Podcast appearances and mentions of louis weeks

Amazon Prime's “The Sticky” is a clever bit of storytelling: the tale, inspired by the real-life heist of $18 million worth of maple syrup from Quebec's national reserves, combines drama, suspense and comedy in equal parts. Helping knit together these disparate elements is the work of Score Composer FM Le Sieur, who joins us today to discuss his musical influences, his composing process and the specific inspirations for this very Canadian piece of work. Also happy to have fellow composer Louis Weeks join us as co-host, offering additional insights as we explore what makes the score for this six-episode series truly unique.

“Zero Day” - the intriguing six-episode political thriller currently streaming on Netflix - is an intentional commentary about today's politics. Score Composer Jeff Russo joins the podcast to discuss his work on the series, and co-host Louis Weeks provides expert context for a conversation that explores both Jeff's specific intentions with “Zero Day” and his philosophical approach to score composing as an art. “Zero Day” - the intriguing six-episode political thriller currently streaming on Netflix - is an intentional commentary about today's politics. Score Composer Jeff Russo joins the podcast to discuss his work on the series, and co-host Louis Weeks provides expert context for a conversation that explores both Jeff's specific intentions with “Zero Day” and his philosophical approach to score composing as an art. Bonus announcement: I'm instituting a new listener appreciation program! If you send me a picture of yourself in a Below the Line t-shirt, I'll mention you by name on a future episode of the podcast. 

Today we're discussing the Oscar nominees for Original Song. My guests — Chris Molanphy (chart analyst and podcast host), Louis Weeks (score composer), and Tom Peyton (song writer) — offer both analysis and critique of this year's nominees. Is there a lot of enthusiasm for the musical innovations these songs offer the listening audience? Well, no. Does it make for an interesting discussion? Yes, definitely.  The 2024 Nominees for Original Song: • “El Mal” from “Emilia Pérez” • “The Journey” from “The Six Triple Eight” • “Like a Bird” from “Sing Sing” • “Mi Camino” also from “Emilia Pérez” and • “Never Too Late” from “Elton John: Never Too Late” 

Our tour through the technical categories continues with a discussion of the Oscar nominees for Original Score. My guests — Louis Weeks (score composer), Chris Molanphy (chart analyst/pop critic), and Jennie Calendar (founder and music supervisor of Soundbloom) — offer a multi-layered set of insights. The 2024 Nominees for Original Score: • “The Brutalist” • “Conclave” • “Emilia Pérez”  • “Wicked” • “The Wild Robot”  

Today we're talking about “Mayor of Kingstown”, the Taylor Sheridan-produced series starring Jeremy Renner. Score Composer Andrew Lockington returns to the podcast to discuss his contributions across all three seasons, and composer Louis Weeks joins me once again to provide a colleague's perspective. “Mayor of Kingstown” streams on Paramount+, and the finale of the third season is airing today. Relevance! 

“Ripley” - the stylish eight-episode series currently streaming on Netflix - is a very deliberate bit of filmmaking. While the black-and-white filming and exquisitely framed shots draw attention to the cinematography, today co-host Louis Weeks and I are speaking with Score Composer Jeff Russo. We explore how Jeff's relationship with the character of Ripley evolved over time, and Jeff illustrates how this score is an integrated aspect of the storytelling. (Jeff also draws parallels between his collaboration with creator Steve Zaillian and his time as a founding member of the rock band, Tonic, which itself is worth the price of admission.)

The Academy Awards are only a week away, and today we're discussing the Oscar nominees for Original Song. My guests — Chris Molanphy (chart analyst and podcast host), Louis Weeks (score composer), and Tom Peyton (song writer) — offer an assessment of these nominees that encompasses both the technical and the meta. The 2023 Nominees for Original Song: •"The Fire Inside" from "Flamin' Hot"  •"I'm Just Ken" from "Barbie"  •"It Never Went Away" from "American Symphony"  •"Wahzhazhe (A Song For My People)" from "Killers of the Flower Moon"  •"What Was I Made For?" from "Barbie"

Our tour through the technical categories continues with a discussion of the Oscar nominees for Original Score. My guests — Louis Weeks (score composer), Chris Molanphy (chart analyst/pop critic), and Jennie Armon (executive producer/music supervisor) — offer a multi-layered set of insights. The 2023 Nominees for Original Score: •"American Fiction"  •"Indiana Jones and the Dial of Destiny"  •"Killers of the Flower Moon" •"Oppenheimer" •"Poor Things"

Score Composer Andrew Lockington talks about his work on Taylor Sheridan's “Special Ops: Lioness” (currently airing on Paramount+), and co-host Louis Weeks (composer, recording artist, and friend of the podcast) provides another layer of insight to our conversation. We discuss Andrew's work on multiple levels, from the intention behind specifics pieces of score to the larger themes that inform the overall arc of the story.

