Podcasts about dramas

Hey c'est Margo ! Je suis de retour pour un Top. Aujourd'hui je vais vous donner 5 dramas sous côtés que je recommande Partie 1. Pour ce concept un episode du même genre sortira par mois durant toute l'année ! Vous pouvez me retrouver sur Instagram pour suivre les actualités du podcast: @margo_dramas Intro/ Outro by Thannoid - Bodytonic. liste des dramas: Rainless love in a Godless Land, The day of becoming you, Crush, A piece of your mind et Here is my plan --- Send in a voice message: https://anchor.fm/margo-dramas/message

Please forgive my absence once more from the airwaves of podcasting! It's true what they say about things all happening at once, and in my case, the past couple of weeks have been no exception! With drama galore, the past couple of weeks have certainly been a challenge on my health, wellbeing and at times .. sanity! **TRIGGER WARNING** - as always, most of my content on my podcast discusses mental health - anxiety, depression etc. Please note that this episode also discusses gynaecological issues - listener discretion advised. Apologies - this is possibly one of my longest recorded episodes to date! UCM xxx

I'm back to talk about a couple of the Japanese dramas i've been watching lately, what what makes them different from the norm, especially when talking about BL dramas from Thailand. Old Fashioned Cupcake | Cherry Magic | Minatos Laundromat | My Beautiful Man and more. Find me on Twitter: @BookDreamer01 @TVMovieMistress  Facebook group: www.facebook.com/groups/tvmoviemistress/ Send feedback: tvmoviemistress@gmail.com Become a Patreon: Tv Movie Mistress YouTube channel: https://www.youtube.com/tvmoviemistress

Tune in to hear some of the best dramas of 2022 Part 2!

IG: @relaxrosieasmr Twitter: @relaxrosie I've watched one movie a day so far this year :D --- Send in a voice message: https://anchor.fm/sleepasmr/message Support this podcast: https://anchor.fm/sleepasmr/support

NYSE suspends trading in Cazoo warrants and starts delisting proceedings ‘Faff-free' online used car dealer Cinch posts whopping £149m loss Constellation Automotive Group turns pre-tax loss into profit but still finishes year in the red British-built Nissan Qashqai takes number one spot – but 2022 new car sales tumble to 30-year low Afeela electric car brand unveiled by Honda and Sony Motability chief exec nets bumper pay packet as profits soar close to £1bn Which carmakers were the biggest losers in 2022? Renault says ‘non' to agency sales, branding the switch too ‘risky' Serial fraudster avoids jail after conning used car dealer out of £15,000 York couple to tie the knot after getting engaged during vehicle handover at Bristol Street Motors dealership --- Send in a voice message: https://anchor.fm/car-dealer-magazine/message

The new year kicks off with a slew of fun and interesting dramas. Liu Yi Fei stars in her first modern day drama in Meet Yourself 去有风的地方. Vin Zhang Bin Bin and Xu Lu star in Song of the Moon 月歌行。Dylan Wang He Di headlines Fu Tu Yuan 浮图缘 with Chen Yu Qi and Liu Xue Yi brings comic book Blood of the Youth 少年歌行 to life.

We look back at the dramas we watched in 2022 (most of them aired in 2022 and some which aired earlier) and pick our favourites, not-so-favourites, scenes and moments that touched our hearts, made us swoon over some actors, made us laugh/cry/pull our hair watching them and so much more. Dramas we discussed: 2022 Releases: Through the Darkness Twenty Five-Twenty One Our Beloved Summer The Law Cafe Kiss Sixth Sense Juvenile Justice If You Wish Upon Me Love All Play Sound of Magic Extraordinary Attorney Woo Forecasting Love and Weather Pachinko Little Women Business Proposal Ghost Doctor Gaus Electronics Reborn Rich Older Dramas: Producers Chocolate Prison Playbook Goblin Pegasus Market Poonam mentions ‘nok-jhok' phase in Kiss Sixth Sense. It's a Hindi term which loosely translates to bickering. Music Credits: Music from Uppbeat: https://uppbeat.io/t/mood-maze/trendsetter. License code: LU8KUCTYYYAA2KKL Cover Art: Purva Bakalkar Contact Us: Email: crashlandedonkdramas[@]gmail[.]com Leave us a review or rating on the podcast app of your choice Twitter: @CrashLandedonKD Instagram @crashlanded_onkdramas --- Send in a voice message: https://anchor.fm/crashlandedonkdramas/message

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Tune in to hear some of the best dramas of 2022!

Karen and Cathy round out the year with our top favorite Chinese dramas for the year, the biggest breakout stars, favorite chinese books and more!

