Podcasts about new immigrant writing

For Episode Three of Season Five, Courtney talks to Lisa Lee Herrick and Lee Herrick. Yes, to be clear, they are married.Lisa Lee Herrick is an award-winning Hmong-American writer, illustrator, and producer. A 2021 PEN America Emerging Voices Fellow in Creative Nonfiction as well as a 2021 Finalist for the Restless Books Prize for New Immigrant Writing, Lisa is currently at work on her debut memoir.Lee Herrick is a Korean-American poet and professor. He is the author of three books of poetry: Scar and Flower, Gardening Secrets of the Dead, and This Many Miles from Desire. Lee Herrick was appointed as California Poet Laureate on November 18, 2022.Today we discuss language and power, immigration and adoption, and curiosity and empathy.PWN's Debut Review is hosted by Project Write Now, a nonprofit writing studio. Learn more at projectwritenow.org.

In this episode of the Radical Publishing Futures series, host Meg Arenberg speaks with Nathan Rostron of Restless Books. Still a relatively young press, Restless has moved in the opposite direction of many publishers: originating as an exclusively digital publisher that has recently moved to print publication of international literature, from novels to memoirs, short story and poetry collections and graphic novels. In the interview, Nathan describes the Restless Books Prize for New Immigrant Writing as the press's response to growing anti-immigrant rhetoric in the US political sphere, how translators around the world have been a critical part of Restless's discovery of exciting new writing outside the North American context and the role of book clubs and podcasts in reaching new readers. He also talks about the rebound of small presses, bookshops and community culture around books in the wake of the pandemic and recommends a few of Restless Books' most recent publications. Nathan Rostron is editorial and marketing director for Restless Books based in New York City, prior to which he helped to launch the startup Bookish.com and was an editor at Little, Brown and Company. He is also on the board of the Global Literature in Libraries Initiative and the advisory committee at Literary Hub.   Meg Arenberg is Managing Director at the Radical Books Collective.

How to get yourself in the right place to write, and how to use what you already have on the page to find your way forward, with authors Grace Talusan and Jessica Keener.Grace Talusan is the author of The Body Papers, which won the Restless Books Prize for New Immigrant Writing and the Massachusetts Book Award in Nonfiction. Her writing has been supported by the NEA, the Fulbright, US Artists, the Brother Thomas Fund, and the Massachusetts Cultural Council. She teaches in the Nonfiction Writing Program at Brown University.  Jessica Keener's latest novel, Strangers in Budapest, was an Indie Next pick, a "best new book” selection by Entertainment Weekly, Chicago Review of Books, January Magazine, Real Simple, and a Southern Independent Bookstore Association (SIBA) bestseller. Her debut novel, Night Swim, was a national bestseller, followed by Women in Bed, her collection of award-winning stories. She has taught writing at Brown University, Boston University, Grub Street, and the Story Summit, and is currently completing a new novel. An anniversary edition of Night Swim is forthcoming in February 2023. And here are some of the things we talked about.First, Nancy Krusoe's method of “burrowing” which she discusses in her contributor's notes for her story “Landscape and Dream” in The Best American Short Stories 1994:Secondly, Douglas Bauer's The Stuff of Fiction: Advice on CraftAlso the idea from Virginia Woolf of “gathering in,” most helpful for revision.And finally, one of our marvelous webinar participants (Allison Grinberg-Funes) shared a writing software tool called “focusmate”: “It's a software where you can schedule 25 or 50 minute sessions and be on video with someone. At the beginning, you say what you're working on, then you get to work! You stay in the seat. At the end of the time period, you tell the person how much you accomplished. It's free for 3 sessions a week. More than that is $5/mo and it's honestly worth it in my opinion!” This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com

