Podcasts about Enya

Enya died and Drew comes out to his mom Use our code for 10% off your next SeatGeek order*: https://seatgeek.onelink.me/RrnK/EMERGENCY10 Sponsored by SeatGeek.*Restrictions apply. Max $25 discount Sign up for your $1-per-month trial and start selling today at https://shopify.com/intercom. Learn more about your ad choices. Visit megaphone.fm/adchoices

dodging bus fares, dynamic pricing at hotels and gigs, and listener Enya of to Spain for life changing surgery.

Armed Forces day. National Walnut day.  Entertainment.  1st Kentucky Derby run, The book The Wonderfull Wizard of Oz released, Hawii's coldes temperature.  Todays birthdays - Black Bart, Maureen O'sullivan, Dennis Hopper, Bill Paxton, Bob Saget, Enya, Craig Ferguson, Trent Reznor, Jordan Knight, Andrea Corr, Nikki Reed.  Donna Summer died.Intro - God did good - Dianna Corcoran  https://www.diannacorcoran.com/The walnut song - Hmm Thats strangeHoney - Bobby GoldsboroI wanna live - Glenn CampbellBirthdays - In da club - 50 Cent    http://50cent.com/Only time - EnyaCloser - Nine Inch NailsStep by step - NKOTBBreathless - The CorrsLast dance - Donna SummerExit - This town ain't big enough for the both of us - Chris Guenther  https://www.chrisguenthermusic.com/countryundergroundradio.comHistory & Factoids home page

David O'Halloran of the Lifeboat Inn in Courtmacsherry, Enya's Blount's disease, and mother and baby separated at birth.

Мегапозитивный второй микс ,записанный совместно с моим давним другом и коллегой DJ NIKITA SOUL .В миксе присутствует много эксклюзивного материала . Качайте ,слушайте и заряжайтесь весенним позитивом ! 01.Michael Jackson - Liberian Girl (TBS "VIP" Remix) 02.Parcels - Overnight (Abondance Remix) 03.Rick Astley - Never Gonna Give You Up (Daymaan Remix) 04.CamelPhat & Elderbrook - Cola (KLAR & MASILLA Remix) 05.Lighthouse_Family_-_Happy_(DSF_Remix)_[White_Label] 06.Tears For Fears - Shout (Made By Pete Remix) FREE DOWNLOAD (1) 07.Madonna_-_Like_A_Prayer_(&_ME_Edit)_[White_Label] 08.GALA_Freed_From_Desire_Agustin_Pietrocola_Unofficial_Remix_MASTER 09.Late Night Alumni - Empty Streets (Eran Hersh & Stadiumx Extended Remix) 10.Daryl- Out Of Touch MSTR 11.Alphaville - Forever Young (Da Africa Deep Bootleg) 12.Kavinsky_Nightcall_ft_Angèle_Unreleased_MADS_FR_Remix 13.Pink_Floyd_Another_Brick_In_The_Wall_Fahlberg_Sunrise_Edit 14.R.E.M. - Losing My Religion (Alauze Remix) 15.Robyn_With_Every_Heartbeat_Nico_Zandolino_Edit_White_Label 16.&_ME_-_Champion_Sound_[White_Label] 17.David_Guetta_Just_A_Little_More_Love_Inache_Remix_White_Label 18.Moeaike x Coldplay - Bo Bom x Adventure Of A Lifetime (Flex Orlando Edit) 19.Frank Sinatra - Fly Me To The Moon (Axel Vicious Bootleg) 20.Mario_Winans,_Enya,_P_Diddy_I_Don't_Wanna_Know_Mon_Amour_Remix 21.Bob Sinclar - Amora Amor (Sagan Remix - Extended) 22.Jerry_Ropero_&_Dennis_The_Menace_Coracao_LIVA_K_Remix_V2_Master 23.Linkin Park - Numb (Kai Bellen x Innarius Remix) 24.Wham! - Everything She Wants (Tuslay Remix) 25.Tomcraft - Loneliness (DAMIANO & Valeron Remix)

It's been a long time coming and it has divided opinion, but Saturday saw 51,000 spectators descend on Cardiff for the Big Day out at the World's premier rugby stadium. We review both the pre-match atmosphere, the game itself and what we can take forward to the tough away game at Sale. It is customary to mention Enya at this juncture but we need to put lazy puns aside and focus on the task ahead. Bears got the 5 points that they needed to keep themselves on play-off life support but how good was the victory really given it was a Bath second string and they needed two late tries to make the score board look respectable?We also manage to slot in a couple of soundbites that actually got recorded in the mayhem and indulge ourselves in more Hambley-esque acrostic-ery with a tidy limerick for desert.All this and more with Pete, Miles and Lee at the Bristol Beer Factory Taproom...Let us know what you think!