The Academy Awards are only a week away, and today we're discussing the Oscar nominees for Original Song. My guests — Chris Molanphy (chart analyst and podcast host), Louis Weeks (score composer), and Tom Peyton (song writer) — offer an assessment of these nominees that encompasses both the technical and the meta. (9 of 10)

Our tour through the technical categories continues with a discussion of the Oscar nominees for Original Score. My guests — Louis Weeks (score composer), Chris Molanphy (chart analyst/pop critic), and Jennie Armon (executive producer/music supervisor) — offer a multi-layered set of insights. (6 of 10)

*Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes (like this one), not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! A faulty reactor overheats, melting through its containment unit and poisoning a nearby town with radioactive gas. A spacecraft pushes further into deep space, exploring new galaxies, powered by a small nuclear reactor. An ordinary scientist is struck by cosmic rays—and finds he has new powers. Fiction? Or fact? Or a little of both? Stories of nuclear peril and promise permeate American media, and especially comic books. A preview of a special bonus episode, in which we explore atomic comics and why nuclear ideas captured artists' imaginations. *Season 3 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lincoln. Music and mixing by Louis Weeks. *Find us on social media - @wildthingpod - and on our website https://wildthingpodcast.com/

What were the long-term effects of the SL-1 explosion? Nuclear power is a shrinking part of America's energy picture; accidents and fear have tarnished it, and the old reactor fleet is reaching its end. Yet nuclear energy could provide a bulwark against the looming threat of climate change. Is it something we can make work for us, in spite of ourselves? Are the costs worth it in the long run? Sixty years on, what do we know—and are we better prepared? *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 3 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lincoln. Music and mixing by Louis Weeks. *Find us on social media - @wildthingpod - and on our website https://wildthingpodcast.com/

Incidents like Chernobyl and Fukushima are often what comes to mind when we think about nuclear energy. Thankfully, events like these actually very rare. So does that mean the risks we associate with atomic power are as bad as we think? How good are we at actually assessing those risks? And can we make things even less risky by removing humans from the equation? That's how some next generation projects hope to make nuclear energy safer. *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 3 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lincoln. Music and mixing by Louis Weeks. *Find us on social media - @wildthingpod - and on our website https://wildthingpodcast.com/

The aftermath of SL-1 highlighted a problem that we still haven't solved, despite decades of searching for a solution: what to do with the waste. Our plans to store nuclear waste inside Yucca Mountain in Nevada fell through. So now what? Can we safely contain these materials? Should the waste be in one location, or many? How do we warn future generations about the dangers these materials pose? *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 3 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lincoln. Music and mixing by Louis Weeks. *Find us on social media - @wildthingpod - and on our website https://wildthingpodcast.com/

As firefighters and medical personnel staged operations at SL-1, a plume of radioactive gas silently made its way over the Idaho desert, creeping towards the nearby towns. How much of a risk did the explosion at SL-1 actually pose? And what does radiation actually do to the human body? We are constantly bathing in what's called background radiation—so where is the line? How much is safe and how much is too much? *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 3 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lincoln. Music and mixing by Louis Weeks. *Find us on social media - @wildthingpod - and on our website https://wildthingpodcast.com/

The only three people who really knew what had transpired at SL-1 were dead, and it would take months to determine what likely happened—plenty of time for rumors and gossip to take hold. Was there a love triangle? A fight gone wrong? A murder suicide? A government cover-up? Or was all of this rumor and innuendo simply a distraction from the real problems? And, ultimately, what information could people trust? *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 3 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lincoln. Music and mixing by Louis Weeks. *Find us on social media - @wildthingpod - and on our website https://wildthingpodcast.com/

Two of the men working the reactor that night had personal problems. They hated each other. They fought with their bosses. And those problems could easily distract a man from his work—but what does that mean when you're working with nuclear materials? At a reactor that, although managed by the military, seemed to be falling apart due to infrastructure issues, mechanical failures, and lackluster maintenance? *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lincoln. Music and mixing by Louis Weeks. *Find us on social media - @wildthingpod - and on our website https://wildthingpodcast.com/

