Podcast appearances and mentions of Paul Simonon

Do the charts have the same relevance they once did? Annie and Nick discuss the potential reasons why there are no UK artists in the annual global top 10 for the first time since 2003. Elsewhere, Kate Bush is one of a thousand musicians behind a silent album to protest the government's proposed changes to copyright law. Should we be worried about artists having their identities stolen, or should we embrace change? Plus, Rihanna is set to release new music but it won't be “radio digestible”, Lola Young has a tough question, and Nick's back on the radio. Get in touch with Annie and Nick! If you're over 16, WhatsApp on 079700 82700 or email sidetracked@bbc.co.uk SONGS: Rihanna - Umbrella Rihanna - Pon De Replay Rihanna - Shut Up and Drive Roberta Flack - Killing Me Softly Roberta Flack – The First Time Ever I Saw Your Face Gwen McCrae – All This Love That I'm Giving Gwen McCrae - Keep The Fire Burning Benson Boone – Beautiful Things Sabrina Carpenter – Espresso Billie Eilish – Birds of a Feather Kendrick Lamar – Not Like Us Noah Kahan – Stick Season Hozier – Too Sweet Artemas – I Like the Way You Kiss Me Oasis - Whatever ALBUMS: Rihanna – ANTI 1,000 UK Artists – Is This What We Want? ARTISTS MENTIONED: The Clash, Paul Simonon, Joe Strummer, Madonna, Rihanna, Kate Bush, Damon Albarn, Annie Lennox, Roberta Flack, Gwen McCrae, Benson Boone, Sabrina Carpenter, Billie Eilish, Kendrick Lamar, Noah Kahan, Hozier, Dua Lipa, Coldplay, Charli XCX, Artemas, Chase & Status, Stormzy, Wham!, Oasis, Ezra Collective, Lola Young, Central Cee, English Teacher, Sam Fender, Stray Kids, FKA Twigs, Myles Smith, Ed Sheeran, Adele, Oslo Twins, Joy Crookes, JADE, Robert Smith, CMAT, James Blake EXHIBITION: Leigh Bowery! at the Tate Modern, London

Richard Bellia  in conversation with David Eastaugh https://richardbellia.com/ Photographer Richard Bellia was there when it mattered carrying his trusted camera to capture moments in music's vast cannon of historical importance, some which now forms his own tapestry of work in Un œil sur la musique 1980-2016 i.e. An eye on music 1980-2016. The intro to the book says ‘'a thousand photos: breathe the same air as the musicians, feel the bass, the riffs and the silences, sixtieth of a second per sixtieth of a second.'' With this in mind its hard not to get stuck straight in with the mammoth heavyweight volume of photos infront of you. The first striking images come from prime Punk era via Denmark Street, John Lydon looking grimacingly at the camera in the studio and on stage with PiL, Joe Strummer looking cool as holding his guitar towards the camera, Topper Headon, Mick Jones and leather clad Paul Simonon all looking equally stunning in separate shots.  

“Lived Through That” is the companion podcast to my book where I look at influential musicians of the 80s and 90s and where they are today. On this podcast, we'll delve deeper into a single pivotal moment in the lives of some of the artists I feature in that book, as well as other artists I love and admire. The stories they tell are open, honest, and inspiring. This week's guest might not be someone you're super familiar with, but she's got an incredible story and is well worth your time seeking out. It's Pearl Harbour. In 1980, she had a minor hit with the song “Driving” with her band Pearl Harbour and the Explosions. After the band broke up, she got involved with the Clash's bassist Paul Simonon and moved to London, becoming quickly enamored with a more rock and roll sound. She recorded the rockabilly album “Don't Follow Me, I'm Lost Too,” which got lost in the world of record company politics but found a new life this year with the re-issue on Liberation Hall Records. Her story is fascinating and filled with other icons of the era - have a listen and discover a new voice! "Snowcrop" by Blue Dot Sessions. "Fujiyama Mama" by Pearl Harbour Get Pearl's record on Bandcamp. Be sure to look out for my books, "Lived Through That" and "80s Redux" where ever you buy your books! You can find out more about my work and the 80s and 90s books at my website ⁠here. Learn more about your ad choices. Visit megaphone.fm/adchoices

A (relatively) in-depth analysis of the The Clash together with their 1979 album 'London Calling' in (just under) thirty minutes.The Clash achieved critical and commercial success in the UK with the release of their eponymous debut album and second album Give 'Em Enough Rope however, it was their experimental third album London Calling, released in 1979, that earned them popularity in the United States.Produced by Guy Stevens at Wessex Sound Studios, the album bridged the traditional punk rock sound with a new wave aesthetic. London Calling also reflects the band's growing interest in styles beyond their punk roots, including reggae, rockabilly, ska, New Orleans R&B, pop, lounge jazz, and hard rock.The album artwork was designed by artist Ray Lowry and was an homage to Elvis Presley's self-titled debut album.The cover features a photograph of Paul Simonon smashing his Fender Precision Bass (now on display at the Museum of London) against the stage at the Palladium in New York City on 20 September 1979. Pennie Smith, who photographed the band for the album, originally did not want the photograph to be used as the image was not in focus.In 2004, a 25th-anniversary Legacy Edition was released with a bonus CD and DVD in digipack packaging. The bonus CD features The Vanilla Tapes, missing recordings made by the band in mid-1979. The DVD includes The Last Testament – The Making of London Calling, a film by Don Letts, as well as previously unseen video footage and music videos. London Calling was among the ten album covers chosen by the Royal Mail for a set of Classic Album Cover postage stamps issued in 2010.In this episode I am in discussion with Dr. Andrew Webber.I hope you enjoy the podcast and do leave feedback if you like what you have heard.Mathew Woodall

Baxie talks to singer Pearl Harbour from Pearl Harbour & The Explosions! In 1979, Pearl and her band released their self-titled debut album which spawned the New Wave hit, "Drivin'". Unfortunately, due to musical difference, the band broke up before recording a follow up record. In 1980, Pearl released her first Rockabilly solo album, "Don't Follow Me. I'm Lost Too". The backup band on that record included Mick Jones, Topper Headon, and her future husband Paul Simonon of The Clash! The album, which is finally being reissued by Liberation Hall records is terrific. But the story behind that record is even more incredible! Listen on Apple Podcasts, SoundCloud, Spotify, and on the Rock102 website! Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee

Owen Blackhurst, Seb White, Asad Raza, and Tommy Stewart are back once again to chat rave reviews, goblins, goosers, dictators and Tank Man, tank museums, Graham Taylor and Phil Neal, Neil Ruddock, fights, fire pokers, Marijuana Mansions, Owen's reverse Harry Potter scar, Ian Botham, Big Bad Billy Whitehurst, Vinnie Jones, Alan Hansen, Alan Shearer, Gary Lineker, log-bobbing, overhead kicking ‘keepers, Whispering Death, the West Indies, Pelé's rabbit punches, Roy Keane v Patrick Vieira, football on holiday, a football pirate ship, Great White sandwiches, more GORE-TEX, the English disease, AEK Athens, Almere City FC, PSV Eindhoven, Ruud van Nistelrooy in good nick, anacondas in Longsight, goats in Cologne, circuses, Sleaford Mods' shorts, Owen's first rodeo, Alan Partridge, Paul Simonon, John Deacon, Thundercats, The Brothers Sun, Seb's side hustle, Dom Jolly, Premier League Years, hoarding, losing things, and remember, please subscribe to the magazine so that we can keep doing the podcast!Get the latest issue of MUNDIAL Mag hereSign up for the The Hat-Trick NewsletterFollow MUNDIAL on Twitter - @mundialmagFollow MUNDIAL on Instagram - @mundialmag Hosted on Acast. See acast.com/privacy for more information.

Uma brincadeira de estúdio que se transformou num dos maiores hinos do punk rock de todos os tempos. Nesta edição do Resumo do Som a gente vai entender melhor como foi que o Clash criou o hit Should I Stay or Should I Go. Você não deve ir! Deve ficar e ouvir esse episódio já! Capa do single de Should I Stay or Should I Go The Clash em 1982: Mick Jones, Topper Headon, Paul Simonon  e Joe Strummer Should I Stay or Should I Go está disponível em:       Should I Stay or Should I Go foi escrita por The Clash © 1982 CBS MANDE A SUA SUGESTÃO DE MÚSICA PARA O RESUMO DO SOM CLICANDO AQUI Músicas de fundo Ditch Diggin' - Jingle Punks Scratching Teeth - JHS Pedals Músicas extras Mitch Ryder & the Detroit Wheels - Little Latin Lupe Lu Agradecimentos aos produtores virtuais pelo apoio: Danilo de Almeida (Doublecast, Já Ouviu Esse Disco) Fabiano F. M. Cordeiro (Fab 97,4 FM) Marcelo Machado (Podcast de Garagem) Marcos Coluci Ricardo Bunnyman (AutoRadio Podcast) William Floyd (Fermata podcast) Gostaria de apoiar o 80 WATTS? É só escolher a plataforma de sua preferência.     This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. Background vector created by freepik - www.freepik.com

Aus Laiensicht muss man sich den Bass wie Atemluft vorstellen. Nicht zwangsläufig auffällig, wenn er vorhanden ist, allerdings verstörend, wenn er fehlt. Bassistinnen und Bassisten sind daher zu großen Teilen verantwortlich für einige der größten Meisterwerke der Pop- und Rockmusik. Das weiß auch Gregor Kutschera, ein in beinahe allen Musikstilen beheimateter Bassist und Bass-Lehrer. Wir spielen einander unsere liebsten Stücke vor, die vom Bass entweder angetrieben oder zusammengehalten werden. Die Bassisten auf Seite A des Mixtapes sind Paul Simonon von den Clash, Motown Session-Man Wilton Felder, Paul McCartney, Richard Davis, Top-Cat Pino Palladino und Bakithi Kumalo. Seite A des Mixtapes: The Clash - The Guns of Brixton (am Bass: Paul Simonon) Beats International - Dub Be Good To Me (Paul Simonon) What´s Your Number? - Cypress Hill (Paul Simonon) Jackson 5 - I Want You Back (Wilton Felder) The Beatles - A Day In The Life (Paul McCartney) The Beatles - Dear Prudence (Paul McCartney) Van Morrison - Sweet Thing (Richard Davis) Paul Young - Come Back And Stay (Pino Palladino) Pauk Simon - Diamonds On The Soles Of Her Shoes (Bakithi Kumalo) Gregor Kutschera: https://www.musikergilde.at/mitglied/GregorKutschera.htm

En este episodio conversamos sobre “London Calling”, el tercer álbum de The Clash, lanzado el año 1979.

In episode #157 of The XS Noize Podcast, Mark Millar meets Galen & Paul, a new project from Galen Ayers, the singer-songwriter whose artistic projects include the rightly acclaimed solo album 'Monument', and Paul Simonon, bassist with The Clash, Gorillaz and The Good, The Bad and The Queen. After the bilingual charms, international genre-spanning adventures, and picture postcard images of pan-European culture of their debut album Can We Do Tomorrow Another Day? Galen & Paul have released the new EP Uno Más. In this interview, Galen & Paul discuss their meeting, debut album, new EP, and more. Listen to episode #157 of The XS Noize Podcast with Galen & Paul – BELOW: Previous XS Noize Podcast guests have been Future Islands, Peter Frampton, John Lydon, Nick Heyward, Steven Wilson, Matt Goss, Billy Nomates, Tom Meighan, Toyah Wilcox, Midge Ure, Travis, New Order, The Killers, Tito Jackson, Simple Minds, Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, The Brand New Heavies.

Alessio Planeta è l'Enologo dell'anno e l'hanno intervistato mercoledì 15 novembre i Degiornalist. La rivista internazionale Wine Enthusiast gli ha assegnato il titolo, con il premio Wine Star Award, giunto alla sua 24esima edizione. Alessio Planeta ha origini siciliane e le sue cantine si trovano in più zone della Sicilia, sono tutte diverse tra loro. «Mi piace essere chiamato agricoltore e non vinicoltore» così si è raccontato a Fabiana Paolini e Claudio Chiari. «E 30 anni fa l'enologo rimaneva in cantina e aspettava che gli arrivasse il vino da altri - ha continuato Planeta - oggi segue il processo dal vigneto» Inoltre, pare che il vino non sia più interesse esclusivo solo italiano, suscita ora un grandissimo interesse anche all'estero. Le sue cantine ospitano anche degustazioni e personaggi famosi: hanno infatti fatto visita lo chef Giorgio Locatelli e Paul Simonon, dei The Clash. Infine, la tenuta sull'Etna ha fatto anche da sfondo ad alcune scene della serie tv americana White Lotus, che riprendevano una degustazione.

