Breathe Pictures Photography Podcast: Documentaries and Interviews

I have a trio of guests on the show this week. Photographer, author and adventurer David duChemin joins me ahead of his full appearance next week for a shorter but powerful conversation that weaves through some of the themes we've explored on the show over the past year: presence, obsession, talent, adversity, courage, comparison, and yes, that old imposter syndrome chestnut, all with David's signature warmth and insight. My good friend, documentary photographer Giles Penfound, joins me for a walk and shares a disarming way to connect with people you might never normally speak to. If you've ever felt that knot-in-the-stomach hesitation when approaching a stranger and asking, “Can I make your portrait?”, Giles might just have the key to making those conversations feel not only possible but natural, and Valérie Jardin returns for this month's Teach Me Street, ahead of our summer recording in Paris. From the mailbag and also on the show, Robin Chun reckons he's made his picture of the year, William Leonard's been having camera bag nightmares, Paul Moore's in a derelict hospital shooting for a client while listening to our supernatural episode, and I've a story to share about how homelessness led to a walk… which led to a book… which has now become a film, out next week. If you know the story already, I hope you won't mind the revisit. It's a path worth walking again.  Links to all guests and features will be on the show page, my sincere thanks to Arthelper, who sponsor this show, plus our Extra Milers, without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

My guest on the Photowalk show today, Liza Gershman, is a travel and food photographer who's just as interested in the people and places behind the meal as the food itself. Her work has taken her to over 50 countries, always with a focus on storytelling and travel, whether through the steam rising off a street vendor's stall or the quiet moments shared at a family table.  Liza's path into food photography wasn't necessarily planned, however. It started with a yes, and grew from there. In this episode, we talk about the role food plays in identity, how travel shapes the creative eye, and the way photography can slow us down long enough to really notice what's in front of us.  From the mailbag today, you might want to brace yourself before the first letter lands, Charles Mason is to blame, with a tale involving something he calls photographer's knee. Craig Wilson's up a mountain with his camera, Paul Friday's wrapping himself in cotton wool (the reason will become clear), and Bob Shonkoff has a 4am story that might just have you glancing over your shoulder. Plus, we reveal the winner of last month's ‘context' photo assignment, and there's a fresh new challenge to get stuck into. Links to all guests and features will be on the show page, my sincere thanks to Arthelper, who sponsor this show, plus our Extra Milers, without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Today, an episode where I walk with my guest along the paths of Greenham Common in Berkshire, England. We explore how photography, adventure, and purpose can align to become one path. Photographer Tom Warburton retired early and, rather than settle into a slower pace, decided to walk the length of the River Ganges, over 1,100 kilometres from the glacier source in the Himalayas to its confluence with the Yamuna near Prayagraj. It was a journey fuelled by curiosity, a love of walking, a desire to see life away from the main roads, and to photograph people and culture with care and respect. Tom had long held an interest in photography, but like many, life's other responsibilities often came first. So with time finally on his side, he went in search of something deeper, not just images, but understanding. The result? A slow, human journey through rural villages, pilgrimage sites, nature reserves, and towns where he was often the only outsider for miles. In today's episode, we walk and talk about what it means to truly travel with intention, to go off the beaten path, to connect with strangers, and to find portraits in moments where trust is built, not taken. This is a story of walking for photography, walking for perspective, and walking, quite simply, for the love of the road. As the walk draws to a close, Tom arrives in Prayagraj just as the Maha Kumbh Mela begins, a once-in-144-years gathering of extraordinary scale and spirit. On the biggest days, over 40 million people converge: sadhus, pilgrims, Naga ascetics, all drawn to the sacred waters where the Ganges and Yamuna meet. And there's Tom, camera in hand, somehow slipping through the crowds and into the press areas, ready to capture it all. Links to all guests and features will be on the show page, my sincere thanks to Arthelper, who sponsor this show, plus our Extra Milers, without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

The mailbag returns today alongside my guest Mark Fearnley, a London-based street photographer known for his minimalist, fine art approach to urban storytelling, where lines, light, and shadow play leading roles. With a background rooted in the arts, his shift to photography felt like a natural extension of how he sees the world. In this episode, Mark shares the story of how he found his visual voice, why the city of London in particular remains his ever-changing canvas, and how his work challenges the traditional idea of what street photography should look like. Alongside creating striking, often cinematic imagery, he also spends time guiding others, not just in technique, but in learning to observe with intent.  Also, in the monthly feature Teach Me Street, Valérie Jardin answers what ‘makes an image,' and unpicks how photographers can recognise that they have captured something really quite special. Plus, Extra Miler Dennis Linden sets a new assignment for the month. From the mailbag two Chris's, Articulate and Parsons celebrate the sights and sounds of our Indian special, Charles Mason reminds us of the power of hands, and how much hands say about us in a portrait, plus Lin Gregory has important and special thoughts about safety for women photographers on the paths we tread. Links to all guests and features will be on the show page, my sincere thanks to Arthelper, who sponsor this show, plus our Extra Milers, without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

