is all very much about locating yourself, right? And building in relationship to that community, and creating community. Could you give an example, Rick, of one of your projects that had a very Chicago-centric, and how that place shaped the process and the collaborations that you developed? Rick Valicenti: With pleasure. In 2016, I was the artist in residence at Loyola University. And there we devoted an entire year to prototyping empathetic ways of grieving for those who were left behind by gun violence. That was a very Chicago-centric theme. And it was something that I was curious about beyond the candle vigil, right? Or the protest march. Are there other ways we can come together both as community led by design in order to acknowledge and honor the life lost? And of course help the healing process for the families left behind. That was a very place specific design assignment. The difference was we were doing it on the North side, and a lot of the activity, gun violent activity was happening on the South side. Not all of it because in the building that we were located, in the alley right next door one of the students had been shot. Rick Valicenti: Down the street the young photographer had been shot and killed on that street. So as they call it, the franchising of gun violence had migrated North to the Rogers Park and Edgewater area, which is where Loyola is located. It made it more real and more tangible, but the prototyping of these empathetic gestures was, I think, healing for all of us. And I've been rewarded by that project ever since. And I really want to see now if something like that can migrate to other cities. And I've been talking to a few people like, wouldn't El Paso benefit from this kind of intervention? Dayton, Ohio, would they not benefit from it? Jolie Sheffer: And could you talk through what that project actually ended up looking like? Rick Valicenti: I'll give you an example. There were 20 students in the class, half of them were from the fine arts area, half of them were from design related fields. And so they all had different approaches to it. And every class began with somebody from the outside. Rick Valicenti: Okay? And I thought this was important. And Iker knows this model of practice that I use, I call it moving design is what I have named the umbrella. But I'll give you an example of three kinds of people who came to the class. One person we arranged for a car to pick up the head of the emergency room at Stroger, which is the hospital, Cook County hospital. And this guy was picked up in a car, came to our class in his [Ohar 00:14:07] blacks with his red tennis shoes. And it was the day after a very violent weekend. This guy showed up shell shocked. You could just see the trauma in his face. He never made eye contact with the students. He was a young guy, maybe 38 or something, had his head down as he spoke. And that was a moving moment. More for me, I think, than anybody else. Rick Valicenti: But it was like, oh my God, here's a first responder who's there and he told us of some of the things that he had seen that have kept him from sleeping. We also had Emory Douglas, who was the communication director, minister of the Black Panthers. So Emory talked about the use of graphic design to move an agenda. And how an unskilled, unfunded initiative of communication design could migrate into the public through the printed ephemera. And he was there to really rally these students. That was fantastic. And then another woman, her name was Cecelia Williams. Cecelia Williams was 28 years old. She is an activist. She's a mother. And in her 28 years she has lost 29 family and friends to gun violence. The first one was her second grade teacher. She came to the class, again, with her version of PTSD. Moved the students and begged the students to do something. Rick Valicenti: Just something. It was in the form of just write the mothers of one of these victims a sympathy card after you hear the headline. Right? That's a simple thing. Or, gather all your cards and one person just take it to the funeral home and leave it in the basket. Simple moment. If you'd like I could share you an example of one of the projects, how we manifested our work at the end. We had lots of installations and interventions around the area, but one in particular was a community based exercise. I showed them an image of logging in Wisconsin. Tree logging. And those images that we're all familiar with are the felled trees in the shallow water, and the guys are standing on the tree trunks. And I said, it wasn't too much earlier before that picture was taken that those were living organisms, but now they're felled to the ground. And let's just imagine that we use the tree trunk as a symbol of those who are fallen. Rick Valicenti: And we've returned them to their vertical position. So that was the form of it. And then we started to talk about, well what could we put on those and what is the form? Are we going to be having tree trunks, that seems wrong. So we ordered lots of very long and very huge custom mailing tubes from a firm in Chicago called Chicago Mailing Tubes. And they made 24 inch, 18 inch and 12 inch mailing tubes of varying lengths. We had them wrapped in white paper and then the students took the grid of Chicago and wrapped each of those trees with black tape to suggest, not replicate, the grid of the city. And then we invited the community to come. And we had the list of the 760 some victims from the previous year to write their first names in whatever black calligraphy we could, whether it was with a Sharpie or whether it was with a brush pen. Rick Valicenti: And to see the community members come together with the students, honoring everybody with the names. And so, okay, that's one facet of it. And we have all these tubes now, and we put end caps on the tubes and the students started to talk about things that they would like to say. If you had to say something to a mother, to a community, to just reduce the pain of gun violence, what might it sound like? Everyone is a hero. I miss you, I miss you, I miss you. Whatever those messages were. And they typeset them in a black and white type, in all caps in a Gothic typeface on an orange disk. That orange disk had a hole cut in the middle and there was an orange piece of a cord, nylon cord, that we knotted. And that provided now these tree trunk-like forms to be carried. Rick Valicenti: And so there was a procession around town