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W Niemczech ostatnie dni przed wyborami powszechnymi. Według sondaży ich zwycięzcą będzie Unia Chrześcijańsko-Demokratyczna CDU, a kolejnym kanclerzem zostanie Friedrich Merz. Podstawowy temat tych wyborów to ograniczenie i kontrola migracji, jednocześnie Niemcy zastanawiają się co zrobić, żeby tchnąć nowe życie w gospodarkę, zwłaszcza przemysł samochodowy. Jaką rolę odegra Berlin w tworzeniu przyszłości Europy i nowego ładu bezpieczeństwa, który właśnie tworzy się na Starym Kontynencie po objęciu władzy przez Donalda Trumpa. W tym programie zajrzymy do Berlina, Wolfsburga i Görlitz i opowiemy o przedwyborczych Niemczech.Hamas wydał ciała czworga zakładników porwanych 7 października 2023 roku, którzy zostali zabici lub zmarli w niewoli. Jednak według ekspertów medycznych jedno z ciał nie odpowiada tożsamości kobiety, która – według umowy – miała zostać wydana. Porozumienie Izraela z Hamasem jest realizowane, ale ciągle wisi na włosku. Państwa arabskie w Rijadzie prezentują własny plan zakończenia tej wojny.W Serbii nie słabną protesty po katastrofie budowlanej w Nowym Sadzie, w której zginęło 15 osób. Blokady, strajki i wiece odbywają się w ponad 100 miastach. Czy ten ruch społeczny ma szansę zmienić kraj?A także: jak odpowiadać na gesty prezydenta Trumpa, czyli nasz Raportowy wykład anatomii politycznej.Goście w Niemczech:Wolfsburg:Linda Moreschi-Hachmeister - nauczycielka w szkole Heinrich-Nordhoff-Gesamtschule związana rodzinnie z VolkswagenemTim Kappelt i Steffen Schmidt - związek zawodowy VW IG MetallJan Rübel - dziennikarz ZeitenspiegelDenis oraz Steffen - pracownicy VolkswagenaGörlitz:Agnieszka Bormann - germanistka i managerka kultury z Muzeum ŚląskiegoEleni Ioannidou-Müller - sopranistka operowaSebastian Wippel - poseł do landtagu Saksonii, partia Alternatywa dla NiemiecTabea Heinke - koordynatorka projektów w centrum kultury RABRYKAAbdel - Syryjczyk, mieszkaniec Görlitzpan Wiktor - taksówkarz ze ZgorzelcaBerlin:Steffen Wurzel - dziennikarz niemieckiego radia publicznego DeutschlandfunkSerafima Brig - kuratorka i artystka, członkini berlińskiej organizacji pozarządowej VitscheOłeksandr i Dymitro - Ukraińcy z klubu undergroundowego Panke ClubRozkład jazdy: (02:43) Adrian Bąk: Niemcy wybierają parlament(11:11) Adrian Bąk: Wolfsburg stolica Volskwagena(36:02) Agnieszka Zagner: Ciało wydane przez Hamas nie odpowiada tożsamości ofiary(1:00:08) Grzegorz Dobiecki: Świat z boku - Rządy i narządy, czyli anatomia polityczna(1:06:42) Podziękowania(1:13:31) Adrian Bąk: Görlitz - obraz wschodnich Niemiec(1:35:06) Marta Szpala: W Serbii ciągle ludzie na ulicach(1:59:17) Adrian Bąk: Berlin Underground i Ukraińcy(2:16:15) Do usłyszenia---------------------------------------------Raport o stanie świata to audycja, która istnieje dzięki naszym Patronom, dołącz się do zbiórki ➡️ https://patronite.pl/DariuszRosiakSubskrybuj newsletter Raportu o stanie świata ➡️ https://dariuszrosiak.substack.comKoszulki i kubki Raportu ➡️ https://patronite-sklep.pl/kolekcja/raport-o-stanie-swiata/ [Autopromocja]
Part 1:We talk with Anne Nelson, who writes for the Washington Spectator. She talks about Project 2025, the plan for America devised by the far right. We also discuss "Red Orchestra", a history of the Berlin Underground, in this context.Part 2:We talk with Dartmouth Professor Annelise Orleck, (History) who experienced the assault on peaceful protestors at Darmouth College this week. From remarks that the governor of NH made, the assault was planned, and orchestrated simultaneously with an assault on demonstrators at the University of NH. These kinds of actions are designed to paint the demonstrators as fomenting violence, when in fact, it is the state police who behaved violently, and many demonstrators were in fact Jews. This is happening nation-wide. WNHNFM.ORG production
