Podcasts about Jamaica Kincaid

Rev. Renaldo McKenzie continues with the Lectures in Caribbean Thought at The Neoliberal Corporation Philadelphia and Jamaica Theological Seminary Kingston Jamaica. Today's class is spit up in two segments. Part 1 will introduce the initial concepts of the book Neoliberalism and then provide an overview of the course this semester. Professor McKenzie discusses the symbiotic and close connections between the currents that has come to shape the Caribbean highlighting that the trajectory of Antigua is similar to that of Jamaica and other Caribbean Islands, as Stephanie Black was able to publish a film about how Jamaica was affected by globalization after independence based on the book A Small Place about Antigua by Jamaica Kincaid. The students then engaged in a discussion about the course, in relation to some new develops in Jamaica and the Caribbean. The students and professor discussed the recent announcement by the Prime Minister about the new work center in St. Thomas and the reduction in Poverty. Part 2 of the class continues right after which provides an in-depth overview of the course, the plan for the next 10 weeks, goals, concepts, objectives, outcomes and begins to explore thinkers within the Caribbean.The Course is delivered by Rev. Renaldo Mckenzie, Author of Neoliberalism, President of The Neoliberal Corporation and a Professor at Jamaica Theological Seminary. Renaldo is also at Georgetown University completing his Doctor of Liberal Studies and graduated from the University of Pennsylvania with a Master of Philosophy and a Master of Arts. Renaldo also attended the University of West Indies and graduated from Jamaica Theological Seminary. Renaldo is Creator and Host of The Neoliberal Round PodcastSubscribe to the YouTube channel on any stream https://youtube.com/@renaldomckenzie Visit us at The Neoliberalhttps://theneoliberal.com and https://renaldocmckenzie.com Visit our store: https://store.theneoliberal.comDonate: https://www.paypal.com/donate/?hosted_button_id=USSJLFU2HRVAQCall us at 1-445-260-9198

Trädgården är det egna paradiset, men också en miljöbelastande plats. Vad har vi att lära av trädgården? Lyssna på alla avsnitt i Sveriges Radio Play. Trädgården har varit med människan genom historien, inte bara för odlingen skull utan också för att tänka och vara. Filosofen Epikuros anlade en trädgård utanför Aten för över 2000 år sedan för att undervisa i levnadskonsten. Trädgården är en plats där människan tuktat naturen, hämtat hem växter från andra delar av världen och skapat sitt eget paradis. Men vad är trädgården, är den konst eller natur eller något mitt emellan?Den amerikanska författaren Jamaica Kincaid skriver om hur hon tänker med trädgården. Genom sin vetgirighet upptäcker hon världen, den koloniala historien och sig själv. Trädgårdsarbetet innebär också en pågående process som hon inte fullt ut kan kontrollera. Vad kan vi lära oss om oss själva och världen genom trädgården?Idag är trädgården också en del av vårt konsumtionssamhälle. Vi köper mängder av, ofta importerade, växter i plastkrukor och köper nya när vi misslyckats med vårt odlande eller vill ha mer. Skapar medvetenheten om trädgårdens miljöbelastning nya tankar om trädgården?Medverkande: Sofia Cele, docent i kulturgeografi som forskar om människan relation till det gröna och författaren och trädgårdsentusiasten Amanda Svensson.Programledare: Cecilia Strömberg WallinProducent: Marie LiljedahlVeckans tips:Trädgårdens natur - Lotte MöllerThe World-Ending Fire - Wendell Berry

Kate Wolf and Medaya Ocher are joined by Deborah Treisman, the fiction editor at The New Yorker and host of The New Yorker's Fiction podcast. Deborah is the editor of a new anthology of short stories, A Century of Fiction in The New Yorker, 1925-2025, which features some of the incredible writers that The New Yorker has published over the past 100 years. There are stories by J.D. Salinger, Philip Roth, Muriel Spark, Vladimir Nabokov, Jamaica Kincaid, Mary Gaitskill, Don DeLillo and Zadie Smith and many, many more. Deborah discusses how she put the collection together and how she thinks about the short story as a form.

Kate Wolf and Medaya Ocher are joined by Deborah Treisman, the fiction editor at The New Yorker and host of The New Yorker's Fiction podcast. Deborah is the editor of a new anthology of short stories, "A Century of Fiction in The New Yorker, 1925-2025," which features some of the incredible writers that The New Yorker has published over the past 100 years. There are stories by J.D. Salinger, Philip Roth, Muriel Spark, Vladimir Nabokov, Jamaica Kincaid, Mary Gaitskill, Don DeLillo and Zadie Smith and many, many more. Deborah discusses how she put the collection together and how she thinks about the short story as a form.

Welcome back to ARTMATTERS: The Podcast for Artists.On this week's episode we are once again joined by the iconic painter Eric Fischl.Eric Fischl is an internationally acclaimed American artist known for his profound influence on figurative art. Born in 1948 in New York City, Fischl's work captures the uneasy undercurrents of American life. His journey through art education took him from Phoenix to California, where he earned his B.F.A., and later to Chicago and Nova Scotia for teaching and early exhibitions. Fischl's art, which explores the dichotomy between appearance and reality, has graced over a thousand publications and is housed in prestigious collections worldwide, from The Metropolitan Museum of Art to the Musée Beaubourg. Beyond painting, Fischl has ventured into sculpture, drawing, and printmaking and collaborated with literary luminaries like E.L. Doctorow and Jamaica Kincaid. He also founded "America: Now and Here," a multidisciplinary project fostering dialogue about American identity. A Fellow of both the American Academy of Arts and Letters and the American Academy of Arts and Sciences, Fischl resides in Sag Harbor, NY, with his wife, painter April Gornik.In last week's episode Eric and I discussed ideas of success and failure, Eric's practice bridging painting and photography, the current state of the art market and his support for a return to regionalism.Today we discuss the role of the artist, the universal vs the specific, artists from the past including Bonnard, Beckmann, Rodin and Lucien Freud, Eric discusses challenges in the studio and creative blocks, and his new series of work that utilizes VR technology.  Enjoy the show.You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!   If you have an any questions you want answered, write in to artmatterspodcast@gmail.com host: Isaac Mann www.isaacmann.com insta: @isaac.mann guest: Eric Fischlwww.ericfischl.com insta: @fischlstudio  Thank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music. 

Welcome back to ARTMATTERS: The Podcast for Artists.Happy New Year! I'm thrilled to kick off 2025 with a milestone celebration of our 50th episode. I am also extremely excited to say this special episode features a great conversation with the iconic artist Eric Fischl.Eric Fischl is an internationally acclaimed American artist known for his profound influence on figurative art. Born in 1948 in New York City, Fischl's work captures the uneasy undercurrents of American life. His journey through art education took him from Phoenix to California, where he earned his B.F.A., and later to Chicago and Nova Scotia for teaching and early exhibitions. Fischl's art, which explores the dichotomy between appearance and reality, has graced over a thousand publications and is housed in prestigious collections worldwide, from The Metropolitan Museum of Art to the Musée Beaubourg. Beyond painting, Fischl has ventured into sculpture, drawing, and printmaking and collaborated with literary luminaries like E.L. Doctorow and Jamaica Kincaid. He also founded "America: Now and Here," a multidisciplinary project fostering dialogue about American identity. A Fellow of both the American Academy of Arts and Letters and the American Academy of Arts and Sciences, Fischl resides in Sag Harbor, NY, with his wife, painter April Gornik.In the first part of my two-part series with this legendary artist, we explore a fascinating range of topics. From Fischl's studio soundtrack—moving from youthful anthems to reflections on mortality—to the intricate dance between photography and painting, he shares how fleeting moments captured in photographs evolve into compelling works on canvas. The discussion touches on the challenges of maintaining creativity, the impact of early success, and the role of failure in art-making. We also delve into the shifting art market, from regionalism to global recognition, and Eric's advocacy for a return to regional significance, where artists can find universal meaning through local context.You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!  If you have an any questions you want answered, write in to artmatterspodcast@gmail.com host: Isaac Mann www.isaacmann.cominsta: @isaac.mann guest: Eric Fischl www.ericfischl.com insta: @fischlstudio Thank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music. 

In this episode, Brayleigh, Abby, and Karlee talk about “What I Have Been Doing Lately,” by Jamaica Kincaid. The main character in the story finds herself trapped in a looping dream, but in each version, something is slightly different. In addition to the story, the girls talk about the nature of dreams, and Brayleigh shares that she's not even sure if her life is real. We hope you enjoy.Email the show! carlilelcba@gmail.comMusic from #Uppbeat (free for Creators!): https://uppbeat.io/t/bosnow/party-rock License code: 77JKG6ITA09KQZX0

Subscribe Apple | Google | Spotify | Stitcher | iHeart Support The Daily Gardener Buy Me A Coffee  Connect for FREE! The Friday Newsletter |  Daily Gardener Community Botanical History On This Day 1745 The English botanist John Bradby Blake [BRAD-bee BLAKE] is born. Though he lived a tragically short life - dying at just twelve days after his 28th birthday - John left behind an extraordinary legacy that bridges East and West through botanical art and discovery. 1877 William Rickatson Dykes [RICK-et-sun DYKES] is born in Bayswater, London. Though he began his career as a classics teacher at Charterhouse School, it was his passion for irises that would ultimately define his legacy. 1884 Harry Ferguson is born near Dromara [droh-MAR-ah] in County Down, Ireland. While we often think of gardening in terms of hand tools and intimate connections with the soil, Ferguson revolutionized how we cultivate the earth on a grand scale. Grow That Garden Library™  Read The Daily Gardener review of My Favorite Plant by Jamaica Kincaid Buy the book on Amazon: My Favorite Plant by Jamaica Kincaid Today's Botanic Spark 1994 Garden writer Barbara Pleasant just finished writing her article about extending summer's joy through winter by bringing our beloved bedding plants indoors. The article appeared in the Montgomery Advertiser in Montgomery, Alabama, the following day on November 5th. Thanks for listening to The Daily Gardener And remember: For a happy, healthy life, garden every day.

