Podcasts about relics

This is an excerpt of More Like Ancient FAILiens podcast, "Relics of Roswell", 19 December 2025, hosted by Brandon R. Reynolds and Toby Ball.Have you ever gone metal detecting and found a twisted piece of wire?  Well, Giorgio Tsoukalos has and it was at a skip site near Roswell, NM! I know, right? Toby and Brandon are joined by podcaster Michel Gagne to get a handle on the Ancient Aliens episode “The Relics of Roswell” (S15:E2). This one has it all: a budding love story, some industrial grade aluminum and explosive cratering! Plus a dramatic Zoom call…More Like Ancient Fail-iens is published early and ad-free over at www.grabbagcollab.comFollow Grab Bag Collab on Instagram and Facebook.To listen to the full episode click on one of these links:for Apple Podcasts, click here. for Spotify, click here.for Audioboom, click here. For any other podcast platform, figure it out.  You made it this far, so you're probably pretty smart.To read Michel's illustrated essay on the 1947 Roswell "UFO crash", Project Mogul, and the evolution of the Roswell myth, click here. Question Jar (send us a text message)Support the showVisit our website at www.paranoidplanet.ca

Want more exclusive content?! http://prometheuslens.supercast.com to sign up for the "All Access Pass" and get early access to episodes, private community, members only episodes, private Q & A's, and coming documentaries. We also have a $4 dollar a month package that gets you early access and an ad free listening experience!==================== SummaryIn this enlightening episode of the Prometheus Lens Podcast, host Doc Brown welcomes John Bell, a former state trooper and military veteran turned filmmaker and spiritual seeker. The conversation delves into John's journey of faith, his experiences with spiritual warfare, and the significance of horror storytelling in revealing human character under stress.They explore biblical prophecy, the rise of communism, and the importance of understanding historical context in faith. John shares insights on the Ethiopian Bible, the Ark of the Covenant, and the mysteries of the Shekinah glory, culminating in a thought-provoking discussion on the nature of evil and the end times. ==================== 

In this episode of Trekking Through Time and Space... Hoai-Tran and Jacob encounter some "Relics" as James Doohan's Montgomery Scott makes his grand return in Star Trek: The Next Generation. But as Scotty says hello, a major Doctor Who character seemingly says goodbye over in "Face the Raven." Doctor Who: Face the Raven - 1:07 Star Trek: Relics - 38:38 Episode Rankings - 1:27:52 Logo by David Scaliatine. Send all questions, comments, concerns, suggestions, and complaints to trekkingtimepodcast@gmail.com Support us on Patreon for early access to new episodes, weekly bonus episodes, and more.

I had a wonderful time chatting with Travis Omilian From Banquets about their newest album "Petty Relics", enjoy!Banquets Socials:Instagram: https://www.instagram.com/banquetshq/Facebook: https://www.facebook.com/banquetshqBandcamp: https://banquets.bandcamp.com/YouTube: https://www.youtube.com/@banquetshqApple Music: https://music.apple.com/us/artist/banquets/373227796Spotify: https://open.spotify.com/artist/2q2Zk6vfSNsMrxHYQLThD6?si=f93be432b0274795

Dive into Christmas true crime, Santa Claus history, and holiday folklore with the real medieval relic heist that helped shape the legend of Santa. In 1087, sailors from Bari, Italy break into the tomb of St. Nicholas in Myra (modern Turkey)—and the world's most famous Christmas icon gets a disturbingly real origin story.Inside the candlelit crypt, witnesses claim the tomb is flooded with mysterious liquid—the “manna” of St. Nicholas—and the thieves interpret it as a sign the saint approves. But back on shore, the people of Myra collapse into grief and fury, pleading for even a single fragment. And when the relics reach Bari, the celebration turns volatile: church power struggles, blood spilled in the saint's name, and a brand-new basilica built to lock the prize in place.Then the rivalry escalates. Venice returns to Myra and scoops up what Bari left behind—tiny fragments, crushed pieces, a second claim to the same saint. Centuries later, science steps into the story: anatomical studies, missing bones, and the unsettling realization that Santa's “origin story” includes grave-robbing, propaganda, and a relic war that rewrote Europe's holiday traditions.Inside this episode:The 1087 relic heist: how Bari's sailors infiltrate Myra and break into the tomb“Furta sacra”: the medieval logic that framed theft as holy rescueThe grief of Myra: a town begging for any piece of their protectorBari's power play: riots, control of the relics, and a basilica built for a stolen saintBari vs. Venice: the second “collection” of bones and a centuries-long relic rivalryMiracles and manna: the eerie liquid linked to St. Nicholas and why skeptics argue backThe Santa connection: how this crime helped carry St. Nicholas into Western Europe's Christmas traditionWe're telling that story tonight.

Greg Tranter, is a prominent sports historian, curator and author with a specialized expertise in Buffalo sports history. He has authored five books on Buffalo sports history including: Makers, Moments & Memorabilia, A Chronicle of Buffalo Professional Sports; RELICS, The History of the Buffalo Bills in Objects and Memorabilia; The Buffalo Sports Curse, 120 years of pain, disappointment, heartbreak and eternal optimism: Buffalo Bills: An Illustrated Timeline of a Storied Team; and Buffalo Braves: From A to Z. Greg has curated multiple sports exhibits including Icons: The Makers and Moments of Buffalo Sports at the Buffalo History Museum. He also authored and acts as the tour guide for the Buffalo Sports Heritage tour with Explore Buffalo. In addition, he writes for several magazines including Gridiron Greats, NY-PA Collector and Western New York Heritage. Greg is the Assistant Executive Director of the Pro Football Researchers Association and the Managing Editor of The Coffin Corner. In 2018 Greg received the PFRA's Bob Carroll Memorial Writing Award and in 2022 its Nelson Ross Award for “Outstanding recent achievement in pro football research and historiography.”Greg is a former Insurance Executive at Hanover Insurance where he was the CIO and COO before his retirement in 2015. He received a master's degree from Tufts University in Museum Education in 2015 and was President of the Board of Managers of the Buffalo History Museum from 2017-2022.Greg is also a lifelong Bills fan and 38-year season ticket holder. He became a fan of the Braves after attending the teams sixth preseason game on September 29, 1970, a 130-88 victory by Buffalo over the Boston Celtics.#gregtranter #author #buffalobills #livewithcdp #barrycullenchevrolet #chrispomay  / greg.tranter.2025    / greg-tranter-46795771  https://beacons.ai/chrisdpomayhttps://www.cameo.com/chrispomay book a personalized video message from yours truly CDP for the holiday season! https://www.paypal.com/paypalme/chris... if you wish to make a donation to my You Tube Channel and media work. https://podcasts.apple.com/ca/podcast..https://www.barrycullen.com/Want to create live streams like this? Check out StreamYard: https://streamyard.com/pal/d/54200596...

This conversation with Luminary Lighthouse delves into various themes including spiritual warfare, the nature of deception in today's world, and the mysteries surrounding ancient civilizations. The speakers explore biblical perspectives, historical narratives, and the influence of architecture and technology on society. They question the accuracy of historical accounts and discuss the implications of these gaps in our understanding of the past. In this engaging conversation, the speakers delve into the peculiarities of historical architecture, the evolution of cities, and the hidden narratives that shape our understanding of the past. They explore the concept of 'mud floods,' the interplay between natural disasters and historical events, and the spiritual dimensions of these narratives. The discussion also touches on geological phenomena, the mysteries of petrification, and the transformation of landscapes over time, all while questioning the mainstream historical narratives that have been presented to us.Become a supporter of this podcast: https://www.spreaker.com/podcast/jt-s-mix-tape--6579902/support.Please support our sponsor Modern Roots Life: https://modernrootslife.com/?bg_ref=rVWsBoOfcFJESUS SAID THERE WOULD BE HATERS Shirts: https://jtfollowsjc.com/product-category/mens-shirts/WOMEN'S SHIRTS: https://jtfollowsjc.com/product-category/womens-shirts/

I looked through some old finds from a permission I've been detecting at for 5 years. I found a few items that I had forgotten I had found. You should take a look too! Maybe you have a GW Inaugural button you missed.The Simplex+ Giveaway Winner is revealed!!!!!!Email me at omdstories@gmail.comWebsite: onemoredig.comDetector Warehouse: If you order anything from the website below I will receive a small commission. This is a great company and is well respected in the detecting community.  https://detectorwarehouse.com/davidsponenbergSend us a text