This week, The Photowalk steps into another world. I've swapped the familiar footpaths of my English home for the rich tapestry of India, a country that stirs something profound in you from the moment you arrive. The air feels heavier with story, the colours seem to hum, and every turn in the road holds a scene you've not experienced before. India doesn't just invite you in, it wraps itself around you. In this special episode, I travel with nine curious photographers through Delhi and Jodhpur, cameras at the ready, to witness many scenes, including the festival of colour, Holi, where colourful powders of the Spring celebration hang in the air, and the streets come alive.  Alongside co-leader Jason Florio and our Indian guides Shivam and Arvind, I talk photography, travel, and the way India overwhelms every sense: the smell of spice and diesel, the sounds of laughter and rickshaws, the heat, the rhythm, the way that everyday life plays out with a sense of theatre, spontaneous, heartfelt, and unforgettable. Part postcard, part diary, this is your personal invitation to join me and become the Other Traveller. Because next year, we're doing it again. Photographers often talk about seeing with fresh eyes, but India doesn't just give you that. It wonderfully demands it. Links to all guests and features will be on the showpage, my sincere thanks to Arthelper, 3 Legged Thing and LOWA who sponsor this show, plus our Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

In this special extended episode, I spend the day with my good friend, documentary photographer Giles Penfound, once the head of photography for the British Army, now a passionate ambassador for the slower, more intentional world of film photography. We're in the darkroom together, where Giles takes the film I shot recently in India and brings it to life. If you've ever wondered what really goes on in that red-lit sanctuary, or what it means to wait, to watch, and to witness an image slowly emerge from nothing, this one's for you. Even if you've never stepped into a darkroom, there's something in this about patience, process, and friendship that I hope might just land with you. It's part workshop, part fireside chat, and at times it gets deeply personal. Over a cooked breakfast in a feature I call In the Fryer, I ask Giles some tougher questions, the kind you only ask a friend you trust, and the kind that lead to answers you don't always expect. This is a story about time and about why film photography, with all its waiting and wonder, still has something powerful to teach us in a world that wants everything now. Links to all guests and features will be on the showpage, my sincere thanks to Arthelper and LOWA who sponsor this show, plus our Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

In this holiday archive special, I'm joined by two remarkable photographers whose work has shaped how we see the world: Joel Meyerowitz and Ed Kashi. Both share how they found their craft, revealing personal stories and the ethos that guides their creative lives. I think, this will stand as one of the most inspirational editions I have edited for the Photowalk show. Joel reflects further upon his time documenting Ground Zero in the Aftermath project of 9/11. As the only photographer granted unrestricted access, he created a comprehensive archive that stands as a testament to resilience and remembrance to this day. He shares how this experience reshaped his perspective on photography and its role in chronicling history. ​ Ed talks with me about 'The Sandwich Generation,' a deeply personal project where he and his wife, filmmaker Julie Winokur, documented their journey of moving cross-country to care for Julie's ageing father, Herb, who suffered from dementia. Through this intimate lens, Ed discusses the emotional complexities of caregiving and challenges the common misconceptions about photojournalism, emphasising its capacity to tell profound personal stories beyond the headlines. This episode is about the narratives that shape our understanding of humanity and the measures of success that go beyond accolades. Links to all guests and features will be on the showpage, my sincere thanks to Arthelper and LOWA who sponsor this show, plus our Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Canadian landscape photographer Lee Nordbye hikes climbs, and skates with a camera in hand, embracing what he calls mountain therapy to navigate life and mental health. In this episode, Lee shares how time in the Rockies helped him following an unexpected career change and a battle with depression. He's now giving back by teaching, guiding, and using his lens to inspire a connection with nature. This is a wonderful conversational meander where we talk about healing, creativity, and the quiet power of the wild. Also, on the show from the mailbag, Paul Friday's trying to coax us into photographing underwater, but after hearing what's coming up, I'm not sure I'll even risk a paddle in the bath. Chris Smith's found his own kind of mountain therapy in the Lake District, Chris Hale is getting wistful about a hiking trip with his wife, and Myles Barfield is discovering a quiet comfort wrapped in the morning mist. Links to all guests and features will be on the showpage, my sincere thanks to MPB, Arthelper and LOWA who sponsor this show, plus our Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Marcus Bleasdale has spent his life in places most of us would struggle to imagine, photographically documenting conflict zones and communities caught in the crossfire of politics and profit. In this conversation within The Photowalk show, Marcus talks about the responsibility of witnessing brutal truths, from child labour in the Democratic Republic of Congo to the mining of conflict minerals used in our phones and tech, and how his book The Unravelling, forces us to reckon with the uncomfortable fact that everyday convenience often comes at someone else's expense. The mailbag is back and in today's: Spike Boydell sends in a film link that had me properly thinking about connection. Jerilyn Owen shares how making a self-portrait is helping her learn acceptance. Samantha Ramsay finds something spiritual in photographing hands, while Greg Picone stumbles across a spooky landscape right behind his own backyard. Randy Bullerwell's been capturing carnival season in Aruba in a way that's anything but ordinary and Complaints Corner is open again… this time, it's a case of the wrong pants. Plus, a quick reminder: it's the final week for this month's One Word Assignment, set by Claire Thomas. Links to all guests and features will be on the showpage, my sincere thanks to MPB, Arthelper and LOWA who sponsor this show, plus our Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

In this episode, I'm joined by Ian Beesley, the acclaimed social documentary photographer whose work has captured the changing face of the North of England for over four decades. From documenting the decline of heavy industry to the resilience of working-class communities, Ian's photographs are raw, honest, and deeply human. We talk about memory, place, humour, and the role of photography in giving voice to people and stories often overlooked. It's a conversation about seeing, really seeing, the world around us and using a camera not just to document but to care. Also on the show, Valérie Jardin returns for the monthly Teach Me Street feature, and there's a reminder of the latest one-word assignment set by the photojournalist Claire Thomas. The mailbag returns next week. Links to all guests and features will be on the showpage, my sincere thanks to MPB, Arthelper and LOWA who sponsor this show, plus our Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Today I visit and walk with British photographer Mark Seymour, who made his name as an award-winning wedding photographer. However, his passion for photography as a medium led him beyond the wedding aisle and onto the streets of the world, where he now documents culture, tradition, and the human experience through travel, documentary photography and workshops. In this episode of The Photowalk, we talk about his transition from weddings to reportage, the power of visual storytelling, and Ronnie's Story, a deeply personal and important body of work that not only changed Mark as a photographer but also brought vital awareness to dementia. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

