PlayME

Playwright Michael Ross Albert joins Chris Tolley to discuss his acclaimed play The Bidding War and the personal experience that helped inspire it. Michael shares what it was like to buy his first home through an affordable housing program — a moment that felt like winning the lottery, but also brought intense financial fear and uncertainty. Despite finally finding a place to call his own, Michael opens up about the pressure of speculative real estate and how that anxiety found its way into his writing. He and Chris dive into why plays that make us laugh can also leave the deepest mark.The Bidding War is by Michael Ross Albert.

The open house descends into chaos as tensions erupt between buyers, agents, and unexpected guests. Secrets are revealed, alliances shift, and a medical emergency turns the high-stakes competition into something more personal. As the dream of homeownership spirals into a surreal showdown, everyone is forced to show their hand, whether they're ready or not.Featuring: Aurora Browne, Sergio Di Zio, Izad Etemadi, Peter Fernandes, Veronica Hortiguela, Amy Matysio, Fiona Reid, Gregory Prest, Steven Sutcliffe, Sophia Walker, and Gregory Waters.The Bidding War is by Michael Ross Albert.

Welcome to Toronto's hot real estate market, where even an open house can become a pressure cooker. It's Sam's first day as a real estate agent, and he's hoping for a straightforward showing. But things quickly spiral when eager buyers swarm the home of his first client, June. Tensions rise, secrets surface, and the competition turns cutthroat. In this sharp, darkly comic audio drama, The Bidding War exposes the high-stakes chaos lurking beneath Toronto's housing bubble.Featuring: Aurora Browne, Sergio Di Zio, Izad Etemadi, Peter Fernandes, Veronica Hortiguela, Amy Matysio, Fiona Reid, Gregory Prest, Steven Sutcliffe, Sophia Walker, and Gregory Waters.The Bidding War is by Michael Ross Albert.

Playwright Zahida Rahemtulla joins Laura Mullin to talk about her hit debut play, The Wrong Bashir, a sharp and funny intergenerational comedy about identity, faith, and forging your own path.They discuss the inspiration behind the play, the unique dynamics of the Ismaili community, and what it means to grow up caught between expectations and self-discovery. Zahida also shares what it was like casting her real-life father and bringing underrepresented voices to the Canadian stage.The Wrong Bashir is by Zahida Rahemtulla.

The mistaken identity spirals as Bashir's family attempts to correct the mix-up, but not everyone agrees on whether it should be corrected. As the pressure mounts and unexpected visitors arrive, Bashir is forced to confront not only who others expect him to be—but who he really is.“Think 'Kim's Convenience' but set in an Ismaili Muslim family. This play feels ripe for a TV adaptation. With its mistaken identity plot and comic characters, Zahida Rahemtulla's “The Wrong Bashir” has the hallmarks of a classic sitcom…” Joshua Chong, Toronto StarFeaturing the cast from Crow's Theatre's acclaimed production: Sharjil Rasool (Bashir), Bren Eastcott (Nafisa), Sugith Varughese (Sultan), Nimet Kanji (Najma), Vijay Mehta (Al Nashir), Pamela Mala Sinha (Gulzar), Salim Rahemtulla (Dadipapa), Zaittun Esmail (Dadima), Parm Soor (Mansour)The Wrong Bashir is by Zahida Rahemtulla. 

When philosophy student Bashir Ladha is accidentally nominated to a prestigious religious position, his family is ecstatic until they realize he's more interested in podcasting than leading prayers. As Bashir questions the entire situation, his parents scramble to maintain appearances and navigate the growing confusion.Fast, funny, and full of heart, The Wrong Bashir is a razor-sharp comedy about mistaken identity, generational pressure, and what happens when your community's expectations don't match who you really are.Featuring the cast from Crow's Theatre's acclaimed production: Sharjil Rasool (Bashir), Bren Eastcott (Nafisa), Sugith Varughese (Sultan), Nimet Kanji (Najma), Vijay Mehta (Al Nashir), Pamela Mala Sinha (Gulzar), Salim Rahemtulla (Dadipapa), Zaittun Esmail (Dadima), Parm Soor (Mansour)The Wrong Bashir is by Zahida Rahemtulla. 

Chris talks with Jordi Mand about writing with vulnerability, mining family stories for inspiration, and confronting personal fears through her plays. Jordi opens up about her journey from performer to playwright, the delicate balance of using real life in fiction, and how becoming a mom has changed her work. They dive into the emotional roots of In Seven Days, the role of Jewish identity in her storytelling, and why she's drawn to characters who live in the moral grey zone. Plus, Jordi explains how faith and culture quietly shape her plays. It's an honest, funny, and moving conversation with one of Canada's most fearless voices in theatre.In Seven Days is by Jordi Mand.

As Sam's time grows shorter, tensions and emotions run high. Rachel's estranged boyfriend unexpectedly shows up to support her, leading to a heated confrontation with her father over past grievances. Amid a bittersweet celebration, the family tries to hold on to moments of joy—but they're all painfully aware of what's coming. When Rachel uncovers a long-held secret, it might be the key to changing her father's heart.Featuring: Mairi Babb, Ron Lea, Brendan McMurtry-Howlett, Shaina Silver-Baird, Ralph Small.In Seven Days is by Jordi Mand.