How can you be more relaxed about your writing process? What are some specific ways to take the pressure off your art and help you enjoy the creative journey? With Joanna Penn and Mark Leslie Lefebvre. In the intro, Spotify 2025 audiobook trends; Audible + BookTok; NonFiction Authors Guide to SubStack; OpenAI and Disney agreement on Sora; India AI licensing; Business for Authors January webinars; Mark and Jo over the years Mark Leslie LeFebvre is the author of horror and paranormal fiction, as well as nonfiction books for authors. He's also an editor, professional speaker, and the Director of Business Development at Draft2Digital. Joanna Penn writes non-fiction for authors and is an award-winning, New York Times and USA Today bestselling author of thrillers, dark fantasy, and memoir as J.F. Penn. She's also an award-winning podcaster, creative entrepreneur, and international professional speaker. Mark and Jo co-wrote The Relaxed Author in 2021. You can listen to us talk about the process here. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights, and the full transcript is below. Show Notes Why the ‘relaxed' author Write what you love Write at your own pace Write in a series (if you want to) Schedule time to fill the creative well and for rest and relaxation Improve your writing process — but only if it fits with your lifestyle You can find The Relaxed Author: Take the Pressure Off Your Art and Enjoy the Creative Journey on CreativePennBooks.com as well as on your favorite online store or audiobook platform, or order in your library or bookstore. You can find Mark Leslie Lefebvre and his books and podcast at Stark Reflections.ca Why the ‘relaxed' author? Joanna: The definition of relaxed is “free from tension and anxiety,” from the Latin laxus, meaning loose, and to be honest, I am not a relaxed or laid-back person in the broader sense. Back in my teens, my nickname at school was Highly Stressed. I'm a Type A personality, driven by deadlines and achieving goals. I love to work and I burned out multiple times in my previous career as an IT consultant. If we go away on a trip, I pack the schedule with back-to-back cultural things like museums and art galleries to help my book research. Or we go on adventure holidays with a clear goal, like cycling down the South-West coast of India. I can't even go for a long walk without training for another ultra-marathon! So I am not a relaxed person — but I am a relaxed author. If I wanted to spend most of my time doing something that made me miserable, I would go back to my old day job in consulting. I was paid well and worked fewer hours overall. But I measure my life by what I create, and if I am not working on a creative project, I am not able to truly relax in my downtime. There are always more things I want to learn and write about, always more stories to be told and knowledge to share. I don't want to kill my writing life by over-stressing or burning out as an author. I write what I love and follow my Muse into projects that feel right. I know how to publish and market books well enough to reach readers and make some money. I have many different income streams through my books, podcast and website. Of course, I still have my creative and business challenges as well as mindset issues, just like any writer. That never goes away. But after a decade as a full-time author entrepreneur, I have a mature creative business and I've relaxed into the way I do things. I love to write, but I also want a full and happy, healthy life. I'm still learning and improving as the industry shifts — and I change, too. I still have ambitious creative and financial goals, but I am going about them in a more relaxed way and in this book, I'll share some of my experiences and tips in the hope that you can discover your relaxed path, too. Mark: One of the most fundamental things you can do in your writing life is look at how you want to spend your time. I think back to the concept of: ‘You're often a reflection of the people you spend the most time with.' Therefore, typically, your best friend, or perhaps your partner, is often a person you love spending time with. Because there's something inherently special about spending time with this person who resonates in a meaningful way, and you feel more yourself because you're with them. In many ways, writing, or the path that you are on as a writer, is almost like being on a journey with an invisible partner. You are you. But you are also the writer you. And there's the two of you traveling down the road of life together. And so that same question arises. What kind of writer-self do you want to spend all your time with? Do you want to spend all your time with a partner that is constantly stressed out or constantly trying to reach deadlines based on somebody else's prescription of what success is? Or would you rather spend time with a partner who pauses to take a contemplative look at your own life, your own comfort, your own passion and the things that you are willing to commit to? Someone who allows that all to happen in a way that feels natural and comfortable to you. I'm a fan of the latter, of course, because then you can focus on the things you're passionate about and the things you're hopeful about rather than the things you're fearful about and those that bring anxiety and stress into your life. To me, that's part of being a relaxed author. That underlying acceptance before you start to plan things out. If the writing life is a marathon, not a sprint, then pacing, not rushing, may be the key. We have both seen burnout in the author community. People who have pushed themselves too hard and just couldn't keep up with the impossible pace they set for themselves. At times, indie authors would wear that stress, that anxiety, that rush to produce more and more, as a badge of honor. It's fine to be proud of the hard work that you do. It's fine to be proud of pushing yourself to always do better, and be better. But when you push too far — beyond your limits — you can ultimately do yourself more harm than good. Everyone has their own unique pace—something that they are comfortable with—and one key is to experiment until you find that pace, and you can settle in for the long run. There's no looking over your shoulder at the other writers. There's no panicking about the ones outpacing you. You're in this with yourself. And, of course, with those readers who are anticipating those clearly communicated milestones of your releases. I think that what we both want for authors is to see them reaching those milestones at their own paces, in their own comfort, delighting in the fact their readers are there cheering them on. Because we'll be silently cheering them along as well, knowing that they've set a pace, making relaxed author lifestyle choices, that will benefit them in the long run. “I'm glad you're writing this book. I know I'm not the only author who wants peace, moments of joy, and to enjoy the journey. Indie publishing is a luxury that I remember not having, I don't want to lose my sense of gratitude.” —Anonymous author from our survey Write what you love Joanna: The pandemic has taught us that life really is short. Memento mori — remember, you will die. What is the point of spending precious time writing books you don't want to write? If we only have a limited amount of time and only have a limited number of books that we can write in a lifetime, then we need to choose to write the books that we love. If I wanted a job doing something I don't enjoy, then I would have remained in my stressful old career as an IT consultant — when I certainly wasn't relaxed! Taking that further, if you try to write things you don't love, then you're going to have to read what you don't love as well, which will take more time. I love writing thrillers because that's what I love to read. Back when I was miserable in my day job, I would go to the bookstore at lunchtime and buy thrillers. I would read them on the train to and from work and during the lunch break. Anything for a few minutes of escape. That's the same feeling I try to give my readers now. I know the genre inside and out. If I had to write something else, I would have to read and learn that other genre and spend time doing things I don't love. In fact, I don't even know how you can read things you don't enjoy. I only give books a few pages and if they don't resonate, I stop reading. Life really is too short. You also need to run your own race and travel your own journey. If you try to write in a genre you are not immersed in, you will always be looking sideways at what other authors are doing, and that can cause comparisonitis — when you compare yourself to others, most often in an unfavorable way. Definitely not relaxing! Writing something you love has many intrinsic rewards other than sales. Writing is a career for many of us, but it's a passion first, and you don't want to feel like you've wasted your time on words you don't care about. “Write what you know” is terrible advice for a long-term career as at some point, you will run out of what you know. It should be “write what you want to learn about.” When I want to learn about a topic, I write a book on it because that feeds my curiosity and I love book research, it's how I enjoy spending my time, especially when I travel, which is also part of how I relax. If you write what you love and make it part of your lifestyle, you will be a far more relaxed author. Mark: It's common that writers are drawn into storytelling from some combination of passion, curiosity, and unrelenting interest. We probably read or saw something that inspired us, and we wanted to express those ideas or the resulting perspectives that percolated in our hearts and minds. Or we read something and thought, “Wow, I could do this; but I would have come at it differently or I would approach the situation or subject matter with my own flair.” So, we get into writing with passion and desire for storytelling. And then sometimes along the way, we recognize the critical value of having to become an entrepreneur, to understand the business of writing and publishing. And part of understanding that aspect of being an author is writing to market, and understanding shifts and trends in the industry, and adjusting to those ebbs and flows of the tide. But sometimes, we lose sight of the passion that drew us to writing in the first place. And so, writing the things that you love can be a beacon to keep you on course. I love the concept of “Do something that you love, and you'll never work a day in your life.” And that's true in some regard because I've always felt that way for almost my entire adult life. I've been very lucky. But at the same time, I work extremely hard at what I love. Some days are harder than others, and some things are really difficult, frustrating and challenging; but at the end of the day, I have the feeling of satisfaction that I spent my time doing something I believe in. I've been a bookseller my entire life even though I don't sell books in brick-and-mortar bookstores anymore—that act of physically putting books in people's hands. But to this day, what I do is virtually putting books in people's hands, both as an author and as an industry representative who is passionate about the book business. I was drawn to that world via my passion for writing. And that's what continues to compel me forward. I tried to leave the corporate world to write full time in 2018 but realized there was an intrinsic satisfaction to working in that realm, to embracing and sharing my insights and knowledge from that arena to help other writers. And I couldn't give that up. For me, the whole core, the whole essence of why I get up in the morning has to do with storytelling, creative inspiration, and wanting to inspire and inform other people to be the best that they can be in the business of writing and publishing. And that's what keeps me going when the days are hard. Passion as the inspiration to keep going There are always going to be days that aren't easy. There will be unexpected barriers that hit you as a writer. You'll face that mid-novel slump or realize that you have to scrap an entire scene or even plotline, and feel like going back and re-starting is just too much. You might find the research required to be overwhelming or too difficult. There'll be days when the words don't flow, or the inspiration that initially struck you seems to have abandoned you for greener pastures. Whatever it is, some unexpected frustration can create what can appear to be an insurmountable block. And, when that happens, if it's a project you don't love, you're more likely to let those barriers get in your way and stop you. But if it's a project that you're passionate about, and you're writing what you love, that alone can be what greases the wheels and helps reduce that friction to keep you going. At the end of the day, writing what you love can be a honing, grounding, and centering beacon that allows you to want to wake up in the morning and enjoy the process as much as possible even when the hard work comes along. “For me, relaxation comes from writing what I know and love and trusting the emergent process. As a discovery writer, I experience great joy when the story, characters and dialogue simply emerge in their own time and their own way. It feels wonderful.” — Valerie Andrews “Writing makes me a relaxed author. Just getting lost in a story of my own creation, discovering new places and learning what makes my characters tick is the best way I know of relaxing. Even the tricky parts, when I have no idea where I am going next, have a special kind of charm.” – Imogen Clark Write at your own pace Mark: Writing at your own pace will help you be a more relaxed author because you're not stressing out by trying to keep up with someone else. Of course, we all struggle with comparing ourselves to others. Take a quick look around and you can always find someone who has written more books than you. Nora Roberts, traditionally published author, writes a book a month. Lindsey Buroker, fantasy indie author, writes a book a month of over 100,000 words. If you compare yourself to someone else and you try to write at their pace, that is not going to be your relaxed schedule. On the other hand, if you compare yourself to Donna Tartt, who writes one book every decade, you might feel like some speed-demon crushing that word count and mastering rapid release. Looking at what others are doing could result in you thinking you're really slow or you could think that you're super-fast. What does that kind of comparison actually get you? I remember going to see a talk by Canadian literary author Farley Mowat when I was a young budding writer. I'll never forget one thing he said from that stage: “Any book that takes you less than four years to write is not a real book.” Young teenage Mark was devastated, hurt and disappointed to hear him say that because my favorite author at the time, Piers Anthony, was writing and publishing two to three novels a year. I loved his stuff, and his fantasy and science fiction had been an important inspiration in my writing at that time. (The personal notes I add to the end of my stories and novels came from enjoying his so much). That focus on there being only a single way, a single pace to write, ended up preventing me from enjoying the books I had already been loving because I was doing that comparisonitis Joanna talks about, but as a reader. I took someone else's perspective too much to heart and I let that ruin a good thing that had brought me personal joy and pleasure. It works the same way as a writer. Because we have likely developed a pattern, or a way that works for us that is our own. We all have a pace that we comfortably walk; a way we prefer to drive. A pattern or style of how and when and what we prefer to eat. We all have our own unique comfort food. There are these patterns that we're comfortable with, and potentially because they are natural to us. If you try to force yourself to write at a pace that's not natural to you, things can go south in your writing and your mental health. And I'm not suggesting any particular pace, except for the one that's most natural and comfortable to you. If writing fast is something that you're passionate about, and you're good at it, and it's something you naturally do, why would you stop yourself from doing that? Just like if you're a slow writer and you're trying to write fast: why are you doing that to yourself? There's a common pop song line used by numerous bands over the years that exhorts you to “shake what you got.” I like to think the same thing applies here. And do it with pride and conviction. Because what you got is unique and awesome. Own it, and shake it with pride. You have a way you write and a word count per writing session that works for you. And along with that, you likely know what time you can assign to writing because of other commitments like family time, leisure time, and work (assuming you're not a full-time writer). Simple math can provide you with a way to determine how long it will take to get your first draft written. So, your path and plans are clear. And you simply take the approach that aligns with your writer DNA. Understanding what that pace is for you helps alleviate an incredible amount of stress that you do not need to thrust upon yourself. Because if you're not going to be able to enjoy it while you're doing it, what's the point? Your pace might change project to project While your pace can change over time, your pace can also change project to project. And sometimes the time actually spent writing can be a smaller portion of the larger work involved. I was on a panel at a conference once and someone asked me how long it took to write my non-fiction book of ghost stories, Haunted Hamilton. “About four days,” I responded. And while that's true — I crafted the first draft over four long and exhausting days writing as much as sixteen hours each day — the reality was I had been doing research for months. But the pen didn't actually hit the paper until just a few days before my deadline to turn the book over to my editor. That was for a non-fiction book; but I've found I do similar things with fiction. I noodle over concepts and ideas for months before I actually commit words to the page. The reason this comes to mind is that I think it's important to recognize the way that I write is I first spend a lot of time in my head to understand and chew on things. And then by the time it comes to actually getting the words onto the paper, I've already done much of the pre-writing mentally. It's sometimes not fair when you're comparing yourself to someone else to look at how long they physically spend in front of a keyboard hammering on that word count, because they might have spent a significantly longer amount of a longer time either outlining or conceptualizing the story in their mind or in their heart before they sat down to write. So that's part of the pace, too. Because sometimes, if we only look at the time spent at the ‘writer's desk,' we fool ourselves when we think that we're a slow writer or a fast writer. Joanna: Your pace will change over your career My first novel took 14 months and now I can write a first draft in about six weeks because I have more experience. It's also more relaxing for me to write a book now than it was in the beginning, because I didn't know what I was doing back then. Your pace will change per project I have a non-fiction work in progress, my Shadow Book (working title), which I have started several times. I have about 30,000 words but as I write this, I have backed away from it because I'm (still) not ready. There's a lot more research and thinking I need to do. Similarly, some people take years writing a memoir or a book with such emotional or personal depth that it needs more to bring it to life. Your pace will also shift depending on where you are in the arc of life Perhaps you have young kids right now, or you have a health issue, or you're caring for someone who is ill. Perhaps you have a demanding day job so you have less time to write. Perhaps you really need extended time away from writing, or just a holiday. Or maybe there's a global pandemic and frankly, you're too stressed to write! The key to pacing in a book is variability — and that's true of life, too. Write at the pace that works for you and don't be afraid to change it as you need to over time. “I think the biggest thing for me is reminding myself that I'm in this to write. Sometimes I can get caught up in all the moving pieces of editing and publishing and marketing, but the longer I go without writing, or only writing because I have to get the next thing done instead of for enjoyment, the more stressed and anxious I become. But if I make time to fit in what I truly love, which is the process of writing without putting pressure on myself to meet a deadline, or to be perfect, or to meet somebody else's expectations — that's when I become truly relaxed.” – Ariele Sieling Write in a series (if you want to) Joanna: I have some stand-alone books but most of them are in series, both for non-fiction and for my fiction as J.F. Penn. It's how I like to read and write. As we draft this book, I'm also writing book 12 in my ARKANE series, Tomb of Relics. It's relaxing because I know my characters, I know my world; I know the structure of how an ARKANE story goes. I know what to put in it to please my readers. I have already done the work to set up the series world and the main characters and now all I need is a plot and an antagonist. It's also quicker to write and edit because I've done it before. Of course, you need to put in the work initially so the series comes together, but once you've set that all up, each subsequent book is easier. You can also be more relaxed because you already have an audience who will (hopefully) buy the book because they bought the others. You will know approximately how many sales you'll get on launch and there will be people ready to review. Writing in a non-fiction series is also a really good idea because you know your audience and you can offer them more books, products and services that will help them within a niche. While they might not be sequential, they should be around the same topic, for example, this is part of my Books for Authors series. Financially, it makes sense to have a series as you will earn more revenue per customer as they will (hopefully) buy more than one book. It's also easier and more relaxing to market as you can set one book to free or a limited time discount and drive sales through to other books in the series. Essentially, writing a book in a series makes it easier to fulfill both creative and financial goals. However, if you love to read and write stand-alone books, and some genres suit stand-alones better than series anyway, then, of course, go with what works for you! Mark: I like to equate this to no matter where you travel in the world, if you find a McDonald's you pretty much know what's on the menu and you know what to expect. When you write in a series, it's like returning to hang out with old friends. You know their backstory; you know their history so you can easily fall into a new conversation about something and not have to get caught up on understanding what you have in common. So that's an enormous benefit of relaxing into something like, “Oh, I'm sitting down over coffee, chatting with some old friends. They're telling me a new story about something that happened to them. I know who they are, I know what they're made out of.” And this new plot, this new situation, they may have new goals, they may have new ways they're going to grow as characters, but they're still the same people that we know and love. And that's a huge benefit that I only discovered recently because I'm only right now working on book four in my Canadian Werewolf series. Prior to that, I had three different novels that were all the first book in a series with no book two. And it was stressful for me. Writing anything seemed to take forever. I was causing myself anxiety by jumping around and writing new works as opposed to realizing I could go visit a locale I'm familiar and comfortable with. And I can see new things in the same locale just like sometimes you can see new things and people you know and love already, especially when you introduce something new into the world and you see how they react to it. For me, there's nothing more wonderful than that sort of homecoming. It's like a nostalgic feeling when you do that. I've seen a repeated pattern where writers spend years writing their first book. I started A Canadian Werewolf in New York in 2006 and I did not publish it until ten years later, after finishing it in 2015. (FYI, that wasn't my first novel. I had written three and published one of them prior to that). That first novel can take so long because you're learning. You're learning about your characters, about the craft, about the practice of writing, about the processes that you're testing along the way. And if you are working on your first book and it's taking longer than planned, please don't beat yourself up for that. It's a process. Sometimes that process takes more time. I sometimes wonder if this is related to our perception of time as we age. When you're 10 years old, a day compared to your lifetime is a significant amount of time, and thinking about a year later is considering a time that is one-tenth of your life. When you have a few more decades or more under your belt, that year is a smaller part of the whole. If you're 30, a year is only one-thirtieth of your life. A much smaller piece. Just having written more books, particularly in a series, removes the pressure of that one book to represent all of you as a writer. I had initial anxiety at writing the second book in my Canadian Werewolf series. Book two was more terrifying in some ways than book one because finally, after all this time, I had something good that I didn't want to ruin. Should I leave well enough alone? But I was asked to write a short story to a theme in an anthology, and using my main character from that first novel allowed me to discover I could have fun spending more time with these characters and this world. And I also realized that people wanted to read more about these characters. I didn't just want to write about them, but other people wanted to read about them too. And that makes the process so much easier to keep going with them. So one of the other benefits that helps to relax me as a writer working on a series is I have a better understanding of who my audience is, and who my readers are, and who will want this, and who will appreciate it. So I know what worked, I know what resonated with them, and I know I can give them that next thing. I have discovered that writing in a series is a far more relaxed way of understanding your target audience better. Because it's not just a single shot in the dark, it's a consistent on-going stream. Let me reflect on a bit of a caveat, because I'm not suggesting sticking to only a single series or universe. As writers, we have plenty of ideas and inspirations, and it's okay to embrace some of the other ones that come to us. When I think about the Canadian rock trio, Rush, a band that produced 19 studio albums and toured for 40 years, I acknowledge a very consistent band over the decades. And yet, they weren't the same band that they were when they started playing together, even though it was the same three guys since Neil Peart joined Geddy Lee and Alex Lifeson. They changed what they wrote about, what they sang about, themes, styles, approaches to making music, all of this. They adapted and changed their style at least a dozen times over the course of their career. No album was exactly like the previous album, and they experimented, and they tried things. But there was a consistency of the audience that went along with them. And as writers, we can potentially have that same thing where we know there are going to be people who will follow us. Think about Stephen King, a writer who has been writing in many different subjects and genres. And yet there's a core group of people who will enjoy everything he writes, and he has that Constant Reader he always keeps in mind. And so, when we write in a series, we're thinking about that constant reader in a more relaxed way because that constant reader, like our characters, like our worlds, like our universes, is like we're just returning to a comfortable, cozy spot where we're just going to hang out with some good friends for a bit. Or, as the contemplative Rush song Time Stand Still expresses, the simple comfort and desire of spending some quality time having a drink with a friend. Schedule time to fill the creative well and for rest and relaxation Mark: What we do as writers is quite cerebral, so we need to give ourselves mental breaks in the same way we need to sleep regularly. Our bodies require sleep. And it's not just physical rest for our bodies to regenerate, it's for our minds to regenerate. We need that to stay sane, to stay alive, to stay healthy. The reality for us as creatives is that we're writing all the time, whether or not we're in front of a keyboard or have a pen in our hand. We're always writing, continually sucking the marrow from the things that are happening around us, even when we're not consciously aware of it. And sometimes when we are more consciously aware of it, that awareness can feel forced. It can feel stressful. When you give yourself the time to just let go, to just relax, wonderful things can happen. And they can come naturally, never feeling that urgent sense of pressure. Downtime, for me, is making space for those magic moments to happen. I was recently listening to Episode 556 of The Creative Penn podcast where Joanna talked about the serendipity of those moments when you're traveling and you're going to a museum and you see something. And you're not consciously there to research for a book, but you see something that just makes a connection for you. And you would not have had that for your writing had you not given yourself the time to just be doing and enjoying something else. And so, whenever I need to resolve an issue or a problem in a project I'm writing, which can cause stress, I will do other things. I will go for a run or walk the dogs, wash the dishes or clean the house. Or I'll put on some music and sing and dance like nobody is watching or listening—and thank goodness for that, because that might cause them needless anxiety. The key is, I will do something different that allows my mind to just let go. And somewhere in the subconscious, usually the answer comes to me. Those non-cerebral activities can be very restorative. Yesterday, my partner Liz and I met her daughter at the park. And while we quietly waited, the two of us wordlessly enjoyed the sights and sounds of people walking by, the river in the background, the wind blowing through the leaves in the trees above us. That moment wasn't a purposeful, “Hey, we're going to chill and relax.” But we found about five minutes of restorative calm in the day. A brief, but powerful ‘Ah' moment. And when I got back to writing this morning, I drew upon some of the imagery from those few minutes. I didn't realize at the time I was experiencing the moment yesterday that I was going to incorporate some of that imagery in today's writing session. And that's the serendipity that just flows very naturally in those scheduled and even unscheduled moments of relaxation. Joanna: I separate this into two aspects because I'm good at one and terrible at the other! I schedule time to fill the creative well as often as possible. This is something that Julia Cameron advises in The Artist's Way, and I find it an essential part of my creative practice. Essentially, you can't create from an empty mind. You have to actively seek out ways to spark ideas. International travel is a huge part of my fiction inspiration, in particular. This has been impossible during the pandemic and has definitely impacted my writing. I also go to exhibitions and art galleries, as well as read books, watch films and documentaries. If I don't fill my creative well, then I feel empty, like I will never have another idea, that perhaps my writing life is over. Some people call that writer's block but I know that feeling now. It just means I haven't filled my creative well and I need to schedule time to do that so I can create again. Consume and produce. That's the balance you need in order to keep the creative well filled and the words flowing. In terms of scheduling time to relax instead of doing book research, I find this difficult because I love to work. My husband says that I'm like a little sports car that goes really, really fast and doesn't stop until it hits a wall. I operate at a high productivity level and then I crash! But the restrictions of the pandemic have helped me learn more about relaxation, after much initial frustration. I have walked in nature and lain in the garden in the hammock and recently, we went to the seaside for the first time in 18 months. I lay on the stones and watched the waves. I was the most relaxed I've been in a long time. I didn't look at my phone. I wasn't listening to a podcast or an audiobook. We weren't talking. We were just being there in nature and relaxing. Authors are always thinking and feeling because everything feeds our work somehow. But we have to have both aspects — active time to fill the creative well and passive time to rest and relax. “I go for lots of walks and hikes in the woods. These help me work out the kinks in my plots, and also to feel more relaxed! (Exercise is an added benefit!)” –T.W. Piperbrook Improve your writing process — but only if it fits with your lifestyle Joanna: A lot of stress can occur in writing if we try to change or improve our process too far beyond our natural way of doing things. For example, trying to be a detailed plotter with a spreadsheet when you're really a discovery writer, or trying to dictate 5,000 words per hour when you find it easier to hand write slowly into a journal. Productivity tips from other writers can really help you tweak your personal process, but only if they work for you — and I say this as someone who has a book on Productivity for Authors! Of course, it's a good idea to improve things, but once you try something, analyze whether it works for you — either with data or just how you feel. If it works, great. Adopt it into your process. If it doesn't work, then discard it. For example, I wrote my first novel in Microsoft Word. When I discovered Scrivener, I changed my process and never looked back because it made my life so much easier. I don't write in order and Scrivener made it easier to move things around. I also discovered that it was easier for me to get into my first draft writing and creating when I was away from the desk I use for business, podcasting, and marketing tasks. I started to write in a local cafe and later on in a co-working space. During the pandemic lockdown, I used specific playlists to create a form of separation as I couldn't physically go somewhere else. Editing is an important part of the writing process but you have to find what works for you, which will also change over time. Some are authors are more relaxed with a messy first draft, then rounds of rewrites while working with multiple editors. Others do one careful draft and then use a proofreader to check the finished book. There are as many ways to write as there are writers. A relaxed author chooses the process that works in the most effective way for them and makes the book the best it can be. Mark: When it comes to process, there are times when you're doing something that feels natural, versus times when you're learning a new skill. Consciously and purposefully learning new skills can be stressful; particularly because it's something we often put so much emphasis or importance upon. But when you adapt on-going learning as a normal part of your life, a natural part of who and what you are, that stress can flow away. I'm always about learning new skills; but over time I've learned how to absorb learning into my everyday processes. I'm a pantser, or discovery writer, or whatever term we can apply that makes us feel better about it. And every time I've tried to stringently outline a book, it has been a stressful experience and I've not been satisfied with the process or the result. Perhaps I satisfied the part of me that thought I wanted to be more like other writers, but I didn't satisfy the creative person in me. I was denying that flow that has worked for me. I did, of course, naturally introduce a few new learnings into my attempts to outline; so I stuck with those elements that worked, and abandoned the elements that weren't working, or were causing me stress. The thought of self-improvement often comes with images of blood, sweat, and tears. It doesn't have to. You don't have to bleed to do this; it can be something that you do at your own pace. You can do it in a way that you're comfortable with so it's causing you no stress, but allowing you to learn and grow and improve. And if it doesn't work but you force yourself to keep doing it because a famous writer or a six-figure author said, “this is the way to do it,” you create pressure. And when you don't do it that way, you can think of yourself as a failure as opposed to thinking of it as, “No, this is just the way that I do things.” When you accept how you do things, if they result in effectively getting things done and feeling good about it at the same time, you have less resistance, you have less friction, you have less tension. Constantly learning, adapting, and evolving is good. But forcing ourselves to try to be or do something that we are not or that doesn't work for us, that causes needless anxiety. “I think a large part of it comes down to reminding myself WHY I write. This can mean looking back at positive reviews, so I can see how much joy others get from my writing, or even just writing something brand new for the sake of exploring an idea. Writing something just for me, rather than for an audience, reminds me how much I enjoy writing, which helps me to unwind a bit and approach my projects with more playfulness.” – Icy Sedgwick You can find The Relaxed Author: Take the Pressure Off Your Art and Enjoy the Creative Journey on CreativePennBooks.com as well as on your favorite online store or audiobook platform, or order in your library or bookstore. The post The Relaxed Author Writing Tips With Joanna Penn and Mark Leslie Lefebvre first appeared on The Creative Penn.