What kind of person looks at the world's tallest mountain, a frozen, oxygen-starved, avalanche-prone giant and thinks, “Yeah, I'll have a go at that?” Tim Kington, a photographer and adventure seeker with a dream to stand atop the world, took on Everest, facing brutal conditions where the air is too thin to breathe, the temperatures can freeze flesh, and every step is a fight against nature itself. In this episode, I talk to Tim about what it takes to climb Everest, the reality of the so-called Death Zone, and why, despite the dangers, thousands still attempt to reach the summit—some making history, others becoming part of the mountain forever. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

A magazine feel to the show today as I talk with three guests. The discovery of Ernest Stone's archive reveals a once-hidden visual chronicle of New York from the 1960s to the 1980s, capturing its transformation, counterculture, and politics, cementing his legacy as a multifaceted artist, a legacy that may not have been uncovered without the dedication of his niece Melissa Berman, who is working to Ernie's last wishes to share his archive, preserving a vital piece of New York's visual history. Extra Miler Lynn Fraser talks about winning the UK's coveted Amateur Photographer of the Year award, and Rick Davy shares his visually documented look at creative individuals who live and work by the Cornish coast. Also on the show, following last week's episode featuring the Séance photographer Shannon Taggart, Per Birkhaug shares a strange ghostly encounter from a hotel room, and Bob Demers, AKA Bob of the Desert, has his own inexplicable stories. Plus, a look ahead to three special episodes and an assignment reminder; you've got just one more week to take part in our February photo challenge. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

My guest today is Shannon Taggart, a photographer and author renowned for her exploration of modern Spiritualism, a belief system centred on communicating with the deceased. Her fascination began as a teenager when a medium revealed details about her cousin's grandfather's death, sparking a two-decade journey documenting Spiritualist communities worldwide. Her acclaimed monograph, SÉANCE, delves into these practices and was named one of TIME Magazine's 'Best Photobooks of 2019'. From the mailbag and also on the show, Bob of the Desert uncovers some curious coincidences at 5,000 feet, Craig Wilson captures the beauty of the Lake District, Niels de Kemp reflects on how ageing shapes mastery of photography, and Gavin Perry talks about colour blindness as a photographer. Plus David Wright reminds us of this month's photo assignment. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

What do you do if a black bear wants a word with you, and all you've got for protection is a jacket? No handbook for that. The same goes for being miles from anti-venom after a snake bite or realizing a polar bear thinks you're lunch. For National Geographic photographer and filmmaker David Wright, this isn't fiction, it's just another day at work. He's got the dream job if you don't mind bears, snakes, and the occasional impalement. We talk about David's incredible career, laced with adventure and the occasional serving of chance! Also, on the show, Reid Naaykens shares how creating stock images has brought his work to life in ways Instagram hasn't lately. Kyle Attwood is back with more tales of photographing rafts, the ones made from milk cartons. Meanwhile, Hegaard the Dane faces an unexpected challenge from swan song and Valerie Jardin joins us for the very first TEACH ME STREET segment. Looking ahead to next week, we meet a photographer who turned The Séance into a best-selling photobook, plus, a reminder of this month's ONE WORD ASSIGNMENT, set by today's guest, David Wright. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

National Geographic photographer Jim Richardson has shot over fifty stories for National Geographic and Traveler and today shares the art of becoming invisible behind the lens, plus how he pitches photo stories to the world's biggest publications. Though his work has spanned the globe, his long-term storytelling in rural Kansas is just as profound, as he reveals. In this episode, Jim, once named the Photographer's Photographer by his peers, reflects on why blending in, embracing the ‘boring,' and quiet observation can lead to the most powerful photographic stories. Plus, we revisit his iconic High School USA essay, a classic of documentary photography. From the mailbag, Mark Christensen feels inspired to start his own photography podcast, Sam Hopwood crashed his mountain bike last year, which in a twist of creative fate, never mind the twisted metal, has brought him back to photography, Kyle Attwood has been exploring the streets of Perth with film, making zines to celebrate the art of the print, and Dennis Linden has been revisiting the dangers we talked about when photographing wild-fires. Plus, there's this month's NEW one-word assignment, and I'll announce the winner of last month's challenge featuring the colour red. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

After enduring four years of dialysis and declining health, my guest, photographer Tracey Halladay had come to terms with the possibility of not experiencing all that life had to offer. However, a life-saving kidney transplant granted her a second chance. During her recovery, Tracey noticed a shift in her perception of the world. She felt compelled to share her newfound understanding and appreciation as she explored the mountains, forests, and meadows of Canada. Through her photography, Tracey aims to encourage mindfulness, curiosity, and compassion towards ourselves, others, the Earth, and all its creatures. From the mailbag today, Ewan McNeill shares why Glass is his creative social platform of choice over Instagram, Kelvin Brown invites Flickr users to join a new group celebrating the Photowalk's assignments, Tracey Ainsley has checked into a lighthouse keeper's cottage, Chris Smith asks you to think about what your THIS IS ME image might be, Xavier Shaver has a poem from the path, and Mark Christensen is taking the Famous not so Famous flask on tour in California. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

