2018 studio album by The Good, the Bad & the Queen
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Focus sur le leader de Blur, de Gorillaz et de The Good, The Bad & The Queen ce mercredi, avec Nicolas Sauvage qui publie "Damon Albarn : L'échappée belle" au Camion Blanc. Dès 11h30, retrouvez la « Bagarre dans la Discothèque » avec Corentin Candi et Laurence Bibot. Et dès midi : "Paroles, Paroles" de Sébastien Ministru : "Bateau mouche" d'Eddy de Pretto. Nicolas Sauvage pour son livre "Damon Albarn : L'échappée belle" (Camion Blanc). Damon Albarn est un cas unique dans la grande histoire de la pop mondiale. De Blur à Gorillaz, de ses incursions en terres africaines au casting de rêve que constitue The Good The Bad & The Queen, il est impossible de limiter son parcours à un seul de ces aspects sans risquer une lecture parcellaire de son oeuvre. Révélé au monde avec Parklife et l'épopée Britpop qui en découla, Damon Albarn décide rapidement d'envoyer valser les étiquettes pour suivre un chemin aventureux, ponctué d'innombrables collaborations. Modern Life Is Rubbish, The Great Escape, blur, Think Tank, Mali Music, Demon Days, Plastic Beach, Dr Dee, Rocket Juice & The Moon, Everyday Robots, Merrie Land... nombre de disques incontournables de notre temps portent la signature du chanteur et multi-instrumentiste de Blur et Gorillaz. L'Anglais est aujourd'hui à la tête d'une discographie pléthorique au sein de laquelle se croisent Lou Reed et Snoop Dogg, Paul Simonon et Bobby Womack, Noel Gallagher et Toumani Diabaté, Robert Smith et George Benso. Trente-cinq ans après l'entrée fracassante de Blur dans l'univers de l'indie pop, Damon Albarn s'est imposé comme l'un des artistes les plus essentiels de l'histoire musicale britannique. Ce livre propose de rendre compte le plus justement possible de la trajectoire hors-norme qui est celle de Damon Albarn. La chronique de Josef Schovanec : Dumbo. Les sorties cinéma en VOD avec Hugues Dayez : - « La mission » sur Netflix - « Map of tiny perfect things » sur Amazon TV - « Irrésistible » de Jon Stewart avec Steve Carell sur Amazon TV
"Paroles, Paroles" de Sébastien Ministru : "Bateau mouche" d'Eddy de Pretto. Nicolas Sauvage pour son livre "Damon Albarn : L'échappée belle" (Camion Blanc). Damon Albarn est un cas unique dans la grande histoire de la pop mondiale. De Blur à Gorillaz, de ses incursions en terres africaines au casting de rêve que constitue The Good The Bad & The Queen, il est impossible de limiter son parcours à un seul de ces aspects sans risquer une lecture parcellaire de son oeuvre. Révélé au monde avec Parklife et l'épopée Britpop qui en découla, Damon Albarn décide rapidement d'envoyer valser les étiquettes pour suivre un chemin aventureux, ponctué d'innombrables collaborations. Modern Life Is Rubbish, The Great Escape, blur, Think Tank, Mali Music, Demon Days, Plastic Beach, Dr Dee, Rocket Juice & The Moon, Everyday Robots, Merrie Land... nombre de disques incontournables de notre temps portent la signature du chanteur et multi-instrumentiste de Blur et Gorillaz. L'Anglais est aujourd'hui à la tête d'une discographie pléthorique au sein de laquelle se croisent Lou Reed et Snoop Dogg, Paul Simonon et Bobby Womack, Noel Gallagher et Toumani Diabaté, Robert Smith et George Benso. Trente-cinq ans après l'entrée fracassante de Blur dans l'univers de l'indie pop, Damon Albarn s'est imposé comme l'un des artistes les plus essentiels de l'histoire musicale britannique. Ce livre propose de rendre compte le plus justement possible de la trajectoire hors-norme qui est celle de Damon Albarn. La chronique de Josef Schovanec : Dumbo. Les sorties cinéma en VOD avec Hugues Dayez : - « La mission » sur Netflix - « Map of tiny perfect things » sur Amazon TV - « Irrésistible » de Jon Stewart avec Steve Carell sur Amazon TV
