Podcasts about Caine Prize

Namwali Serpell is the author of On Morrison, available from Hogarth Press. Serpell was born in Lusaka and lives in New York. Her debut novel, The Old Drift, won an Anisfield-Wolf Book Award, the Arthur C. Clarke Award for Science Fiction, and the Los Angeles Times's Art Seidenbaum Award for First Fiction. Her second novel, The Furrows, was a finalist for a National Book Critics Circle Award for Fiction and was selected as one of The New York Times Ten Best Books of the Year. Her book of essays, Stranger Faces, was a finalist for a National Book Critics Circle Award for Criticism. She is a recipient of the Windham-Campbell Prize for Fiction, the Caine Prize for African Writing, and a Rona Jaffe Foundation Award. She is a professor of English at Harvard University. *** ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Otherppl with Brad Listi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. This episode is sponsored by Ulysses. Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ulys.app/writeabook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to download Ulysses, and use the code OTHERPPL at checkout to get 25% off the first year of your yearly subscription." Available where podcasts are available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, etc. Get ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to Write a Novel,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Brad's email newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠proud affiliate partner of Bookshop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send a textThis week we are joined by poet, editor and translator Gerald Maa.  Gerald talks about his origins and rise in the literary world and about his current role as editor of The Georgia Review. Enjoyed this conversation? Follow, subscribe, and leave a review to help others find the show. Gerald Maa began as editor and director of the Georgia Review in 2019. Since then, the Review has won, among other things, the National Magazine Awards (fiction and profile writing), the Pulitzer Prize, the Caine Prize, and the PEN/Robert J. Dau Short Story Prize, reserved for debut publications. In 2010, he founded the arts anti-profit the Asian American Literary Review with Lawrence-Minh Bùi Davis, where he served as editor-in-chief until he joined the Georgia Review.His poetry and translation have appeared in places like Poetry, Raritan, and Push Open the Window: Contemporary Poetry from China.  His essays have appeared in places like Criticism, A Sense of Regard: Essays on Poetry and Race, and The Routledge Companion for Ecopoetics.  His work has been supported by places like the Bread Loaf Writers' Conference, the Library of Congress Asian Reading Room, and the Center for Writing and Translation at the University of California, Irvine.

Send a textIn this episode we connect with Magogodi oaMphela Makhene, author, speaker and founder of Love As A Kind of Cure and thought leadership coach. We trace her entrepreneurial journey from her focus on social enterprises, how she was led to writing and then became a coach who helps Women of Color to turn their stories into intellectual property and income.   Magogodi is a sought after keynote speaker and communicator who walks the talk. Her trademarked C.R.O.W.N framework is built around her lived experience, which she shares with vulnerability and generosity in our conversation.Magogodi originates from my hometown, Soweto. She is the author of the award-winning short story collection Innards and a graduate of the Iowa Writers' Workshop programme. Find out how she made the pivot from business school to literature and how she combines the two today in her work. You will also discover how she helps her clients to see and honour their value.If you haven't already, I encourage you to check out her podcast, Madame Speaker Says, you will be so inspired by all the guests that she has on there. And if you like this episode, please share it with a friend and send me a message to let me know what you think.Support the showNEWSLETTER, stay in the loop and subscribe to our newsletterSUPPORT this work so that we can keep it free. Become a MONTHLY SUPPORTER LISTEN ON Apple and Spotify FOLLOW US ON Instagram and Facebook

Gugs Mhlungu speaks to Author, Morabo Morojele for a review of their book Midnight in the Morgue, which is said to be a gripping anthology of African stories exploring family, feminism, class, and more. Featuring Sibongile Fisher, Morabo Morojele, and Caine Prize winner Nadia Davids.See omnystudio.com/listener for privacy information.

For decades, African speculative fiction has weaved together past and future, combining myths and legends with space exploration and social criticism and broadening the scope of both African and speculative literatures.In this original lecture, invited by The House of Literature and recorded digitally, Nigerian author Wole Talabi presents a timeline of African speculative fiction from its early beginnings and until the present day. Here, he reflects on the influence and importance of the genre, citing its central works and defining its distinguishing features.Wole Talabi is a Nigerian engineer and author of speculative fiction currently living in Perth, Australia. His published works include the short story collections Incomplete Solutions (2019) and Convergence Problems (2024), as well as the novel Shigidi and the Brass Head of Obalufon (2023), which won the Nommo award for best novel in 2024. His short stories have been nominated for and won several awards, including the Sidewise, Nommo and Locus awards, as well as being awarded the Caine Prize for African Writing.Talabi also compiled a database of published works of African speculative fiction, which he edited from 2015 to 2021. He is also the editor of several anthologies of African speculative fiction, including the landmark publication Africanfuturism. An Anthology (2020) and remains one of the field's chief advocates and central thinkers.Works mentioned:Early Works (1930s – 1960s):Jean-Louis Njemba Medou – Nnanga Kon (1932)Muhammadu Bello Kagara – Gandoki (1934)D.O. Fagunwa – Forest of a Thousand Daemons (1938)Amos Tutuola – The Palm-Wine Drinkard (1952)Post-Independence Flourish (1960s – early 2000s):Sony Labou Tansi – Life and A Half (1979)Buchi Emecheta – The Rape of Shavi (1983)Kojo Laing – Woman of the Aeroplanes (1988)Ben Okri – The Famished Road (1991)Kojo Laing – Major Gentl and Achimota Wars (1992)Ngũgĩ wa Thiong'o – The Wizard of the Crow (2004/2006)The Internet Age and Genre Recognition (early 2000s – early 2010's)Nnedi Okorafor – Zahrah the Windseeker (2005)Ahmed Khaled Towfik – Utopia (2008) Lauren Beukes – Moxyland (2008)Lauren Beukes – Zoo City (2010)Nnedi Okorafor – Who Fears Death (2010)Ivor Hartmann (ed.) – Afro SF (2012)Increasing Global Recognition (2010s – present):Deji Bryce Olukotun – Nigerians in Space (2014)Jennifer Nansubuga Makumbi – Kintu (2014) Tade Thompson – Rosewater (2016)Tochi Onyebuchi – Beasts Made of Night (2017)Akwaeke Emezi – Freshwater (2018)Namwali Serpell – The Old Drift (2019)Oghenechovwe Donald Ekpeki – Ife-Iyoku, the Tale of Imadeyunuagbon (2020)Other works mentioned:Chinua Achebe – Things Fall Apart (1958)Helen Oyeyemi – The Icarus Girl (2005)Wole Talabi – Shigidi and the Brass Head of Obalufon (2023)Weird Tales, fantasy and horror magazineJungle Jim, bi-monthly African pulp fiction magazineOmenana Speculative fiction magazineBlack Panther (dir. Ryan Coogler, 2018)“Afro-mythology and African futurism”, essay by Pamela Phatsimo SunstrumNnedi Okorafor – “Spider the Artist”Phoenix, publishing imprint at Ouida BooksMother, publishing imprint by Jacana MediaChikodili Emelumadu – Dazzling (2023)Yvette Lisa Ndlovu – Drinking from Graveyard Wells (2023)Pemi Aguda – Ghostroots (2024)Tlotlo Tsamaase – Womb City (2024)Suyi Davies Okungbowa – Warrior of The Wind (2023)T. L. Huchu – The Library of The Dead (2021)The Sauúti collective Hosted on Acast. See acast.com/privacy for more information.