I'm joined on the show by the photojournalist Ted Soqui, regarded by his peers as a visual historian of modern American life. His career spans four decades, capturing pivotal moments like the 1992 LA riots and the city's relentless wildfires. His striking images have been featured in national and global media, telling raw, powerful stories. Ted will share the unique challenges and dangers of covering the 2025 LA fires, offering insight into life on the frontlines with a camera. From the mailbag and contributions to the show, Vicky Robb brings us a thought-provoking quote from a famous Mexican photographer, photojournalist Marissa Roth shares a powerful essay on the LA fires, and I consider how our senses shape the way we see and create. Tom Warburton whisks us away to India with a vibrant audio postcard, and Wesley Harney uncovers the beauty and storytelling potential in photos captured right on your doorstep. Plus, a reminder of Ted Forbes' one-word assignment, which is sparking some amazingly creative entries. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Today's conversation with photojournalist Claire Thomas takes a remarkable turn within just 20 minutes, shifting from casual beginnings to the profound realities of her work now. From those early travel ‘snaps' to capturing global crises, Claire's photography isn't just about documenting what she witnesses; it's about her genuine desire to share stories of resilience and hope. Working with clients like The New York Times, National Geographic, Amnesty International and UN agencies, her work is respected worldwide. Claire shows real humanity behind the lens and a commitment to her subjects that surpasses the act of photography alone. Also, on the show from the mailbag, Tim Bindner believes he's discovered his true creative WHY, Bob Shonkoff has insomnia but has turned it into a photographic opportunity, Lynn Fraser and David Higton are making proper pictures of proper snow, and Mark Krajnak is celebrating Hogmanay in a place far from Scottish shores. We'll also remind you of January's assignment set by the Art of Photography's Ted Forbes, plus there's some more information about April's ENCOUNTERS workshop and experience. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Jack Lowe's Lifeboat Station Project is a profound photographic tribute to the courageous British lifeboat crews who risk everything to save lives at sea. Using a Victorian camera and wet plate collodion methods, Jack makes powerful portraits that honour the resilience and humanity of these everyday heroes and today, he is on the show to talk about his incredible undertaking and risk-taking. Jack's project has taken a toll, though, both emotionally and financially, and he discusses and reveals how that has affected him personally.  Also today from the mailbag, Randy Bullerwell is having a crisis of photographic direction, Mark Christensen finds pelicans have quite the attitude, Matthias Focks is making excellent pictures under an umbrella in a small German town, and Michael Mixon introduces us to a photographer who is questioning human connection. We have a new TEACH ME STREET series that launches today with Valérie Jardin, plus the inspirational Ted Forbes sets this month's ONE WORD ASSIGNMENT. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Ted Forbes is a photographer, educator, and creator of The Art of Photography YouTube channel. His new book, Visually Speaking, explores photography as a universal language, offering 21 chapters filled with insights and examples for photographers of all levels to create images that truly communicate. From the mailbag, Gavin Perry shows the World is at your shutter fingertips without boarding a plane, Craig Wilson is yomping through Welsh landscapes, Simon Blakesley has a seven-decade-old personal pilgrimage picture, and Paul Friday has me revisiting photographers who make pictures of things that go bump in the night. We reveal a new assignment for this month and last month's winner of the show flask, plus announce a new storytelling experience and workshop in London. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

In photography, knowing your WHY can guide each choice you make, from composition and lighting to the themes you explore, ensuring your work feels authentic and meaningful. But it's not just about the art of photography, but expressing what and how you feel and believe. Today, on this last celebratory show before Christmas, 23 of this year's guests once more reveal their own WHY in a compilation of inspiration to close out on the year. From the mailbag, Mark Christensen sets out on his first street mission, Harald Kahles has some ideas for specials in '25, Susan Larsson has found a social replacement for Insta, Peter Turnbull is making environmental portraits, Glenn Sowerby has found the secret for enjoying photography, and Allin Sorenson with a story of 370 million pairs of eyes staring down the lens of a television camera lens at Christmas. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

PHOTOGRAPHY IS MY ANCHOR is something that's said by one of my three guests today. A friend of the show, Andrew Gifford, through his Instagram grid, describes in pictures the most potent personal photo project, which conveys how it feels to have M.E. in a story of resilience. Then Dana Stirling's book ‘Why am I sad?' is a testament to just how important creative expression is during times of adversity, and a former guest of the show Jack Lowe, who'll be appearing in a longer interview early in the new year, shares a very special project called ‘A photo for you,' probably one of the simplest but most profound ideas I've heard about this year. Also, from the mailbag, Melissa Berman finds that her late uncle was somewhat of a photographic legend as his pictures of New York in three decades from the 60s go on display at one of the world's most prestigious photo events, Craig Wilson is celebrating originality, Rikki-Paul Bunder has set himself a weekend photographic challenge with rules of curiosity and the photojournalist Peter Dench has a reminder for December's assignment. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Today on the show, we recognise love as "Universal, regardless of identity and sexuality." Valérie Jardin's ONE LOVE is a new black-and-white photography project in America celebrating the LGBTQ+ community, aiming to inspire greater understanding and acceptance, sharing stories of love in its most authentic form.  Lydia Robinson's 'Queer Love' started as a passion project based around queer relationships and documenting couples in the UK. Through this series, Lydia aimed to show a more intimate and personal insight into LGBTQ+ relationships and how they are no different than cisgender heteronormative partnerships. She is recognised as an emerging talent by many publications, including Gay Times. Also, from the mailbag J. Reed Gidez is living my dream on Route 66, Shiraz Chanawala has started making 30,000 step walks finding the therapeutic process of photography both mentally and physically, our man in Finland, Pekka introduces us to Harry Potter-like wizardry to rescue lost digital files and a NEW assignment courtesy of the photojournalist Peter Dench lays in wait for you as we're now in December. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