In this week's episode, Kendra talks with Meron Hadero about her short story, “Street Sweep”, which recently won the AKO Caine Prize for African Writing. Plus, Didi sent along questions for Meron too! #TeamWork Thanks to our sponsors! House of CHANEL, creator of the iconic J12 sports watch. Always in motion, the J12 travels through time without ever losing its identity. Try MUBI for 30 Days at MUBI.com/ReadingWomen Check out our Patreon page to learn more about our book club and other Patreon-exclusive goodies. Follow along over on Instagram, join the discussion in our Goodreads group, and be sure to subscribe to our newsletter for more new books and extra book reviews! Things Mentioned AKO Caine Prize for African Writing - About the Prize Restless Books Prize for New Immigrant Writing Didi's Introduction to the AKO Caine Prize Didi's Q&A with Iryn Tushabe Didi's Q&A with Meron Hadero Didi's Q&A with Doreen Baingana Books Mentioned “Street Sweep” by Meron Hadero A Down Home Meal for These Difficult Times: Stories Meron Recommends The Other Shortlisted Cain Prize Authors What it Means When a Man Falls from the Sky by Lesley Nneka Arimah The Office of Historical Corrections: A Novella and Stories by Danielle Evans The Shadow King by Maaza Mengiste Addis Ababa Noir (Akashic Noir) edited by Maaza Mengiste About the Author Meron Hadero is an Ethiopian-American who was born in Addis Ababa and came to the U.S. via Germany as a young child. She is the winner of the 2020 Restless Books Prize for New Immigrant Writing. Her short stories have been shortlisted for the 2019 Caine Prize for African Writing and published in Zyzzyva, Ploughshares, Addis Ababa Noir, McSweeney's Quarterly Concern, The Iowa Review, The Missouri Review, New England Review, Best American Short Stories, among others. Website | Twitter | Facebook CONTACT Questions? Comments? Email us hello@readingwomenpodcast.com.  SOCIAL MEDIA Twitter | Facebook | Instagram | Website Music by Miki Saito with Isaac Greene Learn more about your ad choices. Visit megaphone.fm/adchoices

Priyanka Champaneri presents her new book The City of Good Death, winner of the Restless Books Prize for New Immigrant Writing, in conversation with a past winner of the prize, Grace Talusan.  In their discussion of Priyanka's novel set in Varanasi, India, a tale full of memory, ritual, and the uncanny, the two authors talk about personal and cultural superstitions and the obligations and rewards of fiction. (Recorded February 23, 2021)

In today’s episode, we have two segments of #DesiCraftChat. First, there’s Priyanka Champaneri discussing her debut novel, The City of Good Death, which won the 2018 Restless Books Prize for New Immigrant Writing. We also have Dhruti Shah discussing her new book, Bear Markets and Beyond: A Bestiary of Business Terms. The episode transcript and all links will be up in a few days at http://desibooks.co. Thank you for listening. Twitter: @DesiBooks Instagram: @desi.books Website: https://desibooks.co Email: hellodesibooks@gmail.com --- Support this podcast: https://anchor.fm/desibooks/support

We're celebrating Priyanka Champaneri’s debut novel, The City of Good Death. Priyanka will be in conversation with special guest Marjan Kamali, author of The Stationery Shop. Winner of the Restless Books Prize for New Immigrant Writing, The City of Good Death is an immersive family saga exploring death, rebirth, and redemption set in India’s holy city of Banaras.

"This is why it’s so important for immigrants and feminists to tell our own stories. If we don’t, someone will tell a story about us for their own purposes." - Grace Talusan Grace Talusan was born in the Philippines and raised in New England. A graduate of Tufts University and the MFA Program in Writing at UC Irvine, she is the recipient of a U.S. Fulbright Fellowship to the Philippines and an Artist Fellowship Award from the Massachusetts Cultural Council. She is the Fannie Hurst Writer-in-Residence at Brandeis University for 2019–2021. The Body Papers, winner of the Restless Books Prize for New Immigrant Writing, is her first book.   Connect with Grace on Instagram, Twitter, and her website.   Grace's book recommendation: Burn It Down: Women Writing About Anger, edited by Lilly Dancyger   This episode is brought to you in collaboration with Leonetti Confetti. We donate 5% of all our sales to a different feminist organization each month. Our January charity is Welcoming America. Get $5 off your Feminist Book Club Box with the code PODCAST at feministbookclub.com/shop. -- Website: http://www.feministbookclub.com Instagram: @feministbookclubbox Twitter: @fmnstbookclub Facebook: /feministbookclubbox Goodreads: Renee // Feminist Book Club Box and Podcast Email newsletter: http://eepurl.com/dINNkn   -- Logo and web design by Shatterboxx  Editing support from Phalin Oliver Original music by @iam.onyxrose Transcript for this episode: bit.ly/FBCtranscript55   Get $5 off your Feminist Book Club Box with the code PODCAST at feministbookclub.com/shop.  