Today I talked to Chikodili Emelumadu about Dazzling (Harry N. Abrams, 2023). Treasure and Ozoemena are young Nigerian girls forced to deal with spirits after losing their fathers. Treasure is forced to beg in the marketplace as her mother lies bedridden and depressed, and a wicked spirit finds her there and tries to make her his wife. He promises to bring her father back to life if she helps him by finding other girls for his friends. Ozoemena's father has disappeared, leaving the family with questions and responsibilities. She learns from her grandmother that she is descended from a wild, ancient beast, the Leopard from an Igbo legend, which gives her terrible dreams and sometimes takes over her body. Touching on Igbo mythology and African folklore, Emelumadu's dual-voiced stories focus on family, traditions, growing up, and the forces that conspire to prevent people from overcoming their grief. Chikodili Emelumadu was born in Worksop, Nottinghamshire and raised in Awka, Nigeria. Her work has been shortlisted for the Shirley Jackson Awards (2015), the Caine Prize for African Literature (2017 & 2020) and has won a Nommo award (2020 & 2024). In 2019, she emerged winner of the inaugural Curtis Brown First Novel prize for her debut novel, Dazzling. Her short fiction is available in many magazines and anthologies such as Isolation: The Horror Anthology (2022), Screams from the Dark (2022), Experimental Writing: A Writer's Guide and Anthology (2024) and as part of the Royal Literary Fund's Writer's Mosaic. She can be found raving about books and art on Twitter @chemelumadu, or Instagram @chikodiliemelumadu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Playwright, academic, novelist and short story writer Nadia Davids, on what to make of her recent award for the 2024 Caine Prize for African Writing for her short story, Bridling, published in The Georgia Review in 2023, which saw a record-breaking 320 entries from 28 African countries all competing for the coveted prize.See omnystudio.com/listener for privacy information.

Leila Aboulela is a Sudanese writer, currently living in Scotland. She is the author of six award winning novels, including The Translator (1999), Bird Summons (2019) and River Spirit (2023), as well as a number of plays and short story collections. Aboulela was the first ever winner of the Caine Prize for Fiction, and an elected fellow of the Royal Society of Literature.This is Leila Aboulela's reading list:Maaza Mengiste, The Shadow KingTayeb Salih, Season of Migration to the North The Wedding of ZeinNaguib Mahfouz, The Cairo Trilogy (Palace Walk, Palace of Desire, Sugar Street) The Thief and the dogs Ahdaf Soueif, In the Eye of the SunFatin Abbas, Ghost Season Isabella Hammad, The Parisian Enter Ghost In this podcast series the House of Literature in Oslo, Norway invites writers and thinkers to talk about their work, what they read and present their reading list from the African continent and diaspora. Host in this episode Åshild Lappegård LahnEditing and production by the House of LiteratureMusic by Ibou CissokhoThe House of Literature's project to promote African literature is supported by NORAD. Hosted on Acast. See acast.com/privacy for more information.

Leila Aboulela er en sudansk forfatter som bor i Skottland. Hun er forfatter av seks kritikerroste og prisvinnende romaner, blant annet The Translator (1999), Bird Summons (2019) og River Spirit (2023), samt en rekke skuespill og flere novellesamlinger. Abouela var den aller første vinneren av Caine Prize for Fiction, og hun er valgt inn i The Royal Society of Literature.Dette er Leila Aboulelas leseliste:Maaza Mengiste, The Shadow King (Skyggekongen)Tayeb Salih, Season of Migration to the North (Trekket mot nord) The Wedding of ZeinNaguib Mahfouz, The Cairo Trilogy (Palace Walk, Palace of Desire, Sugar Street) - Kairo-trilogien (Mellom to slott, Begjærets palass, Sukkerhuset) The Thief and the dogs Ahdaf Soueif, In the Eye of the SunFatin Abbas, Ghost Season Isabella Hammad, The Parisian (Pariseren) Enter Ghost (Gjenferdet inn) I denne podkastserien inviterer Stiftelsen Litteraturhuset forfattere og tenker til å snakke om sine forfatterskap, lesepraksis og sin leseliste fra det afrikanske kontinentet og diaspora. Intervjuer i denne episoden er Åshild Lappegård LahnRedigering og produksjon ved Stiftelsen Litteraturhuset. Musikk av Ibou Cissokho Litteraturhusets satsning på afrikansk litteratur er støttet av NORAD. Hosted on Acast. See acast.com/privacy for more information.

Amira Ghazalla reads a new short work from Leila Aboulela, as a woman remembers a childhood gift from her vibrant and beloved grandmother. Produced by Eilidh McCreadie Leila Aboulela is the first-ever winner of the Caine Prize for African Writing. Nominated three times for the Orange Prize (now the Women's Prize for Fiction), she is the author of novels, including Bird Summons, The Kindness of Enemies, The Translator (a New York Times Notable Book of the Year), Minaret and Lyrics Alley, Fiction Winner of the Scottish Book Awards. Her collection of short stories Elsewhere, Home won the Saltire Fiction Book of the Year. Leila's work has been translated into fifteen languages, and her plays The Insider, The Mystic Life and others were broadcast on BBC Radio. She grew up in Khartoum, Sudan, and now lives in Aberdeen, Scotland.

We discuss Nato's weakest flank in the Balkans, the growing rift in the US Republican Party as House Speaker Kevin McCarthy's future is in question and the spread of the far right in Germany. Plus: we talk to Fareda Banda, judge of the Caine Prize for African Writing 2023, about last night's winners.See omnystudio.com/listener for privacy information.

In the third episode of Color of Publishing, we focus on publishing perspectives from the United Kingdom with two prolific editors and writers, Margaret Busby and Ellah P. Wakatama. Host Bhakti Shringarpure engages the two experts in a wide-ranging conversation about the history of publishing in the UK, questions of diversity and representation, book acquisitions, taste and culture-making, and structural racism. Busby and Wakatama have been witness to the long arc of how publishing has evolved and they speak about the transformations they have witnessed in the business over the years but they also recall the times when diversity was almost non-existent. They are keen to celebrate the successes and the changes taking place in UK publishing as there are more opportunities now for Black, Asian and international writers. However, even as prizes, festivals and book advances grow, they worry whether the shift can be sustained. Busby and Wakatama also acknowledge the importance of camaraderie and shared mission between each other as Black women in publishing over the years .Margaret Busby is a Ghanaian born writer, editor and broadcaster. She was Britain's youngest and first black female book publisher when she co-founded the publishing house Allison and Busby in the 1960s. She has edited the Daughters of Africa anthology and the second New Daughters of Africa anthology. She was awarded the London Book Fair Lifetime Achievement award in 2021 and the CBE, and she is a member of The Royal Society of Literature. She was appointed the president of English PEN in 2023.Ellah P. Wakatama was born in Zimbabwe, educated in the US and has been a London-based writer and editor for the past many years. She is editor-at-large at Canongate Books and chair of the Caine Prize for African Writing. She has edited several anthologies and has contributed to several of them as well. She was given an OBE for services to the publishing industry in 2011, and New African Magazine also named her one of “100 Most Influential Africans” in 2016.