On this week's episode, I'm speaking to the incredible Jamaica Kincaid, and I am absolutely thrilled! Jamaica has been writing for decades, and is often considered a classical author of our time, bringing us work that is timeless, important and emotive. Born in Antigua, Jamaica Kincaid is a Caribbean American writer whose essays, stories, and novels are evocative portrayals of family relationships and her native Antigua.Kincaid settled in New York City when she left Antigua at age 16. She first worked as an au pair in Manhattan. She later won a photography scholarship in New Hampshire but returned to New York within two years. In 1973 she changed her name to Jamaica Kincaid, from the name she was born with - Elaine Potter Richardson This was (partly because she wished the anonymity for her writing), and the following year she began regularly submitting articles to The New Yorker magazine, where she became a staff writer for twenty years. She has won multiple awards over an incredible career, including the Prix Femina Etranger, RSL International Writer and The Paris Review Hadada prize for lifetime achievement.A keen gardener, she has written several books on the subject, including My Garden (2000) and Among Flowers: A Walk in the Himalaya (2005), a memoir about a seed-gathering trek with three botanist friends.Her latest book is poetic, illuminating and surprisingly witty. An Encyclopedia of Gardening for Coloured Children is a delightful ABC of the plants that define our world and reveals the often-brutal history behind them. Jamaica's decolonial investigation of the garden world is supplemented by brilliant illustrations from the great American artist, Kara Walker, resulting in an inventive and sometimes quite practical exploration of the truths of history in our gardens – perfect for all ages. Support the show

For the conclusion of Writers and Company, the tables are turned and author Madeleine Thien interviews Eleanor Wachtel. Recorded at the Blue Metropolis International Literary Festival in Montreal last spring, Thien speaks with Eleanor about her early life in Montreal, memorable moments from her career and more. They also look back on Eleanor's conversations with Antiguan American novelist and memoirist Jamaica Kincaid and British neurologist Oliver Sacks. Plus, Jeopardy! superchamp Mattea Roach joins Eleanor to talk about hosting CBC's new author interview show, Bookends.The entire Writers and Company archive will gradually be made available on the Simon Fraser University Library's Digitized Collections website. You can find it here: https://digital.lib.sfu.ca/writersandcompany-collection/writers-company

Notes and Links to Shannon Sanders' Work      For Episode 245, Pete welcomes Shannon Sanders, and the two discuss, among other topics, her childhood love of books, Toni Morrison and her powerful and pivotal work, Shannon's writing for her job as a lawyer, rocking sneakers at a prize-winning, and salient themes and issues in her collection like generational differences, sacrifice, family bonds, motherhood, the title's connection to guests and hosts(esses), and racism and sexism and the ways in which they work on the characters' pasts and presents.      Shannon Sanders is the author of the linked short story collection Company, which won the 2024 Los Angeles Times Book Prize's Art Seidenbaum Award for First Fiction, was named a Publishers Weekly and Debutiful Best Book of 2023, and was shortlisted for the 2024 William Saroyan International Prize for Writing. Her short fiction has appeared in One Story, Sewanee Review, Virginia Quarterly Review, Electric Literature, and elsewhere, and received a PEN/Robert J. Dau Short Story Prize for Emerging Writers. She lives in Silver Spring with her husband and three sons.   Buy Company   Review of Company in Washington Post   Shannon Sanders' Website   At about 1:35, Pete shouts out Shannon's stellar Twitter presence  At about 3:00, Shannon charts her childhood reading journey, and how she became an active writer from high school on At about 5:40, Shannon talks about chill-inducing writing and writers, including Toni Morrison, Octavia Butler, Stephen King, and VC Andrews, with modern writers like Lisa Taddeo, Deesha Philyaw, Danielle Evans,  At about 9:15, Shannon responds to Pete's questions about representation in what she has read, and she shouts out Toni Morrison (including Jazz) and Octavia Butler, to whom she was introduced in Vicki Adamson's high school class At about 11:55, Shannon talks about the writing in her lawyerly life and how it informs her fiction At about 13:50, Shannon details the wonderful experience of winning her prize at the LA Times Book Festival and her unique footwear At about 16:10, Shannon talks about Company's genre and the links between stories At about 17:30, Shannon outlines the background and rationale for using a family tree at the beginning of the book At about 19:15, Pete highlights a Sebastian Maniscalco skit that has to do with the shift in the last few decades in having “company” at home, and Shannon explains her collection's stories' connections to the idea of hosts(esses) and guests At about 21:00, Pete gives background on “The Good, Good Men,” the collection's first story, and alludes to Antonya Nelson's “In the Land of Men” At about 23:30, Birds of paradise as a story and the birds themselves are discussed as Pete asks about debts and generational expectations for all women and for Black women At about 27:35, Shannon talks about a story where you uses second person, its inspirations in Jamaica Kincaid's legendary “Girl” and others, and birth order and generational differences At about 30:50, The two discuss the theme of sacrifice through a flashback story At about 34:35, Pete highlights a story based on flashback and incredible selflessness and the ways in which the collection felt “finished” At about 38:00, Ideas of “old money” and treasured memories and empathy are discussed  At about 39:15, Shannon talks about the story “Rioja” and traces the family's machinations and subtleties At about 41:35, “La Belle Hottentot” is discussed, including the sordid and tragic history, and how it is one of two stories that are different perspectives from the  At about 44:00, Opal, the family matriarch is analyzed through a pivotal story in the collection At about 47:45, Shannon responds to Pete's questions about maintaining continuity in her story collection At about 50:50, Shannon answers Pete's questions about how much she herself shows up in the collection's characters  At about 53:00, Pete quotes Ruth Madievsky about the ways in which different writers write and edit, and Shannon discusses her own style(s) At about 54:55, The two explore ghosts and their significance in the collection At about 56:00, Shannon gives interesting background on the character Lucy and her childhood friend and the storyline At about 57:30, a “literal” ghost story is probed At about 1:01:15, Shannon talks about exciting new projects and whether characters from Company will be expanded upon At about 1:02:50, Shannon gives contact info and info for buying her book      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    I am very excited about having one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features segments from conversations with Deesha Philyaw, Luis Alberto Urrea, Chris Stuck, and more, as they reflect on chill-inducing writing and writers that have inspired their own work.       This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 246 with Ruben Reyes, Jr. He is the son of two Salvadoran immigrants, completed his MFA in fiction at the Iowa Writers' Workshop; and is a graduate of Harvard College. His writing has appeared in Audible Originals, The Boston Globe, The Washington Post, The Acentos Review, Strange Horizons, Poynter, and other publications. His debut story collection, There is a Rio Grande in Heaven, is out as of today, August 6, along with our wonderful conversation. Happy Pub Day, Ruben! Lastly, please go to https://ceasefiretoday.com/, which features 10+ actions to help bring about Ceasefire in Gaza.

Rolling Stone journalist Miles Klee brings a selection of French melancholia, Jamaica Kincaid, and tells how Mark Twain inspired Wil E. Coyote and Looney Tunes. He and Joshua briefly bond over riding the bus in L.A. to get to the podcast recording and delve into the joy of an Irish Goodbye. After listening to Miles tell of a story where the protagonist hates being at a party in one of his books, Joshua even wonders if the entire pleasure for introverts at a party isn't building up enough tension to feel the relief of leaving.Remember to rate the podcast! (if you like it)(if you don't go rate someone elses podcast who you do like bc it helps us) and subscribe if you haven't!Hosted by Joshua Turekfor touring dates and his debut poetry book visit joshuaturek.comBooks Talked About Include:"True False" and "Ivyland" by Miles Klee"Lucy" by Jamaica Kincaid"Roughing It" by Mark Twain"Downstream" by Joris-Karl Huysmans"1984" "Down and Out in Paris and London" "Animal Farm" by George Orwell"Any Person is the Only Self" by Elisa Gabbert"The Voice Imitator" by Thomas Bernhard Hosted on Acast. See acast.com/privacy for more information.

