Podcasts about darkly

Photography is a technology of contradictions. It is at once mechanical and mysterious, even magical. It furnishes evidence of presence while being a token of absence. It can show us proof but can't, without accompanying narration or context, make us understand. And perhaps most perplexing of all, it is an imperialistic technology which, paradoxically, atomizes the world and democratizes all events and experiences, making each viewer of photographs the owner of a facsimile-world in his or her head. Wes & Erin discuss two essays from Susan Sontag's collection, “On Photography,” “In Plato's Cave” and “America, Seen Through Photographs, Darkly,” and ask what constitutes photography's “ethics of seeing,” and whether Sontag suggests an alternative comportment towards the camera, the subject, and the photographic image. Upcoming Episodes: Withnail & I; Waiting for Godot Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website

Darkly comic crime thriller by D.C. Jackson. When Kerry makes the snap decision to assume her dead sister's identity, she doesn't think through the consequences of posing as a dentist.And those consequences turn out to be pretty fatal... Cast: Leanne … Gabriel Quigley Kasia … Leah Byrne Bob and Toby… Grant O'Rourke Stewart … Jonathan Watson DI Hickman … David Ireland Jaconelli … Gavin Mitchell Studio Production: Andy Hay and Gav Murchie Production Coordinator: Ellie MarshOriginal music and sound design: Fraser Jackson Additional keyboards: Tony Graham A BBC Audio Scotland Production directed by Kirsty Williams

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This episode dives into one of the strangest modern consciousness experiments ever proposed. Starting with cognitive scientist Donald Hoffman's provocative idea that reality may function like a computer desktop interface — an evolutionary illusion designed for survival rather than truth. We'll explore a bizarre experiment popularized by Danny Goler in which participants under the influence of DMT have claimed that lasers can help random patterns resolve into stable, angular symbols under the right conditions — as if making the hidden code behind reality visible. Are these visions simply the brain's hyper-connected visual cortex generating patterns, or could they represent the possibility that our everyday reality may be a carefully rendered illusion?Visit our website for a lot more information on this episode.

Darkly comic crime thriller by D.C. Jackson. When Kerry makes the snap decision to assume her dead sister's identity, she doesn't think through the consequences of posing as a dentist. Turns out they're pretty catastrophic…Cast: Leanne … Gabriel Quigley DI Hickman … David Ireland Bob … Grant O'Rourke Stewart … Jonathan Watson Jaconelli … Gavin Mitchell Kasia … Leah ByrneStudio Production: Andy Hay and Gav Murchie Production Coordinator: Ellie MarshOriginal music and sound design: Fraser Jackson Additional keyboards: Tony Graham A BBC Audio Scotland Production directed by Kirsty Williams