A weekly podcast exploring stories at the intersection of faith and culture through an inclusive Christian lens. This week: Missy and Mitch share some special audio from a Christmas long ago ... Guests: Anne Nelson and Paul McAllister of an upcoming conference on faith and democracy. "Good Faith Weekly" is produced out of Norman, Oklahoma. Music is by Pond5. Learn more at www.GoodFaithMedia.org and @GFMediaOrg "Faith & Democracy: How We Got Here & What's Next" Conference ~ https://www.ncdp.org/faith-democracy Rev. Dr. Paul McAllister ~ https://www.ncdp.org/people/interfaith/ Anne Nelson ~ https://anne-nelson.com/ "Shadow Network: Media, Money, and the Secret Hub of the Radical Right" ~ https://www.amazon.com/dp/1635575826/resources/faith-in-elections/ "Red Orchestra: The Story of the Berlin Underground and the Circle of Friends Who Resisted Hitler" ~ https://www.amazon.com/dp/B0026N9M9E
This week, I had a chat with Chilly Gonzales, the suave all round musical polymath. Where do you start with Chilly? From early rap-infused works where he declared himself the President of the Berlin Underground, to his sublime Solo Piano albums, via collaborating with Daft Punk, Feist and Jarvis Cocker. Then there's running his own music school (The Gonzervtory) to holding the Guinness world record for the longest ever solo performance and of course writing a book about Enya. We got into a flow that took in everything from the hidden genius in Iggy Azalea’s Fancy to the connection between chamber music and bedroom producers. A charming and erudite gent to spend an hour with!Title music by ESO
Da die Uhren im Balkan anders ticken, startet URBAN TRIBES erst Anfang März ins neue Jahr. In der heutigen Episode hört ihr mich mit Leepa und unserem Heizstrahler in gemütlicher Dreisamkeit um die Wette frieren und über unsere Drogenerfahrungen, Männer und Selbstwert philosophieren.
Shadow Network: Media, Money, and the Secret Hub of the Radical Right by Anne Nelson Anne-nelson.com In 1981, emboldened by Ronald Reagan's election, a group of some fifty Republican operatives, evangelicals, oil barons, and gun lobbyists met in a Washington suburb to coordinate their attack on civil liberties and the social safety net. These men and women called their coalition the Council for National Policy. Over four decades, this elite club has become a strategic nerve center for channeling money and mobilizing votes behind the scenes. Its secretive membership rolls represent a high-powered roster of fundamentalists, oligarchs, and their allies, from Oliver North, Ed Meese, and Tim LaHaye in the Council's early days to Kellyanne Conway, Ralph Reed, Tony Perkins, and the DeVos and Mercer families today. In Shadow Network, award-winning author and media analyst Anne Nelson chronicles this astonishing history and illuminates the coalition's key figures and their tactics. She traces how the collapse of American local journalism laid the foundation for the Council for National Policy's information war and listens in on the hardline broadcasting its members control. And she reveals how the group has collaborated with the Koch brothers to outfit Radical Right organizations with state-of-the-art apps and a shared pool of captured voter data - outmaneuvering the Democratic Party in a digital arms race whose result has yet to be decided. In a time of stark and growing threats to our most valued institutions and democratic freedoms, Shadow Network is essential reading Anne Nelson is an award-winning author and playwright who has written extensively about human rights and the defiance of totalitarian regimes. Her most recent work is "Shadow Network: Media, Money, and the Secret Hub of the Radical Right." Her previous book, "Suzanne's Children: A Daring Rescue in Nazi Paris", a finalist for the National