into the quad of the campus until they... Oh, I'm sorry. When the morning started all of the trunks were there in the center of the quad. That's right. Like the felled tree trunks. And then the procession started. And there were prayers read, and some music played, and some dancers from the music school came and they did a performative dance. A kind of celebration and resurrection, if you will. And then we were all invited to grab the chords and walk the trunks back to the alley where this student had been shot in the back, and return them to their vertical position. And there, I don't know, there we just reflected on it. But it was all quite moving. And we had it filmed and photographed and there was the record of it that could carry on. Rick Valicenti: We thought that could live in other places. The alderman, I'm sorry if I'm going on so long, I'm taking up this whole hour. But the alderman, his name is Harry Osterman, he was also invited to come. And he said, you know what, I would like that to be re-installed in my local park. And sure enough we installed it in his park and complete with all of the rides that a kid would have, the seesaw on the slide. A couple weeks later we get a call from alderman Osterman's office saying, it seems that there has been some violence in the park and your display has been vandalized. In fact, it has been destroyed. It has been cut up. It has been sawed. It has been smashed. Rick Valicenti: And I thought immediately, oh my God, the last thing we need is for Loyola to be a headline. And this good intention to be diminished. So we quickly scrambled and we went and we cleaned up the site and we got a chainsaw, we rented a chainsaw and we cut the things up so that we could transport it. And here what had happened was the other gang from the other side of the street was upset that, right, there had been some franchise in some retaliation of a recent shooting and this was the way that they could mark their territory. So there's lots healing that needs to be done, but design was certainly there to put a mirror to it. To make a good intention. And to certainly reveal the scab or the wound. Jolie Sheffer: Iker, can you give us an example of some of your place specific work? Maybe one particular project. You talked last night about the Marina Towers. I don't know if you want to talk about that or feel free to take that in a different direction. Iker: Yeah. Maybe one thing that I think is more important is structurally I think being in Chicago is what has saved my practice. I think a lot of the opportunities of doing self-initiated projects or projects that I was particularly interested are allowed to happen in Chicago because maybe there is not the pressure that there is in New York or any other places. And I think the idea of having space as a designer and an architect to think about things was something that I found very important and very unique to Chicago. Iker: So I think in a way, the way I was trained and the way I practice right now is different because of being in Chicago. And particularly that project of Marina City, I think it's one that it's very specific to the idea of Chicago about how it reflects how I work and how the projects evolve. And taking one icon of the city and really using that for me as a personal interest in understanding not only the building but understanding the architect, the ambitions of the architect. Why that building was so forward thinking when it opened in the early 60s. And then beginning to understand, how do you capture that value? Iker: How do you tell that story to people who are not architects? What are the tools that you have? And in that case I worked with Andreas Larsson, a photographer, to really begin to capture the diversity of the community. And it was a way of saying, you don't have to read plans in sections and elevations or use models to communicate the value of a building. There are other ways that maybe you can engage. And then through that you can learn some of the other things. Iker: And then that was exhibited, and then it has continued in doing then renovations in the building with Ellipsis Architecture. So always in collaboration with someone else. And the idea there is that, how do you celebrate the spacial qualities of the marina architect, but at the same time making it modern so new people can be living there. So it's an interesting project that has been ongoing for 10 years. And it just summarizes my interest in Bertrand Goldberg. And then as you work with other people, as you evolve or you have other skills, you can really begin to communicate that in different ways. And I can see that he's probably not going to be the last renovation or not the last project in some shape or form that I'm going to do about that building and that architect, which I think it's fantastic. Jolie Sheffer: Well there's something really interesting. You said something about this at your talk about how a project never really ends, it just sort of evolves into some new shape. Right? And clearly that work is an example of that notion that you never really have an end point. And your example too, Rick, went that way. That it takes on a new form and it may be not what you intended or what you imagined, but you have to let that life go on. Iker: I think in the end they are like your own personal obsessions. They are your interest, but it's sometimes it's an interest and sometimes it's an obsession. And they are in the back of your mind and then there is something that happens that it comes forward again, you have the opportunity to do it and then he goes back. But there are things that obviously you have a certain attachment. And then you realize that there are a lot of buildings, in this case, that share some of the ambitions because they were built in the same period. And then you can make a comparison or connect it to other experiences in other cities. So something that is very local and particular you can engage in a conversation with something that is happening in other cities. So I find it very particular, I never let go of those interests. It's just they transform and the outcome is very different. Jolie Sheffer: And Jenn, you mentioned the dots project. Could you talk about what that was and how that was very much play specific to Toledo? Jenn Stucker: Absolutely. So the genesis of that project came from the Arts Commission. I'd previously had done a banner project for them collaboratively with my