Hey c'est Margo ! Je suis de retour pour vous parler de mes abandons et déceptions dramas de 2022 partie 2. Aujourd'hui je vais vous donner mon avis sur 10 dramas qui ne m'ont déçue durant l'année 2022 . Vous pouvez me retrouver sur Instagram pour suivre les actualités du podcast: @margo_dramas Intro/ Outro by Thannoid - Bodytonic. la liste des dramas: Moonshine, The one and only, Bulgasal, Uncle, Show window, The heart of genius, Once upon a small town, Love is for suckers, Mental coach jegal, If you wish upon me --- Send in a voice message: https://anchor.fm/margo-dramas/message

En este episodio hacemos un Top 10 de las mejores series que debutaron (o descubrimos) durante el 2022. Dramas, horror, comedias, competencias de realities y muchas más recomendaciones. ¿Cuál fue su serie nueva favorita? Escríbenos en Facebook, Twitter e Instagram. Recuerda suscribirte, dejarnos un review en Apple , Podcast, Spotify, Stitcher, Podbean o su plataforma preferida

Hey c'est Margo ! Je suis de retour pour vous parler de ma selections dramas de 2022 partie 1. Aujourd'hui je vais vous donner les dramas qui sont pour moi les meilleurs de 2022. Vous pouvez me retrouver sur Instagram pour suivre les actualités du podcast: @margo_dramas Intro/ Outro by Thannoid - Bodytonic. Les titres: Weak hero, Thai cave rescue, Remarriage and desires, Yonder, Twisted strings, Surinam, Eve, May it please the court, Love in contract, Shadow detective --- Send in a voice message: https://anchor.fm/margo-dramas/message

Subtítulos대란: 장여사님 자주 자주 놀러 오세요. 다음에 올 때는 장교수랑 꼭 같이 오시고요. 우리 영국이랑 다들 모처럼 좋은 데 가서 식사라도 한번 할까요? Daeran: Sra. Jang, venga a visitarnos más a menudo.Y la próxima vez, traiga sin falta al profesor Jang.¿Qué le parece si un día de estos vamos a comer todos juntos con Yeongguk en algún sitio mono?미숙: 식사요? 그럼 제가 자리 한번 마련할게요.Misuk: ¿Comer juntos? Entonces yo me encargaré de organizarlo. 대란: 오케이! Daeran: ¡OK!미숙: 그만 들어가세요. Misuk: Hasta pronto.대란: 네 저 멀리 안 나가요. 조심히 가세요. 그럼. Daeran: Sí, discúlpenme si no las acompaño. Que les vaya bien. Con permiso. 미숙: 계세요. Misuk: Que descanse.Expresión de la semana멀리 안 나가요 Pronunciación: meolli an nagayoTraducción: Discúlpenme si no las/los acompañoExplicación gramatical멀리 안 나가요 empieza con el adverbio 멀리 (lejos), le sigue 안, que es la forma de negación correspondiente a ‘no’, y por último termina con el verbo 나가요 (나가다 en su forma básica) y que equivale a ‘salir’, ‘irse fuera’. Literalmente podríamos traducir esta oración como ‘no saldré lejos’. De esta manera se disculpa Daeran, la madrastra de Yeongguk, para despedirse de sus visitas sin salir hasta el portón, como indican las buenas reglas de cortesía. Dicho de otro modo es una forma de excusarse de que el hablante no se moverá de su actual sitio para salir a acompañar y despedir hasta el último momento a quienes se están yendo. Es que en Corea, se considera como una cortesía o señal de respeto, el levantarse y salir a recibir a las visitas o a las personas mayores que llegan a un lugar; pero también acompañarlas hasta la puerta o hasta el coche y despedirlas cuando estas se van. Por lo tanto, al decir “멀리 안 나가요”, se da a entender que el hablante no siente la necesidad de realizar semejante acto de cortesía por diversos motivos. Por tanto, deben tener cuidado al usarla, ya que en ocasiones, en particular cuando la usan ante personas mayores, sus jefes o conocidos a los que deben un trato deferencial, pueden dar la impresión de ser descorteses o irrespetuosos.

 Only through huge dramas we can get connected and opened for a new dimension.When I left the second time my body (with 21) through the wrong treatment of a doctor;-my life changed totally…I became aware of how precious is life and how I had wasted my life through my suffering…How can we connect to God if we have never experienced such hardness in life? Nobody can have real faith in God if he would not be rescued in his worst times of life through God.For sure, we should be worth to get rescued by God.   How many inventions were created through the hardships of people?And then I read these over stupids comments don't be together with a drama magnet…There exist people who run again and again in the same dramas without learning anything from that… We shake our heads and think how stupid these drama magnets are… After some time later we are in a crisis and …. You are a drama magnet?!!!!Instead, we should learn from others crises and our crises.There is always a lesson in any struggle. How boring is a life without drama?We can win only big when we risk big. If we fail hugely, we can learn hugely…I never have seen any great successful person who was never in huge dramas….We should embrace every challenge and be thankful for that. Because only in big challenges we can change to become better.My Video: What is good on our dramas? https://youtu.be/4hzlgsGalgsMy Audio: https://divinesuccess.net/wp-content/uploads/2021/Podcast.B/What-is-good-on-our-dramas..mp3