Jewish Book Award, was published in eight countries. "Red Orchestra: The Story of the Berlin Underground and the Circle of Friends Who Resisted Hitler" (2009) was named Editor's Choice by the New York Times Book Review. She is also the author of "Murder Under Two Flags: The US, Puerto Rico, and the Cerro Maravilla Cover-up." Her play "The Guys," which premiered in 2001 with Sigourney Weaver and Bill Murray, has been produced in all 50 states and 15 countries. Her screenplay of "The Guys" was produced as a feature film starring Sigourney Weaver and Anthony LaPaglia. Her play "Savages," an exploration of military occupation, was described by the New Yorker as a work of "lacerating beauty." Nelson's writing has been published in The New York Times, Los Angeles Times, Harper's, and she has appeared on CBS "Sunday Morning" and The PBS "Newshour," as well as the BBC, CBC and NPR. She has received the Livingston Award for International Journalism, a Guggenheim Fellowship, and a Bellagio Fellowship. Nelson is a graduate of Yale University and a member of the Council on Foreign Relations. She is a research fellow at the Columbia School of International and Public Affairs in New York City. Nelson lectures frequently on human rights, authoritarian regimes, and the role of the media. She is represented by Ethan Bassoff of the Ross Yoon Agency, and Authors Unbound speaker agency.
Incredible rappers were emerging from Europe but weren't getting any love in their own countries. So Yared Abraham left his job at MTV and founded Virtual Love to create cell-phone free concerts, music industry events, and international tours with artists like Kelvyn Colt, Olah Bliss, and Sugaboy.
Man øn Wax Presents Dark Room Episode 6 - A superb, audio example of the Sounds which can be found in the Berlin Underground.Bookings: manonwax@outlook.comFacebook: www.facebook.com/russmow/Soundcloud: https://soundcloud.com/marcofaloos
♫ More about « Berlin Underground » by Concrete Panther: https://fanlink.to/BerlinUnderground ❤ Support the DJ: https://soundcloud.com/ConcretePantherOfficial --------------------------------------------------------------------------------------------------------------------------------------- Eonity Connected by Music, United by Passion ♥ Magic Record Label & Music Services ♫ Visit us at https://www.Eonity.co ★
Originally "This is Berlin Underground" was a series of events starting in 2010 with the aspiration of promoting Berlin Underground Techno and spreading it to various locations all over Europe. This network prospered fast, turning into a cross-boarder venture, connecting artists in different countries bonded by their love for this kind of music. We see ourselves as an antipole to the increasing commercialization and selllout of electronic dance music, while we try our best to avoid to be limited to one site or city, for that matter... Therefore the obvious choice was to use Berlin as the symbol for this project to propagate the spirit of the scene, as it is well-known as the birthplace of Techno in Europe. The self-conception of "Berlin Underground" can best be understood as a platform for the collective display of most distinct artists, with the attempt of circulating them transnationally. It's our firm belief that only by standing together these alarming developments of the scene can be fought. Since its evolution Techno stood for the unity, love and enthusiasm of individuals who joined forces in support of this special music - the Techno-Movement. To ensure and preserve these values via output as well, we additionally decided in 2015 on founding a record label by the name of "Berlin Underground". We are fully conscious of the responsibility towards the scene this decision implies. Because of that we are open for and want to encourage both honest criticism and positive feedback.
