Podcasts about Lumix

Most camera companies make something great in 2026, which is why choosing one has become so hard. After covering Sony, Nikon, and Canon in part one, we looked at the brands taking less obvious paths. Fujis are cameras people actually want to carry. Great JPEGs, fun film simulations, and a commitment to APS-C and GFX instead of full frame. Lumix offers some of the best value in hybrid cameras now that its autofocus has caught up. Leica is having incredible sucess with the Q series. OM System keeps the original promise of Micro Four Thirds alive with small lenses, rugged bodies, and excellent reach, but its aging sensor technology is becoming hard to ignore. Hasselblad delivers a more refined shooting experience than GFX but you pay for it in price and enormous files. DJI continues to push drones, compact cameras, and stabilization forward. And Blackmagic is easy to overlook if you only follow hybrid cameras, but it remains deeply embedded in live event productions. Full disclosure: we've worked with Lumix and Hasselblad, and some of the cameras discussed were provided as loaners. There isn't one winner here. These brands make sense for different people, which is more useful than pretending one spec sheet can settle the argument.

It comes up in every Facebook group, every videographer community, and probably every slow week you've ever had. Should you discount your prices? Is it a sign of weakness? Is it bad for the industry? Or is it just smart business?Danny and Jason get into it properly this week, and the answer is more nuanced than the usual "never lower your worth" advice you see online.Jason talks through how his thinking has shifted over the years, from a firm no when he first got established, to a more considered approach based on real factors: how close the venue is to home, whether it's a weekday, whether the date would otherwise sit empty, and whether the back end editing workload justifies the number. A wedding 12 minutes from the house where he's home by half nine and watching TV while the footage backs up hits very differently to a late-night drive back from the Borders.Danny reveals how he actually manages this without ever calling it a discount. He runs three separate pricing brochures, one for peak season, one for off season, and one for local bookings, and sends the right one based on the enquiry. He has also deliberately taken on lower budget projects when the creative challenge appealed to him, and explains why that is sometimes the right call for keeping the work interesting.They also get into why pride and ego plays a bigger role in the "I never discount" stance than most people admit, why outsourcing your editing completely changes the maths on what you're willing to work for, and why having wiggle room built into your pricing from the start means you never have to feel like you're giving something away.If you've ever stared at an enquiry that's slightly under budget and wondered what to do with it, this one will help you think it through.

For context, this is version 3.1.0 so some of the bad things (we call these "bugs" in the area of software testing) might be gone by the time you hear this. There are good things to say as well, and if you're wondering, I really love this app and think it has a lot going for it.

Ok, now I like LUMIX Lab...It lets you import VIDEO files from the Panasonic S9 (only in mp4 LITE) and CREATE LUTS ON YOUR PHONE, but make sure you have a good phone. I used an iPhone 13 Pro Max, but I can't say it would work with something older...and I recommend using a top-of-the-line iPhone, because I don't really trust the screen accuracy of any other phone type, besides Apple, right now.

It's a chaotic one this week. Jason opens up by admitting he nearly got completely done over by a sophisticated hotel phishing scam ahead of his upcoming destination wedding in Spain. They had his name, his booking reference, his phone number, and a convincing branded website. His bank did what his brain didn't and blocked the payment just in time. If you're heading to a destination wedding this year, this is worth hearing before you do.From there, Danny and Jason get into something that's been on both their minds for a while: TikTok. Not the vague idea of being on TikTok, but actually figuring out what to do with it as wedding videographers. Danny's just picked up the Insta 360 X5 and has a plan to use it for behind the scenes content from weddings, giving people a genuine POV of what it's like to work a day. Jason talks through what's actually worked for him on the platform, why it needs to be treated completely differently from Instagram, why talking head videos are massively underused by videographers, and how responding to a comment with a follow-up video sent his reach through the roof.They also pull back the curtain a little on the That Wedding Videographer Summit 2027, taking place in Glasgow on the 23rd of March. The speaker lineup is announced, and it's a strong one. Plus they're planning a TikTok industry pro session for the day because after this conversation, it's clear most videographers need someone to give them a proper push in that direction. They want to hear from you on what kind of industry pro would be most useful, so get in touch.A looser one this week but packed with stuff worth thinking about if social media strategy has been sitting on your to-do list all year.

What does it actually look like to run a successful wedding film business when you've already got a full-time job, a young family, and a life that doesn't stop for editing backlogs? This week Danny and Jason are joined by Andy from House of Tattersall Films, based in Uttoxeter, who has been doing exactly that for the past four years.Andy's background is about as varied as it gets. Before weddings, he was filming music videos, festivals, and arena tours across Europe. Now he's head of marketing at an independent boarding school, a dad to a three year old, and shooting 20 to 25 weddings a year. The secret to keeping it all from collapsing? Knowing exactly where his time is best spent, and outsourcing everything else.Andy explains why he brought in Bride and Groom Video almost from the start, how they matched his editing style from the very first film, and why handing over his editing has transformed what running a wedding business actually feels like day to day. Because of that partnership, every wedding is essentially a day and a half of his time. He gets to shoot, hand everything over, and have films back with couples in six to eight weeks, often faster. He even delivered one couple their full film before their honeymoon started.Danny and Jason get honest about what it cost them to edit everything themselves in those early years, the sleep deprivation, the burnout, the red wine, and why discovering outsourcing earlier would have changed everything. If you're currently juggling a day job with editing your own wedding films late into the night, this one is going to hit home.They also get into the broader question of whether outsourcing is only for people who are time poor, or whether full time videographers should be thinking about it differently entirely, as a way to free up space for the parts of the business that actually move it forward.Find Andy on Instagram at @houseoftattersallfilms

So I tried to make KIT PLANS that were more GENERIC (and not specific to just LUMIX cameras) but I keep going back to LUMIX gear.