When thirty-year-old Rachel returns home for Shabbat dinner with her ailing father and his girlfriend, she's met with a life-altering announcement: her father, Sam Adleman, has chosen to end his life through Medical Assistance in Dying (MAiD)—and he plans to do it in just seven days. Shocked and heartbroken, Rachel decides to stay the week, desperately trying to change his mind. But when she brings their Rabbi into the conversation, family tensions rise, and Sam's decision grows even more complicated.Featuring: Mairi Babb, Ron Lea, Brendan McMurtry-Howlett, Shaina Silver-Baird, Ralph Small.In Seven Days is by Jordi Mand.

Playwright and performer Rachel Cairns joins Laura Mullin to discuss her acclaimed play Hypothetical Baby and the deeply personal experience that inspired it. Rachel shares her journey of facing an unplanned pregnancy despite having an IUD, the unexpected challenges of accessing abortion care, and the emotional and societal pressures that shaped her decision.Despite growing up in a progressive and supportive family, Rachel found herself unprepared for the realities of navigating reproductive healthcare. She and Laura dive into the stigma, shame, and controversy surrounding a woman's right to choose and how storytelling can challenge perceptions, spark dialogue, and empower change.

After navigating the barriers to abortion access, Rachel now faces the emotional weight of the experience—her body, her relationships, and the choices that linger long after the procedure.As she processes the physical toll of the abortion, a conversation with her mother reveals a hidden family history of reproductive decisions. Meanwhile, her boyfriend's lack of emotional support forces her to question not only their relationship but the broader societal structures that leave women shouldering the weight of these choices alone.Darkly funny and brutally honest, Hypothetical Baby isn't just about abortion—it's about power, partnership, and what it really means to have a choice.

What happens when the "what if" becomes reality? In Hypothetical Baby, award-winning playwright and performer Rachel Cairns pulls back the curtain on the unspoken truths of abortion. Raw, darkly funny, and deeply personal, this fearless solo play goes beyond the question of “will she or won't she?”—diving headfirst into the messy, complex, and often absurd journey of reproductive choice. From a dismissive doctor's office to a relentless spiral of Google searches, Rachel navigates judgment, uncertainty, and the unexpected revelations that come with making one of life's most personal decisions.A Globe and Mail Critic's Pick, Hypothetical Baby challenges taboos with sharp wit and unflinching honesty.

PlayME is back! Your free ticket to bold, binge-worthy theatre. In this season's trailer, hosts Laura Mullin and Chris Tolley present five powerful new plays turned audio dramas. Hypothetical Baby by Rachel Cairns explores the complexities of deciding to have a baby—or not. In Seven Days by Jordi, Mand follows a daughter fighting to change her father's MAiD decision. The Green Line by Makram Ayache is a GG-nominated story of queer history in Lebanon. The Bidding War by Michael Ross Albert is a dark comedy about housing, gentrification, and sabotage. The Wrong Bashir by Zahida Rahemtulla delivers a sharp comedy of mistaken identity and self-discovery.This season also features exclusive interviews with the playwrights, offering insight into their creative process and the stories behind their work. Tune in for compelling stories, unforgettable performances, and the best of theatre—anytime, anywhere.

Go behind the scenes with Laura Mullin and Chris Tolley as they discuss the creation of TUNNEL RUNNERS, their original seven-part scripted audio thriller. They dive into the writing process, the challenges of recording action-packed scenes, and the intricacies of foley and sound design. They discuss the series' themes, including anxiety, young adulthood, life on the margins, and hidden underground societies, while reflecting on the creative decisions that shaped the story. Plus, hear their thoughts on the rise of scripted fiction podcasts and get a sneak peek at the upcoming PlayME season.

Just take it. Why fight it? Give in to what you really are. Tunnel Runners is a new seven-episode original series from the creators of the award-winning PlayME Podcast.

Under the mist. Just me and her. Nothing else matters. -But I can't shake the feeling we're not alone. Tunnel Runners is a new seven-episode original series from the creators of the award-winning PlayME Podcast.

We pull him out. Covered in dirt and blood. He's not moving.Tunnel Runners is a new seven-episode original series from the creators of the award-winning PlayME Podcast.

Don't freak out. Don't draw attention to yourself. Or her. Runners can't have a witness. They'll blame you. And Brooklyn.Tunnel Runners is a new seven-episode original series from the creators of the award-winning PlayME Podcast.

We need more people. If we don't let them in, we disappear! We can't keep losing to the Shadows-Tunnel Runners is a new seven-episode original series from the creators of the award-winning PlayME Podcast.

You're 100 feet underground. In an enclosed hole in the wall. In the dark. With a stranger. -Anything could happen.Tunnel Runners is a new seven-episode original series from the creators of the award-winning PlayME Podcast.

I've been in abandoned buildings, on rooftops, through construction sites. But nothing beats the underground. Rules don't exist down here. But I'm always looking for a bigger challenge. A new place to explore. Where no one's ever been before.Tunnel Runners is a new seven-episode original series from the creators of the award-winning PlayME Podcast.

When Cam, a gifted teen from Toronto, finds himself drowning in anxiety and depression, he turns to prescription meds and endless urban exploration videos on YouTube to numb the pain. After suffering a devastating panic attack at school, he escapes into the sprawling subway tunnels beneath the city, desperate for solace. Underground, he stumbles upon a shadowy world filled with a hidden subculture thriving in the darkness. Tunnel Runners is a new seven-episode original series from the creators of the award-winning PlayME Podcast.