Leila Aboulela is one of my go-to authors. I know her words are always full of wisdom and inspiration, telling fascinating and insightful stories. I've read quite a few of her books over the last few years, and so I'm so thrilled that she was my guest on the show.In this episode, we talk about her new novel, River Spirit which is out in March 2023, published by Saqi Books in the UK. We also talk about historical fiction, re-centring women in historical narratives, understanding slavery and how it differed over time and throughout the world, and the role that faith plays in Leila's writing. Leila Aboulela is the first-ever winner of the Caine Prize for African Writing. Nominated three times for the Orange Prize (now the Women's Prize for Fiction), she is the author of numerous novels, including Bird Summons, The Kindness of Enemies, The Translator, a New York Times Notable Book of the Year, Minaret and Lyrics Alley, which was Fiction Winner of the Scottish Book Awards. Her collection of short stories Elsewhere, Home won the Saltire Fiction Book of the Year. Leila's work has been translated into fifteen languages, and her plays The Insider, The Mystic Life and others were broadcast on BBC Radio. She grew up in Khartoum, Sudan, and now lives in Aberdeen, Scotland.You can find Leila on instagram on: @leilaaboulela If you enjoyed this episode, please like and follow the podcast on your platform of choice and do consider leaving a review. It helps more people find the podcast.Connnect with me on social media:www.instagram.com/readwithsamiawww.instagram.com/thediversebookshelfpod Support the show

Yvonne Adhiambo Owuor is an author, screenwriter, and former head of the Zanzibar International Film Festival. In 2003, the Kenyan won the Caine Prize for African Writing, and her 2013 debut novel, Dust, won the Jomo Kenyatta Prize for Literature. In 2015, Owuor visited the House of Literature, a visit that resulted in the Norwegian publication of Dust. The critically acclaimed The Dragonfly Sea followed in 2019. These authors are on Yvonnes reading list:Makena OnjericaOduor OkwiriDennis MugaaIdza LuhumyoTroy OnyangoRemy NgamijeGloria MwanigeKwame NyongoAleya KassamIn this podcastseries the House of Literature in Oslo, Norway invites writers and thinkers to talk about their work, what they read and present their readinglist from the African continent and diaspora. Interviewer in this episode Nosizwe Lise BaqwaEditing and production by the House of LiteratureMusic by Ibou Cissokho The House of Literature's project to promote African literature is supported by NORAD. Hosted on Acast. See acast.com/privacy for more information.

Yvonne Adhiambo Owuor er forfatter og manusforfatter fra Kenya. Hun har tidligere ledet Zanzibar internasjonale filmfestival. I 2003 vant hun novellekonkurransen Caine Prize for African Writing, og i 2013 kom debutromanen Dust, som ble tildelt Jomo Kenyatta Prize for Literature. I 2015 gjestet hun Litteraturhuset, et besøk som resulterte i norsk oversettelse og utgivelse av Dust. I 2019 fulgte den kritikerroste The Dragonfly Sea. Disse forfatterne er på Yvonnes leseliste. Makena OnjericaOduor OkwiriDennis MugaaIdza LuhumyoTroy OnyangoRemy NgamijeGloria MwanigeKwame NyongoAleya KassamHaji Gora HajiI denne podkastserien inviterer Stiftelsen Litteraturhuset forfattere og tenker til å snakke om sine forfatterskap, lesepraksis og sin leseliste fra det afrikanske kontinentet og diaspora. Intervjuer i denne episoden er Nosizwe Lise BaqwaRedigering og produksjon ved Stiftelsen Litteraturhuset. Musikk av Ibou Cissokho Litteraturhusets satsning på afrikansk litteratur er støttet av NORAD. Hosted on Acast. See acast.com/privacy for more information.

Hello Everyone! Thank you for tuning in to Episode 4 of Season 3 of Semiscribbled Podcast. In this episode, I am falling into romance...get it? Lol. I talk about On Rotation: A Novel by Shirlene Obuobi. 2022 has been a rough year and I was looking for an escape from the usual tough, hard, challenging themes that this book delivered. It also goes with my own personal theme of the year on building community and working with a love ethic. The other themes: first-born African daughters who are raised to overachieve, discover themselves, freeing themselves from expectations are found within this book and were the perfect recipe for me. Also, what the avid romance readers and avid readers call spice was plenty! I recommend this read as we ease into the last quarter of this year. The something-to-note section is also full of what I've been doing out and about Nairobi to do with books! Clips from this section are from a) 2022 Ursula K. Le Guin Prize for Fiction, b) Idza Luhumyo wins the Caine Prize 2022, and c) Macondo Literary Festival. Our editing maestro is THE Tevin Sudi. Please follow me on Twitter and Instagram (both @podcast_semi) I'd love to engage with you. You can also send me an email: semiscribbledpod at gmail.com In this episode: Music by Coma-Media from Pixabay Music by TuesdayNight from Pixabay Music by TuesdayNight from Pixabay

On this special LARB Book Club episode of the Radio Hour, Boris Dralyuk and Medaya Ocher are joined by Namwali Serpell, to speak about her new novel, The Furrows. One of the most daring and protean literary voices working today, Serpell is a Zambian-born novelist and essayist, and a professor of English at Harvard University. Her debut novel, The Old Drift, a genre-bending saga tracing the legacies of three families, appeared in 2019 and won the Anisfield-Wolf Book Award, the Arthur C. Clarke Award for science fiction, and the Los Angeles Times's Art Seidenbaum Award for First Fiction. Her equally unclassifiable — a compliment, that — work of nonfiction, Stranger Faces, appeared the following year, as part of Transit Books' series of Undelivered Lectures, and was a finalist for a National Book Critics Circle Award. Serpell is also the recipient of a 2020 Windham-Campbell Literature Prize, the 2015 Caine Prize for African Writing, and a 2011 Rona Jaffe Foundation Writers' Award. Like The Old Drift, The Furrows defies narrative conventions and readerly expectations, but it does so with a narrower aim in view, homing in on the after-affects — which are, truth be told, manifold — of a particular, though uncertain, trauma, an event that fractures the protagonist's life and sense of self at the age of 12. Blamed for the death of her younger brother, Cassandra is haunted by the presence of his absence — or is it simply his presence? — for the rest of her days. What Serpell's novel tells us is what Cassandra promises to tell us: not what happened, but how it felt. Also, Kathern Scanlan, author of Kick the Latch returns to recommend Charles Reznikoff's Testimony: The United States 1885-1915: Recitative.

On this special LARB Book Club episode of the Radio Hour, Boris Dralyuk and Medaya Ocher are joined by Namwali Serpell, to speak about her new novel, The Furrows. One of the most daring and protean literary voices working today, Serpell is a Zambian-born novelist and essayist, and a professor of English at Harvard University. Her debut novel, The Old Drift, a genre-bending saga tracing the legacies of three families, appeared in 2019 and won the Anisfield-Wolf Book Award, the Arthur C. Clarke Award for science fiction, and the Los Angeles Times's Art Seidenbaum Award for First Fiction. Her equally unclassifiable — a compliment, that — work of nonfiction, Stranger Faces, appeared the following year, as part of Transit Books' series of Undelivered Lectures, and was a finalist for a National Book Critics Circle Award. Serpell is also the recipient of a 2020 Windham-Campbell Literature Prize, the 2015 Caine Prize for African Writing, and a 2011 Rona Jaffe Foundation Writers' Award. Like The Old Drift, The Furrows defies narrative conventions and readerly expectations, but it does so with a narrower aim in view, homing in on the after-affects — which are, truth be told, manifold — of a particular, though uncertain, trauma, an event that fractures the protagonist's life and sense of self at the age of 12. Blamed for the death of her younger brother, Cassandra is haunted by the presence of his absence — or is it simply his presence? — for the rest of her days. What Serpell's novel tells us is what Cassandra promises to tell us: not what happened, but how it felt. Also, Kathern Scanlan, author of Kick the Latch returns to recommend Charles Reznikoff's Testimony: The United States 1885-1915: Recitative.