Remember when family holidays, birthdays and childhood memories were all captured on a little camcorder? That nostalgic look is making a huge comeback in the wedding world, and in this episode we're breaking down exactly why we've started using camcorders alongside our professional filmmaking.We talk about why this trend has exploded, how it compares to shooting Super 8, the surprisingly low cost of getting started, and the biggest mistakes we've made so you don't have to.More importantly, we share how we've been using camcorders to capture moments we'd never normally get. From handing the camera to the right wedding guests, to asking questions that uncover incredible audio and genuine reactions, this episode is packed with practical ideas you can start using at your very next wedding.We also cover:• Why camcorders create a feeling that modern cinema cameras can't replicate • The best way to brief guests before handing over the camera • Questions that consistently generate brilliant audio • Why movement and imperfections make the footage even better • Common mistakes to avoid • Why we now deliver all of the raw camcorder footage as a bonus for our couplesIf you've been curious about adding a nostalgic layer to your films without the expense of Super 8, this episode will show you exactly where to start.

We talk about how RAW editing and Texture Expression are a big deal, and we've not even talked about how this could improve WORKFLOWS!

Beyond your A cam and B cam, there's a whole world of creative kit that can completely change the way you capture a wedding day. This week Danny and Jason go full show and tell with the gadgets and cameras they've been experimenting with, what's worked, what's been a disaster, and what they'd genuinely recommend.Jason breaks down why the DJI Osmo Pocket 3 has become one of his most used pieces of kit, not as a main camera, but as a reliable safety angle that has genuinely saved him at weddings where space was tight and the photographer was occupying every obvious position. He also makes a strong case for it being the smartest second camera purchase for anyone just starting out who doesn't have the budget for another full setup.Danny gets into the Insta360 GO S and the range of creative shots it unlocks, from dog harness cams to mounting inside a Cadillac for a ceremony arrival, to sweeping over a dance floor like an indoor drone without the terrifying insurance implications. He also talks through how he's been using a CampSnap disposable-style camera to hand to guests and kids at weddings, and why the footage you can't predict is often the footage that ends up in the teaser.They also get into the broader shift happening right now toward less polished, more authentic wedding filmmaking, why experimentation is keeping things creatively fresh after years of doing the same thing, and why the couples watching your films on social media are responding to the stuff that looks a bit different.If you've been thinking about adding something new to your kit bag this season, this one's worth a listen.

In this episode, Anson and I discuss the brand-new Lumix L10 and answer one simple question: Who is the Lumix L10 actually for? Is the Lumix L10 aimed at content creators, hybrid shooters, photographers, filmmakers, or someone else entirely?We break down the strengths, weaknesses, target audience, and real-world use cases for the Lumix L10 while comparing it to a couple other cameras in the Lumix lineup. Whether you're considering buying the L10 or you're simply curious about Panasonic's latest release, this conversation should help you decide if it's the right camera for your workflow.Find Anson here: https://www.youtube.com/@Ansonandco

You finish a wedding film. You're genuinely proud of it. You send it to the couple, get back a message saying it's the best money they spent on the day. Then you open Instagram and within ten minutes you're convinced you're not good enough to be doing this job.Danny and Jason are back after their first ever skipped week, and they're getting into something every wedding filmmaker feels but rarely says out loud. The industry is improving fast, almost too fast, and it's becoming harder than ever to scroll without comparing your work to someone else's highlight reel from a better lit day with a bigger budget and a smoother run of show.They talk honestly about the mental spiral that happens when you post a teaser you're proud of and immediately get served fifteen other videographers' best work, why nobody's wedding day is actually as flawless as the final film makes it look, and the now infamous story from a CODA event where a videographer broke down everything that went wrong behind one of his most celebrated films, gimbal failure and all.Danny also shares the reality of trying new gear on a live wedding day, including a camcorder handed to the wrong bridesmaid entirely, and why experimenting in public always feels worse before it gets better. The conclusion is simple but worth hearing again: you're not making films for your peers, you're making them for the people who were actually there, and that's the only comparison that matters.A more personal one this week, but a genuinely important reminder if Instagram has been getting to you lately.

With a PetaPixel Membership, not only can you support original PetaPixel reporting and in-depth reviews, but you can also remove ads from the website and gain access to some seriously great perks, too. Members get $15 off the Moment Store, 5% off certified pre-owned gear from KEH, 10% off lighting gear from FJ Westcott, download full-resolution RAW files and JPEGs from the latest cameras and lenses, and MORE! It costs just $3 per month or $30 per year. Join today!Now saving when you shop for your favorite gear at B&H Photo is even easier with the B&H Payboo Credit Card which lets you Save the Tax — you pay the tax, and B&H pays you back instantly! (Save the Tax on eligible purchases shipped to eligible states.) OR you can pay over time with our 6 & 12 month financing (on minimum purchases of $199 for 6 months, and $599 for 12 months). Terms apply, learn more at http://bhphoto.com/payboo. Credit card offers are subject to credit approval.Payboo Credit Card Accounts are issued by Comenity Capital BankIn This Episode:00:00 - Intro13:52 - Insta360 and DJI are going at it, as DJI sues and then Insta360 sues back22:20 - Apple's RAW update is substantial28:37 - The company that bought WeTransfer, Vimeo, and Filmic Pro is going public31:32 - Viltrox announced two new affordable portrait primes35:08 - Zeiss has discontinued the DSLR Otus primes37:22 - The Cinelux Sixteen camera shoots digital and Super 16 at the same time42:58 - Metabones' new adapter promises near native glass AF performance46:57 - Lumix released a very buggy firmware update50:02 - Kodak Charmera is back for round two56:01 - Deep dive into LoCA1:00:57 - Zeiss Refutes Rumors Cosina Developed Otus ML Lenses1:04:31 - Could Nikon make a "heritage series" of lenses?1:12:24 - What have you been up to?1:17:15 - Tech support1:23:54 - Nya-Evo Fjord1:29:05 - Feel Good story of the week