Inspired by a dream, Prince Charles of Provence ordered an excavation that uncovered a sarcophagus believed to contain the remains of Mary Magdalene on 12th December, 1279.  The evidence presented included a papyrus note, a sweet rose fragrance filling the air, a wax-covered tablet proclaiming Mary's identity, and even a piece of skin where Jesus supposedly touched her after his resurrection.  In this episode, Arion, Rebecca and Olly investigate how and why Mary may have ended up in France in the first place; recall the bout of ‘Magdalene mania' that gripped the mediaeval world; and explain why, for centuries, people said she was a sex worker…  Further Reading: • ‘How Early Church Leaders Downplayed Mary Magdalene's Influence' (HISTORY, 2019): https://www.history.com/news/mary-magdalene-jesus-wife-prostitute-saint • ‘The Skull and Bones of Mary Magdalene' (Atlas Obscura, 2013): https://www.atlasobscura.com/articles/marys-house-in-provence • ‘Relics of St. Mary Magdalene in the Basilica of Saint-Maximin-la-Saint-Baume, France' (Pierre Repooc Productions, 2017): https://www.youtube.com/watch?v=pO8MQzApXvE This episode first aired in 2023 Love the show? Support us!  Join 

EPYSODE 65: "Tír na nÓg" by Tír na nÓg. Guest: Tír na nÓg's Leo O'Kelly. Additional commentary by Uncle Herff. ===CONNECT & SUPPORT=== Transport yourself into the realm of grooviness by supporting us on Patreon for as little as $2/month using this link --> patreon.com/FarmerJohnMusic Use this link to follow us on Facebook --> https://www.facebook.com/farmerjohnmusic/ Use this link to follow us on Instagram --> https://www.instagram.com/vinylrelics/ Use this link to follow us on TikTok --> https://www.tiktok.com/@vinylrelicspodcast Use this link to follow us on BlueSky --> https://bsky.app/profile/farmerjohnmusic.bsky.social And find us on X @VinylRelicsPod Email me @ ⁠farmerjohnmusic@gmail.com⁠   ===THE MUSIC=== Songs used in this Epysode, in order of appearance. Here's a link to a Spotify playlist for all the tracks featured. *denotes track is not available on Spotify. https://open.spotify.com/playlist/4zM5HEbJCVWYXGZ6kYflLN?si=2bfa118b1bc740df *MAY BLITZ "Smoking The Day Away" ELVIS PRESLEY “Guitar Man” EMMET SPICELAND “Bunclody” EMMET SPICELAND “Mary From Dungloe” JONI MITCHELL “Night In The City” TÍR NA NÓG: "Time Is Like A Promise" TÍR NA NÓG: "Mariner Blues" TÍR NA NÓG: "Daisy Lady" TÍR NA NÓG: "Tír na nÓg" TÍR NA NÓG: "Aberdeen Angus" TÍR NA NÓG: "Looking Up" TÍR NA NÓG: "Boat Song" TÍR NA NÓG: "Our Love Will Not Decay" TÍR NA NÓG: "Hey Friend" TÍR NA NÓG: "Dance Of Years" TÍR NA NÓG: "Live A Day" TÍR NA NÓG: "Picadilly" TÍR NA NÓG: "Dante" TÍR NA NÓG “The Lady I Love” TÍR NA NÓG “So Freely” TÍR NA NÓG “Two White Horses” TÍR NA NÓG “Most Magical” TÍR NA NÓG “Strong In The Sun” NICK DRAKE “Place To Be” TÍR NA NÓG “Free Ride” SONNY CONDELL “Down In The City” *SCULLION “Carol” *LEO O'KELLY “Will" *LEO O'KELLY “I Prayed To The Devil Last Night” TÍR NA NÓG “I Have Known Love” TÍR NA NÓG “You In Yellow” ??MYSTERY ARTIST?? Tune in next week to find out... NEWPORT ELECTRIC "I Will Wait" ^^That's my band. Shameless self-promotion!! Learn more about your ad choices. Visit megaphone.fm/adchoices

Europe has experienced warfare and violence at a scale most Americans can't fathom. As a result, countless millions of rounds of artillery, some of which is still buried in the earth poses a clear a present danger to 21st century citizens.Berten's job is to detect unexploded ordnance so that roads and buildings can be safely constructed. In the course of locating these dangerous implements of war, OTHER historic items and battlefield relics are discovered.As a result, Berten is often the first to detect these lost landscapes of battlefields that go back to Napoleonic times! Listen in as he talks about some of these historical sites and how some of them relate to veterans featured on The Warrior Next Door Podcast!Support the show

A doll, brochure, and magazine in the DCA Tower of Terror Lobby were all telling a story, but no one has ever fully understood their significance... until now. Drop in with us as we check into California Adventure's lost Hollywood Tower Hotel to decipher the history, secrets, and stories hidden within its elegant (yet terrifying) design.In this episode, we check into the lobby of the DCA and DLP versions of the Tower of Terror and take in all the details of these two highly detailed set designs. Along the way, we explore the signs of the golden age of Hollywood, discuss some lost relics of 1930s culture, and take a few rabbit trails here and there into other fascinating places in Disney history. Kirk explains the creepy doll on the couch, Kate does a deep dive into Disney's Oz connections, and we both compare and contrast this lobby with the original in Florida, and how the Imagineers reimagined this attraction on a budget.