Galen Ayers and Paul Simonon have a new album out, Can We Do Tomorrow Another Day ? It's an album you'll have on repeat,  a dynamic blend of duets and melody. Galen Ayers is a multi-instrumentalist singer-songwriter. Her life has been steeped in music. As a child, she would tour with her father, Kevin Ayers, a founder of the influential Sixties band, Soft Machine. Paul Simonon is an artist based in London. He is a founding member of The Clash.Support  the show at soundmanconfidential.com. Sign up for news about upcoming guests and Frank's upcoming book about his fifty-plus years on the road with some of the world' s top bands. Support the show

Y hoy preferentemente nuevas de Gov’t Mule, M Ward, Esther Zueco, John Mellencamp, Pedro Ruy Blas, Natalie Merchant, Emm Gryner o Zenet. Y anunciamos próximas giras en España de Dexys (Midnight Runners), The Delines, Nat Myers o Hermanos Gutiérrez. DISCO 1 HERMANOS GUTIÉRREZ Hermosa Drive (2) DISCO 2 M WARD & FIRST AID KID Too Young To Die (ESCA) DISCO 3 NATALIE MERCHANT Song Of Himself (9) DISCO 4 JOHN MELLENCAMP One more Trick (ESCA) DISCO 5 ESTHER ZECCO Apretar los dientes - Acústico (5) Avanzado 5’20’’ hasta 9’19’’ DISCO 6 GALEN AYERS & PAUL SIMONON Handle With Care (1) DISCO 7 GOV’T MULE & Ivan Neville & Ruthie Foster Dreaming Out Loud (6) DISCO 8 DEXYS I’m Going To get free (ESCA) DISCO 9 THE DELINES Kid Codeine (2) DISCO 10 NAT MYERS Ramble No More (4) DISCO 11 ZENET Término medio (9) DISCO 12 EMM GRYNER Summertime (4) DISCO 13 PEDRO RUY BLAS No confío (3) DISCO 14 ALEXIS EVANS Do Something (5) Escuchar audio

NEW YORK COMEBACK - Lucinda Williams w/Springsteen LEON - Baxter Drury, JGreyy, Madelaine Hart 2009 - Pynch DIRT DIAMOND - Generationals BIRD HAS FLOWN - Connections ROOM AT THE TOP - Galen (Ayers) & Paul (Simonon) YOU CAN'T PUT YOUR ARMS AROUND A MEMORY - Johnny Thunders/The Courettes THE LAST ROTATION OF EARTH - BC Camplight PARIS TO MARSEILLES - Keyside SPOOKED BY THE KOOKS - Toby Leaman BADI SABAH OLMADAN - Altin Gun I THINK I THOUGHT FOREVER PROOF - Mike Viola INITIATIVE - The Murlocs LET IT RUST - Jonny Polonsky TV IN THE GAS PUMP - Wednesday FOR A WHILE - Whitney THE MODEL - Josh Rouse I'M GOING TO GET FREE- Dexys Midnight Runners  

In the latest episode of Retrosonic Podcast we welcome Mickey Bradley, bassist of The Undertones prior to their "Celebrating 45 Years of Teenage Kicks Tour" (or a 'series of weekends away' according to Mickey). We discuss his excellent book "Teenage Kicks: My Life as an Undertone" (Omnibus Press) and he picks some of his favourite songs and music that had an impact on the early days of The Undertones. Sadly, we recorded the episode the day that Seymour Stein passed away, so Mickey pays tribute to his former Sire Records label boss and picks his favourite Sire Records release. Throughout the show, we discover his influences as a bassist, some of his favourite music related books and authors, how he missed Paul Simonon smashing his bass while touring with The Clash, the influence of Lenny Kaye's "Nuggets" compilation and he picks some pivotal early Undertones tracks. We also cover last year's excellent compilation of the best of the current Paul McLoone fronted line-up "Dig What You Need". As you would expect, Mickey is entertaining company and the episode is soundtracked by loads of Mickey's superb musical choices including Ramones, David Bowie, The Jam, The Clash, Sex Pistols, Dr, Feelgood, Elvis Costello & The Attractions, Rolling Stones and 13th Floor Elevators. For full track-listing and links please check out the feature at Retro Man Blog at the following link: https://retroman65.blogspot.com/2023/04/retrosonic-podcast-with-mickey-bradley.html Retrosonic Podcast has a valid PRS Licence.

Hank joins Dan to match deep, long sets. You'll laugh, you'll cry but you'll keep ridin' 'til you die. Included: Lori McKenna, Paul Simonon (not a typo), Paul Simon (also not a typo), ECHO00000ooooooooo and the Bunny Men (again, NOT a typo) Art Garfunkel, Father John Misty, Lucinda Williams, Allison Russell, Martian Zellar (ok, THAT one was a typo) and Kevin Morby.

This week on Rockonteurs, Gary and Guy are joined in the studio, face to face with an artist who changed both their lives, bass player in The Clash, Paul Simonon. Gary and Guy discuss the game-changing arrival of The Clash on the scene in 1976, Paul's work with Damon Albarn and Gorillaz through to his latest album ‘Can We Do Tomorrow Another Day' that he recorded with Galen Ayers and is out in May. Expect stories that feature The Ramones, The Stranglers, The Sex Pistols. Rockonteurs is produced by Ben Jones for Gimme Sugar Productions. Hosted on Acast. See acast.com/privacy for more information.

This week on Rockonteurs, Gary and Guy are joined in the studio, face to face with an artist who changed both their lives, bass player in The Clash, Paul Simonon. Gary and Guy discuss the game-changing arrival of The Clash on the scene in 1976, Paul's work with Damon Albarn and Gorillaz through to his latest album ‘Can We Do Tomorrow Another Day' that he recorded with Galen Ayers and is out in May. Expect stories that feature The Ramones, The Stranglers, The Sex Pistols. Rockonteurs is produced by Ben Jones for Gimme Sugar Productions. Hosted on Acast. See acast.com/privacy for more information.

The Clash va ser una de les bandes clau del punk britànic, un gènere que renegava de la tècnica d’altres estils del rock per a portar una proposta agressiva i contestatària, amb grans influències del rock de garatge dels anys 60, amb molt de tall però mantenint part del component més melòdic i sobretot expressant un sentiment de ràbia, rebel·lia i crítica social i política, que és una cosa que va ser intrínsec del punk de Gran Bretanya. The Clash, que es va formar en 1976, estava compost per quatre membres: Joe Strummer en la veu principal i la guitarra rítmica, Mick Jones en la guitarra principal i els cors, Paul Simonon en el baix i els cors, i Topper Headon en la bateria i la percussió. Van ser inspirats per grups americans de l’època tant dins del paradigma del punk com els Ramones com del rock de garatge com The Stooges. Durant la seva curta però intensa carrera junts, van llançar sis àlbums d’estudi i molts d’ells continuen sent dels discos més icònics de la història de la música. La potent veu de Joe, els cors potents, i especialment el caràcter crític i combatiu de les seves líriques enfront de la injustícia de les classes altes davant el proletariat i d’una joventut de classe obrera amb poques oportunitats, tot això al costat de la gran actitud que tenien tots els membres de la formació va fer elevar a la banda als cànons més alts de la història de la música. L’impacte de la banda es va estendre molt més enllà de la cultura punk, ja que el seu so característic va combinar aspectes de reggae, ska, dub, funk i rap pel que es coneixeria com «L’única banda que importa».

Vrije Geluiden gaat 2023 in driekwartsmaat van start, met een uurtje dat een vrolijk hart, een glimlach van herkenning en misschien ook wel een zucht van melancholie zal losmaken.  NB tijden bij benadering 23.04 CD Gayane & Masquerade (Parsighian Records Melodia CM0436970) Aram Khatchaturian: Waltz Moskous Radio Symfonie Orkest 4'03” 23.08 CD Korngold String Quartets 1, 2, 3 (Chandos CHAN 10601) Erich Wolfgang Korngold: Strijkkwartet nr 2 in Es opus 26 - IV Finale. Tempo di valse Doric Quartet 5'30” 23.13 CD Old Man Below (Smithsonian Folkways Records SFWCD40206) Trad.: Saturday Night Waltz The Dust Busters & John Cohen 2'17” 23.15 CD Shostakovich: The Jazz Album (Decca 433702-02) Dmitri Sjostakovitsj: Jazz Suite nr 2 - IV Waltz II Koninklijk Concertgebouw Orkest olv Riccardo Chailly 3'46” 23.19 CD The Godfather (Soundtrack) (Geffen Records B0022409-01) Nino Rota: The Godfather Waltz Nino Rota & Carlo Savina 3'35” 23.22 CD If I had a hammer: Songs of hope and struggle (Smithsonian Folkways Records SFCD40096) Pete Seeger: Last night I had the strangest dream Pete Seeger 2'30” 23.24 CD Bach, Ligeti & Armstrong (Sony 88883747752) György Ligeti: Musica Ricercata - IV Tempo di valse Kit Armstrong [piano] 2'24” 23.27 CD Due Lune (Gutman Records CD2013-01) Dmitri Sjostakovitsj: 5 stukken voor 2 violen en piano - IV Wals Camerata RCO 1'48” 23.29 CD Angels & Insects (Universal Mute CD STUMM147) Alexander Balanescu: Waltz Balanescu Quartet 3'19” 23.32 CD Sandinista! (Columbia COL4633642) Topper Headon, Mick Jones, Paul Simonon, Joe Strummer: Rebel Waltz The Clash 1'50” 23.34 CD The Essential Leonard Cohen (Columbia COL 497995-2) Leonard Cohen: Take this waltz Leonard Cohen 5'58” 23.39 CD Schnittke: Film Music Edition (Capriccio C7196) Alfred Schnittke arr. F. Strobel: Adventures of a dentist Suite - VII Waltz Rundfunk Sinfonie Orchester olv Frank Strobel 2'04” 23.41 CD The Glass Effect (The music of Philip Glass & Others) (Sony Classical 88985351432) Olafur Arnalds: Erla's Waltz Lavinia Meijer [harp] 1'58” 23.43 CD Schnittke - Piano Quintet (ECM 461815-2) Alfred Schnittke: Pianokwintet - II In tempo di valse Alexei Lubimov & Keller Quartet 5'31” 23.48 CD The Collection 1977-1982 (Liberty 2C068-83327) Dave Greenfield, Jet Black: Golden Brown The Stranglers 2'20” 23.50 CD Silvestrov: Bagatellen und Serenaden (ECM New Series 5766178) Valentin Silvestrov: Stille Musik - I Walzer des Augenblicks Münchener Kammerorchester 4'40” 23.54 CD Chopin Complete Waltzes (Naxos 8550365) Frederic Chopin: Wals nr 7 in cis opus 64 nr 2 Idil Biret [piano] 3'52”

The marching band season is underway! Host Kylee Sodomka and a few members of the band look back on the very beginning of the year with Exhibition Night and the halftime performance in Ireland (including the overall experience in Dublin). They also dive into the first halftime show for the whole band: Stranger Things. Graphic Design: Josh Holstein Song Credits (order based on when played in the podcast): March of the Cornhuskers - Ronald Seitz, Melvin H. Ribble & William T. Quick Nebraska Fanfares and Dear Old Nebraska U - words and music by Harry Pecha March Grandioso - Ronald Seitz, Melvin H. Ribble & William T. Quick Dear Old Nebraska U on a double-decker bus - words and music by Harry Pecha, video by Doug Bush Fields of Athenry, arranged for the Artane Band - arranged by Ronan O'Reilly, video by Doug Bush Metallica Guitar solo - performed by and video by Brock Godown Stranger Things Theme - Kyle Dixon & Michael Stein, arranged by Anthony Falcone Should I Stay or Should I Go - Topper Headon, Mick Jones, Paul Simonon, & Joe Strummer, arranged by Anthony Falcone Master of Puppets - James Hetfield, Lars Ulrich, Cliff Burton, & Kirk Hammett, arranged by Anthony Falcone, video by Doug Bush Running Up That Hill - Kate Bush, arranged by Anthony Falcone Dear Old Nebraska U, Touchdown Version - words and music by Harry Pecha

Ce qui est sympa avec les groupes qui commencent par ‘'the'', c'est qu'on peut choisir n'importe quel nom, ça donne directement un côté rock ! Par ex : The Fanny's, ça claque non ? The Green Garden ou The Dirty Window ou The Night Roasters, les torréfacteurs de nuit, ou The Knight Rooster, le chevalier coq. Ça y est, je sens que je suis en pleine vague de créativité : The High Crane, la grue élevée, The Crawling Pigs, les cochons rampants, The Marmalade Heads, les têtes de marmelade… Les frères Davies : les Kinks ! Enfin The Kinks ! Mais avant ils ont porté d'autres noms en The : The Ravens ou encore The Bo Weevils. Le punk de la fin des 70's était très friand des noms en ‘'The''. Il y avait The Stranglers, soit les étrangleurs. Pour The Clash, c'est une suggestion du bassiste Paul Simonon qui avait vu plusieurs fois " Clash " dans le journal. The Sex Pistols, un groupe qui crachait sur le rock du passé mais qui a quand même utilisé ce fameux " The " dans son nom une idée de leur manager Malcom McLaren. --- Du lundi au vendredi, Fanny Gillard et Laurent Rieppi vous dévoilent l'univers rock, au travers de thèmes comme ceux de l'éducation, des rockers en prison, les objets de la culture rock, les groupes familiaux et leurs déboires, et bien d'autres, chaque matin dans Coffee on the Rocks à 6h30 et rediffusion à 13h30 dans Lunch Around The Clock.