It's an exciting day for travel cameras, with Panasonic releasing the new compact Lumix L10, and Camp Snap dropping an exciting new updated version. We take a look at both of these new cameras and debate whether we'd pick either of these as our next travel camera. If you enjoy the show, we'd welcome your support on Patreon. It's only $3 per month and helps us keep the show running. You can check it out here: https://www.patreon.com/cameragearpodcast If you prefer to make a one-time donation, you can find us on Buy Me a Coffee: https://buymeacoffee.com/cameragearpodcast  Want to send us a question or comment, or just learn more about the show? Check out our website at https://cameragearpodcast.com, or email us directly at cameragearpodcast@gmail.com. Also, some of the product links in the notes below are affiliate links, which earn us a commission if you make a purchase at no additional cost to you. Notes: Samyang Buldak Cream Carbonara Hot Chicken Topokki Bowl Camp Snap 2 Panasonic Lumix L10 Titanium Gold Lumix L10

Enquiries are down across the industry. There are more photographers and videographers competing for the same couples than ever before. And most people's answer is to just post more and hope for the best. This week Danny and Jason get into why Meta ads might be the thing you've been putting off that could actually change your enquiry rate, and how to do them properly.Jason has been running ads consistently for seven months and breaks down exactly what's worked, what flopped, and the one thing most videographers get wrong when they start. Spoiler: it's stopping too early. He explains how Meta's algorithm actually learns over time, why cutting an ad before it has enough data basically resets everything, and why the content that performs best as an ad probably isn't what you think it is.His two best performing ads have nothing to do with showcasing wedding films. One hit 890,000 views. A wedding planner saw it and booked him for a wedding in August. The other generated a booking too. Both were shot on his phone.Jason talks through the mistakes he made when he first started, including accidentally targeting the wrong audience entirely, and why ads work brilliantly as a background tool that keeps your business visible even during the months when life takes over and you're barely posting. They also cover why boosting content that's already performed well organically is one of the most efficient things you can do with a small ad budget, and why doing it on your computer rather than your phone saves you 30% straight away.If you've been curious about ads but don't know where to start, this is the episode.

Most wedding videographers think sales is something that happens when a couple gets on a call with you and you try to convince them to book. Danny and Jason think that's already too late.In this episode they break down what a real sales journey looks like from start to finish, and why the videographers who convert the most enquiries aren't the ones with the best pitch, they're the ones who've been selling long before anyone ever hits the contact form.They get into why your Instagram profile, your website, and your response to an enquiry are all part of the same sales process, and how most people are leaving money on the table at every single stage without realising it. Danny shares how he uses WhatsApp voice notes to respond to enquiries within the hour, why getting back to someone quickly matters more than what you actually say, and the dog cam story that perfectly sums up what it means to make a couple feel like you actually read what they sent you.Jason talks through why the sales call is rarely about your work, the work already did its job to get them to enquire. What the call is really about is whether they want you at their wedding. He explains how to use the information people give you on inquiry forms to build a genuine connection, and why turning a rational decision into an emotional one is the most powerful thing you can do when couples are weighing up their budget.If you've ever felt uncomfortable about the sales side of running your business, this one will change how you think about it entirely.

In questa puntata analizziamo la Lumix L10, una camera che ha cercato di innovare il sistema micro 4/3 terzi. Ma è stata davvero un'occasione persa o un esperimento sottovalutato?

You've seen the posts. The doom scrolling. The videographers convinced that content creators are going to make us redundant and that the industry is on a one-way trip downhill. This week Danny and Jason tackle the question head on: are we cooked?The honest answer is no. But the longer answer is more interesting than that.They dig into why the rise of content creators has felt so destabilising so quickly, and why that speed of change is actually the real issue rather than the change itself. Jason lays out why content creators hit our biggest weakness directly, the delivery time problem that the wedding industry has quietly ignored for years, and what videographers can actually do about it right now. Danny talks through the generational shift happening in the couples getting married, why Gen Z wants something different from what millennials did, and what that means for the style of work you're putting out.They also get into how platforms come and go, why Facebook leads have already dried up for most people, and why Instagram will eventually go the same way, so building your business on one platform is always going to be a risk. Plus, what AI might do to all of this over the next five to ten years.The conclusion isn't panic. It's a prompt to look honestly at whether your work has actually evolved with the times, because the videographers who are struggling right now are largely the ones who haven't changed what they're putting out. Embrace the shift or resist it, but only one of those options has a future in it.

Most videographers never think twice about what they wear on a wedding day. Danny and Jason used to be the same. This week they're making the case that your attire, your client call setup, and the way you present yourself at every touchpoint is quietly shaping what planners, photographers, and future couples think of you, and whether they recommend you.Danny opens up about years of turning up in Hawaiian shirts and denim shorts and why a comment from a mother of the bride never fully left him. Jason talks through how he landed on a smart casual formula that lets him move freely on the day while actually looking like someone the couple is proud to have there. They also get into the moment Danny spilled water down his chinos right before a ceremony and had to spend the next three hours pretending it didn't happen.Beyond the wedding day itself, they cover why your client consultation setup matters more than you think, how your background, lighting, and what you're wearing on a Zoom call creates an impression before you've said a single word, and how being the videographer that looks the part can be the difference between a planner recommending you or quietly not bothering.It's a lighter one this week but there's something genuinely useful in here if presentation is something you've been putting off thinking about.