Episode 89 From An Essay on Man by Alexander Pope  Mark McGuinness reads and discusses an excerpt from Epistle II of An Essay on Man by Alexander Pope. https://media.blubrry.com/amouthfulofair/media.blubrry.com/amouthfulofair/content.blubrry.com/amouthfulofair/89_From_An_Essay_on_Man_by_Alexander_Pope.mp3 Poet Alexander Pope Reading and commentary by Mark McGuinness From An Essay on Man Epistle II By Alexander Pope Know then thyself, presume not God to scan;The proper study of mankind is man.Placed on this isthmus of a middle state,A being darkly wise, and rudely great:With too much knowledge for the sceptic side,With too much weakness for the stoic's pride,He hangs between; in doubt to act, or rest;In doubt to deem himself a god, or beast;In doubt his mind or body to prefer;Born but to die, and reasoning but to err;Alike in ignorance, his reason such,Whether he thinks too little, or too much:Chaos of thought and passion, all confused;Still by himself abused, or disabused;Created half to rise, and half to fall;Great lord of all things, yet a prey to all;Sole judge of truth, in endless error hurled:The glory, jest, and riddle of the world! Go, wondrous creature! mount where science guides,Go, measure earth, weigh air, and state the tides;Instruct the planets in what orbs to run,Correct old time, and regulate the sun;Go, soar with Plato to th' empyreal sphere,To the first good, first perfect, and first fair;Or tread the mazy round his followers trod,And quitting sense call imitating God;As Eastern priests in giddy circles run,And turn their heads to imitate the sun.Go, teach Eternal Wisdom how to rule –Then drop into thyself, and be a fool!   Podcast Transcript In the early 18th century, Alexander Pope's poetry was known to every cultured person in England. He was a fashionable, successful, wealthy writer and the preeminent poet of his age. He was also a canny businessman who published his translations of Homer via subscription, an early form of crowdfunding, and they sold so well he built himself, an extravagantly large villa in Twickenham – and its famous subterranean grotto still exists today. His political satires were so sharp and topical that he was rumoured to carry a pair of loaded pistols when going for a walk, in case one of his targets took violent exception. Phrases from his poetry are still proverbial: ‘hope springs eternal', ‘Fools rush in where angels fear to tread', ‘a little learning is a dangerous thing', ‘To err is human; to forgive divine', ‘What oft was thought but ne'er so well expressed', and also the title of the movie, ‘eternal sunshine of the spotless mind'. But these days, Pope has really fallen out of fashion. He's seen as archaic and artificial. In an age when formal poetry is out of fashion, for many people he represents the worst kind of formal poetry: his very regular metre and full rhymes sound clunky to our ears. His rhyming couplets are undoubtedly clever, but that's part of the problem, because these days we associate poetry with emotions and self-expression, so cleverness is seen as a little suspect and somehow inauthentic. And I'll be honest, for a long time, I had that image of Pope. He represented everything the Romantics rebelled against at the end of the 18th century, and as a young poet I was on the side of the Romantics, so I had no interest in Pope. However, a few years ago, I challenged myself to have another look at his work, and what I discovered was a really sharp and thought-provoking and witty and formidably skilful poet, who in certain moods, is an absolute pleasure to read. And he doesn't fit every mood, but then there aren't many poets who do. So turning to today's poem, An Essay on Man is one of Pope's major works, it's about 1,300 lines long. As the title suggests it's a meditation on the nature of what he called mankind, and we call humankind, we have to make allowance for the historic focus on the male as representative of the species. It's also a didactic poem, he's not just reflecting on the subject, he is telling us what we should think about it. Which again, is a deeply unfashionable stance for poets these days, at least when they are on the side of a conservative or establishment position. And he does this in the form of a series of verse epistles, verse letters, which are addressed to Henry St John, Viscount Bolingbroke. The epistle form also means that the poem addresses the reader in a very direct manner, as you would expect in a letter. His basic stance, which we find in many of his poems, is of a reasonable man writing for a group of like-minded people, trying to establish some sort of common sense, shared ideas and principles, in a world where these need to be debated and defined and defended. This was the world of the coffee house and the salon, where people came together to debate, sometimes in very robust fashion. It came to be known as the Augustan age in English literature, by comparison with the satirical and political poetry of the age of Augustus Caesar. OK looking more closely at the poem itself, the excerpt I just read is from the second Epistle, and one of the first things we notice is what Milton would have called the ‘jingling' rhymes: Know then thyself, presume not God to scan; The proper study of mankind is man. Placed on this isthmus of a middle state, A being darkly wise, and rudely great: With too much knowledge for the sceptic side, With too much weakness for the stoic’s pride, It's pretty unmistakeable isn't it? One pair of rhymes after another. And in case you're wondering, yes, these rhyming couplets do go on all the way through the poem, and indeed all the way through most of Pope's work. And not just in Pope: for over a century, from about 1650 to 1780, this was a hugely popular verse form. They are known as heroic couplets because they are associated with epic narrative poems, such as John Dryden's translations of Virgil and Pope's translations of Homer. Each line is in iambic pentameter, the familiar ti TUM ti TUM ti TUm ti TUM ti TUM, with two lines next to each other forming couplets, and the poem proceeding with one couplet after another. The form can be traced back to Chaucer, who used rhyming couplets for many of his narrative poems. But by the time of Dryden and Pope it had evolved into a tighter couplet form, described as closed couplets, meaning that they were typically self contained, with a sentence, or a discrete part of a sentence, beginning and ending inside the couplet. For instance: Know then thyself, presume not God to scan; The proper study of mankind is man. That stands on its own as a single thought, a unit of sense, ending with a full stop. And the full rhyme of ‘scan' and ‘man' means the couplet snaps shut at the end – this is the closed couplet effect we associate with heroic couplets. In the next couplet he introduces the idea of man as a creature of ‘middle state': Placed on this isthmus of a middle state, A being darkly wise, and rudely great: And then another couplet elaborates on the sense of being pulled in different directions: With too much knowledge for the sceptic side, With too much weakness for the stoic's pride, So the poem proceeds one unit of sense at a time. The couplets are like Lego bricks, and Pope used them to build just about anything he wanted: literary and philosophical discourse here in the Essay on Man and in his Essay on Criticism; mock-heroic social comedy in The Rape of the Lock; actual epic in his translations of the Iliad and the Odyssey; and satire in The Dunciad. It's easy to see how this could become monotonous, and in the work of most poets of the time, it did. But Pope's great achievement was to take this established form and perfect it, sticking very strictly to the formal pattern, while varying the syntax, the grammatical patterns, with great subtlety and complexity, to keep the reader on their toes. Let's take another look at the first couplet. Notice the little pause in the middle of the first line, after ‘thyself': Know then thyself, presume not God to scan; This divides the line into two parts, conveying the dramatic tension in Pope's argument: he's saying that humans are ambitious for knowledge, they want to ‘scan' God, to examine him, but they should really focus on self-knowledge. This tension between opposites is known as antithesis, it's a rhetorical pattern we looked at back in episode 58 about one of Sir Philip Sidney's sonnets, and it's very common in Pope. And the tension is resolved in the next line, which is all one phrase, with no pause: The proper study of mankind is man. Have another listen to the couplet, to hear how the tension is established and then released: Know then thyself, presume not God to scan; The proper study of mankind is man. So when all of this comes together, the tension and release, the regular rhythm of the metre and the full rhymes clinching the couplet, it has the effect of making the words sound truer than true. The following couplet picks up on the antithesis, and extends it into paradox: Placed on this isthmus of a middle state, A being darkly wise, and rudely great: An isthmus is a narrow strip of land between two bodies of water, so standing on it, you could easily feel precarious and threatened. ‘Darkly wise' means ‘dimly wise', possessing a little knowledge, but not enough for full understanding. And ‘rudely great' means ‘powerful but coarse and unfinished'. And I think we can recognise what Pope is saying from our own experience – that sense of knowing enough to know how little we really know; of having great potential, but struggling to fulfil it. And isn't it delightful how Pope compresses all those feelings into these neat little paradoxes: ‘darkly wise and rudely great'. In another famous line, he describes true eloquence as ‘What oft was thought but ne'er so well expressed', which is exactly what he achieves here. We can also note that ‘darkly wise' and ‘rudely great' are not only antitheses expressed as paradoxes, they are also an example of another rhetorical pattern: parallelism, where similar structures are repeated with variation. In this case ‘darkly' and ‘rudely' are both adverbs and ‘wise' and ‘great' are both adjectives, so grammatically they are identical, which suggests both similarity and difference in mankind's relationship to knowledge and power. The next couplet uses a more elaborate parallelism: With too much knowledge for the sceptic side, With too much weakness for the stoic's pride, So both lines say ‘With too much something for the something else'. It's hard to miss the pattern, isn't it? And notice how the couplet form is perfect for laying out two ideas that seem to counterbalance each other perfectly. So we're only six lines in and Pope has put his finger on a central conundrum in human existence, and conveyed it with at least three rhetorical patterns nested inside each other – antithesis, paradox and parallelism. Not only that, he's handled the metre and rhyme with great skill, wrapping each thought up in the neat little bow of a rhyming couplet. And if your mind is starting to boggle, welcome to the world of Pope's verse: elegant, authoritative and very, very clever. When we look closely, there's a lot going on inside every single couplet. He's like a watchmaker, working at a tiny scale, making an instrument with great precision and balance, that keeps perfect time, and chimes beautifully. And Pope's contemporaries would have found it easier to follow the sense than we do, because they were used to reading this kind of stuff. But I'm sure the poetry would often have given them pause, even if only for a moment, as they read. And my guess is that they would have enjoyed this slight difficulty, and the pleasure of making out the sense, with the little dopamine hit of understanding. Like unwrapping a sweet before you can pop it in your mouth and taste it. So I hope we're starting to see why Pope is the undisputed master of the heroic couplet. Even T. S. Eliot had to admit defeat, when he wrote a passage in this style for The Waste Land, only for Ezra Pound to point out tactfully that he couldn't compete with Pope, and draw the red pencil through it. But the form is more than simply one couplet after another. When he stacks them together, they create verse paragraphs, longer units of thought, that function very like paragraphs in prose. So having established the idea of man caught between opposing forces, he goes on to elaborate on the theme to dazzling effect: He hangs between; in doubt to act, or rest; In doubt to deem himself a god, or beast; In doubt his mind or body to prefer; Born but to die, and reasoning but to err; Alike in ignorance, his reason such, Whether he thinks too little, or too much: The couplets are individually brilliant, and cumulatively overwhelming, both in terms of the mental effort required to tease out their meanings, and the tension between action and inaction, divine and bestial impulses, mind and body, birth and death, reason and error. And I think that's why I find this line so funny: Whether he thinks too little, or too much: It feels like he's throwing his arms up and laughing and admitting that he's overthinking it all. The verse paragraph ends with three more couplets, where he sums up the nature of man: Chaos of thought and passion, all confused; Still by himself abused, or disabused; Created half to rise, and half to fall; Great lord of all things, yet a prey to all; Sole judge of truth, in endless error hurled: The glory, jest, and riddle of the world! Although Pope is describing a ‘chaos of thought', his own thinking is always sharp, however convoluted his argument becomes. So he sticks to the themes of power and knowledge, undercutting man's pretension by saying he is ‘Great lord of all things, yet a prey to all', and ‘Sole judge of truth, in endless error hurled'. And he ends this paragraph with another rhetorical device, the tricolon, which uses three parallel elements to build to a conclusion: The glory, jest, and riddle of the world! We're familiar with this pattern in famous quotes from Julius Caesar, ‘I came, I saw, I conquered', the US Declaration of Independence, ‘Life, liberty and the pursuit of happiness', and Shakespeare: ‘Friends, Romans, countrymen!' Here, Pope uses it with typical precision, since if someone is both the ‘glory… of the world' and it's ‘jest', i.e. the butt of its jokes, then that makes that person a ‘riddle': The glory, jest, and riddle of the world! So this sums up the nature of man, and sets up the jesting irony of the next verse paragraph: Go, wondrous creature! mount where science guides, Go, measure earth, weigh air, and state the tides; Instruct the planets in what orbs to run, Correct old time, and regulate the sun; If this were the start of the poem, we might be forgiven for taking Pope's words at face value, but in the light of what has gone before, it's pretty clear that ‘wondrous creature' is a mocking criticism. He was writing this in an age where Newtonian physics was in the ascendancy and people were full of enthusiasm about the new discoveries in science and the possibility of understanding and mastering the physical world. And given that we are still living in a so-called age of reason, I think his criticisms of scientific overreach are still relevant, and the joke is still funny, when he talks about instructing the planets in what orbits to follow, correcting time and regulating the sun. As if measuring were full understanding, let alone complete power. But Pope doesn't confine his criticism to scientists. He also has philosophers in his sight: Go, soar with Plato to th' empyreal sphere, To the first good, first perfect, and first fair; Or tread the mazy round his followers trod, And quitting sense call imitating God; He clearly doesn't have a lot of time for Plato's first principles. Neither is he impressed by the contemporary vogue for what we would call Orientalism: As Eastern priests in giddy circles run, And turn their heads to imitate the sun. It's possible that he had in mind the whirling dervishes of Persia, or maybe this is just a caricature of his idea of ‘Eastern priests'. So obviously this is a joke that hasn't aged so well. OK he ends this verse paragraph with a final jab, which restates the idea from the opening couplet in bluntly comic fashion: Go, teach Eternal Wisdom how to rule – Then drop into thyself, and be a fool! It's hard to imagine a more apt image of intellectual presumption than trying to teach Eternal Wisdom a thing or two, but just in case we miss the point, Pope rams it home with relish: Then drop into thyself, and be a fool! And this is another characteristic aspect of Augustan poetry, particularly the satirical kind, that it can be very crude and direct, with a passage of sophisticated argument followed by a line or two where the mask drops and the insult is laid bare. And no, it's not big or clever, but let's face it, sometimes it can be deeply satisfying. One more little detail, which I can't help wondering about: notice how both of these couplets, conveying the same basic idea in very different tones, both hinge on the word ‘thyself': Know then thyself, presume not God to scan; The proper study of mankind is man. Go, teach Eternal Wisdom how to rule – Then drop into thyself, and be a fool! So that word ‘thyself' could be used to refer to various individuals, and knowing Pope, I wouldn't be surprised if he intended all of them at once. Firstly, the phrasing sounds proverbial, in which case each couplet is an injunction to mankind at large. Secondly, it could refer to the reader, any reader, of the poem, whether Viscount Bolingbroke, an 18th-century wit, or you and me, reading the poem together on this podcast. It could also refer to the specific targets of Pope's criticism, such as the overreaching scientists or philosophers. I think Pope may also have had in mind a target nearer to home: himself. W. B. Yeats wrote in one of his essays, ‘We make out of the quarrel with others, rhetoric, but of the quarrel with ourselves, poetry'. And it's entirely possible that Pope is doing both at once: we've seen the brilliance of his rhetoric, in puncturing the pretensions of his fellow men and women. Yet by making poetry as well as rhetoric, he is arguably arguing with himself as well. It was of course be entirely right and proper and expected for a Christian such as Pope to admonish himself as well as others, for the many and various sins he describes in An Essay on Man. So from a moral viewpoint, I think I'm on pretty safe ground in suggesting that ‘thyself' includes Pope. But I would go further, and say that the idea of a brilliant mind that is not quite brilliant enough to fully understand itself may have been a deeply personal subject for Pope. Because what we have here is an extremely clever warning about taking cleverness to extremes. Maybe the irony was not lost on Pope. As he wrote in another poem, An Essay on Criticism, ‘A little learning is a dangerous thing'. So perhaps as we hear this passage again, and enjoy the sparkling wit and scurrilous attacks on others, we can also detect a note of self-reflection, and self-accusation, that makes it a little more poignant than it first appears. From An Essay on Man Epistle II By Alexander Pope Know then thyself, presume not God to scan;The proper study of mankind is man.Placed on this isthmus of a middle state,A being darkly wise, and rudely great:With too much knowledge for the sceptic side,With too much weakness for the stoic's pride,He hangs between; in doubt to act, or rest;In doubt to deem himself a god, or beast;In doubt his mind or body to prefer;Born but to die, and reasoning but to err;Alike in ignorance, his reason such,Whether he thinks too little, or too much:Chaos of thought and passion, all confused;Still by himself abused, or disabused;Created half to rise, and half to fall;Great lord of all things, yet a prey to all;Sole judge of truth, in endless error hurled:The glory, jest, and riddle of the world! Go, wondrous creature! mount where science guides,Go, measure earth, weigh air, and state the tides;Instruct the planets in what orbs to run,Correct old time, and regulate the sun;Go, soar with Plato to th' empyreal sphere,To the first good, first perfect, and first fair;Or tread the mazy round his followers trod,And quitting sense call imitating God;As Eastern priests in giddy circles run,And turn their heads to imitate the sun.Go, teach Eternal Wisdom how to rule –Then drop into thyself, and be a fool!   Alexander Pope Alexander Pope was an English poet and translator who was born in 1688 and died in 1744. As a Catholic he was barred from university and public office, so he educated himself and forged a brilliant literary career, becoming the leading poet of Augustan England, celebrated for his razor-sharp satire and polished heroic couplets. Early success came with An Essay on Criticism and The Rape of the Lock, followed by monumental translations of Homer that made him financially independent. His later works, including The Dunciad, attacked dullness and corruption. In An Essay on Man, he explored human nature, providence, and moral order with epigrammatic clarity. He lived at Twickenham, where he created a famous garden and grotto.   A Mouthful of Air – the podcast This is a transcript of an episode of A Mouthful of Air – a poetry podcast hosted by Mark McGuinness. New episodes are released every other Tuesday. You can hear every episode of the podcast via Apple, Spotify, Google Podcasts or your favourite app. You can have a full transcript of every new episode sent to you via email. The music and soundscapes for the show are created by Javier Weyler. Sound production is by Breaking Waves and visual identity by Irene Hoffman. A Mouthful of Air is produced by The 21st Century Creative, with support from Arts Council England via a National Lottery Project Grant. Listen to the show You can listen and subscribe to A Mouthful of Air on all the main podcast platforms Related Episodes From An Essay on Man by Alexander Pope Episode 89 From An Essay on Man by Alexander Pope Mark McGuinness reads and discusses an excerpt from Epistle II of An Essay on Man by Alexander Pope.Poet Alexander PopeReading and commentary by Mark McGuinnessFrom An Essay on Man Epistle II By Alexander Pope Know... Occupied by Tim Rich Episode 88 Occupied by Tim Rich  Tim Rich reads ‘Occupied' and discusses the poem with Mark McGuinness.This poem is from: Dark Angels: Three Contemporary PoetsAvailable from: Dark Angels is available from: The publisher: Paekakariki Press Amazon: UK... Dover Beach by Matthew Arnold Episode 87 Dover Beach by Matthew Arnold  Mark McGuinness reads and discusses ‘Dover Beach' by Matthew Arnold.Poet Matthew ArnoldReading and commentary by Mark McGuinnessDover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies...