colleague Amy Fiddler. And at the time I was president of AIG Toledo. And they came to us to say, oh we're having the GAS conference, the Glass Art Society is going to be coming. It's an international conference and maybe you could do some banners again. And I thought about that and really wanted to do something different. And one of the things about banners is the passivity that it has. And you have to be looking up, kind of encountering those. And so I've always been fascinated with maps and the "you are here" dot specifically. When I go to museums, when I go to zoos, wherever I'm going, I look for that and it gives me a sense of place. And the idea of sense of place seemed very important here at this time. Jenn Stucker: They were going to have people coming from all over the world. What is our sense of place? What is Toledo? And knowing that I wanted people to discover the city, and hopefully through walking. And how could I branch out into various places? So thinking about this dot of "you are here" and wanting people to discover the city, came up with this idea of three foot circular dots that had artwork on them created by a hundred different artists in Toledo that were site specific to that place. So working with the Arts Commission, what are the signature places in Toledo? The Toledo public library, the San Marcos Taqueria. It could be anywhere within the Toledo area, Point Place. So they helped curate that list. We talked about signature points, reached out to all of those establishments to say, more or less, congratulations, you're going to be part of this project. So that they would know that there was going to be a dot in front of their place. Jenn Stucker: And then having artists participate in creating those dots. And then on the dots was a QR code, and this was 2012, so it was still kind of cool then. And the idea was that you would scan the dot and you could then get the background information about the place in which you were standing. So you would learn about St. Patrick's Cathedral and get more information. And then to also give honor to the artist that they too would have their artist statement and what inspired the artwork that they created. And so one of the things about public art is that oftentimes if it's a sculpture, it's a very place specific, and only if you go to that place. And it's typically usually one artist. And so what I really liked about this project was that it was a hundred different artists that were participating in this. Jenn Stucker: And it was originally developed for outsiders to discover Toledo. The things that happened secondarily to that were amazing, where I was getting emails from people that had read about it in the newspaper. And one couple in particular said, we've read about this, we went out to start looking for these dots. They collected 25 of them and ended up at San Marcos Taqueria, said they had the best tacos they've ever had, had no idea it was even there. And they said they were looking forward to discovering more of their city. And I was like, that's a mic drop kind of moment. It couldn't have been any better than having people really realize the great things that we have in the community. So the byproduct of that was just, like I said, people seeing the great things that were here. Jenn Stucker: I wish I'd partnered with a cell phone company at the time because we had people that are actually buying cell phones. Because really, the iPhone had only come out, what, 2007 or something. So we're not too far to not everybody having a smartphone. There were people that were going out to buy a smart phone so that they could participate in this project. And there was a scavenger hunt component too, so we had an app for it. And the first hundred people to digitally collect 25 dots got a custom silkscreened edition poster. And so people are posting on Facebook and finding this dot and taking their children out. And I don't know, couldn't ask for a better project. Jolie Sheffer: We're going to take a short break. Thank you for listening to the BG Ideas podcast. Speaker 1: If you are passionate about big ideas, consider sponsoring this program. To have your name or organization mentioned here, please contact us at ics@bgsu.edu. Jolie Sheffer: Welcome back. Today I'm talking with Rick Valicenti, Iker Gil, and Jenn Stucker about the importance of interdisciplinary collaboration in creative fields. One of the things that you both talked about during your visit was the idea that the form of a given project will change, right? And I think Iker, you put it as something like, what's the story I want to tell and what's going to be the best form to tell that story? So how do you go about, what is part of your process and figuring out that answer to that question of the relationship between form and story? Iker: Yeah, I think that came out about the work and the way we structure MAS Context. And then really the first thing is just framing what the topic that we want to do, and then who should be the voices that need to be part of that issue. And sometimes you realize that you need something that sets the ground and it might be more academic. It might be an essay that really gives the shape to that. And then there are many other elements that can compliment, that can contra, that could take another direction that comes in the form of a short essay. And you need to be very aware. I think that a lot of the work that I do is actually paying attention to what other people are doing in their work. So whenever there is an issue that is coming together, I know I already have in my head what's the work that everybody's doing so I can make those connections. Iker: So it's really understanding how they work, what they are trying to say, what's the shape that it can be. And we've had, in the issues, we have long essays, short essays, photo essays, diagrams, poems. But also the people who write, they don't come from all the academic world. And some of the most interesting articles have come from people who are just residents in a building. And they can tell a story much better than an academic that has talk about housing. And one of the examples is we've done this for 10 years, and then the most read article is about Cabrini–Green, about our resident who grew up there and live there. And we walk with him, with Andreas Larsson actually. And we told him just let's walk around the neighborhood and tell us the stories of what are the meaningful places