Nigerian-American writer Chinelo Okparanta joins host Bhakti Shringarpure for an episode of BookRising as part of our Trailblazing African Feminists series. Okparanta was born in Nigeria and moved to the United States when she was 10 years old. She rose to prominence with her short story collection Happiness, Like Water (2013) which was a bittersweet reflection on the lives of Nigerian women living in Nigeria and in the US. Her next book Under the Udala Trees (2015) told the story of desire between two young girls as the war rages in 1960s Nigeria. This novel of queer, forbidden love established Okparanta as a fearless writer who could tackle difficult, politically charged topics. She has been the winner Lambda Literary Award for Lesbian Fiction in 2014 and 2016 and the Publishing Triangle's inaugural Betty Berzon Emerging Writer Award. Her books have been shortlisted for the Caine Prize for African Writing, the Etisalat Prize for Literature and many others, and she was selected by Granta for their Best of Young American Novelists list which is announced every decade. Okparanta's most recent novel is Harry Sylvester Bird which is a searing meditation on race in the United States and in which Okparanta writes through the consciousness of a liberal, white American male. In this podcast, she spoke honestly about her motivations for taking on this complicated experiment. Undergirding all her writing is her experience as a migrant in the US and challenges she is forced to navigate on a daily basis. Okparanta admits that her writing has always been motivated by a sense of social justice and a desire to work through all kinds of societal problems that plague her deeply. Bhakti Shringarpure is the Creative Director of Radical Books Collective.

Hosted by Andrew Keen, Keen On features conversations with some of the world's leading thinkers and writers about the economic, political, and technological issues being discussed in the news, right now.In this episode, Andrew is joined by Namwali Serpell, author of The Furrows.Namwali Serpell was born in Lusaka, Zambia, and lives in New York. She received a 2020 Windham-Campbell Literature Prize, the 2015 Caine Prize for African Writing, and a 2011 Rona Jaffe Foundation Writers' Award. Her debut novel, The Old Drift, won the Anisfield-Wolf Book Award, the Arthur C. Clarke Award for science fiction, and the Los Angeles Times‘s Art Seidenbaum Award for First Fiction; it was named one of the 100 Notable Books of 2019 by the New York Times Book Review and one of Time magazine's 100 Must-Read Books of the Year. Her nonfiction book, Stranger Faces, was a finalist for a National Book Critics Circle Award for criticism. She is currently a professor of English at Harvard.

Hosted by Andrew Keen, Keen On features conversations with some of the world's leading thinkers and writers about the economic, political, and technological issues being discussed in the news, right now. In this episode, Andrew is joined by Namwali Serpell, author of The Furrows. Namwali Serpell was born in Lusaka, Zambia, and lives in New York. She received a 2020 Windham-Campbell Literature Prize, the 2015 Caine Prize for African Writing, and a 2011 Rona Jaffe Foundation Writers' Award. Her debut novel, The Old Drift, won the Anisfield-Wolf Book Award, the Arthur C. Clarke Award for science fiction, and the Los Angeles Times‘s Art Seidenbaum Award for First Fiction; it was named one of the 100 Notable Books of 2019 by the New York Times Book Review and one of Time magazine's 100 Must-Read Books of the Year. Her nonfiction book, Stranger Faces, was a finalist for a National Book Critics Circle Award for criticism. She is currently a professor of English at Harvard. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of my favourite things about making The Shift podcast is all the fascinating women I get to interview - and learn a little bit from. So I'm revisiting a few of my favourite episodes while I finish putting together the new season. I had never heard of Nana-Ama Danquah before I started The Shift and speaking to her was one of my most enlightening conversations. Nana-Ama's writing has recently found a new audience and was shortlisted for this year's Caine Prize.Here are the original show notes:My guest today is the Ghanaian American writer Nana-Ama Danquah. Nana-Ama found herself in the public eye when, in the late 90s, she published her memoir Willow Weep For Me about suffering from clinical depression - one of the first books to openly discuss black women's mental health experience. Critically acclaimed by the likes of the late, great Maya Angelou, its description of the shame, dismissal, denial and out and out despair experienced by many black women started a much-needed conversation that was widely credited with “saving lives”. (It's currently not published in the UK - publishers I AM LOOKING AT YOU!)Now 53, Nana-Ama joined me from her home in (sunny) California (grrr) to talk about the double - in fact, make that triple - burden of mental health, menopause and being black, why black women are driving change right now, how menopause turned her into a hot mess and how she's finally learnt the joy of doing what you do until you die.• You can buy all the books mentioned in this podcast at Bookshop.org, including the book that accompanies this podcast, The Shift: how I lost and found myself after 40 - and you can too by Sam Baker. Willow Weep For Me by Nana-Ama Danquah is not published in the UK, but you can buy it from amazon.co.uk or abebooks.co.uk.* And if you'd like to support the work that goes into making this podcast and get a weekly newsletter plus loads more content including transcripts of the podcast, please join The Shift community. Find out more at https://steadyhq.com/en/theshift/• The Shift (on life after 40) with Sam Baker is created and hosted by Sam Baker and edited by Emily Sandford. If you enjoyed this podcast, please rate/review/follow as it really does help other people find us. And let me know what you think on twitter @sambaker or instagram @theothersambaker. Hosted on Acast. See acast.com/privacy for more information.

About the book Seventeen-year-old Savannah is cursed. It's a sinister family heirloom; passed down through the bloodline for hundreds of years, with one woman in every generation destined to die young. The family call them Hella's girls, named for their ancestor Hella; the enslaved woman with whom it all began. Hella's girls are always angry, especially in the months before they die. The anger is bursting from Savannah - at the men who cat-call her in the street, at her mother's disingenuous fiancé, even at her own loving family. Each fit of rage is bringing her closer to the edge and now Savannah has to act to save herself. Or die trying. Because the key to survival lies in the underbelly of Cape Town, where the sinister veilwitches are waiting for just such a girl. Blood to Poison is a furious and mesmerising story about discovering magic, historical rage and love in all its guises. About Mary Watson Mary Watson is a South African author who won the Caine Prize in 2006 for her short story Jungfrau. Watson is the author of Moss, a collection of short stories published in 2004. Watson completed her master's degree in creative writing under André Brink at the University of Cape Town. Jungfrau originated as part of this 2001 master's thesis. After receiving a second master's degree at the University of Bristol in 2003, she returned to Cape Town to teach film studies while pursuing a PhD. Watson has lived in Galway, Ireland, since 2008. Blood to Poison is her third novel for young adults and the first rooted in her South African heritage. About Joy Watson Joy is a feminist researcher and writer. Her areas of specialisation are analysing public policy and service delivery, as well as tracking funding flows from the perspective of building social equity. She has many years of experience in developing feminist responses to public policy and has worked on research initiatives in South Africa as well as internationally, including for the UN Habitat's Safer Cities programme and UN Women initiatives. Together with Amanda Gouws, she has co-edited the book, Nasty Women Talk Back: A Collection of Feminist Essays on the Global Women's Marches (Imbali, 2018). You can find her book reviews and reflections on life and its joys and sorrows on the pages of Daily Maverick Life. Her debut novel, debut novel, 'The Other Me', published in 2022 is a gripping read about love, life and the harrowing lengths one woman will go to survive. Enjoy this exciting, casual and funny chat between the overly talented Watson sisters.