My guest Peter Dench is a celebrated writer and photojournalist known for his wit and intimate storytelling. His expertise spans editorial, reportage, commercial, and portrait photography, with work published globally. An award-winning author and speaker, Peter records the quirks of modern life through humour and empathy. Also today from the mailbag, Complaints Corner returns thanks to Extra Miler Colin Mayer in Australia, Bryan Patterson is planning a breakout, Daisei Ikatani shares a slice of English country garden from Yokohama, Eduardo Lara reflects on how photography connects with us deeply and to close, a tribute to two remarkable women: one in my family, the other a photojournalist who documented at great personal risk, the mafia, Letizia Battaglia. It's also the last call at the bar for November's one-word assignment set by Lynn Fraser and Jacquie Matechuk. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Joe Madsen's visit to a doctor results in a street photography photo book project that could be described as lifesaving. Husband and wife team James and Karla Murray are bookmarking the great bars of NYC, and Valérie Jardin discovers the most extraordinary personal stories photographing centenarians. Also, today in the mailbag, Cody Shultz on the phrase imposter syndrome, Anja Poehlmann introduces the concept of a long portrait, Bob of the Desert flourishes in Arizona, more mystery sofa sightings in nature by Marshall Rimann and Chris Pillings, Gert Jan Cole finds a creative life truism and Michael Brennan is finding comfort in his portrait of a truly great man, plus the assignment for November is set by Lynn Fraser and Jacquie Matechuk. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

This is a special episode where I try to unpick those inner battles that so many of us quietly fight. Imposter syndrome, confidence, perfectionism, self-doubt. These aren't just words; they're real feelings that can shape and even hold back our lives, creatively and emotionally. Today on the show, I'm peeling back the layers with special guest Sean Tucker to uncover the reality behind these challenges, opening up honest conversation about how they impact us and what we can do to reclaim our confidence. This isn't a show about quick fixes or easy answers. It's about exploring what really happens beneath the surface, where feelings of inadequacy, comparison anxiety, and fear of failure often lie. Whether you're struggling with undervaluing your achievements or simply seeking ways to find peace with who you are, this conversation might help you see things refreshingly differently. Also, today, your letters into the show about the subjects featured, plus the assignment for November set by Lynn Fraser and Jacquie Matechuk. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

For three decades, British photographer and filmmaker Chris Floyd has "Been privileged to photograph people who are the best in the World at what they do. Whether it's Stephen Hawking, Paul McCartney or David Hockney, these people have defined the era in which we live." Today, I walk in Oxfordshire with this humble powerhouse of British photography whose work has appeared in some of the world's most highly respected publications, including Vogue, Vanity Fair, The New York Times Magazine and The Sunday Times Magazine, among others. We talk about how saying YES at important moments in his life has unlocked doors to people and experiences he might never have experienced if he'd followed an expected path into accountancy. Also today, one of the most revealing answers to the question of WHY, with stories about photographing the Royal Family and 'our' Superman. There's news about Scotland 2025, plus the assignment for November set by Lynn Fraser and Jacquie Matechuk. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Today, Canon Canada Ambassador Jacquie Matechuk is my special guest as we chat about her extraordinary photographic transition from being at the top of motorsport photography to embracing a new wildlife adventure, a transition that has seen her win some of the most coveted photo awards, travel far and wide to destinations she might never have imagined, come face to face with giant bears, stared into the eyes of a silverback at close quarters, tracked polar bears and had conversations with an owl, all features of our conversation. But also, and I think this is one of the most important parts of our discussion today, Jacquie has, I think, revealed a true why of photography, and if I could make a fender or bumper sticker large enough, is going to share some words with you during our conversation today, that will have you think perhaps differently about life behind a lens. Also, news about Scotland 2025 plus a new assignment for the month of November set by Lynn Fraser and Jacquie Matechuk. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Alongside the letters I'm walking with today, my studio guest is Howard Barlow, a photojournalist who, for 50 years, has worked regularly for The Guardian, The Observer, The Telegraph, The Sunday Times and The Independent. He's picked up numerous photographic awards, including Newspaper Photographer Of The Year. Also, today, a wondrous hatful of first-time writers, we talk about design that makes life easier, photography that makes life happier, and we learn how photography was an ever-present friend in the face of physical adversity. There are several whys of photography to answer, and atop that, Marissa Roth, a Pulitzer prize-winning photojournalist, answers a question of ethics. There's also the final chance to take part in this month's one-word assignment. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Today, I'm joined by Henry Hargreaves, a visual artist and food photographer known for his boundary-pushing photography projects that are often and sometimes literally deliciously simple, tackling complex social and commercial issues. One of his most thought-provoking works, No Seconds, explores the haunting last meals of death row inmates. With a unique blend of this simplicity and deep social commentary, this project invites us to reflect on mortality, choice, and humanity in unexpected and impactful ways. Also from the mailbag, Adam Hanson finds renewed mental health through walking and photography, Mike Mixon is finding detail in his pictures he doesn't remember seeing when he took them, John Kenny has some thoughts about covert pictures of strangers for a street project, some news about The Photowalk on Substack and Mike Miller has found a song that 34 years before the first recognisable modern social media channel came into our consciousness was giving advice about how we could best deal with the demands of a life watched over by algorithms. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Today's guests and friends, Mali Davies, Wolfgang Strassl and Valérie Jardin each have stories about shooting on the street. Mali talks of embracing your neighbourhood in the dark for a forthcoming project called HOME, Wolfgang Strassl finds that there's more to a portrait than simply a picture of a face, and Valérie Jardin shares her thoughts about photographing people in a candid fashion. Also, today from the mailbag, Myles Barfield has a story about legacy and how the simplest of pictures can be so effective plus I read from his book project that has become, I think, an autobiography accompanied by the most stunning photographs. Complaints corner is open for business, Chris Articulate is looking ahead to a more analogue way of sharing, Bill Marriott is going to help you feel and think VERY differently about what makes a truly expressive and emotive still picture, Harald Kahles has some ideas for specials and Maureen Bond is thinking about her why of creativity. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