Last month, we lost our mentor, colleague, and friend, Gregory J. Sinclair, whose contributions to the world of audio drama and this podcast were invaluable. Greg was an internationally renowned producer and director of audio dramas for CBC Radio and Audible Canada. As Executive Producer at CBC Radio, he developed, produced, and directed multiple acclaimed audio series and specials, including Afghanada and the interactive Trust, Inc. We've dedicated this special episode to his legacy in radio drama, including tributes from some of his former CBC colleagues.

Laura talks with writer and performer Diane Flacks about her latest solo show, Guilt (A Love Story). Diane opens up about turning her sometimes painful personal experiences into compelling plays. She shares how she thinks there's a death of fun in theatre and why she pushes herself to take risks in her work and not play it safe. Diane also talks about her writing experiences for TV, including her stint for the hit series “Kids In The Hall.”Guilt (A Love Story) by Diane Flacks.

Diane has a monster of guilt growing inside her. She feels it as she and her ex decide to separate after 20 years. It's there when they tell their two boys that their family life as they once knew it is over.  But it completely consumes her after she signs paperwork at her lawyer's office officially ending their marriage. Panic follows, and on one of the most important nights of her life, she finds herself lying naked on the floor, unable to move. It's there that she makes a startling realization.Guilt (A Love Story) by Diane Flacks.

Diane Flacks has been drinking alot lately. It helps numb her guilt. As she approached mid-life, she threw a bomb into her domestic life. Married for almost two decades and the mom of two boys, she finds herself growing apart from her wife. They attend couples therapy and agree to open up their marriage. She meets a younger woman and falls madly and hopelessly in love. The fallout leaves her grappling with overwhelming pangs of guilt, a sentiment amplified by her Jewish upbringing, where guilt seems ingrained as the "default setting."Guilt (A Love Story) by Diane Flacks.

Chris talks to Paolo Santalucia about his hit show "Prodigal" and how his experience as an actor and the collaborative nature of theatre helped him find the courage to write his first play. He touches on how audiences have changed since the pandemic and why their slow return to the theatre can be a unique opportunity for artists to embrace. He shares how his Toronto roots drew him to write about class and systems of power and why he loves to write characters who aren't afraid to compromise themselves and those around them to achieve their ambitions.

Edmund, the estranged gay alcoholic son of Rowan and Marilyn, returns to his family after a five-year absence. But he's not seeking reconciliation. He's looking for revenge after being cut off from the family trust. His arrival inconveniently coincides with Rowan's career breakthrough, sparking a clash of interests. As tensions rise, Edmund discovers a dirty little secret his father has been keeping and threatens to expose him, igniting a power struggle and putting the Clarks' bonds at risk of unravelling.Prodigal by Paolo Santalucia.

An explosive family drama about power and privilege Rowan Clark is a rich man about to have his dreams come true - he's about to get a prestigious job. But dark family secrets are lurking that could jeopardize his coveted new position. At the engagement party of his son Henry, the family gathers at their home to celebrate the impending nuptials, but one guest is missing. Their other queer alcoholic son Edmund isn't invited. And despite Rowan and his wife Marilyn's attempts to keep their troubled son at a distance, a party crasher shows up at their door, threatening to expose their hidden truths.Prodigal by Paolo Santalucia.

Laura talks with writers and performers Matthew Mackenzie, a Canadian playwright and Mariya Khomutova, a Ukrainian artist who met in Kiyv during Matthew's theatre research trip in Ukraine. There, they sparked up a romance and found themselves expecting a baby on the eve of the global pandemic and invasion of Ukraine. The couple shared what it was like turning their very personal love story into an award-winning play and how writing helped strengthen their relationship and saved their mental health during their most challenging times.

Amid a whirlwind long-distance romance, Mariya from Ukraine and Matt from Canada learn they will soon become parents. They plan to marry but find themselves unexpectedly separated for months due to a travel ban amid the pandemic. After Matt embarks on a heroic journey to Odesa to reunite with Mariya, they believe their happily ever after is finally within reach. Their fairytale takes an unsettling turn when Russia invades Ukraine. How can they embark on their new life in Canada when Mariya's loved ones confront death and devastation back home?First Metis Man of Odesa is by Matthew MacKenzie and Mariya Khomutova.

A real-life love story that spans continents, a pandemic and an invasionMatt, a Canadian Metis playwright, falls for Mariya, a Ukrainian actor, during a theatre workshop in Kyiv. They kindle a year-long romance through emails before meeting in Toronto, igniting a whirlwind love affair. But as they face the challenges of a long-distance relationship, doubts creep in for both. Just before the pandemic hits, they receive life-altering news, testing the strength of their bond and the viability of their future together.First Metis Man of Odesa is by Matthew MacKenzie and Mariya Khomutova.

The Play On Podcasts are audio adventures reimagining timeless tales featuring original music compositions and the voices of extraordinarily gifted artists. More episodes and information are available at: https://ncpodcasts.com/othello

Chris talks with writer Trey Anthony about the evolution of her revolutionary show, Da Kink In Hair, from a Fringe sensation to a highly-regarded TV series. Trey candidly discusses her experiences as a queer Black artist navigating the entertainment industry, her drive to portray authentic narratives of Black women in her work, and the profound impact of her childhood relocation from England to Canada at the age of 12 on her journey as an artist.