Nicolas Sauvage pour son livre "Damon Albarn : L'échappée belle" (Camion Blanc). Damon Albarn est un cas unique dans la grande histoire de la pop mondiale. De Blur à Gorillaz, de ses incursions en terres africaines au casting de rêve que constitue The Good The Bad & The Queen, il est impossible de limiter son parcours à un seul de ces aspects sans risquer une lecture parcellaire de son oeuvre. Révélé au monde avec Parklife et l'épopée Britpop qui en découla, Damon Albarn décide rapidement d'envoyer valser les étiquettes pour suivre un chemin aventureux, ponctué d'innombrables collaborations. Modern Life Is Rubbish, The Great Escape, blur, Think Tank, Mali Music, Demon Days, Plastic Beach, Dr Dee, Rocket Juice & The Moon, Everyday Robots, Merrie Land... nombre de disques incontournables de notre temps portent la signature du chanteur et multi-instrumentiste de Blur et Gorillaz. L'Anglais est aujourd'hui à la tête d'une discographie pléthorique au sein de laquelle se croisent Lou Reed et Snoop Dogg, Paul Simonon et Bobby Womack, Noel Gallagher et Toumani Diabaté, Robert Smith et George Benso. Trente-cinq ans après l'entrée fracassante de Blur dans l'univers de l'indie pop, Damon Albarn s'est imposé comme l'un des artistes les plus essentiels de l'histoire musicale britannique. Ce livre propose de rendre compte le plus justement possible de la trajectoire hors-norme qui est celle de Damon Albarn.
Það er víða komið við í Rokklandi vikunnar. Við kynnumst skemmtilegum ungum rokkstrákum frá Dublin sem kalla sig Fontains D.C. Við heyrum líka lög af plötunni sem Súpergrúppan hans Damns Albarn sendi frá sér í fyrra; The Good the Band and the Queen. Platan sem er stórskemmtileg heitir Merrie Land og er hugsuð sem einskonar kveðjukoss til Evrópusambandsins frá Damon og félögum. Rokkland býður líka upp á nýja músík frá OMAM, Snow Patrol, Skunk Anansie, Hjaltalín, Aldous Harding, Ed Sheeran, Sam Fender, The Head and the Heart, White Reaper, Beyoncé ofl.
Það er víða komið við í Rokklandi vikunnar. Við kynnumst skemmtilegum ungum rokkstrákum frá Dublin sem kalla sig Fontains D.C. Við heyrum líka lög af plötunni sem Súpergrúppan hans Damns Albarn sendi frá sér í fyrra; The Good the Band and the Queen. Platan sem er stórskemmtileg heitir Merrie Land og er hugsuð sem einskonar kveðjukoss til Evrópusambandsins frá Damon og félögum. Rokkland býður líka upp á nýja músík frá OMAM, Snow Patrol, Skunk Anansie, Hjaltalín, Aldous Harding, Ed Sheeran, Sam Fender, The Head and the Heart, White Reaper, Beyoncé ofl.
Það er víða komið við í Rokklandi vikunnar. Við kynnumst skemmtilegum ungum rokkstrákum frá Dublin sem kalla sig Fontains D.C. Við heyrum líka lög af plötunni sem Súpergrúppan hans Damns Albarn sendi frá sér í fyrra; The Good the Band and the Queen. Platan sem er stórskemmtileg heitir Merrie Land og er hugsuð sem einskonar kveðjukoss til Evrópusambandsins frá Damon og félögum. Rokkland býður líka upp á nýja músík frá OMAM, Snow Patrol, Skunk Anansie, Hjaltalín, Aldous Harding, Ed Sheeran, Sam Fender, The Head and the Heart, White Reaper, Beyoncé ofl.
Það er víða komið við í Rokklandi vikunnar. Við kynnumst skemmtilegum ungum rokkstrákum frá Dublin sem kalla sig Fontains D.C. Við heyrum líka lög af plötunni sem Súpergrúppan hans Damns Albarn sendi frá sér í fyrra; The Good the Band and the Queen. Platan sem er stórskemmtileg heitir Merrie Land og er hugsuð sem einskonar kveðjukoss til Evrópusambandsins frá Damon og félögum. Rokkland býður líka upp á nýja músík frá OMAM, Snow Patrol, Skunk Anansie, Hjaltalín, Aldous Harding, Ed Sheeran, Sam Fender, The Head and the Heart, White Reaper, Beyoncé ofl.