Today, I’m speaking with Grace Talusan, the author of the memoir The Body Papers. Grace is a professor at Tufts University in Boston, and the Body Papers is her first book. In 2017, the yet unpublished manuscript of the Body Papers won the 2017 Restless Books Prize for New Immigrant Writing. It has been incredibly well received and has been written up by such publications as the New York Times, the Boston Globe, and Nylon Magazine. Grace’s story is one about overcoming abuse and trauma and coming to terms with her immigrant and Filipino-American identity. She carefully and intentionally navigates topics that are often set aside into the realm of the unspoken and creates a space where more stories like hers can be shared. You can support our podcast by donating to the gofundme. Here's the link Our music is composed by Basim Usmani, one of the lead vocalists of the punk band "The Kominas."

Today the Creative + Cultural Podcast connects with Grace Talusan in collaboration with UCI and the Illuminations initiative. Grace Talusan was born in the Philippines and raised in New England. A graduate of Tufts University and the MFA Program in Writing at UC Irvine, she is the recipient of a U.S. Fulbright Fellowship to the Philippines and an Artist Fellowship Award from the Massachusetts Cultural Council. Talusan teaches the Essay Incubator at GrubStreet and at the Jonathan M. Tisch College of Civic Life at Tufts. She is the Fannie Hurst Writer-in-Residence at Brandeis University. The Body Papers, winner of the Restless Books Prize for New Immigrant Writing, is her first book.     Creative + Cultural is an interdisciplinary podcast dedicated to creative collaboration and cultural innovation. Each series is designed to provide community leaders a platform to share stories about business, history, technology, and the arts. Building on UCI’s demonstrated excellence in the creative arts and cultural programming, Illuminations aims to ensure that all of our students, regardless of major, have serious and meaningful exposure to the creative arts. In addition, we seek to strengthen the connections between UCI and our regional arts and culture centers and institutions. Producer: Heritage Future and UCI Illuminations Host: Trevor Allred Guest: Grace Talusan Music composed and performed by Dan Reckard

Born in the Philippines, Grace Talusan is the 2017 Restless Books Prize winner for New Immigrant Writing for Nonfiction. She is the author of the memoir, The Body Papers , a courageous memoir that explores immigration, the trauma of abuse and the female body.