For decades, beyond the grand entry hall guarded by the infamous ‘two Peters', Vogue House London was a creative hub where magazine layouts were crafted and the world's most famous photographers plied their trade. Vogue House embodied the glamour of fashion's storied history in London. But that legacy came to an end when the building's lease was sold to a shipping billionaire in Monaco for a reported hefty £75 million.  Vogue House, in its Hanover Square form, is no more. Yet, such a landmark in editorial history can't disappear without so much a whimper. Today, I talk to someone who knows its secrets firsthand: Grant Scott, a former art director with Tatler, a title that shared the address.  He's penned a new book, "Inside Vogue House: One Building, Seven Magazines, Sixty Years of Stories," and he's here to share some stories from the book, plus a handful that didn't make it in. Steady yourself for a peek behind the scenes and the state of the magazine industry in 2024. Also from the mailbag, inspiring letters on the emotional power of photography, show flasks on the beach, some surprise walkers encountered along the path, road trips across America and a new linguistic game! Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Today is our annual Scottish retreat edition, featuring the voices and thoughts of those who joined me across two weeks in the glorious Highlands. The fifth Photowalk Retreat revelled in, I think, the spirit of our podcast community, and I thought you might enjoy hearing what we all got up to. This year, we added some new experiences and micro-workshops into the weeks, such as a creative writing day led by a celebrated writer, Merryn Glover and a sound workshop to understand how potent images and sound can be as a storytelling tool together. We also went back into the darkroom and visited some of our favourite places including the beautiful Loch Maree. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

In celebration of those who inspire us, those who become either knowingly or unwittingly our mentors and greatest teachers, today's episode revisits the show's archive to take a photowalk with former British Army and documentary photographer Giles Penfound, my dear friend and mentor for two decades. Giles is currently on a sabbatical from social media and digital posting, although his projects such as Home Town Stories continue to be a feature of his personal photographic story; pictures made about the people of the town his lives in, often within walking distance of his home.  We talk about that project, the ‘rules' of documentary photography, his life making pictures in areas of conflict, plus his conflicted mind over some of the images he made and witnessed. Our conversation for the podcast was part-made walking the ridge above England's famous Watership Down and his garden exhibition space. This is the second special to air as I spend time in the Highlands on the Scottish Photowalk Retreat 2024. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

For the next two weeks whilst I am on location with the 2024 Scottish Photowalk Retreat, a brace of special editions, where I revisit the archive to feature the work of women in photography. Guests include Nancy Borowick, an acclaimed photojournalist known for her deeply personal and emotional work, particularly the intimate documentation of her parents' simultaneous battles with cancer, which has resonated with audiences worldwide for its raw honesty and humanity. I also talk with Lynzy Billing, an investigative journalist and photographer known for uncovering untold stories in conflict zones and human rights crises, Susan Goldberg an influential American journalist who became the first female editor-in-chief of National Geographic, where she expanded its focus on science, the environment, and social issues like climate change and diversity and from the UK, Nicky Heppenstall who helped found Remember my Baby, a charity organisation that offers remembrance photography services to parents experiencing the loss of their baby before, during, or shortly after birth, providing them with cherished memories during a deeply difficult time. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

A special feature-length interview episode today featuring Jason Edwards. Having spent the last three decades travelling around over 70 countries being clawed, chased, shot at, diseased, lost, injured, incarcerated, and getting his finger stitched back on, twice, award-winning photographer, TV host, and conservationist Jason Edwards knows what it takes to get the perfect shot. And the photo editors at National Geographic agree, featuring his stunning photos time and time again. His imagery has also appeared in hundreds of other publications, including BBC Wildlife, Australian Geographic and The New Yorker. His new book, Icebergs to Iguanas features a collection of his National Geographic photographs and behind-the-scenes tales. Also on the show today, the winning images from the last two months of assignment pictures and a new challenge for September set by Gary Williams. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

During the pandemic, international vocalist Gary Williams decided to retrain himself to become a professional photographer, building on existing street photographic skills and interests that he'd developed touring the world as a musician. During this time, closer to home in the UK he found Camden Passage, a charming, narrow street in Islington, London, known for its antique shops, vintage quirky boutiques, and market stalls. This place was to become Gary's photographic playground where over a number of years he befriended the shoppers and shopkeepers of a unique famous street, eventually producing a book featuring those he met called The Litte Book of Camden Passage. Today he talks about designing, sequencing and producing a book, plus choosing a publisher. From the mailbag, Bill Marriott finds that photography can culturally connect in a magical way, Peter Upton is in a race against time to photograph some famous landmarks before the rising tides lay claim to them, Chris Hughes is embracing his inner Daidō Moriyama, Harriet Langridge has some street photography thoughts and I have some unexpected Scottish news so pack your travel bag, your camera bag with a fully charged camera. There's a Shutter Sync and last opportunity to join in with August's photo assignment set by Emily Renier. Links to all guests and features will be on the showpage, my sincere thanks to MPB.com who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