In this unsettling episode of Horror Hill, host Erik Peabody presents a darkly decadent tale from Ambrose Ibsen—one that begins with ambition and appetite, and ends somewhere far more disturbing. When a struggling chef with dreams of greatness crosses paths with a seasoned mushroom hunter guarding his best-kept secrets, an unexpected discovery promises to change everything. Darkly atmospheric and disturbingly visceral, this episode explores temptation, ambition, and the terrifying cost of indulging in something you don't fully understand. Pull up a chair. Dinner is served. To watch the podcast on YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/ChillingEntertainmentYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Don't forget to subscribe to the podcast for free wherever you're listening or by using this link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/HorrorHillPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/HorrorHillPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Darkly comic crime thriller by D.C. Jackson.Kerry's living a life of quiet desperation. Her identical twin appears to be affluent and successful. When Kerry turns to her sister for help, the consequences are worse than she could possibly have imagined, for both of them…Cast: Leanne and Kerry … Gabriel Quigley Bob … Grant O'Rourke Kasia … Leah Bryne Stewart … Jonathan Watson The Minister … Gavin MitchellStudio Production: Andy Hay and Gav Murchie Production Coordinator: Ellie MarshOriginal music and sound design: Fraser Jackson Additional keyboards: Tony GrahamA BBC Audio Scotland Production directed by Kirsty Williams