Britain in the 70s was rapidly changing, and the youth were desperately in search of a new wave of music to relate to their every day problems. Incomes the Punk Movement. Bands like the Sex Pistols and the Buzzcocks brought on a new way of looking at the world, along with a new way to dress and express yourself. The Clash formed with members Mick Jones, Paul Simonon, Joe Strummer, and Topper Headon. Their down to earth lyrics, incredibly musicianship, and interesting ways of blending punk with other genres made them stand out above the rest. London Calling became one of the punk anthems. Join me today as I dive deep into the story of The Clash, how they got famous, and what lead to their breakup. Follow me for more music content, and how you can support OTM :) OTM Blog: https://onthemixpodcast.wordpress.com/blog/ Instagram: https://www.instagram.com/onthemixpodcast/ Donation/Tip: https://www.paypal.com/paypalme/onthemixpodcast --- Support this podcast: https://anchor.fm/on-the-mix/support

Singer/Songwriter, Troubadour, and Texas Guitar Slinger Gary Myrick drops by Thunderlove Studio to chat with Keith and Rob about the self-titled debut album by Havana 3am from 1991. Havana 3am took shape when singer Nigel Dixon (of rockabilly band Whirlwind), guitarist Gary Myrick and bassist Paul Simonon (of The Clash) went out riding their motorcycles.  This self-produced album is wickedly sharp and melds surf, punk, rockabilly, traditional rock and adds a healthy Latin influence. For 1990, it was probably a little ahead of its time. Gary talks to the guys about his entire career, which includes meeting Jimi Hendrix, getting shot at while performing in Texas, and replacing Stevie Ray Vaughn. Myrick even plays a little sample of what he is currently working on… and it's amazing, naturally. LINKS: Gary Myrick Havana 3am on Spotify

Established in 1976 at the fore London's punk rock insurgence, The Clash featuring lead singer and guitarist Joe Strummer, lead guitarist and singer Mick Jones, bassist Paul Simonon and drummer Topper Headon would outlast their peers while creating some of the most influential albums in rock 'n' roll history. In “The Clash: All The Albums All The Songs”, author Martin Popoff dissects each of the Clash's ninety-one studio tracks, examining the circumstances that led to their creation, the recording processes, the historical contexts and more. In addition, introductory essays set the scene for the band's six studio releases (including the double LP ‘London Calling' and the triple ‘Sandinista!') and feature sidebars detailing studios, release dates, personnel, and more. Illustrated with rare performance and offstage photography, along with images of 7-inch singles sleeves and gig posters, the resulting volume is a fitting tribute to the foursome whose staunch political stance and groundbreaking amalgam of punk, rockabilly, reggae, and hip-hop earned the title “The Only Band That Matters.”At approximately 7,900 (with over 7,000 appearing in his books), Popoff has unofficially written more record reviews than anybody in the history of music writing across all genres. He's penned approximately 108 books on hard rock, heavy metal, classic rock, and record collecting. He was Editor-In-Chief of the now retired Brave Words & Bloody Knuckles, Canada's foremost metal publication for 14 years, and has also contributed to Revolver, Guitar World, Goldmine, Record Collector, bravewords.com, lollipop.com, and hardradio.com, with many record label band bios and liner notes to his credit as well. Martin has also been a regular contractor to Banger Films, having worked for two years as researcher on the award-winning documentary “Rush: Beyond the Lighted Stage”, on the writing and research team for the 11-episode “Metal Evolution” and on the ten-episode “Rock Icons”, both for VH1 Classic. Martin is also the writer of the original metal genre chart used in “Metal: A Headbanger's Journey” and throughout the “Metal Evolution” episodes. We talk to Martin from his home in Toronto.Purchase a copy of “The Clash: All The Albums All The Songs” through PM Press: https://pmpress.org/index.php?l=product_detail&p=1259Listen to a playlist of the music discussed in this episode: https://open.spotify.com/playlist/2MTLT3N9AnwGD12Fbxip06?si=da9bb1c6bf994c3fVisit Martin Popoff's official website: www.martinpopoff.comVisit Martin Popoff's Facebook page: www.facebook.com/MartinPopoffAuthorListen to Martin Popoff's Podcast “History In Five Songs with Martin Popoff: http://pantheonpodcasts.com/history-in-five-songsVisit The Contrarians (featuring Martin Popoff) YouTube channel: www.youtube.com/channel/UC6urvYtxro-VTlF8lSsu8iQVisit the Sea of Tranquility (featuring Martin Popoff) YouTube channel: www.youtube.com/c/seaoftranquilityprogThe Booked On Rock Website: www.bookedonrock.comFollow The Booked On Rock with Eric Senich:FACEBOOK: www.facebook.com/bookedonrockpodcastTWITTER: https://twitter.com/bookedonrockINSTAGRAM: www.instagram.com/bookedonrockpodcast/?hl=enSupport Your Local Bookstore! Find your nearest independent bookstore here: www.indiebound.org/indie-store-finderContact The Booked On Rock Podcast:thebookedonrockpodcast@gmail.comThe Booked On Rock Music: “Whoosh” & “Nasty” by Crowander (www.crowander.com)

Lol's orange punk jacket and pants from the thrift store and pointy boots. The album that went with this outfit was the Clash's first album. The picture on the back of the album is the Notting Hill Gate carnival.Lol is in it mentally and spiritually.  “We're a garage band, we come from Garageland.”The Stranglers on the college juke box for Budgie. For Lol, it was white punks on dope on the college juke box.Janie Jones was the track for Budgie on The Clash album. The lyrics were it for Budgie. The message was the thing for Budgie and Lol.Lol's No Change jacket was his Clash clothes. Ian Curtis had a No Future jacket.Lol danced with Jean Jaques and lived!The Clash at Top Rank Bingo and the Leisure Center, a faceless new-brutalist building.The tabloids bought the police to the gigs; Joe tried to calm the crowds and get off the PA!  Undercurrent of violence. Budgie met Paul Simonon steel brush hair and chiseled features. Attitude was key! CONNECT WITH US:Curious Creatures:Website: https://curiouscreaturespodcast.comFacebook: @CuriousCreaturesOfficialTwitter: @curecreaturesInstagram: @CuriousCreaturesOfficialLol Tolhurst: Website: https://loltolhurst.comFacebook: @officialloltolhurst Twitter: @LolTolhurst Instagram: @lol.tolhurst Budgie: Facebook: @budgieofficial Twitter: @TuWhit2whooInstagram: @budgie646Curious Creatures is a partner of the Double Elvis podcast network. For more of the best music storytelling follow @DoubleElvis on Instagram or search Double Elvis in your podcast app.

Quand ils ont embauché Paul Simonon dans les Clash il ne savait pas jouer de basse. Quand les Pistols ont embauché Sid Vicious il ne savait pas jouer de basse, la différence c'est que Simonon a bossé l'instrument et s'en sort plutôt bien quand Sid Viscious….. Pour soutenir le Podcast : https://www.patreon.com/undernierdisque

Damon Albarn is a man whose whole creative ethos is based on change. His career spans over three decades now, with thirty albums released. His band Blur have released 8 studio albums, with Park Life released in 1994 the same year that Oasis released Definitely Maybe. It defined an era, making Blur synonymous with the 90s and the term Britpop. As co-founder of Gorillaz with Jamie Hewlett he has sold over 25 million records worldwide. He is prolific collaborator, forming various bands, like The Good, the Bad & the Queen with Paul Simonon of the Clash, Simon Tong of the Verve, and Tony Allen of Fela Kuti and Rocket Juice And The Moon, again with Tony Allen and flea from Red Hot Chilli Peppers. He's worked with the Strokes, Bobby Womack, De La Soul and so many more! Damon has also created film scores, composed an opera, written music for a musical called Wonderland and is one of the people behind the Africa express movement, a platform for exchanges between African and western musicians. Damon is 53 now, with a grown up daughter and spends him time between London and Devon and Iceland, where he has just received Icelandic citizenship. He is as busy as ever. His latest solo album The Nearer the Fountain, More Pure the Stream Flows, has had rave reviews and is out now. You can buy it here: https://damonalbarn.ochre.store/?ffm=FFM_bc82b474204774cc44f23dbfe8711498 We met at Damon's studio in Tottenham before Christmas and had a lovely meandering conversation starting with Damon as a teenager going through bullying in school, moving to rural Essex, the start and the end of Blur, the inception of Gorillaz, social media addiction, metal detecting, and being witchy … See acast.com/privacy for privacy and opt-out information.

Sex Pistols founding member Glen Matlock speaks to CURVA MUNDIAL about his love of QPR; his legendary music career; touring the globe and taking in football wherever he is; going to matches with his son and famous friends including Steve Jones of the Pistols, and Paul Simonon of The Clash; as well as his prematch food ritual. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Tony Fletcher reunites with musician/composer Jim ‘JG' Thirlwell, DJ Wendy May, and Dimple Records boss Brian O'Neill, all of whom he first met in the late 1970s when they bought copies of Jamming! off him while they were working behind the counter at the Virgin shops in Oxford Walk, Notting Hill Gate, and Marble Arch respectively. During that thriving post-punk period the entire Virgin chain served as a needed middle ground between the pioneering independents like Rough Trade, Probe and Revolver, and mainstream high street shops WH Smiths and Woolworths. Without the autonomy Virgin granted its record buyers, a lot of independent labels, emerging bands and street fanzines would not have enjoyed such a wide profile. In this conversation, the four discuss the role of the record shop during that period, the freedom the staff enjoyed at Virgin, and offer specific anecdotes and reminiscences about serving the likes of Elvis Costello, Boy George, Paul Simonon, David Coverdale and more. Additionally, Jim recalls how an encounter with a customer helped point him on a different creative musical path, Wendy talks of how she ultimately received the classic ultimatum - "it's your job or your band" - and Brian talks of how his love of selling records has inspired him to start a new independent label in his retirement years.JG Thirlwell is at Website http://www.foetus.org https://jgthirlwell.bandcamp.com/ https://www.instagram.com/jgthirlwell/ and https://www.facebook.com/profile.php?id=100045377091477Wendy May can be found on Instagram and Facebook.Brian O'Neill's label Dimple Discs is at https://dimplediscs.bandcamp.com/ His Microdisney documentary project is https://www.indiegogo.com/projects/microdisney-filmFor details about the book events mentioned on this episode visithttps://www.facebook.com/theTonyFletcher/eventsThe Best of Jamming!: Selections and Stories from the Fanzine That Grew Up 1977-86 is published by Omnibus PressTonyFletcher.netOmnibusPress.com 'The Jamming! Fanzine Podcast Theme' is by Noel Fletcher. Editing assistance and art by Greg Morton.https://shows.acast.com/the-jamming-fanzine-podcast Hosted on Acast. See acast.com/privacy for more information.

The Clash got their start as a punk band, though they would move through elements of reggae, ska, funk, and new wave over time.  The debut album eponymously titled The Clash would stay solidly in the punk movement which began trending the year before.  Lead vocalist Pete Strummer and lead guitarist Mick Jones would write most of their original songs.  Other personnel on this album included bassist Paul Simonon and drummers Topper Headon and Terry Chimes (listed as Tory Crimes).The debut album was recorded in three weeks in February 1977 for a cost of 4,000 pounds.  It was released in the UK in April 1977, but would be released in the US in 1979 as their second album.  The US release would see a different track listing, and some songs would be swapped out.  Billed as "The Only Band That Matters", The Clash had signed a record deal with CBS Records in January 1977, and the organization pushed for a cleaner sound on their subsequent albums.  This debut album represents the most consistent punk rock album The Clash would produce.  However, The Clash would also have a staying power which was unusual in bands coming out of the punk movement. Janie JonesThe first song on the album is short, as are most Punk songs and most songs on this album.  The name of the song comes from a minor English pop singer in the 1960's who scandalized the nation in 1973 when she was convicted of running a prostitution ring.White RiotThe idea of this song was to encourage whites to join in with black rioters to fight the establishment.  The Clash was upset when the extreme right wing took this song as an anthem.I'm So Bored With the U.S.A.This is a response to the influx of American TV and culture.  At the time a lot of American shows, particularly detective dramas, were on British TV.  The song was used regularly as a set opener on American tours to (in Strummer's words) "find out if they had a sense of humor." London's BurningThe song is mainly about the punk scene's main choice of drug at the time:  speed.  It can also refer to the city lit up by headlights and streetlights of traffic, and people driving around or watching television with no real purpose in their lives.  The guitar solo near the end of the song is unusual in punk rock, where a more minimalist attitude was typical. ENTERTAINMENT TRACK:Chevy Van by Sammy Johns (from the motion picture "The Van")The Van was a low-budget teen comedy released in April 1977 that would kick off the genre which would include "Porky's," "Up the Creek." and "Caddyshack." STAFF PICKS:Hotel California by the EaglesBruce leads off the staff picks with the iconic title track to the Eagles' biggest studio album.  It won the Grammy Award for record of the year in 1978.  The band says the song is their interpretation of the high life in Los Angeles - the idea of moving from innocence to experience.  Felder, Henley, and Frey get writing credits, though Joe Walsh came up with the dual-guitar part at the end. Cherry Baby by StarzRob's staff pick is a deeper cut by and American heavy metal band from New Jersey.  Starz never developed a lot of commercial success, but they had a cult following and were influential for a number of bands including Poison, Bon Jovi, and Twisted Sister.  Several of the band members were from the band Looking Glass.Do Ya by the Electric Light OrchestraBrian brings us a hit that Jeff Lynne originally wrote in 1971 for a band called The Move.  Todd Rundgren also recorded this song before ELO's version came out on their album "A New World Record."  This version has a nice balance of rock guitars and symphonic elements typical of ELO.(Get a) Grip (On Yourself) by The StranglersWayne closes out the staff picks with another band that came up in the Punk scene but bridged to a more new wave sound.  The band is unusual for punk bands because of the presence of keyboards.  The song is based on the band's life in Chiddingfold, Surry England.  It is about understanding who you really are and being true to your identity. INSTRUMENTAL TRACK:Spring Rain by Bebu SilvettiWe finish off with a disco-infused instrumental piece that was on the charts in this month.