Much-in-demand hairdresser Novellette sees into the souls of several of her clients. She knows from her profession that If you want to know about a woman – a Black woman – touch her hair. She discovers joys like the sexual awakening in her elderly customer, Miss Endid, following the death of her husband. She untangles dark secrets like the painful past of Stacey-Anne, who travelled from Jamaica to Canada in the middle of the winter to live with her mother and her new partner. Da Kink In My Hair is by Trey Anthony

Novellette is a busy hairdresser at her West Indian hair salon. And while she's a much sought-after stylist, she possesses gifts beyond her ability to tame locks. She believes that the hair she works on sends her messages about her clients' lives. Sometimes, the information she receives makes her want to laugh. Other times, it tells her things she doesn't want to know. When Novellette places her hands in her client Patsy's tresses, she helps untangle a painful past while discovering a secret buried in the thick and growing hair. Da Kink In My Hair is by Trey Anthony

Laura talks with writer/performer Liisa Repo-Martell about what compelled her to adapt one of Anton Chekhov's most famous plays, “Uncle Vanya,” for a contemporary audience. Liisa shares why she thinks Chekhov's work is so enduring and how he gets to the heart of our darkest, most petty selves while shedding light on our desires to have more and to be seen. She talks about how she adapted a play written over 100 years ago in Russian and why she has a crush on this famous writer.

After Sonya reveals her love for Astrov, Yelena volunteers to determine if the doctor shares her feelings for him. When Yelena gets him alone, he surprises her with a frightening secret. Reeling from his confession, Yelena convinces her husband, Alexandre, to leave the estate immediately, throwing Vanya and Sonya's future into question. Upon hearing the news of the couple's impending exit, an enraged Vanya unleashes his fury on the professor, throwing the household into chaos. Uncle Vanya by Anton Chekhov, Adapted by Liisa Repo-Martell.

A dazzling adaptation of the masterpiece. In the twilight of Czarist Russia, Vanya and his niece, Sonya, work tirelessly to manage the rural estate. Their quiet routine is shattered when Sonya's father, Alexandre, a renowned professor, arrives with his glamorous young wife, Yelena. The household succumbs to waves of fury, jealousy, and intoxicated yearning with the presence of the new guests. Amidst the turmoil, the country doctor Astrov arrives to attend to the ailing professor. Sonya confides in Yelena about her profound feelings for the enigmatic doctor. Uncle Vanya by Anton Chekov, Adapted by Liisa Repo-Martell.

Your free ticket to dozens of shows by talented writers from across Canada returns on Jan 10, 2024! Join hosts Laura Mullin and Chris Tolley for the latest season of PlayME featuring five contemporary plays: Uncle Vanya by Anton Chekov (adapted by Liisa Repo-Martell), Da Kink In My Hair by Trey Anthony, First Metis Man of Odesa by Matthew MacKenzie and Mariya Khomutova, PRODIGAL by Paolo Santalucia, and Guilt: A Love Story by Diane Flacks.

Chris talks with Marcia, who shares how she was inspired to write her hit play “Serving Elizabeth” after binging the Netflix series “The Crown.” She was livid when she noticed how only white characters were featured while others, the Black voices, were left out of the narrative. She confides how she was obsessed with princesses and queens as a little girl, but her feelings changed as she grew up and became aware of colonialization and the harm caused by the British Monarchy. Serving Elizabeth by Marcia Johnson

A drama that explores issues of colonialism and who gets to have a voice. It's 1952, and Mercy and her daughter Faith run a well-regarded restaurant in Kenya that prepares excellent local dishes like maharagwe and matoke but is struggling due to a family health crisis draining their finances. When a white tourist arrives at the establishment and offers them a lucrative opportunity to cook for secret VIPs, Faith is eager to take the job, but Mercy is suspicious. Serving Elizabeth by Marcia Johnson

A drama that explores issues of colonialism and who gets to have a voice. When Mercy discovers she will cook for the young Princess Elizabeth and her husband, Prince Phillip, she refuses the job due to her anger at King George and his interference with Kenyan politics. But her daughter isn't about to pass up an opportunity that could change her life. Seventy years later, Tia, a young Kenyan-Canadian screenwriter, works as an intern production team in London, UK, preparing an episode for a TV series based on Princess Elizabeth's historic 1952 visit to Kenya. Serving Elizabeth by Marcia Johnson

A drama that explores issues of colonialism and who gets to have a voice. Mercy finds herself with an unexpected opportunity to be alone with Princess Elizabeth but finds herself in an awkward situation with the young royal. And Tia has a face-to-face with the creator of the British TV series and gets a chance to challenge him about the treatment of the characters in his script. Serving Elizabeth by Marcia Johnson

Chris talks to writer Kevin Loring about his play that explores the intergenerational effects of the residential school system set in his hometown of Lytton, BC. He shares how one of the actors during a workshop reading of his play challenged him to dig deeper into his character's alcoholism and why it ultimately shaped the development of his award-winning show. He also describes the emotional moment when his play was first performed in front of his community and his thoughts on the meaning of the word “survivor.” Where The Blood Mixes by Kevin Loring