Darkly comic crime thriller by D.C. Jackson. Kerry's living a life of quiet desperation. Her identical twin appears to be affluent and successful. When Kerry turns to her sister for help, the consequences are worse than she could possibly have imagined, for both of them…Cast: Leanne and Kerry … Gabriel Quigley Bob … Grant O'Rourke Kasia … Leah Bryne Stewart … Jonathan Watson The Minister … Gavin Mitchell Studio Production: Andy Hay and Gav Murchie Production Coordinator: Ellie MarshOriginal music and sound design: Fraser Jackson Additional keyboards: Tony Graham A BBC Audio Scotland Production directed by Kirsty Williams

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2026 is in full swing, but before we close the door on 2025 Caleb has one again sat down to discuss the books he read/listened to during the prior year. This will once again be a multi-part series as he was devouring many different books this year. But before he jumps into it all, he'll kick off the series by looking at the books on his 2025 reading playlist, Through the Looking Glass, Darkly.    This episode was recorded on Dec. 30th, 2025.   Email the show at thenoviceelitists@gmail.com Through the Looking Glass, Darkly reading list: 1. 1922 (2010) [Stephen King] 2. American War (2018) [Omar El-Akkad] 3. Wuthering Heights (1847) [Emily Bronte] 4. Secret Window, Secret Garden (1990) [Stephen King] 5. To the Center of the Earth (2020) [Greig Beck] 6. Alices Adventures in Wonderland/Through the Looking Glass (1865/1871) [Lewis Carrol] 7. The Library Policeman (1990) [Stephen King] 8. Cell (2006) [Stephen King] 9. Frankenstein (1818) Mary Shelley 10. The Sun Dog (1990) [Stephen King] 11. No Country for Old Men (2005) [Cormac McCarthy] 12. When the Sleeper Wakes (1899) [H. G. Welles] 13. Cujo (1981) [Stephen King] 14. The Terror (2007) [Dan Simmons] 15. Jane Eyre [Charlotte Bronte] 16. Pet Semetary (1983) [Stephen King] 17. I'm Thinking of Ending Things (2016) [Ian Reid] 18. Emma (1815) [Jane Austen]

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Morning news and commentary and an interesting talk with author and journalist Johanna Neuman. Wrote a piece in the Blaze about the breakdown around us. Darkly comic novel written about the founders comes out in May. Link to that on my show blog!