We have one last episode for 2022 which is also going to be the last case of volume 27 of the Case Closed manga. We get lost in the woods as cover The Bear Hunters Case. This episode was released … Continue reading →

Experimental formats, the ‘War on Christmas', greener grass, fatalistic myopia, the nature of satire, ergodic literature, silliness vs seriousness, embedded narratives, & more are explored in this discussion over Flip-Flop, the 2003 Doctor Who Christmas audio drama.… Continue reading →

Back to wrap up the year with my recommendation of shows to watch as we round up the year. From Historical, fantastical and contemporary.  She and Her Perfect Husband | My Girlfriend is An Alien | New Life | One & Only | And two bonus shows.  Find me on twitter: @BookDreamer01 @TVMovieMistress  Facebook group: www.facebook.com/groups/tvmoviemistress/ Send feedback: tvmoviemistress@gmail.com Become a Patreon: Tv Movie Mistress YouTube channel: https://www.youtube.com/tvmoviemistress

Subtítulos연실: 대범이 너 지금 무슨 소리 하는 거야? 너도 집 나가겠단 거야?대범아 정말로 나가려고? 너까지 이러면 어떡해?Yeonsil: ¿Qué estás diciendo Daebeom?¿Estás diciendo que tú también vas a salir de esta casa?Daebeom, ¿de veras piensas irte? ¿Qué será de mí si tú también te vas?대범: 엄마 나도 양심이 있지. 단단이가 나갔는데 내가 무슨 양심으로 집에 있어. 엄마 나 꼭 성공해서 돌아올테니까. 아프지말고.Daebeom: Mamá, yo también tengo una pizca de vergüenza. A estas alturas en las que Dandan se ha ido de casa, ¿cómo podría yo quedame aquí?Mamá, volveré después de haber logrado éxito. Hasta entonces, cuídate.연실: 대범아. 대범아 안 돼 니가 갈 데가 어디 있다고!Yeonsil: Daebeom. Daebeom, ¡no te vayas, a dónde vas si no tienes dónde ir!Expresión de la semana나도 양심이 있지 Pronunciación: nado yangsimi itjiTraducción: Yo también tengo una pizca de vergüenzaExplicación gramatical나도 양심이 있지 empieza con 나도, correspondiente a ‘yo también’. 양심 es un sustantivo común que equivale a conciencia, moralidad o capacidad de discernir entre el bien y el mal. Finalmente este enunciado termina con 있지 (있다, en su forma básica) y significa ‘haber’, ‘tener’. Por consiguiente al decir “나도 양심이 있지”, el hablante está indicando que es consciente de que una acción o comportamiento no es aceptable según su criterio y se siente un poco avergonzado o culpable por ello. Al enunciar “나도 양심이 있지”, está reconociendo que es conciente de la situación y por tanto tratará de cuidarse o de no actuar insensatamente. O sea que podría equivaler a frases como:“¿Con qué cara lo haría?”“¿Cómo podría hacer eso?”“No soy tan caradura como para hacer (algo)”. Por otro lado, podemos emplear esta frase cuando consideramos que las palabras o acciones de alguien son egoístas o simplemente las desaprobamos. En dicho caso exclamaremos: “너는 양심도 없니? (No tienes vergüenza?/ No tienes una pizca de conciencia?)”.

Srothalaara..! We are back with a new episode where we discussed why we are not getting good conversational and drama movies in Telugu cinema. Hope you love the episode. Happy Listening.

In der heutigen Episode unseres Star Trek Adventskalenders bekommen wir endlich das Feedback unserer Zuhörer zu den bisherigen Türchen. Was haben die Fans von Captain Kirk und seiner Crew gedacht? Werden sie den Rest des Kalenders genauso spannend finden wie wir? Höre jetzt rein, um es herauszufinden! #DiscoveryPanel #Adventskalender #PodcastAdventskalender