A funny and honest play about loss and redemption Floyd and Mooch are best buds. They like to hang together at George's bar in the village of Lytton, BC, where Mooch can usually be found “mooching” drinks from his friend Floyd. Mooch is unemployed, troubled and usually steals his girlfriend June's money to buy beer. She's saving the money either to buy groceries or pay bills. When a letter arrives for Floyd from his long-lost family member, he grows anxious about the reunion and the circumstances that separated them all these years ago. Where the Blood Mixes by Kevin Loring

A funny and honest play about loss and redemption Floyd and Mooch are haunted by their residential school experience. Mooch wants to talk about it but Floyd would prefer to leave the past in the shadows. When someone from Floyd's old life arrives at the bar to reconnect with him, he isn't ready to confront what has been left behind. Where the Blood Mixes by Kevin Loring

A funny and honest play about loss and redemption. Floyd retreats home when his past catches up with him. He's not ready to discuss what happened and provide the answers they desire. Mooch's girlfriend, June, is left to pick up the slack and helps fill in some missing blanks. But Floyd can't escape forever, and his visitor has come with their own surprises. Where the Blood Mixes by Kevin Loring

Laura talks to playwright and performer Zorana Sadiq about her love of making mixtapes when she was a kid. She shares how music can activate our limbic system transporting us to different places, which makes hearing our most sophisticated sense. She discusses how her very personal play about her obsession with music and sound impacted audiences and why she doesn't think artists should worry about being “great.” MixTape by Zorana Sadiq

A solo show about a life told through the sounds and music Zorana shares her real-life story about discovering her love of music. A child of Pakistani immigrants who grew up in the suburbs of Toronto, Zorana's obsession with sound began at school. There she learned to play the flute at band camp, using her imagination to play the notes. When her teacher instructs her to visualize the notes in her mind, she discovers she can play the music she sees in her imagination. Suddenly becomes keenly aware of the sounds around her, including the angry voices of her parents as they fight. She loses herself in the music she compiles as mixtapes on her double-cassette player. Written and performed by Zorana Sadiq

A solo show about a life told through the sounds and music A fledging soprano, Zorana heads to arts high school to pursue her love of music and gets a lead role in the school musical. She's discovering herself as an artist just as her parents' marriage falls apart. Zorana graduates high school and moves to Montreal to study classical singing. But even there, she can't escape her family drama. In the rehearsal hall, she begins to struggle with her confidence as a performer. Written and performed by Zorana Sadiq

A solo show about a life told through the sounds and music Zorana graduates from university. She no longer feels like singing anything. She takes a job at a call centre and tries to figure out who she is. She stumbles on something unexpected that helps open both her heart and mind. Written and performed by Zorana Sadiq

Laura talks with award-winning playwright David Paquet and writer/ translator Leanna Brodie about how David's research into his family's past helped inspire his dark comedy, “Wildfire”. He shares how specific images and phrases help craft his unusual characters and why he feels drawn to those on the margins. Leanna Brodie opens up about her job of adapting the play for anglo audiences and why she's tasked with translating more than just the language. They both reveal what it's like to work as a writer today and why it's not just about making great art. Wildfire by David Paquet, translated by Leanna Brodie.

A dark comedy about a family overcoming a difficult childhood. Claudette, Claudia, and Claudine are triplets who live in the same triplex. They are reeling from being raised by an unloving mother. They do what they can to get by. Claudette keeps her young son in a cage, Claudia has developed an unhealthy interest in her mailman, and Claudine has taken to befriending baked goods. The three sisters live nearby but never see each other and only communicate by phone. That is until Claudia leaves her apartment one day, reuniting the sister and forever altering their lives. Wildfire by David Paquet, translated by Leanna Brodie.

A dark comedy about a family overcoming a difficult childhood. Carol is mourning the death of her beloved cat, the only thing she's ever truly loved. Callum is taking his brother's advice to get off his computer and out in the world to make friends. He meets Carol, and they share a love for movies and popcorn. Carol wonders if Callum shares her feelings, but her inability to articulate them is just one of the things they have in common. Wildfire by David Paquet, translated by Leanna Brodie.

A dark comedy about a family overcoming a difficult childhood. Caroline has just put a hammer through her TV. She has issues that she's trying to drown out with vacuuming. There were hints of her problem during childhood when she accidentally killed her parents' beloved pet tarantula. She tries to bury her worries by collecting figurines. It helps soothe her mind for a while, but her urges are strong and can't be kept under wraps forever. Wildfire by David Paquet, translated by Leanna Brodie.

Chris talks with award-winning playwright Hannah Moscovitch about her unique childhood and how her socially engaged parents taught her to think critically about the world around her. She shares how sexual assault has been normalized in our culture and why she initially feared the audience's reactions to her play “Sexual Misconduct of the Middle Classes,”: which she wrote before the #MeToo movement. Hannah lets in on what it's like to take the leap from the stage to the screen and write for the hit TV show Anne Rice's “Interview with A Vampire” and how despite her success, she's experienced artistic disappointments. This episode contains coarse language and mature subject matter.

A drama about a novelist and star professor who is tortured with self-loathing when he notices a pupil - a girl in a red coat. Jon finds himself amid another divorce, his third. He's grown bored with his job as a university lecturer and struggles to write his latest novel. Enter Annie, his attractive 19-year-old student and his super fan. She sits in the front row of his lectures and gazes at him with rapt attention. He can't get her off his mind - until one day she shows up at his front door.