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As always, the Coode Street Motel Six bestrides continents, so after briefly comparing notes on the weather in Perth and Chicago, Gary and Jonathan get down to it and chat about the subjects of the moment.   How do you talk about books and what was the weather like? The importance of settings in fiction, especially regarding climate and weather, and the broader question of whether readers can ever fully appreciate a setting dissimilar to their own and how book reviewers might take this into account. This includes a brief discussion of translated fiction—a welcome new category in this year's Locus Awards.   Anthologies and activism The significance of advocacy anthologies that may reflect anything from feminist SF (as in Vonda McIntyre and Susan Janice Anderson's Aurora: Beyond Equality (1976) to antiwar works to promoting the New Wave.    Books we're looking forward to In a new segment,  we list a few books that we are looking forward to that will be published in the coming weeks.   Jonathan talks about A.G. Slatter's A Forest, Darkly, Adrian Tchaikovsky's Pretenders to the Throne of God, Paul McAuley's Loss Protocol, and A.D Sui's debut The Iron Garden Sutra.   Gary's list includes  Rebecca Roanhorse's River of Bones and Other Stories and The Best of Adrian Tchaikovsky, a novella by Ian McDonald, Boy, with Accidental Dinosaur, and nonfiction study of SFF by Ada Palmer and Jo Walton, Trace Elements: Conversations on the Project of Science Fiction and Fantasy. 

In this chilling episode, humanity clings to survival in the shadow of a catastrophe that refused to stay buried. Safe havens come with conditions. Miracles arrive with strings attached. And the line between protector and predator grows thinner with every passing day. As civilization flickers in the ruins, listeners are invited into a world where salvation wears a reassuring smile, science promises second chances, and hope may be the most dangerous temptation of all. What does it mean to be human when memory can be erased, bodies rebuilt, and the future engineered by unseen hands? Darkly philosophical, quietly devastating, and steeped in moral unease, this episode asks a single, unsettling question: If something offers to save us—should we ever stop to ask why? To watch the podcast on YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/ChillingEntertainmentYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Don't forget to subscribe to the podcast for free wherever you're listening or by using this link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/FearFromTheHeartland⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/FearFromTheHeartland Learn more about your ad choices. Visit podcastchoices.com/adchoices

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This week, wrap yourself in barbed wire with us and talk confusing reference with allegory, American fairy tales, and barns for gooning in 1995's THE PASSION OF DARKLY NOON! linktr.ee/swimfans patreon.com/swimfans Theme by Padlock: http://padlock.bandcamp.com/

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This week, we open the Starfleet personnel file for Admiral Jonathan Archer, a detailed biographical memo written by Star Trek: Enterprise writer/producer Michael Sussman for the fan-favorite episode "In a Mirror, Darkly." It was only meant to be a quick background graphic, so how did it evolve into a fan-favorite bit of canon? And why did Mike sneak "President of the UFP" into the character's résumé without telling the showrunners? Larry welcomes Mike to The Trek Files to revisit the creation of this in-universe bio, share behind-the-scenes memories from the final days of Enterprise, and unpack how a throwaway idea from 2005 became the seed of a new series pitch, Star Trek: United, which imagines Archer in his presidential years. From secret nods to The West Wing, to collaborating with Andy Probert on "Space Force One," this episode is a crash course in how Trek canon can be built with equal parts creativity and chaos. Documents and additional references: Starfleet Personnel File: Archer, Jonathan The Trek Files Season 14 on Memory Alpha All episodes and documents: The Trek Files on Memory Alpha Visit the Trekland site for behind-the-scenes access and exclusive merchandise. The conversation continues on Discord with live chats and the Roddenberry Podcasts community! Join today!

This week, we open the Starfleet personnel file for Admiral Jonathan Archer, a detailed biographical memo written by Star Trek: Enterprise writer/producer Michael Sussman for the fan-favorite episode "In a Mirror, Darkly." It was only meant to be a quick background graphic, so how did it evolve into a fan-favorite bit of canon? And why did Mike sneak "President of the UFP" into the character's résumé without telling the showrunners? Larry welcomes Mike to The Trek Files to revisit the creation of this in-universe bio, share behind-the-scenes memories from the final days of Enterprise, and unpack how a throwaway idea from 2005 became the seed of a new series pitch, Star Trek: United, which imagines Archer in his presidential years. From secret nods to The West Wing, to collaborating with Andy Probert on "Space Force One," this episode is a crash course in how Trek canon can be built with equal parts creativity and chaos. Documents and additional references: Starfleet Personnel File: Archer, Jonathan The Trek Files Season 14 on Memory Alpha All episodes and documents: The Trek Files on Memory Alpha Visit the Trekland site for behind-the-scenes access and exclusive merchandise. The conversation continues on Discord with live chats and the Roddenberry Podcasts community! Join today!

This week, we open the Starfleet personnel file for Admiral Jonathan Archer, a detailed biographical memo written by Star Trek: Enterprise writer/producer Michael Sussman for the fan-favorite episode "In a Mirror, Darkly." It was only meant to be a quick background graphic, so how did it evolve into a fan-favorite bit of canon? And why did Mike sneak "President of the UFP" into the character's résumé without telling the showrunners? Larry welcomes Mike to The Trek Files to revisit the creation of this in-universe bio, share behind-the-scenes memories from the final days of Enterprise, and unpack how a throwaway idea from 2005 became the seed of a new series pitch, Star Trek: United, which imagines Archer in his presidential years. From secret nods to The West Wing, to collaborating with Andy Probert on "Space Force One," this episode is a crash course in how Trek canon can be built with equal parts creativity and chaos. Documents and additional references: Starfleet Personnel File: Archer, Jonathan The Trek Files Season 14 on Memory Alpha All episodes and documents: The Trek Files on Memory Alpha Visit the Trekland site for behind-the-scenes access and exclusive merchandise. The conversation continues on Discord with live chats and the Roddenberry Podcasts community! Join today!