Continuamos presentando el nuevo disco de los británicos The Good, The Bad & The Queen, una especie de folk con influencias afro-caribeñas que es un tratado sobre el Reino Unido actual. Además, hacemos un repaso a las carreras en solitario de sus miembros; Damon Albarn, Tony Allen, Paul Simonon y Simon Tong.
Esta semana nos adentramos en el nuevo disco de The Good, The Bad & The Queen, "Merrie Land". Uno de los proyectos de Damon Albarn más curiosos e interesantes, en el que se junta con Paul Simonon de The Clash, Simon Tong de The Verve y con el fundador del afrobeat Tony Allen. Presentamos el disco y repasamos los proyectos paralelos y anteriores de sus miembros.
Join Kevin & Lesley in Season 1 as they countdown the top 50 Britpop/Indie/Alt' Albums between 1990 – 2000. Episode 5: No. 47 Suede - Suede. Corrections : 1. Brett & Bernard did reconcile - they actually created The Tears and released an album in 2005. 2. We discuss The Good, The Bad & The Queen - although new to us, they are not a new band. Merrie Land is their second album.Thanks everyone for the feedback! Wrap up from Last week Album Details - Producer, Label, Release Date etc The UK Charts at release - Single & Album Background of the album Singles & Videos with Chart position Run through the album track by track Reviews on the album - positive & negative Our scores & Why Promote the band (Tours, Twitter & FB) Next weeks album Thanks for listening & we REALLY want to hear from you – feedback, questions, memories: Email: BritpopBanter@Gmail.com. Facebook & Twitter: @BritpopBanter
John Wilson returns with another run of the series in which he talks to leading performers and songwriters about the album that made them or changed them. Recorded in front of a live audience at the BBC's iconic Maida Vale Studios. Modern day super-group, DAMON ALBARN, PAUL SIMONON, TONY ALLEN and SIMON TONG talk to John Wilson about their acclaimed debut album "The Good, The Bad & The Queen." Released in 2007, the album brought together Blur's front-man, the bassist from the Clash, the Afrobeat pioneer who was also Fela Kuti's drummer, and former guitarist from the Verve who co-created the Magnetic North. Described by Damon Albarn as "a song cycle that's also a mystery play about London", the record was voted the Best Album of 2007 by the Observer Music Magazine and it includes the singles Herculean, Kingdom of Doom and Green Fields. Damon Albarn, Paul Simonon, Tony Allen and Simon Tong respond to questions from the audience and perform live versions of their follow-up album, 2018's "Merrie Land".
For our 5th episode, Marty and Kris are tackling a very pivotal year in music and popular culture-1979! We kick things off with some Whataburger evangelism (0:45) followed by some esoteric fast food talk (3:40) X-Men romantic character arcs (8:18) Marty and Kris recap what they did over the Thanksgiving holiday (10:10) Kris taking his daughter to a playground built in the 1950’s (10:56) Marty’s encounter with the Record Store Day reissue of the Gravediggaz 1994 classic “6 Feet Deep” (15:40) Kris paying a visit to Lubbock institution Ralph’s Records (17:56) Kris’s criticism of a half-cocked Sega Genesis game “Booger Man” (24:30) Kris’s thoughts on the new album by Damon Albarn and Paul Simonon’s supergroup The Good, the Bad, and the Queen, “Merrie Land” (29:33), followed by addressing some comments that were made regarding Blues Traveler’s bassist on a previous episode (36:50). Then we switch gears and breakdown 1979’s billboard top 100 year end chart (58:08) Kris’s main sticking point with 1979, MacArthur Park (1:10:49). It’s now time for the main event as we start with Marty’s album, Gang of Four’s Post Punk romp “Entertainment!” (1:24:38). Then we move on to Kris’ pick, an album you may have heard of, The Clash’s legendary “London Calling” (1:58:50). As always hit us up on IG and Twitter @aotypodcast, and let us know what you think at aotypodcast@gmail.com. Thanks for listening!
The pair talk to Nihal about their new album Merrie Land and why for them it reflects the current state of the UK.
This week, Dillon and Trevor are honored to have Simon Tong on the show to talk about Gorillaz, the Good, the Bad & the Queen, and more! But first they'll sit down with their reading spex and tall crimson candles to analyze, process and celebrate Damon's brand new Brexit record, "Merrie Land." Dillon even breaks down crying at one point while talking about fish, it's a wild ride.
