Podcast appearances and mentions of Vincent Laforet

Across the next two weeks, a brace of Friday Summer Specials featuring seven former guests from our three-year archive sharing important life learnings from their careers about photography, about creativity, about LIFE. In this first show, former army photographer and now documentarian Giles Penfound, the philosophical YouTuber Sean Tucker, documentary photographer Amelia Troubridge, creative thinker Scott Shillum, a National Geo Explorer Hailey Sadler, the landscape photographer and YouTuber Thomas Heaton and photographer, filmmaker and director, Vincent Laforet. Links to all stories and guests will be on the SHOW PAGE as always and my sincere thanks to mpb.com who sponsor this show and the Extra Milers without whom we wouldn't be walking every week.  

Dans le GRAND DÉBAT qui prend la forme d'une discussion AU COIN DU FEU on s'intéresse le vidéaste, réalisateur et producteur Sébastien Devaud et à son métier de réalisateur TV et à la révolution de la vidéo, depuis l'arrivée du Canon EOS 5D Mark II, il y a un peu plus de dix ans. Nous vous proposons également les témoignages l'animateur et producteur Frédéric Lopez, du réalisateur et photographe Vincent Laforet et du responsable des ventes de Canon France Roch Lorente.  Cet épisode vous est présenté par CANON et sa gamme EOS R, les hybrides plein format aux performances inédites pour une créativité sans limite.  Aux micros : Arthur Azoulay, Benjamin Favier, Sébastien Devaud, Frédéric Lopez, Vincent Laforet et Roch Lorente.   Ce GRAND DÉBAT est issu de l'épisode S306 - « Au coin du feu avec Sébastien Devaud » du podcast Faut Pas Pousser les ISO diffusé le 4 novembre 2021.

Dans le sixième épisode de la troisième saison du podcast Faut Pas Pousser les ISO, on se met au COIN DU FEU avec le vidéaste, réalisateur et producteur Sébastien Devaud pour parler vidéo, broadcast, technique, matos et découvrir en détails l'incroyable métier de réalisateur TV. Nous vous proposons également les témoignages de l'animateur et producteur Frédéric Lopez, le réalisateur et photographe Vincent Laforet et le responsable des ventes de Canon France Roch Lorente. Parallèlement à cette discussion AU COIN DU FEU nous faisons aussi un point commenté sur l'actualité avec un focus sur le nouveau Nikon Z9, les 20 ans de Lumix et le GH6 et le nouveau Canon powershot PX dans le FLASH ACTU. Dans la STORY, Benjmain se penche cette semaine sur l'ouvrage Regards Croisés signé Plantu et Reza avec un entretien exceptionnel avec les deux auteurs. Enfin retrouvez aussi le DÉBRIEF qui synthétise en quelques minutes l'essentiel des informations à retenir de notre discussion AU COIN DU FEU et pour finir LE QUIZ avec nos invités. Cet épisode vous est présenté par CANON et sa gamme EOS R, les hybrides plein format aux performances inédites pour une créativité sans limite.  Aux micros : Arthur Azoulay, Benjamin Favier, Sébastien Devaud, Jérémy Hoffman, Frédéric Lopez, Vincent Laforet, Roch Lorente, Reza Deghati et Plantu.  Le FLASH ACTU est présenté par PHOX.fr le site des spécialistes de l'image. 

Let’s be honest this is a BIG question and in many respects I’m throwing it out to you so that we can start a two way on this for inclusion in a forthcoming Tuesday or Thursday snapshot edition. I have a little help on this one from some previous guests including Michel Delsol, New York portrait photographer, news agency owner Paul Walters and film maker Vincent Laforet. Some Instagram accounts to take a saunter through and a book perhaps to add to your collection? Send your thoughts and questions to: studio@photographydaily.show

On todays episode of Hollywood, How Did You Get Here? Tim talks to long time friend Vincent Laforet. Vincent is a Pulitzer Prize winning photographer and is largely credited for jump starting the success of the Canon 5D Mark II having shot the short film "Reverie" with it. Enjoy the episode! Please make sure to subscribe on your favorite podcast platform and leave us a review! "Hollywood, How Did You Get Here?" Is brought to you by G-Technology, a leading storage solution brand for the entertainment industry. Use code HOLLYWOOD for 10% off G-Technology drives when you shop on Filmtools.com Special thanks to our lighting sponsor Ledgo Technologies for supporting our show! Make sure to check out Ledgo on Instagram (@ledgo_led) for more