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Suddenly, on many fronts at once, President Trump and his allies are demonstrating how central sheer sadism is to his agenda—and to how MAGA conducts politics. Trump just unleashed a hateful rant to the media about Somali immigrants to set the stage for a coming campaign to arrest them en masse. Meanwhile, MAGA excitement over the Caribbean Sea bombings is spiking: Pete Hegseth tweeted out a deeply sadistic cartoon celebrating these extrajudicial killings. A prominent MAGA personality just declared her desire to see bombing victims “bleed out.” And MAGA figures are raging at reporters who broke the story of the follow-up strike killing two men in the water. We talked to Paul Waldman, who has a good piece on his Cross Section Substack about all of this. We discuss the centrality of hate and bloodlust to Trump-MAGA politics, how the administration's social media strategy utilizes sadistic imagery, and why the public backlash to all these depravities is heartening.  Looking for More from the DSR Network? Click Here: https://linktr.ee/deepstateradio Learn more about your ad choices. Visit megaphone.fm/adchoices

Suddenly, on many fronts at once, President Trump and his allies are demonstrating how central sheer sadism is to his agenda—and to how MAGA conducts politics. Trump just unleashed a hateful rant to the media about Somali immigrants to set the stage for a coming campaign to arrest them en masse. Meanwhile, MAGA excitement over the Caribbean Sea bombings is spiking: Pete Hegseth tweeted out a deeply sadistic cartoon celebrating these extrajudicial killings. A prominent MAGA personality just declared her desire to see bombing victims “bleed out.” And MAGA figures are raging at reporters who broke the story of the follow-up strike killing two men in the water. We talked to Paul Waldman, who has a good piece on his Cross Section Substack about all of this. We discuss the centrality of hate and bloodlust to Trump-MAGA politics, how the administration's social media strategy utilizes sadistic imagery, and why the public backlash to all these depravities is heartening. Looking for More from the DSR Network? Click Here: https://linktr.ee/deepstateradio Learn more about your ad choices. Visit megaphone.fm/adchoices

Suddenly, on many fronts at once, President Trump and his allies are demonstrating how central sheer sadism is to his agenda—and to how MAGA conducts politics. Trump just unleashed a hateful rant to the media about Somali immigrants to set the stage for a coming campaign to arrest them en masse. Meanwhile, MAGA excitement over the Caribbean Sea bombings is spiking: Pete Hegseth tweeted out a deeply sadistic cartoon celebrating these extrajudicial killings. A prominent MAGA personality just declared her desire to see bombing victims “bleed out.” And MAGA figures are raging at reporters who broke the story of the follow-up strike killing two men in the water. We talked to Paul Waldman, who has a good piece on his Cross Section Substack about all of this. We discuss the centrality of hate and bloodlust to Trump-MAGA politics, how the administration's social media strategy utilizes sadistic imagery, and why the public backlash to all these depravities is heartening.  Looking for More from the DSR Network? Click Here: https://linktr.ee/deepstateradio Learn more about your ad choices. Visit megaphone.fm/adchoices

Award-winning author, Sue Hinkin, discusses her new release, THE SNAKE HANDLER'S WIFE. When a run of bad luck strikes her ranch, Lucy turns to her partner's estranged daughter to help take care of her four-year-old son. She soon discovers the young woman is married to a charismatic cult leader who wants to take everything from Lucy…including her life. “Darkly riveting and disturbingly real…”—BestThrillers.com Listen in as we chat about why some find cults attractive, the importance of learning how to grieve, and how she was able to weave scripture into the story. (And don't miss the moment Sue introduces a little friend who totally freaks me out!) https://www.mariesutro.com/twisted-passages-podcast https://www.suehinkin.com ABOUT THE AUTHOR: Sue Hinkin is the author of the award-winning thriller series, The Vega & Middleton Novels, featuring the investigative team of Los Angeles TV news journalist Bea Jackson and best friend, photographer Lucy Vega. BestThrillers.com called Lucy and Bea one of the top female detectives of 2023. A former Cinematography Fellow at the American Film Institute, Hinkin was a TV news photographer like her character, Lucy. Now living in Colorado, she was voted Rocky Mountain Fiction Writers Writer of the Year. She enjoys spending time with her family, including cats, dogs, flowers, and her young twin granddaughters who love climbing everything, insect collecting, chocolate, and a good book. All those things seem to run in the family...

Darkly comic, heart-warming drama by award-winning writer, Christine Entwisle.Toots is an octogenarian living unhappily in a care home. She wants more outdoor days, she wants her allotment back and she wants to see her chickens.A doctor is sent to assess Toots. But she's menopausal and struggling with a variety of unhelpful symptoms. And when the doctor forces open Toots' window to relieve a hot flush and then forgets to shut it, Toots makes a break for it.Cast:Toots… Susan Jameson The Doctor… Rosie Cavaliero The Policeman… Dennis Herdman Trevor…Danny HughesSound Design by Craig DormerDirected by Kirsty Williams

Are you perhaps looking for a perfectly pleasant podcast? Well, unfortunately, we read Darkly Dreaming Dexter by Jeff Lindsay. We were joined by artist, poet, and Kait's roommate KL (they/them) to unpack all of Dexter's astonishingly awkward alliteration. Listen to this … Continue reading →

We love a good tear jerker here at WGS, we just didn't plan for 3 in a row! This episode features a very good friend of ours, Nora! Long time listener, Long time disappointed in us. She brings to the table Trois excellent choices while also having us guess the theme to this trio of films. Wander Darkly (2020), Small Things Like These (2024) and Widow Clicquot (2023). Full of heartbreak, love, and depression, we go in depth, and talk with Nora as she listens to the ramblings of this trio of fools. As always, Subscribe, like and comment!

In this week's episode we dive into Hemlock & Silver by T. Kingfisher (released August 19th, 2025). Join us as we share why Anja quickly became one of our favourite heroines, dig into what makes a retelling succeed (or stumble), and chat about why we'd happily return to this darkly magical world for more.Thank you to Tor for sending us an advanced reader copy of this book!Episode Timepoints:00:00 - Intro00:30 - Life Updates02:20 - A Brief Introduction to T. Kingfisher06:25 - Spoiler Warning07:00 - The Blurb07:40 - Our Discussion of 'Hemlock & Silver'01:01:35 - Next Time on Reading Materials01:02:35 - Outro

This is a significant chat as we get into the workings of another species that lurks in the shadows, they are not "aliens" from another planet and for those that have been on this journey of deep exploration this may be a gratifying experience that brings in new data regarding these "others" amongst us. Nathaniel's new website: https://parasymposia.comTips are most welcome:⁠⁠⁠⁠⁠⁠⁠buymeacoffee.com/niish⁠⁠⁠⁠⁠⁠⁠Our website:⁠⁠⁠⁠⁠⁠⁠https://thecosmicsalon.com⁠⁠⁠⁠⁠⁠⁠I want to thank the producers of this show:Meredith Walako (Scheduling, bookings, and social media manager). Myra. Cale Darnegie. Lalita Karoli. Jorge. Susan Jenkins. Kerry Hoyal. Sarah Etta. Lizz Radican. Claire Cathcart. Steven Mercer. Pamela Holdahl. Jake J. Vanek. WiseNightOwl. Marcey Shapiro. Noël Jeanette. Melanie Poe. Jason Lambson. Neil Macnaughton. Mark Boettcher. Kate Kukulkan. Jane F. Kim Simone. Everlong,Niish-