This week, Dillon and Trevor are honored to have Simon Tong on the show to talk about Gorillaz, the Good, the Bad & the Queen, and more! But first they'll sit down with their reading spex and tall crimson candles to analyze, process and celebrate Damon's brand new Brexit record, "Merrie Land." Dillon even breaks down crying at one point while talking about fish, it's a wild ride.
On the seventy-fifth episode of Audioface: Reviews: The Good, the Bad, & the Queen's "Merrie Land", Anderson .Paak's "Oxnard", and Mumford & Sons' "Delta". New music video of the week: "One Beer" by MF DOOM. Maroon 5 fans petition the band. The Merrie Land review. Checking in on R. Kelly: yup, still terrible. Checking in on Ye: yup, still can't finish an album. The Oxnard review. Tekashi 6ix9ine's dramatic staff shakeup. The Delta review. And Riff Raff claims to be a victim of extortion. Sean and Dan are taking Thanksgiving off, but make sure you're subscribed so you don't miss the 2 episodes coming the week after. Also, did we miss an album this year? Let us know by reaching out to @audiofacepod on Twitter or Instagram and we'll check it out. We appreciate it, and you. Thank you for listening with us!
The Good, The Bad, and The Queen's Paul Simonon clarifies the poetry and pageantry of the band's great new British album, Merrie Land. For information regarding your data privacy, visit acast.com/privacy Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
The Good, The Bad, and The Queen's Paul Simonon clarifies the poetry and pageantry of the band's great new British album, Merrie Land. For information regarding your data privacy, visit acast.com/privacy
Au programme cette semaine : "Merrie Land" de The Good, The Bad The Queen, "JVLIVS" de SCH, "Lost" de Rami Khalifé, "In Human" d'Oktober Lieber, "Thunder Follows The Light" de Mutual Benefit, See acast.com/privacy for privacy and opt-out information.
A solo round from Ben, doubling down on mostly-new music this week, with a decadent diversion into the soundtrack works of Radiohead. Enjoying the show? Please support BFF.FM with a donation. Playlist 1′00″ Ullswater by Hookworms on Microshift (Domino) 11′14″ Business Man by FEWS (Play It Again Sam) 15′01″ Check Out Time 11am by Sparks (BMG) 18′26″ Ray Purchase by Peeping Drexels on Ray Purchase (Fierce Panda) 21′43″ Is This How Love Should Feel? by Communions on Is This How Love Should Feel? (Heartdrop) 28′10″ Her Cold Cold Heart by Night Beats on Myth of a Man (Heavenly) 31′04″ Back in the U.S.S.R. by The Beatles on The Beatles (White Album 2018 Mix) (Calderstone) 33′33″ 1000 Whispers by Warmdusher on Whale City (The Leaf Label) 37′57″ Merrie Land by The Good, The Bad, & the Queen on Merrie Land (Studio 13) 42′32″ We Should Be Holding Hands by Blonde Redhead on We Should Be Holding Hands (Ponderosa) 56′08″ Has Ended by Thom Yorke on Susperia (XL) 60′45″ Meeting at the Aisle by Radiohead on OK Computer OKNOTOK (XL) 63′33″ Spooks by Jonny Greenwood on Inherent Vice OST (Nonesuch) 66′19″ El Camino Negro by Tommy Guerrero on Road to Knowhere (Too Good) 74′30″ NeferTiti by Gillian Hills on NeferTiti (Lili) 79′03″ Momo's by Connan Mockasin on Jassbusters (Mexican Summer) 82′20″ Gorillas by Peluché on Unforgettable (One Little Indian) 87′34″ White Coats by Baxter Dury & Étienne de Crécy & Delilah Holliday on B.E.D. (LE LABEL) 89′36″ Peep This by Royal Canoe on Waver (Paper Bag) 98′09″ Keeping Txme by Selling on On Reflection (City Slang) 102′53″ Testimony by Anchorsong on Cohesion (Tru Throughts) 106′35″ Mono (feat. Hidden) by Zero 7 on Mono (Make) 112′34″ Blurry by Robot Koch on Sphere (Trees & Cyborgs) 117′15″ Mirk by Erland Cooper on Nightflight (Phases) Check out the full archives on the website.
This week, Dillon and Trevor are honored to have Simon Tong on the show to talk about Gorillaz, the Good, the Bad & the Queen, and more! But first they'll sit down with their reading spex and tall crimson candles to analyze, process and celebrate Damon's brand new Brexit record, "Merrie Land." Dillon even breaks down crying at one point while talking about fish, it's a wild ride.