My guest, Toby Binder is a German photographer renowned for his socially engaged documentary work. He focuses on marginalized communities and global social issues, capturing the raw realities of life in conflict zones and economically deprived areas. His photographs tell stories of fragility, authenticity and vulnerability. How important is vulnerability, and can it actually be a photographer's superpower? From the mailbag as we walk together, Wallace Shackleton is on a motorbike with a camera, in howling wind and the kind of rain that makes you wish you'd stayed in bed that day, Bob Rose takes us to a lake in Nebraska at sundown, Corey Cooper shares a film about the why of this thing we do, Don Ridgway is in Ontario with William Shakespeare, Christopher Harrison shares his perspective on vulnerability and Susan Larsson is under a beautiful Northern Lights sky. Also, today, our street mentor Valérie Jardin returns with Visual Stories, and this month, she's going to a state fair. Links to all guests and features will be on the showpage, my sincere thanks to MPB.com who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Today on the show, two photographers, Patrick Stubbs and Sean Gallagher recount stories about the father-figure mentors in their lives and the pictures they made upon their passing. We discuss the mental health benefits of having photography during the more challenging times of our lives and how projects can bring meaning to our work. We also learn what it takes to make set photographs on some of America's top-loved TV shows and why the everyday objects around us can be photographic gold. From the mailbag, one of our Extra Milers Mat Bobby has found a project that requires you to stay behind the safety fence at all times, bringing back a memory or three for me. There is the most incredibly potent story and picture from a good friend of the show, Marissa Roth. Hegaard the Dane has landed in Italy and found a snake in paradise, as have I, although many thousands of miles away in Miami, and there's a reminder of this month's assignment from Emily Renier. Links to all guests and features will be on the showpage, my sincere thanks to MPB.com who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Today, I spend time with Mike Crawford, a dynamic London photographer and master printer. For four decades he has worked with the world's most highly regarded photographers, including Martin Parr and Brian Griffin, one of the music industry's most prominent photographers. More recently, he was chosen to print hitherto unseen photographs for the celebrated late photographer Elliott Erwitt for his ‘Found, not Lost' book. As a photographer, Mike Crawford's captivating work, featuring urban landscapes and portraiture, is predominantly shot on film and crafted in the darkroom. I visit Mike on location at his company Lighthouse Darkroom, within the building that was once home to Russia's Zenit UK operation. With the arrival of August, there's a new assignment too, set this month by social and street photographer Emily Renier, one of Fujifilm's newest ambassadors. Links to all guests and features will be on the showpage, my sincere thanks to MPB.com who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Today's show explores captivating encounters and stories that turn fleeting moments into meaningful connections with people through the lens. Four guests who are experts in the field help me on this mission. Paul Hutson is a writer and photographer who has spent decades recording the stories of everyday people he encounters in pictures and words. Gabrielle Motola discusses the philosophy of asking strangers for a portrait and rejection. Valérie Jardin talks about candid street pictures and how they can often lead to a more formal portrait, and former guest Mr Whisper discusses a project requiring him to change his reportage approach to engage with subjects for a set of commercial pictures. Also on the topic of photographing strangers, letters from Marilyn Davies who introduces us to a Flickr Group called 100 Strangers, Tony Lorenzo talks of how living with ADHD has been his superpower when it comes to photographing people he doesn't know and Fred Ash finds there's really no one way to make a portrait of a stranger. Links to all guests and features will be on the showpage, my sincere thanks to MPB.com who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Merryn Glover is an award-winning international author whose work spans fiction, drama, poetry, journalism and radio plays. Raised in South Asia, educated in Australia, and a resident of Scotland for nearly 30 years, Merryn's culturally rich experiences are reflected in her writing. Merryn brings a unique perspective on how storytelling can enhance your visual art, offering invaluable insights for photographers wanting to add authenticity and depth to the written side of their work. Is writing a photographer's secret weapon? I personally think it can be. Also on today's show and from the mailbag, we have a captivating story of change from Egypt, presented by Extra Miler Paul Hutson, we'll delve into the dedication and challenges photojournalists face in their craft, particularly when under fire, Allin Sorenson shares his photographic memories of July 4, accompanied by a poem that celebrates the stillness of a shutter's blink. From Bavaria, Herbert Holzman brings us a smoky operatic scene set in the forest. Plus, we'll sync up our shutters and remind you of this month's assignment. Links to all guests and features will be on the showpage, my sincere thanks to MPB.com who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Today, I chat with Balwinder Bhatla, AKA Mr. Whisper, a London-based visual storyteller and professional photographer. Bal specialises in delicious candid low-light street photographs, taking us on walks where the urban landscape transforms into a very different kind of place, where every pool of light or mysterious shadow becomes a photographer's muse. He has shot stories in his style for BMW, Netflix, Google and Disney, including making a series of pictures to promote Star Wars Rogue 1. And it all started when his wife commented, “The cool kids are using this app called Instagram.”  Also, on the show and from the mailbag, Mat Bobby has the most incredible personal story of how showing some pictures on a wall led to a life friendship with his photographic hero. There's a Haiku from Chris Hughes inspired by an Australian reservoir, how Colin Mayer's Extreme Sports experience turned into a love affair with photography instead, Phil Ferris is lost somewhere in the north of England and we'll pick the flask winner from last month's assignment entries. Links to all guests and features will be on the showpage, my sincere thanks to MPB.com who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Photographer Tatiana Hopper is a YouTuber and writer becoming well-known for her wonderfully accessible thought-provoking documentaries on master photographers, filmmakers and stories about personal creative photography endeavours. She challenges you to think about your why, your legacy, and introduces you to ideas and artists you may not otherwise have discovered.  Also on the show, finding solace in making photos of family, a strange gift arrives at the office, Poetry along the Path is inspired by Philip Larkin, some thoughts about making portraits of strangers and it being the first Friday of the month, it's assignment week; a new challenge for a picture that photojournalist John Angerson would like you to make over the next month. Links to all guests and features will be on the showpage, my sincere thanks to MPB.com who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