for you here that you grew up here and your families. Iker: And we just took photographs of that and we made captions of that. And it really was a way for us to understand what it means to leave there. Yes, there are some negative things, but there are many other positive things about Cabrini–Green that they all mask under headlines and other things from other people who have no relationship. So yes, there are many people who write about public housing, about Cabrini–Green, but his point of view and the way to talk about it in a very clear, succinct, and just experiential way of there. It was remarkable and it obviously resonated with the rest of the people because it's still the most read article. And it was in issue three, 10 years ago. Rick Valicenti: We should also keep in mind that Cabrini–Green, if we're talking about form, no longer exists. That building complex has been raised and it's gone. Now it's a Target. Is it not? Iker: Yep. It is. So it's like, when you demolish buildings you just don't demolish the actual building, you demolish the structures, the society, the relationship, everything that is built around that. So the void that it's in the city with the destruction of public housing is not just the building, it's all the fabric, the social fabric that got destroyed. And it's very complicated to regain. And unfortunately nothing really... It's happening at the level that it should be done. Rick Valicenti: And at the time you had an idea that it was going to be demolished or did you not know it was going to be demolished at that time? Iker: I did know that it was going to get demolished. Rick Valicenti: Oh, you did. Okay. But in either case you have left behind through the medium of design and this documentation a real important record of what it was like there at that moment. Iker: Yeah. Because in a way, these stories are not just headlines that once the headline leaves the story leaves. These are people who this is the place where they grew up. Where they live. Where they have their family. And then once the buildings are remove, they have to keep going with their life. They have to do other things. So it is really unfair to just live through headline after headline. The city is a much more complex thing. And I think one of the goals that we tried to do with the journal is really, yes, talk about issues that are important. But that there is a legacy that those things are looked in depth, that someone can go back 40 years later and finding that it's still relevant because there's another situation that contextualizes in a new way. Iker: So this is just a series of thinking that evolves and it grows and builds from each other. But I think there needs to be some, like paying attention to all these issues and build from those rather than be surprised by the latest thing that happens. And then once it goes, it just, oh, it's all sold. Jolie Sheffer: Could you talk, Rick, about your own forays into book work, as you describe it, and why that form made sense for some of those projects? Rick Valicenti: The book format I particularly love, I love its linearity but I also love its ability to be opened at any page. I also love its form, its tactile nature, its ability to change voices and change perceptions as you change the tactile experience when your hand touches a page. Change the paper, change the size of it. All of those things are available tools to find engagement in that which is being communicated and that which is being received. So you know, perhaps as a writer, you're able to capture your thinking in your typing. Jolie Sheffer: Absolutely. I don't know what I'm thinking until I'm typing it. Rick Valicenti: That's right. Until after maybe you've read it and say, oh my God, that's really special. But the designer takes that source material, if you will, and either amplifies it or adds harmony to it in a harmonic sound, or adds depth to it, or adds another perspective. And so I'm keenly aware when I'm making a book that it's not a typesetting assignment, that it really is a duet at the most basic level with the content. Whether it's with the author, whether it's with a photographer, whether it's with both. And how can you bring something to life in a way that under different hands or different perspectives or different budgets or whatever, it would sound different. Rick Valicenti: And just like you can do that when you're reading a poem, or a kid reading a kid's book, you know it sounds different than the parent. It happens when people perform songs, other than the person who wrote the song. So I like the book form, but I really like its linearity. And I must admit, when non-linearity was all the rage with interactive media, I was like, what's that about here? What's happening? I'm getting used to it, but that doesn't mean I need to like it. Jolie Sheffer: What about you Jenn? You've published work in book form. What for you is your particular process in thinking about that as a medium? Jenn Stucker: Well most of the publications, I guess probably been a little bit similar, it's been mostly for documentation that this happening happened has been a big part of that. The other part is most of the work has been with recent alums or with students, and so there's something about creating the object that adds that secondary level of, I guess, accomplishment, right? Or achievement, or that this thing... I guess the same thing is it happened. And so if we have evidence of that. I taught at SACI in Florence, Italy, through our program here at BGSU, last summer and we self published a book out of that called the FLRX times 14. Or 14 of us and putting material together to sort of, what was our experience here in Florence? All being American citizens coming into this place and space. And I don't see those students again. Right? They were from University of Michigan, Penn State, Parsons, couple from BGSU, Marshall. And it was a nice moment to capture and make a capsule, I guess, of that experience. Jolie Sheffer: Well, I want to thank you so much for taking the time to talk with me. It has been a real delight. Our producers for this podcast are Chris Covera and Marco Mendoza with help from Aaron Dufala, Hannah Santiago and Kaleah Ivory. Research assistants for this podcast was provided by ICS undergraduate intern Tay Sauer. This conversation was recorded in the Stanton audio recording studio in the Michael and Sara Kuhlin Center at Bowling Green State University.  