This episode of 101 Dimensions features nearly two hours of electronic, ambient, and progressive music from David Helpling & Eric “the” Taylor, Eddie Jobson, Patrick Moraz, Manuel Gottsching, Mannheim Steamroller, and Enya!  

Enya moved to Miami. Why would we lie? Drew got hit on at a club and Ky finally got asked to be a third Go to https://HelloFresh.com/INTERCOM10FM to get 10 Free Meals with a Free Item For Life! Start selling today and sign up for your $1 per month trial period at https://shopify.com/intercom Go to https://Zocdoc.com/INTERCOM to find and instantly book a top-rated doctor today. Learn more about your ad choices. Visit megaphone.fm/adchoices

The next sequel we will discuss is "Nutty Professor II: The Klumps. For it, I chatted with the Actress Enya Flack. Enya talked about her journey from North Carolina to Hollywood that included being spotted while male models were being scouted to get her 1st credit, Black Scorpion and Roger Corman, being a PA on Friends, her hit BET Plus series "All the Queen's Men", and so much more.Watch the unedited video interview at sequelsonly.com/enyaflackEnya's IMDb https://www.imdb.com/name/nm0280801/Your homework is to watch "Nutty Professor II" which is 4 bucks to rent online.Follow us on all social media @sequelsonly, and our website is sequelsonly.com Review, rate, and share us with your friends, enemies, neighbors, exes, and even that annoying supermarket clerk!

On this week's Vogue & Amber: Amber finds out about powdered eggs, we chat bed bugs, childhood dance moves, Enya, where to hide a USB if the FBI come knocking, pisstakers of the week and what to do if your mate brings her dog to your birthday dinner.Remember, if you want to get involved you can:Email us at vogueandamberpod@global.com OR find us on socials @voguewilliams, @ambrerosolero @vogueandamberpodListen and subscribe to Vogue & Amber on Global Player or wherever you get your podcasts.Please review Global's Privacy Policy: https://global.com/legal/privacy-policy/

Someone told Enya that she curses too much, Drew has body teasmorphia and ky opened the stink portal in the studio Go to https://Zocdoc.com/INTERCOM to find and instantly book a top-rated doctor today. Use our code for 10% off your next SeatGeek order*: https://seatgeek.onelink.me/RrnK/EMERGENCY10 Sponsored by SeatGeek. *Restrictions apply. Max $25 discount Start selling today and sign up for your $1 per month trial period at https://shopify.com/intercom. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we are discussing "Speed 2: Cruise Control", which is on the Mount Rushmore of bad sequels. This one had us discussing the terrible shoe-horned plot, not knowing anything about each other after 7 months, Geiger being a lame bad guy, golf clubs being the corny decoy, having a random character from 1 in part 2, and a ton more. The fact that the end sequence cost almost as much as the budget of the original is crazy. So much screaming and nonsense in this one, but a blast to discuss. Watch the unedited video review at sequelsonly.com/speed2The next sequel up is "Nutty Professor II" and for it, I chatted with actress Enya Flack, who had guest spots on some of my favorite shows growing up like Fresh Prince, Wayans Brothers, and more plus she had some great stories from her non-acting work on projects. Enya was a blast in a Roger Corman show called "Black Scorpion", which you must watch. Great chat.Follow us on all social media @sequelsonly, and our website is sequelsonly.com Review, rate, and share us with your friends, enemies, neighbors, exes, and even that annoying supermarket clerk!

Où l'on parle de différence d'âge dans le couple, mais aussi d'euthanasie.