Wedding season is coming. The question is, what have you done with the time before it gets here?In this week's episode, Danny and Jason dig into one of the most overlooked opportunities in your business calendar: the quiet period. Not to rest and coast, but to do the work that actually moves the needle before the season swallows you whole.They cover the things you should genuinely be doing with your spare time as a wedding videographer, including reviewing your packages and figuring out which ones your clients are actually booking, restructuring your contract to protect yourself from situations that could seriously hurt your cash flow, building a social content bank from footage you've already shot, improving your editing workflow so you're not starting from scratch every time, and investing in learning that gets you excited and inspired before the season begins.Jason also shares how he used this window to work on his health, Danny opens up about his own plans to get on top of things, and they get into an honest conversation about the traps that keep most videographers stuck, doing what worked last year without ever checking if it still applies.If you've got a quiet few weeks ahead of you, this one will help you make sure you don't waste them.

Neste episódio do C.A.O.S. Fotográfico, faço uma leitura sobre o momento atual do mercado de imagem, com a inteligência artificial reorganizando a forma como fotógrafos, marcas e clientes percebem valor, autenticidade e diferenciação.Falo sobre concursos de fotografia impactados por imagens geradas por IA, o crescimento da desconfiança diante de fotos muito perfeitas, a importância dos bastidores como prova de processo e a necessidade de cada fotógrafo desenvolver uma assinatura visual mais reconhecível.Também comento movimentos recentes de marcas e plataformas, como Fujifilm, Lumix, Divine e iniciativas ligadas à fotografia autoral. No centro da conversa está uma pergunta prática: em um mercado cada vez mais saturado por tecnologia, o que ainda torna um fotógrafo realmente único?No vídeo, também apresento o Mapa R.U.M.O. Ao Vivo, uma proposta de leitura individual para fotógrafos que sentem que estão trabalhando, postando e produzindo, mas ainda precisam entender melhor qual direção seguir.A fotografia não está acabando. Mas o mercado mudou. E talvez o desafio agora seja menos tentar acompanhar todas as ferramentas e mais entender o que, no seu trabalho, nenhuma ferramenta consegue copiar com facilidade.Temas do vídeo:Inteligência artificial na fotografiaAutenticidade e bastidoresConcursos de fotografia e imagens geradas por IABranding fotográficoAssinatura visualFuji, Lumix e movimentos do mercadoMapa R.U.M.O. Ao VivoEstratégia para fotógrafos profissionaisLink para saber mais sobre o Mapa R.U.M.O. Ao Vivo: https://www.enfbyleosaldanha.com/post/mapa-rumo-ao-vivo-fotografia-negocio-2026Continuidade é na iniciativa Fotograf.IA+C.E.Foto - https://www.enfbyleosaldanha.com/comunidade-fotograf-iaSe você vive da fotografia, este não é mais um vídeo de tendência. É uma leitura de cenário.→ Toda segunda, às 21h, tem análise ao vivo→ Conteúdos completos no blog, Spotify e comunidadeSaia da ilha. Entenda o jogo.Links citadosMapa R.U.M.O.https://www.enfbyleosaldanha.com/mapa-rumo-2026O C.A.O.S. Fotográfico é uma série de encontros semanais onde analisamos os movimentos do mercado da imagem, tecnologia e criatividade.Se você trabalha com fotografia, audiovisual ou criação de conteúdo, este episódio oferece uma leitura estratégica do momento atual da profissão.

In this episode, Danny and Jason sit down with Stevie Weir of Journal Wedding Films for an honest and inspiring conversation about one of the most interesting creative journeys in the UK wedding industry right now.Stevie spent 18 years as a wedding photographer, including a stint in the police before going full time behind a camera. After the post-COVID boom left him burnt out and with just 11 weddings in the book, he made a bold decision to pivot into wedding filmmaking, starting with a hybrid model before building Journal as a standalone film business.In this episode you'll learn how Stevie approached the transition from photography to film, why he stepped away from the hybrid model and what that decision changed for his creativity, his philosophy on finding the real story inside every wedding day, how mentoring transformed his filmmaking and what specific feedback shifted his approach, and the behind-the-scenes story of Yellows, his award-nominated film shot on the Isle of Tiree that had judges talking. Watch the film here: https://vimeo.com/1141870401?share=copy&fl=sv&fe=ciWhether you're a photographer thinking about adding video, a videographer who feels like their work has become too polished, or someone just looking for a reminder of why storytelling is at the heart of what we do, this one is well worth your time.Find Stevie on Instagram at @journalweddingfilms and @stevenwilliamweir

I don't know what else to say, but I keep going back to LUMIX. In this podcast, we are talking mostly about how good in-camera SETTINGS are in LUMIX cameras (even cameras that were released before realtime LUTs) but we also talk a lot about using the LUMIX Lab app...and we may be talking about this subject more.