The horrifying devastation of Hiroshima and Nagasaki proved the destructive capabilities of nuclear power. But, in the aftermath of World War II, we started to experiment with how we could use atomic energy for good. It was the dawn of a new era in science, and, in that spirit, thousands of men arrived in Idaho, including the men whose deaths would later signify the difficulty of achieving this atomic America. *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lincoln. Music and mixing by Louis Weeks. *Find us on social media - @wildthingpod - and on our website https://wildthingpodcast.com/

How did we figure out that such a tiny particle—an atom—held all that power? For that matter, what is an atom? A primer on the basics of atomic energy—including its destructive capabilities—to help us better understand the events that unfolded roughly 20 years later at SL-1. We'll get a (basic!) lesson in nuclear physics from scientists, and explore some of the history that brought atomic power to the Idaho desert. *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lincoln. Music and mixing by Louis Weeks. *Find us on social media - @wildthingpod - and on our website https://wildthingpodcast.com/

In Wild Thing: Going Nuclear, we'll use science, history and culture to probe the realities of atomic energy today, while analyzing our own fascination— and ambivalence—with all things atomic. What are the true risks? And what is the actual potential? Are we better at this than we were sixty years ago? And given our nature, are we humans even responsible enough to harness the power of the universe—and should we? *Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more! *Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lincoln. Music and mixing by Louis Weeks. *Find us on social media - @wildthingpod - and on our website https://wildthingpodcast.com/

Music is back! Week Four of our Oscars coverage concludes with an enlightening conversation about Original Score. My returning guests - Louis Weeks, Chris Molanphy, and Mick Coogan - once again offer insights about this year's nominees that will most definitely wow you.  (Episode 8 of 10)

Week Three: our tour through the technical categories continues with a discussion of the Oscar nominees for Original Song. My returning guests — Mick Coogan (song writer), Louis Weeks (score composer), and Chris Molanphy (chart analyst and fellow podcast host) — offer a multi-layered set of insights. (Episode 5 of 10)

Harvard Medical School professor of neurology Rudolph Tanzi discusses how lifestyle choices can help maintain brain health during a person's lifespan. Topics include Alzheimer's disease and other kinds of dementia, the role of genetics and environment in health, and the importance of sleep, exercise, and diet in controlling neuroinflammation.For more information about Harvard Magazine and this podcast, visit www.harvardmagazine.com/podcast and follow us on Twitter, Facebook, and Instagram.For a transcript of this episode, go to https://harvardmagazine.com/2021/rudy-tanziAsk a Harvard Professor  is hosted by Lydialyle Gibson, Jonathan Shaw, Jacob Sweet, and Nancy Walecki, and produced by Jacob Sweet and Niko Yaitanes. Our theme music was composed by Louis Weeks.

Makeda Best, curator of photography at the Harvard Art Museums and a visiting professor of Art, Film, and Visual Studies, shares her insights on landscape photographers, as well as photographers of war and protest, capture their historical moments, and what their work says about cultural history and politics. Topics discussed include Best's research on Alexander Gardner, a Civil War photographer who was also active in the worker's rights movement, her current book project on American landscape photography, and Devour the Land, the current exhibit she curated at the Harvard Art Museums. For more information about Harvard Magazine and this podcast, visit www.harvardmagazine.com/podcast and follow us on Twitter, Facebook, and Instagram.For a transcript of this episode, go to https://harvardmagazine.com/2021/makeda-bestAsk a Harvard Professor is hosted by Lydialyle Gibson, Jonathan Shaw, Jacob Sweet, and Nancy Walecki, and produced by Jacob Sweet and Niko Yaitanes. Our theme music was composed by Louis Weeks.

Claudia Goldin, Henry Lee professor of economics, shares the reason why working mothers still earn less and advance less often in their careers than men: time. Even with antidiscrimination laws and unbiased managers, certain professions pay employees disproportionately more for long hours and weekends, passing over women who need that time for family care. Goldin also discusses how COVID-19's flexible work policies may help close the gender earnings gap.For more information about Harvard Magazine and this podcast, visit www.harvardmagazine.com/podcast and follow us on Twitter, Facebook, and Instagram.For a transcript of this episode, go to https://harvardmagazine.com/2021/claudia-goldinAsk a Harvard Professor is hosted by Lydialyle Gibson, Jonathan Shaw, Jacob Sweet, and Nancy Walecki, and produced by Jacob Sweet and Niko Yaitanes. Our theme music was composed by Louis Weeks. 