Christmas Dramas 3x-xx-xx Dicken's Christmas Carol

Subtítulos사라: 어머 벌써 시간이 이렇게 됐네. 세종이 금방 데리고 올테니까 제가 아까 만들어놓은 세종이 간식 준비해 놓으세요. Sara: Vaya, no sabía que se había hecho tan tarde.Traeré enseguida a Sejong así que vaya preparando la merienda que le hice hace un rato.여주댁: 세종이 떡볶이 먹고 싶다고 했는데. 저기 어묵이랑 라면 사리 넣어서.. Mucama: Sejong dijo que se le antojaba tteokbokki… con eomuk y fideos de ramyeon…사라: 아줌마 애들 그렇게 자극적인 거 먹고 그럼 안 돼요! 아줌마 혹시 나 모르게 세종이 그런 거 먹이는 거 아니죠? Sara: ¡No debe dejar que los niños coman ese tipo de chucherías tan condimentadas y picantes!¿No será que le está dando esas cosas a Sejong a mis espaldas?여주댁: 아...아냐! Mucama: No, ¡claro que no…!사라: 다녀올게요.Sara: Ya vuelvo.여주댁: 어이가 없네. 아무리 돌아가신 사모님 후배라고 지금 어디서 안주인 행세야? 지나 나나 똑같이 월급 받는 주제구만. Mucama: ¡Lo único que faltaba! Por más que haya sido la amiga de la difunta señora, ¿por qué se las dá de dueña de esta casa? Al final de cuentas, tanto ella como yo somos simples empleadas.Expresión de la semana어이가 없네 Pronunciación: eoiga eomneTraducción: ¡Lo único que faltaba!Explicación gramatical“어이가 없네” es un enunciado que incluye el sustantivo 어이, el cual se refiere a algo o un hecho que ocurre de manera inesperada, es exorbitante, desmesurado, absurdo, incomprensible o que simplemente deja sin palabras. Esta expresión se usa para indicar que las palabras o acciones de la otra persona no tienen sentido o son demasiado irracionales para el juicio convencional de las personas. Por ejemplo, si alguien dice una mentira ridícula o da una orden a otra persona cuando no está en condiciones de hacerlo, el oyente puede sorprenderse o exclamar que está atónito. El sustantivo 어이 se usa generalmente con '없다 (no haber)’, tal como la expresión que estamos aprendiendo: “어이가 없네 (어이가 없다, en su forma básica)”. Pero también puede usarse en forma de adjetivo, en cuyo caso es ‘어이없다’ y equivale a: absurdo, inesperado o inaudito. En ocasiones se suele reemplazar el sustantivo 어이 por 어처구니, enunciando:“어처구니가 없다”“어처구니가 없다” significa ‘quedar perplejo’, ‘quedarse sin palabras’.

Jeon Jong Seo is a remarkable acting powerhouse making an impression in South Korea and internationally, with acclaimed and awarded roles in Burning (2018) and The Call (2020) that have led to her being in demand for dramas and OTT projects. Not least Money Heist Korea: Joint Economic Area, which now has two batches of six episodes available on Netflix.On this episode I provide a career overview, community feedback, and reviews of her recent works:Bargain (2022)Mona Lisa and the Blood Moon (2022)Nothing Serious (2021)The K-botak Podcast is a podcast where I review Korean films and television series or K-dramas.Join the conversation on Twitter, be part of the K-botak community and discuss your favourite shows, movies, actors and more.Follow K-botak on Buzzsprout and catch the show on Spotify, Apple, Google and most places you get podcasts.

We are joined by Matt of OverMangaCast to talk about fighting games and pufferfish poison as we go over the next case of Volume 27, The Arcade Murder Case. This episode was released earlier on our Patreon so be sure … Continue reading →

Subtítulos수철: 단단아. 우리 한가족인데 니편 내편, 니 엄마 내 아빠, 그런 소리 하면 안 되는 거야. 그럼 엄마 속상해.Sucheol: Dandan. Somos una familia así que no es justo separar quién está de un lado y quién del otro, esta es tu mamá y este es mi papá. Si lo haces, mamá se sentiría muy dolida.단단: 아빠는 내 마음 몰라.Dandan: Papi tú no me comprendes.수철: 우리 단단이가 사춘기가 왔나. 왜 이렇게 삐딱선이야.Sucheol: ¿Será que a mi Dandan le ha llegado la edad del pavo? ¿Por qué te pones tan rebelde?Expresión de la semana왜 이렇게 삐딱선이야. Pronunciación: wae ireoke ppittakseoniyaTraducción: ¿Por qué te pones tan rebelde?Explicación gramatical“왜 이렇게 삐딱선이야” es como le dice Sucheol a Dandan, al ver que la pequeña se muestra intolerante con su hermanastro y la tradujimos como “¿Por qué te pones tan rebelde?”Esta frase incluye la palabra 삐딱선, la cual literalmente significa ‘línea torcida’, y se refiere metafóricamente a actitudes, pensamientos o formas de hablar retorcidos, o sea, que alguien es quejoso, muestra mala gana y actitudes negativas. También puede equivaler a adjetivos como hosco, huraño, ofensivo, desagradable o incluso ‘llevar la contraria’.삐딱선 se usa cuando las palabras o acciones de una persona son ofensivas, malhumoradas y viperinas y tratamos de expresar nuestra reprobación, diciéndole por qué se comporta de esa manera, que cuál es el problema para que se muestre así. 삐딱선 incluye el adjetivo 삐딱하다 que significa torcido, retorcido o sea que no está en el sentido correcto. Generalmente usamos 삐딱선 combinándolo con el verbo 타다, el cual signfica: tomar, montar, adoptar. Así la forma básica sería ‘삐딱선을 타다’. Por ejemplo, podemos enunciar: “아이는 뭐가 맘에 안 들었는지 계속 삐딱선을 탔다” (parece que el niño estaba descontento con algo y constantemente se comportaba de manera hosca).