Temporary People (Restless Books) In the United Arab Emirates, foreign nationals constitute over 80 percent of the population. Brought in to construct and serve the towering monuments to wealth that punctuate the skylines of Abu Dhabi and Dubai, this labor force is not given the option of citizenship. Some ride their luck to good fortune. Others suffer different fates. Until now, the humanitarian crisis of the so-called “guest workers” of the Gulf has barely been addressed in fiction. With his stunning, mind-altering debut novel Temporary People, Deepak Unnikrishnan delves into their histories, myths, struggles, and triumphs. Combining the linguistic invention of Salman Rushdie and the satirical vision of George Saunders, Unnikrishnan presents twenty-eight linked stories that careen from construction workers who shapeshift into luggage and escape a labor camp, to a woman who stitches back together the bodies of those who’ve fallen from buildings in progress, to a man who grows ideal workers designed to live twelve years and then perish—until they don’t, and found a rebel community in the desert. With this polyphony of voices, Unnikrishnan maps a new, unruly global English and gives personhood back to the anonymous workers of the Gulf. Praise for Temporary People "Guest workers of the United Arab Emirates embody multiple worlds and identities and long for home in a fantastical debut work of fiction, winner of the inaugural Restless Books Prize for New Immigrant Writing.... The author's crisp, imaginative prose packs a punch, and his whimsical depiction of characters who oscillate between two lands on either side of the Arabian Sea unspools the kind of immigrant narratives that are rarely told. An enchanting, unparalleled anthem of displacement ​ and repatriation.​" —​Kirkus Reviews, starred review “Inaugural winner of the Restless Books Prize for New Immigrant Writing, this debut novel employs its own brand of magical realism to propel readers into an understanding and appreciation of the experience of foreign workers in the Arab Gulf States (and beyond). Through a series of almost 30 loosely linked sections, grouped into three parts, we are thrust into a narrative alternating between visceral realism and fantastic satire.... The alternation between satirical fantasy, depicting such things as intelligent cockroaches and evil elevators, and poignant realism, with regards to necessarily illicit sexuality, forms a contrast that gives rise to a broad critique of the plight of those known euphemistically as “guest workers.” VERDICT: This first novel challenges readers with a singular inventiveness expressed through a lyrical use of language and a laserlike focus that is at ​ once charming and terrifying. Highly recommended​.” —Henry Bankhead, ​Library Journal, Starred Review “Deepak writes brilliant stories with a fresh, passionate energy​. Every page feels as if it must have been written, as if the author had no choice. He writes about exile, immigration, deportation, security checks, rage, patience, about the homelessness of living in a foreign land, about historical events so strange that, under his hand, the events become tales, and he writes tales so precisely that they read like history. Important work. Work of the future. This man will not be stopped.”—Deb Olin Unferth, author of ​Revolution “Unnikrishnan’s debut novel shines a light on a little known world with compassion and keen insight. The Temporary People are invisible people—but Unnikrishnan brings them to us with compassion, intelligence, and heart. This is why novels matter​.” —Susan Hans O’Connor, Penguin Bookshop “From the strange Kafka-esque scenarios to the wholly original language, this book is amazing on so many different levels. Unlike anything I've ever read, Temporary People is a powerful work of short stories about foreign nationals who populate the new economy in the United Arab Emirates. With inventive language and darkly satirical plot lines, Unnikrishnan provides an important view of relentless nature of a global economy and its brutal consequences for human lives. Prepare to be wowed by the immensely talented new voice.”​ —Hilary Gustafson, Literati Bookstore “Absolutely preposterous! As a debut, author Unnikrishnan shares stories of laborers, brought to the United Arab Emirates to do menial and everyday jobs. These people have no rights, no fallback if they have problems or health issues in that land. The laborers in Temporary People are sewn back together when they fall, are abandoned in the desert if they become inconvenient, and are even grown from seeds. As a collection of short stories, this is fantastical, imaginative, funny, and even more so, scary, powerful, and ferocious​.”—Becky Milner, Vintage Books  Deepak Unnikrishnan ​was raised in the United Arab Emirates. ​He is a resident of Chicago and a lecturer at the Chicago Art Institute, and he has taught at New York University Abu Dhabi. Temporary People, his first book, was the inaugural winner of the Restless Books Prize for New Immigrant Writing.

Deepak Unnikrishnan is a writer from Abu Dhabi and a resident of the States, who has lived in Teaneck, New Jersey, Brooklyn, New York and Chicago, Illinois. He has studied and taught at the Art Institute of Chicago and presently teaches at New York University Abu Dhabi. Temporary People, his first book, was the inaugural winner of the Restless Books Prize for New Immigrant Writing. In this episode, Jon interviews Deepak about his new book, Temporary People. In the United Arab Emirates, foreign nationals constitute over 80 percent of the population. Brought in to construct the towering monuments to wealth that punctuate the skylines of Abu Dhabi and Dubai, this labor force works without the rights of citizenship, endures miserable living conditions, and is ultimately forced to leave the country. Until now, the humanitarian crisis of the so-called “guest workers” of the Gulf has barely been addressed in fiction. With his stunning, mind-altering debut novel Temporary People, Deepak Unnikrishnan delves into their histories, myths, struggles, and triumphs. Combining the irrepressible linguistic invention of Salman Rushdie and the satirical vision of George Saunders, Unnikrishnan presents twenty-eight linked stories that careen from construction workers who shapeshift into luggage and escape a labor camp, to a woman who stitches back together the bodies of those who’ve fallen from buildings in progress, to a man who grows ideal workers designed to live twelve years and then perish—until they don’t, and found a rebel community in the desert. With this polyphony, Unnikrishnan brilliantly maps a new, unruly global English. The post Temporary People – Ep 11 with Deepak Unnikrishnan appeared first on Read Learn Live Podcast.