EPYSODE 64: "May Blitz" by May Blitz. Guest: May Blitz bassist Reid Hudson. Additional commentary by Uncle Herff. Fresh off our deep dive into As Sheriff's lost 60's recordings, we follow the trail to London in 1970, where bassist Reid Hudson helped forge something far heavier. With guitarist Jamie Black and drummer Tony Newman, May Blitz delivered a self-titled debut that captured the raw, thunderous spirit of the era's underground rock scene.We spin through the album's molten riffs, jazz-inflected rhythms, and acid-soaked atmosphere, an explosive mix that put the band in the same league as Black Sabbath and Atomic Rooster.Half power trio, half psychedelic séance, this album remains a cult cornerstone of the heavy progressive movement. I hope you dig "May Blitz" as much as I do. - Farmer John ===CONNECT & SUPPORT=== Transport yourself into the realm of grooviness by supporting us on Patreon using this link --> patreon.com/FarmerJohnMusic Use this link to follow us on Facebook --> https://www.facebook.com/farmerjohnmusic/ Use this link to follow us on Instagram --> https://www.instagram.com/vinylrelics/ Use this link to follow us on TikTok --> https://www.tiktok.com/@vinylrelicspodcast Use this link to follow us on BlueSky --> https://bsky.app/profile/farmerjohnmusic.bsky.social And find us on X @VinylRelicsPod Email me @  ⁠farmerjohnmusic@gmail.com⁠   ===THE MUSIC=== Songs used in order of appearance. There is no Spotify playlist available for this Epysode as the album is not available there. AS SHERIFF "His Father's Good Machine" BAKERLOO "Big Bear Ffolly" URIAH HEEP “Wake Up (Set Your Sights)” SOUNDS INCORPORATED “Rinky Dink” TONY NEWMAN “Soul Thing” THE JEFF BECK GROUP “Rice Pudding” AS SHERIFF “Palm Fronds” MAY BLITZ "Smoking The Day Away" MAY BLITZ "I Don't Know?" MAY BLITZ "Dreaming" MAY BLITZ "Squeet" MAY BLITZ "Tomorrow May Come" MAY BLITZ "Fire Queen" MAY BLITZ "Virgin Waters" MAY BLITZ “Snakes And Ladders” MAY BLITZ “For Mad Men Only” MAY BLITZ “Honey Coloured Time” MAY BLITZ “8 Mad Grim Nits” (live) MAY BLITZ “Fire Queen” (live) THREE MAN ARMY “Butter Queen” BOXER “Hip Kiss” ??MYSTERY ARTIST?? Tune in next week to find out... NEWPORT ELECTRIC "El Dorado's Gold" ^^That's my band. This is shameless self-promotion!! Learn more about your ad choices. Visit megaphone.fm/adchoices

Lama Zopa Rinpoche explains why Buddha manifested relics. He says that it was explained in the Golden Light Sutra that the Buddha showed a short lifespan to benefit sentient beings. The activity of passing away and leaving relics shows the skillful means of the Buddha. By prostrating, making offerings, and serving the relic, you are able to abandon the eight non-freedoms. You will also meet a virtuous friend, not give up bodhicitta, increase unimaginable merit, and quickly go beyond samsara. Also, each time you see Buddha's relic, it purifies one thousand eons of negative karma.Rinpoche says that one time he went to Chenrezig Institute and noticed that the atmosphere had changed. It had become very peaceful and calm. Then, he realized it was because of the new prayer wheel. This was one of the first prayer wheels in the FPMT organization. Rinpoche says that the prayer wheel inspiration came from Geshe Lama Konchog, who told him where he could find a text that refers to the incredible benefits of prayer wheels. Rinpoche read this text, put it on his head, and declared that he would spread this practice all over the world.Rinpoche talks about Geshe Lama Konchog, who left five-colored relics. He says that these relics are very unusual; they indicate someone who has attained Buddha's five wisdoms. Rinpoche praises the way Geshe Lama Konchog lived austerely and practiced Dharma.Rinpoche also discusses Zina's life story and the emergence of the FPMT organization. He talks about how they first met in Darjeeling and how she passed away while doing a long retreat in Nepal. Rinpoche says that he checked with two lamas, and both asserted that she had gone to a pure realm.From April 10 to May 10, 2004, Lama Zopa Rinpoche gave extensive teachings during the Mahamudra Retreat at Buddha House in Australia. While the retreat focused on Mahamudra, Rinpoche also taught on a wide range of Lamrim topics. This retreat marked the beginning of a series of month-long retreats in Australia. Subsequent retreats were held in 2011, 2014, and 2018, hosted by the Great Stupa of Universal Compassion in Bendigo.Find out more about Lama Zopa Rinpoche, his teachings and projects at https://fpmt.org/

EPYSODE 63: "Six Ways To The Ace" by As Sheriff. Guests: As Sheriff band members Reid Hudson and Andy Godon, Supreme Echo record label owner Jason Flower. Additional commentary by Uncle Herff. This week we dig deep into the hazy archives of Canada's late-60s underground with "Six Ways to the Ace", a new release from Supreme Echo featuring the long-lost recordings of As Sheriff. Emerging from the Victoria/Vancouver scene, As Sheriff blended shimmering folk harmonies with a psychedelic edge, a sound as coastal as it was cosmic. We explore how these reels of tape survived half a century, what they reveal about a vibrant yet overlooked West Coast music scene, and how bassist Reid Hudson's journey from local gigs to May Blitz links this forgotten band to the heavier chapters of rock history. This album is a revelation...and a resurrection. I hope you dig "Six Ways To The Ace" as much as I do. - Farmer John ===CONNECT & SUPPORT=== Transport yourself into the realm of grooviness by supporting us on Patreon using this link --> patreon.com/FarmerJohnMusic Use this link to follow us on Facebook --> https://www.facebook.com/farmerjohnmusic/ Use this link to follow us on Instagram --> https://www.instagram.com/vinylrelics/ Use this link to follow us on TikTok --> https://www.tiktok.com/@vinylrelicspodcast Use this link to follow us on BlueSky --> https://bsky.app/profile/farmerjohnmusic.bsky.social And find us on X @VinylRelicsPod Email me @  ⁠farmerjohnmusic@gmail.com⁠ ===LINKS=== Check out Supreme Echo's stuff here: https://supremeecho.com The As Sheriff songs are not available on Spotify, but you can hear them hear on Bandcamp: https://supremeecho.bandcamp.com/album/as-sheriff   ===THE MUSIC=== Songs used in order of appearance. There is no Spotify playlist available for this Epysode as the album is not available there. Please see the Bandcamp link above to stream the tracks of the album. STAINED GLASS “Soap And Turkey" JEFFERSON AIRPLANE “Somebody To Love” PETER, PAUL & MARY “Leaving On A Jet Plane” THE DOORS "Roadhouse Blues" (live) THE PEANUT BUTTER CONSPIRACY “Too Many Do” AS SHERIFF "Palm Fronds" AS SHERIFF "It Makes Your Eyes Hurt" AS SHERIFF "32-20" AS SHERIFF "Chocolate Guitar" AS SHERIFF "Stark Naked When The Phone Rang" AS SHERIFF "Head Of Stake" AS SHERIFF "Jerry The Junker" AS SHERIFF "When She Comes" AS SHERIFF "Red Hot Spicy Rich Racy Rare Daring Risqué" AS SHERIFF "His Father's Good Machine" AS SHERIFF "Six Ways To The Ace" AS SHERIFF "Crying Shame" CHEECH AND CHONG "Marijuana" HYDRO ELECTRIC STREETCAR “Gardens And Flowers” STONEDELIGHT “Reach Out For Me” NOON TIDE “On A Lifeline” THE TIGER FOOT STUDIO BAND “Sometimes You Win, Sometimes You Lose”  MAY BLITZ "Smoking The Day Away" NEWPORT ELECTRIC "El Dorado's Gold" ^^That's my band. This is shameless self-promotion!! Learn more about your ad choices. Visit megaphone.fm/adchoices

Fluent Fiction - Norwegian: Astrid's Arctic Journey: A Quest for Relics & Resilience Find the full episode transcript, vocabulary words, and more:fluentfiction.com/no/episode/2025-11-26-23-34-02-no Story Transcript:No: Himmelen var grå, nesten ugjennomtrengelig.En: The sky was gray, almost impenetrable.No: Snøen falt tungt i den kalde polarvinden.En: Snow fell heavily in the cold polar wind.No: Arktiske tundraen strakte seg uendelig i alle retninger, et kaldt teppe av hvitt under iskalde skyer.En: The Arctic tundra stretched endlessly in all directions, a cold blanket of white under icy clouds.No: Astrid snublet gjennom snøen, omsluttet av stormens vrede.En: Astrid stumbled through the snow, enveloped by the storm's fury.No: Hun kjempet mot kulden og hvitheten som omsluttet henne.En: She fought against the cold and the whiteness that surrounded her.No: Hun var alene.En: She was alone.No: Astrid hadde en drøm.En: Astrid had a dream.No: Hun ønsket å finne et sjeldent artefakt, en nøkkel til fortiden.En: She wanted to find a rare artifact, a key to the past.No: Denne drømmen førte henne til Arktis sammen med teamet sitt.En: This dream led her to the Arctic with her team.No: Lars og Erik var med henne, men nå var de et sted bak det hvite sløret.En: Lars and Erik were with her, but now they were somewhere behind the white veil.No: Stormen hadde skilt dem.En: The storm had separated them.No: Med vinden som skrek i ørene, vurderte Astrid mulighetene sine.En: With the wind screaming in her ears, Astrid considered her options.No: Hun kunne fortsette å søke, men det ville være risikabelt.En: She could continue to search, but it would be risky.No: Eller hun kunne prøve å finne ly, overleve natten, og vente på Lars og Erik.En: Or she could try to find shelter, survive the night, and wait for Lars and Erik.No: Hennes indre stemme tvilte.En: Her inner voice doubted.No: "Er jeg ikke god nok?En: "Am I not good enough?"No: " tenkte hun.En: she thought.No: "Trenger jeg denne suksessen for å bevise noe?En: "Do I need this success to prove something?"No: "Men selv tvilen kunne ikke stanse den ild som brant i hennes hjerte.En: But even the doubt could not extinguish the fire burning in her heart.No: Så, gjennom snøflakene, så hun noe som lignet en ledetråd.En: Then, through the snowflakes, she saw something resembling a clue.No: En gammel, forfallen stein stod der i kulden.En: An old, dilapidated stone stood there in the cold.No: Inskripsjonene var nesten uleselige, men de inneholdt noe viktig om artefaktets plassering.En: The inscriptions were almost illegible, but they contained something important about the artifact's location.No: Astrid kjente stormens krefter øke.En: Astrid felt the storm's forces increase.No: Hun måtte velge.En: She had to choose.No: Forsette jakten eller finne sikkerhet?En: Continue the hunt or find safety?No: Med tårer som frøs på kindene, innså hun sannheten.En: With tears freezing on her cheeks, she realized the truth.No: Livet hennes betydde mer enn en gjenstand.En: Her life meant more than an object.No: Mer enn en drøm.En: More than a dream.No: Hun snudde seg mot tryggheten, mot livet.En: She turned towards safety, towards life.No: Tanken på Lars og Erik, hennes kjære kollegaer, minnet henne om at hun ikke var alene.En: The thought of Lars and Erik, her beloved colleagues, reminded her that she was not alone.No: Da stormen endelig ga slipp, var det som om hele verden pustet ut.En: When the storm finally subsided, it was as if the entire world exhaled.No: Astrid var utslitt, men lykkelig over sin beslutning.En: Astrid was exhausted, but happy with her decision.No: Lars og Erik fant henne ved lyet.En: Lars and Erik found her at the shelter.No: De hadde også funnet nye ledetråder, men deres største funn var Astrid selv – trygg og i live.En: They had also found new clues, but their greatest discovery was Astrid herself—safe and alive.No: Hun innså hvor takknemlig hun var for vennskapet deres.En: She realized how grateful she was for their friendship.No: Ikke bare for artefakter, men for livet og de som delte det med henne.En: Not just for artifacts, but for life and those who shared it with her.No: Under den klare stjernehimmel, i den kalde, arktiske luften, følte Astrid en varm ro.En: Under the clear starry sky, in the cold, Arctic air, Astrid felt a warm calm.No: Hun hadde lært å verdsette seg selv og de rundt henne.En: She had learned to appreciate herself and those around her.No: Mer enn bare en forsker, var hun en venn, et menneske, fylt med livgivende takknemlighet.En: More than just a researcher, she was a friend, a human being, filled with life-giving gratitude.No: De tre sto sammen, klare til å ta neste steg, men nå med større forståelse for hva som virkelig betyr noe.En: The three stood together, ready to take the next step, but now with a greater understanding of what truly matters. Vocabulary Words:impenetrable: ugjennomtrengeligtundra: tundraenstumbled: snubletenveloped: omsluttetfury: vredeartifact: artefaktveil: sløretscreaming: skrekrisky: risikabeltshelter: lysurvive: overleveextinguish: stanseresembling: lignetdilapidated: forfalleninscriptions: inskipsjoneneillegible: uleseligeforces: kreftertruth: sannhetenobject: gjenstandsubside: ga slippexhaled: pustet utexhausted: utslittgrateful: takknemligappreciate: verdsattecalm: rogratitude: takknemlighetendlessly: uendeligconsidered: vurdertelegible: leseligebeloved: kjære

EPYSODE 62: "Crazy Horse Roads" by Stained Glass. Guest: Stained Glass drummer Dennis Carrasco. Additional commentary by Uncle Herff. This week we trace the winding, electric path of Stained Glass through their powerful and often-overlooked 1970 album "Crazy Horse Roads", a burst of psychedelic energy from a band caught in the shifting tides of the West Coast scene. With exclusive commentary from original drummer Dennis Carrasco, we explore the album's varied styles, a stark evolution from their earlier, harmony-rich garage-psych sound. We dive into the tracks and the story as Carrasco offers rare insight into the band's creative crossroads. Recorded as the psychedelic '60s gave way to the introspective '70s, this album is an underrated gem that is deserving of more attention. I hope you dig "Crazy Horse Roads" as much as I do. - Farmer John ===CONNECT & SUPPORT=== Transport yourself into the realm of grooviness by supporting us on Patreon using this link --> patreon.com/FarmerJohnMusic Use this link to follow us on Facebook --> https://www.facebook.com/farmerjohnmusic/ Use this link to follow us on Instagram --> https://www.instagram.com/vinylrelics/ Use this link to follow us on TikTok --> https://www.tiktok.com/@vinylrelicspodcast Use this link to follow us on BlueSky --> https://bsky.app/profile/farmerjohnmusic.bsky.social And find us on X @VinylRelicsPod Email me @ ⁠farmerjohnmusic@gmail.com⁠   ===THE MUSIC=== Songs used in this Epysode, in order of appearance. Here's a link to a Spotify playlist for all the tracks featured. *denotes track is not available on Spotify: https://open.spotify.com/playlist/00iIL9mL8e61OeZIsB3kPy?si=e1051904fe8241c4 MU "Ain't No Blues" LINK WRAY “Jack The Ripper” *THE TROLLS “Walkin' Shoes” STAINED GLASS “If I Needed Someone” STAINED GLASS “We Got A Long Way To Go” STAINED GLASS “A Scene In Between” STAINED GLASS "I Sing You Sing" STAINED GLASS "Finger Painting" STAINED GLASS "Soap And Turkey" STAINED GLASS "Twiddle My Thumbs" STAINED GLASS "Fahrenheit" STAINED GLASS "Nightcap" STAINED GLASS "Horse On Me" STAINED GLASS "Two Make One" STAINED GLASS "Light Down Below" STAINED GLASS "Piggy Back Ride And The Camel" STAINED GLASS "Doomsday" *STAINED GLASS “Mad Lynn Ball” *STAINED GLASS “A Common Thief” *STAINED GLASS “Inca Treasure” COPPERHEAD “They're Making A Monster” JEFFERSON STARSHIP “Jane” DENNIS CARRASCO “Thunder Bay” ??MYSTERY ARTIST?? Tune in next week to find out... NEWPORT ELECTRIC "El Dorado's Gold" ^^That's my band. This is shameless self-promotion!!   Learn more about your ad choices. Visit megaphone.fm/adchoices