Vi samlar tre kritiker i studion för att diskutera mästerverk, kontroverser och katastrofer. Dessutom en krönika om decenniet när den samiska kulturen tog plats. Plus ett farväl till Luke Skywalker. Det är Kulturredaktionens Cecilia Blomberg, Mårten Arndtzén och Karsten Thurfjell som tittar i backspegeln.  Ur diskussionen: Årets viktigaste utställningar internationellt och i landet. Mårten Arndtzén: Venedigbiennalen förstås. Jag vill lyfta fram den franska paviljongen p g a dess sätt att behandla klimattemat. Och kan jämföra med utställningar på samma tema runt om landet (Malmö, Uppsala och Umeå) under året. Cecilia Blomberg: Jag måste nog också säga Venedigbiennalen. Svårt att gå runt en av de viktigaste och återkommande konsttillställningarna. Två av vinnarna av Guldlejonen är också särskilt intressanta. Arthur Jafa bästa konstnär och Litauiska paviljongen som bästa paviljong. Dessutom Pipilotti Rist på Louisiana. Karsten Thurfjell: Två gamla godingar som publikdragare:först Rembrandt i våras och nu Leonardo. På hemmaplan fler tillbakablickar: 1989 på Nationalmuseum i Stockholm, inte minst en tidskapsel av konsten från de åren, liksom att Greta Knutson Tzara plockades fram ur konsthistorien i Norrköping och Mjällby. Även charmtrollen Gilbert & George på Moderna Museet i Stockholm var en bit konsthistoria. Att små institutioner som Rikstolvan utanför Simrishamn kan visa Laurie Anderson och Kummelholmen i Stockholms-förorten visa William Kentridge. Och att OpenArt i Örebro fortsätter som Nordens största utomhusbiennal. Årets viktigaste händelser och debatter på konstområdet: Mårten Arndtzén: Accelerator, ny konsthall i Stockholm. Viktig händelse internationellt: de framgångsrika protesterna mot mecenater och ledamöter i museistyrelser (Sackler, Kanders). Cecilia Blomberg: Jag tycker också Sackler är enormt intressant. Jag har även läst Jonas Cullbergs bok som går rakt in i Opioidkrisen och tar upp Nan Goldins proteströrelse mot Sackler. Jag gick också förbi Notre Dame när jag var i Paris nyligen och brandens omfattning blir så påtaglig. Och det är ju faktiskt nästan besynnerligt att det fantastiska rosettfönstret klarade sig när man ser skadorna. Och när det handlar om Venedig och konsthistoriska arvet där går det ju också hand i hand med klimatkrisen. Politiseringsdebatten. Jag ogillar ren dumhet som de väldigt vinklade informationsskyltarna på Nationalmuseum. Däremot tycker jag inte att Moderna Museet har hamnat där de nu gjort om hängningen av samlingarna. Att tro att konsthistorien är neutral och bara fortsätta som förut tycker jag däremot inte heller är en framkomlig väg. Jag skulle gärna lyfta fram nya James Simon Gallery i Berlin som binder ihop alla muséerna på Museum Insel. En lyckad tillbyggnad tycker jag av David Chipperfield.  Och en av invigningsutställningarna där 200 år av gipser skulle jag gärna prata om som ett av de mest lyckade försök jag sett att ha en modern ingång till hur man visar en samling med en samtida ingång. Decenniets viktigaste utställningar, debatter och konstnärliga tendenser Mårten Arndtzén: Ursprungsbefolkningar är "det nya svarta" i konstvärlden. Ex: Documenta 14, år 2017. Som också demonstrerade decenniets tråkigaste utveckling: politiseringen. Olu Oguibes flyktingmonument i Kassel. Hemmavid: Modernautställningen 2018. Också en fråga om institutionernas självförståelse: förslaget till ny museidefinition som inte gick igenom under året (men som svenska museer stod bakom). Galleriernas nya betydelse som andningshål. Cecilia Blomberg: Då vill jag lyfta fram ett antal viktiga solopresentationer av viktiga kvinnliga konstnärskap som tidigare befunnit sig i skuggan. Ett av de största namnen där Louise Bourgeois har också gått bort under decenniet. Men det är som om det nu tillkommer ett nytt sätt att närma sig hennes verk, vilket syntes på Moderna-utställningen 2018. Andra viktiga kvinnliga konstnärskap som fått plats i stora separatutställningar under decenniet och som tidigare varit lite mer i periferin är också Hilma af Klint, Lee Lozano, Yayoi Kusama, Atsuko Tanaka, Paula Modersohn-Becker, Gabriele Münter, Judith Chicago, Adrien Piper, Lygia Pape. Både det samtida och det konsthistoriska blir på det här sättet mer balanserat. Karsten Thurfjell: Trots ständiga nedskärningar av kulturbudgetar och några snöpta museer och konsthallar, så fortsätter ändå nya utställningslokaler att öppna. Flera etablerade konsthallar och konstmuseer trummar också på med nya, ofta egenproducerade utställningar, från Havremagasinet i Boden till Ystad konstmuseum i söder. Tips på utställningar att se just nu, i Sverige: Mårten Arndtzén: Michael Rakowitz på Malmö konsthall + Vejen till Palmyra på Glyptoteket, Köpenhamn (över sundet). Cecilia Blomberg: Jag tycker inte att man ska missa Meta Isaeus-Berlins utställning på Waldemarsudde i Stockholm och då kan man ju också passa på att se Edward Burne-Jones och Prerafaeliterna. Karsten Thurfjell: Och det finns fortfarande möjlighet att frysa med William Kentridge på Kummelholmens konsthall i Stockholm. Helene Alm har gjort krönikan om den samiska kulturens intåg på riksscenen. Mer ur P1 Kultur: Joakim Silverdal har sett Star Wars-filmen som avslutar sviten som påbörjades 1977. Dagens OBS är den andra av två essäer om Drottning Kristina och är gjord av latinforskaren Anna Blennow. Programledare: Gunnar Bolin. Producent: Mattias Berg.