Foredrag ved Denise DeCaires NarainJean Rhys og Jamaica Kincaid er to av de fremste navnene i karibisk litteratur. Begge har trukket fram betydningen av Charlotte Brontës Jane Eyre for egen skriving. Dette foredraget vil se nærmere på hvordan denne inspirasjonen kommer til uttrykk i bøkene deres, med et særlig blikk på hvordan de skriver om sinne og galskap.For mange feministiske kritikere er Bertha Mason, «den gale kvinnen på loftet» i Jane Eyre, selve personifiseringen av kvinner som ekskluderes av patriarkalske strukturer. I dette foredraget viser Denise DeCaires Narain hvordan Rhys' og Kincaids litteratur gir dette raseriet form på måter som både er produktive og stilistisk interessante.Denise DeCaires Narain har mange år bak seg som underviser og forsker ved University of Sussex, der hun særlig har fokusert på kvinnelige karibiske forfattere og postkolonial litteratur. Nå gir hun en innføring til to av de fremste engelskspråklige forfatterne fra Karibia: Jamaica Kincaid og Jean Rhys.Foredraget er på engelsk. Hosted on Acast. See acast.com/privacy for more information.

Lecture by Denise DeCaires NarainThis lecture introduces two of the most prolific Caribbean women writers, Jean Rhys and Jamaica Kincaid, comparing their distinctive styles and thematic focus. Both writers have spoken of the significance of Charlotte Brontë's Jane Eyre in their writing lives and the lecture will explore how this plays out in their work, particularly in their respective engagements with anger and madness.For many feminist critics, Bertha Mason, Jane Eyre's “mad woman in the attic, encapsulates the fury of women excluded (or expelled) by patriarchal structures. In this lecture, Denise DeCaires Narain argues that the unique forms that Rhys and Kincaid deploy give shape to that fury in productive and stylish ways.Denise DeCaires Narain has worked at the University of Sussex for a number of years, where her research has focused especially on Caribbean writers and postcolonial literature. In this lecture, she offers a unique introduction to two of the most prominent writers from the Caribbean: Jean Rhys and Jamaica Kincaid. Hosted on Acast. See acast.com/privacy for more information.

Question: According to the Film Life and Debt, who is to be blamed for Jamaica's slow development and dependency Jamaica Government IMF and World Bank Colonialism and Europe OPEC NAFTA, WTO and USA Answer: Participate via our Spotify community page or YouTube Community Channel Page. This Lecture continues the discussion from last class exploring the paradox of sovereignty. Today we review the film "Life and Debt" by Stephanie Black about Jamaica's challenge since post-independence to develop economically as a result of the external or foreign forces using debt, structural adjustment under globalization. Globalization has not positively affected the Caribbean given what W.W. Rostow theorize about the stages of development. We begin with a reading of the text book: Neoliberalism, Globalization, Income Inequality, Poverty and Resistance, chapter 10 on Cinema and Globalization. The chapter begins with a critique of the film which we discuss briefly before we begin the film. The film is available in full via Amazon Prime for purchase. The podcast is done in audio, but is available in video via YouTube and Spotify. The Lecture is part of a course at Jamaica Theological Seminary in Jamaica via the Zoom platform, and a Lecture series by The Neoliberal Corporation. Visit us at https://theneoliberal.com Subscribe on any stream. Find your stream at https://anchor.fm/theneoliberal. Support us at https://anchor.fm/theneoliberal. The Lecture is delivered by Renaldo McKenzie, Author of Neoliberalism, available via Amazon, Barnes and Noble, The Neoliberal Store at https://store.theneoliberal.com etc. Note: The film Life and Debt provides a historical understanding of the challenge of adjustment in Jamaica and The Caribbean. Life and Debt is based on a book by Jamaica Kincaid, "A Small Place". --- Support this podcast: https://podcasters.spotify.com/pod/show/theneoliberal/support

Artist Kara Walker has investigated race, gender, sexuality, and violence through her installations, paintings, silhouettes, and films. Walker's art has won awards and is collected by museums around the world. Her work with stereotypes and the history of racial violence has pushed viewers to confront the continuing violence against Black people in America. With beloved writer Jamaica Kincaid, winner of the American Book Award, Walker is publishing An Encyclopedia of Gardening for Colored Children, a brilliant collection of essays and illustrations revealing the beauty of the natural world and the terrible history of colonialism. In July 2024, SFMOMA is releasing a site-specific installation by Walker, focusing on the global loss due to COVID-19, trauma, and technology. On June 6, 2024, Kara Walker came to the Sydney Goldstein Theater in San Francisco to be interviewed on stage by New Yorker staff writer Doreen St. Félix.

Here it is! The final episode of CraftTalks season three –featuring our 2024 St. Louis Literary Award recipient Jamaica Kincaid.

Jamaica Kincaid discusses with Ivan six things which should be better known. Jamaica Kincaid was born in St. John's, Antigua. Her books include At the Borrom of the River; Annie John; Lucy; The Autobiography of My Mother; My Brother; Mr Potter; and See Now Then. She teaches at Harvard University and lives in Vermont. Her new book is an Encylopedia of Gardening for Colored People at https://blackwells.co.uk/bookshop/product/9780374608255?gC=5a105e8b. Let Love Come Between Us by James and Bobby Purify https://www.youtube.com/watch?v=32CgFcOSbxw 26 of the 50 United States bear the names of Native Americans https://thoughtcatalog.com/james-b-barnes/2014/10/26-states-that-were-named-by-native-americans-was-your-state/ The Travels of William Bartram https://www.smithsonianmag.com/science-nature/americas-first-great-enviromentalist-florida-william-bartram-180983452/ The first paragraph of the 3rd Chapter of the Life of Frederick Douglas https://www.sparknotes.com/lit/narrative/full-text/chapter-iii/ Ervartung, a mono-drama opera with music by Arnold Schoenberg https://www.theguardian.com/culture/2002/feb/01/artsfeatures.classicalmusicandopera The seed packet was invented by The Shakers, an English Protestant sect, who immigrated to America and made many beautiful and useful things for the home. Their beliefs were quite severe regarding sex so no children were produced to ruin the beautiful and useful things they made for the home https://digventures.com/2018/02/11-things-we-still-use-that-were-invented-by-the-shakers/ This podcast is powered by ZenCast.fm

When writer Jamaica Kincaid was informed last year that she'd receive the 2024 St. Louis Literary Award, she thought it was a prank. The author of such works as “Annie John” and “A Small Place” says she's honored to join a distinguished list of writers to have received the award including Neil Gaiman, Margaret Atwood and Zadie Smith. In this episode, Kincaid discusses her upbringing and career as a prominent writer.

Chioma Okereke discusses with Ivan six things which should be better known. Born in Nigeria, Chioma Okereke grew up in London and studied law at UCL. She started her writing career as a performance poet before turning her hand to prose. Her debut novel, Bitter Leaf (Virago), was shortlisted for the Commonwealth Writers' Prize, and her short story, Trompette De La Mort, received First Runner Up in the Costa Short Story Award. Her new novel is Water Baby. Jamaica Kincaid https://www.theparisreview.org/blog/2022/04/07/jamaica-kincaids-rope-of-live-wires/ Cadaqués https://www.lonelyplanet.com/spain/cadaques PRP (platelet rich plasma) https://www.webmd.com/fitness-exercise/platelet-rich-plasma-injections Raye https://www.rollingstone.com/music/music-features/raye-escapism-21st-century-blues-interview-1234671381/ Tiger nuts https://www.sciencedirect.com/science/article/pii/S2772753X23003325 Andre Brink https://www.theguardian.com/books/2015/feb/08/andre-brink This podcast is powered by ZenCast.fm

¿Cuántas cosas se pueden decir a través de la historia de un objeto? Y más, si ese objeto, esa cosa destinada al olvido, pasó por las manos de personas importantes, ¿qué recuerdos guarda? Como si se tratara de un arcón, la narradora de este texto recurre al atuendo amarillo de su primera infancia para narrar el vínculo con su madre y la manera en que ella le presentó el mundo. “Biografía de un vestido” fue publicado por primera vez en 1992 en la revista literaria Grand Street. Esta versión traducida fue tomada del sitio web de Granta en español. ++++++++++++++++++++++++++++++++++ Editó este episodio: DANY FERNÁNDEZ para Activando producciones Seguilo: https://www.instagram.com/danyrap.f/ https://www.instagram.com/activandoproducciones.proyecto/ La ilustración es de Federico Raiman Seguilo: https://www.instagram.com/federicoraiman/ ++++++++++++++++++++++++++++++++++ ¿Te gustaría patrocinar POR QUÉ LEER? Conocé cómo en https://porqueleer.com/patrocina ++++++++++++++++++++++++++++++++++ Soy Cecilia Bona y creé Por qué leer para promover el placer por la lectura. ¿Ya me seguís en redes? ⚡https://instagram.com/porqueleerok ⚡https://twitter.com/porqueleerok ⚡https://www.facebook.com/porqueleerok/ Qué es POR QUÉ LEER Por qué leer es un proyecto multiplataforma que promueve el placer por la lectura. La idea es contagiar las ganas de leer mediante recomendaciones, reseñas y debates. ¡Cada vez somos más! CECILIA BONA Soy periodista, productora y creadora de contenidos. Trabajé en radios como MITRE, VORTERIX y CLUB OCTUBRE. Amo leer desde pequeña, incentivada especialmente por mi mamá. En Por qué leer confluyen muchas de mis pasiones -la radio, la edición de video, la comunicación- y por eso digo que está hecho con muchísimo amor.