About the book Seventeen-year-old Savannah is cursed. It's a sinister family heirloom; passed down through the bloodline for hundreds of years, with one woman in every generation destined to die young. The family call them Hella's girls, named for their ancestor Hella; the enslaved woman with whom it all began. Hella's girls are always angry, especially in the months before they die. The anger is bursting from Savannah - at the men who cat-call her in the street, at her mother's disingenuous fiancé, even at her own loving family. Each fit of rage is bringing her closer to the edge and now Savannah has to act to save herself. Or die trying. Because the key to survival lies in the underbelly of Cape Town, where the sinister veilwitches are waiting for just such a girl. Blood to Poison is a furious and mesmerising story about discovering magic, historical rage and love in all its guises. About Mary Watson Mary Watson is a South African author who won the Caine Prize in 2006 for her short story Jungfrau. Watson is the author of Moss, a collection of short stories published in 2004. Watson completed her master's degree in creative writing under André Brink at the University of Cape Town. Jungfrau originated as part of this 2001 master's thesis. After receiving a second master's degree at the University of Bristol in 2003, she returned to Cape Town to teach film studies while pursuing a PhD. Watson has lived in Galway, Ireland, since 2008. Blood to Poison is her third novel for young adults and the first rooted in her South African heritage. About Joy Watson Joy is a feminist researcher and writer. Her areas of specialisation are analysing public policy and service delivery, as well as tracking funding flows from the perspective of building social equity. She has many years of experience in developing feminist responses to public policy and has worked on research initiatives in South Africa as well as internationally, including for the UN Habitat's Safer Cities programme and UN Women initiatives. Together with Amanda Gouws, she has co-edited the book, Nasty Women Talk Back: A Collection of Feminist Essays on the Global Women's Marches (Imbali, 2018). You can find her book reviews and reflections on life and its joys and sorrows on the pages of Daily Maverick Life. Her debut novel, debut novel, 'The Other Me', published in 2022 is a gripping read about love, life and the harrowing lengths one woman will go to survive. Enjoy this exciting, casual and funny chat between the overly talented Watson sisters.

Guest: Rachel Zadok | Convener, Editor, and Fundraiser for Short Story Day AfricaSee omnystudio.com/listener for privacy information.

Hello Everyone! I'm back and I missed you. Thank you for tuning in to Episode 2 of Season 3 of Semiscribbled Podcast. In this comeback episode, I talk about Finding Me by Viola Davies, a memoir that I can get with. Authentic and so well written that I would definitely place it in my top 10 of 2022 and would easily revisit it. Viola is truly an artist of many talents. The journey of her life is so interesting and lets us into her personality and the choices we have seen her make publicly, which perhaps gives us a little more understanding. I also talk about The Other Black Girl by Zakiya Dalila Harris. I struggled with TOBG and I do my best to articulate why. I need to DNF books and let y'all know about it. Finally, I speak about the 2022 AKO Caine Prize for African Writing Shortlist! I am beyond excited about this year's list. This episode, the Something To Note Section, includes a clip of the 2021 Chair of Judges, Goretti Kyomuhendo obtained from the 2021 AKO Caine Prize Award Ceremony. Our editing maestro is THE Tevin Sudi. Please follow me on Twitter and Instagram (both @podcast_semi) I'd love to engage with you. You can also send me an email: semiscribbledpod at gmail.com In this episode: Music by Coma-Media from Pixabay Music by TuesdayNight from Pixabay

Mary Watson is from Cape Town and now lives on the west coast of Ireland. She's worked as an art museum guide, library assistant, theatre duty manager, and an actor in children's musicals. She has a PhD from the University of Cape Town where she taught for many years. She won the Caine Prize in 2006, and the Philida Award in 2022. She writes short stories, young adult fantasy and thrillers. Her YA debut, The Wren Hunt, was shortlisted for the Irish Book Awards. Today we are discussing her new YA novel, Blood to Poison. Our interview begins at  00:12:00 Caitlin recommends: Book Lovers by Emily Henry A fun read that plays on (and twists) our favourite romance tropes. Michelle recommends: One Ordinary Day at a Time by Sarah J Harris A moving and beautiful contemporary novel about two unlikely friends who have the power to change each other's lives. In this interview, we chat about: How Mary's own family curse and grief inspired the novel Female anger, shame and intergenerational anger The joy Mary found in writing about her South African homeland after writing about Ireland in her previous YA books The magic Mary invented for the novel and the 'real strange' found in South Africa Mary's publishing journey and moving from adult literary books to YA after a career as an academic Books and other things mentioned: Beach Read and You and Me on Vacation by Emily Henry Follow Mary Watson on Instagram https://www.instagram.com/marym_watson/ (@Marym_watson) Blood to Poison is available now. Thank you to Bloomsbury for sending us copies of the book to read in preparation for the interview. Connect with us on Instagram: https://www.instagram.com/betterwordspod/ (@betterwordspod)

On this episode of Black & Published, Nikesha speaks with Nana Nkweti, author of the short story collection, Walking on Cowrie Shells. Nana is a Caine Prize finalist and alumna of the Iowa Writers' Workshop. Her work has garnered fellowships from MacDowell, Kimbilio, Ucross, and the Wurlitzer Foundation, among others. She is a professor of English at the University of Alabama.Episode Notes _________________________On this episode of Black & Published, Nikesha speaks with Nana Nkweti, author of the short story collection, Walking on Cowrie Shells. Nana is a Caine Prize finalist and alumna of the Iowa Writers' Workshop. Her work has garnered fellowships from MacDowell, Kimbilio, Ucross, and the Wurlitzer Foundation, among others. She is a professor of English at the University of Alabama.During the conversation, Nana breaks down the financial difference when it comes to selling a short story collection versus selling a novel and why she wants to be remembered for writing the stories of the weird and quirky, complicating the narrative, and telling the stories of the domestic interior. She also explains her writing process and balancing those instinctual thunderclap moments with the craft of discipline that comes in revision. Support the show (https://paypal.me/nikeshaelise)

Meg Arenberg is joined by Kenyan novelist Yvonne Adhiambo Owuor to celebrate the momentous occasion of Abdulrazak Gurnah's Nobel Prize, in her words, "a family win." Owuor talks about Gurnah the man and the mentor, the textures of his writing and how it has influenced her own, and reflects on the cartographic imagination that nourishes both poetry and prose born from the Swahili seas. The conversation between Owuor and Arenberg is followed by a short reading from By the Sea (2001), one of Gurnah's most poignant depictions of the migrant experience and the rippling effects of colonial violence in the lives of ordinary people. In a few deft strokes, the passage orients us to the layered histories of Zanzibar's encounters with the world in both their raucous beauty and their brutality. Yvonne Adhiambo Owuor was born in Nairobi, Kenya. She studied English and History at the Kenyatta University, earned a Master of Arts degree at the University of Reading, UK, and an MPhil (Creative Writing) from the University of Queensland, Brisbane. From 2003 to 2005, she was the executive director of the Zanzibar International Film Festival under the remit of which a literary forum was established. Her short story, The Weight of Whispers, earned her the Caine Prize for African Writing in 2003. She is the author of two novels, Dust (2014) and The Dragonfly Sea (2019). Meg Arenberg is a writer, translator and scholar. She is a postdoctoral fellow in AMESALL at Rutgers University and Managing Director of the Radical Books Collective.