In this interview Andrew Clancy and Judi Farren Bradley interview Julian HARRAP. Julian is arguably the most distinguished conservation architect working in Europe today. In the work he completed with David Chipperfield on the Neues Museum he opened up a conversation about memory, authenticity and the abiding meaning of architecture in a highly nuanced manner. This work is of interest far beyond conservation circles of course, and I think it fair to say that this building has been one of the key works of the last 20 years in shaping the culture of architecture on our continent. Our contemporary understanding of bricolage, fragment and inflection are all wrapped up and tested in various ways in this building. There is a radicality here, one which is perhaps less immediately evident (but no less present) in other projects by Julian and in this conversation he takes us through the challenge of conservation - which in his view is never a simple dogmatic agenda, but another layer of architectural thinking. Www.julianharraparchitects.co.uk --------- Credits: Register is the Research Centre in the Department of Architecture & Landscape at the Kingston School of Art, Kingston University London kingstonarchitecture.london Head of Department: Mary Johnson Producer: Laura Evans / Andrew Clancy Register: Christoph Lueder; Matt Wells; Matt Phillips Interviewer: Andrew Clancy and Matt Phillips Editor: Andrew Clancy Music: Poddington Bear - Rainbow Architecture

We hear from British architect Sir David Chipperfield in conversation with Monocle editor in chief Tyler Brûlé. They spoke at our 2019 Quality of Life Conference in Madrid.