Die heute weltweit bekannte Schriftstellerin Jamaica Kincaid begann ihre Karriere in den 1970er Jahren als Kolumnistin des Magazins The New Yorker. Ihre frühen journalistischen Texte, durch die sie sich schon deutlich als begabte Erzählerin zu erkennen gibt, versammelt nun der Band „Talk Stories“. Rezension von Ulrich Rüdenauer

This week we read the incredible Jamaica Kincaid, Antiguan-American novelist & essayist (& gardener!), and she got us thinking about parent-child relationships, the nature of British tourism, and as always we end up circling right back to colonialism.In this episode, we discuss her debut novel, 'Lucy', her collection of short stories 'At the Bottom of the River' and her anti-colonial essay 'A Small Place'Follow us on instagram: thestackedpodSign up for our newsletter: Stacked WeeklyProduced by AiAi Studios:www.aiaistudios.comhttps://www.instagram.com/aiai.studios/ Hosted on Acast. See acast.com/privacy for more information.

Karches, Norawww.deutschlandfunk.de, Büchermarkt

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This week we read and discussed My Garden (Book): by Jamaica Kincaid. It's memoir, it's essays, it's history, it's botany, it's maybe not what you'd normally choose to read if you're a fan of our typical fare, but it has a lot of great ideas to think and talk about. You should still read Jamaica Kincaid even if this one isn't for you. Becca recommends the novel Lucy or another work of nonfiction about her home, Antigua, called A Small Place. March's prompt for the Bookstore Challenge 2024 is to read a book with a name in the title. Becca's pick, Bless Me, Ultima by Rudolfo Anaya, will be first. Followed by Corinne's choice: I, Tituba, Black Witch of Salem by Maryse Conde. And then Becca is way ahead of us and has already chosen her read for April's prompt (Envirionmental Fiction) Latitudes of Longing by Shubhangi Swarup. ______ If you want to read along with The Bookstore Challenge 2024, you can join us on The StoryGraph to see what others are reading for each month and get ideas for your TBR: The Bookstore Challenge 2024. Get two audiobook credits for the price of one at Libro.fm when you sign up using the code BOOKSTOREPOD. Website | Patreon

'I kept this condition very, very secret from everybody.' Adele Dumont's remarkable new memoir, The Pulling, details her life with trichotillomania — a mental health condition that, at times, has consumed her life. In this episode, she discusses the unique writing process that enabled her to put long-held secrets first on the page and then into the public sphere. She also describes the impact of revealing her illness through her memoir, especially to family and friends who knew nothing about her condition. We discuss the shame linked to trichotillomania and whether sharing her story has shifted this feeling. Adele Dumont is an Australian writer and critic. Her work has appeared in Griffith Review, Meanjin, Southerly, ABR, and Sydney Review of Books. Adele's first book, No Man Is an Island, is an account of her experiences teaching English to asylum seekers in detention. Adele lives in Sydney, where she works as an English language teacher and examiner.  'Get your copy of The Pulling from Booktopia or your local bookshop.' Books and authors discussed in this episode: Lee Kofman (from episode 76); Helen Garner; Adele's Guardian article; Annie John by Jamaica Kincaid; The Wolves of Eternity by Karl Ove Knausgård; Unfinished Business by Shankari Chandran (from episode 48) Upcoming events  Ashley is teaching Online Feedback: Manuscript Development for Writing NSW starting 4 March 2024 As part of Seniors Week, Ashley is teaching memoir writing at Glen Street & Warringah Mall Library, on 15 and 19 March Ashley is teaching Writing Crime Fiction, a six-week online course with Faber starting 15 May 2024  Learn more about Ashley's psychological thriller Dark Mode and get your copy here or from your local bookshop.  Learn more about James' award-winning novel Denizen and get your copy here or from your local bookshop. Get in touch! ashleykalagianblunt.com jamesmckenziewatson.com Instagram: @akalagianblunt + @jamesmcwatson

Welcome to the CodeX Cantina where our mission is to get more people talking about books! Was there a theme or meaning you wanted us to talk about further? Let us know in the comments below! Today we discuss "What I Have Been Doing Lately" by Jamaica Kincaid. Jamaica Kincaid Playlist: https://www.youtube.com/watch?v=PmkPonC2hHc&list=PLHg_kbfrA7YBCgPRoQGqL9oKJCRlwwtiC ✨Do you have a Short Story or Novel you'd think we'd like or would want to see us cover? ☕️ Buy Us a Coffee/Support my Channel!: https://ko-fi.com/thecodexcantina

For our first read of the February Bookstore Challenge Prompt (read a memoir written by a writer) Corinne chose Priestdaddy by Patricia Lockwood. It's a memoir about being a poet and having your dad literally be a Catholic priest. And we're of divided opinions for once. Next time we will read My Garden (Book): by Jamaica Kincaid. This is out of print, but can be found at the library or used. Or if you're patient, a new edition will be available from Picador in July 2024. In March we will be reading I, Tituba, Black Witch of Salem by Maryse Conde and Bless Me, Ultima by Rudolfo Anaya. Content Warnings: Sexual assault, religious trauma, infertility. Books mentioned: David Sedaris (general) No One is Talking About This by Patricia Lockwood How to Say Babylon by Safiya Sinclair _________ If you want to read along with The Bookstore Challenge 2024, you can join us on The StoryGraph to see what others are reading for each month and get ideas for your TBR: The Bookstore Challenge 2024. Get two audiobook credits for the price of one at Libro.fm when you sign up using the code BOOKSTOREPOD. Website | Patreon

Our second book for January's prompt to read a book set in a place where you're from is Jim Harrison's True North. True North is set mostly in the Upper Peninsula of Michigan, and follows David Burkett, descendant of lumber barons as he struggles with his family's tarnished legacy.... hahaha jk it's really just a guy talking about his dick constantly. We do not recommend. Content warning: rape, sexual assault, violence, violence against women, violence against children, adult topics, sex, body anatomy, swearing Our next book discussion will be Priestdaddy by Patricia Lockwood, and following that will be My Garden (Book): by Jamaica Kincaid. You can find them at your local bookstore or library and read along with us.  If you want to read along with The Bookstore Challenge 2024, you can join us on The StoryGraph to see what others are reading for each month and get ideas for your TBR: The Bookstore Challenge 2024. Get two audiobook credits for the price of one at Libro.fm when you sign up using the code BOOKSTOREPOD. Website | Patreon

Host Meg Wolitzer presents two stories about close—but complex—ties of family and friendship. Jamaica Kincaid offers up a lyrical, dreamlike account of the mother/daughter bond in “My Mother,” performed by Laurine Towler. In Laura van den Berg's “Lessons” a quartet of youthful bank robbers faces hard questions about love and loyalty. The story is read by Emily Skeggs.

Bonus episode: Writer and novelist Jamaica Kincaid redefined garden writing with books such as My Garden (Book) and Among Flowers, as well as changing perspectives on the post-colonial experience through titles such as A Small Place and Lucy. We meet the Antiguan-American author in the halls of Charleston House, Sussex, where Bloomsbury Group artists Vanessa Bell and Duncan Grant made art, a home, and a life-long relationship. In a quiet moment away from Charleston's Festival of the Garden, Jamaica tells us about how gardening sits alongside her writing practice, how she converses with her plants and what they teach her about mortality.  This podcast is inspired by my book, Why Women Grow: Stories of Soil, Sisterhood and Survival, which is available from all good book shops.   The Why Women Grow podcast is produced by Holly Fisher, and theme music is by Maria Chiara Argiro. Thank you to Canongate and Uprooting, by Marchelle Farrell, for supporting this episode. We are grateful to our hosts at Charleston House and to Hollie Fernandes for her beautiful photographs of Jamaica Kincaid taken there. 