Sudanese writer Leila Aboulela spoke with host Bhakti Shringarpure about East African and Sudanese literature, about Abdulrazak Gurnah's Nobel prize win, on writing about Muslim lives and Muslim cultures, and the ways in which the exciting shifts in readership across the Muslim world are shifting publishing paradigms. She commented on the ways in which the events of 9/11 and the ensuing wars altered the reception of books by her and other Muslim authors. Leila Aboulela is a writer from Sudan and currently lives in Aberdeen, Scotland. She has published five novels, two short story collections and many radio plays. She was the first every recipient of the Caine Prize for African Writing in the year 2000 for her short story "The Museum" and her novels have been long-listed for the Women's Prize for Fiction. Aboulela's short-story collection Elsewhere, Home was the winner of the 2018 Saltire Fiction Book of the Year Award. Bhakti Shringarpure is the Creative Director of the Radical Books Collective and the host for their BookRising podcast.

On November 30th, 2021, the Lannan Center presented a reading and talk featuring author Tope Folarin Introduction by Aminatta Forna.About Tope FolarinTope Folarin is a Nigerian-American writer based in Washington, D.C. He won the Caine Prize for African Writing in 2013 and was shortlisted once again in 2016. He was also recently named to the Africa39 list of the most promising African writers under 40. Folarin was educated at Morehouse College and the University of Oxford, where he earned two Masters degrees as a Rhodes Scholar. He is the author of A Particular Kind of Black Man (Simon & Schuster, 2019), and is currently the Lannan Creative Writing Visiting Lecturer at Georgetown University and Director of the Institute for Policy Studies.From A Particular Kind of Black ManShe told me I could serve her in heaven.She accompanied me to school each day. School was about a mile away, and a few hundred feet into my trek, just as my family's apartment building drifted out of view behind me, she would appear at my side.I don't remember how she looked. Memory often summons a generic figure in her place: an elderly white woman with frizzled gray hair, slightly bent over, a smile featuring an assortment of gaps and silver linings. I do remember her touch, however—it felt cool and papery, disarmingly comfortable on the hottest days of fall. She would often pat my head as we walked together, and a penetrating silence would cancel the morning sounds around us. I felt comfortable, protected somehow, in her presence. She never walked all the way to school with me, but her parting words were always the same:“Remember, if you are a good boy here on earth, you can serve me in heaven.”I was five years old. Her words sounded magical to me. Vast and alluring. I didn't know her, I barely knew her name, but the offer she held out to me each morning seemed far too generous to dismiss lightly. In class I would think about what servitude in heaven would be like. I imagined myself carrying buckets of water for her on streets of gold, rubbing her feet as angels sang praises in the background. I imagined that I'd have my own heavenly shack. I'd have time to do my own personal heavenly things as well.How else would I get to heaven?One day I told my father about her offer. We were talking about heaven, a favorite subject of his, and I mentioned that I already had a place there. “I've already found someone to serve,” I said.“What do you mean?”Dad smiled warmly at me. I felt his love. I repeated myself:“Daddy, I'm going to heaven.”“And how are you going to get there?”I told him about the old lady, my heavenly shack, the streets of gold. My father stared at me a moment, grief and sadness surging briefly to the surface of his face. And then anger. He leaned forward, stared into my eyes.“Listen to me now. The only person you will serve in heaven is God. You will serve no one else.”Music: Quantum Jazz — "Orbiting A Distant Planet" — Provided by Jamendo.

Michael talks with Tope Folarin about his first trip back to Salt Lake City in 27 years, decolonizing art, the whiteness of autofiction in the critical sphere, directing The Institute of Policy Studies, his debut novel A Particular Kind of Black Man, the naming of main characters in autofiction, a next book in progress, and more.Tope Folarin is a Nigerian-American writer based in Washington DC. His debut novel, A Particular Kind of Black Man, was published by Simon & Schuster in 2019, and he has garnered many awards for his work, including the Caine Prize for African Writing and more recently the Whiting Award for Fiction.If you'd like to hear Tope Folarin talk more about autofiction and whiteness (and more), check out his previous conversation with Teresa Carmody and Ryan Rivas on the Autofocus YouTube channel here: https://www.youtube.com/watch?v=qc7T0yQ45fg.Podcast theme: DJ Garlik & Bertholet's "Special Sause" used with permission from Bertholet.

Our guests this week are Ellah Wakatama, chair of the Caine Prize for African writing and Editor-at-large for Canongate Books and the critic John Self, who writes about books on his own blog Asylum, as well a broad variety of newspapers and radio programmes. If you would like the read the extracts discussed in this episode go to linebyline.substack.com.Comments and feedback to @tds153 on Twitter. Line by Line is produced by Ben Tulloh with readings by Deli Segal. Music by Dee Yan-Key.

Publishing a book is a long and unpredictable process that can seem opaque to new writers. Tope Folarin, author of A Particular Kind of Black Man, takes us on his journey from winning the 2013 Caine Prize for African Writing to landing a book deal to being awarded the 2021 Whiting Award for Fiction. We laugh at the Oscar-style ceremony in which he won his first prize, and then cry when we hear his editor slashed 50 pages of his manuscript. Plus, Tope, Courtney, and Rachel take a stab at magical realism during our signature writing exercise.

If I should stay, I would only get in your way. Caroline and Irenosen Okojie get extremely giddy about The Bodyguard, arguably the best date movie of all time. We talk about the tragic history of Whitney, the power of sister relationships in art, and the psychological weight of assassinations within contemporary culture. Irenosen is the author of several books, including the most recent Nudibranch. She is the winner of the Betty Trask award, the Caine Prize for African Writing, and was recently awarded an MBE for her services to literature. Caroline is an author and eats trash for dinner See acast.com/privacy for privacy and opt-out information.