Jerrold Rosenbaum, director of Massachusetts General Hospital's Center for the Neuroscience of Psychedelics, discusses the potential of using psychedelics, such as MDMA and magic mushrooms, to treat treatment-resistant mood disorders like depression and anxiety. Topics include the effect of psychedelics on the brain, how psychedelic therapy is conducted, the legality of medicinal psychedelics, and current research findings.  For more information about Harvard Magazine and this podcast, visit www.harvardmagazine.com/podcast and follow us on Twitter, Facebook, and Instagram.For a transcript of this episode, go to https://harvardmagazine.com/2021/jerrold-rosenbaumAsk a Harvard Professor is hosted by Lydialyle Gibson, Jonathan Shaw, Jacob Sweet, and Nancy Walecki, and produced by Jacob Sweet and Niko Yaitanes. Our theme music was composed by Louis Weeks.

Nicholas Stephanopoulos, a political scientist and legal scholar whose research focuses on gerrymandering, explains its effect on American democracy and how it might be stopped. Topics include recent state laws that limit voting, the voting-rights bills being debated in Congress, and the current state of “alignment” between voters' wishes and government actions.A note to our listeners: This episode was recorded on September 30, 2021. For more information about Harvard Magazine and this podcast, visit www.harvardmagazine.com/podcast and follow us on Twitter, Facebook, and Instagram.For a transcript of this episode, go to https://harvardmagazine.com/2021/nicholas-stephanopoulosAsk a Harvard Professor is hosted by Lydialyle Gibson, Jonathan Shaw, Jacob Sweet, and Nancy Walecki, and produced by Jacob Sweet and Niko Yaitanes. Our theme music was composed by Louis Weeks.

Emily Broad Leib, founder and director of Harvard's Food Law and Policy Clinic, discusses how to reduce food waste in the United States and abroad. Topics include the confusion caused by misleading date labels, the impact of COVID-19 on food waste, and the FLPC's collaborations with governments and non-profit organizations to enact better food laws.For more information about Harvard Magazine and this podcast, visit www.harvardmagazine.com/podcast and follow us on Twitter, Facebook, and Instagram.For a transcript of this episode, go to https://harvardmagazine.com/2021/emily-broad-leibAsk a Harvard Professor is hosted by Lydialyle Gibson, Jonathan Shaw, Jacob Sweet, and Nancy Walecki, and produced by Jacob Sweet and Niko Yaitanes. Our theme music was composed by Louis Weeks.

Neurobiologists Venkatesh Murthy and Sandeep Robert Datta discuss what scientists know about our sense of smell, and what big mysteries remain. Topics include smell loss from COVID-19, experimental approaches to understanding olfaction, and the role of artificial intelligence in olfactory research.For more information about Harvard Magazine and this podcast, visit www.harvardmagazine.com/podcast and follow us on Twitter, Facebook, and Instagram.For a transcript of this episode, go to https://harvardmagazine.com/2021/sandeep-robert-datta-and-venkatesh-murthyAsk a Harvard Professor is hosted by Lydialyle Gibson, Jonathan Shaw, Jacob Sweet, and Nancy Walecki, and produced by Jacob Sweet and Niko Yaitanes. Our theme music was composed by Louis Weeks.

If we find them, aliens would be, well, alien, right? Maybe not as alien as we think. In his book, zoologist Arik Kershenbaum makes the case for why what we know about animals on Earth could reveal what aliens might be like, too. *Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski Lincoln. Music and mixing by Louis Weeks.

For more information about Harvard Magazine and this podcast, visit www.harvardmagazine.com/podcast and follow us on Twitter, Facebook, and Instagram.For a transcript of this episode, go to https://harvardmagazine.com/2021/michael-minaAsk a Harvard Professor is hosted by Lydialyle Gibson, Jonathan Shaw, Jacob Sweet, and Nancy Walecki, and produced by Jacob Sweet and Niko Yaitanes. Our theme music was composed by Louis Weeks.