A drama about a novelist and star professor who is tortured with self-loathing when he notices a pupil - a girl in a red coat. Jon swears that he's never been tempted by the college girl fantasy. But there's something different about Annie. She's smart and a talented young writer brimming with potential that he can help unlock. He knows how older male writers tend to reduce young women into cliché objects of desire, but he tells himself that he'd never fall into that trap. He tries to resist falling into what he knows is a bad situation.

A drama about a novelist and star professor who is tortured with self-loathing when he notices a pupil - a girl in a red coat. Time passes, and circumstances change. Turns out Annie is not just a good writer but a great one. Now in her 20s, she's an up-and-coming playwright, and from afar, Jon takes pride in following her success. After years apart, they meet In a hotel to catch up and share how their lives have unfolded while revisiting their forbidden past.

Laura talks with playwright Michele Riml, who shares what it's like to write a show that has gone on to be an international hit for almost 20 years. She talks about why she wanted to write a play about the sex life of a long-term couple, the reason we don't often see these kinds of relationships reflected on stage and the surprising effect the show has had on audience members. Michele also gives her secrets to writing a comedy and confesses what it feels like to find success as a writer.

A touching comedy about a middle-aged couple trying to reignite their sex life after 25 years of marriage. Alice has had it with her husband, Henry. She's no longer willing to put up with a stale sexless marriage, so she hatches a plan to rev their romance. She convinces Henry to go with her to a swanky hotel to try and bring back some heat into their relationship. Armed with a copy of “Sex for Dummies,” Alice employs some intimacy exercises, including sharing fantasies to try and re-connect with her husband. But Henry is happy to keep things the way they are, and he isn't ready to hear about Alice's deepest desires.

A touching comedy about a middle-aged couple trying to reignite their sex life after 25 years of marriage. Alice invites Henry to engage in an exercise that involves exploring each other's bodies while blindfolded, but the exercise reveals more than sensuous pleasure. Alice discovers that Henry has been keeping a secret that's made him grow distant. When Henry finally lets down his guard and shares his deep dark fantasy Alice isn't ready to listen. It exposes insecurity within her that's been bubbling to the surface for years. She believes it's the true reason behind their lack of a love life.

A touching comedy about a middle-aged couple trying to reignite their sex life after 25 years of marriage. Alice isn't the only one who isn't happy with their marriage. Henry has dreams and desires, but he keeps those thoughts to himself. He accuses Alice of blaming everything on him and not taking responsibility for her feelings of discontentment. Separately, Alice and Henry begin to fantasize about a life without each other and how it would feel to be single again. But Alice hasn't completely given up on Henry yet and has one last sexy surprise that might finally get Henry's attention.

Chris talks with award-winning playwright Christine Quintana, who shares what it was like being raised by a punk rock drummer in East Los Angeles before her family moved to British Columbia. She even has the claim to fame of being held as a baby by all of the Red Hot Chili Peppers. She talks about why she wanted to write about teens and consent, how she incorporated some of her own youth into the show and the surprising reaction to the play by both teen and adult audiences.

A drama about three teens figuring out the complexities of relationships, community and the nature of consent. Emma's selfies from her time in Paris make her summer look amazing. Her friend Lily has some serious FOMO but is glad to have her back. When Lily and her older brother Chris throw an epic party, the booze flows. It's the perfect opportunity for Emma and Chris to share their feelings for each other. Especially after several drinks, in his bedroom, behind a closed door.

A drama about three teens figuring out the complexities of relationships, community and the nature of consent. A doctor's appointment confirms that Emma was sexually assaulted at Chris and Lily's party. Lily posts a photo of her older brother and Emma making out at the party, and Emma finds herself being tried in the court of public opinion. The police get involved as much of her school turns against her. Lily must choose to stand with her brother, or her best friend – but what is true, and who is right?

A drama about three teens figuring out the complexities of relationships, community and the nature of consent. Emma, Chris and Lily all wish they could turn back time and rewrite events from the party where Emma and Chris hooked up. Emma confronts Chris and lets him know that not only does she not remember their encounter, but that she would have refused had she been able. Chris is devastated as he fully grasps the fallout from the party and his actions, and asks for forgiveness. Emma struggles to move on as she deals with the ramifications of a night that has changed her forever.

Laura talks with award-winning playwright and novelist Anosh Irani, who shares what it was like to move from Mumbai, India, in the 90s to Vancouver, Canada, to pursue his literary career. He talks about how certain compelling images from his past inform his work, why he searches for the wound in the characters he creates, and the realities of “making it” as a celebrated writer.

A heartbreaking, hilarious tale about a clown looking for love at the circus by Anosh Irani. Felix is no ordinary clown. He's a strange creation of his own making. Born in the circus to the Flying Olga, he was quickly rejected by his mother, who's more interested in becoming famous than raising a son. He looks for love in other places. He finds it in a ticket seller who teaches Felix to read. He finds it through Aja, the seamstress' adopted daughter. He feels it so much for her he might have a case of Loveria. It's like malaria, only deadlier.

A heartbreaking, hilarious tale about a clown looking for love at the circus by Anosh Irani. Felix's love for Aja grows just as his parent's affection for each other fades. The Flying Olga wants a Mercedes and swimming pools, so she turns to The Great Gagoonda, who promises to fulfill her wildest dreams. All that Felix wants is to be loved, but Aja's love is giving away all of her affection to the tentmaker's son. Felix drowns out his feelings with a bottle of wine and hatches a brilliant plan to win Aja's heart. But something wonderful is always followed by something else.