It's our end-of-the-month social media special! In this episode, we feature renowned photographers Sean Tucker, Valérie Jardin, Phil Penman, Emily Renier, and Neil Ford, along with your insightful letters. We discuss the currency of likes, explore preferred platforms, the ever-evolving channels, and navigate the social expectations of growing your following. Beyond the feed, we also tackle the critical topic of mental health and its intersection with photography in today's social media era. It's a compelling discussion with five guests, supported by your letters into the show, that goes behind the lens and into the heart of the social media landscape. Links to all guests and features will be on the showpage, my sincere thanks to MPB.com who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

One of the most personable landscape photography YouTubers to walk the fells of England's Lake District is my guest this week, Glenn, AKA Black Crag, named after a geological feature of this extraordinary part of the UK. In his words, “I'll normally be found on a fell side or rummaging around in a deep ghyll somewhere because the Lake District is more than just my home; it's my lifeblood,” and I suspect after hearing today's show you'll have subscribed not just in terms of his channel, but with respect to his outlook on how precious it is to be out in nature. In the mailbag and also on the show today, good friends Tim and Tom walk the Wainwrights, a letter considering this week's guest that has landed at the perfect time, Marianne Cohen has been devouring the sublime food pictures from last week's guest Tim Clinch, we'll do a Shutter Sync, set you an assignment, share some thoughts about gators and Disney from David Childers, tempt you to a week in the Scottish Highlands, and there's some poetry from the path from David Wagstaff-Myers. Links to all guests and features will be on the showpage, my sincere thanks to MPB.com who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

My guest today is Tim Clinch, a celebrated photographer known for his diverse and dynamic career spanning multiple continents. Having begun his career in London, he ran his own studio before embarking on a globetrotting journey that took him to Spain, France, and now Eastern Europe. His work graces top publications like Conde Nast Traveller and Forbes Life. Tim is renowned for his food and travel photography, with numerous books and prestigious awards to his name. From the mailbag, Phil and Cathy are on the road – they've been to London to blast off into orbit, the story of an unloved football scarf from Scott Glasgow, the poem about riding life's train that is a real truism, we'll do a shutter sync, reveal the winner of last month's assignment plus remind you of the current one, and Extra Miler Mike Venable reveals his own 'why of photography,' plus at the end of the show, a freak weather event! Links to all guests and features will be on the showpage, my sincere thanks to MPB.com who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Today, I'm joined by documentary photographer John Angerson, described as one of Britain's most creative and versatile photographers, on a walk along an ancient wall in Silchester, England. This wall, part of a once-thriving Roman town, nearly led Silchester to become England's capital. We talk about his long-term project, Love Power Sacrifice, where for 20 years, John photographed a cult-like religious organisation called the Jesus Army. Also, how the most normal of scenes can be the site of the most extraordinary photo stories and how John gained the most incredible access to one of NASA's space shuttle flights. It being the first Friday in the month, former guest John Dolan will be setting a new one-word assignment for June and there is news about our Photowalk adventure to Delhi, the Taj Mahal and Jodhpur in 2025. Links to all guests and features will be on the showpage, my sincere thanks to MPB.com who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Today, it's a show with a difference. It's officially a week off, though I'd miss you if we didn't chat, so I've compiled a short sequence of past pieces that have featured on the Patreon channel's MORE and EXTRA MILE editions. It's an opportunity for those who don't belong to this additional community within The Photowalk show to hear what I promote at the end of each week's podcast. I thought you might like to peek behind the scenes, as it were. All will be explained within the introduction to the show and I've dusted off the time teleporter to take us both back to editions nearer the very start of this podcast, when we had but a handful of supporters - so hopefully some of this will be fresh to the ears of even those who have been Patrons for some time. Back as usual next week as we walk together on The Photowalk. In the meantime, steady yourself for stories about nudes, a trip into my spider-infested attic and why you should never trust me in a room full of I.T. leads and plugs. And more stories besides. Oh, and if you'd like to join our community and hear the hundreds of archived audio pieces of our Patreon channel, or simply want to understand how to support this show or what Patreon actually is, then follow this LINK HERE. All will be dutifully explained. Links to all guests and features will be on the showpage, my sincere thanks to MPB.com who sponsor this show and the Extra Milers without whom we wouldn't be walking each week.

Renowned for exploring industrial landscapes and abandoned architecture, Christopher Payne delved into the forgotten corners of America's built environment for projects like Asylum and North Brother Island, to the latest, most advanced technologies that build the country now in his latest book, Made In America. What goes on in a shipyard that builds nuclear submarines? Chris has seen and photographed it. From the mailbag, photographing a stranger changes Steve Reeves' outlook on life, Jeremy Durham on 'what we do,' Neil Ford is pondering the question, 'why post on social media,' and Michael Mixon is coming out of a creative lull, though has some words of quiet genius when it comes to why we make pictures. Plus it's the last call for those joining in with this month's assignment. Links to all guests and features will be on the showpage, my sincere thanks to MPB.com who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.