Please take our membership survey! We want ideas and input! https://bit.ly/3ILfsz3 Hello, Puzzlers! Puzzling with us today: author of Darkly, Special Topics in Calamity Physics, and others, Marisha Pessl! Join host A.J. Jacobs and his guests as they puzzle–and laugh–their way through new spins on old favorites, like anagrams and palindromes, as well as quirky originals such as “Ask AI” and audio rebuses. Subscribe to The Puzzler podcast wherever you get your podcasts! "The Puzzler with A.J. Jacobs" is distributed by iHeartPodcasts and is a co-production with Neuhaus Ideas. Our executive producers are Neely Lohmann and Adam Neuhaus of Neuhaus Ideas, and Lindsay Hoffman of iHeart Podcasts. The show is produced by Jody Avirgan and Brittani Brown of Roulette Productions. Our Chief Puzzle Officer is Greg Pliska. Our associate producer is Andrea Schoenberg.See omnystudio.com/listener for privacy information.

Andrew Gerle and DJ Salisbury are musical theater stars. They operate as a team. They develop the story together. DJ writes the book and Andrew contributes the music and lyrics. And they share thoughts and ideas with each other. Andrew has served as musical director and pianist for Jennifer Holliday, Brian Stokes Mitchell and Leslie Uggams. DJ's background is as a director and choreographer with over 120 shows to his credit. New album: Whisper Darkly.My featured song is “Juliet Dances” from the album East Side Sessions by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH ANDREW:www.andrewgerle.comCONNECT WITH DJ:www.dysalisbury.com“Whisper Darkly”Spotify link____________________ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Ophelia Darkly is a DJ, model, writer, performer, and Doll Tarot reader based out of Portland, Oregon. Magic, dreams, and storytelling are the threads that bind all of her creative ventures together. She believes that art, in all its forms, is one of the most sacred forces of the universe.Enjoy this wonderful conversation with Ophelia and the many magickal places she takes us . . . Episode 301 of The Something Rather Than Nothing Podcast! SRTN Website

In this explosive segment, the hosts unravel a stunning pattern of U.S. taxpayer money flowing to America's adversaries. They recount how USAID funneled nearly a billion dollars to Hamas charities without proper oversight, supported Afghan poppy farms that funded Taliban IEDs, and even shipped over 11,000 virus samples to China's Wuhan lab—fueling bioweapons research under the guise of global health. The conversation dives into bipartisan hypocrisy, the role of NGOs and universities in enabling threats, and the lack of accountability for what they call treasonous actions. Darkly humorous and sharply critical, this broadcast exposes how America's foreign aid apparatus became, in their words, “one of the most evil organizations on the planet.”

Comedian and voice actor Freddie Powers starts by dream casting our Oops All Segments post-show host before diving into their experiences at summer camp.Then they chat pet peeves and problems (specifically Freddie's frustrations with Hot Pot).Freddie takes the trio to toy town for some puppet play. Then the trio wish Thomas' mother Melissa Steele a happy birthday on air.00:00 Intro & Check Ins13:59 Worst Pet You Ever Had26:26 Toys of Your Time37:31 I Need An AdultFreddie Powers:1.7 Miles to Lake Wanatel:https://open.spotify.com/show/2PRuuumHb4rdquLrUdp9Wb?si=CdNDxNpjTaqDEZxrHWzFYAInstagram:www.instagram.com/freddie_powpowTrigger Happy:https://www.instagram.com/triggerhappycomedy/Secret Family at the Annoyance Theatre (Thursdays at 8pm in Chicago):https://www.theannoyance.com/show/secret-familyA Streetcar Named Desire by Tennessee Williams (June 11 - 15 in Winnipeg):https://www.the28thminute.com/a-streetcar-named-desireCheck out our DnD show: 'What We Do in the Basement': https://podcasts.apple.com/ca/podcast/what-we-do-in-the-basement/id1552947049FOLLOW Oops All Segments on Instagram: www.instagram.com/oopsallsegmentsFOLLOW Oops All Segments on TikTok: www.tiktok.com/@oopsallsegmentsSUBSCRIBE to Oops All Segments on YouTube: www.youtube.com/

Death's not usually a topic for a comedy show, but Shoshana McCallum's managed to turn it into something darkly funny and compassionate.

One manifesto pledge of the incoming Labour government was to provide over 3000 new nurseries in empty school classrooms in England. The first 300 of these will open by September and offer an average of 20 places each. Nuala McGovern speaks to Bridget Phillipson, Secretary of State for Education, about this announcement and also about the current state of provision and funding for children with special education needs.Darkly funny, unsettling, and razor-sharp, I Hope You're Happy by Marni Appleton is a haunting collection of short stories exploring modern womanhood through the lens of horror and satire. From viral photos to eerie performances in dead-end jobs, these stories capture the weirdness of millennial life... where power struggles, fleeting connections, and social media anxieties collide with the surreal. Marni joined Nuala to discuss the themes and her inspiration.A new exhibition called Curious Cures at Cambridge University Library explores medicine in the medieval era. Dozens of unique medical manuscripts, recipes, cures and guides to healthy living from the 14th and 15th centuries are on display. To discuss women's role in medieval medicine, Nuala was joined by the exhibition's curator and medieval manuscripts specialist, Dr James Freeman.The Justice Secretary Shabana Mahmood believes “prison isn't working” for women and wants to reduce the number of female prisoners. Nuala speaks to Scarlett Roberts, a former prisoner and is now a Churchill Fellow and to former prisoner Jules Rowan, who co-hosts the Life After Prison podcast. They are joined by former prisoner officer and former Head of Security and Operations at HMP Wormwood Scrubs Vanessa Frake-Harris, and by prison Intelligence Analyst, author of Five by Five, Claire Wilson and Lucy Russell, Head of Policy and Public Affairs at the charity Women in Prison. The Neonatal Care Act starts tomorrow. It allows employed parents to take up to 12 weeks of additional leave on top of their maternity or paternity leave if their newborn baby stays in hospital for more than seven days. We hear from Catriona Ogilvy, founder of premature baby charity The Smallest Things, who has been fighting for this law change for 10 years.Echo vom Eierstock is Switzerland's first feminist yodelling choir. Elena Kaiser is their founder and joined Nuala to discuss where her love of yodelling came from, and why she is challenging the make-up of traditional yodelling choirs and songs.Presenter: Nuala McGovern Producer: Annette Wells Editor: Emma Pearce

This episode features "Through These Moments, Darkly" written by Samantha Murray. Published in the April 2025 issue of Clarkesworld Magazine and read by Kate Baker. The text version of this story can be found at: https://clarkesworldmagazine.com/murray_04_25 Support us on Patreon at https://www.patreon.com/join/clarkesworld?