A heartbreaking, hilarious tale about a clown looking for love at the circus by Anosh Irani. What is it about mothers that makes it so hard to accept that they might not love us? Felix and Aja share their first kiss, and now she is planning a future with a house and a pool and kids. His world is starting to feel uncomfortably familiar. And even though he's a clown, Felix is learning that not everything in life is a joke. That things and people aren't exactly as they appear. And bringing kids into this world is nothing short of buffoonery.

Chris talks with award-winning playwright Andrea Scott who shares what it was like to bring iconic activist Viola Desmond to life within her play. She talks about how she worked to humanize Viola by drawing from her own experiences as a Black woman to help flesh out her real-life character's emotional world and examine why heroes are often only appreciated in hindsight.

A drama about civil rights icon Viola Desmond by Andrea Scott. Viola is a young woman with big dreams. She was born to a white mother and a black father in 1914, uncommon at the time, so her very existence is controversial. Not willing to settle for the traditional role women were expected to play, Viola tries her hand at teaching but faces racism and unwanted sexual advances from her superiors. She finds her passion as a beautician and creator of makeup for Black women and wrestles with her desire to be an entrepreneur and her duty as a new wife.

A drama about civil rights icon Viola Desmond by Andrea Scott. Viola has the magic touch of making other women look their best, and her beauty products for Black Women are selling like hotcakes. She's an independent woman travelling all over Nova Scotia selling goods when her car broke down in New Glasgow one fateful day in 1946. She decides to take in a movie to pass the time and inadvertently sits in the ”‘all-whites” section of the theatre, changing the course of her life and history.

A drama about civil rights icon Viola Desmond by Andrea Scott. After getting arrested and spending the night in jail, Viola is confronted with the gut-wrenching decision to fight her conviction. Should she risk her popular business to make a fuss? And what will happen to her already strained marriage? But Viola knows there's more to be gained than the right to sit at the front of a movie theatre. And she's about to discover the consequences for being brave enough to put up a fight against systemic racism.

Laura talks to celebrated playwright and performer Daniel MacIvor, who shares what it was like growing up as a gay kid in the 70s in Cape Breton and how it influenced his writing. He talks about why being raised on an island has made him more aware of endings, how he modelled the protagonist of his play in New Magic Valley Fun Town after his real-life brother and why he's drawn to creating characters who struggle with mental health.

By Daniel MacIvor. Dougie's old friend Allen has a surprise for him. A piece of nostalgia from their childhood delights his ex-wife and daughter but makes Dougie uncomfortable. They decide to knock back some drinks and turn up the music, and the party becomes a raucous night of dancing and flirting. Tempers flare, insults are hurled, and Sandy crosses a line. She digs for the real reason Allen has come back home after so many years.

By Daniel MacIvor. Dougie is excited and maybe a little nervous as he prepares his mobile home in Cape Breton for a party with his childhood best friend. He hasn't seen Allen in 30 years, and if Facebook is to be believed, he's now a fit university professor who, unlike Dougie, still has his hair. Dougie's church-going ex-wife Cheryl and their depressed adult daughter Sandy are there for the reunion. They bicker as they prep the booze and snacks for Allen's arrival when Sandy upsets Dougie about Allen's childhood nickname.

By Daniel MacIvor. After much anticipation, Allen arrives at Dougie's mobile home in Cape Breton for a reunion after a 30-year absence. When Allen opts for water instead of alcohol, Dougie and Cheryl get nervous that they might be in for an awkward night. Allen finally agrees to a rum and coke, much to their relief, and he and Dougie catch up until Dougie decides he needs to get something off his chest.

As a holiday gift, we're re-releasing the radio versions of some of our favourite shows this year. These plays have been edited for a general audience, and enriched with playwright interviews. Today: Nicolas Billon's "Butcher," a wildly unpredictable crime thriller set on Christmas Eve. Warning: it's anything but holly jolly.

As a holiday gift, we're re-releasing the radio versions of some of our favourite shows this year. These plays have been edited for a general audience, and enriched with playwright interviews. Today: Chloé Hung's ferocious comedy "Three Women of Swatow," about three generations of women linked by one fierce legacy.

As a holiday gift, we're re-releasing the radio versions of some of our favourite shows this year. These plays have been edited for a general audience, and enriched with playwright interviews. Today: Mark Crawford's hit comedy "Bed and Breakfast," a heartwarming tale of a gay couple from the big city finding home and belonging in a small town.

As a holiday gift, we're re-releasing the radio versions of some of our favourite shows this year. These plays have been edited for a general audience, and enriched with playwright interviews. Today: Keith Barker's "This Is How We Got Here," a story of two couples on a journey through grief following a young one's suicide.

As a holiday gift, we're re-releasing the radio versions of some of our favourite shows this year. These plays have been edited for a general audience, and enriched with playwright interviews. Today: Jordi Mand's debut play "Between The Sheets," about a middle-aged mother, a teacher in her twenties, and confrontation that changes both their lives.

As a holiday gift, we're re-releasing the radio versions of some of our favourite shows this year. These plays have been edited for a general audience, and enriched with playwright interviews. First up: Emil Sher's adaptation of "The Boy in the Moon" — Ian Brown's memoir exploring the "trials, tribulations and triumphs" of raising a child with a rare disability.