Guy Pratt has been a crucial member of the rhythm section of megastars such as Pink Floyd, David Gilmour, Robert Palmer, Roxy Music, Bryan Ferry, Jimmy Page, David Coverdale, Womack & Womack, and The Smiths. And when he's not been parading his talents live on the stages of every stadium, concert hall and festival around the world, he has been a favourite studio bassist and accompanying singer for the biggest recording artists including Madonna, Michael Jackson, Iggy Pop, The Pretenders, Echo and The Bunnymen and McFly. His one-man show is all about life at the pointy end of the music business; Guy regales audiences with stories from behind the scenes. His self-deprecating wit is irresistible, and his rip-roaring anecdotes are brilliant and outrageous. This is an evening which is both funny and frank with enough insider's references to satisfy even aficionados — and he'll be bringing his beloved vintage Fender bass to demonstrate his craft. Guy is also a composer who has won a Grammy and been nominated for two Ivor Novello Awards – not bad for a bloke who just “hangs around with the band”! Please welcome bassist/ singer/ songwriter/ composer/ record producer /comedian/ actor/ author… best known for performing with Pink Floyd (David Gilmour & Nick Mason) … GUY PRATT to Interviewing the Legends… Purchase My Bass and Other Animals  By GUY PRATT Available at amazon.com Guy Pratt came of age just as playing bass became sexy. In spurning the guitar solo, punk put the low-end on more of an equal footing—or maybe it was just that Paul Simonon and Bruce Foxton were pretty cool. Either way, people were trying out the basslines of "White Man in Hammersmith Palais" or "Peaches." Having dallied with Funkapolitan, Pratt suddenly found himself on Top of the Pops and supporting David Bowie with the smooth Australian outfit Icehouse. At a ludicrously young age he became a sought-after bass player to the stars, finding himself crawling from studios to bars and from hotels to stadiums with the likes of Robert Palmer, Womack & Womack, Bernard Edwards, Bryan Ferry, and David Crosby. The 1980s were in their prime, and with a number of Crolla-suited appearances in windswept videos behind him, he was invited to join Pink Floyd for a series of stadium extravaganzas to make Bono & Co. look fairly modest. He was in The Smiths for a week, has traveled through customs in a wheelchair after a flight with Jimmy Page, spent time in the studio with Michael Jackson, and has lived to tell all. This autobiographical account emerges from the successful stand-up tour of the same name, charting his journey from a Mod band to playing with Roxy Music at Live 8.   For more information  about GUY PRATT Visit www.guypratt.com official website www.facebook.com/guy.pratt.officialebsite facebook https://twitter.com/guypratt twitter https://www.thesaucerfulofsecrets.com/ Nick Mason's Saucerful of Secrets www.pinkfloyd.com   PURCHASE   RAY'S BEST-SELLING BOOK ENTITLED THE ROCK STAR CHRONICLES SERIES ONE   CHRONICLES, TRUTHS, CONFESSIONS AND WISDOM FROM THE MUSIC LEGENDS THAT SET US FREE  …Order yours today on (Collector edition) Hardcover or E-book at bookbaby.com and amazon.com Featuring over 45 intimate conversations with some of the greatest rock legends the world will ever know. CHRIS SQUIRE... DR. JOHN... GREG LAKE... HENRY MCCULLOUGH... JACK BRUCE … JOE LALA…  JOHNNY WINTER... KEITH EMERSON... PAUL KANTNER...  RAY THOMAS... RONNIE MONTROSE... TONY JOE WHITE... DAVID CLAYTON-THOMAS… MIKE LOVE... TOMMY ROE... BARRY HAY... CHRIS THOMPSON... JESSE COLIN YOUNG... JOHN KAY... JULIAN LENNON... MARK LINDSAY... MICKY DOLENZ… PETER RIVERA ...TOMMY JAMES… TODD RUNDGREN... DAVE MASON... EDGAR WINTER... FRANK MARINO... GREGG ROLIE... IAN ANDERSON... JIM “DANDY” MANGRUM... JON ANDERSON... LOU GRAMM... MICK BOX... RANDY BACHMAN… ROBIN TROWER...  ROGER FISHER... STEVE HACKETT... ANNIE HASLAM… ‘MELANIE' SAFKA... PETULA CLARK... SUZI QUATRO... COLIN BLUNSTONE… DAVE DAVIES... JIM McCARTY... PETE BEST   BOOK REVIEW -By Literary Titan (5) STARS   Support us!

#115 Com menos um na tripulação, o Boia 115 derivou tanto que esqueceu de falar da matéria do The Guardian sobre a WSL pós-Olimpíadas, a única que nós tínhamos lido por causa da gravação. Júlio Adler e João Valente, embalados pelo funk psico-eletrônico de M.I.A, Paper Planes, e sem a orientação da Bússola, Bruno Bocayuva, se perderam pelas vielas de Huntington Beach, e em vez de falarem do primeiro Challenger da temporada, US Open, acabaram trocando ideias sobre literatura de surfe (existe isso, Arnaldo?). Eventualmente, a competição voltou ao cardápio, mas logo deu lugar pra Imagem Falada, desta vez com a foto que Penny Smith bateu de Paul Simonon, do The Clash, destruindo seu baixo em palco, e que acabou na capa de London Calling, uma das mais célebres da história da música. No bate-pronto, já emendamos no Almanaque Flutuante, desta vez dedicado a Scream In Blue, o curioso documentário sobre Cheyne Horan e a sua frustrada tentativa de ser campeão mundial em 1983. Pra encerrar, mais uma descoberta do Garimpo virtual, Donnie Trumpet & The Social Experiment (feat. Jamila Woods) - Sunday Candy. Salve que hoje não é domingo, mas é terça-feira, dia de Boia. --- Send in a voice message: https://anchor.fm/boia/message

Broken Records is often a painful experience, but it's made all the more painful when we're discussing a band as essential and admired as The Clash. Unfortunately, their sixth and final studio album, released on 4 November 1985 by CBS Records, is a record that is truly worthy of the prefix ‘broken'. Lead guitarist and co-principal songwriter Mick Jones and drummer Topper Headon had been dismissed by lead vocalist Joe Strummer and bassist Paul Simonon. Jones and Headon were replaced by three unknowns: guitarists Vince White and Nick Sheppard and drummer Pete Howard, a line-up that Strummer, somewhat sneeringly, referred to as ‘The Clash 2'. During the tense recording sessions, Clash manager Bernie Rhodes and Strummer fought with each other for control over the band's songwriting and musical direction. The band wrote 20 songs for the Cut the Crap sessions, 12 of which ended up on the finished album (God only knows how awful the other 8 are). The songwriting is far from The Clash's best but the real villain of the piece is manager Bernie Rhodes, who's cluttered and hideously unfocused production ruins and squanders whatever negligible integrity the songs might've had.   

Gary Myrick has had quite an adventurous musical journey. This Texas native left for greener pastures in Los Angeles and formed Gary Myrick & The Figures. Any fan of the film Valley Girl will remember their 80s song, "She Talks In Stereo". From there, it was on to London to meet up with former Clash bassist, Paul Simonon, and Nigel Dixon to make up the band Havana 3AM. Today, Myrick's adventures include motorcycles, his dogs, his 12 string guitars, and his love of the blues. This brings us to Gary Myrick's latest album, Forever (Adventures In 12 String) . The album covers the songs that inspired him, the songs he created with The Figures and Havana 3AM, as well as some originals all played on the 12 string guitar. You'll hear all about Gary's (mis)adventures in this episode of What Difference Does It Make.Hear Gary Myrick's Adventures in 12 String on Amazon Music with a free one month subscription. https://www.getamazonmusic.com/wddimpodcastWe are a proud member of Pantheon Podcasts.

Gary Myrick has had quite an adventurous musical journey. This Texas native left for greener pastures in Los Angeles and formed Gary Myrick & The Figures. Any fan of the film Valley Girl will remember their 80s song, "She Talks In Stereo". From there, it was on to London to meet up with former Clash bassist, Paul Simonon, and Nigel Dixon to make up the band Havana 3AM. Today, Myrick's adventures include motorcycles, his dogs, his 12 string guitars, and his love of the blues. This brings us to Gary Myrick's latest album, Forever (Adventures In 12 String) . The album covers the songs that inspired him, the songs he created with The Figures and Havana 3AM, as well as some originals all played on the 12 string guitar. You'll hear all about Gary's (mis)adventures in this episode of What Difference Does It Make. Hear Gary Myrick's Adventures in 12 String on Amazon Music with a free one month subscription. https://www.getamazonmusic.com/wddimpodcast We are a proud member of Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Gary Myrick has had quite an adventurous musical journey. This Texas native left for greener pastures in Los Angeles and formed Gary Myrick & The Figures. Any fan of the film Valley Girl will remember their 80s song, "She Talks In Stereo". From there, it was on to London to meet up with former Clash bassist, Paul Simonon, and Nigel Dixon to make up the band Havana 3AM. Today, Myrick's adventures include motorcycles, his dogs, his 12 string guitars, and his love of the blues. This brings us to Gary Myrick's latest album, Forever (Adventures In 12 String) . The album covers the songs that inspired him, the songs he created with The Figures and Havana 3AM, as well as some originals all played on the 12 string guitar. You'll hear all about Gary's (mis)adventures in this episode of What Difference Does It Make.Hear Gary Myrick's Adventures in 12 String on Amazon Music with a free one month subscription. https://www.getamazonmusic.com/wddimpodcastWe are a proud member of Pantheon Podcasts.

Gary Myrick has had quite an adventurous musical journey. This Texas native left for greener pastures in Los Angeles and formed Gary Myrick & The Figures. Any fan of the film Valley Girl will remember their 80s song, "She Talks In Stereo". From there, it was on to London to meet up with former Clash bassist, Paul Simonon, and Nigel Dixon to make up the band Havana 3AM. Today, Myrick's adventures include motorcycles, his dogs, his 12 string guitars, and his love of the blues. This brings us to Gary Myrick's latest album, Forever (Adventures In 12 String) . The album covers the songs that inspired him, the songs he created with The Figures and Havana 3AM, as well as some originals all played on the 12 string guitar. You'll hear all about Gary's (mis)adventures in this episode of What Difference Does It Make. Hear Gary Myrick's Adventures in 12 String on Amazon Music with a free one month subscription. https://www.getamazonmusic.com/wddimpodcast We are a proud member of Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