En el episodio de hoy hablamos de objetivos descentrables y Sandra nos presenta el trabajo del fotógrafo Johannes Becker.    >   TALLERES DE FOTOGRAFÍA 2020 Seguimos con la programación formativa para el segundo semestre de la temporada de Talleres de Fotografía de Paisaje y nos vamos a fotografiar algunos de los lugares mágicos de la Costa de Bizkaia. Durante el Taller Costa Bizkaia 23, 24 y 25 de Octubre 2020 visitaremos algunas de las localizaciones más espectaculares de la costa de Bizkaia. ¿Te apetece acompañarme? Plazas limitadas.  Taller Costa Bizkaia 23, 24 y 25 de Octubre 2020 OBJETIVOS DESCENTRABLES EN FOTOGRAFÍA DE PAISAJE Hoy tenemos otra propuesta de uno de nuestros oyentes del grupo en Telegram. David me planteaba la siguiente duda: "Rafa, alguna vez creo que habías comentado que en ocasiones usas objetivos descentrables. Es que me causa curiosidad el tema".  OBJETIVOS DESCENTRABLES ¿Qué son y cuáles son sus peculiaridades de los objetivos descentrables o Tilt & Shift?. Tengo que decir que no es un objetivo fácil de usar, ya que requiere tener clara la foto en tu cabeza a la hora de dividir la escena en 3 partes. No tienen enfoque automático, se enfoca a mano. ¿POR QUÉ SE LLAMAN TILT AND SHIFT TILT significa inclinar y SHIFT significa desplazamiento y eso es lo que podemos hacer con estos objetivos.  TILT - INCLINACIÓN Nos permite enfocar una escena desde el primer plano hasta el fondo sin necesidad de trabajar con la hiperfocal y algo muy importante: permite enfocar objetos muy cercanos sin necesidad de hacer apilado de fotos. Voy a explicar por qué: En un objetivo tradicional, el plano de foco es siempre paralelo al sensor pero en un descentraba, podemos cambiar la inclinación de ese plano de enfoque. Importante en trabajos de fotografía de joyas o incluso en fotografía culinaria, donde estemos buscando imágenes con pocos desenfoques para mostrar todo perfectamente enfocado. SHIFT - DESPLAZAMIENTO Podemos corregir las distorsiones producidas en ciertas situaciones por un objetivo tradicional de 17 o 24mm. cuando las líneas verticales se convierten en diagonales. Esto tiene mucha importancia en trabajos de arquitectura ya que nos ayudan con el ajuste de verticalidad de líneas y de paso, nos ahorra tiempos de procesado. DIFERENCIAS CON LOS OBJETIVOS TRADICIONALES Un objetivo normal está preparado para que el sensor capte la imagen que se ve a través del círculo formado por el objetivo. Tenemos un círculo de imagen y el sensor recoge la imagen de ese círculo. En el caso de un objetivo descentrable, el círculo de imagen ocupa mucho más, por lo que podemos desplazarnos a través de dicho círculo para captar una superficie mayor en diferentes tomas, para posteriormente unirlas como si fueran panorámicas. DATOS CURIOSOS DEL CANON TS-E 24mm f/3.5L II Lo interesante del Canon TS-E 24mm f/3.5L II es que tienes acceso a 14mm, 18mm, 24mm y ~35mm en cámaras con fotograma completo (full frame). 14 mm (relación de aspecto panorámico 2.4:1 ) Coloca la cámara en posición horizontal con desplazamiento "shift" a izquierda/derecha. Conseguirás una imagen horizontal (2 fotogramas necesarios: -12,12) 18 mm (aproximadamente una relación de aspecto 4:3) Coloca la cámara en posición vertical con desplazamiento "shift" a izquierda/derecha. Conseguirás una imagen horizontal (3 fotogramas necesarios: -12,0,+12) 24mm (relación de aspecto 3:2) 35 mm (relación de aspecto 3:2) usando el multiplicador 1,4 x EFECTO DE MINIATURA O TAMBIÉN LLAMADO EFECTO DIORAMA Me gustaría destacar el trabajo de Vincent Laforet en Project AIR que reúne una colección de imágenes aéreas de varias ciudades, entre ellas Barcelona) donde vemos cómo utiliza estos objetivos para conseguir imágenes excelentes, enfocando zonas concretas de la imagen en franjas.  ENLACES DE INTERÉS Principio de Scheimpflug es la regla geométrica que describe la orient...