Originally "This is Berlin Underground" was a series of events starting in 2010 with the aspiration of promoting Berlin Underground Techno and spreading it to various locations all over Europe. This network prospered fast, turning into a cross-boarder venture, connecting artists in different countries bonded by their love for this kind of music. We see ourselves as an antipole to the increasing commercialization and selllout of electronic dance music, while we try our best to avoid to be limited to one site or city, for that matter... Therefore the obvious choice was to use Berlin as the symbol for this project to propagate the spirit of the scene, as it is well-known as the birthplace of Techno in Europe. The self-conception of "Berlin Underground" can best be understood as a platform for the collective display of most distinct artists, with the attempt of circulating them transnationally. It's our firm belief that only by standing together these alarming developments of the scene can be fought. Since its evolution Techno stood for the unity, love and enthusiasm of individuals who joined forces in support of this special music - the Techno-Movement. To ensure and preserve these values via output as well, we additionally decided in 2015 on founding a record label by the name of "Berlin Underground". We are fully conscious of the responsibility towards the scene this decision implies. Because of that we are open for and want to encourage both honest criticism and positive feedback.
Originally "This is Berlin Underground" was a series of events starting in 2010 with the aspiration of promoting Berlin Underground Techno and spreading it to various locations all over Europe. This network prospered fast, turning into a cross-boarder venture, connecting artists in different countries bonded by their love for this kind of music. We see ourselves as an antipole to the increasing commercialization and selllout of electronic dance music, while we try our best to avoid to be limited to one site or city, for that matter... Therefore the obvious choice was to use Berlin as the symbol for this project to propagate the spirit of the scene, as it is well-known as the birthplace of Techno in Europe. The self-conception of "Berlin Underground" can best be understood as a platform for the collective display of most distinct artists, with the attempt of circulating them transnationally. It's our firm belief that only by standing together these alarming developments of the scene can be fought. Since its evolution Techno stood for the unity, love and enthusiasm of individuals who joined forces in support of this special music - the Techno-Movement. To ensure and preserve these values via output as well, we additionally decided in 2015 on founding a record label by the name of "Berlin Underground". We are fully conscious of the responsibility towards the scene this decision implies. Because of that we are open for and want to encourage both honest criticism and positive feedback.
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Originally "This is Berlin Underground" was a series of events starting in 2010 with the aspiration of promoting Berlin Underground Techno and spreading it to various locations all over Europe. This network prospered fast, turning into a cross-boarder venture, connecting artists in different countries bonded by their love for this kind of music. We see ourselves as an antipole to the increasing commercialization and selllout of electronic dance music, while we try our best to avoid to be limited to one site or city, for that matter... Therefore the obvious choice was to use Berlin as the symbol for this project to propagate the spirit of the scene, as it is well-known as the birthplace of Techno in Europe. The self-conception of "Berlin Underground" can best be understood as a platform for the collective display of most distinct artists, with the attempt of circulating them transnationally. It's our firm belief that only by standing together these alarming developments of the scene can be fought. Since its evolution Techno stood for the unity, love and enthusiasm of individuals who joined forces in support of this special music - the Techno-Movement. To ensure and preserve these values via output as well, we additionally decided in 2015 on founding a record label by the name of "Berlin Underground". We are fully conscious of the responsibility towards the scene this decision implies. Because of that we are open for and want to encourage both honest criticism and positive feedback.
Originally "This is Berlin Underground" was a series of events starting in 2010 with the aspiration of promoting Berlin Underground Techno and spreading it to various locations all over Europe. This network prospered fast, turning into a cross-boarder venture, connecting artists in different countries bonded by their love for this kind of music. We see ourselves as an antipole to the increasing commercialization and selllout of electronic dance music, while we try our best to avoid to be limited to one site or city, for that matter... Therefore the obvious choice was to use Berlin as the symbol for this project to propagate the spirit of the scene, as it is well-known as the birthplace of Techno in Europe. The self-conception of "Berlin Underground" can best be understood as a platform for the collective display of most distinct artists, with the attempt of circulating them transnationally. It's our firm belief that only by standing together these alarming developments of the scene can be fought. Since its evolution Techno stood for the unity, love and enthusiasm of individuals who joined forces in support of this special music - the Techno-Movement. To ensure and preserve these values via output as well, we additionally decided in 2015 on founding a record label by the name of "Berlin Underground". We are fully conscious of the responsibility towards the scene this decision implies. Because of that we are open for and want to encourage both honest criticism and positive feedback.