In this episode, Jason and Danny dive into the rapid rise of AI in wedding filmmaking and what it actually means for videographers right now.From tools like Imagen, Plotline, and Higgsfield AI, they explore how artificial intelligence is already changing workflows, from colour correction and story development to removing distractions like fire exit signs, cars, and even people from your footage.They discuss the real benefits of AI, saving time, reducing decision fatigue, and speeding up edits, but also the growing concerns around creativity, originality, and whether relying too heavily on AI could lead to a sea of identical films.The conversation also tackles the ethical side of AI in weddings, including altering environments, changing weather, and where the line sits between enhancing a film and misrepresenting the day.Looking ahead, they explore what the future might hold, from automated ceremony edits to fully AI-assisted workflows, and why the human element, storytelling, personality, and individuality, will still be the thing that sets filmmakers apart.If you've been curious, excited, or slightly worried about how AI is going to impact your business, this episode will help you understand where we are now and where things could be heading next.

A closer look at the Lumix S1 II as a primary hybrid camera. What it gets right, including stabilization, open gate, resolution, and overall usability, plus how it fits into a modern workflow with features like ARRI Log C and 32-bit float audio. Also breaking down where it still falls short, how it compares to Sony and Canon, and whether it actually delivers on being a “complete” camera. Watch the video

In this episode, Jason and Danny reflect on That Wedding Videographer Summit 2026, breaking down everything from the atmosphere on the day to the impact it's had since.They talk about the energy in the room, the power of bringing like-minded creatives together, and why face-to-face events still matter in an industry that spends so much time online. From conversations between talks to connections made over coffee, this episode highlights the moments that made the summit more than just a day of presentations.They also share their thoughts on the speakers, the workshops, and the ideas that stuck with them most, covering topics like storytelling, sound design, social media, business mindset, and building a brand with intention.The conversation turns into a wider reflection on growth, motivation, and why surrounding yourself with the right people can completely change your perspective going into a new wedding season.If you were at the summit, this is a chance to relive it. If you weren't, this episode will give you a feel for what you missed and why it might be something to experience next time.

In this episode, Jason and Danny are joined by the team behind The Wild Strawberry to talk about what it really takes to stand out in the wedding filmmaking industry.They dive into the challenge of developing a recognisable style in a world where trends move fast and many filmmakers end up creating work that looks and feels the same. From creative risk-taking to trusting your instincts, the conversation explores how The Wild Strawberry have built a brand that feels distinctive, intentional, and true to who they are.They discuss the importance of experimentation, why not every film needs to follow the same formula, and how leaning into your personality and influences can help attract the right couples.The episode also touches on balancing creativity with client expectations, evolving your style over time, and the mindset required to keep pushing your work forward without burning out or losing your identity in the process.If you've ever felt stuck blending in, or questioned how to make your work feel more like you, this episode will give you the confidence to create differently.

This is The Digital Story Podcast 1,044, March 24, 2026. Today's theme is, "Just When You Think You Have It Dialed In." I'm Derrick Story. There I stood on a mountain ridge that I had climbed. I had the Lumix around my neck and the OM System in my hand with a beautiful, detailed scene before me. This was the perfect setting to determine, once and for all, which camera rendered the best wide angle detail. And then, disappointment. Find out what happened on this week's TDS Photography Podcast. I hope you enjoy the show.

เชื่อไหมครับว่า บริษัทที่คิดค้นเทคโนโลยีเปลี่ยนโลก อาจไม่ใช่บริษัทที่ได้ครอบครองโลกใบนั้นเสมอไป เรากำลังอยู่ในยุคที่กล้อง Mirrorless กลายเป็นมาตรฐานของโลกใบนี้ ไม่ว่าจะเป็น Sony , Canon หรือ Nikon ต่างก็แข่งกันทำกล้องไร้กระจกที่ล้ำสมัยที่สุดออกมา แต่คุณจำได้ไหมครับว่า ใครเป็นคนแรกที่กล้าตัดกระจกสะท้อนภาพทิ้งไป ในวันที่คนทั้งโลกบอกว่ามันเป็นเรื่องบ้า คำตอบคือ Panasonic พวกเขาคือผู้บุกเบิก คือผู้ให้กำเนิด แต่ในวันนี้ ส่วนแบ่งการตลาดในกลุ่มกล้อง Full-frame ของพวกเขากลับเหลือเพียงแค่ 7.7% เกิดอะไรขึ้นกับแบรนด์ที่เคยเป็นผู้นำการปฏิวัติ ทำไมเทคโนโลยีที่พวกเขาสร้างขึ้นถึงกลับมาทำร้ายพวกเขาเอง และการเดิมพันครั้งสุดท้ายในปี 2025 นี้ จะเป็นจุดจบ หรือจุดเริ่มต้นใหม่ เรื่องราวนี้ไม่ใช่แค่เรื่องของกล้องถ่ายรูป แต่เป็นกรณีศึกษาทางธุรกิจ เรื่องของความเสี่ยง นวัตกรรม และการเอาตัวรอดในวันที่โลกหมุนเร็วกว่าเรา เลือกฟังกันได้เลยนะครับ อย่าลืมกด Follow ติดตาม PodCast ช่อง Geek Forever's Podcast ของผมกันด้วยนะครับ #Panasonic #Lumix #กล้องถ่ายรูป #Mirrorless #บทเรียนธุรกิจ #การตลาด #รีวิวกล้อง #LumixS1RII #ช่างภาพ #VideoCreator #SonyAlpha #CanonEOS #เทคโนโลยี #นวัตกรรม #เล่าเรื่องธุรกิจ #กรณีศึกษา #geekstory #geekforeverpodcast

In today's episode I cover the latest news from PetaPixel for Thanksgiving week 2025. You can find the show notes here.