Bu bölümde Twitter camiasında yaşanan dramaları, tipografi konusunu ve Super uygulamaları konuştuk.Bizi dinlemekten keyif alıyorsanız, kahve ısmarlayarak bizi destekleyebilirsiniz. :)Yorumlarınızı, sorularınızı ya da sponsorluk tekliflerinizi info@farklidusun.net e-posta adresine iletebilirsiniz. Bizi Twitter üzerinden takip edebilirsiniz.Bölüm linkleri:Radical CandorJust Work: How to Root Out Bias, Prejudice, and Bullying to Build a Kick-Ass Culture of Inclusivity12 Rules for Life: An Antidote to ChaosBeyond Order: 12 More Rules For LifeJordan Peterson'ı meşhur eden videoBullshit Jobs: A TheoryDrive: The Surprising Truth About What Motivates UsShape UpBasecampThe Super Mario Bros. MovieShiftNudgeTypography - Apple Human Interface DesignThe Elements of Typographic StyleBook Typography: A Designer's ManualSeyfeddin'in tipografi sunumuAbstract: The Art of DesignThe Inter typeface familyRefactoring UIPoppinsiAWriterNSIstanbul - Nisan Ayı Meetup (Building Modular iOS Apps)

Jasmin Tsou interviews Sam McKinniss on his solo shows “Costume Drama” on view at the Ovitz Collection, “Misery” on view at Almine Rech, “Mischief” at JTT and two new works he made for us for Art Basel Miami Beach. You can view images of McKinniss's work at jttnyc.com

my hype is repetitive at this point Hi Chingusss! In this episode, I briefly talk about a few dramas I don't see enough hype about... sorry guys I just need content to put out BUT still #facts though :") RETURN FOR QUALITY CONTENT juseyo buBYEc: --- Send in a voice message: https://anchor.fm/your-chingu/message

Story time!!! Maddie and Christina LOL over the little moments in their days and relive childhood quirks in today's episode of CHINGU CHATS. Topics of conversation include: - Christina's 2nd grade classroom being obsessed with BTS - Maddie's weird conversation habits at church - A mini Through Two for Maddie's current watch: Romance is a Bonus Book AND - We learn the secret as to why Christina loves slice of life dramas (and it's pretty hilarious) --- Send in a voice message: https://anchor.fm/maddie-bowser6/message

Subtítulos연서: 참 이상해. 김단이랑 같이 보낸 시간 고작 한 계절인데왜 이렇게 다 텅 비어버린 거 같지? 씩씩하게 살 거야. 그럴 건데아주 가끔 너 생각하면서 울게. Yeonseo: Me pasa algo muy raro.El tiempo que estuve junto a Kim Dan fue tan solo una estación,pero no sé por qué siento este gran vacío.Prometo que voy a ser fuerte. De eso no cabe duda.Pero muy de vez en cuando, déjame llorar recordándote.Expresión de la semana씩씩하게 살거야 Pronunciación: ssikssikage salgeoyaTraducción: Prometo que voy a ser fuerteExplicación grammaticalEste enunciado empieza con 씩씩하게, adverbio que proviene del adjetivo predicativo 씩씩하다. 씩씩하다 significa: valiente, fuerte, firme, enérgico/a. Al usarlo en forma de adverbio, 씩씩하게 modifica al verbo, que en este caso es 살거야 (viviré). Por consiguiente, la traducción literal de 씩씩하게 살거야 sería “viviré fuertemente” o “viviré enérgicamente/valientemente”.Esta expresión se usa cuando quien la dice se encuentra en una situación difícil y dolorosa pero que no se dejará amilanar y se esforzará por sobrellevarla de la mejor manera posible, sin hacer caso de las vicisitudes.Originalmente el adjetivo '씩씩하다' se suele usar para expresar que una persona, en particular un hombre, es fuerte y vigoroso. Por ejemplo: “씩씩한 남성(un hombre fuerte)”, “씩씩한 군인 (un soldado fuerte)” o también “씩씩한 목소리 (una voz enérgica/vigorosa”.Sin embargo, en ocasiones se usa de manera diferente, como es el caso de la escena que escuchamos protagonizada por Yeonseo. Nuestra heroína dice “씩씩하게 살거야” para reafirmar su voluntad de vivir enérgicamente tolerando el dolor que le causa la ausencia de Dan. Por lo tanto, más que describir una apariencia vigorosa y masculina en este caso significa no ser débil y tratar de sobrellevar el día a día con fortaleza y autoconfianza.