From two-time Caine Prize finalist Elnathan John, Born on a Tuesday is a novel about a young boy struggling to find his place in a society that is fracturing along religious and political lines. We review this book on this episode of Shades of Us: The Review. #ShadesofUs   Facebook: Shades of Us. Twitter: Shades of Us Media. LinkedIn: Shades of Us. Instagram: Shades of Us Media. Blog: Shades of Us Vlog: Shades of Us Africa Credit: Born On A Tuesday by Elnathan John Image: Credit: Elnathan John Website

In this week's episode, Kendra talks with Meron Hadero about her short story, “Street Sweep”, which recently won the AKO Caine Prize for African Writing. Plus, Didi sent along questions for Meron too! #TeamWork Thanks to our sponsors! House of CHANEL, creator of the iconic J12 sports watch. Always in motion, the J12 travels through time without ever losing its identity. Try MUBI for 30 Days at MUBI.com/ReadingWomen Check out our Patreon page to learn more about our book club and other Patreon-exclusive goodies. Follow along over on Instagram, join the discussion in our Goodreads group, and be sure to subscribe to our newsletter for more new books and extra book reviews! Things Mentioned AKO Caine Prize for African Writing - About the Prize Restless Books Prize for New Immigrant Writing Didi's Introduction to the AKO Caine Prize Didi's Q&A with Iryn Tushabe Didi's Q&A with Meron Hadero Didi's Q&A with Doreen Baingana Books Mentioned “Street Sweep” by Meron Hadero A Down Home Meal for These Difficult Times: Stories Meron Recommends The Other Shortlisted Cain Prize Authors What it Means When a Man Falls from the Sky by Lesley Nneka Arimah The Office of Historical Corrections: A Novella and Stories by Danielle Evans The Shadow King by Maaza Mengiste Addis Ababa Noir (Akashic Noir) edited by Maaza Mengiste About the Author Meron Hadero is an Ethiopian-American who was born in Addis Ababa and came to the U.S. via Germany as a young child. She is the winner of the 2020 Restless Books Prize for New Immigrant Writing. Her short stories have been shortlisted for the 2019 Caine Prize for African Writing and published in Zyzzyva, Ploughshares, Addis Ababa Noir, McSweeney's Quarterly Concern, The Iowa Review, The Missouri Review, New England Review, Best American Short Stories, among others. Website | Twitter | Facebook CONTACT Questions? Comments? Email us hello@readingwomenpodcast.com.  SOCIAL MEDIA Twitter | Facebook | Instagram | Website Music by Miki Saito with Isaac Greene Learn more about your ad choices. Visit megaphone.fm/adchoices

Rwandan born Namibian writer Rémy Ngamije discusses his debut novel THE ETERNAL AUDIENCE OF ONE set in Windhoek, Namibia. Shortlisted for the Caine Prize for African Writing. More information about this author: www.realfictionradio.com

Today we're talking about getting comfortable in our own skin and overcoming self-doubt. Being an outsider doesn't mean you don't belong! Join Alisa, Rosa, and Dr. Merary as they chat with Elizabeth Colón-Revera, President & CEO of Metaphrasis Language & Cultural Solutions LLC, about how to own your reality by reframing it in a powerful way. Or as she puts it, "You don't have to compete with anyone. Not even yourself. You just have to be you." ––– "You can actually leverage being an outsider, in order to be the most unique and be the biggest voice in the room, and bring a new perspective to things that everybody else takes for granted." — Namwali Serpell, 2015 winner of the Caine Prize for African Writing ––– https://www.linkedin.com/groups/13927541/ (Join our LinkedIn group!) More from Elizabeth Colón-Rivera: https://metaphrasislcs.com/ (Metaphrasics.com) More from Rosa Santos: https://www.linkedin.com/in/rosa-santos-7b6ab02/ (LinkedIn) More from Dr. Merary Simeon: https://merarysimeon.com/ (MerarySimeon.com) More from Alisa Manjarrez: https://www.thehappycactus.club/ (The Happy Cactus) Get transcripts and more at https://www.colorforward.com/ (colorforward.com)

On this week's Cultural Frontline we consider the pleasure and the pain of literature in lockdown from the perspective of both writers and readers. Meron Hadero, the first Ethiopian writer to win The Caine Prize for African Writing, tells presenter Datshiane Navanayagam how she found refuge on the page in the pandemic and why she is drawn to write about displacement. The award-winning Australian novelist Tara June Winch reveals the impact of the coronavirus on her writing routine. The British actor and Game of Thrones star Emilia Clarke discovered the essays of the late British author Jenny Diski during lockdown. Emilia speaks to poet and academic Dr Ian Patterson, who was married to Jenny, to discuss the power of cultural escapism in isolation. And, after revisiting her own early work during the pandemic, the renowned Russian author Ludmila Ulitskaya looks back on the radical reading that made her a writer in the Soviet Union. Presenter: Datshiane Navanayagam Producers: Kirsty McQuire, Olivia Skinner, Paul Waters (Photo: Meron Hadero Credit: Meron Hadero)

Helon Habila believes in hard work, perseverance, and believing in himself and his capabilities. His motivation to be a great writer led him to defy the wishes of his parents and to challenge the negative beliefs of some of his fellow authors. He always believed his dream was possible, even if he didn't realize how big that dream could be and the reach it would have. Helon was willing to make big sacrifices in pursuit of his writing career, including leaving Nigeria, a country that was suffering from the consequences of a totalitarian military regime. Despite having won awards for his work, Helon maintains a humble attitude. He recognizes that he has had a lot of luck, which he could only leverage thanks to his preparation. Helon's determination is a big part of what allowed him to become a published author by Penguin, one of the world's top publishing houses. His advice to writers is to own their voice by understanding their culture and where they come from. Only then will they be able to see where they can innovate and how they can make their impact on the world. About Helon Habila Helon Habila is a Nigerian writer, poet, literary, and pioneer when it comes to African literature. He is an award-winning author, having earned prestigious recognitions such as the National Poetry Award and the Caine Prize. He has also been nominated for numerous other awards. Helon is currently a professor at George Mason University in Fairfax, Virginia, and he is in the process of writing his next novel, tentatively titled The Fortress. Highlights of the episode: 02:17: Helon Habila's journey to literature after trying to meet parental expectations by studying engineering.  06:57: How Helon had to hide his decision to become a writer for fear of being misunderstood. 11:06: Helon's start in the writing industry as a struggling romance story writer.  14:14: The “I made it” moment that encouraged Helon to keep writing.  16:40: The hardships faced by the publishing industry.   21:25: Helon's decision to enter his work into a contest posing as a publisher 23:50: The experience of being part of a community that believed in making cultural changes in Nigeria.  25:05: The need to leave the country to be able to write due to the anti-culture atmosphere in Nigeria. 29:23: Visualizing success and believing in the quality of his work helped Helon get where he wanted to be.  31:43: The need for a new model that allowed African writers to be published.  36:34: What it means to own your voice. 40:14: The process of reinventing yourself and adapting after arriving in a new country and how this can impact creativity. Mentioned Resources Third Culture Africans Malée Helon Habila

Arinze Ifeakandu was born in Kano, Nigeria and studied English at the University of Nigeria, Nsukka. He is a recent MFA graduate from the Iowa Writers' Workshop, where he was the winner of the 2018 Richard Yates Short Story Contest. Arinze was also shortlisted for The Caine Prize in 2017, and was the winner of a 2015 A Public Space Emerging Writer Fellowship, for his story “God's Children Are Little Broken Things.” He is currently on a teaching fellowship at the Iowa Writers' Workshop, and his stories have recently appeared in A Public Space and One Story. The music for this podcast is "Ira" by Blake Shaw. Ongoing support comes from the National Endowment for the Arts, the Iowa Arts Council, and from the United States Regional Arts Resilience Fund. Phase 1 is an initiative of Arts Midwest and its peer United States Regional Arts Organizations made possible by The Andrew W. Mellon Foundation. The Writers of Color Reading Series is produced by the Englert in Iowa City, Iowa, and is supported by Friends of the Englert. Visit www.englert.org/friends to support our programming. -------------------- Host: Jesus “Chuy” Renteria Line Producer & Audio Engineer: Savannah Lane Executive Producers: John Schickedanz & Andre Perry