Exciting news at the CineD Newsroom! This week, we're talking about some rare, once-a-year offers on our MZed platform, and Nino and Johnnie share why now is the perfect time to grab an MZed subscription. We also take a look at the latest updates on the Nexus G1, including new sample footage. Another big topic in this episode is LUMIX: the company has just released firmware updates claiming to address the overheating issues in the recently introduced LUMIX S1 V2 series. Johnnie brings insights straight from Japan and shares his thoughts on the latest Adobe Premiere updates. Join us for this week's conversation and stay up to date with everything happening in the world of cine tech!   This episode is sponsored by SIRUI — check out their new lenses at (29:49).   Chapters and Articles in This Episode (00:00) - Intro and overview (05:20) - MZed Pro Black Friday Sale: Lock In $199 for 850+ Filmmaking Lessons Before This Once-a-Year Deal Ends https://www.cined.com/mzed-pro-black-friday-sale-lock-in-199-for-850-filmmaking-lessons-before-this-once-a-year-deal-ends (20:50) - Nexus G1 Cinema Camera Now Operational With First Test Footage Released https://www.cined.com/nexus-g1-cinema-camera-now-operational-with-first-test-footage-released/ (30:35) - Panasonic LUMIX S1II, S1IIE, and S1RII Firmware Updates Fix Overheating and Add New Features https://www.cined.com/panasonic-lumix-s1ii-s1iie-and-s1rii-firmware-updates-fix-overheating-and-add-new-features/ (41:28) - Global Memory Shortage 2026: What Filmmakers Need To Know About Rising NAND, DRAM, and SSD Prices https://www.cined.com/global-memory-shortage-2026-what-filmmakers-need-to-know-about-rising-nand-dram-and-ssd-prices/ (48:32) - Shooting Apple Immersive Video in the Swiss Alps with the Blackmagic URSA Cine Immersive https://www.cined.com/shooting-apple-immersive-video-in-the-swiss-alps-with-the-blackmagic-ursa-cine-immersive/ (52:11) - Libec Launches Arca-Swiss Travel Tripod – 2.7kg, 3kg Payload, Sub-$200 Price https://www.cined.com/libec-launches-arca-swiss-travel-tripod-2-7kg-3kg-payload-sub-200-price/ (01:02:55) - Panomicron Bismuth 50mm f/2.8 1.5x Anamorphic Lens Expands to the M-Mount https://www.cined.com/panomicron-bismuth-50mm-f-2-8-1-5x-anamorphic-lens-expands-to-the-m-mount/ (01:06:32) - Adobe Premiere Pro 25.6.1 Adds Native Nikon N-RAW Support and New AI Tools https://www.cined.com/adobe-premiere-pro-25-6-1-adds-native-nikon-n-raw-support-and-new-ai-tools/ (01:18:05) - Module 8 MOOD Hypnotic Sony E-Mount Tuner Announced – Optical Character For Modern Glass https://www.cined.com/module-8-mood-hypnotic-sony-e-mount-tuner-announced-optical-character-for-modern-glass/   We hope you enjoyed this episode! Do you have feedback, comments, or suggestions? Write us at podcast@cined.com 

Do you ever get tired of manually searching for, organizing, and culling your images? Excire's photo-management software harnesses AI to make tedious tasks 10x faster, easier, and more fun. To purchase an Excire lifetime license or to download a 14-day free trial, visit http://www.excire.com/en/shop! EXCIRE BLACK FRIDAY SALE: PetaPixel viewers can receive 30% off their purchase with the special discount code PETAPIXEL30 -- valid through December 7th!Now saving when you shop for your favorite gear at B&H Photo is even easier with the B&H Payboo Credit Card, which lets you Save the Tax — you pay the tax, and B&H pays you back instantly! (Save the Tax on eligible purchases shipped to eligible states.) Or you can pay over time with 6 and 12 month financing (on minimum purchases of $199 for 6 months, and $599 for 12 months). Terms apply, learn more at http://bhphoto.com/payboo.Credit card offers are subject to credit approval. Payboo Credit Card Accounts are issued by Comenity Capital Bank.Check out PetaPixel Merch: store.petapixel.com/ We use Riverside to record The PetaPixel Podcast in our online recording studio.We hope you enjoy the podcast and we look forward to hearing what you think. If you like what you hear, please support us by subscribing, liking, commenting, and reviewing! Every week, the trio go over comments on YouTube and here on PetaPixel, but if you'd like to send a message for them to hear, you can do so through SpeakPipe.In This Episode00:00 - Intro08:37 - The Kodak Snapic A1 is a $99 film camera with a double exposure switch11:06 - The AP has switched to DaVinci Resolve12:29 - Arri closed two facilities dedicated to lighting16:12 - Leica's M EV1 is finally available in the US after delays due to the government shutdown17:15 - Q3 Monochrom was announced22:41 - Lumix significantly improved S1 II and S1R II record times25:27 - Laowa made a new half-macro tilt shift lens28:36 - Fujifilm teamed up with a Japanese artist for a limited edition GFX100RF31:35 - The world's biggest walk-in camera is for sale34:38 - "The Stringer" Utterly Ruins the Reputation of Nick Ut and the AP1:29:12 - Read Matt's review of "The Stringer" on PetaPixel1:29:24 - While you were out taking pictures, Polar Pro studied the blade