For more information about Harvard Magazine and this podcast, visit www.harvardmagazine.com/podcast and follow us on Twitter, Facebook, and Instagram.For a transcript of this episode, go to https://harvardmagazine.com/2021/preview-ask-a-harvard-professor-season-fourAsk a Harvard Professor is hosted by Lydialyle Gibson, Jonathan Shaw, Jacob Sweet, and Nancy Walecki, and produced by Jacob Sweet and Niko Yaitanes. Our theme music was composed by Louis Weeks.

Seth Shostak, chief astronomer with the SETI Institute and author of Confessions of an Alien Hunter, sits down to talk about SETI's mission, what they're looking for, and how they think about the search. *Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski Lincoln. Music and mixing by Louis Weeks.

Rob Swiatek introduces us to MUFON—the Mutual UFO Network—whose mission is to collect reports of and investigate UFO sightings all over the US and the world. Swiatek has been with MUFON for decades and explains how the organization works and what they're looking for. *Wild Thing premium members get access to all of season 2, ad free, plus early access to bonus interviews. Sign up now to listen and support the show. https://wildthing.supportingcast.fm/ *Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski Lincoln. Music and mixing by Louis Weeks.

Rob Swiatek introduces us to MUFON—the Mutual UFO Network—whose mission is to collect reports of and investigate UFO sightings all over the US and the world. Swiatek has been with MUFON for decades and explains how the organization works and what they're looking for. *Wild Thing premium members get access to all of season 2, ad free, plus early access to bonus interviews. Sign up now to listen and support the show. https://wildthing.supportingcast.fm/ *Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski Lincoln. Music and mixing by Louis Weeks.

Silvano Colombano, a long-time NASA scientist, argues that the search for extraterrestrial life makes some erroneous assumptions. We talk to him about what those assumptions are, why they might be wrong, and how we might think differently about the search. *Wild Thing premium members get access to all of season 2, ad free, plus early access to bonus interviews. Sign up now to listen and support the show. https://wildthing.supportingcast.fm/ *Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski Lincoln. Music and mixing by Louis Weeks.

Silvano Colombano, a long-time NASA scientist, argues that the search for extraterrestrial life makes some erroneous assumptions. We talk to him about what those assumptions are, why they might be wrong, and how we might think differently about the search. *Wild Thing premium members get access to all of season 2, ad free, plus early access to bonus interviews. Sign up now to listen and support the show. https://wildthing.supportingcast.fm/ *Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski Lincoln. Music and mixing by Louis Weeks.

*Become a subscriber! For $4.99/month, you'll get upcoming episodes early, as well as access to subscriber-only bonus episodes. Go to https://anchor.fm/wildthing/subscribe to sign up! UFOs, aliens, other-worldly beings—all have appeared in art over the centuries (including, possibly, in Renaissance-era paintings). But some of the most recent depictions appear in the works of Frank Buffalo Hyde, an Onondaga artist who uses UFOs to talk about tribal histories and lore. *Wild Thing premium members get access to all of season 2, ad free, plus early access to bonus interviews. Sign up now to listen and support the show. https://wildthing.supportingcast.fm/ *Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski Lincoln. Music and mixing by Louis Weeks.

*Become a subscriber! For $4.99/month, you'll get upcoming episodes early, as well as access to subscriber-only bonus episodes. Go to https://anchor.fm/wildthing/subscribe to sign up! UFOs, aliens, other-worldly beings—all have appeared in art over the centuries (including, possibly, in Renaissance-era paintings). But some of the most recent depictions appear in the works of Frank Buffalo Hyde, an Onondaga artist who uses UFOs to talk about tribal histories and lore. *Wild Thing premium members get access to all of season 2, ad free, plus early access to bonus interviews. Sign up now to listen and support the show. https://wildthing.supportingcast.fm/ *Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski Lincoln. Music and mixing by Louis Weeks.

*Become a subscriber! For $4.99/month, you'll get upcoming episodes early, as well as access to subscriber-only bonus episodes. Go to https://anchor.fm/wildthing/subscribe to sign up! While we hypothesized about exoplanets for years, it wasn't until recently that we could confirm their existence. Astrophysicist and MIT professor Sara Seager has been at the leading edge of the search for exoplanets. *Wild Thing premium members get access to all of season 2, ad free, plus early access to bonus interviews. Sign up now to listen and support the show. https://wildthing.supportingcast.fm/ *Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski Lincoln. Music and mixing by Louis Weeks.