Notes and Links to Sarah Thankam Mathews' Work        For Episode 198, Pete welcomes Sarah Thankam Mathews, and the two discuss, among other topics, her early reading and writing and experience with multilingualism, contemporary and not-so contemporary writers who left an imprint on her with their visceral work and distinctive worldbuilding, “seeds and fertilizer” for her standout novel, including the vagaries of post-college life and the tragedies and communal love that came with the COVID pandemic, and pertinent themes in her book, like alienation, sexual trauma, “found family” and community building, and problematic capitalism.        Sarah Thankam Mathews grew up between Oman and India, immigrating to the US at seventeen. She is author of the novel All This Could Be Different, shortlisted for the 2022 National Book Award and the 2022 Discover Prize, nominated for the Aspen Literary Prize. Formerly a Rona Jaffe Fellow in fiction at the Iowa Writer's Workshop, and a Margins Fellow at The Asian American Writers Workshop, she has work in Best American Short Stories 2020 and other places. A proud product of public schools, she lives in Brooklyn, New York. Buy All This Could Be Different   Sarah's Website   Sarah's Substack   Review of All This Could Be Different from Los Angeles Review of Books At about 1:35, Sarah discusses her current paperback tour and what she's heard about the book from readers and observations she has after a year of publication for All This Could Be Different   At about 4:50, Sarah gives background on her early relationship with languages, particularly Hindi, English, and Mayalalam   At about 7:30, Sarah discusses early reading that was influenced by living in what she calls a “tertiary” book market; she mentions transformational and formational books like The Bluest Eye and Arundhati Roy's The God of Small Things as books that left her “profoundly rearranged”   At about 10:20, Sarah shouts out Jamaica Kincaid's Luck as a helpful companion as she wrote All This Could Be Different   At about 12:20, Sarah responds to Pete's question about how Sarah saw her early reading in terms of representation; she points to ideas of visceral pleasure with that reading     At about 14:20, Sarah expands on ideas of pathos as a driving force at times as she wrote her book   At about 15:30, Sarah cites C Pam Zhang, Isle McElroy, Lydia Kiesling,  as some of the many contemporary writers who she admires and is thrilled by   At about 17:45, Sarah coins the cool term “proprietary physics” and how Lydia Kiesling exemplifies the phrase   At about 19:15, Sarah highlights Cohen's The Netanyahus and Homeland Elegies from Ayad Akhtar   At about 20:15, Sarah drops a haunting and amazing fact about publishing from 9/11   At about 20:40, Sarah provides seeds for the book, both in the immediate past and the thought process from the more distant past   At about 23:20, Sarah talks about Bed Stuy Strong, a mutual aid organization she started in 2020, and how the “seeds and fertilizer” for the book came from this time    At about 29:10, Pete lays out the book's exposition and Sarah responds to why she chose to set the book in 2012 or so   At about 32:30, The two discuss the book's pivot point, which happened before the book's main chronology; Sarah expands on the ways in which Sarah's relationships and ethic and view on her previous life in India come from this pivotal and traumatic event   At about 37:30, Sarah speaks to the importance of Milwaukee and its history and her knowledge of it, and why she made the setting what it was    At about 42:10, Sarah responds to Pete's asking about Sneha's complicated relationship with her parents   At about 46:30, Sarah talks about the “absolutely bonkers act” that leads to a misunderstanding between Marina and the smitten Sneha   At about 49:40, Sarah gives background on Sneha's boss and how his character evolved in her various drafts   At about 51:15, The two discuss the idea of “The Pink House” and its significance   At about 54:00, Sarah discusses her book as a coming of age story and her desire to portray deep friendships and love   At about 58:40, Pete notes the success of the well-drawn flashbacks and flashforwards and fanboys over the fabulous and eminently memorable last scene and last line of the book, and Sarah describes what the “page [was] revealing to her” as the book's ending morphed   At about 1:02:05, Sarah discuss the book as (perhaps subtly) hopeful   At about 1:03:10, Pete asks Sarah about future projects   At about 1:04:00, Sarah drops some important insights that are useful advice for young (and old) writers   At about 1:04:50, Sarah shares contact info, social media, and bookstores where to buy her book, including The Word is Change in Bed Stuy, Brooklyn    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.    Please tune in for Episode 199 with Jared Beloff. He is the author of Who Will Cradle Your Head and the microchap This is how we say “I love you.” He is also a peer reviewer for The Whale Road Review, and his work has been nominated for Best of the Net and the Pushcart Prize.    The episode will air on August 15.

Notes and Links to Jessica Cuello's Work      In Episode 195, Pete welcomes Jessica Cuello, and the two discuss, among other topics, her deep love for poetry and the French language, the power of libraries, transformational work by Jamaica Kincaid, the history of Mary Shelley, her mother, Mary Wollstonecraft, and the chaotic and amazon lives led by the family members, ideas of guilt, trauma, misogyny, feminist power, death, doomed love, and identity.     Jessica Cuello's most recent book is Yours, Creature (JackLeg Press, 2023). Her book Liar, selected by Dorianne Laux for The 2020 Barrow Street Book Prize, was honored with The Eugene Nassar Prize, The CNY Book Award, a finalist nod for The Housatonic Book Award, and a longlist mention for The Julie Suk Award. Cuello is also the author of Hunt (The Word Works, 2017) and Pricking (Tiger Bark Press, 2016). Cuello has been awarded The 2022 Nina Riggs Poetry Prize, two CNY Book Awards, The 2016 Washington Prize, The New Letters Poetry Prize, a Saltonstall Fellowship, and The New Ohio Review Poetry Prize. In addition, Cuello has published three chapbooks: My Father's Bargain (2015), By Fire (2013), and Curie (2011). In 2014 she was awarded The Decker Award from Hollins University for outstanding secondary teaching. She is poetry editor at Tahoma Literary Review and teaches French in CNY.      Buy Yours, Creature   Jess' Website   Review of Yours, Creature At about 2:30, Jessica responds to Pete asking about where to buy Yours, Creature, and her social media/contact information   At about 3:40, Jessica talks about her relationship with language and literature, as well as books like Jamaica Kincaid's that changed her trajectory, and her relationships with libraries, small towns, and urban areas   At about 11:10, The two discuss teaching foreign language and evolving pedagogy   At about 12:05, Jessica answers Pete's questions about any links between French-which she teaches-and her own writing    At about 14:30, Pete talks about Mary Wollstonecraft and his knowledge or lack thereof in asking Mary about the links between her and her daughter, Mary Shelley; Jessica talks about seeds for her interest in the Marys   At about 20:10, The two discuss the frenetic life, particularly her teens and 20s, of Mary Shelley   At about 21:20, Pete asks about the rationale for the poetry collection's title; Jessica speaks to its significance    At about 22:55, Pete speaks about the epistolary form of the letters and wonders about the formality of much of the work   At about 24:10, Jessica gives background on her structure for the book and its iterations    At about 25:50, Pete lays out the book's first poem and birth and death; he reads from Page 4 and asks Jessica about ideas of revenge; she speaks of an evocative image   At about 28:30, Jessica cites evidence of Shelley's father, Godwin, and the stories he wrote about her life and the violence he perpetrated    At about 30:25, Pete reads from some early poems, laying out the divide between mother and stepdaughter   At about 31:00, The theme of loss is discussed   At about 31:50, Jessica reflects on her usage of initials for the males in the collection, particularly Godwin   At about 34:50, The two concentrate on a poem that deals with “threes” and the family dynamic after Mary Wollstonecraft's death and ideas of guilt   At about 37:10, Jessica explains a blank in a poem and its meanings and her rationale   At about 38:40, Jessica explains a legend about Mary Shelley and Percy's trysts    At about 40:25, Pete reads telling and moving lines about grief from the collection   At about 41:20, Men in Shelley's life are discussed in their flightiness, and Pete asks Jess about what shone through for Mary in loving Percy   At about 44:15, Pete highlights strong imagery, and Jess talks about Fanny, a half-sister of Mary, and ideas of women not wanting to “inconvenience” others   At about 47:25, Traumas of many types are discussed    At about 49:00, Jessica responds to Pete's wondering about “the creature” and its origins and meanings; Jessica and Pete reflect on the creature as “feminine”    At about 52:30, The two discuss the ways women's bodies are viewed, as Pete cites important lines from the collection   At about 54:00, Pete asks about any future project that Jessica is working on     You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.    Check out the next episode, which airs on August 1. Chloe Cooper Jones is a contributing writer at The New York Times Magazine; She is also a Pulitzer Prize finalist in Feature Writing for “Fearing for His Life,” a profile of Ramsey Orta, the man who filmed the killing of Eric Garner, and the recipient of the 2020 Whiting Creative Nonfiction Grant and the 2021 Howard Foundation Grant from Brown University, with both grants in support of her 2023 book, Easy Beauty.    The episode will air on August 1.