Christmas Dramas xx-xx-xx Santa Claus Jones

Christmas Dramas xx-xx-xx Jingle Bells Happiest Christmas

Es war der bisher tödlichste Vorfall an Europas einziger Landgrenze mit Afrika: Im Juni versuchten fast 2000 Migranten, den Grenzzaun in Melilla zu überwinden. Mindestens 23 starben. Doch die Aufarbeitung des Dramas geht kaum voran – zu explosiv ist die Grenzpolitik in Nordafrika. Augenzeugen beschreiben die Ereignisse vom 24. Juni wie eine Schlacht zwischen den Migranten aus afrikanischen Ländern und der Polizei. Die Migranten hatten versucht, die Stacheldrahtzäune zu überwinden, die die spanische Exklave von Marokko trennen. Auf Videos sind hunderte junger Männer zu sehen, die offenbar mit Tränengas beschossen werden. Auf einem anderen Filmschnipsel sieht man eine Menschenmenge wie tot am Boden liegend und Verletzte mit zerrissenen und blutigen Kleidern. Die marokkanische Polizei soll mit Stöcken auf die Migranten eingeschlagen haben, Marokkos Behörden wiederum berichten von Gewalt von Seiten der Migranten und verletzten marokkanischen Beamten. Madrid und Rabat schieben die Schuld an dem Drama Menschenhändlern zu, die Ermittlungen laufen noch. Was sich aber zeigt: Die Migranten sind nicht nur zunehmend verzweifelt, sondern viele sind mit Gewalt und bewaffneten Konflikten aufgewachsen, was das Risiko erhöht, dass sie selber gewalttätig werden. In Marokko aber machen viele die Abschottungspolitik der EU mitverantwortlich. Diese jedoch reagiert verhalten. Das Thema ist brisant. Das zeigt sich auch während der Recherche zu dieser Reportage an Europas Aussengrenzen. (ARD-Übernahme)

Marking the centenary of her birth, Donald Macleod delves in to the little known world of 20th century British composer Doreen Carwithen. Doreen Carwithen is one of only a handful of female British composers who worked in the film industry in the 1940s and 1950s. Dramas, mysteries, horror flicks, documentaries, the thirty plus films she scored form a substantial part of her musical legacy. An award winning student, Carwithen first came to critical attention in the concert hall, with the catchily titled ODTAA, One damn thing after another, in 1947. Predictably, newspaper headlines made much of her gender and her youth. She was just 24. It seemed as if a bright future lay ahead, yet, at the beginning of the 1960s Carwithen would stop writing music, a situation which perhaps in part explains why her music dropped off the radar for many years. One hundred years since her birth, Donald Macleod brings to light the little-known yet fascinating story of this 20th century British composer. This week Donald Macleod is joined in conversation by Leah Broad, whose new biography of Carwithen is due out next year. They chart Carwithen's career from the age of five, when she began piano and violin under the guidance of her musical mother, to the moment when she ceased to compose. Music Featured: Men of Sherwood Forest (excerpt), arr Philip Lane Serenade for tenor and piano String Quartet No 1 Concerto for piano and strings Piano sonatina Violin sonata Bishop Rock String Quartet No 1 (2nd mvt) Four Piano Preludes Suffolk suite (1st mvt) Cello sonatina String Quartet No 2 Mantrap Suites, arr Philip Lane Three Cases of Murder, arr Philip Lane East Anglian Holiday, arr Philip Lane Boys in Brown Suite, arr Philip Lane Presented by Donald Macleod Produced by Johannah Smith

Sisters, tonight we are talking about Pakistani media. How is media evolved over time? Are Pakistani dramas worth watching? Why good characterization in Pakistani dramas is important? How important it is to create positive and relative content? Dramas that the audience loves watching Vs. TRPs? How Netflix shows are different from others? Pakistani web series & the banning culture? Content & production of dramas of the past Vs. today? What's missing in our dramas? The evolution of production and its quality? The hype of comedy shows in Pakistan? Why is it important for the industry to set standards? Why is it important to explore the field of media as a profession? The importance of knowing skills & being creative? What is Humna's idea behind doing a podcast? Catch this and so much more in tonight's episode. Don't forget to subscribe and press the bell icon to catch on to some amazing conversations coming your way! Sanya's Instagram: https://www.instagram.com/sanyafarooqi/ Alishba's Instagram: https://www.instagram.com/alishba.zia/ Follow our socials for more updates: • Humna's Instagram: http://www.instagram.com/humnaraza • Happy chirp's Instagram: https://www.instagram.com/happychirpofficial/