Vincent Laforet is back for his third and final part and he’s in the air, for an ambitious photo project that almost didn’t get off the ground at all. Project Air pushes the boundaries of aerial photography in an unimaginable way working at the very limits of camera and gimbal technology and in helicopters working at their ceiling limitations too! For links and images see today's show page: www.photographydaily.show/episodes/vincent-laforet-project-air Send your thoughts to: studio@photographydaily.show 

There are moments in your life, where you make decisions that change just about everything; sliding door moments. If today's guest Vincent Laforet hadn’t seen a white boxed package on a desk during a visit to Canon that held a particular brand and model of camera, if he hadn’t then essentially begged for an opportunity, if he hadn’t proposed his audacious plan quite so passionately, perhaps he wouldn’t have changed direction quite so radically? Today's show is kindly supported by www.imagesalon.com - outsource your post production and spend more time shooting and working on your business with 25% off your first order in 2020.

We start the week with Vincent Laforet, whose work as a leading photojournalist has blessed the pages of National Geographic, Time, Newsweek, Life and New York Times Magazine. He is a Pulitzer prize winner for feature photography in 2002 and his pioneering motion film work with Canon stills cameras led the way for film makers who adopted DSLR technology at a time such tech was not considered for feature film application. The episode is supported by Image Salon, for all your retouching needs. Email the show: studio@photographydaily.show

I am so honored to have Vincent Laforet, aka Air Laforet, on my Spin It Social Hour this morning. I lived for editing his incredible work while I was a Supervising Photo Editor for The New York Times. Get ready to enjoy Vincent's beautiful and powerful work and learn all about his journey and technical wizardry! Please share AND join us. Also streaming on Twitter at Twitter.com/SpinItSocial and on Facebook at FB.com/SteffenSpinItSocial

I am so honored to have Vincent Laforet, aka Air Laforet, on my Spin It Social Hour this morning. I lived for editing his incredible work while I was a Supervising Photo Editor for The New York Times. Get ready to enjoy Vincent's beautiful and powerful work and learn all about his journey and technical wizardry! Please share AND join us. Also streaming on Twitter at Twitter.com/SpinItSocial and on Facebook at FB.com/SteffenSpinItSocial

This week, on the only Malay-languaged film podcast in the world (possibly), Muz is stuck somewhere in the Klang Valley (perhaps), so Fikri sat down with Diaz Hernawan and discussed his current and future career as a cinematographer, as well as the differences between Malaysian and Indonesian cinema. We also look at ‘The Conjuring' (a bit), as well as ‘Mobius' by Vincent Laforet (a lot). All this and more on the only show in the world that releases its pre-Raya-recorded episodes months after Hari Raya (definitely)! Originally published on 19th December 2013.

Director and Photographer Vincent Laforet takes some time from being airborne to stop by the Movidiam podcast and talk about his latest project, which requires him to be 7500 feet in the air. As the "godfather of HDSLRs", he goes through pros and cons of new technologies and gives his insight on how the demand for commercials has changed and what frustrates him about the production process.

Director and Photographer Vincent Laforet takes some time from being airborne to stop by the Movidiam podcast and talk about his latest project, which requires him to be 7500 feet in the air. As the "godfather of HDSLRs", he goes through pros and cons of new technologies and gives his insight on how the demand for commercials has changed and what frustrates him about the production process.