Episode 191 Notes and Links to Sarah's Work       On Episode 191 of The Chills at Will Podcast, Pete welcomes Sarah Fawn Montgomery, and the two discuss, among other things, her early reading and writing, storytelling, growing up in Central California, the ways in which blue-collar Americans have been depicted-or not depicted in literature, and salient themes in her essay collection, like nostalgia, father-daughter relationships, cycles of poverty and violence and trauma, and evolving ideas of home.      Sarah Fawn Montgomery is the author of Halfway from Home (Split/Lip Press, 2022), Quite Mad: An American Pharma Memoir (The Ohio State University Press, 2018) and the poetry chapbooks Regenerate: Poems of Mad Women (Dancing Girl Press, 2017), Leaving Tracks: A Prairie Guide (Finishing Line Press, 2017), and The Astronaut Checks His Watch (Finishing Line Press, 2014). Her work has been listed as notable in Best American Essays many times, and her poetry and prose have appeared in Brevity, Crab Orchard Review, DIAGRAM, Electric Literature, LitHub, New England Review, The Normal School, Passages North, Poetry Foundation, The Rumpus, Southeast Review, Terrain, and numerous other journals and anthologies. She holds an MFA in creative writing from California State University-Fresno and a PhD in English in creative writing from the University of Nebraska-Lincoln. She is an Associate Professor at Bridgewater State University in Massachusetts.      Buy Halfway from Home: Essays   Sarah's Website   Review of Halfway from Home: Essays from Kirkus Review   Split Rock Review-Review of Halfway from Home   At about 2:20, Sarah talks about her early relationships with reading and writing, and about how she wanted to write stories about often-overlooked working-class people   At about 4:20, Sarah cites some early favorite books and writers, and she analyzes the ways she reads a favorite, Joan Didion, now differently than she did then   At about 7:00, The two discuss class and how it is talked about in our society (or not) and represented in literature    At about 9:00, Sarah discusses how she got excited about writing-she shouts out to a high school teacher who gave a meaningful and transformative journal assignment and invited Sarah to keep writing   At about 13:00, Sarah references nonfiction writers who thrilled her in college-like Audre Lorde, Sandra Cisneros, and Jamaica Kincaid-and thrill her today, like Chen Chen, Ada Limón, Donika Kelly, Saeed Jones, Dorothy Chan, and torrin a. greathouse     At about 14:40, Sarah recounts the genesis of her Halfway From Home collection and answers Pete's questions about making the individual essays cohere   At about 17:40, Pete summarizes the book's first essay and its “dig sites” and focus on her father's whimsy and her love of dirt-it's called “Excavation”    At about 19:00, Sarah speaks to the significance of “excavation” in the first story and beyond   At about 21:00, Pete compliments the story's “imagined ending” and Sarah speaks about its significance and background    At about 23:25, Sarah discusses the power and symbolism of fire and light, cold and darkness, as featured in her book   At about 26:10, The two discuss ideas of homes, serenity, and respite from traumas and chaos   At about 31:30, The two discuss her essay on cartography   At about 35:40, Pete muses   At about 37:00, The history of Sarah's family in mines is discussed, along with the multiple meanings of “descendants”   At about 40:50, Sarah talks about “complicating humanity,” especially with regards to her grandfather and grandmother   At about 42:15, Pete asks about the end of an essay and how Sarah approached its second-person address   At about 44:20, The two discuss nostalgia and its connections to the essays, the intriguing concept of saudade, and nostalgia's history as something to be discouraged   At about 48:35, Pete recounts how nostalgia has informed the podcast's ethos   At about 50:45, Sarah confesses to being “anti-time” (!) and the two reference a classic Saved by the Bell scene   At about 54:45, Cycles of violence as depicted in the essay are examined   At about 56:45, Sarah reflects on how she sees and saw he father throughout her collection and in more recent times   At about 1:01:00, Pete notes the ways in which women in Sarah's family are portrayed in her collection    At about 1:02:30, Pete compliments a beautiful scene with father and daughter and Sarah talks about the nostalgia associated with parents and childhood-Pete    At about 1:04:45, Sarah shares an interesting new project involving combatting ableist writing as default    At about 1:05:50, The two fan boy/girl over Alice Wong's work   At about 1:06:15, Sarah shouts out her publisher Split Lip Press as a place to buy her book   At about 1:06:45, Sarah gives out social media/contact information    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.    Please tune in for Episode 192 with Donovan X Ramsey. He is a journalist, author, and indispensable voice on issues of identity, justice, and patterns of power in América; When Crack Was King: A People's History of a Misunderstood Era comes out on June 11, i.e. the day this episode with Sarah has been published.  The episode will air on July 18.

We pick out the best of the summer's festivals, including Byline  Festival, Charleston's Festival of the Garden, Cheltenham Music Festival, Henley Festival and The Idler Festival. Jo Bausor, who's been at the helm of Henley Festival for over a decade, tells us about the impressive line-up at Britain's only boutique black tie festival. Acts performing include Boney M, Nile Rodgers & Chic, Rag n'Bone Man and Westlife.  There's a fabulous line-up of comedians too, like Jo Brand, Marcus Brigstocke, Jack Dee and Adam Kay.  Expect floating stages, fine riverside dining and fireworks and much more besides. Political journalist, Otto English, tells us about the Byline Festival in collaboration with Dartington Trust. Taking place at Dartington Hall in Devon, the festival aims to change the world with its big, challenging ideas and is guaranteed to spark controversy and robust debate.   Speakers include Lord Victor Adebowale, Dawn Butler MP, Bonnie Greer, Rosie Holt, George Monbiot and Peter Oborne. Finally, Harry Hoblyn, head gardener gives us the lowdown on the Festival of the Garden at Charleston, rural retreat of the Bloomsbury set and famously home to Duncan Grant and Vanessa Bell.  Celebrating communities who care about plants and the land, the festival will include butterfly walks and garden tours.  Speakers include Isabel Bannerman, Edmund de Waal, Jake Fiennes and the Antiguan-American novelist, Jamaica Kincaid. Byline Festival, 14th to 16th July, Dartington Hall, Totnes, Devon Charleston Festival of the Garden, 13th to 16th July, Charleston, East Sussex Cheltenham Music Festival:  8th to 15th July, around Cheltenham Henley Festival:  5th to 9th July, around Henley The Idler Festival : 7th to 9th July, Fenton House, Hampstead, London

On June 7th, 2023, at Jamaica Theological Seminary: Critical thinking in Caribbean Thought: What Is the Caribbean and What is the socio-economic context? the Caribbean is an invention of the 20th century. Where is the Caribbean and are the Caribbean people Americans? What is Critical Thinking and how is it important to the study of Caribbean Thought? Do we have any Urban Indian Heritages in the Caribbean? Important Themes/Topics/Contributors: Immigration Subaltern/History from Below Misclassified Urban Indians - Dependent Capitalism – Renaldo McKenzie, Democratic Socialism – Keith and Novella Nelson, Neoliberal Globalization/ Strategy. Franz Fanon/Homi Bhabha, Bob Marley/Louise Bennet/Rex Nettleford Stephanie Black and Jamaica Kincaid, CLR James, Norman Girman, Walter Rodney, V.S. Naipaul, Ramesh Sarwan, Bishop, Castro and Manley/Seaga inequality, Poverty, Penetration, Theology, Technology and Opportunity Introduction: Define critical thinking as evaluating thoughts and challenging truths. Emphasize reflection and the pursuit of progress through critical thinking. Descartes and Existential Dilemma: Explore Descartes' quote "Cogito ergo sum" (I think, therefore I am). Note its limited proof of existence to one's own reality. Critical Thinkers Throughout History: Discuss influential thinkers like Foucault, Kant, and Marx. Highlight their challenges to norms and impact on societal progress. Post-Colonial and Post-Modern Perspectives: Question dominant narratives and institutionalism. Examples: Fanon, Bhabha, Naipaul. Analyzing and Evaluating: Describe critical thinking as metaphysical and analytical. Highlight use of logic, reason, and exploring thoughts. Fairness, Openness, and Bias: Acknowledge personal bias and examine multiple perspectives. Emphasize fair and open-minded evaluation. Developing Critical Thinking: Developed through training, exploration, and challenging beliefs. Reliance on clear reasoning and past knowledge. Postcolonial Man as a Critical Thinker: Postcolonial individuals engaging in critical thinking. Skepticism towards history and moral codes. Conclusion: Summarize key points and reinforce critical thinking as transformative. Encourage further engagement in critical thinking. Part 2: “The Negro Is Not Anymore Than the Whiteman,” Fanon What does Fanon Mean by this? Unveiling the Authentic Self: Analyzing Black, Brown, and Pan-African Struggles for Prosperity and Independence. We begin by Exploring Black, Brown, and Pan-African Struggles for Prosperity and Independence in the Context of Historical and Current Realities. Frantz Fanon's psychoanalysis of the "colonized" individual, challenging dominant perspectives and aiming for self-empowerment. Homi Bhabha further examines the disruption of colonial subjects' alignment, revealing an authentic self through a break from the norm. Shifting to Jamaica, using Mckenzie's Neoliberalism Book the Caribbean, and the Global South, this analysis acknowledges the idealized image of paradise while addressing the economic and political challenges faced by the people. Copyright: The NeoLiberal Corporation and Renaldo McKenzie, 2023. Original and full presentation by Renaldo McKenzie, 2022 (What is Critical Thinking in The NeoLiberal Journals), summarized for PowerPoint by AI. Made with Clipchamp/Zoom/ https://theneoliberal.com. Renaldo is Adjunct Professor and Author of Neoliberalism. https://renaldocmckenzie.com For references, contact us. The NeoLiberal Corporation is celebrating 2 years of service and dedication to progress, empowerment, diversity and research. We have touched over 100,000 people worldwide. We need your help to capitalize on our opportunities and potential to reach more with dynamic and innovative programming and works. Please support us: Subscribe for Free and Donate to the Podcast. Join Our Book Fund Raising Campaign Visit us - The Neoliberal is serving the world today to solve tomorrow's challenges by making popular what was the monopoly. --- Send in a voice message: https://podcasters.spotify.com/pod/show/theneoliberal/message Support this podcast: https://podcasters.spotify.com/pod/show/theneoliberal/support

Today our theme is… kinda judgy! Everyone says you shouldn't judge a book by its cover, but we all know everyone does. So, this month we thought we'd get into it - we partly covered (lol) this topic in our Rediscovery episode for Picador with Jamaica Kincaid and cover designer Stu Wilson, but we wanted to come back to it because there was so much more to say. What makes a book cover good or bad? Have you ever been totally put off reading a book by its cover? What are your major turn-offs, and what about any enduring faves? Listen in for all this and more, plus the usual cultural recommendations. Also, very excitingly, O's memoir This Ragged Grace has been selected as the Bookshop.org book of the month for June! So, if you'd like to read it, they're offering all wonderful Literary Friction listeners free shipping and 10% off if you pre-order it from them at the following link, using the code Ragged10: https://uk.bookshop.org/p/books/this-ragged-grace-a-memoir-of-recovery-and-renewal-octavia-bright/7400323?ean=9781838857462