This year, our Christmas special theme is costume anxiety and the nativity play. Together with a nursery school head teacher, Lucy will be answering your questions about making papier-mâché camels, sourcing the best red reindeer nose, and many more things. We want to hear from you! If you have a question you'd like us to answer or an anecdote about your school days or your children's performances, share them with us and contribute to the show. Here's how to take part. Head to our website. Click the tab on the right of the page, labeled “Take part! Record here!” Hit the “Start recording” button. Record a message of no more than 2 minutes, then when you're finished, hit “Stop recording”. Leave us your name and email address, and hit “Send”. Don't be shy, and do remember to include your name in your voice message. The deadline for taking part is Friday December 2nd.

Wie sieht der Alltag der Geisteswissenschaften aus? Die Literaturwissenschaftler Carlos Spoerhase und Steffen Martus haben ein Buch zur „Geistesarbeit“ geschrieben, eine „Praxeologie der Geisteswissenschaften“. Darin untersuchen sie das voraussetzungsreiche, vielschichtige und empfindliche Gefüge von Praktiken, das kennen und beachten sollte, wer die Geisteswissenschaften reformieren will. Es geht um Lesen, Schreiben und Exzerpieren, um Seminare, Vorlesungen, Sonderdrucke und den Konferenzschlaf. Im Zentrum stehen dabei Friedrich Sengle und Peter Szondi.Steffen Martus lehrt Literaturwissenschaft an der Humboldt-Universität zu Berlin.Carlos Spoerhase ist Literaturwissenschaftler in München.Literatur:Carlos Spoerhase / Steffen Martus, „Geistesarbeit“, Berlin 2022.Peter Szondi, „Theorie des modernen Dramas“, Frankfurt am Main 1963.Friedrich Sengle, „Der Umfang als Problem der Dichtungswissenschaft“, in: ders., „Literaturgeschichtsschreibung ohne Schulungsauftrag. Werkstattberichte, Methodenlehre, Kritik“, Tübingen, 1980, S. 59-64.Anke te Heesen, „Revolutionäre im Interview. Thomas Kuhn, Quantenphysik und Oral History“, Berlin 2022.Julian Hamann / Wolfgang Kaltenbrunner, “Biographical Representation, from Narrative to List. The Evolution of Curricula Vitae in the Humanities, 1950 to 2010”, in: „Research Evaluation“ 2022 (1).„The Chair“, Netflix 2021.Kontakt: podcast@his-online.de Hosted on Acast. See acast.com/privacy for more information.

Today we discuss true crime documentaries we've been watching including Keeper of the Ashes: The Girl Scout Murders, The Good Nurse, Captive Audience: A Real American Horror Story, Tiger King: Murder, Mayhem and Madness, Don't F**k with Cats: Hunting an Internet Killer, Bad Vegan, The Most Hated Man on the Internet, Amanda Knox (2016), Athlete A, and Who took Johnny. Website: https://www.terrortalkpodcast.com Community Membership: https://www.patreon.com/terrortalk Instagram: https://www.instagram.com/terrortalkpodcast/ Twitter: https://twitter.com/TalkTerror/ Music by Mannequin Uprising --- Support this podcast: https://anchor.fm/terrortalk/support

Were you a fan of the most recent 90s-themed Netflix movie released, "20th Century Girl"? Well, so was Choom! After its release, "20th Century Girl" rapidly gained love from across the globe due to its nostalgic feel mixed with high school characters and the perfectly told bittersweet love story, despite the heartbreaking ending. In this episode, Choom recommends some similarly-themed K-Dramas and movies for anyone who might be in search of another piece of media to admire the old school aesthetics of, including some popular titles such as "Twenty Five, Twenty One" and some extremely popular releases such as "Architecture 101."

Brenda brought back our third chair so now we can go back to talking about the next case of Volume 27 of the Case Closed manga, Sato’s Father Case. This episode was released earlier on our Patreon so be sure … Continue reading →