En Música de Contrabando, revista diaria de música en Onda Regional de Murcia (orm.es; 00,00h a 02,00h), Bilbao BBK Live 2022 reconfirma a The Killers, Pet Shop Boys y otros. El bajo Fender Precision, que Paul Simonon destroza en la portada de London calling de The Clash, será expuesto permanentemente en el Museum of London, a partir del 23 de julio. Formará parte de la galería que abarca la historia de Londres desde la década de 1950 hasta la actualidad. Los icónicos Arrested Development encabezan la segunda tanda de anuncios del ciclo de conciertos MAZO Madriz. Courtney Barnett publicará a finales de año un nuevo disco llamado ‘Things Take Time, Take Time'. De su próxima obra presenta un single titulado ‘Rae Street'. The Boo Radley (a excepción de su principal compositor y guitarrista Martin Carr) están de regreso 23 años después de su separación con un nuevo single. Damon Albarn desvela otra de las canciones de su nuevo álbum. Los Punsetes presentan su nuevo single "Todo El Mundo Quiere Hacerte Daño" Casi un año después de publicar su álbum debut, 'Lucero del alba', Yana Zafiro da un nuevo giro a cuatro de sus canciones y nos demuestra que su talento y creatividad no conoce límites: llega 'La Orden del Lucero'. Low muestran "days like these", primer adelanto de HEY WHAT, su nuevo disco de nuevo junto a bj burto. SUUNS anuncian nuevo álbum THE WITNESS y comparten primer single WITNESS PROTECTION. ‘No me digas' es el primer adelanto del próximo disco de Ángel Calvo, y viene acompañado de un videoclip a cargo de Nacho Sánchez. DeVille & La Fuerza se puede decir que nace en el camino de Tampa a Tulsa, haciendo esta versión de The Jayhawks en una cena débil -evento navideño en que se juntan algunos de bandas ovetenses de mitad de los 90 (Los Débiles, Los Bruscos, Babylon Chât…). Tras publicar 'Martilandrán', Fônal lanzan un nuevo video-single, 'Electronic' que cuenta con la colaboración vocal del rapero sudafricano Young Cage. El festival 'Un Escenario Propio' se celebrará el próximo 31 de julio en Valencia (Firmado, Carlota, Valdivia). 'La ciudad huele a sudor' nació en una tarde de agosto a 40 grados en Madrid, en una casa de 50 metros cuadrados con rejas en las ventanas, en plena crisis del coronavirus, desnudos y sudando por encima de nuestras posibilidades. Ginebras echa de menos las típicas canciones de verano y por eso han hecho una canción que hablaba de lo peor del verano, el calor. The Goon Sax anticipan la publicación de Mirror II, su redondo nuevo disco, con la eléctrica balada "desire".Washed Out estrena remezcla a cargo de Buscabulla para "too late", uno de los momentos de Purple noon, su último disco. Fresquito y Mango vuelven con otro hit para este verano"Isla de Japón". Spencer se recrea en el r&b más zapateable en "lonely as i ever was", primer avance de Are u down? su disco de debut. Sufjan Stevens y Angelo de Augustine anuncian A begginer's mind, su bucólico disco colaborativo, con el preciosismo acústico de "reach out" y "olympus", doble adelanto. Shiny Joe Ryan estrena "pub boat", motorizado nuevo adelanto de Shiny's democracy, su nuevo disco. Coincidiendo con la edición en vinilo de su primer álbum «Sí» (2001), que cumple 20 años, Chico y Chica han decidido soltar una de las canciones que formarán parte de su próximo álbum: la veraniega y refrescante «Sí, señorita». Jorge Drexler presenta La guerrilla de la concordia, una llamada a la empatía frente al discurso del odio. La cantante noruega Aurora está lista para regresar con su nuevo single, Cure For Me.Pleasant Dreams fue el sexto álbum de Ramones. Fue lanzado al mercado en julio de 1981, y The Yellow Melodies los homenajean grabando el disco completo. La agenda del finde parece vivir la nueva normalidad: Delaporte (Sandra Delaporte y Sergio Salvi) fueron los artistas más galardonados de los Premios MIN 2021. Kase-0 y los 10 años de Jazz Magnetism. Viva Lorca 2021estrena su programación (Ella Baila Sola), Se ponen en marcha Las Noches del Puerto y Las Noches del Palmeral (Joaquin Talismán)

Maneskin, gagnant de l'Eurovision 2021, est de passage au Ronquières Festival. La célèbre basse fracassée par Paul Simonon des Clash va être exposée au Musée de Londres. Le fameux ‘'ABBA Gold'' vient de passer le cap des 1000 semaines de classement dans les charts en Angleterre ! Motorhead, publication d'une interview de 1981, jamais été diffusée, entre Lemmy et le journaliste Malcolm Dome. Au total, en 2020, la société Hipgnosis Songs, qui rachète le catalogue d'artistes célèbres, a dépensé plus d'un milliard de dollars pour ses acquisitions. ‘'The Symphonic Music Of Yes de YES'' va ressortir via Voiceprint Records le 30 juillet. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, chaque jour à 7h30 et 18h30.

It's All About The [Iconic Rock] Bass! (Part 4) This episode of #ITWWSS takes another dive into the deep end of a bass guitar shaped pool, where reaching the bottom, we find some of Rock N' Roll's greatest recordings. All the bass players in this show have great skill, soul and their own distinct sound and style. I started playing cello at eight years old. Later in the elementary school orchestra. I wanted to play the upright bass, but I was too small to carry it. I picked up the guitar next. By the time I went to high school in 1967, the Summer Of Love had just taken place. The British Invasion was a few years in. The Doors and Jefferson Airplane just played at a local high school's football field. I'd begun playing guitar in middle school bands, made up of friends. I was playing clarinet in the school orchestra. The Byrds, Monkees, Seeds, Love, Buffalo Springfield, Doors and others were all performing all around L.A. I didn't know at the time that many of those soon to be legends lived about 15 to 20 minutes away, in Laurel Canyon. At about 16 I bought a used Gibson SG Bass, at Saul Betnums Music. Within a day or two, one of the few working high school bands I knew needed to replace their sick bass player, Ed Elowe for a Halloween dance, at a local park. The highly talented Steve Elowe walked me through as many of their songs as possible, including In A Gadda Da Vida, by the Iron Butterfly. I somehow got through the gig, got paid, and became a professional musician. (LOL) As I've been putting together this series of (radio show type) podcasts, the hardest part is choosing what to leave out. There are countless performances by many more bass players that I could ever fit in, plus all the greats I haven't heard of, yet. Part 5 is coming together nicely and I'll do my best to publish it during Black Music Month. It will be the last podcast in the series, but not even close to the last time I'll feature great bassists. I play the bass on all of my original and cover songs. I've only owned three basses in my life. The Gibson bass was traded in towards a new Fender Telecaster. I didn't by another bass until 1994. After the Northridge Earthquake, lots of retail stores had millions of dollars worth of damaged goods. I bought a new Fender Precision Bass that had fallen off the wall and had a gouge in it. As you can imagine, it was sold at a bargain price. I kept it for several years and used it on a few demos, but ended up selling it to a friend in Reno, Nevada. I bought another Fender bass last year, but this time went for a Jazz Bass. I love it to death! Bass is in my bones and DNA. I hope you love it even half as much and enjoy listening to my shows. Perhaps, you'll be inspired to pick up a bass and send me something you've recorded? I'll definitely listen and possibly include it in a podcast. @stewstrauss on Instagram and Twitter In this show you'll hear music from… Jethro Tull, Yes, Queen, Fleetwood Mac, The Beatles, Cream, Free, The Who, The Clash, Rush, Muse, U2, and Joe Walsh. A heavily British slanted show, no doubt. I came of age during the British Invasion and was heavily influenced by the music that followed. Bassists include… Glen Cornick, Chris Squire, John Deacon, John McVie, Paul McCartney, Jack Bruce, Andy Fraser, John Entwhistle, Paul Simonon, Geddy Lee, Chris Woltenholme, Adam Clayton, and George “Chocolate” Perry. Thanks for your continued support and patronage! Happy Listening!!! --- Support this podcast: https://anchor.fm/stewart-strauss/support

It's All About The [Iconic Rock] Bass (Part 4)   This episode of #ITWWSS takes another dive into the deep end of a guitar shaped pool, where reaching the bottom, we find some of Rock N' Roll's greatest recordings. All the bass players in this show have great skill, soul and their own distinct sound and style.  I started playing cello at eight years old. Later in the elementary school orchestra. I wanted to play the upright bass, but I was too small to carry it. I picked up the guitar next. By the time I went to high school in 1967, the Summer Of Love had just taken place. The British Invasion was a few years in. The Doors and Jefferson Airplane just played at a local high school's football field. I'd begun playing guitar in middle school bands, made up of friends. I was playing clarinet in the school orchestra. The Byrds, Monkees, Seeds, Love, Buffalo Springfield, Doors and others were all performing all around L.A. I didn't know at the time that many of those soon to be legends lived about 15 to 20 minutes away, in Laurel Canyon. At about 16 I bought a used Gibson SG Bass, at Saul Betnums Music. Within a day or two, one of the few working high school bands I knew needed to replace their sick bass player, Ed Elowe for a Halloween dance, at a local park. The highly talented Steve Elowe walked me through as many of their songs as possible, including In A Gadda Da Vida, by the Iron Butterfly. I somehow got through the gig, got paid, and became a professional musician. (LOL) As I've been putting together this series of (radio show type) podcasts, the hardest part is choosing what to leave out. There are countless performances by many more bass players that I could ever fit in, plus all the greats I haven't heard of, yet. Part 5 is coming together nicely and I'll do my best to publish it during Black Music Month. It will be the last podcast in the series, but not even close to the last time I'll feature great bassists. I play the bass on all of my original and cover songs. I've only owned three basses in my life. The Gibson bass was traded in towards a new Fender Telecaster. I didn't by another bass until 1994. After the Northridge Earthquake, lots of retail stores had millions of dollars worth of damaged goods. I bought a new Fender Precision Bass that had fallen off the wall and had a gouge in it. As you can imagine, it was sold at a bargain price. I kept it for several years and used it on a few demos, but ended up selling it to a friend in Reno, Nevada. I bought another Fender bass last year, but this time went for a Jazz Bass. I love it to death! Bass is in my bones and DNA. I hope you love it even half as much and enjoy listening to my shows.  Perhaps, you'll be inspired to pick up a bass and send me something you've recorded? I'll definitely listen and possibly include it in a podcast. @stewstrauss on Instagram and Twitter In this show you'll hear music from… Jethro Tull, Yes, Queen, Fleetwood Mac, The Beatles, Cream, Free, The Who, The Clash, Rush, Muse, U2, and Joe Walsh. A heavily British slanted show, no doubt. I came of age during the British Invasion and was heavily influenced by the music that followed. Bassists include… Glen Cornick, Chris Squire, John Deacon, John McVie, Paul McCartney, Jack Bruce, Andy Fraser, John Entwhistle, Paul Simonon, Geddy Lee, Chris Woltenholme, Adam Clayton, and George “Chocolate” Perry. Thanks for your continued support and patronage! Happy Listening!!!

What is it we do here at InObscuria? Every show Kevin opens the crypt to exhume and dissect from his personal collection; an artist, album, or collection of tunes from the broad spectrum of rock, punk, and metal. This week Robert gets a glimpse into another collection of lost and forgotten songs from the silver screen! Our hope is that we turn you on to something new.Songs this week include:King’s X – “Junior’s Gone Wild” from Bill & Ted’s Bogus Journey(1991)The Looters – “Join The Professionals (The Proffesionals)” from Ladies & Gentleman, The Fabulous Stains (1982) Queen – “The Hero” from Flash Gordon(1980)The Donnas – “Strutter” from Detroit Rock City – Music From The Motion Picture (1999)The Commitments – “Mr. Pitiful” from The Commitments (1991)Iggy Pop – “Repo Man” from Repo Man – Music From The Original Motion Picture Soundtrack (1984)Silverchair & Vitro – “Spawn” from Spawn: The Album (1997)Alice Cooper – “Man With The Golden Gun” from Muscle Of Love (1974)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uIf you’d like to check out Kevin’s band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin’s band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert’s amazing fire sculptures and metal workings here: http://flamewerx.com/

Focus sur le leader de Blur, de Gorillaz et de The Good, The Bad & The Queen ce mercredi, avec Nicolas Sauvage qui publie "Damon Albarn : L'échappée belle" au Camion Blanc. Dès 11h30, retrouvez la « Bagarre dans la Discothèque » avec Corentin Candi et Laurence Bibot. Et dès midi : "Paroles, Paroles" de Sébastien Ministru : "Bateau mouche" d'Eddy de Pretto. Nicolas Sauvage pour son livre "Damon Albarn : L'échappée belle" (Camion Blanc). Damon Albarn est un cas unique dans la grande histoire de la pop mondiale. De Blur à Gorillaz, de ses incursions en terres africaines au casting de rêve que constitue The Good The Bad & The Queen, il est impossible de limiter son parcours à un seul de ces aspects sans risquer une lecture parcellaire de son oeuvre. Révélé au monde avec Parklife et l'épopée Britpop qui en découla, Damon Albarn décide rapidement d'envoyer valser les étiquettes pour suivre un chemin aventureux, ponctué d'innombrables collaborations. Modern Life Is Rubbish, The Great Escape, blur, Think Tank, Mali Music, Demon Days, Plastic Beach, Dr Dee, Rocket Juice & The Moon, Everyday Robots, Merrie Land... nombre de disques incontournables de notre temps portent la signature du chanteur et multi-instrumentiste de Blur et Gorillaz. L'Anglais est aujourd'hui à la tête d'une discographie pléthorique au sein de laquelle se croisent Lou Reed et Snoop Dogg, Paul Simonon et Bobby Womack, Noel Gallagher et Toumani Diabaté, Robert Smith et George Benso. Trente-cinq ans après l'entrée fracassante de Blur dans l'univers de l'indie pop, Damon Albarn s'est imposé comme l'un des artistes les plus essentiels de l'histoire musicale britannique. Ce livre propose de rendre compte le plus justement possible de la trajectoire hors-norme qui est celle de Damon Albarn. La chronique de Josef Schovanec : Dumbo. Les sorties cinéma en VOD avec Hugues Dayez : - « La mission » sur Netflix - « Map of tiny perfect things » sur Amazon TV - « Irrésistible » de Jon Stewart avec Steve Carell sur Amazon TV