This is the Full audio/Video Recording of Caribbean Thought Lecture 6 at The Jamaica Theological Seminary, Lectured by Rev. Renaldo C. McKenzie, Author of Neoliberalism, Globalization, Income Inequality, Poverty and Resistance. The Lecture is a continuation from Week 5 where we had asked: who determine this why revisit the past? This Lecture is entitled: Week 6: Neoliberal Globalization and Nationalism: The Challenge of Structural Adjustment in the Caribbean and Cinema as Resistance, looking at the film "Life and Debt" by Stephanie Black a film based on the book, A Small Place by Jamaica Kincaid about Antigua's struggles with structural adjustment after independence. This class begin with the groups breaking out in their rooms and discussing the following questions. They then presented the main points in the general session. Questions: 1. We celebrate Haiti as the first colonized black country that got independence and freedom beating the French and Napoleon. C.L.R James even wrote in the Jacobins how Toussiant who led the Haitian Revolution successfully beat the French and was intrigued with how he was able to do so. But today we are learning that Haiti may not be really free. Why would anyone want to challenge Haiti's Independence and C.L.R James book hailing the Haitians as successful in securing their independence. 2. Why is it important for us to critically revisit the Caribbean's past when we are critically making a determination about what is Caribbean? We then move into this week's lecture with: What's Difference between Neoliberalism and Liberalism? Renaldo McKenzie There's a difference between liberalism and Neoliberalism. Liberalism was the humanist ideology promoting individualism and free wills. It was a social theory within the humanities. However, liberalism like all useful theories, doctrines or things, became adopted and was adapted within another discipline, Economics, due to its usage and normalization within the corporate industry by capitalists and the large corporation. The idea, principles and guarantees of liberalism provided a useful opportunity, to remake into an economic theory a strategy to advance capitalist bottom line and goal for profit. This new liberalist thrust within economics gave rise to the term Neoliberalism. We then discussed some general questions from the course. We discussed Cinema and Globalization as a preface to the film Life and Debt. Cinema and Neoliberal Globalization: Can Cinematic Film be An Effective Tool in Creating Change in Light of Globalization? Probably the Answer to Neoliberalism lies in Film One of man's basic drives and instinct is the pursuit and discovery of “truth”. But in a world of Isms and schisms, perceptions and deceptions, truth seems more elusive, and reality becomes contradictions of our perceptions controlled by our ideologies, products of human limitations. Nevertheless, throughout history, man has searched for truth and according to Cuandis Callison, film, art and media have reflected this “eternal search for truth.” The full notes are available to students of the course. Credits: Rev. Renaldo McKenzie is a Lecturer at The Jamaica Theological Seminary in Caribbean Thought, towards developing a Caribbean Thought Academic Journal. Renaldo is author of "Neoliberalism, Globalization, Income Inequality, Poverty and Resistance," and will release a second book with Prof. Emeritus Martin Oppenheimer, "Neoliberal Globalization Reconsidered: Neo-Capitalism and the Death of Nations." Renaldo is a Doctoral Student at Georgetown University and Graduated from University of Pennsylvania, Jamaica Theological Seminary, Exced College and attended the University of the West Indies. Visit The Neoliberal Corporation https://theneoliberal.com. Donate to us at https://paypal.com/donate/?hosted_buttom_id=GDAGSJ9Z45KE. --- Send in a voice message: https://anchor.fm/theneoliberal/message Support this podcast: https://anchor.fm/theneoliberal/support

This is Lecture 5 of Caribbean Thought, a course at the Jamaica Theological Seminary Lectured by Rev. Renaldo C. McKenzie, Dated February 10, 2023. This is a continuation of week 4 and the Lecture series towards developing a Caribbean Thought Journal. The Lecture was quite powerful as usual. We continued from week 4, conceptualizing the course Caribbean Thought when we had asked, "what is Caribbean Thought, and who determines this?" This week we ask, why who determines this and why is it important for us to revisit the past. The lecture delved into this question by lifting up a current situation in the Caribbean - The Haitian Crisis - where The US and Canada is pressuring the Caribbean to intervene in Haiti on their behalf. We examine this issue in relation to the Caribbean socio-economic challenges which has defined present realities which imposes on cultural identity. We explored this within the context of our understanding of the Caribbean being part of the pan-African struggle for not just independence but economic prosperity that allows them to compete. When we go back in history, we explore situations where the Caribbean's inability to truly realize pan-African goals in light of strategy that continue to keep these peoples and countries down - Debt. We begin the class by revisiting the conclusion of the class: "...the Caribbean represents a people who have been disrupted, detached, displaced, hybridized and made into dependent capitalist states with some level of modernity to promote consumption within the neoliberal globalized world which is largely a consumer society." We then moved into Lecture 5 by exploring the course outline: Course Description: This course focuses on and explores the diverse currents of Caribbean Thought, which have influenced the development of Caribbean societies from colonialism to independence and beyond. It traces the history of resistance and examines the quest for equality and the challenge of defining Caribbean identity within this post-colonial and neoliberal Globalized world not just within the geographic sense but also in terms of a diasporic sense.... The course surveys the history and philosophy of the Caribbean and the ways in which the Caribbean has emerged as a society in the shadow of colonialism and emergence of neoliberal Globalization. It examines the central ideological currents of twentieth century political thought in the region and covers broad topics such as Colonialism, Nationalism, Pan-Africanism, Socialism, Marxism, Feminism, Democratic Socialism and Neo-Conservatism, Neoliberalism, Globalization and Deconstructivism, Critical Race Theory, Strategy and the Foundations of Knowledge and the Hegemony of Faith, Economic Inequality and Poverty....Among the thinkers/works that will be considered throughout the course are Marcus Garvey, George Padmore, C.L.R. James, V.S. Naipaul, W. Benjamin, M. Foucault, Franz Fanon, Walter Rodney, Fidel Castro, Michael Manley, Edward Seaga, Bob Marley Kamau Brathwaite, Edouard Glissant and the Negritude movement generally, Homi Bhabha, Mike Davis, Nelson/Novella Keith, Stephanie Black and Jamaica KinCaid, Garnett Roper, Rex Nettleford and the Professor's Works. We then begin to explore Caribbean thinkers: Ramesh F. Ramsaran who wrote in the Preface of his book, "The Challenge of Structural Adjustment in the Commonwealth Caribbean," Yet we say: We celebrate #Haiti as the 1st former colonized black country to successfully lead a revolution beating Napoleon. But France turned around & charged them 24 billion to recognize their freedom which Haiti gullibly paid—that has held them down. We concluded with Edward Seaga PM of Jamaica in a 1983 Lecture: "I wish to talk to you about the strategy which I believe can best attain a quality of life for the peoples of Middle Level countries of the developing world," (Seaga, 1983, p. 23, in New Directions.) https://theneoliberal.com. --- Send in a voice message: https://anchor.fm/theneoliberal/message Support this podcast: https://anchor.fm/theneoliberal/support

Welcome to the CodeX Cantina where our mission is to get more people talking about books! Was there a theme or meaning you wanted us to talk about further? Let us know in the comments below! Today we talk about color and self-discovery in "The Biography of a Dress" by Jamaica Kincaid. Jamaica Kincaid Playlist: https://www.youtube.com/watch?v=PmkPonC2hHc&list=PLHg_kbfrA7YBCgPRoQGqL9oKJCRlwwtiC ✨Do you have a Short Story or Novel you'd think we'd like or would want to see us cover? Join our Patreon to pick our reads.

In A Regarded Self: Caribbean Womanhood and the Ethics of Disorderly Being (Duke UP, 2021), Kaiama L. Glover champions unruly female protagonists who adamantly refuse the constraints of coercive communities. Reading novels by Marie Chauvet, Maryse Condé, René Depestre, Marlon James, and Jamaica Kincaid, Glover shows how these authors' women characters enact practices of freedom that privilege the self in ways unmediated and unrestricted by group affiliation. The women of these texts offend, disturb, and reorder the world around them. They challenge the primacy of the community over the individual and propose provocative forms of subjecthood. Highlighting the style and the stakes of these women's radical ethics of self-regard, Glover reframes Caribbean literary studies in ways that critique the moral principles, politicized perspectives, and established critical frameworks that so often govern contemporary reading practices. She asks readers and critics of postcolonial literature to question their own gendered expectations and to embrace less constrictive modes of theorization. Anna E. Lindner is a doctoral candidate in the Department of Communication at Wayne State University in Detroit, Michigan. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In A Regarded Self: Caribbean Womanhood and the Ethics of Disorderly Being (Duke UP, 2021), Kaiama L. Glover champions unruly female protagonists who adamantly refuse the constraints of coercive communities. Reading novels by Marie Chauvet, Maryse Condé, René Depestre, Marlon James, and Jamaica Kincaid, Glover shows how these authors' women characters enact practices of freedom that privilege the self in ways unmediated and unrestricted by group affiliation. The women of these texts offend, disturb, and reorder the world around them. They challenge the primacy of the community over the individual and propose provocative forms of subjecthood. Highlighting the style and the stakes of these women's radical ethics of self-regard, Glover reframes Caribbean literary studies in ways that critique the moral principles, politicized perspectives, and established critical frameworks that so often govern contemporary reading practices. She asks readers and critics of postcolonial literature to question their own gendered expectations and to embrace less constrictive modes of theorization. Anna E. Lindner is a doctoral candidate in the Department of Communication at Wayne State University in Detroit, Michigan. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