In this episode we sit down with one of the people responsible for the success of the 5D MK II. Gary and Rob sit down and discuss his career as a photographer, director, and DP in the industry. Download this entire season at www.rggedupodcast.com

Ep 72 Follow Up Vesti Apple omogućio svim developerima da koriste app pre-order Apple kupio Shazam za neke parice, videćemo za kaj HW iMac Pro iMac Pro je u prodaji, od 14. decembra. Mnooooooogo parica: 3.0GHz 10-core Intel Xeon W processor, Turbo Boost up to 4.5GHz 32GB 2666MHz DDR4 ECC memory 1TB SSD Radeon Pro Vega 56 with 8GB of HBM2 memory Magic Trackpad 2 - Space Gray Magic Keyboard with Numeric Keypad - US English - Space Gray == $5,849.00 Marquees ima pristojan video first look, a Vincent Laforet je istraživao gde su mu granice mogućnosti. Ostalo iPhone fast charging speeds compared Stara vest o HDMI alt-mode se materijalizovala u Aukey kablu Ide NG, pa valja biti sam svoj Deda Mraz... Najbolji HDD-ovi velikih kapaciteta Angelbird SSD za poneti Angelbird USB-C to SATA adapter Brzi T3 storage za nove Macove QNAP ima T3 model koji se može kupiti i kod nas Realica Fina novost u iOS 11.2: moguće je prebaciti poziv sa iPhonea na iPad Apple Watch Heart monitoring spasio čoveku život E brate... Noviji iPhonei u poslednjih godinu dana se zaista usporavaju Apple zvanično objasnio šta se dešava Zanimljiva mogućnost da vidite stanje baterije Intervjui Craig Federighi kaže da će Face ID ostati na samo jednom licu Phil odaje priznanje svojim zaposlenima da su ostvarili nemoguće Glasine Blockchain? Brave novi browser koji koristi blockchain tehnologiju kako bi plaćao kripto valutom sajtove koji žive od broja poseta Tugica Današnji programeri Zahvalnice Snimljeno 21.12.2017. Uvodna muzika by Vladimir Tošić, stari sajt je ovde. Logotip by Aleksandra Ilić. Artwork epizode Life Carousel, ulje na platnu, 2014 by Saša Montiljo, njegov kutak na Devianartu.

Show Overview If you dont know who Vincent Laforet is, you either live under a rock or brand new to video production. Vincent was a huge influence on the DSLR revolution and showed the possibilities of what the 5D Mark ii is capable of. Reverie – if you haven't seen it, watch it now. We... Read More

Timur Civan is a cinematographer working on commercials, documentaries, scripted narrative and experimental. Working his way through the craft and the New York film scene for over ten years, he sets himself apart with his experimental work. A notable example of this style being the music video for Nigel Stanford titled Cymatics. I’ve known Timur for the past 3 to 4 years meeting and hanging out in the same NYC film circles. We both frequent Vincent Laforet’s poker game where Timur acts like he doesn’t know how to play but miraculously ends up winning rather consistently. Somehow I felt this information was relevant and helps paint a picture for you all. In the podcast we discuss Timur’s current transitional state as he finds himself very close to joining the union as a DP. Reflective and thoughtful, this conversation provides insights into the lesser discussed aspects of craft building, the ways in which our talents and opportunities can feel cyclical and how to anticipate these cycles and make them work for you both artistically and financially.

David Geffin is a full time photographer, videographer and editor based in New York. With a keen eye for fashion and street documentary/photography, David combines his passion for both stills and motion, collaborating regularly with other photographers such as Vincent Laforet. We talked to David about breaking into the freelance industry, connecting and collaborating on a global scale and the new era of filmmaking we currently find ourselves in. View the blog here: https://www.movidiam.com/blog/455/-david-geffin-freelancing-in-the-new-era

David Geffin is a full time photographer, videographer and editor based in New York. With a keen eye for fashion and street documentary/photography, David combines his passion for both stills and motion, collaborating regularly with other photographers such as Vincent Laforet. We talked to David about breaking into the freelance industry, connecting and collaborating on a global scale and the new era of filmmaking we currently find ourselves in. View the blog here: https://www.movidiam.com/blog/455/-david-geffin-freelancing-in-the-new-era

Episode #232 of the podcast features an interview with Vincent Laforet. Discussion topics: Hustle, personal projects & mindset, overcoming challenges, and feeling discovery. The post 232: Weekend Wisdom with Vincent Laforet – Maintaining Creativity with Personal Projects appeared first on Sprout Studio.