The photographer Nick Knight meets the architect David Chipperfield. Over the last 30 years, Nick Knight has worked with many of the biggest names in fashion and music, including Alexander McQueen, Lady Gaga and Kanye West. Other commissions include a 90th birthday portrait of Her Majesty the Queen. Sir David Chipperfield has created prize-winning buildings around the world. In Britain, his most notable works include the River and Rowing Museum in Henley, the Hepworth Wakefield gallery, and the Turner Contemporary gallery in Margate. One of his earliest commissions was a house for Nick Knight – where they met for this conversation. Producer: Clare Walker

News from the Cannes Film Festival, including the premieres of Elton John biopic Rocketman and Ken Loach's Sorry We Missed You. With film critic Jason Solomons. David Chipperfield pays tribute to fellow architect I.M Pei, famous for his iconic designs such as the Louvre pyramid, who has died aged 102. Scottish crime writer Denise Mina on Conviction, her latest novel whose narrator is obsessed with listening to true crime podcasts. Welsh artist Sean Edwards has an exhibition at the Venice Biennale in which his elderly mother performs a monologue each day, broadcasting live from her flat in Cardiff into a Venice Church. Presenter: Kirsty Lang Producer: Timothy Prosser

Highlights from the past week on Monocle 24, presented by Tom Edwards and Fernando Augusto Pacheco, in a special broadcast from Salone Del Mobile in Milan. This week: British architect David Chipperfield and the godfather of Italian design, Alberto Alessi, discuss their latest collaboration; Mexican chef Enrique Olvera discusses his favourite recipes for home cooking; and musician Luke Sital-Singh performs live.

Sir David Chipperfield is a world-renowned architect who has designed and refurbished some of the most iconic buildings in the world, including Berlin’s Neues Museum. On March 21, 2019, Sir Chipperfield was at the American Academy to deliver a lecture entitled “Identity and Sustainability—Fundación RIA in Galicia.” In the lecture, he discusses his work at Fundación RIA, an NGO that enables architects to serve society through comprehensive engagement in urban planning. Berlin architect Jason Danziger, of the firm thinkbuild, sat down with Sir Chipperfield to discuss how architects can and should serve their communities.

Charles di Piazza sits down to discuss working for Norman Foster as well as David Chipperfield, starting his own practice, and the benefits of having a diverse upbringing

The Academy’s £56m project opens, with subtle additions and revamps by the British architect. Chipperfield talks about the subtleties of architecture, the RA’s chief executive Charles Saumarez Smith discusses funding and the quirks of the institution and we review the buildings and its displays with Jane Morris. See acast.com/privacy for privacy and opt-out information.

Möt arkitekten bakom omstridda Nobel Center, David Chipperfield. Ett reportage av Karsten Thurfjell. Missa inte vårt reportage om stridigheterna kring Nobel CenterI Stockholm fortsätter de klubbade planerna för ett Nobel center att vålla debatt, förra veckan uttryckte Kungen sin tveksamhet inför projektet i en intervju i DN. Men vad tänker personen bakom den tänkta byggnaden? Kulturredaktionens Karsten Thurfjell träffade arkitekten David Chipperfield för att prata inte bara om placering och utseende av huset, utan även om museet som plats i en modern stad. Lyssna på hela tisdagens P1 Kultur med Mona Masri här

In a discussion chaired by the RA’s Tim Marlow, Anselm Kiefer and David Chipperfield RA explore the ways in which art and architecture interact in Kiefer’s practice. Watch the video: http://bit.ly/1T3ToOQ