Join John Feffer and Tope Folarin as they discuss Feffer's "Songlands," the stand-alone finale to the Splinterlands trilogy. 2052. The world is a mess. The climate change meltdown has triggered an endless cycle of natural disasters. Nationalist paramilitaries battle against religious extremists. Multinational corporations, with their own security forces, have replaced global institutions as the only real power-brokers. Waves of pandemics have closed borders with such regularity that travel has become mostly virtual. describes humanity 's last shot at solving the world 's problems. Can Aurora assemble a team to reverse the splintering of the international community and avert an even more dystopian future? Speakers: John Feffer is a playwright and the author of several books including Aftershock: A Journey into Eastern Europe's Broken Dreams and the novels Splinterlands, and Frostlands. His articles have appeared in The New York Times, The Washington Post, The Nation, Salon, and others. He is the director of Foreign Policy In Focus at the Institute for Policy Studies. Tope Folarin is a Nigerian-American writer based in Washington DC. He serves as Executive Director of the Institute for Policy Studies, and as the Lannan Visiting Lecturer in Creative Writing at Georgetown University. He has garnered many awards for his writing, including the Caine Prize for African Writing and the Whiting Award for Fiction. He was educated at Morehouse College and the University of Oxford, where he earned two Masters degrees as a Rhodes Scholar. His debut novel, A Particular Kind of Black Man, was published by Simon & Schuster. Order a copy of Songlands: https://www.haymarketbooks.org/books/1654-songlands Watch the live event recording: https://youtu.be/0G3VcvWfzeU Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

This episode is all about literary prizes. Our guest is the 2020 winner of the Caine Prize, Irenosen Okojie, and Book Lounge staff talk about some Booker-longlisted novels. Luami recommends ‘How Much of These Hills is Gold' by C Pam Zhang, Unathi recommends ‘The Shadow King' by Maaza Mengiste, Jess enjoyed ‘Such a Fun Age' by Kiley Reid and Mervyn recommends both ‘Shuggie Bain' by Douglas Stuart and ‘Real Life' by Brandon Taylor. Get in touch by emailing booklounge@gmail.com or send us a voice message on Whatsapp to +27 (0) 63 961-6154 Hosted by Vasti Calitz and produced by Andri Burnett

Lidudumalingani first caught our attention with his 2016 Caine Prize winning short story, “Memories we lost”, which discusses mental illness and issues of access in an often forgotten rural context, it was poignant and powerful giving a voice to a population often ignored. Lidudumalingani is a master of many trades as a writer, photographer and filmmaker. After the success of winning the Caine Prize, Lidudumalingani went on to win the Marshall Scholarship for his manuscript of his eagerly anticipated debut. Dr Alma-Nalisha Cele sat down with the prodigious Lidudumalingani to discuss photography, mental health and Black literature. In under hour, The Cheeky Natives held an eye opening and heart warming conversation on the state of literature in South Africa, decolonisation and his hopes for writing. 'We seek a world in which there is room for many worlds'- Sunil Yapa in her beautiful novel "Your heart is a muscle the size of your fist”. An apt quote for the conversation in today's episode.

Nandini Das and John Gallagher look at words for strangers in Tudor and Stuart England and ideas about civility. Plus Shahidha Bari talks to Makena Onjerika the winner of the 2018 Caine Prize for African Writing. And, as the NHS approaches its 70th anniversary, we discuss the relationship between care, institutions, and the concept of medicine with novelist and former nurse Christie Watson, and historian of the NHS Roberta Bivins. Nandini Das is working on the Tide Project http://www.tideproject.uk/ exploring travel and identity in England 1550 - 1700 She and John Gallagher are taking part in the Society for Renaissance Studies conference at Sheffield University this week. Christie Watson is the author of The Language of Kindness: A Nurse's Story. Producer: Luke Mulhall.

Shahidha Bari discusses LGBTQ in the history of philosophy.As part of the BBC's Queer Icons series Philosopher Sophie-Grace Chappell discusses Plato's Symposium, and novelist Adam Mars-Jones talks about Bruce Bagemihl's book Biological Exuberance which explored homosexuality in the animal kingdom. Plus, we hear from the winner of this year's Caine Prize for African Writing. Queer Icons is a project to mark the 50th anniversary of the decriminalisation of homosexuality in which 50 leading figures choose an LGBTQ artwork that is special to them. You can find more details on the Front Row website on BBC Radio 4. You can find the BBC's Gay Britannia season of programmes on radio and tv collected on the website. They include documentaries, Drama on 3 from Joe Orton and exploring Victim the 1961 film starring Dirk Bogarde, episodes of Words and Music and more editions of Free Thinking including Philip Hoare on Cecil Beaton, Jake Arnott on Joe Orton and Peggy Reynolds on Sappho. Producer: Luke Mulhall

New Generation Thinker Victoria Donovan explores the links between Wales and Ukraine. Later this month the Wales Book of the Year Awards take place. We hear from Dr Emma Schofield about the way Welsh fiction has reflected debates since devolution. And talk to Lidudumalingani - winner of this year's Caine Prize for African Writing. And Alex Massie and Professor Richard Wyn Jones discuss the view from Scotland and Wales after the Brexit referendum. Dr Victoria Donovan researches Russian history and culture at the University of St Andrews. The New Generation Thinkers prize is an initiative launched by BBC Radio 3 and the Arts and Humanities Research Council (AHRC) to find the brightest minds from across the UK who have the potential to transform their research into engaging broadcast programmes. You can hear more about the research topics of all 10 2016 New Generation Thinkers on our website. You can read the Caine Prize story here http://caineprize.com/2016-shortlist/ The Wales Book of the Year Awards are announced on Thursday 21 July. The shortlists are: The Roland Mathias Poetry Award: Love Songs of Carbon, Philip Gross /Boy Running, Paul Henry /Pattern beyond Chance, Stephen Payne The Rhys Davies Fiction Award: The Girl in the Red Coat, Kate Hamer/ We Don't Know What We're Doing, Thomas Morris / I Saw a Man, Owen Sheers The Open University in Wales Creative Non-Fiction Award: Losing Israel, Jasmine Donahaye / Woman Who Brings the Rain, Eluned Gramich / Wales Unchained, Daniel G. Williams Aberystwyth University Welsh-language Poetry Award: Nes Draw, Mererid Hopwood / Hel llus yn y glaw, Gruffudd Owen / Eiliadau Tragwyddol, Cen Williams Welsh-language Fiction Award: Norte, Jon Gower / Y Bwthyn, Caryl Lewis / Rifiera Reu, Dewi Prysor The Open University in Wales Welsh-language Creative Non-Fiction Award: Pam Na Fu Cymru, Simon Brooks / Dyddiau Olaf Owain Glyndwr, Gruffydd Aled Williams / Is-deitla'n Unig, Emyr Glyn WilliamsProducer: Ruth Watts

Billy Kahora, one of the writers nominated for this year's Caine Prize for African writing joins Philip Dodd to reflect on the way artists in Kenya respond to the political and religious unrest in the country.

Tope Folarin becomes the first writer born outside of Africa to win the Caine Prize with his short story set in Texas in an evangelical Nigerian church.