Episode #232 of the podcast features an interview with Vincent Laforet. Discussion topics: Hustle, personal projects & mindset, overcoming challenges, and feeling discovery.

Pulitzer Prize and Cannes Lion award winner Vincent LaForet has accomplished so much in still and motion photography, yet he continues to push himself to create images he has “never seen before”. This drive has led to his most recent passion project on high-altitude night photography and the incredible book, "AIR". LaForet joins us for an in-depth conversation on the thrills, as well as the logistical, technical, and physical challenges of creating the images for this book. From lessons taught to him by his father, to combat and sports photography, to the pressure of self-funding a project, to gear and technical advice, LaForet regales us with wonderful stories from his career and the making of "AIR". Guest: Vincent LaForet To purchase the book follow this link: http://www.bhphotovideo.com/c/product/1199832-REG/laforet_visuals_978_0_9960587_2_8_book_air_1st_edition.html To see footage of LaForet in action and the making of AIR, check out this B&H Prospectives Video. http://www.bhphotovideo.com/explora/photography/features/bh-prospectives-aerial-photography-vincent-laforet

Vincent Laforet is a professional photographer turned commercial director and cinematographer. He was the youngest staff photographer ever hired for the New York Times where he shared The Pulitzer for his international coverage in The Middle East documenting events unfolding post 9/11. After years of success at the paper, the need for creativity and artistry prompted him to do the unthinkable, he left what most considered to be the job you held onto forever. In the pod we discuss his upbringing and how he managed to become the youngest hired staff member of the famed NYT photo dept and the journey he’s been on ever since. Vince is well known in the photography world as a teacher through his prolific blog. This side of him is impossible to turn off and comes through during our conversation. He’s always trying to extoll advice and share what he’s learned. Contrary to the first two episodes, Vince is older and brings with him a different perspective. I’m hopeful that the podcast can continue to bring in a variety of voices either because of age, experience, background, artistic genre - with each new voice the conversation becomes richer.

I came across a feature story about a photographer by the name of Vincent Laforet. I didn’t recognize the name but after a few minutes I recognized the work. Hearing just a small overview of his story had me inspired and interested in what new things I could do with my own photography. We need those reminders; the things we hear or see that relaunch our passion. I think most days I feel lucky to be a full time photographer and pursue my passion while making a living, but there are days when I lose sight of why I am doing this. I don’t really know if I was feeling down about my photography career or anything but when I came across this story it got me thinking about those times when I have trouble staying motivated. Vincent Laforet said something that resonated with me: “As a photographer and visual communicators you try to find images no one has ever seen before.”                 We need to remember our place as photographers. We love what we do and enjoy a lot of what comes with that, but to be reminded of our duty as “visual communicators” is so important. Think about those pictures you see every day that do little for you. You view, understand, and move on in one swift motion, as if it were a reflex. Those types of images are damaging to our purpose as image makers. We need to communicate visually. With all the social media, TV, and internet we are numb to the vast majority of images so we need to find our voice and begin making worthwhile images. Keep up the motivation and please send your photography and business questions to me through the contact page. http://www.cbsnews.com/videos/high-art-photography-from-the-heavens/ http://www.vincentlaforet.com/ Happy Shooting! -Rob

On this episode Robert chats with Pulitzer Prize winning photographer and commercial director Vincent Laforet. Robert and Vincent have been friends for over a decade and they discuss Vincent's background in photography, his transition from sports to news, from staff to freelance, from editorial to commercial, from stills to video, and back again. They talk about the importance of networking, workshops, diversifying, and the business of photography. They also learn more about Vincent's upcoming project that'll have him shooting aerials of major cities around the world. Sit back, relax, and enjoy this special birthday episode of The Photo Brigade Podcast. 