"Paroles, Paroles" de Sébastien Ministru : "Bateau mouche" d'Eddy de Pretto. Nicolas Sauvage pour son livre "Damon Albarn : L'échappée belle" (Camion Blanc). Damon Albarn est un cas unique dans la grande histoire de la pop mondiale. De Blur à Gorillaz, de ses incursions en terres africaines au casting de rêve que constitue The Good The Bad & The Queen, il est impossible de limiter son parcours à un seul de ces aspects sans risquer une lecture parcellaire de son oeuvre. Révélé au monde avec Parklife et l'épopée Britpop qui en découla, Damon Albarn décide rapidement d'envoyer valser les étiquettes pour suivre un chemin aventureux, ponctué d'innombrables collaborations. Modern Life Is Rubbish, The Great Escape, blur, Think Tank, Mali Music, Demon Days, Plastic Beach, Dr Dee, Rocket Juice & The Moon, Everyday Robots, Merrie Land... nombre de disques incontournables de notre temps portent la signature du chanteur et multi-instrumentiste de Blur et Gorillaz. L'Anglais est aujourd'hui à la tête d'une discographie pléthorique au sein de laquelle se croisent Lou Reed et Snoop Dogg, Paul Simonon et Bobby Womack, Noel Gallagher et Toumani Diabaté, Robert Smith et George Benso. Trente-cinq ans après l'entrée fracassante de Blur dans l'univers de l'indie pop, Damon Albarn s'est imposé comme l'un des artistes les plus essentiels de l'histoire musicale britannique. Ce livre propose de rendre compte le plus justement possible de la trajectoire hors-norme qui est celle de Damon Albarn. La chronique de Josef Schovanec : Dumbo. Les sorties cinéma en VOD avec Hugues Dayez : - « La mission » sur Netflix - « Map of tiny perfect things » sur Amazon TV - « Irrésistible » de Jon Stewart avec Steve Carell sur Amazon TV

Nicolas Sauvage pour son livre "Damon Albarn : L'échappée belle" (Camion Blanc). Damon Albarn est un cas unique dans la grande histoire de la pop mondiale. De Blur à Gorillaz, de ses incursions en terres africaines au casting de rêve que constitue The Good The Bad & The Queen, il est impossible de limiter son parcours à un seul de ces aspects sans risquer une lecture parcellaire de son oeuvre. Révélé au monde avec Parklife et l'épopée Britpop qui en découla, Damon Albarn décide rapidement d'envoyer valser les étiquettes pour suivre un chemin aventureux, ponctué d'innombrables collaborations. Modern Life Is Rubbish, The Great Escape, blur, Think Tank, Mali Music, Demon Days, Plastic Beach, Dr Dee, Rocket Juice & The Moon, Everyday Robots, Merrie Land... nombre de disques incontournables de notre temps portent la signature du chanteur et multi-instrumentiste de Blur et Gorillaz. L'Anglais est aujourd'hui à la tête d'une discographie pléthorique au sein de laquelle se croisent Lou Reed et Snoop Dogg, Paul Simonon et Bobby Womack, Noel Gallagher et Toumani Diabaté, Robert Smith et George Benso. Trente-cinq ans après l'entrée fracassante de Blur dans l'univers de l'indie pop, Damon Albarn s'est imposé comme l'un des artistes les plus essentiels de l'histoire musicale britannique. Ce livre propose de rendre compte le plus justement possible de la trajectoire hors-norme qui est celle de Damon Albarn.

Hoy viajamos hasta el Londres del 79 para rescatar el disco doble que facturaron Joe Strummer, Mick Jones, Paul Simonon y Nicky "Topper" Headon bajo las estrictas órdenes de Guy Stevens. En esta ocasión, además, nos acompaña Antonio Arias (Lagartija Nick, 091), uno de los máximos exponentes de la escena rockera granadina de los años 90. Tanto él como su hermano, el periodista y música Jesús Arias (D.E.P.) compartieron infinidad de momentos junto a Joe Strummer durante sus muchas estancias en la ciudad andaluza.

Listening to London Calling as a teen required an open mind and a willingness to follow The Clash on an existential and esoteric journey through the darkness of recent history and the darker realms of the human psyche.  It was a bit like a history and philosophy class set to music and it didn't always make sense to me but listen I did, and as I listened, I found myself drawn more and more to the ska and reggae anthems on the album like “Guns of Brixton” with powerful calls to action and layered stories about characters battling impending social chaos and situations that were out of their control.  London Calling was the perfect soundtrack for the dawning of the Republican Party's Darwinian fantasy of “Morning in America” that would begin one year later with the inauguration of Ronald Reagan.As such, The Clash get name checked a lot in Ska Boom and for good reason. London Calling demonstrated The Clash's move from punk rock to explore the sounds of reggae and ska and it resonated with other Gen X musicians in New York, Boston, Chicago and LA who hearing ska and reggae from multiple sources and also looking to raise their own voices. I know it inspired me to think I could be a musician too. In this episode I explore my admiration for Paul Simonon of The Clash and the effect the “Guns of Brixton” had on me and I share the story of how he influenced me to pick up the bass.  I'll also dig into the story of that famous smashed Fender bass guitar.  Please note: The music clips included in this podcast fall under the “Fair Use Doctrine” as defined by Section 107 of the Copyright Act. The law allows for use of music clips for purposes of criticism, comment, and news reporting.

London Calling ist, wenn man so will, die lebensverlängernde Maßnahme für die schon abgeschriebene Punkbewegung. Um die Entstehung des Doppelalbums ranken sich viele Mythen. Das Verrückte daran: Die meisten davon stimmen.

Fewer bands in rock history are as human, genuine, and flawed as the Clash, the 70s-80s punk rock band that outgrew its punk roots as it grew in mainstream fame. The band wanted to be one of the biggest in the world, but somehow do so without compromising its politically charged message. Is that possible? In a fascinating book called “We are the Clash,” co-author, music historian, and humanitarian Mark Andersen exquisitely details an unheralded time in the band's history: the making of the band's last album, “Cut the Crap.” “We are the Clash” is a spellbinding, ambitious book that revisits this oft-forgotten era of the band, when lyricist and singer Joe Strummer tried to will a band of almost all new recruits, save bassist Paul Simonon, into an all-out war on the music industry and the rise of Thatcherism. The band's efforts ultimately failed, but Mark's book will give you a fresh new look at this album, this moment in time, and where we are today. “We are the Clash” is available online (http://www.akashicbooks.com/catalog/we-are-the-clash/), but give your local bookstore the first shot.

Behind the Song - WDRV-FM Chicago

Hoje o Tira Gosto é uma pequena homenagem ao grande baterista nigeriano Tony Allen, pioneiro do Afrobeat que faleceu no dia 30 de abril, em Paris, na França. Nesse episódio apresentado por Jan Silva você vai saber um pouco mais sobre a trajetória do músico e suas colaborações com músicos como Damon Albarn, Paul Simonon e Simon Tong. Não deixa de seguir o Boteco Indie na sua plataforma de streaming favorita pra não perder os episódios! Siga também nossas redes sociais: Instagram: @botecoindiepod Facebook & Twitter: @botecoindie Nossos projetos musicais: @ocientistaperdido e @supervibemusic

The Opus has one more lesson about The Clash. The same curiosity that drove the English rockers to discover new genres of music also drove them to understand and empathize with the struggles going on far from their homes. That call for political action, of course, is all over London Calling -- right down to its title. Yet the reason why generation after generation continues to answer their call stems from the songwriting itself. These aren't just any ol' political anthems; they're catchy rock songs, the likes of which have crossed borders and cultures for decades. In the third and final episode of our London Calling series, host Andy Bothwell attempts to explain these cross-cultural transmissions. Once more, he's aided by a rotating panel of guests, specifically Spoon’s Britt Daniel, Killing Joke’s Jaz Coleman, AJJ’s Sean Bonette and Ben Gallaty, Worriers’ Lauren Denitzio, Let Fury Have the Hour author Antonio D'Ambrosio, journalist Robert Evans, and filmmaker Joseph Patel. In celebration of the 40th anniversary of London Calling, revisit a selection of The Clash’s best tracks via all major streaming services, and enter to win a Fender Player Precision Bass just like the one Paul Simonon played.

On the day after the UK's Tory landslide, Mark & Barney ask the legendary Kris Needs to look back at the legacy of ultimate agit-rockers the Clash on the 40th anniversary of their classic London Calling.Needs reminisces about key music venue Friar's in Aylesbury and his involvement with (and subsequent stewardship of) Pete Frame's seminal ZigZag magazine. His hosts ask about Just a Shot Away, Part 1 of his memoir of the pivotal rock year of 1969, and then discuss his integral involvement with his mates Mick Jones, Joe Strummer and Paul Simonon. Spinning off from the Clash, the trio hear a brief audio clip of tireless politico Billy Bragg talking about the Tories in 1990 – and then discuss free RBP pieces on "revolutionary rock" and "the greening of Planet Pop".Mark introduces the week's new audio interview, a 1989 conversation with the much-missed Kirsty MacColl. After we hear a clip of the singer talking to John Tobler about an unreleased album she made for Polydor, there's an appreciation of MacColl as a songwriter and all-round good egg (and, later, a clip of her talking about her timeless contribution to the Pogues' Yuletide classic 'Fairytale of New York'). Finally, Mark talks us through his highlights among the week's new library articles, including pieces on Chuck Berry playing live in Lewisham in 1965, Sweet playing the Rainbow in 1973, and Donna Summer riding the "dark horse" of disco in 1976… Many thanks to special guest Kris Needs, whose new book Just a Shot Away: 1969 revisited is out now and published by New Haven.

On the day after the UK's Tory landslide, Mark & Barney ask the legendary Kris Needs to look back at the legacy of ultimate agit-rockers the Clash on the 40th anniversary of their classic London Calling. Needs reminisces about key music venue Friar's in Aylesbury and his involvement with (and subsequent stewardship of) Pete Frame's seminal ZigZag magazine. His hosts ask about Just a Shot Away, Part 1 of his memoir of the pivotal rock year of 1969, and then discuss his integral involvement with his mates Mick Jones, Joe Strummer and Paul Simonon. Spinning off from the Clash, the trio hear a brief audio clip of tireless politico Billy Bragg talking about the Tories in 1990 – and then discuss free RBP pieces on "revolutionary rock" and "the greening of Planet Pop". Mark introduces the week's new audio interview, a 1989 conversation with the much-missed Kirsty MacColl. After we hear a clip of the singer talking to John Tobler about an unreleased album she made for Polydor, there's an appreciation of MacColl as a songwriter and all-round good egg (and, later, a clip of her talking about her timeless contribution to the Pogues' Yuletide classic 'Fairytale of New York').  Finally, Mark talks us through his highlights among the week's new library articles, including pieces on Chuck Berry playing live in Lewisham in 1965, Sweet playing the Rainbow in 1973, and Donna Summer riding the "dark horse" of disco in 1976…  Many thanks to special guest Kris Needs, whose new book Just a Shot Away: 1969 revisited is out now and published by New Haven.

On the day after the UK's Tory landslide, Mark & Barney ask the legendary Kris Needs to look back at the legacy of ultimate agit-rockers the Clash on the 40th anniversary of their classic London Calling.Needs reminisces about key music venue Friar's in Aylesbury and his involvement with (and subsequent stewardship of) Pete Frame's seminal ZigZag magazine. His hosts ask about Just a Shot Away, Part 1 of his memoir of the pivotal rock year of 1969, and then discuss his integral involvement with his mates Mick Jones, Joe Strummer and Paul Simonon. Spinning off from the Clash, the trio hear a brief audio clip of tireless politico Billy Bragg talking about the Tories in 1990 – and then discuss free RBP pieces on "revolutionary rock" and "the greening of Planet Pop".Mark introduces the week's new audio interview, a 1989 conversation with the much-missed Kirsty MacColl. After we hear a clip of the singer talking to John Tobler about an unreleased album she made for Polydor, there's an appreciation of MacColl as a songwriter and all-round good egg (and, later, a clip of her talking about her timeless contribution to the Pogues' Yuletide classic 'Fairytale of New York'). Finally, Mark talks us through his highlights among the week's new library articles, including pieces on Chuck Berry playing live in Lewisham in 1965, Sweet playing the Rainbow in 1973, and Donna Summer riding the "dark horse" of disco in 1976… Many thanks to special guest Kris Needs, whose new book Just a Shot Away: 1969 Revisited is out now and published by New Haven.Pieces discussed: The Clash, The Clasher, The Clashest, Political pop, Billy Bragg audio, Eco-pop, Kirsty MacColl audio, Mike Berry, Chuck Berry, Donna Summer, Orchestral Manoeuvres in the Dark, Sheena Easton, Def Leppard and Carl Cox.The RBP podcast is part of the Pantheon Podcasts network.