David Chipperfield si è laureato all'Architectural Association School of Architecture di Londra, ha cominciato lavorando negli studi di Richard Rogers e Norman Foster. Nel 1984 ha fondato lo studio David Chipperfield Architects che attualmente ha sedi a Londra, Berlino, Milano e Shanghai. Ha vinto numerosi premi internazionali e menzioni per l'eccellenza nel design, tra cui il RIBA Stirling Prize nel 2007 e il premio dell'Unione Europea per l'Architettura contemporanea -- Premio Mies van der Rohe nel 2011. Ha insegnato e tenuto conferenze in tutto il mondo, come docente di Architettura presso la Staatliche Akademie der Bildenden Künste di Stoccarda dal 1995 al 2001 e come visiting professor presso le scuole di architettura in Austria, Italia, Svizzera, Regno Unito e Stati Uniti. Attualmente è R. Norman Foster Visiting Professor di Progettazione Architettonica all'Università di Yale. È Honorary Fellow dell'American Institute of Architects, membro onorario del Bund Deutscher Architekten ed è stato vincitore della Medaglia d'oro Heinrich Tessenow, del Wolf Foundation Prize in Arts e del Premio Gran DAI (Verband Deutscher Architekten-und Ingenieurvereine). Nel 2004 è stato nominato Commander of the Order of the British Empire per l'architettura, nel 2006 Royal Designer for Industry e nel 2008 è stato eletto alla Royal Academy. Nel 2009 è stato insignito dell'Ordine al Merito della Repubblica Federale di Germania -- il più alto tributo a persone fisiche al servizio della nazione -- e nel 2010 è stato nominato cavaliere per l'architettura nel Regno Unito e in Germania. Nel 2011ha ricevuto la Medaglia d'Oro del RIBA come riconoscimento alla carriera. Tra i suoi numerosi progetti ci sono il Museo privato Gotoh a Tokyo, la sede centrale della Matsumoto Corporation a Okayama, l'imponente opera di restauro e ampliamento dell'Isola dei Musei di Berlino, il River & Rowing Museum a Henley, il Cornerhouse Arts Center a Manchester, la Des Moines Public Library e il Campus Audiovisual a Barcellona. A Milano ha progettato il Museo delle Culture, un nuovo edificio in via di completamento, che si trova in Zona Tortona, al centro dell'area dell'Ex-Ansaldo, per la quale ha vinto il concorso internazionale di riqualificazione.

Pioneer of Modern architecture, Le Corbusier, chosen by award winning architect Sir David Chipperfield. Le Corbusier aimed to build a better world through radical buildings and the controversial reshaping of whole cities. Flora Samuel, Professor of Architecture at the University of Sheffield, joins Matthew Parris to unpick the life of a man who considered himself a herioc figure, fighting battles to improve the world. Presenter: Matthew Parris. Producer: Melvin Rickarby

This piece is an interview with Jaffer Kolb by Alek Beirig. It addresses curation of the 2012 Venice Biennale, Common Ground by David Chipperfield.

David Chipperfield, David Chipperfield Architects, London On the occasion of the 2012 Paul S. Byard Memorial Lecture at Columbia University GSAPP, Sir David Chipperfield will speak on his much-heralded re-conception of the Neues Museum in Berlin -- a transformative blend of old and new that earned the 2011 Mies van der Rohe Award. Originally opened in 1855 by architect Friedrich August Stueler as the focal point of the capital's Museumsinsel, then destroyed by Allied bombing during World War II and subsequently neglected and exposed to the elements under German Democratic Republic rule, Sir Chipperfield's design for the newly reopened public building incorporates elements of its storied history into a "modern building that inhabits the ghost of an old one," according to the New York Times. #wood020212

Mark Lawson unwraps a selection of new interviews with arts headline makers of 2011. Booker Prize winner Julian Barnes explains why he no longer refuses to read his reviews, and poet Jo Shapcott, winner of the Costa Prize for her collection Of Mutability, discusses why the book's subject, her cancer, is never referred to explicitly. Director Nicholas Hytner and writer Richard Bean reflect on the success of their hit play One Man, Two Guvnors, which will make its way to Broadway after a sell-out UK tour and London run. Film-maker Andrea Arnold is best known for contemporary dramas such as Red Road and Fish Tank, but her 2011 version of Wuthering Heights won wide acclaim. She reveals why her next film won't be an adaptation. Architect Sir David Chipperfield received the RIBA Royal Gold Medal this year, as well as completing the Turner Contemporary in Margate and the Hepworth in Wakefield. He discusses how the current wranglings in Europe could affect his profession. Producer Ellie Bury.