On this episode Robert chats with his good friend Vincent Laforet whose photojournalism work caught Robert's eye over a decade ago when he was a college student at Ohio University. Lately Vincent is known mostly for his work in the film industry, a transition he's made over the past 6 years, and now many don't realize his background began in journalism. Straight out of college he spent over 300 days per year covering sporting events for Allsport, which later became Getty. He was later hired as a New York Times staff photographer where he shared a Pulitzer prize for his work in Afghanistan and Pakistan in 2002. They talk about his background from the age of 15 when his father first  put a camera in his hands, to working his way through college at Northwestern University, his internships, and his transition from a top photojournalist into a successful film director who just completed his first big-time campaign with Nike. Oh, he also just wrecked his right arm shattering it in a dune buggy accident in the deserts of Dubai. Robert took advantage of Vincent's fragile state as he recovered a few blocks from Robert's apartment in Manhattan. Sit back, relax, and enjoy this episode of The Photo Brigade Podcast.

Gastheer Maarten Hendrikx, @maartenhendrikx op Twitter of via zijn website. Panel Davy Buntinx, @dbuntinx op Twitter, of via zijn website. Cindy de Smet, @drsmetty op Twitter. Stefaan Lesage, @stefaanlesage op Twitter, of via zijn website. Onderwerpen Met de iPad naar School. Twee Vlaamse scholen verplichten 800 leerlingen een iPad aan te schaffen. Wilde voorspellingen rond de iPad 3 Foursquare ruilt Google Maps in voor OpenStreetMaps Tips Cindy: Open Access Maarten: Remix your life met de MadPad Stefaan: The Macallan (Whiksy Distillery) organiseert een foto wedstrijd via Instagram. Daarnaast kan je ook nog registreren voor Een avondje met Vincent Laforet in Ansterdam Feedback Het Tech45-team apprecieert alle feedback die ingestuurd wordt. Heb je dus opmerkingen, reacties of suggesties, laat dan een commentaar hieronder achter. Via twitter kan natuurlijk ook @tech45cast. Ook audio-reacties in .mp3-formaat zijn altijd welkom. Items voor de volgende aflevering kunnen gelinkt worden op Twitter met de hashtag '#tech45'. Vergeet ook niet dat je 'live' kan komen meepraten via live.tech45.eu op dinsdag 13 maart vanaf 21u30. Deze aflevering van de podcast kan je downloaden via deze link, rechtstreeks beluisteren via de onderstaande player, of gewoon gratis abonneren via iTunes.

Photojournalist turned film maker Vincent Laforet discusses his transition from stills to moving images, his evolving relationship with Canon, what’s so great about the C300 camera, the importance of persistence, working with creatives, and developing an original feature film in the current climate of reboots and remakes. You can find his work at: http://www.laforetvisuals.com/ You can purchase his book, "Visual Stories", here: http://tinyurl.com/7aer5rz His first video project, "Reverie", can be found here: http://vimeo.com/7151244 His latest short film, "Mobius" shot on the C300: http://vimeo.com/31525127 The Famous Footwear "Neighborhood" spot we discuss: http://vimeo.com/17355509 The Mountain Dew "White Out" spot Vincent directed and DP'd: http://vimeo.com/15237626 The "Get a Pair" spot we discuss: http://vimeo.com/16668976 Canon's "Behind the Still" campaign: http://vimeo.com/19096657 The VW spec spot Vincent did for Canon: http://vimeo.com/12056425

The RC was at both the Canon and Red Events last week and on this our 100th show, Jason and Mike try explore the implications of last week's huge announcements. PLUS in the Red Room Möbius director : Vincent Laforet.

In this, our first episode, we talk a little bit about what we feel fusion photo/video is… we also talk about the Collision Conference, Rodney Charters, Vincent Laforet, Planet Mitch, SmugMug, Drew Gardner, Syl Arena, and Zeke Kamm. It was so great to get to meet Rodney, we had a good talk about new media and what it is doing to Hollywood. Thanks so much for including our photos and website of Felicia Day in your presentation Rodney!!! SmugMug was very nice to us and brought us out to lunch, you will be seeing more collaboration between us very soon. We also went to lunch with Drew, Syl, Mitch and Zeke. Then had a dinner with Drew and Zeke… lot’s of eating, lot’s of talking about the photo and video industry.