The holiday season is here, and so is OM SYSTEM's Black Friday pricing. Right now, you can save up to $400 on many of the cameras and lenses that they make.The OM-1 Mark II, their professional powerhouse perfect for bird and wildlife photography, with blazing-fast autofocus and class-leading stabilization, is $400 off. For those looking for an even lighter all-around travel kit, the OM-3 and M.Zuiko 12-45mm F4.0 PRO package is only $2099.99. And if you're looking to upgrade your glass, you'll find big savings on almost al M.Zuikol lenses.Check out the full lineup at explore.omsystem.com/petapixel and take your photography to the next level without breaking the bank.Now saving when you shop for your favorite gear at B&H Photo is even easier with the B&H Payboo Credit Card, which lets you Save the Tax — you pay the tax, and B&H pays you back instantly! (Save the Tax on eligible purchases shipped to eligible states.) Or you can pay over time with 6 and 12 month financing (on minimum purchases of $199 for 6 months, and $599 for 12 months). Terms apply, learn more at http://bhphoto.com/payboo.Credit card offers are subject to credit approval. Payboo Credit Card Accounts are issued by Comenity Capital Bank.The PetaPixel team uses different cameras and lenses every day as part of our job but behind the scenes, we carry around a few pieces of mainstay gear that we just can't live without. This week, The PetaPixel Podcast team reveals the equipment they've been carrying this year that keeps the wheels of journalism turning. We use Riverside to record The PetaPixel Podcast in our online recording studioIn This Episode00:00 - Intro; Chris and Jordan are working a shift at the Camera Store Next Week!12:25 - We just got the best look yet at Jeff Bridges' WideluxX project15:10 - ARRI is trying to mimic film with a digital plugin18:11 - Fujifilm released the film simulation LUTS it promised20:49 - Light Lens Lab has recreated the Leica Summilux 35mm f/1.424:56 - Mint addresses major Rollei 35AF shortcoming27:40 - Lumix is shutting down its pro services in the UK and Europe31:34 - The R6 Mark III can overheat34:34 - Basketball player runs back onto the court with camera strapped to his leg36:51 - Everything ELSE you missed!41:00 - The Fantasy Camera Draft poll results44:46 - Do you do graphic design? Reach out!45:54 - The gear we use every day (2025 edition)1:07:49 - Chris teases an upcoming new Wotancraft Pilot sling bag1:11:22 - New segment alert: Review Roundup!1:19:51 - What have you been up to?1:23:58 - Tech support1:35-45 - Feel good story of the week

It seem that every 4-5 years a ground breaking camera sensor comes out. In 2020 Sony released the A7S III which completely changed the game for filmmakers across the board with the technology and features it offered. 5 years later we haven't really seen anything ground breaking from Sony and I know there are certain people who may be looking at jumping ship to Canon, Nikon, Blackmagic or Lumix. I don't blame them as every other manufacture has pound for pound way more tech and features than Sony's current line up. So why am I sticking with Sony? Give this episode a listen and find out. If you enjoyed this episode please rate it and let me know how i'm doing! Follow the podcast if you're loving the content and share it with your friends! www.atdavidlee.com | Instagram @atdavidlee | YouTube www.youtube.com/atdavidlee  For All Your Licensed Audio Needs 70% off 1 Year of Audiio Pro with CODE SAVE70

Be sure to follow me on Patreon for more! https://www.patreon.com/NigelBarrosand on instagram! https://www.instagram.com/nigelbarrosin this episode we answer some viewer question and talk about some of my takes on camera choices! ►Get the BEST film emulation and color correction plugins with 10% off here:https://www.filmconvert.com/purchase/?promoCode=NIGELBARROSCinematch link:https://www.cinematch.com/purchase/?promoCode=NIGELBARROS

With a PetaPixel Membership, not only can you support original PetaPixel reporting and in-depth reviews, but you can also remove ads from the website and gain access to some seriously great perks, too. Join today! It costs just $3 per month or $30 per year. This week on the PetaPixel Podcast, the team is back to go over a ton of news from Sony, Nikon, Fujifilm, Lumix, and more as well as discuss their favorite tripods of 2025 (and one they didn't like as much). Check out PetaPixel Merch: store.petapixel.com/ We use Riverside to record The PetaPixel Podcast in our online recording studio.We hope you enjoy the podcast and we look forward to hearing what you think. If you like what you hear, please support us by subscribing, liking, commenting, and reviewing! Every week, the trio go over comments on YouTube and here on PetaPixel, but if you'd like to send a message for them to hear, you can do so through SpeakPipe.In This Episode00:00 - Intro (our traumatic tripod stories)14:24 - Sony has a new 100mm f/2.8 Macro17:23 - You can trick the iPhone 17 Pro into recording open gate RAW internally20:34 - Sony's new global shutter sensor shoots 105MP at 100FPS24:00 - The Analogue aF-1 is a brand-new autofocus film camera27:25 - CreativeLive is shutting down30:11 - Nikon says the ZR can record for over 2 hours without overheating34:36 - Zeiss Loxia lenses are officially discontinued37:18 - Fujifilm is going to make more cinema cameras39:35 - Lumix 100-500mm is the system's first ultra tele zoom45:23 - Chris and Jaron are going to Brisbane for GR Space!46:40 - Kodacolor 100 and 200 just launched today: https://petapixel.com/2025/09/30/kodacolor-100-is-a-new-film-from-eastman-kodak-arriving-this-week/51:45 - Sony cameras and lenses got another price hike in the US53:05 - Our favorite tripods in 2025 (and one not so favorite)1:12:52 - What have you been up to?1:19:18 - About the compact camera video... and how we're going to do another one1:20:30 - Tech support 1:30:34 - Feel goody story of the week: A brand-new camera company is making the spiritual successor to the Lumix GM5

Check out the course Dustin made to learn how to MASTER your LUMIX camera https://course.learnlumix.com/?ref=7b...Dustin's GH7 video: https://youtu.be/G31J3M4ZV6E?si=KRoK-0BdPgPBsFQB

En este episodio charlo con Marco Albani, creador de contenido y filmmaker, sobre el robo que sufrió recientemente: le quitaron una mochila con más de 9.000 € en equipo en cuestión de segundos. Hablamos de cómo actuó tras el robo, las medidas que va a tomar para que no vuelva a pasar, el debate sobre los seguros, los AirTags y también sobre su cambio de Sony a Lumix. Una charla sincera, útil y necesaria para cualquiera que trabaje con equipo audiovisual.