*Become a subscriber! For $4.99/month, you’ll get upcoming episodes early, as well as access to subscriber-only bonus episodes. Go to https://anchor.fm/wildthing/subscribe to sign up! While we hypothesized about exoplanets for years, it wasn't until recently that we could confirm their existence. Astrophysicist and MIT professor Sara Seager has been at the leading edge of the search for exoplanets. *Wild Thing premium members get access to all of season 2, ad free, plus early access to bonus interviews. Sign up now to listen and support the show. https://wildthing.supportingcast.fm/ *Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski Lincoln. Music and mixing by Louis Weeks.

*Become a subscriber! For $4.99/month, you’ll get upcoming episodes early, as well as access to subscriber-only bonus episodes. Go to https://anchor.fm/wildthing/subscribe to sign up! 2020—already not a great year—was made worse for astronomers when the Arecibo Telescope collapsed in Puerto Rico. Abel Méndez, an astronomer who grew up in the telescope's shadow, talks about the importance of Arecibo and what future plans may bring. *Another way to support Wild Thing is through Supporting Cast, which will always be ad free—sign up here: https://wildthing.supportingcast.fm/ *Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski Lincoln. Music and mixing by Louis Weeks.

*Become a subscriber! For $4.99/month, you’ll get upcoming episodes early, as well as access to subscriber-only bonus episodes. Go to https://anchor.fm/wildthing/subscribe to sign up! 2020—already not a great year—was made worse for astronomers when the Arecibo Telescope collapsed in Puerto Rico. Abel Méndez, an astronomer who grew up in the telescope's shadow, talks about the importance of Arecibo and what future plans may bring. *Another way to support Wild Thing is through Supporting Cast, which will always be ad free—sign up here: https://wildthing.supportingcast.fm/ *Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski Lincoln. Music and mixing by Louis Weeks.

Today concludes our 10-episode Oscar series highlighting the technical awards. To discuss the nominees for Original Score, I’m joined by returning guests Louis Weeks (score composer), Mick Coogan (songwriter) and Chris Molanphy (host of the Slate podcast, Hit Parade). Enjoy the ceremony this weekend!

David Anderson likes the idea of aliens, but he’s not a big fan of the TV show Ancient Aliens. The archeologist has real problems with how the show portrays his chosen field and diminishes human achievements. But, he says, while the show is misguided, he also understands why these ideas about “pseudoarchaeology” are so appealing. *Wild Thing premium members get access to all of season 2, ad free, plus early access to bonus interviews. Sign up now to listen and support the show. https://wildthing.supportingcast.fm/ *Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski Lincoln. Music and mixing by Louis Weeks.

David Anderson likes the idea of aliens, but he’s not a big fan of the TV show Ancient Aliens. The archeologist has real problems with how the show portrays his chosen field and diminishes human achievements. But, he says, while the show is misguided, he also understands why these ideas about “pseudoarchaeology” are so appealing. *Wild Thing premium members get access to all of season 2, ad free, plus early access to bonus interviews. Sign up now to listen and support the show. https://wildthing.supportingcast.fm/ *Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski Lincoln. Music and mixing by Louis Weeks.

Sarah Stewart Johnson is a planetary scientist who has worked on several Mars missions and is also the author of The Sirens of Mars: Searching for Life on Another World. She talks to us about her book, the latest mission to the Red Planet—the Perseverance rover—and why our closest neighbor holds such fascination for us Earthlings. *Wild Thing premium members get access to all of season 2, ad free, plus early access to bonus interviews. Sign up now to listen and support the show. https://wildthing.supportingcast.fm/ *Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski Lincoln. Music and mixing by Louis Weeks.

Sarah Stewart Johnson is a planetary scientist who has worked on several Mars missions and is also the author of The Sirens of Mars: Searching for Life on Another World. She talks to us about her book, the latest mission to the Red Planet—the Perseverance rover—and why our closest neighbor holds such fascination for us Earthlings. *Wild Thing premium members get access to all of season 2, ad free, plus early access to bonus interviews. Sign up now to listen and support the show. https://wildthing.supportingcast.fm/ *Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski Lincoln. Music and mixing by Louis Weeks.

Renowned astrophysicist Neil deGrasse Tyson gives his perspective on the rare earth hypothesis, the difficulty of wrapping one's head around the universe, and the problem with movie aliens. *Wild Thing premium members get access to all of season 2, ad free, plus early access to bonus interviews. Sign up now to listen and support the show. https://wildthing.supportingcast.fm/ *Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski. Music and mixing by Louis Weeks.