PlayME will be back in January. In the meantime, here's something we think you'll like. Limited Capacity is a collection of six short stories about the strange and twisted ways we interact with the internet, and with each other. Each immersive episode is packed with intimate and jarring stories that are both completely familiar and somehow confoundingly alien. It's like Black Mirror for your ears. From the fiendishly clever mind of Rob Norman, co-creator of the hit podcast Personal Best. More episodes are available at: smarturl.it/limitedcapacity

Chris talks to actor and playwright Mark Crawford, who shares how growing up as a gay kid on a farm in southwestern Ontario has impacted his writing and the audience he likes to reach. He talks about why he feels rural theatre-goers are ready for queer narratives, why he doesn't mind being "accessible" and what he's learned from eavesdropping on audiences.

By Mark Crawford. Brett and Drew's neighbours rally around the couple to show their support. Meanwhile, Brett starts digging into Maggie's past, asking questions about a photo he found of her when she was young. Their renovator Doug investigates the culprit behind the ransacking of their home and uncovers a family secret. Brett and Drew learn something that has them questioning whether they can ever call this place home.

By Mark Crawford. Brett and Drew throw themselves into transforming Aunt Maggie's home into a chic and modern getaway. They meet the locals and befriend a lesbian couple who help make them feel at home. They quickly become involved in the community and even find themselves volunteering to help organize the local Santa Claus parade. But one day they come home to find their house vandalized with homophobic slurs. Not everyone in the town wants them there.

By Mark Crawford. In the dark, a phone rings. Early-morning calls are never good news. Brett and Drew wake up to learn that Brett's Aunt Maggie has died. Then they learn they've lost yet another Toronto house they were trying to buy. Soon they find themselves on a road trip to attend Aunt Maggie's funeral. Once they arrive at her small town, they get another surprise: Aunt Maggie has left Brett her century-old home. When Drew is passed over for a much-anticipated work promotion, the couple decides to ditch Toronto, move to Aunt Maggie's house and start a B&B. But how will the residents of this small community receive a gay couple from the big city?

Chris talks to playwright Keith Barker, a member of the Métis Nation of Ontario, who explains why he's drawn to writing about loss and how his family has been touched by suicide. He also reflects on what it might mean to "feel deep love and no regrets," how nature helps us grieve and why he does his best writing when he like giving up.

By Keith Barker. We meet Paul as he tries to visit his estranged wife, Lucille, on the first anniversary of their son Craig’s death. But Liset, Lucille’s protective sister, sends him away. “Some days are better than others and today is not one of those days.” Then, Paul is visited by Jim — his best friend and Liset’s husband. The two men have grown distant, and an argument about “fruits'' quickly turns into something deeper.

By Keith Barker. We trace family tensions back in time. They start off arguing about one thing — dirty laundry, smashed plates, a broken hand — but eventually get to the thing no one really knows how to talk about. A son and nephew, “a good kid,” who took his own life. Sharp words and serious accusations fly. But Lucille finds hope in a creature who keeps visiting the garden.

By Keith Barker. We keep moving back and forth in time. Paul confronts Jim about a perceived betrayal, later to find out it may have been an act of mercy. Liset drives the creature from the garden, and her sister disappears into the backwoods to find it. Paul and Lucille finally meet by the tracks and remember an old story. “One day, as sometimes happens, things changed.”

Laura talks to playwright Jordi Mand. The Toronto-based playwright, who has worked with some of Canada’s most prominent companies, shares why she’s drawn to female-driven narratives and why she loves to craft characters that represent some of her greatest fears. Jordi also shares the audience’s emotional reactions to her hit show and how it led to some candid post-show confessions.

By Jordi Mand. Marion digs for details about Teresa’s future and starts to poke holes in her naive plans. Teresa’s inexperience shows as Marion lays out what life might look like for her a few years from now. Teresa reveals she has a lot more at stake than Marion knows, and they realize they share some common ground and have both experienced heartbreak. Marion asks Teresa for help to get her life back to the way it once was, but Teresa discovers the depth of Marion’s revenge.

By Jordi Mand. Accusations fly from both sides as the women argue about how they’ve arrived in an adversarial situation that threatens Marion’s family. Marion corners Teresa with probing and intimate questions about her personal life. Teresa refuses to answer her queries until she can’t take it anymore and decides to fight back. She lands a blow that promises to blow up Marion’s home life.

By Jordi Mand. Marion, a middle-aged working mother, arrives at her son Alex’s private elementary school — ostensibly for the school’s parent/teacher night. Teresa, Alex’s twenty-something teacher, wasn’t expecting her but reluctantly agrees to a brief meeting about Alex’s academic progress. The two share a tense exchange about school policy and Teresa’s teaching style until Marion reveals the real reason for her unannounced visit.

Laura talks to playwright Amanda Parris. The Governor-General Award-Winning writer and CBC host shares how sitting in a prison waiting room filled with women sparked the idea for “Other Side of the Game.” In a world saturated with shows about the justice system, she says stories tend to follow those arresting or being arrested. “They don’t follow the woman who has to clean up the mess...” She also explains why she isn’t a purist when it comes to theatre and why it’s so important to preserve the work of Black female artists.