On the day after the UK's Tory landslide, Mark & Barney ask the legendary Kris Needs to look back at the legacy of ultimate agit-rockers the Clash on the 40th anniversary of their classic London Calling. Needs reminisces about key music venue Friar's in Aylesbury and his involvement with (and subsequent stewardship of) Pete Frame's seminal ZigZag magazine. His hosts ask about Just a Shot Away, Part 1 of his memoir of the pivotal rock year of 1969, and then discuss his integral involvement with his mates Mick Jones, Joe Strummer and Paul Simonon. Spinning off from the Clash, the trio hear a brief audio clip of tireless politico Billy Bragg talking about the Tories in 1990 – and then discuss free RBP pieces on "revolutionary rock" and "the greening of Planet Pop". Mark introduces the week's new audio interview, a 1989 conversation with the much-missed Kirsty MacColl. After we hear a clip of the singer talking to John Tobler about an unreleased album she made for Polydor, there's an appreciation of MacColl as a songwriter and all-round good egg (and, later, a clip of her talking about her timeless contribution to the Pogues' Yuletide classic 'Fairytale of New York').  Finally, Mark talks us through his highlights among the week's new library articles, including pieces on Chuck Berry playing live in Lewisham in 1965, Sweet playing the Rainbow in 1973, and Donna Summer riding the "dark horse" of disco in 1976…  Many thanks to special guest Kris Needs, whose new book Just a Shot Away: 1969 Revisited is out now and published by New Haven. Pieces discussed: The Clash, The Clasher, The Clashest, Political pop, Billy Bragg audio, Eco-pop, Kirsty MacColl audio, Mike Berry, Chuck Berry, Donna Summer, Orchestral Manoeuvres in the Dark, Sheena Easton, Def Leppard and Carl Cox. The RBP podcast is part of the Pantheon Podcasts network.

Consequence of Sound and Sony are proud to present the sixth season of The Opus. Past seasons have explored the legacy of iconic albums by Bob Dylan (Blood on the Tracks), The Jimi Hendrix Experience (Electric Ladyland), Jeff Buckley (Grace), Willie Nelson (Red Headed Stranger), and Ozzy Osbourne (Blizzard of Ozz). This time, we're answering the cry of the only band that matters, The Clash, and their landmark release London Calling. Host Andy Bothwell, a.k.a. Astronautalis, will begin picking up the pieces of the Paul Simonon's bass when episode one arrives December 5th. The band was in uncertain territory leading into London Calling. After parting ways with their former manager and being forced to relocate to a new rehearsal space, lead songwriters Mick Jones and Joe Strummer were hit with a year-long bout of writer's block. Even on their previous record, they'd begun veering away from the punk they'd helped popularize towards more rock 'n roll sounds. By embracing styles as varied as ska, rockabilly, and pop, they were able to not only shake off their doldrums, but shake up punk rock at large. "London Calling, is perhaps, the greatest record, from one my favorite bands of all time," says Bothwell. "To say that I am excited about covering this one, would be an ABSURD understatement! This record didn’t just change how punk sounded, it totally redefined who was punk, what punk looked like, and blew my little American mind the first time I heard it in my brother’s room back in the 80’s!" The Opus: London Calling premieres December 5th, and you can subscribe now.

KINK is op Lowlands. In deze speciale editie van Met Het OOR Op Morgen laat Jasper Leijdens je de muziek van de vrijdag van het festival horen. Ook hoor je gesprekken met Damon Albarn en Paul Simonon van The Good The Bad And The Queen, Fontaines D.C. en girl in red.Playlist:FRANK TURNER - THE NEXT STORMWEVAL - HEAVEN, LISTENTHE STREETS - LET'S PUSH THINGS FORWARDTHE CHATS - PUB FEEDTIM KNOL & BLUE GRASS BOOGIEMEN - HAPPY HOURFONTAINES D.C. - THE LOTTSJUNGLE - TIMETHE GOOD, THE BAD & THE QUEEN - MERRIE LANDROYAL BLOOD - I ONLY LIE WHEN I LOVE YOUSLAVES - ONE MORE DAY WON'T HURTGIRL IN RED - I'LL DIE ANYWAY.PUP - SIBLING RIVALRYDE STAAT - THE FANTASTIC JOURNEY OF THE UNDERGROUND MANTHE GROWLERS - NATURAL AFFAIR

In this episode, I chat to Danny Kilmartin about the iconic and ground breaking punk rock band The Clash. We discuss the culture of 1970s Britain and its influence on the band. We also discuss the band's genre hopping and love affair with reggae. We talk about the dynamic between Mick Jones and Joe Strummer ⁠— and Joe's passion for activism and socialist politics. Scripted, Edited and Hosted By Jennifer Quigley My guest was music writer Danny Kilmartin.Danny's writing:Golden PlecHeadstuffEject MagSocial MediaFacebook: www.facebook.com/ilovethisbandpodInstagram: @ilovethisbandpodMusic:Clean Soul Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/Dub Eastern Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/

Follow David Obuchowski: @DavidOfromNJListen to season one of TEMPEST: https://play.acast.com/s/tempestDavid’s articles for Jalopnik: https://kinja.com/davidobuchowskiDavid's BandsPUBLICIST UK: https://publicistuk.bandcamp.com/GOES CUBE: https://oldflamerecords.bandcamp.com/album/goes-cube-shadows-swallowed-the-flood DISTANT CORRESPONDENT: https://oldflamerecords.bandcamp.com/album/distant-correspondent-distant-correspondentDEBATED IN THIS EPISODE:Sade“Sweetest Taboo” - written by Helen Folasade Adu and Martin Ditcham - 1985Music Video: https://www.youtube.com/watch?v=kcPc18SG6uAWikipedia: https://en.wikipedia.org/wiki/The_Sweetest_TabooListen to Smokey Robinson’s “Quiet Storm”: https://open.spotify.com/track/1JhpdM2PtIsKC0lrBTPSAK?si=k5jgvmn8Q9Gsx8GJhTwsMAThe Clash“London Calling” - written by Joe Strummer, Mick Jones, Paul Simonon, Topper Headon - 1979Music Video: https://www.youtube.com/watch?v=EfK-WX2pa8cWikipedia: https://en.wikipedia.org/wiki/London_Calling_(song)Spotify: https://open.spotify.com/track/5jzma6gCzYtKB1DbEwFZKH?si=bSweD3ozRCaRTQ3b-ip7cQTribute at the Grammy’s - 2003: https://www.youtube.com/watch?v=O4le3cQERG0The Cuyahoga River Fire: https://www.history.com/news/epa-earth-day-cleveland-cuyahoga-river-fire-clean-water-actAlternate LYRICS from The Clash’s “Vanilla Tapes” Demo:London Calling to the fools in the crowdI would call it dangerous to gee your weight aroundLondon Calling - we're the kings of the SouthHated all over, kings of the mouthLondon calling, and we ain't got no swing'Cept for the ring of that truncheon thingLondon Calling at the news o'clock nineEvacuate the city appearing kindThe ice age is coming, the sun's zooming inThe paper is dry, the wheat is getting thinMeltdown expected reactor turningLondon is drowning and I live by the riverLondon Calling to mods on the runStomp out forecast seaside funLondon Calling, the past is a cultThe wrong kind of jacket proof of that (?)London C-c-c-call...Ahh-ah-ah-ahhhh!Never felt so much like..London Calling_________________________________________________Outro music by Wet and RecklessSpotify: https://open.spotify.com/artist/3sa0F9MKg72qqz5TrhhWs2?si=nSH2Ojp2QCa2iZ7h57nM5ghttps://wetandreckless.bandcamp.comFan-made music video: https://www.youtube.com/watch?v=VD6gQyH2mQw_________________________________________________Leave us a voicemail: 424-209-2071Contribute songs for us to debate on the show by adding to our playlist! - https://open.spotify.com/playlist/3VzChiSmwmd5Jv88Vl52ld?

Vandaag een speciale versie van Met Het OOR Op Morgen. Vlak voor de show van The Good The Bad And The Queen sprak Jasper Leijdens met Damon Albarn en Paul Simonon. Deze editie staat dus in het teken van het interview. Verder hoor je muziek van, en rondom The Good The Bad And The Queen. PLAYLIST:The Good The Bad And The Queen - History SongThe Clash - Guns Of Brixton (Paul Simonon)Fela Kuti - Zombie (Tony Allen)The Verve - Lucky Man (Simon Tong)Blur - Beetlebum (Damon Albarn)The Good The Bad And The Queen - The Truce Of TwilightThe Good The Bad And The Queen - Gun To The HeadViagra Boys - SportsAngel Olsen - Shut Up And Kiss MeGorillaz - On Melancholy HillThe Good The Bad And The Queen - Merrie Land

Als Frontmann von Blur hat er sich in den 90ern als eines DER Aushängeschilder des Britpop etabliert. Er hat später solo unter seinem eigenen Namen Musik veröffentlicht, er ist schon als Schauspieler in Erscheinung getreten, und als Erfinder der Gorillaz hat er einen musikalischen Act geschaffen, der immer wieder Hits kreiert – und sich gleichzeitig dem typischen Popstar-Personenkult total entzieht: Damon Albarn.The Good the Band And The Queen - Unter diesem Namen hat er sich mit ein paar anderen sehr etablierten Namen zusammengetan. Da ist zum Beispiel The Clash-Legende Bassist Paul Simonon, The-Verve- und Gorillas Live-Gitarrist Simon Tong und der nigerianische Schlagzeuger und Songschreiber Tony Allen. Raffaela Jungbauer begrüßte Damon Albarn gemeinsam mit Paul Simonon im radioeins-Studio zum Interview.

Continuamos presentando el nuevo disco de los británicos The Good, The Bad & The Queen, una especie de folk con influencias afro-caribeñas que es un tratado sobre el Reino Unido actual. Además, hacemos un repaso a las carreras en solitario de sus miembros; Damon Albarn, Tony Allen, Paul Simonon y Simon Tong.

Esta semana nos adentramos en el nuevo disco de The Good, The Bad & The Queen, "Merrie Land". Uno de los proyectos de Damon Albarn más curiosos e interesantes, en el que se junta con Paul Simonon de The Clash, Simon Tong de The Verve y con el fundador del afrobeat Tony Allen. Presentamos el disco y repasamos los proyectos paralelos y anteriores de sus miembros.

John Wilson returns with another run of the series in which he talks to leading performers and songwriters about the album that made them or changed them. Recorded in front of a live audience at the BBC's iconic Maida Vale Studios. Modern day super-group, DAMON ALBARN, PAUL SIMONON, TONY ALLEN and SIMON TONG talk to John Wilson about their acclaimed debut album "The Good, The Bad & The Queen." Released in 2007, the album brought together Blur's front-man, the bassist from the Clash, the Afrobeat pioneer who was also Fela Kuti's drummer, and former guitarist from the Verve who co-created the Magnetic North. Described by Damon Albarn as "a song cycle that's also a mystery play about London", the record was voted the Best Album of 2007 by the Observer Music Magazine and it includes the singles Herculean, Kingdom of Doom and Green Fields. Damon Albarn, Paul Simonon, Tony Allen and Simon Tong respond to questions from the audience and perform live versions of their follow-up album, 2018's "Merrie Land".

The Clash's Paul Simonon in conversation with Noisey host John Doran.Originally known as the bass player in The Clash, a lifelong artist and style obsessive, Paul was one of the key architects of the aesthetics of punk. His obsession with dub and reggae helped broaden the sound of The Clash gloriously. John spoke to him in Damon Albarn's West London Studio, where they were rehearsing for their upcoming tour as one half of The Good, The Bad & The Queen. See acast.com/privacy for privacy and opt-out information.

For our 5th episode, Marty and Kris are tackling a very pivotal year in music and popular culture-1979! We kick things off with some Whataburger evangelism (0:45) followed by some esoteric fast food talk (3:40) X-Men romantic character arcs (8:18) Marty and Kris recap what they did over the Thanksgiving holiday (10:10) Kris taking his daughter to a playground built in the 1950’s (10:56) Marty’s encounter with the Record Store Day reissue of the Gravediggaz 1994 classic “6 Feet Deep” (15:40) Kris paying a visit to Lubbock institution Ralph’s Records (17:56) Kris’s criticism of a half-cocked Sega Genesis game “Booger Man” (24:30) Kris’s thoughts on the new album by Damon Albarn and Paul Simonon’s  supergroup The Good, the Bad, and the Queen, “Merrie Land” (29:33), followed by addressing some comments that were made regarding Blues Traveler’s bassist on a previous episode (36:50). Then we switch gears and breakdown 1979’s billboard top 100 year end chart (58:08) Kris’s main sticking point with 1979, MacArthur Park (1:10:49). It’s now time for the main event as we start with Marty’s album, Gang of Four’s Post Punk romp “Entertainment!” (1:24:38). Then we move on to Kris’ pick, an album you may have heard of, The Clash’s legendary “London Calling” (1:58:50). As always hit us up on IG and Twitter @aotypodcast, and let us know what you think at aotypodcast@gmail.com. Thanks for listening!