Eid is a celebration of strength and gratitude where Muslims all around the world come together to mark the end of Ramadan. Nuala McGovern is joined by one of the first Muslim headteachers in the country, Bushra Nasir, author & podcaster Shelina Janmohamed and Executive Board Member at the Muslim Council of Wales Jamilla Hekmoun to discuss what roles they have on this day, from acting as the ‘memory markers' to passing down the rich traditions that keep religious stories and practices alive as well as some of the pressures women can feel at this time. Women across England will be able to get the morning after pill for free from pharmacies from later this year, the Government has said. Emergency contraception is already free of charge from most GPs and sexual health clinics. But ministers say getting it in pharmacies is a "postcode lottery" - with some councils funding free prescriptions, while elsewhere women can pay up to £30. Nuala discusses the plan with Dr Janet Barter, President, Faculty of Sexual and Reproductive Healthcare.The Government says it's going to create 10,000 new school places for children with special educational needs and disabilities in mainstream schools. Ministers are saying £740 million will be allocated in England over the next three years. It comes as a new report is launched at Westminster today which warns that more and more children are 'losing learning' because their needs are not being met, or they are being suspended or excluded. Nuala discusses the issues and possible solutions with the report's author, Ellie Harris, Aaliyah, a young woman who couldn't attend school due to SEND, and the actress and mother Anna Maxwell Martin and Louise McLeod, the Executive Headteacher of two primary schools in Norfolk.Darkly funny, unsettling, and razor-sharp, I Hope You're Happy by Marni Appleton is a haunting collection of short stories exploring modern womanhood through the lens of horror and satire. From viral photos to eerie performances in dead-end jobs, these stories capture the weirdness of millennial life... where power struggles, fleeting connections, and social media anxieties collide with the surreal. Marni joins Nuala to discuss the themes and her inspiration.Presented by Nuala McGovern Producer: Louise Corley

Has the Martin Family's car been found in the Columbia River? What happened to the Brazilian poisoner who tried to kill her husbands family? What is Hantavirus, the incredibly rare illness that killed Gene Hackman's wife? I'm opening my mailbag today to ask some of your burning darkly curious questions TW: references but not not descriptions of the following- Suicide, child abuse, sexual abuse, animal death Subscribe on Patreon for bonus content and to become a member of our Rogue Detecting Society. Patrons have access to bonus content as well as other perks. And members of our High Council on Patreon have access to our after-show called Footnotes, where I share my case file with our producer, Matt. Apple subscriptions are now live! Get access to bonus episodes and more when you subscribe on Apple Podcasts. Follow on Tik Tok and Instagram for a daily dose of horror. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

President Trump's lawlessness is escalating. First he angrily tweeted that his predecessor's pardons of January 6 committee members are invalid, while threatening to prosecute them. Meanwhile, the Trump administration appears to have violated a court order in deporting some Venezuelans. And his border czar flatly declared that the administration is set to ignore what judges say. At Monday's briefing, press secretary Karoline Leavitt spun madly about all this, but her lack of clarity strongly hinted that Trump is on the precipice of a new level of lawbreaking. We talked to legal scholar Matthew Seligman, a skilled decoder of complicated legal messes. He explains why Trump's latest moves are “chilling”—and why Leavitt's ambiguity is only cause to anticipate more lawlessness, not less. Looking for More from the DSR Network? Click Here: https://linktr.ee/deepstateradio Learn more about your ad choices. Visit megaphone.fm/adchoices

Murderous middle-age male meets moral mentor's mindful mantras. This week, we kick off season 19 with the alliterative "Darkly Dreaming Dexter" by Jeff Lindsay. Will Dexter turn evil? Will he ever experience human emotions? Should we have watched the TV show instead of reading his bad bad book? Tune in to the episode to find out!Mean Book Club is four ladies (UCB, BuzzFeed, College Humor, Impractical Jokers) who read, discuss and whine about NYT bestselling books that have questionable literary merit. It's fun. It's cathartic. It's perfect for your commute. New podcast (almost) every Tuesday! Here's the Season 18 reading list: 1. Fourth Wing by Yarros 2. Hillbilly Elegy by JD Vance 3. The Housemaid by Freida McFadden 4. Lean In by Sheryl Sandberg 5. A Court of Thrones and Roses by Sarah J. Maas 6. The House in the Pines by Ana Reyes 7. Memoirs of a Geisha by Arthur Golden 8. While Justice Sleeps by Stacey AbramsSend any future book suggestions to meanbookclub@gmail.com! Follow us on the socials @meanbookclub! Rate, like, subscribe, and check out our Patreon page at patreon.com/meanbookclub to become a true patron of the mean arts.CREDITS: Hosted by Sarah Burton, Clara Morris, Johnna Scrabis, & Sabrina B. Jordan. This episode was produced and edited by Sarah Burton and Blake Opper. Special thanks to FSM Team for our theme song, "Parkour Introvert." Thanks to paschimeestudiofor "Suspense Intro Feel." You can get both songs here: https://www.free-stock-music.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/mean-book-club--3199521/support.

Halloween is not for the Roach, but we're oh so pleased to be celebrating the end of spooky season with some good ol' fashioned Sports & News here on this week's Josh Potter Show. Send in your Roach Reports, Sports Stories, and Local Newsladies! ON THIS WEEK'S EPISODE: ★ Football Parody Songs   ★ Zamboni Crimes ★ Canadian El Jefé ★ Best Pizzeria in Germany ★ Burger Sauce ★ And much more!   ★★★   This week's Intro Music: “Furloughed Redemption” by Odd Track Numbers Outro Music: “Live From The Roach Motel (feat. Hendawg)” by Brothers   ★★★   See Josh Live! November 30th - Nietzsche's - Buffalo, NY December 6th - Chuckle Heads - Bisbee, AZ December 7th - The Kress Ultra Lounge - Yuma, AZ   ALL STAND UP LINKS CAN BE FOUND HERE: https://thejoshpotter.com   ★★★   Josh Potter