The NETwork struggles with a decision about their Relics, realizing that someone maybe using them to spy. Meanwhile Ernst has a clandestine meeting with the higher ups of his church. Frey finishes his bubble bath, Uther complains about breakfast, Stynexx "makes" a War Ostrich poop, and Ernst stays on The Path.Find us on Our NEW Discord Server! Crittalkers Community Hit us up with any questions or comments:Insta @crittalkerspodcastFacebook: crittalkerspodcastX: @Crittalkerspodor drop us an emailthecast@crittalkerspodcast.comMusic/Sound Effects Include:Recap voice acting by Jennifer Millard, written by Jake PrewittFrey is played by Britt H.Uther is played by Shane FStynexx is played by Chris A."Camera Flash" by MalarBrush"The Details Intro" by Ryan S."The Details Long" by Ryan S."Rest of The Fallen" by GuilhermeBernardes via Pixabay"Comedy - Detective" by Onoychenkomusic via Pixabay"Chamber Strings" by SigmaMusicArt via Pixabay"Dizzy ellectric bolt spell 1" by FxProSound via Pixabayhttps://the-crittalkers-podcast.captivate.fm/acadeconUse code crittalkers5 for $5 off on all badges!Additional Royalty free Music and SFX Credits that were found via Pixabay:Vintage Camera Flash Powder and Shutter by freesound_communityBATHTUB water by freesound_communityOpening Door by SoundRealityDark Background by UniversfieldDark Wave by Bransboyndpower down by freesound_communitySfx6 - Horror Suspense [Hiding - Heartbeat] (loop) by Data_pionKiss by VoiceBoschKnock on door by freesound_communityOpening letter and handling paper by freesound_communityPots and Pans Clatter 1 by freesound_communityCinematic Impact Hit by UniversfieldHens_country ambience by freesound_communityGentle Contemplation Emotional Piano and Guitar by UniqueCreativeAudioSpring Birds Loop with Low-Cut (New Jersey) by freesound_communityMain Door Opening-Closing by freesound_communityThe Beat of Nature by folk_acousticDark guitar atmosphere by Danilov_MixingLeather Jacket Wooshes by freesound_communityPounding One Time On A Wooden Table by freesound_communityCinematic Music Loop - Investigative Heist by SonicanSnoring by freesound_communitySuspense Tension Background Music by original_soundtrackBarn wooden sliding door by nematokiYour Game (Comedy) by Monument_Musicfart,bum,trumpet,poop by freesound_community

Join us as we spill the salty tears and secret sauces behind the shuttered restaurants that once made our park days magical. From the legendary Adventurers Club where the walls talked (and the drinks fought back) to the Big Thunder Ranch BBQ that gave you the best bang-for-the-buck, this episode is a roller-coaster of nostalgia (no height requirement needed). 62 Minutes.

EPYSODE 61: "MU" by MU. Guest: Merrell Fankhauser. Additional commentary by Uncle Herff. This week we journey into the cosmic unknown with "MU" , the cult 1971 debut album from Merrell Fankhauser's post-H.M.S. Bounty band, formed with ex-Captain Beefheart guitarist Jeff Cotton (aka Antennae Jimmy Semens). With exclusive commentary from Merrell himself, we uncover the origins of the band's name (a nod to the mythical lost continent of MU), the spiritual inspiration behind the tracks, and the band's eventual migration to Maui in search of metaphysical truth and better vibes. Blending desert blues, psychedelic folk, and exploratory jam-rock, "MU"  is a hidden gem of the early '70s underground, one that has quietly influenced generations of psych-heads, crate-diggers, and cosmic seekers. If you've ever wondered what happens when acoustic blues, psychedelia, and esoteric mysticism collide, this epysode is your portal. I hope you dig "MU" as much as I do. - Farmer John ===CONNECT & SUPPORT=== Transport yourself into the realm of grooviness by supporting us on Patreon using this link --> patreon.com/FarmerJohnMusic Use this link to follow us on Facebook --> https://www.facebook.com/farmerjohnmusic/ Use this link to follow us on Instagram --> https://www.instagram.com/vinylrelics/ Use this link to follow us on TikTok --> https://www.tiktok.com/@vinylrelicspodcast Use this link to follow us on BlueSky --> https://bsky.app/profile/farmerjohnmusic.bsky.social And find us on X @VinylRelicsPod Email me @  ⁠farmerjohnmusic@gmail.com⁠   ===THE MUSIC=== Songs used in this Epysode, in order of appearance. Here's a link to a Spotify playlist for all the tracks featured. ( *denotes track is not available on Spotify): https://open.spotify.com/playlist/7zoCf4Tjkj8zhV9vprdg6R?si=31718efdba754015 MERRELL FANKHAUSER AND H.M.S. BOUNTY “Things (Goin' Round In My Mind)” MERRELL & THE EXILES “Tomorrow's Girl” CAPTAIN BEEFHEART & HIS MAGIC BAND “Son Of A Mirror Man - Mere Man” CAPTAIN BEEFHEART & HIS MAGIC BAND “Moonlight On Vermont” CAPTAIN BEEFHEART & HIS MAGIC BAND “My Human Gets Me Blues” MU "Ain't No Blues" MU "Ballad Of Brother Lew" MU "Blue Form" MU "Interlude" MU "Nobody Wants To Shine" MU "Eternal Thirst" MU "Too Naked For Demetrius" MU "Mumbella Baye Tu La" MU "The Clouds Went That Way" *MU “Land Of Mu” *MU “Make A Joyful Noise” MERRELL FANKHAUSER “The Wind Cries Maui” MERRELL FANKHAUSER “Dharmic Connection” MERRELL FANKHAUSER “On Our Way To Hana” HARRY NILSSON “Joy” *MERRELL FANKHAUSER & WILLIE NELSON “Wipe Out” (Live) *MERRELL FANKHAUSER “California Cosmic Jam” ??MYSTERY ARTIST?? Tune in next week to find out... NEWPORT ELECTRIC "So It Goes" ^^ That's my band. This is shameless self-promotion!!   Learn more about your ad choices. Visit megaphone.fm/adchoices

Join me as I review Relics and Omens edited by Margaret Weis and Tracy Hickman live! Share your thoughts on this first Tales of the Fifth Age anthology, released by Wizards of the Coast on January 1, 1998.

Just when you thought 14 reasons was enough, there's more. Today we will look at 12 MORE reasons why Catholicism and Orthodoxy have NOTHING to do with the early 1st century Church. * 00:00 - Introduction* 05:50 - Review * 50:36 - Indulgences * 55:23 - Easter* 1:01:50 - Relics* 1:20:50 - Evangelization* 1:26:22 - Monasteries * 1:38:34 - Feast Days* 1:51:48 - Orders* 2:00:05 - Oaths* 2:03:52 - Symbols* 2:39:03 - Crusades & Inquisitions* 3:20:11 - Costumes* 3:26:52 - Head Coverings* 3:40:41 - Final Thoughts This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.danceoflife.com/subscribe

EPYSODE 60: "Things!" by Merrell Fankhauser & H.M.S. Bounty. Guest: Merrell Fankhauser. Additional commentary by Uncle Herff. This week we resurrect one of the most intriguing and overlooked gems of the psychedelic era: "Things!", the lone LP by Merrell Fankhauser and H.M.S. Bounty. With exclusive commentary from Merrell himself, we journey through the album's sun-soaked melodies, acid-drenched lyrics, and fuzzed-out textures that reflect California's transition from surf rock innocence to psychedelic introspection. Hear the backstory behind the tracks plus tales from the band's brief brush with fame. We explore how Fankhauser's surf and folk-rock pedigree (The Impacts, Fapardokly) evolved into something stranger and more visionary, making "Things! " a cult classic among garage-psych collectors and psychedelic historians alike. Whether you're a crate-digger, lysergic listener, or new to the psych-pop underground, this epysode is a front-row seat to the making of a lost masterpiece. I hope you dig "Things!" as much as I do. - Farmer John ===CONNECT & SUPPORT=== Transport yourself into the realm of grooviness by supporting us on Patreon using this link --> patreon.com/FarmerJohnMusic Use this link to follow us on Facebook --> https://www.facebook.com/farmerjohnmusic/ Use this link to follow us on Instagram --> https://www.instagram.com/vinylrelics/ Use this link to follow us on TikTok --> https://www.tiktok.com/@vinylrelicspodcast Use this link to follow us on BlueSky --> https://bsky.app/profile/farmerjohnmusic.bsky.social And find us on X @VinylRelicsPod Email me @ ⁠farmerjohnmusic@gmail.com⁠   ===THE MUSIC=== Songs used in this Epysode, in order of appearance. Here's a link to a Spotify playlist for all the tracks featured: https://open.spotify.com/playlist/1iWlPhXKF0MZB7xMGUpjQB?si=cf7688c8e1a9444b JOHN KONGOS "He's Gonna Step On You Again" THE IMPACTS “Revellion” THE IMPACTS “Wipe Out" MERRELL & THE EXILES “Can't We Get Along” MERRELL & THE EXILES “Run Baby Run” MERRELL & THE EXILES “Tomorrow's Girl” FAPARDOKLY “Mr. Clock” FAPARDOKLY “Lila” FAPARDOKLY “Gone To Pot” MERRELL FANKHAUSER & H.M.S. BOUNTY "Things (Goin' Round In My Mind) MERRELL FANKHAUSER & H.M.S. BOUNTY "Girl (I'm Waiting For You) MERRELL FANKHAUSER & H.M.S. BOUNTY "What Does She See In You" MERRELL FANKHAUSER & H.M.S. BOUNTY "Lost In The City" MERRELL FANKHAUSER & H.M.S. BOUNTY "Your Painted Lives" MERRELL FANKHAUSER & H.M.S. BOUNTY "Drivin' Sideways (Down A One Way Street)" MERRELL FANKHAUSER & H.M.S. BOUNTY "In A Minute Not Too Soon" MERRELL FANKHAUSER & H.M.S. BOUNTY "A Visit With Ashiya" MERRELL FANKHAUSER & H.M.S. BOUNTY "The Big Gray Sky" MERRELL FANKHAUSER & H.M.S. BOUNTY "Rich Man's Fable" MERRELL FANKHAUSER & H.M.S. BOUNTY "Ice Cube Island" MERRELL FANKHAUSER & H.M.S. BOUNTY "Madame Silky" MERRELL FANKHAUSER & H.M.S. BOUNTY "I'm Flying Home" MERRELL FANKHAUSER “Tampa Run” MU "Mumbella Baye Tu La" Learn more about your ad choices. Visit megaphone.fm/adchoices

Archbishop Eamon Martin reflects on the life and death of his predecessor Oliver Plunkett. Born 400 years ago this weekend, the saint's head is preserved in St Peter's Church in Drogheda. Mark Devenport is joined by Dr Niamh Wycherley and John Thavis to discuss the role of relics in the 21st century.The Pulitzer Prize-winning New York Times Africa correspondent Declan Walsh explains the background to violence and killings in south west Sudan.And on All Souls Day, grief bots and avatars promise to preserve our loved ones from beyond the grave. Dr Elaine Storkey, Dr Nathan Mladin and Professor Victoria Haneman discuss the ethical concerns to what some see as compassionate technology and others dismiss as a sinister intrusion into the painful process of bereavement.

EPYSODE 59: "Kongos" by John Kongos. Guest: John Kongos. Additional commentary by Uncle Herff. This week we drop the needle on "Kongos", the 1972 cult-favourite album that fused glam rock, African rhythms, early sampling, and psychedelic textures long before such mashups became the norm. With exclusive commentary from John Kongos, we explore the bold studio experimentation behind tracks like “He's Gonna Step on You Again”, a UK Top 5 hit that famously used tape loops and tribal drums, influencing artists from Happy Mondays to U2. Kongos shares firsthand stories about working with producer Gus Dudgeon (Elton John), the intense sessions at Trident Studios, and how the album's futuristic sound puzzled critics but built a cult following that still grows today. This is a deep-dive into one of the most forward-thinking albums of the era...one that sounds as vital now as it did over 50 years ago. I hope you dig "Kongos" as much as I do. - Farmer John ===CONNECT & SUPPORT=== Transport yourself into the realm of grooviness by supporting us on Patreon using this link --> patreon.com/FarmerJohnMusic Use this link to follow us on Facebook --> https://www.facebook.com/farmerjohnmusic/ Use this link to follow us on Instagram --> https://www.instagram.com/vinylrelics/ Use this link to follow us on TikTok --> https://www.tiktok.com/@vinylrelicspodcast Use this link to follow us on BlueSky --> https://bsky.app/profile/farmerjohnmusic.bsky.social And find us on X @VinylRelicsPod Email me @ ⁠farmerjohnmusic@gmail.com⁠   ===THE MUSIC=== Songs used in this Epysode, in order of appearance. Here's a link to a Spotify playlist for all the tracks featured ( *denotes track is not available on Spotify): https://open.spotify.com/playlist/03Hc0ElOSr7zerfpLArswj?si=0c7745a5dafb4a61 WILLIE NILE "Vagabond Moon" TOMMY STEELE “Rock With The Caveman” CHET ATKINS “Mr. Sandman” ARTISTS AGAINST APARTHEID “Sun City” THE G-MEN “Campbell's Rock” *JOHNNY KONGOS & THE G-MEN “Cruel Sea” JOHNNY KONGOS & THE G-MEN “It's All Over Now” JOHNNY KONGOS “Little Boy Cryin'” JOHN T. KONGOS “I Love Mary” FLORIBUNDA ROSE “Linda Loves Linda” SCRUGG “Lavender Popcorn” DALIAH LAVI “Oh, wann kommst du?” JOHN KONGOS “Confusions About A Goldfish” JOHN KONGOS “Blood” JOHN KONGOS “Amendment To Confusions About A Goldfish” JOHN KONGOS “Seat By The Window” DAVID BOWIE “The Laughing Gnome” ELTON JOHN “Your Song” JOHN KONGOS "Tokoloshe Man" JOHN KONGOS "Jubilee Cloud" JOHN KONGOS "Gold" JOHN KONGOS "Lift Me From The Ground" JOHN KONGOS "Come On Down Jesus" JOHN KONGOS "I Would Have Had A Good Time" STEPHEN STILLS "Love The One You're With" JOHN KONGOS "Try To Touch Just One" RALPH McTELL "Streets Of London" JOHN KONGOS "Tomorrow I'll Go" JOHN KONGOS "He's Gonna Step On You Again" JOHN KONGOS “Higher Than God's Hat” *JOHN KONGOS “Ride The Lightning” JOHN KONGOS “I'm Dreaming” *JOHN KONGOS “Blind Date” THE HAPPY MONDAYS “Step On” JOHN KONGOS “Nature's Game” KONGOS “I Am Not Me” ??MYSTERY ARTIST?? Tune in next week to find out... NEWPORT ELECTRIC "If Wishes Were Horses" ^^ That's my band. This is shameless self-promotion!!   Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you ever wondered why Catholics venerate saints and relics? Discover the intricate process of canonization and the significance of relics. Angela Sealana and Jason Nunez discuss the importance of these traditions in our faith journey. In this episode, you will discover: Why do Catholics care so much about relics? Where did this practice originate? How is devotion to the saints in line with the Christian faith? Click here to visit the official webpage for this episode. Get More Out of Your Journey: Who Are My Patron Saints? Jewel for the Journey: "Let us become saints so that after having been together on earth, we may be together in Heaven." - St. Pio of Pietrelcina Do you like what you hear? Become a Missionary of Hope by sponsoring a week of Journeys of Hope. Click here to get started. Learn more at https://pilgrimcenterofhope.org/media-and-resources/all-media-series/journeys-of-hope.html Help us spread hope! https://pilgrimcenterofhope.org/support