Crystal Storm has done it all from writing legit epic fantasy to establishing her own fan-made audio drama based on pre-established media to figuring out other shortcuts in the independent do-it-yourself book publishing industry!   She goes into detail onto other topics from her favorite TV shows to working on the Who Would Win? podcast to even creating her own websites (when not playing role-playing games or being mistaken for a porn star of the same name!). Don't miss out on this ultimate geek of a person!   MAIN LINKS:  LinkTree: https://linktr.ee/JURSPodcast Facebook Page: https://www.facebook.com/JackedUpReviewShow/ Facebook Group: https://www.facebook.com/groups/2452329545040913 Twitter: https://twitter.com/JackedUpReview  Instagram: https://www.instagram.com/jacked_up_podcast/          SHOW LINKS: YouTube: https://m.youtube.com/channel/UCIyMawFPgvOpOUhKcQo4eQQ   iHeartRadio: https://www.iheart.com/podcast/269-the-jacked-up-review-show-59422651/   Podbean: https://jackedupreviewshow.podbean.com   Spotify: https://open.spotify.com/show/7Eg8w0DNympD6SQXSj1X3M   Apple Podcasts: https://podcasts.apple.com/us/podcast/the-jacked-up-review-show-podcast/id1494236218   RadioPublic: https://radiopublic.com/the-jacked-up-review-show-We4VjE   Overcast: https://overcast.fm/itunes1494236218/the-jacked-up-review-show-podcast   Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9hNDYyOTdjL3BvZGNhc3QvcnNz   Anchor:  https://anchor.fm/s/a46297c/podcast/rss   PocketCasts: https://pca.st/0ncd5qp4   CastBox:  https://castbox.fm/channel/The-Jacked-Up-Review-Show-Podcast-id2591222

The journey is now over. We conclude The Great Aquarion Rewatch Project as we finish with the last episodes of Aquarion Evol as well as talk about the Love OVA. We hope you enjoyed the ride. Click here to download episode (Right-click and Save As) Your browser does not support this audio Click to read more »

On this episode I am joined by renowned PR agent Jeremy Murphy who discusses his book 'F*ck Off Chloe' and the hilarious drama of the PR world. Jeremy does not hold back about the bullsh*t he has dealt with working in PR and the new woke culture plaguing the industry.

How important is it for period dramas to accurately reflect the past? What ethical issues are raised by actors playing fictionalised versions of real people? And does the media depict historians and archaeologists fairly? Speaking with Matt Elton, historians Nicola Tallis and Fern Riddell discuss issues surrounding accuracy and morality raised by recent historical films and television shows including The Crown, The Lost King and Dahmer – Monster: The Jeffrey Dahmer Story. Hosted on Acast. See acast.com/privacy for more information.

We have arrived at the climax of the series and of this project. Questions are answered and even more questions are raised. Everything has lead up to this moment on The Great Aquarion Rewatch Project. On this session, we go through episodes 21-23 of Aquarion EVOL. Click here to download episode (Right-click and Save As) Your browser does not support this audio Click to read more »

After the breakdown of the marrage between Queen Urraca and Alfonso of Aragon, events threaten to spiral out of control.

This week's guest is a terrific character actor with over thirty years in the industry. A veteran of more than seventy Hollywood movies and hundreds of episodes of television, Donal Logue is the beloved scene-stealer of such films as Sneakers, Blade, and Zodiac, and TV series as Grounded for Life, Sons of Anarchy, Vikings, Gotham, and of course, the great Terriers, which Jed Ayres and I celebrated earlier this year in a full episode. Additionally, the recipient of the Special Jury Prize for Outstanding Acting at the 2000 Sundance Film Festival for the indie favorite The Tao of Steve, Donal also has quite the passion and talent for writing.In 2021, he co-wrote the brilliant New York Times bestseller Trejo: My Life of Crime, Redemption, & Hollywood, along with his good friend Danny Trejo. Currently hard at work on his next book, Donal has just been added to the third season of the popular Queen Latifah CBS series The Equalizer, which I'm looking forward to checking out. Needless to say, he's a very busy guy! Someone I'm honored to have gotten to know after the Terriers episode, Donal has not only become a very good friend but has also consistently given me the best film recommendations, including several that we discuss in this fascinating episode.In a thoughtful roughly two-hour conversation, Donal shares his affection for the gritty, social realism centric tales of the so-called "angry young men" that took the world by storm in the UK Kitchen Sink Drama movement of theater and film in the late 1950s and early '60s. Focusing primarily on Look Back in Anger, The Loneliness of the Long Distance Runner, Billy Liar, This Sporting Life, Kes, A Taste of Honey, Saturday Night and Sunday Morning, and The Entertainer, this is an episode to listen to with a pen and a pad of paper as masterful films get cited throughout. With sharp insights about acting, filmmaking, and storytelling from his perspective as a film fan first and a professional second, this engaging chat is a treat for cinephiles everywhere. Enjoy!Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music ArchiveLogo: Kate Gabrielle (KateGabrielle.com)Originally Posted on Patreon (10/24/22) here: https://www.patreon.com/posts/73713693

Radio host and OTR Historian Steve Darnall talks about The amazing radio dramas of the 40s and 50s that will chill your bones this season. Many of the shows discussed are free on YouTube and The internet archive