Originally "This is Berlin Underground" was a series of events starting in 2010 with the aspiration of promoting Berlin Underground Techno and spreading it to various locations all over Europe. This network prospered fast, turning into a cross-boarder venture, connecting artists in different countries bonded by their love for this kind of music. We see ourselves as an antipole to the increasing commercialization and selllout of electronic dance music, while we try our best to avoid to be limited to one site or city, for that matter... Therefore the obvious choice was to use Berlin as the symbol for this project to propagate the spirit of the scene, as it is well-known as the birthplace of Techno in Europe. The self-conception of "Berlin Underground" can best be understood as a platform for the collective display of most distinct artists, with the attempt of circulating them transnationally. It's our firm belief that only by standing together these alarming developments of the scene can be fought. Since its evolution Techno stood for the unity, love and enthusiasm of individuals who joined forces in support of this special music - the Techno-Movement. To ensure and preserve these values via output as well, we additionally decided in 2015 on founding a record label by the name of "Berlin Underground". We are fully conscious of the responsibility towards the scene this decision implies. Because of that we are open for and want to encourage both honest criticism and positive feedback.
After their great success with the release 'Aton' and the start of their label 'Duat Records', it was time to interview the two artists Ruede Hagelstein and Amin Fallaha. We met at their studio in Berlin and talked about Berlin underground, their 'back to the techno roots and basics' vision for their label and the whole idea behind this movement. In this interview we are talking about: - Their journey with 'Duat Records' - The vision and philosophy of their label - How they build an exclusive community around their label - The proof that underground techno in Berlin still exists - Their favourite non-techno and techno spots in Berlin - The outlook for 2019 Intro & Outro by Arbitraire The whole article is available on tunesandwings.com
Before we proceed with our latest podcast, some news. Mick will be going to the UK & France in a couple of weeks time for a month, so, this will be the only podcast for May & possible only time for one in June. Not to leave you without your dose of electronic music from us or have withdrawal symptoms, we decided to do a best of Sequences to tie you over, to be released the end of May. Because of the thousands of tracks we have from our shows, we’ve called it volume one, picked randomly and quickly. Those musicians not on there, don’t worry your time will come later. On with our latest edition again is mixed bag of genres, dark ambient from Divided By Two, Red Planet Orchestra & Inner Vision Laboratory, the ethereal atmospherics of Erik Wollo, mighty 70’s sounds of Node , sci-fi themed electro symphonic trek by Sveere Knut Johansen, with David Helping, Johan Tronestam’s melodic sequential sounds, lengthly epics of early Kosmische and Berlin Underground tones of Von Haulshoven, plus many more outstanding releases. Mark Sheeve’s 1981 ’Firebird’ which was originally on a limited edition cassette, is our blast from the past showing some early sequences led music by him. Node now takes us into three hours of some extraordinary music from the world of electronic sounds, enjoy. Sequences Podcast No 129 02.21 Node ‘Perpetuum Mobile 1’ (Node Live) www.din.com 14.05 Johan Tronestam ‘The Old Ones’ (album Midgard) www.syngate.net 23.24 Johan Tronestam ‘Grey Havens’ 32.20 Paul Ellis ‘Now Then’ (album Now Then) *** https://paulellisspacemusic.bandcamp.com/album/now-then 42.39 Erik Wollo ‘Arches’ (Threshold Point) www.projekt.com 48.25 Erik Wollo ‘Behind The Clouds’ 52.27 Patrick Kosmos ‘Monument’ (Monument) *** www.grooveunlimited.nl 1.04.28 Sverre Knut Johansen with David Helping ‘Abiogenesis’ (album The Vast Expanse) www.spottedpeccary.com 1.10.36 Sverre Knut Johansen with David Helpling ‘Origins