Near-Death experiences, demon-possessed cars, miraculous lottery wins, and miracles that seem absolutely unbelievable – this week on the show I'm by Dr. John Sottosanti, an atheist surgeon, to tell his outrageous conversion to Catholicism and a deeper faith in Christ. Raised nominally Catholic, John drifted away from the faith an into a successful dental practice but was hounded – haunted, even – by the Catholicism of his childhood. Confronted, again and again, by the most incredible miracles this is the story of the "Hound of Heaven," and His pursuit of even the one lost sheep – until he came back into the fold. This is such an amazing story. John is an incredible storyteller!For more from John visit his website. Send your feedback to cordialcatholic@gmail.com. Sign up for our newsletter for my reflections on  episodes, behind-the-scenes content, and exclusive contests.To watch this and other episodes please visit (and subscribe to!) our YouTube channel.Please consider financially supporting this show! For more information visit the Patreon page.  All patrons receive access to exclusive content and if you can give $5/mo or more you'll also be entered into monthly draws for fantastic books hand-picked by me.If you'd like to give a one-time donation to The Cordial Catholic, you can visit the PayPal page.Thank you to those already supporting the show!Theme Music: "Splendor (Intro)" by Former Ruins. Learn more at formerruins.com or listen on Spotify, Apple Music,A very special thanks to our Patreon co-producers who make this show possible: Amanda, Elli and Tom, Fr. Larry, Gina, Heather, James, Jorg, Michelle, Noah, Robert, Shelby, Susanne and Victor, and William.Beyond The BeaconJoin Bishop Kevin Sweeney for inspired interviews with Christians living out their faith!Listen on: Apple Podcasts SpotifySupport the showFind and follow The Cordial Catholic on social media:Instagram: @cordialcatholicTwitter: @cordialcatholicYouTube: /thecordialcatholicFacebook: The Cordial CatholicTikTok: @cordialcatholic

(00:00:00) Lunar Relics and Interstellar Insights: Discoveries from the Moon and Comet 3I ATLAS (00:00:46) Relics of the outer solar system discovered on the Moon (00:03:30) Insights from interstellar comet 3I ATLAS (00:07:31) SpaceX's Starship Mega rocket test flight (00:23:54) The Science report (00:31:46) Episode Wrap In this episode of SpaceTime, we explore remarkable discoveries that provide new insights into our solar system and beyond.Relics of the Outer Solar System Found on the MoonA groundbreaking study reveals that meteorites found on the Moon originated from the outer solar system. Researchers from the Chinese Academy of Sciences have identified olivine-bearing clasts from lunar regolith collected by the Chang'e 6 mission. These relics, believed to be carbonaceous chondrites, offer critical information about the formation and evolution of planets. The findings suggest that the Moon serves as a pristine archive for meteorites, with implications for understanding the origins of lunar water and organic materials.Interstellar Comet 3I ATLAS: Insights into Alien Solar SystemsThe interstellar comet 3I ATLAS is revealing fascinating details about the composition of other solar systems. New observations indicate that 3I ATLAS has been active longer than expected, releasing various molecules as it travels through our solar system. This segment discusses how the comet's behavior challenges existing assumptions about comet activity and provides clues about the materials present in distant star systems.SpaceX's Starship Mega Rocket Test FlightSpaceX has successfully completed its 11th test flight of the Starship Mega rocket, demonstrating significant advancements in its design and capabilities. The mission involved various maneuvers, including hot staging and payload deployment, as well as tests of the spacecraft's reentry and landing procedures. This episode highlights the importance of these tests for future missions to the Moon and Mars, as SpaceX continues to refine the Starship for interplanetary travel.www.spacetimewithstuartgary.com✍️ Episode ReferencesProceedings of the National Academy of Scienceshttps://www.pnas.org/Astrophysical Journal Lettershttps://iopscience.iop.org/journal/2041-8205Become a supporter of this podcast: https://www.spreaker.com/podcast/spacetime-your-guide-to-space-astronomy--2458531/support.Relics of the Outer Solar System Found on the MoonInterstellar Comet 3I ATLAS: Insights into Alien Solar SystemsSpaceX's Starship Mega Rocket Test Flight

Do Catholics have the only real Bible? Can I attend a Hindu Diwali? Join us for Open Line Friday with Colin Donovan.

EPYSODE 58: "Willie Nile", by Willie Nile. Guest: Willie Nile. Additional commentary by Uncle Herff. This week we spotlight the electric, poetic debut of Willie Nile, whose 1980 self-titled album emerged straight from the streets of New York's post-punk underground and instantly drew comparisons to Dylan, Springsteen, and Lou Reed. With exclusive commentary from Willie himself, we revisit the making of this cult classic, recorded in the heart of Manhattan during a time when punk grit met folk wisdom. From the raw energy of “Vagabond Moon” to the street-lit soul of “That's the Reason,” Nile reflects on the scenes and sounds that shaped his early songs. Discovered by Clive Davis and praised by The Who, this album remains a landmark for fans of literate rock 'n' roll. Whether you're discovering it for the first time or dropping the needle again, this epysode captures the urgency and charm of an artist who's never stopped chasing truth through song. Spoiler alert: he's still going strong. His newest album may be his best... I hope you dig "Willie Nile" as much as I do. - Farmer John ===CONNECT & SUPPORT=== Transport yourself into the realm of grooviness by supporting us on Patreon using this link --> patreon.com/FarmerJohnMusic Use this link to follow us on Facebook --> https://www.facebook.com/farmerjohnmusic/ Use this link to follow us on Instagram --> https://www.instagram.com/vinylrelics/ Use this link to follow us on TikTok --> https://www.tiktok.com/@vinylrelicspodcast Use this link to follow us on BlueSky --> https://bsky.app/profile/farmerjohnmusic.bsky.social And find us on X @VinylRelicsPod Email me @ ⁠farmerjohnmusic@gmail.com⁠ ===LINKS=== Check Willie's website for merch, tour info, newsletters and more: https://www.willienile.com   ===THE MUSIC=== Songs used in this Epysode, in order of appearance. Here's a link to a Spotify playlist for all the tracks featured :  https://open.spotify.com/playlist/2sQoDlLmDaWVwdl09nL5k4?si=cb13ab47c0ee49f1 QUILL "Thumbnail Screwdriver" WILLIE NILE "God Laughs" WILLIE NILE "Life On Bleecker Street" BUDDY HOLLY & THE CRICKETS “Peggy Sue” THE BEATLES “I Want To Hold Your Hand” THE WHO “Can't Explain” TELEVISION “Marquee Moon” TALKING HEADS “Psycho Killer” ROBERT PALMER “Addicted To Love” WILLIE NILE "Vagabond Moon" WILLIE NILE "Dear Lord" WILLIE NILE "It's All Over" WILLIE NILE "Across The River" THE ROLLING STONES “Shattered” THE ROLLING STONES “She's So Cold” WILLIE NILE "She's So Cold" PATTI SMITH GROUP “Because The Night” WILLIE NILE "I'm Not Waiting" WILLIE NILE "That's The Reason" WILLIE NILE "They'll Build A Statue Of You" WILLIE NILE "Old Men Sleeping On The Bowery" WILLIE NILE "Behind The Cathedral" WILLIE NILE "Sing Me A Song" WILLIE NILE “I Like The Way” WILLIE NILE “Rite Of Spring” WILLIE NILE “Heaven Help The Lonely” WILLIE NILE “Streets Of New York” WILLIE NILE “Children Of Paradise” WILLIE NILE “An Irish Goodbye” WILLIE NILE “One Guitar” ??MYSTERY ARTIST?? Tune in next week to find out... NEWPORT ELECTRIC "Bad Idea" ^^ That's my band. This is shameless self-promotion!! Learn more about your ad choices. Visit megaphone.fm/adchoices

“Are relics biblical?” In this episode, we explore the significance of saint bones and the authenticity of relics, addressing questions like how the Church determines which objects become relics and whether any have performed miracles in modern times. We also discuss the placement of Eucharistic miracles in reliquaries and the distribution of relics across churches. Join The CA Live Club Newsletter: Click Here Invite our apologists to speak at your parish! Visit Catholicanswersspeakers.com Questions Covered: 02:15 – Is collecting saint bones biblical? 12:00 – How does the Church determine what objects become relics? 20:20 – Are there any instances of relics performing miracles in modern times? 44:03 – Why do they put Eucharistic miracles in a reliquary? Also I heard that Pope Francis put a stop to “cutting up” saints. Is that true? 49:15 – Where are all the relics? Are they all in the Vatican? Or do individual churches have relics? 52:20 – My wife was given a relic from her grandmother. We aren't sure about its authenticity. How should we treat this relic?

Fluent Fiction - Hebrew: Hidden Relics: Unveiling Secrets of a Forgotten Museum Find the full episode transcript, vocabulary words, and more:fluentfiction.com/he/episode/2025-10-17-22-34-02-he Story Transcript:He: באמצע הסתיו, בתקופת סוכות, הרוח הקרירה נשאה את ריח העלים הנפולים לתוך מוזיאון נטוש.En: In the middle of autumn, during the Sukkot holiday, the cool breeze carried the scent of fallen leaves into an abandoned museum.He: נהלים עתיקים עמדו בשורות, מוצלים באור המעומעם.En: Ancient artifacts stood in rows, shaded in dim light.He: יעל, היסטוריונית סקרנית עם עין חדה לפרטים, נעמדה בפתח המבנה הקודר.En: Yael, a curious historian with a keen eye for details, stood at the entrance of the somber building.He: היא איבדה את עבודתה לאחרונה, אבל נחישותה למצוא את השריד האבוד הייתה חזקה מתמיד.En: She had recently lost her job, but her determination to find the lost relic was stronger than ever.He: בתוך המוזיאון עמד אריאל, שומר ביטחון חדש בעיר.En: Inside the museum was Ariel, a new security guard in the city.He: הוא שמע שמועות על השריד העתיק שנעלם.En: He had heard rumors about the ancient relic that had gone missing.He: ניהול המוזיאון דרש לשמור על השקט כדי להימנע מחשיפה רעה.En: The museum management required him to maintain silence to avoid bad exposure.He: "אריאל," אמרה יעל, "אני חייבת למצוא את השריד.En: "Ariel," Yael said, "I must find the relic.He: זה יכול לשנות את חיי.En: It could change my life."He: " פניו של אריאל הראו התלבטות.En: Ariel's face showed hesitation.He: מזג האוויר קר, והחושך המתגנב מחוץ לחלונות גרם לו להרגיש מעט לא בנוח.En: The weather was cold, and the encroaching darkness outside the windows made him feel a bit uneasy.He: "מה תעשי אם תמצאי אותו?En: "What will you do if you find it?"He: " שאל אריאל בספקנות.En: Ariel asked skeptically.He: "אני רק רוצה את האמת," השיבה יעל.En: "I just want the truth," Yael replied.He: "וזה יעזור גם לך, נכון?En: "And it will help you too, right?He: לשמור על שמו הטוב של המוזיאון?En: To preserve the museum's good name?"He: "בכאב כתפיים, הסכים אריאל לעזור.En: With sore shoulders, Ariel agreed to help.He: הם החלו לסייר בין הגלריות הישנות, לוחשים כדי לא להעיר את הדממה הקרה ששלטה במוזיאון.En: They began to tour the old galleries, whispering so as not to disturb the cold silence that dominated the museum.He: אחרי זמן מה, הם גילו מעבר סודי, מוסתר מאחורי שטיח קיר גדול.En: After some time, they discovered a secret passage, hidden behind a large tapestry.He: בתוך המעבר היו רמזים לנתיב של השריד האבוד.En: Inside the passage were clues leading to the path of the lost relic.He: בעודם מתקדמים, הבינו שלא מדובר רק בגניבה פשוטה.En: As they advanced, they realized this was not just a simple theft.He: התברר שיש קבוצה בתוך המוזיאון שביקשה לשלוט בשרידים למטרות אישיות.En: It became evident that there was a group within the museum that sought to control the relics for personal purposes.He: לאחר מאמץ משותף, הצליחו יעל ואריאל לחשוף את השריד הנעלם.En: Through joint effort, Yael and Ariel managed to uncover the missing relic.He: המבט היהודי העתיק שב אל אור היום, וזהות השולטים הסודיים נחשפה.En: The ancient Jewish artifact returned to the light of day, and the identities of the secretive controllers were revealed.He: יעל חשה בסיפוק שהמאבק לא היה לשווא.En: Yael felt satisfied that the struggle was not in vain.He: אריאל, מצדו, הרגיש גאווה על יכולתו לנווט בסביבתו החדשה ולהגן על מה שנכון.En: Ariel, for his part, felt pride in his ability to navigate his new environment and protect what was right.He: בתמורה לעזרתם, הבטיח אריאל ליעל שהוא יספק את העדויות לחשיפת האמת.En: In return for their help, Ariel promised Yael that he would provide the evidence to expose the truth.He: השניים עמדו מחוץ למוזיאון, כשאבני הרצפה העתיקות חורקות מתחת לרגליהם.En: The two stood outside the museum, as the ancient floor stones creaked beneath their feet.He: הסתיו עטף את שניהם ברוגע, והם הבינו שלפעמים צריך לתת לאחרים לעזור לך ולהאמין ביכולותיהם, גם כשזה קשה.En: Autumn enveloped them both with calm, and they realized that sometimes you have to let others help you and believe in their abilities, even when it is difficult. Vocabulary Words:autumn: סתיוbreeze: רוח קרירהabandoned: נטושartifacts: נהלים עתיקיםsomber: קודרdetermination: נחישותrelic: שרידencroaching: המתגנבhesitation: התלבטותskeptically: בספקנותtruth: אמתpreserve: לשמורgalleries: גלריותdominance: שלטהtapestry: שטיח קירpassage: מעברeffort: מאמץexposure: חשיפהrumors: שמועותclues: רמזיםnavigate: לנווטuncover: לחשוףartifact: נהליםidentities: זהותcontrollers: שולטיםevidence: עדויותcreaked: חורקותcalm: רוגעvain: לשוואsatisfied: סיפוקBecome a supporter of this podcast: https://www.spreaker.com/podcast/fluent-fiction-hebrew--5818690/support.