The pair talk to Nihal about their new album Merrie Land and why for them it reflects the current state of the UK.

The Good, The Bad, and The Queen's Paul Simonon clarifies the poetry and pageantry of the band's great new British album, Merrie Land. For information regarding your data privacy, visit acast.com/privacy Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Clash was a paradox of revolutionary conviction, musical ambition, and commercial drive. We Are The Clash is a gripping tale of the band's struggle to reinvent itself as George Orwell's 1984 loomed. This bold campaign crashed headlong into a wall of internal contradictions, and rising right-wing power.While the world teetered on the edge of the nuclear abyss, British miners waged a life-or-death strike, and tens of thousands died from US guns in Central America, Clash cofounders Joe Strummer, Paul Simonon, and Bernard Rhodes waged a desperate last stand after ejecting guitarist Mick Jones and drummer Topper Headon. The band shattered just as its controversial final album, Cut the Crap, was emerging.Andersen and Heibutzki weave together extensive archival research and in-depth original interviews with virtually all of the key players involved to tell a moving story of idealism undone by human frailty amid a climatic turning point for our world.https://www.politics-prose.com/book/9781617752933Learn more about your ad choices. Visit megaphone.fm/adchoices

Vi spiller alt for lidt Paul Simonon. Ja, det er da ham fra Clash! Kæmpe stjerne. Og henne på internettet kan man købe tøj - men det sidder ikke altid helt på samme måde på os, som på de modeller dér. Det sidder da bedre! Casper & Frankie dykker ugenert ned i store følelser og hverdagsliv tilsat gode vibrationer og ustyrlige mængder guitarlir. Så smør dig bare en mad, slå fødderne op og lyt til Farrock - det har du sgu fortjent. Hver uge elsker vi en ny musiker, som får lidt ekstra kærlighed med på vejen. Værter: Casper Bach Hegstrup og Frank "Frankie" Ziyanak.

Clash dagurinn var haldinn hátíðlegur víðsvegar um heiminn í vikunni sem leið og í Rokklandi í dag framlengjum við. En við minnumst líka Jóhanns Jóhannssonar sem lést í gær 48 ára að aldri og Quincy Jones kemur líka við sögu. International Clash day er skemmtilet fyrirbæri sem útvarpsmaður á útvarpsstöðini KEXP í Seattle í Bandaríkjunum startaði fyrir 5 árum síðan - bara vegna þess að hann gat það. Hann langaði til þess og hann gerði það. Í ár tóku meira en 100 útvarpsstöðvar víðsvegar um heim þátt í Clash deginum og Rás 2 var þar á meðal og Rás 1 líka! Við tökum enn frekar ofan fyrir Clash í dag - heyrum t.d. viðtal við þá Mick Jones og Paul Simonon liðsmenn sveitarinnar en umsjíonarmaður Rokklands hitti Mick Jones á Hróarskeldu fyrir nokkrum árum þar sem hann var að spiloa með Damon Albarn og Gorillaz. Við heyrum brot af því spjalli í þættinum og heyrum Háskólarektor; Jón Atla Benediktsson segja frá dálæti sínu á Clash. Henry Rollins gerir það líka og Kevin Cole hjá KEXP. En við byrjum á að minnast Jóhanns Jóhannssonar sem fannst látinn á heimili sínu í Berlín í gær. Jóhann var einn þekktasti tónlistarmaður íslendinga fyrr og síðar, marg verðlaunaður en fyrst og fremst afskaplega hæfileikaríkur. Jóhann kom víða við en síðustu árin var það fyrst og fremst kvikmyndatónlistin sem hann einbeitit sér að enda var hann kominn þar í fremstu röð. Hann hlaut mikið lof fyrir tónlist sína í kvikmyndir kanadíska leikstjórans Dennis Villeneuves, Prisoners, Sicario og Arrival. Hann hlaut Golden Globe-verðlaun árið 2014 fyrir tónlist sína í kvikmyndinni The Theory of Everything og var jafnframt tilnefndur til Óskars-, BAFTA- og Grammy-verðlauna fyrir þá mynd. Hann var aftur tilnefndur til Óskars- og BAFTA-verðlauna fyrir Sicario árið eftir og til Golden Globe og BAFTA-verðlauna 2016 fyrir Arrival og Grammy-verðlauna ársins 2017 fyrir sömu mynd.

Clash dagurinn var haldinn hátíðlegur víðsvegar um heiminn í vikunni sem leið og í Rokklandi í dag framlengjum við. En við minnumst líka Jóhanns Jóhannssonar sem lést í gær 48 ára að aldri og Quincy Jones kemur líka við sögu. International Clash day er skemmtilet fyrirbæri sem útvarpsmaður á útvarpsstöðini KEXP í Seattle í Bandaríkjunum startaði fyrir 5 árum síðan - bara vegna þess að hann gat það. Hann langaði til þess og hann gerði það. Í ár tóku meira en 100 útvarpsstöðvar víðsvegar um heim þátt í Clash deginum og Rás 2 var þar á meðal og Rás 1 líka! Við tökum enn frekar ofan fyrir Clash í dag - heyrum t.d. viðtal við þá Mick Jones og Paul Simonon liðsmenn sveitarinnar en umsjíonarmaður Rokklands hitti Mick Jones á Hróarskeldu fyrir nokkrum árum þar sem hann var að spiloa með Damon Albarn og Gorillaz. Við heyrum brot af því spjalli í þættinum og heyrum Háskólarektor; Jón Atla Benediktsson segja frá dálæti sínu á Clash. Henry Rollins gerir það líka og Kevin Cole hjá KEXP. En við byrjum á að minnast Jóhanns Jóhannssonar sem fannst látinn á heimili sínu í Berlín í gær. Jóhann var einn þekktasti tónlistarmaður íslendinga fyrr og síðar, marg verðlaunaður en fyrst og fremst afskaplega hæfileikaríkur. Jóhann kom víða við en síðustu árin var það fyrst og fremst kvikmyndatónlistin sem hann einbeitit sér að enda var hann kominn þar í fremstu röð. Hann hlaut mikið lof fyrir tónlist sína í kvikmyndir kanadíska leikstjórans Dennis Villeneuves, Prisoners, Sicario og Arrival. Hann hlaut Golden Globe-verðlaun árið 2014 fyrir tónlist sína í kvikmyndinni The Theory of Everything og var jafnframt tilnefndur til Óskars-, BAFTA- og Grammy-verðlauna fyrir þá mynd. Hann var aftur tilnefndur til Óskars- og BAFTA-verðlauna fyrir Sicario árið eftir og til Golden Globe og BAFTA-verðlauna 2016 fyrir Arrival og Grammy-verðlauna ársins 2017 fyrir sömu mynd.

Clash dagurinn var haldinn hátíðlegur víðsvegar um heiminn í vikunni sem leið og í Rokklandi í dag framlengjum við. En við minnumst líka Jóhanns Jóhannssonar sem lést í gær 48 ára að aldri og Quincy Jones kemur líka við sögu. International Clash day er skemmtilet fyrirbæri sem útvarpsmaður á útvarpsstöðini KEXP í Seattle í Bandaríkjunum startaði fyrir 5 árum síðan - bara vegna þess að hann gat það. Hann langaði til þess og hann gerði það. Í ár tóku meira en 100 útvarpsstöðvar víðsvegar um heim þátt í Clash deginum og Rás 2 var þar á meðal og Rás 1 líka! Við tökum enn frekar ofan fyrir Clash í dag - heyrum t.d. viðtal við þá Mick Jones og Paul Simonon liðsmenn sveitarinnar en umsjíonarmaður Rokklands hitti Mick Jones á Hróarskeldu fyrir nokkrum árum þar sem hann var að spiloa með Damon Albarn og Gorillaz. Við heyrum brot af því spjalli í þættinum og heyrum Háskólarektor; Jón Atla Benediktsson segja frá dálæti sínu á Clash. Henry Rollins gerir það líka og Kevin Cole hjá KEXP. En við byrjum á að minnast Jóhanns Jóhannssonar sem fannst látinn á heimili sínu í Berlín í gær. Jóhann var einn þekktasti tónlistarmaður íslendinga fyrr og síðar, marg verðlaunaður en fyrst og fremst afskaplega hæfileikaríkur. Jóhann kom víða við en síðustu árin var það fyrst og fremst kvikmyndatónlistin sem hann einbeitit sér að enda var hann kominn þar í fremstu röð. Hann hlaut mikið lof fyrir tónlist sína í kvikmyndir kanadíska leikstjórans Dennis Villeneuves, Prisoners, Sicario og Arrival. Hann hlaut Golden Globe-verðlaun árið 2014 fyrir tónlist sína í kvikmyndinni The Theory of Everything og var jafnframt tilnefndur til Óskars-, BAFTA- og Grammy-verðlauna fyrir þá mynd. Hann var aftur tilnefndur til Óskars- og BAFTA-verðlauna fyrir Sicario árið eftir og til Golden Globe og BAFTA-verðlauna 2016 fyrir Arrival og Grammy-verðlauna ársins 2017 fyrir sömu mynd.

Musician Nick Palmer joins Bill to talk about iconic, landmark "punk" album London Calling (CBS/Epic, 1979) by the Clash. Nick describes working his way back from Green Day to picking up Combat Rock and not understanding how anyone could call it punk. Then Bill and Nick talk about Nick's fandom forming fully, the important dichotomy of Joe Strummer and Mick Jones, Paul Simonon's surprisingly good bass despite his own self-deprecating description of it, Topper Headon's killer drums, some left wing politics, the Spanish Civil war, Guy Stevens throwing chairs, and much more as we make our way through the album (mostly) track by track!

Gemma Cairney continues The Leisure Society, a new series interviewing cultural icons, innovators, artists and musicians about their pastimes, hobbies, collections and loves beyond what they are known for. This week Gemma visits Laurie Vincent, best known as one half of the Kent punk band Slaves whose have been building up their following writing songs which confront their apathy-affected generation. Laurie Vincent isn't just the guitarist in Slaves, the 24 year old is also a visual artist who had his first proper exhibition in Hoxton last year. Gemma visits Laurie in his studio in Brighton to find out about how the relationship works between his art and his music, they also discuss street art and the work of American artist Jean-Michel Basquiat, what makes someone iconic, his admiration for Paul Simonon of the Clash, education and the pressures of social media for young people.

It was on this day in 1978 that Paul Simonon and Topper Headon, two members of the UK punk group, The Clash, were arrested for shooting pigeons with an air rifle from the roof of the group's rehearsal studio. On today's "A Day in the Life", we explore the incident and the music that may, or may not, have been inspired by the incident.

SZA f. Chance the Rapper: “Child’s Play” 00:00 Just Friends: “Don’t Tell Me” 03:36 St. Vincent: “Prince Johnny” 08:07 Tame Impala: “Stranger In Moscow” 12:41 Future Islands: “Seasons (Waiting On You)” 16:57 Liars: “Vox Turned D.E.D.” 20:37 tUnE-yArDs: “Water Fountain” 25:09 Frank Ocean, Mick Jones, Paul Simonon & Diplo: “Hero” 28:12 Avey Tare’s Slasher Flicks: … Continue reading PMACAST 053

Forfatter Frode Grytten kommer til Studia for å snakke om sin nye The Clash-roman Brenn huset ned. Frode Grytten har siden sin debut i 1983 med diktsamlingen Start, blitt en av våre mest folkekjære forfattere. Musikk spiller en viktig rolle i hans forfatterskap: I Popsongar er de ulike novellene basert på ulike låter, og i Bikubesong er hovedpersonens kjærlighet til artisten Morrissey sentral. Grytten har også brukt artister som rollemodeller for sine karakterer. Dette er tilfellet i hans nyeste roman Brenn huset ned, hvor han forteller historien om det britiske punk-bandet The Clash. Hovedpersonene er bandets fire medlemmer Joe Strummer, Mick Jones, Paul Simonon og Nicky «Topper» Headon. Fortellingen hopper både bakover og fremover i tid, men tar utgangspunkt i året 1981 da bandet spilte en legendarisk konsertrekke i New York.

With John Wilson. The Clash were the noisy sound of rebellion in the late 1970s, a band who refused to perform on Top of the Pops, sold their double album for the price of a single LP, and won an international audience and critical acclaim. Three decades after their acrimonious split, band members Mick Jones, Paul Simonon and Nicky 'Topper' Headon re-unite to reflect on their career and their legacy, as they prepare to release a box set of all their music. And from the Front Row archives, we hear from the band's charismatic front-man Joe Strummer, recorded in 1999, three years before his death at the age of 50: 'musicians don't know what they're doing in a creative way, it's more like blundering around - and certainly we had no idea what sort of impact we were going to make with our blunderings'. Editor John Goudie.