Of The Universe’ 1.19.43 Inner Vision Laboratory ‘Badlands’ (album Relics) www.winter-light.nl 1.25.44 Von Haulshoven. ‘Haulshoven’ (album Besucher aus dem Kosmos) https://von-haulshoven.bandcamp.com 1.41.22 Mark Shreeve ‘Blitz’ Distant’ (album Fire Music) 1.50.14 Jim Ottaway ‘Distant Friend’ (Yesterday Passing) www.jimottaway.com 1.53.32 Jim Ottaway ‘What Darkness Hides’ 1.58.40 Jimmy Ladrac The Blue Bag In Cologne (album The Gordian Knot) www.jimmyledrac.com 1.59.15 Jimmy Ladrac ‘Fall Into Place’ 2.00.28 Jimmy Ladrac ‘With Myself At The Circus’ 2.02.27 Fiona Joy ‘Film Score Piano’ *** http://www.fionajoy.com 2.09.09 Divide By Two ‘The Oppression of the Giant’ (album The Legend ) *** www.syngate.net 2.17.43 Red Planet Orchestra ‘First Light’ (Humanity)*** https://redplanetorchestra.bandcamp.com 2.25.30 Red Planet Orchestra ‘The Outcast’ 2.29.06 Ash Ra Tempel Experience ’Schwingugen’ (album Live In Melbourne) *** www.ashratempel.com 2.38.25 Rene Van Der Wouden ‘Surface’ (album Atmospherics In A Nutshell)*** www.rewo-music.com 2.50.44 Redox ‘Xenith’ (EP Binary Forecast ) www.kahvicollective.bandcamp.com 2.56.05 Redox ’Null’ Edit ***
Originally "This is Berlin Underground" was a series of events starting in 2010 with the aspiration of promoting Berlin Underground Techno and spreading it to various locations all over Europe. This network prospered fast, turning into a cross-boarder venture, connecting artists in different countries bonded by their love for this kind of music. We see ourselves as an antipole to the increasing commercialization and selllout of electronic dance music, while we try our best to avoid to be limited to one site or city, for that matter... Therefore the obvious choice was to use Berlin as the symbol for this project to propagate the spirit of the scene, as it is well-known as the birthplace of Techno in Europe. The self-conception of "Berlin Underground" can best be understood as a platform for the collective display of most distinct artists, with the attempt of circulating them transnationally. It's our firm belief that only by standing together these alarming developments of the scene can be fought. Since its evolution Techno stood for the unity, love and enthusiasm of individuals who joined forces in support of this special music - the Techno-Movement. To ensure and preserve these values via output as well, we additionally decided in 2015 on founding a record label by the name of "Berlin Underground". We are fully conscious of the responsibility towards the scene this decision implies. Because of that we are open for and want to encourage both honest criticism and positive feedback.
Originally "This is Berlin Underground" was a series of events starting in 2010 with the aspiration of promoting Berlin Underground Techno and spreading it to various locations all over Europe. This network prospered fast, turning into a cross-boarder venture, connecting artists in different countries bonded by their love for this kind of music. We see ourselves as an antipole to the increasing commercialization and selllout of electronic dance music, while we try our best to avoid to be limited to one site or city, for that matter... Therefore the obvious choice was to use Berlin as the symbol for this project to propagate the spirit of the scene, as it is well-known as the birthplace of Techno in Europe. The self-conception of "Berlin Underground" can best be understood as a platform for the collective display of most distinct artists, with the attempt of circulating them transnationally. It's our firm belief that only by standing together these alarming developments of the scene can be fought. Since its evolution Techno stood for the unity, love and enthusiasm of individuals who joined forces in support of this special music - the Techno-Movement. To ensure and preserve these values via output as well, we additionally decided in 2015 on founding a record label by the name of "Berlin Underground". We are fully conscious of the responsibility towards the scene this decision implies. Because of that we are open for and want to encourage both honest criticism and positive feedback.