Join this week's episode of Focus Check as we dive into the updated Lab Test results of the LUMIX S1II — and explore how this camera is getting surprisingly close to high-end cinema cameras when it comes to dynamic range. Plus, Sony just dropped a new camera, joining the growing trend of lifestyle-focused cameras alongside brands like FUJIFILM and SIGMA. We're also taking a look at some exciting new lens announcements, including affordable large-format options compatible with cameras like the ALEXA LF and the upcoming FUJIFILM ETERNA. So, as always, hit that play button and enjoy your weekly dose of cine tech news and insights! Sponsor: This episode is sponsored by FUJIFILM. Check it out at  Chapters & Articles Mentioned in This Episode: 15:54 (00:00) – Introduction   (05:25) - Panasonic LUMIX S1II Lab Test, Part 2 – Dynamic Range and Latitude Using ProRes RAW 5.8K with DR Boost “ON” https://www.cined.com/panasonic-lumix-s1ii-lab-test-part-2-dynamic-range-and-latitude-using-prores-raw-5-8k-with-dr-boost-on/   (16:56) - Sony RX1R III Announced – Compact Full-Frame Flagship With 61MP Sensor and AI Autofocus https://www.cined.com/sony-rx1r-iii-announced-compact-full-frame-flagship-with-61mp-sensor-and-ai-autofocus/   (23:53) - LensNode by Node Mill – Vintage Lens Emulation Plugin for DaVinci Resolve Available in Early Access https://www.cined.com/lensnode-by-node-mill-vintage-lens-emulation-plugin-for-davinci-resolve-available-in-early-access/   (30:41) - Simmod Enters the Lens Market – Introducing APSARA LUMIERE & PRESTIGE Lines https://www.cined.com/simmod-enters-the-lens-market-introducing-apsara-lumiere-prestige-lines/   (38:03) - Simmod Lens NATO Ring Introduced – Mount Motors, LiDAR, and More to Cine Lenses https://www.cined.com/simmod-lens-nato-ring-introduced-mount-motors-lidar-and-more-to-cine-lenses/   (40:26) - RØDE Wireless Micro Camera Receiver Announced – Free for Customers https://www.cined.com/rode-wireless-micro-camera-receiver-announced-free-for-customers/   (45:46) - Accsoon CineView M7 Pro and M7 Officially Launched: New Wireless 7” Monitors with Recording Capabilities https://www.cined.com/accsoon-cineview-m7-pro-and-m7-officially-launched-new-wireless-7-monitors-with-recording-capabilities/   (52:33) - NANLITE pico RGBW Pocket Light Announced – CCT Range of 2700K–7500K, Wireless Control https://www.cined.com/nanlite-pico-rgbw-pocket-light-announced-cct-range-of-2700k-7500k-wireless-control/   (55:31) - Extra Shot for Safety, Yes or No? – Various Approaches to Coverage https://www.cined.com/extra-shot-for-safety-yes-or-no-various-approaches-to-coverage/   (01:04:31) - YouTube Set to Crack Down on “AI Slop” with Monetization Policy Update https://www.cined.com/youtube-set-to-crack-down-on-ai-slop-with-monetization-policy-update/    (01:12:39) - Eddie AI “Scripted” Mode Launched – Upload Script & Footage, Get an Instant Rough Cut https://www.cined.com/eddie-ai-scripted-mode-launched-upload-script-footage-get-an-instant-rough-cut/   (01:15:24) - Moonvalley Releases Marey – A “Commercially Safe” AI Video Model Tailored for Professional Filmmakers https://www.cined.com/moonvalley-releases-marey-a-commercially-safe-ai-video-model-tailored-for-professional-filmmakers/ We hope you enjoyed this episode! You have feedback, comments, or suggestions? Write us at podcast@cined.com   

➡️➡️ ENLACE PLAUD: https://bit.ly/plaud_ai_ruben

I had the pleasure of sitting down, virtually, with Anson & Co for this episode. Some of you may know him from this YouTube channel where Anson offers gear reviews for Sigma and Lumix oriented content, but like with anyone I have on the podcast I want to know their story first and foremost. What inspired them at an early age and how that inspiration for stories led them on the journey they currently are. You can check out Anson's YouTube channel here: https://www.youtube.com/@Ansonandco as well as his Instagram here: https://www.instagram.com/ansonandco If you enjoyed this episode please rate it and let me know how i'm doing! Follow the podcast if you're loving the content and share it with your friends! www.atdavidlee.com | Instagram @atdavidlee | YouTube www.youtube.com/atdavidlee  For All Your Licensed Audio Needs 70% off 1 Year of Audiio Pro with CODE SAVE70

This is The Digital Story Podcast #979, Dec. 24, 2024. Today's theme is "New Lumix, Adobe Price Hike, and More." I'm Derrick Story. Opening Monologue For a photographer, the shortest day of the year, Dec. 21st, means that we only have about 9 hours of light - not much time to get out there and shoot! Fortunately, there have been some interesting news stories inside. So, brew another cup of coffee, put your feet up, and let's see what's going on out there. I hope you enjoy the show.