EPYSODE 57: "Quill" by Quill. Guest: Quill band member Phil Thayer. Additional commentary from Uncle Herff. This week we spin the self-titled 1970 debut album by Quill, the Boston-based psychedelic rock band best known for opening day 2 of Woodstock and then seemingly vanishing into the mist of rock history. Featuring exclusive commentary from Phil Thayer, Quill's multi-instrumentalist, we dive into the stories behind the band's brief but electric rise, their unique fusion of psych, prog, and theatrical performance, and why their album never got the recognition it deserved...despite being on a major label. Whether you're a crate-digging psych-rock obsessive or discovering Quill for the first time, this deep dive is your backstage pass into one of rock's most fascinating "what could've been" stories. I hope you dig "Quill" as much as I do. - Farmer John ===CONNECT & SUPPORT=== Transport yourself into the realm of grooviness by supporting us on Patreon using this link --> patreon.com/FarmerJohnMusic Use this link to follow us on Facebook --> https://www.facebook.com/farmerjohnmusic/ Use this link to follow us on Instagram --> https://www.instagram.com/vinylrelics/ Use this link to follow us on TikTok --> https://www.tiktok.com/@vinylrelicspodcast Use this link to follow us on BlueSky --> https://bsky.app/profile/farmerjohnmusic.bsky.social And find us on X @VinylRelicsPod Email me @  ⁠farmerjohnmusic@gmail.com⁠ ===LINKS=== Listen to Quill's Woodstock performance here: https://www.youtube.com/watch?v=WmbfcDl7PsU&list=RDWmbfcDl7PsU&start_radio=1   ===THE MUSIC=== Songs used in this Epysode, in order of appearance. Here's a link to a Spotify playlist for all the tracks featured ( *denotes track is not available on Spotify): https://open.spotify.com/playlist/5W7dQDfLuVyj0LffsepJFc?si=fd38232f3f914454 *B.J. COLE "The Regal Progression" CREEDENCE CLEARWATER REVIVAL “Born On The Bayou” (live) BENNY GOODMAN & HIS ORCHESTRA “Sing, Sing, Sing” MOZART “Clarinet Concerto In A Major” THE ROLLING STONES “Come On” CREAM “Sunshine Of Your Love” BLUE CHEER “Parchment Farm” SANTANA “Soul Sacrifice” (live) *QUILL “Waiting For You” (live) *THE HOLLOW PINES “I Wish I Was At Woodstock” QUILL "Thumbnail Screwdriver" QUILL "The Tube Exuding" QUILL "They Live The Life" QUILL "BBY" QUILL "Yellow Butterfly" QUILL "Too Late" QUILL "Shrieking Finally" ??MYSTERY ARTIST?? Tune in next week to find out... NEWPORT ELECTRIC "If Wishes Were Horses" ^^ That's my band. This is shameless self-promotion!! Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the connection between relics and mysticism? In this episode, we look at how relics have played an important role throughout church history, including the relics of well-known mystics. Mysticism joins the heavenly realm with the earthly realm, and we find that relics can do the same. If you would like to order a copy of Dr. Carlos Eire's new book, "They Flew: A History of the Impossible," you can order a copy HERE (Yale University Press) or HERE (Amazon).If you have any questions, you can email us at christianmysticismpodcast@gmail.com. Your question and the answer may appear in a future episode of the podcast.You can visit our podcast website HERE. Hosted on Acast. See acast.com/privacy for more information.

10/16/25 - Journey with us to the historic Our Lady of Martyrs Shrine in Auriesville, New York, a sacred site where the blood of the North American Martyrs, including St. Isaac Jogues, St. René Goupil, and St. Jean de Lalande, consecrated the land to Christ. With the help of Bill Baaki, a member of the Shrine's Board of Directors, we'll explore the remarkable history of this holy place, its connection to early missionary work in North America, and its role in the conversion of St. Kateri Tekakwitha. This weekend, the shrine will host a powerful event featuring the exposition of sacred relics and a 7-mile Eucharistic procession that invites the faithful to deepen their devotion and bear public witness to the Real Presence. Whether you're a local pilgrim or discovering this shrine for the first time, today's show will inspire you to encounter Christ in a place where faith was tested, proven, and forever remembered.

Haven't posted in a while, sorry people. Been very busy around here. Please check out the introduction to my new book #Shroud-Pilled. Here is a link to order (may still be in pre-order depending on when you click the link: https://a.co/d/8v2o8TQAlso, please check out my last book, God's Eye View: https://a.co/d/cawRShB

Fr. Brad shares how a forgotten Old Testament story reveals the power of faith and holy relics in everyday life.Morning Offering, October 12, 2025Every morning, join Father Brad as he begins the day with prayer and reflection. In a few short minutes, Father Brad guides you in prayer, shares a brief reflection grounding your day in the Church's rhythm of feast days and liturgy, and provides you with the encouragement necessary to go forward with peace and strength. Disclaimer: The ads shown before, during, or after this video have no affiliation with Morning Offering and are controlled by YouTubeLet us do as the saints urge and begin our days in prayer together so as a community of believers we may join the Psalmist in saying, “In the morning, Lord, you hear my voice; in the morning I lay my requests before you and wait expectantly.” (Psalm 5:3-4)________________

EPYSODE 56: "The New Hovering Dog" by B.J. Cole. Guest: B.J. Cole. Additional commentary by my twin brother Maurice. This week we explore the adventurous 1972 solo album from legendary pedal steel guitarist BJ Cole. Known for his groundbreaking work with artists like Elton John, David Gilmour, and John Cale, BJ Cole fused progressive rock, country, and experimental textures into one of the most unique records of the early '70s. With exclusive commentary from BJ Cole himself, we uncover the inspirations, studio sessions, and collaborations that brought this cult classic to life. From its dazzling pedal steel work to its eclectic songwriting, this album remains a hidden gem for vinyl collectors and prog-country enthusiasts alike. I hope you dig "The New Hovering Dog" as much as I do. - Farmer John ===CONNECT & SUPPORT=== Transport yourself into the realm of grooviness by supporting us on Patreon using this link --> patreon.com/FarmerJohnMusic Use this link to follow us on Facebook --> https://www.facebook.com/farmerjohnmusic/ Use this link to follow us on Instagram --> https://www.instagram.com/vinylrelics/ Use this link to follow us on TikTok --> https://www.tiktok.com/@vinylrelicspodcast Use this link to follow us on BlueSky --> https://bsky.app/profile/farmerjohnmusic.bsky.social And find us on X @VinylRelicsPod Email me @ ⁠farmerjohnmusic@gmail.com⁠ ===LINKS=== Check out BJ's website here: https://bjcole.co.uk Brother Shaw's YouTube video discussing lap steel vs. pedal steel guitars: ⁠https://www.youtube.com/watch?v=wgp2TfSU6_k⁠ I used a portion of this clip from the “Read To Me” series. This installment is for Franz Kafka's “Investigations Of A Dog” ⁠https://www.youtube.com/watch?v=GoSWBkb0tjc⁠ I used a portion of Rick Beato's video discussing “Tiny Dancer” from his “What Makes This Song Great” series: ⁠https://www.youtube.com/watch?v=dijrGXvSS-g&list=RDdijrGXvSS-g&start_radio=1⁠ ===THE MUSIC=== Songs used in this Epysode, in order of appearance. There is no Spotify playlist for this Epysode as the featured album is not available. WISHBONE ASH "The King Will Come" BUCK OWENS "Together Again" THE SHADOWS "Man Of Mystery" THE SHADOWS "Apache" BARNEY KESSEL "Heat Wave" MERLE TRAVIS "Guitar Rag" SANTO & JOHNNY "Sleep Walk" PETE DRAKE "Forever" MESSIAEN "Quartet For The End Of Time" ALBERT LEE "Lay Lady Lay" WILLIE NELSON "Night Life" THE YARDBIRDS "Heart Full Of Soul" THE FLYING BURRITO BROTHERS "Sin City" COCHISE "Moment And The End" COCHISE "Axiom Of Maria" MICK GRABHAM "Let It All Down" NICK DRAKE "Way To Blue" BJ COLE "The Regal Progression" BJ COLE "The Cold Mountain Mariner" BJ COLE "Now You See Them, Now You Don't" BJ COLE "Up On The Hill Where They Do Do The Boogie" BJ COLE "You're Probably Lost" BJ COLE "Five Pieces For Steel Guitar & Percussion" BJ COLE "I Know Now" BJ COLE "The East Winchley Tango" ELTON JOHN "Tiny Dancer" NAZARETH "Country Girl" TRAPEZE "Coast To Coast" JOAN ARMATRADING "Down To Zero" THE VERVE "The Drugs Don't Work" JERRY DAVID DeCICCA "Morning Locket" BJ COLE "Window On The Deep" TERRY REID "Faith To Arise" ??MYSTERY ARTIST?? Tune in next week to find out... NEWPORT ELECTRIC "If Wishes Were Horses" ^ That's my band, this is shameless self-promotion! Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textLast week we ventured along the East Coast, specifically Florida's famed Space Coast to share the story of a civil rights couple who was killed by the KKK. We went a few miles inland to rewrite our old school programming about ancient civilizations thanks to scientific analysis of soft tissue matter, bones, bottle gourds and fabrics preserved for from 7-9,000 years ago, and this week? Well, the east coast can't have all the spotlight, can it? I'm looking closely at some of the weirdness along California's central coast.Let's get into it!This episode covers the death of James Dean and his cursed Little Bastard, the history and strange UFO/UAP sightings at Vandenberg Space Force Base, the Central Valley, Hearst Castle, a Zodiac killing, La Purisma Mission, and more.What to Read, Watch, or Listen to NEXT! Sister Irenita - A Very Special Halloween Episode, Curious Cat Podcast, BuzzsproutJames Dean's Obituary, LA Times***The TV Witch Accused of Casting the Hex that Killed James Dean, FarOutMagazine.co.ukSite Where James Dean Crashed, CaliforniaThroughMyLens.comUnearthing The Mysteries Of 'Egypt' In The Dunes Of The California CoastNational UFO Reporting OrganizationScientists solve deep-sea ‘Octopus Garden' mystery off California coastTen Commandments' Relics, Old Hollywood, Being Excavated from California Sand Dunes, LA TimesSecrets of Hearst Castle, CNNI don't accept sponsors and paid advertisers. I choose people, podcasts and authors I believe in to highlight in the ad segment. That's why I've been shining a spotlight on Derek Condit at Mystical Wares. He is both talented and generous with those gifts. Please give his books a look on the Mystical Wares website.Curious Cat Crew on Socials:Curious Cat on Twitter (X)Curious Cat on InstagramCurious Cat on TikTokArt Director, Nora, has a handmade, ethically-sourced jewelry company!

EPYSODE 55: "Argus" by Wishbone Ash. Guest: Wishbone Ash band leader Andy Powell. Additional commentary by Uncle Herff. This week we revisit "Argus", the landmark third album by Wishbone Ash. Widely regarded as one of the greatest classic rock albums of all time, it defined the twin-lead guitar sound and blended progressive rock, hard rock, and folk influences into a timeless masterpiece. With exclusive commentary from guitarist Andy Powell, we explore the creative process behind the album, the band's unique dual-guitar harmonies, and how this record earned its place as Melody Maker's Album of the Year in 1972. From “The King Will Come” to “Blowin' Free,” discover the stories and legacy behind one of the most influential rock records of the '70s. I hope you dig "Argus" as much as I do. - Farmer John ===CONNECT & SUPPORT=== Transport yourself into the realm of grooviness by supporting us on Patreon using this link --> patreon.com/FarmerJohnMusic Use this link to follow us on Facebook --> https://www.facebook.com/farmerjohnmusic/ Use this link to follow us on Instagram --> https://www.instagram.com/vinylrelics/ Use this link to follow us on TikTok --> https://www.tiktok.com/@vinylrelicspodcast Use this link to follow us on BlueSky --> https://bsky.app/profile/farmerjohnmusic.bsky.social And find us on X here @VinylRelicsPod Email me here @ ⁠farmerjohnmusic@gmail.com⁠ ===LINKS=== Check out the Wishbone Ash website for sweet merch, upcoming gigs and more: https://www.wishboneashofficial.com   ===THE MUSIC=== Songs used in this Epysode, in order of appearance. Here's a link to a Spotify playlist for all the tracks featured ( *denotes track is not available on Spotify): https://open.spotify.com/playlist/5dvd2t0Lt8pTc0wwjJUVx0?si=96728248d6c24ec7 TROYKA "Dear Margaret" CHUCK BERRY “No Particular Place To Go" THE SHADOWS “Apache” SAM & DAVE “Hold On, I'm Coming” *THE EMPTY VESSELS “My Son John” THE POLICE “Roxanne” FLEETWOOD MAC “Oh Well (Part 1)” THE BEATLES “Martha My Dear” DEEP PURPLE “Hush” ERIC WEISSBERG & STEVE MANDELL “Duelling Banjos” THE WHO “Won't Get Fooled Again” WISHBONE ASH “Errors Of My Way” WISHBONE ASH “Blind Eye” WISHBONE ASH “The Pilgrim” WISHBONE ASH “Valediction” WISHBONE ASH "Time Was" WISHBONE ASH "Sometime World" WISHBONE ASH "Blowin' Free" WISHBONE ASH ''The King Will Come" WISHBONE ASH "Leaf And Stream" WISHBONE ASH "Warrior" WISHBONE ASH "Throw Down The Sword" DAVID BOWIE “Ziggy Stardust” WISHBONE ASH “Jail Bait” (live) WISHBONE ASH “Everybody Needs A Friend” WISHBONE ASH “Sorrel” HOME “Time Passes By” WISHBONE ASH “Persephone” WISHBONE ASH “The Ring” WISHBONE ASH “Back In The Day” ??MYSTERY ARTIST?? Tune in next week to find out... NEWPORT ELECTRIC "El Dorado's Gold" ^That's my band. This is shameless self-promotion!! Learn more about your ad choices. Visit megaphone.fm/adchoices

It's been a while, but one of our favorite semi-regular guests is back! Bangkok Podcast's official Buddhist correspondent, Phra Pandit, welcomed Greg at his temple to talk about amulets, talismans, and Buddhist relics - and what ties them all together. The burning question Greg had was - if seemingly every third temple claims to have a piece of Buddha's body - what exactly happened to the poor guy when he died? Phra Pandit explains the history behind the idea of Buddhist relics and what Buddha said about them, as well as their link to Sri Lanka and how a wooden mannequin brought to life kicked the whole thing off. Greg and Phra Pandit also dive into the topic of amulets and talismans, including the famous Jatukham craze of 2006, and discuss what - if anything - makes one amulet worth more than another one. Does it make them more effective? Do people act differently if they think they're more effective? They finish with a fascinating discussion about how stories and tokens can be a powerful tool in helping us solidify and understand abstract concepts such as marriage, death, and even architecture! As always, the podcast will continue to be 100% funded by listeners just like you who get some special swag from us. And we'll keep our Facebook, Twitter, and LINE accounts active so you can send us comments, questions, or whatever you want to share.  