Many thanks to Yari Greco for his experimental podcast. It was really something special.For our next Techno Minded Hero, we have one born in Romania, but currently based in Italy. This talented producer first had releases on Nulabel, Deadcert, Plunk Recordings, and more recent and forthcoming releases on Decoy,7teen Recordings, Concepto Hipnotic, Electrax, DMT recordings, Toxic Recordings, Berlin Underground.Besides all of this, at this moment he has found a home at Wall Music. Where beloved guest at walls-events and at the moment working on bringing to life a sublabel of Wall Music, a new platform on which to showcase his own interpretation of the techno. So be on the look-out for that. 2017 will bring plenty of new material and collaborations with Mike Wall, MZR, Samuel L. Session and long time friends Vidrik and Eduard Szilagyi (Aka Yute). For the Drone Podcast, he granted us a hybrid live/set, mainly with his own work completed with a few tracks by Wall Music Artists and Close friends. With most being an exclusive premiereWe are happy to have him on the Drone Podcast No.081: KetchEnjoy!
Originally "This is Berlin Underground" was a series of events starting in 2010 with the aspiration of promoting Berlin Underground Techno and spreading it to various locations all over Europe. This network prospered fast, turning into a cross-boarder venture, connecting artists in different countries bonded by their love for this kind of music. We see ourselves as an antipole to the increasing commercialization and selllout of electronic dance music, while we try our best to avoid to be limited to one site or city, for that matter... Therefore the obvious choice was to use Berlin as the symbol for this project to propagate the spirit of the scene, as it is well-known as the birthplace of Techno in Europe. The self-conception of "Berlin Underground" can best be understood as a platform for the collective display of most distinct artists, with the attempt of circulating them transnationally. It's our firm belief that only by standing together these alarming developments of the scene can be fought. Since its evolution Techno stood for the unity, love and enthusiasm of individuals who joined forces in support of this special music - the Techno-Movement. To ensure and preserve these values via output as well, we additionally decided in 2015 on founding a record label by the name of "Berlin Underground". We are fully conscious of the responsibility towards the scene this decision implies. Because of that we are open for and want to encourage both honest criticism and positive feedback.
Originally "This is Berlin Underground" was a series of events starting in 2010 with the aspiration of promoting Berlin Underground Techno and spreading it to various locations all over Europe. This network prospered fast, turning into a cross-boarder venture, connecting artists in different countries bonded by their love for this kind of music. We see ourselves as an antipole to the increasing commercialization and selllout of electronic dance music, while we try our best to avoid to be limited to one site or city, for that matter... Therefore the obvious choice was to use Berlin as the symbol for this project to propagate the spirit of the scene, as it is well-known as the birthplace of Techno in Europe. The self-conception of "Berlin Underground" can best be understood as a platform for the collective display of most distinct artists, with the attempt of circulating them transnationally. It's our firm belief that only by standing together these alarming developments of the scene can be fought. Since its evolution Techno stood for the unity, love and enthusiasm of individuals who joined forces in support of this special music - the Techno-Movement. To ensure and preserve these values via output as well, we additionally decided in 2015 on founding a record label by the name of "Berlin Underground". We are fully conscious of the responsibility towards the scene this decision implies. Because of that we are open for and want to encourage both honest criticism and positive feedback.
Exclusive November 2016 Podcast for Berlin Underground
Exclusive November 2016 Podcast for Berlin Underground
Vinyl Dj Set. Warm Up for Virgil Enzinger
Vinyl Dj Set. Warm Up for Virgil Enzinger
Freqs of Techno pres.: Berlin Underground Rec. Label Night | Werk 2 (2016-04-16) Warmup-Set
Freqs of Techno pres.: Berlin Underground Rec. Label Night | Werk 2 (2016-04-16) Warmup-Set
The Terrace Podcast Episode 384 by David Gtronic www.theterracepodcast.com
Vinyl Djset @ Berlin Underground Labelnight, MVO Munich 01.05.2015
Vinyl Djset @ Berlin Underground Labelnight, MVO Munich 01.05.2015