In A Regarded Self: Caribbean Womanhood and the Ethics of Disorderly Being (Duke UP, 2021), Kaiama L. Glover champions unruly female protagonists who adamantly refuse the constraints of coercive communities. Reading novels by Marie Chauvet, Maryse Condé, René Depestre, Marlon James, and Jamaica Kincaid, Glover shows how these authors' women characters enact practices of freedom that privilege the self in ways unmediated and unrestricted by group affiliation. The women of these texts offend, disturb, and reorder the world around them. They challenge the primacy of the community over the individual and propose provocative forms of subjecthood. Highlighting the style and the stakes of these women's radical ethics of self-regard, Glover reframes Caribbean literary studies in ways that critique the moral principles, politicized perspectives, and established critical frameworks that so often govern contemporary reading practices. She asks readers and critics of postcolonial literature to question their own gendered expectations and to embrace less constrictive modes of theorization. Anna E. Lindner is a doctoral candidate in the Department of Communication at Wayne State University in Detroit, Michigan. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

It's a bonus clips episode!We're at the 2022 Miami Book Fair, talking to the most interesting authors, poets, writers with new works published this year. In celebration of our partnership with the Miami Book Fair, we grabbed some clips from last year's Miami Book Fair episodes. MIAMI BOOK FAIRhttps://miamibookfair.com/https://www.miamibookfaironline.com/Joshua Jay - Episodes 25 and 26SpotifyApple PodcastsHow Magicians Think by Joshua Jayhttps://www.amazon.com/Misdirection-Magicians-Think-Joshua-Jay/dp/1523507438/ref=sr_1_1?keywords=how+magicians+think&qid=1634843723&sr=8-1How Music Works by David Byrne:https://www.amazon.com/How-Music-Works-David-Byrne/dp/0804188939/ref=asc_df_0804188939/?tag=hyprod-20&linkCode=df0&hvadid=312057344057&hvpos=&hvnetw=g&hvrand=13081381195153154006&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9031148&hvtargid=pla-354840765753&psc=1Maggie Smith - Episodes 28 and 29SpotifyApple PodcastsThe Life, By Carrie Fountain:https://www.amazon.com/Life-Penguin-Poets-Carrie-Fountain/dp/0143136011Goldenrod, by Maggie Smith:https://www.amazon.com/Goldenrod-Poems-Maggie-Smith/dp/1982185066/ref=sr_1_1?keywords=Goldenrod&qid=1636694888&s=books&sr=1-1 Kathie Klarreich - Episode 30SpotifyApple PodcastsHear Us:https://www.amazon.com/dp/B09FS825T9 Jane Smiley - Episodes 31 and 32SpotifyApple PodcastsJane's Latest Book, Perestroika in Paris:https://www.amazon.com/Perestroika-Paris-novel-Jane-Smiley/dp/052543609X/ref=sr_1_1?crid=3LBNAJWTCPCRU&keywords=perestroika+in+paris+by+jane+smileyJane's Book About Dickens:https://www.amazon.com/Charles-Dickens-Life-Penguin-Lives-ebook/dp/B000OCXGBY/ref=tmm_kin_swatch_0?_encoding=UTF8&qid=1638297220&sr=1-3Our Mutual Friend by Charles Dickens:https://www.amazon.com/Mutual-Friend-Introduction-Edwin-Whipple-ebook/dp/B07HQY57RH/ref=sr_1_1_sspa?keywords=Our+mutual+friendDenise Hamilton - Episodes 33 and 34SpotifyApple PodcastsThey Shoot Horses, Don't They by Horace McCoyhttps://www.amazon.com/They-Shoot-Horses-Serpents-Classics/dp/184668739X/ref=sr_1_1?keywords=They+Shoot+Horses+Dont%27+they&qid=1639687721&s=books&sr=1-1Denise's Book, Speculative Los Angeles:https://www.amazon.com/Speculative-Los-Angeles-Denise-Hamilton/dp/1617758566Edwidge Danticat - Episode 53SpotifyApple PodcastsA Small Place by Jamaica Kincaid:https://www.amazon.com/Small-Place-Jamaica-Kincaid/dp/0374527075/ref=sr_1_1?crid=3GERRCMMYZ7YJ&keywords=a+small+place&qid=1651179527&sprefix=a+small+place%2Caps%2C283&sr=8-1Learn More About Edwidge Danticat:https://edwidgedanticat.com 

Writer Jamaica Kincaid is one of the best known writers on race and colonialism in the US. Her writing is biting and fearless, and she's been a keen observer of her native Antigua and the US since publishing her first essay in 1973. This week she joins Lilah together with the FT's Enuma Okoro in a recording made at the recent FT Weekend Festival in London. Then we share some conversations we had in person with listeners during the festival.-------Here's the link to leave us a message for our listener callout: https://sayhi.chat/6gci2We're challenging you to challenge us with a topic that most people would think is boring, and that you want us to make interesting on the podcast!—---- Want to stay in touch? We love hearing from you. Email us at ftweekendpodcast@ft.com. We're on Twitter @ftweekendpod, and Lilah is on Instagram and Twitter @lilahrap.-------Links and mentions from the episode:– Full recording of the conversation with Jamaica and Enuma: https://www.youtube.com/watch?v=LOB10hGIhwM&t=2s-Jamaica's classic book A Small Place about Antigua: https://tinyurl.com/mshm32ha-A great recent essay by Jamaica Kincaid on gardening: https://www.newyorker.com/magazine/2020/09/07/the-disturbances-of-the-garden-Enuma's essay on pleasure: https://tinyurl.com/59eda3vm-And another on how our spaces shape us: https://tinyurl.com/ycxt2uv4 -------Special offers for FT Weekend listeners, from 50% off a digital subscription to a $1/£1/€1 trial can be found here: http://ft.com/weekendpodcast-------Original music by Metaphor Music. Mixing and sound design by Breen Turner and Sam Giovinco Hosted on Acast. See acast.com/privacy for more information.

Writer Jamaica Kincaid is one of the best known writers on race and colonialism in the US. Her writing is biting and fearless, and she's been a keen observer of her native Antigua and the US since publishing her first essay in 1973. This week she joins Lilah together with the FT's Enuma Okoro in a recording made at the recent FT Weekend Festival in London. Then we share some conversations we had in person with listeners during the festival.-------Here's the link to leave us a message for our listener callout: https://sayhi.chat/6gci2We're challenging you to challenge us with a topic that most people would think is boring, and that you want us to make interesting on the podcast!—---- Want to stay in touch? We love hearing from you. Email us at ftweekendpodcast@ft.com. We're on Twitter @ftweekendpod, and Lilah is on Instagram and Twitter @lilahrap.-------Links and mentions from the episode:– Full recording of the conversation with Jamaica and Enuma: https://www.youtube.com/watch?v=LOB10hGIhwM&t=2s-Jamaica's classic book A Small Place about Antigua: https://tinyurl.com/mshm32ha-A great recent essay by Jamaica Kincaid on gardening: https://www.newyorker.com/magazine/2020/09/07/the-disturbances-of-the-garden-Enuma's essay on pleasure: https://tinyurl.com/59eda3vm-And another on how our spaces shape us: https://tinyurl.com/ycxt2uv4 -------Special offers for FT Weekend listeners, from 50% off a digital subscription to a $1/£1/€1 trial can be found here: http://ft.com/weekendpodcast-------Original music by Metaphor Music. Mixing and sound design by Breen Turner and Sam Giovinco Hosted on Acast. See acast.com/privacy for more information.

For this minisode we're doing something a little different - this episode is sponsored by publisher Picador, who this year have launched a new list of contemporary classics, called The Picador Collection, to coincide with their 50th anniversary year. With the aim of bringing seminal titles to a new generation of readers, the Picador Collection combines the gravitas of a modern classics list with the eccentric, boundary-pushing spirit of cult paperback publishing. To celebrate the collection, we interviewed the inimitable Antiguan-American writer Jamaica Kincaid, who has five books featured on this list. Then we talked to Stu Wilson, from the art department at Picador. The Picador Collection titles all have a fresh new look, designed by Katie Tooke, and Stu will be telling us about the work that went into designing the series, and the fascinating process of cover design more generally. We are ALSO running a competition with Picador! 5 lucky listeners will win a sturdy and now very rare Literary Friction tote, along with each of our two favourite titles from the Picador Collection, plus one of Jamaica's books, which means five books in total - if you want to find who chose what (and see if you can guess…) check out both of our socials: @picadorbooks and @litfriction on Twitter and Instagram. The competition is now LIVE and will be open until the 6th of October, so you have a two week window to enter! You can find more details here: https://www.panmacmillan.com/literaryfriction-giveaway

Host Meg Wolitzer presents two stories about close—but complex—ties of family and friendship.  Jamaica Kincaid offers up a lyrical, dreamlike account of the mother/daughter bond in “My Mother,” performed by Laurine Towler.  In Laura van den Berg's “Lessons” a quartet of youthful bank robbers faces hard questions about love and loyalty.  The story is read by Emily Skeggs. Join and give!: https://donatenow.networkforgood.org/symphonyspacenyc?code=Splashpage See omnystudio.com/listener for privacy information.

“People tend to blame a writer for writing something they're too stupid to understand.” – Jamaica Kincaid, celebrating her 73rd birthday today.