The structural and symbolic purposes of ruins in literary texts have a long history, yet few scholars explore their importance within J. R. R. Tolkien's legendarium. From the ruins of Erebor and the relics of Gondolin appearing in The Hobbit to the various images of Amon Sûl, Moria, and Osgiliath in The Lord of the Rings, Tolkien constructs a distinct mood-one that captures characters' awareness of the glories of the past and a desire to emulate them. The scholars who do engage Tolkien's relics and ruins tend to limit the scope to Tolkien's debt to the Middle Ages. While such scholarship begins important conversations, the full story of Tolkien's relics and ruins is left untold. Tolkien's Medievalism in Ruins: The Function of Relics and Ruins in Middle-earth (Bloomsbury, 2025) takes corrective action and expands this historical and critical literary scope. This collection seeks to promote a more comprehensive approach to Tolkien's legendarium. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Barraclough interprets objects like reliquaries, initially used in Christian contexts to house relics. Norse raiders took these back to Norway, valuing the metal and jewels while often discarding the relics inside. These reliquaries were given as presents to women and passed down female generations, suggesting early raids were motivated by young men seeking wealth and status to attract wives and set up farmsteads. The conversation also covers pre-Christian belief systems, specifically a piece of human skull found in Denmark (Ribe, early 8th century) with runes carved on it. This object may have been an amulet intended to protect against malevolent supernatural beings like dwarves or elves, which were believed to cause sickness. 1904 VIKING AGE

“Is Faith a Gift or a Choice?” This episode explores the intersection of faith and popular culture, while also addressing questions about the power of relics in 2 Kings 13:21, the implications of AI-generated art, and the complexities of faith as a gift. Tune in for a thought-provoking discussion on these diverse topics. Join The CA Live Club Newsletter: Click Here Invite our apologists to speak at your parish! Visit Catholicanswersspeakers.com Questions Covered: 01:20 – Is Billy Batson sinning by using the powers of Hercules, Atlas, Zeus, Achilles, and Mercury? 06:43 – Do you think 2 Kings 13:21 could be used as proof for the power of relics? 10:00 – In a past AMA, you said that if someone were assimilated by the Borg, the state of their soul adjacent to confession would remain unchanged. If someone were assimilated, could they conceivably receive the anointing of the sick? 15:57 – Can AI generated images be considered art? 21:44 – If faith is a gift, how can someone be culpable for not having faith? 29:06 – As it pertains to the dating of the Gospel of John, I think there’s good internal evidence that it’s written before 70 AD, but I’ve heard people say that Irenaeus teaches that it’s dated in the 90-95 AD range. Is there any perspective out there that can hold that both Irenaeus is correct, and a pre-70 AD Gospel of John is correct? (For example, are people just misreading Irenaeus to make it seem like he’s saying it’s in the 90s but in reality he might not even be saying that?) 37:53 – Why is Catholicism a better option than Oriental Orthodoxy? 45:55 – As a Protestant converting to Catholicism, what duty does one have to inform family, friends, and former pastors/church members of one's conversion to Catholicism? How should conversation be done? Any advice? Thanks! 52:42 – Has Catholic Answers thought of making a list of the De Fide statement found in Fundamentals of Catholic Dogma? I know this is a resource used by Catholic Answers and it would be great to have a bullet point list

EPYSODE 54: "Troyka" by Troyka. Guest: Troyka guitarist Robert Edwards. Additional commentary by Uncle Herff. This week we dive deep into the self-titled 1970 album "Troyka", a rare Canadian psych-rock masterpiece that blends heavy fuzz, experimental jazz touches, and Eastern European influences. We explore the band's origins, unique sound, and legacy, with exclusive insights from guitarist Robert Edwards, who shares behind-the-scenes stories from the recording sessions and life in Edmonton's underground rock scene. Whether you're a crate-digging vinyl collector or a psych-rock enthusiast, this epysode shines a spotlight on one of Canada's most intriguing forgotten albums. I hope you dig "Troyka" as much as I do. - Farmer John ===CONNECT & SUPPORT=== Transport yourself into the realm of grooviness by supporting us on Patreon using this link --> patreon.com/FarmerJohnMusic Use this link to follow us on Facebook --> https://www.facebook.com/farmerjohnmusic/ Use this link to follow us on Instagram --> https://www.instagram.com/vinylrelics/ Use this link to follow us on TikTok --> https://www.tiktok.com/@vinylrelicspodcast Use this link to follow us on BlueSky --> https://bsky.app/profile/farmerjohnmusic.bsky.social And find us on X @VinylRelicsPod Email me @ ⁠farmerjohnmusic@gmail.com⁠   ===THE MUSIC=== Songs used in this Epysode, in order of appearance. Here's a link to a Spotify playlist for all the tracks featured ( *denotes track is not available on Spotify): https://open.spotify.com/playlist/58XTd2QcATEhOqK7c1g67Q?si=491d6e57a90041dd BLOSSOM TOES "Indian Summer" THE VENTURES “Walk Don't Run” *THE ROYAL FAMILY “I Told A Lie” *THE ROYAL FAMILY “Solitude” THE HAUNTED “1-2-5” LITTLE ANTHONY & THE IMPERIALS “Goin' Out Of My Head” THE VELVET UNDERGROUND “Sweet Jane” TROYKA "Introduction" TROYKA "Natural" TROYKA "Early Morning" TROYKA "Life's O.K." TROYKA "Burning Of The Witch" TROYKA "Rub-A-Dub Dub Troyka In A Tub" TROYKA "Troyka Lament" TROYKA "Rolling Down The Back Road" TROYKA "Berry Picking" TROYKA "Dear Margaret" TROYKA "Go East Young Man Beautiful Pink Eyes" TROYKA "Troyka Finale" *TROYKA "Wedding Song" ??MYSTERY ARTIST?? Tune in next week to find out... NEWPORT ELECTRIC "If Wishes Were Horses" ^^ That's my band. This is shameless self-promotion!! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we're talking about one of the most glorious teachings of Catholicism: the saints! We also explore the Church's teachings on relics, how grace transforms the material world, and how a relationship with the saints is meant to strengthen your relationship with Christ, not be a substitute for it. Show Notes:Saints:* Saint Gabriel Possenti* Saint Jude* Saint Elizabeth of the Trinity* Saint Helena* Saint Padre Pio* Saint Brigid of Ireland* Saint Therese of Lisieux* Saint Edith Stein* Saint Hildegard of Bingen* Saint John Paul II* Saint Philip Neri* Saint John Henry Newman* Saint Bernadette SoubirousBooks:* Essays on Woman by Edith Stein* Parochial & Plain Sermons by John Henry Newman* Theology of the Body by John Paul II* Saint Hildegard of Bingen: Discovering the Doctors by Emily Stimpson Chapman* Story of a Soul by Therese MartinRosary Bracelets: Humble Mission BeadsThin Places“Making Christianity Weird Again” by Tracy RowlandTherese (1986 French movie)Help keep sane(ish) Catholic conversation on the Internet. Become a subscriber today. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit visitationsessions.substack.com/subscribe

EPYSODE 49: "Everything But" by The Kitchen Cinq. Guest: The Kitchen Cinq's Jim Parker. This week we spin "Everything But" , the lone 1967 full-length by Amarillo's own The Kitchen Cinq, a band that bridged Texas garage energy with West Coast pop ambitions. Often overlooked yet deeply loved by collectors, the album showcases sharp songwriting, tight harmonies, and a raw edge that set it apart from its era's polished productions. Even better, we're joined by guitarist Jim Parker, who offers exclusive commentary on the band's journey from Amarillo to L.A., their connection with Lee Hazlewood, and the making of this cult classic. I hope you dig "Everything But" as much as I do. - Farmer John ===CONNECT & SUPPORT=== Transport yourself into the realm of grooviness by supporting us on Patreon using this link --> patreon.com/FarmerJohnMusic Use this link to follow us on Facebook --> https://www.facebook.com/farmerjohnmusic/ Use this link to follow us on Instagram --> https://www.instagram.com/vinylrelics/ Use this link to follow us on TikTok --> https://www.tiktok.com/@vinylrelicspodcast Use this link to follow us on BlueSky --> https://bsky.app/profile/farmerjohnmusic.bsky.social And find us on X here --> @VinylRelicsPod Email me here --> ⁠farmerjohnmusic@gmail.com⁠ ===LINKS=== Check out Jim Parker's website here: https://jimparkermusic.com Buy the Light In The Attic "Kitchen Cinq" 2-LP Anthology here: https://lightintheattic.net/collections/the-kitchen-cinq?srsltid=AfmBOoo2QWPxVMBfH7NFJbQiFawuBlMOLRxsO6jPONLAVhajbhGVMXrS   ===THE MUSIC=== Songs used in this Epysode, in order of appearance. Here's a link to a Spotify playlist for all the tracks featured ( *denotes track is not available on Spotify): https://open.spotify.com/playlist/0r960CBEYXZ4NYkIlWuNdZ?si=c1fbcd16f5474014 THE AMERICAN DREAM “Big Brother” THE FIREBALLS feat. JIMMY GILMER “Sugar Shack” THE FIREBALLS feat. JIMMY GILMER “Bottle Of Wine” DUANE EDDY “Peter Gunn” BRYAN ADAMS “Summer Of ‘69” BUDDY HOLLY “Peggy Sue” THE Y'ALLS “Run For Your Life” DUANE EDDY “Rebel Rouser” NANCY SINATRA “These Boots Are Made For Walkin'” THE INTERNATIONAL SUBMARINE BAND “Blue Eyes” THE BYRDS “The Christian Life” SUZY JANE HOKOM & LEE HAZLEWOOD “Summer Wine” THE KITCHEN CINQ "You'll Be Sorry Someday" THE KITCHEN CINQ "Solitary Man" THE KITCHEN CINQ "Determination" THE KITCHEN CINQ "Please Come Back To Me" THE KITCHEN CINQ "Codine" THE KITCHEN CINQ "Young Boy" THE KITCHEN CINQ "Last Chance To Turn Around" THE KITCHEN CINQ "Still In Love With You Baby" THE KITCHEN CINQ "If You Think" THE KITCHEN CINQ "I Can't Let Go" THE KITCHEN CINQ "Need All The Help I Can Get" THE KITCHEN CINQ “Street Song” THE KITCHEN CINQ “When The Rainbow Disappears” A HANDFUL “Dying Daffodil Incident” LONGBRANCH PENNYWHISTLE “Kite Woman” THE EAGLES “Heartache Tonight” *ARMAGEDDON “Armageddon Theme” THEM “Gloria” THEM “Can You Believe” THEM “Gloria” (2nd Version) JOHN PRINE “Sam Stone” *BABY “Back To The Country” JOHN ANDERSON “Chicken Truck” *JOHN ANDERSON “I've Got A Feeling (Somebody's Been Stealin')” *GARY NICHOLLS “Only Taking Me” BILLY DROZE “Better With Time” THE ILLUSIONS “Figareux Figareux” THE ILLUSIONS “Try” ??MYSTERY ARTIST?? Tune in next week to find out… NEWPORT ELECTRIC “Yippie-i-o” ^ that's my band. Shameless self-promotion! Learn more about your ad choices. Visit megaphone.fm/adchoices

“Why can saints’ bodies and relics be displayed if we're supposed to bury the dead?” This episode explores the significance of relics in Catholic tradition, alongside questions about evangelizing Indigenous peoples, the requirements for altars, and the meaning of taking the Lord's name in vain. Tune in for a thoughtful examination of these important topics. Join The CA Live Club Newsletter: Click Here Invite our apologists to speak at your parish! Visit Catholicanswersspeakers.com Questions Covered: 01:53 – Why can saints' bodies and relics be displayed if we're supposed to bury the dead? 07:16 – How can we evangelize Indigenous peoples who see Christianity as a “white man's religion”? 16:16 – Do all altars need relics, and does distance matter when praying with relics? 19:47 – What does it mean to take the Lord's name in vain? 23:13 – How can we know if a loved one is in heaven? 29:01 – When Jesus says “believe in the Gospel,” what does He mean? 36:05 – Is it selfish or wrong to grieve someone before they die? 42:03 – What will we be doing in Heaven? 47:00 – How is Christianity different from pagan myths and miracles?

Protecting children in California, the rise of ultra-potent opioids, and religious relics on display in Pittsburgh. Plus, searching for true love, Daniel Darling on the 10 Commandments in classrooms, and the Tuesday morning newsSupport The World and Everything in It today at wng.org/donateAdditional support comes from Covenant College. Rigorous academics, grounded in Reformed theology, lived out in Christ-centered community. covenant.edu/WORLDFrom WatersEdge. Save more. Do more. Give more. Helping Christians support ministry by giving through a donor-advised fund. watersedge.com/DAFAnd from Audio Deacon, a podcast for Christians and listeners who want more than background noise. Episodes offer thoughtful album reviews, curated lists of recordings, and conversations with musicians and thought leaders teaching maturing believers how to listen to music with biblical wisdom. It's also a resource for parents, guiding you through music's glories, pitfalls, and conversations worth having. Listen and subscribe at audio-deacon.com and read more at audiodeacon.substack.com.Website: audio-deacon.comSubstack: audiodeacon.substack.comPodcast: Buzzsprout | Apple | Spotify