The biggest stories on the internet from April 15th, 2025.Timestamps:00:48 Breaking down the Drew & Enya Emergency Intercom Podcast controversy 5:13 Netflix Piper Squad docu-series exposes dark side of kid-fluencing 8:04 James Charles opens up about how his fans parasocial relationships are impacting his experience at Coachella amid festival changesFind our podcast YouTube channel here: https://www.youtube.com/channel/UC18HclY7Tt5-1e3Z-MEP7Jg Subscribe to our weekly Substack: https://centennialworld.substack.com/ Follow us on Instagram: https://www.instagram.com/infinitescrollpodcast/ Follow Lauren on Instagram: https://www.instagram.com/laurenmeisner_/ 

Dying well We’re all going to die, but how we acknowledge death and dying is a very personal experience. Award-winning journalist and author Tracey Spicer and anthropologist Dr Hannah Gould explore etiquette, rites and traditions to find out what makes a ‘good death’. About the episode – brought to you by Australian Seniors. Join James Valentine for the sixth season of Life’s Booming: Dying to Know, our most unflinching yet. We’ll have the conversations that are hardest to have, ask the questions that are easy to ignore, and hear stories that will make you think differently about the one thing we’re all guaranteed to experience: Death. Featuring interviews with famous faces as well as experts in the space, we uncover what they know about what we can expect. There are hard truths, surprising discoveries, tears and even laughs. Nothing about death is off the table. Tracey Spicer AM is a Walkley award-winning journalist, author and broadcaster. And she's an ambassador for Dying With Dignity. A vocal campaigner and advocate for voluntary assisted dying (VAD), Tracey penned a letter to her mother following her painful death in 1999. Dr Hannah Gould is an anthropologist who works in the areas of death, religion and material culture. She recently appeared on SBS documentary: Ray Martin: The Last Goodbye. Hannah’s research spans new traditions and technologies of Buddhist death rites, the lifecycle of religious materials, and modern lifestyle movements. If you have any thoughts or questions and want to share your story to Life’s Booming, send us a voice note – lifesbooming@seniors.com.au Watch Life’s Booming on YouTube Listen to Life's Booming on Apple Podcasts Listen to Life's Booming on Spotify For more information visit seniors.com.au/podcast Produced by Medium Rare Content Agency, in conjunction with Ampel Disclaimer: Please be advised that this episode contains discussions about death, which may be triggering or upsetting for some listeners. Listener discretion is advised. If you are struggling with the loss of a loved one, please know that you are not alone and there are resources available. For additional support please contact Lifeline on 131 114 or Beyond Blue on 1300 224 636. TRANSCRIPT: James: We're all going to die. Happens to all of us. But how we acknowledge death and dying is of course a very personal experience. With our guest and our expert, we're going to explore the etiquette, the rites and traditions seen in Australia and around the world. Someone who knows a lot about the rites and traditions of death is Dr Hannah Gould, an anthropologist who works in the areas of death, religion and material culture. We're also going to be joined by Tracey Spicer, she’s a Walkley award-winning author, journalist and broadcaster. And she's an ambassador for Dying With Dignity. Tracey and Hannah, welcome. Thank you so much. Tracey: Hello. James: Thank you for coming. Hannah Gould. Hello. Thank you for coming. Hannah: Thank you. James: Fantastic. Let's talk death! Tracey: Why not? There'll be lots of fun. James: Do you laugh in the face of death? Hannah: What else can you do? I mean, look, you know. Lots of sadness, lots of joy, every single emotion is reasonable, surely. I mean, it's like the question, the ultimate question of philosophy, of history, of every discipline. Every response is valid. Not always useful, or helpful. James: Yeah. Yeah. Hannah: But valid. Tracey: Well, it's a universal topic of conversation and that's why I've always loved dark humour. Because you do have to laugh, otherwise what do you do? James: I also think it's, it is the ultimate joke that we are all going to die, but we live like we're not going to. We live every day as though it's just not going to happen at all. Tracey: Especially in Western society, I think other cultures have got it right and we're in such deep denial about it. It's detrimental to all of us. James: Yeah. Now this is your area of expertise really, is that do other cultures have it right? Hannah: Everyone does it differently. Right or wrong is kind of a difficult thing to judge. I think certainly there's a big thing called, like, the denial of death thesis, right. And, and people like Ernest Becker, a lot of different philosophers and anthropologists and cultural, you know, analysis have looked at Western culture and gone, Oh my gosh, we are so invested in denying death, right. And whether that's through denying death by religions that say you're going to live forever, like, you know, don't worry, it's not the end. You'll pop off to heaven or whatever it is. Or through, you know, great heroic myths. Yes, you'll die, but the nation will remember you forever. So, you know, you won't really die. You'll be a martyr. Or contemporary, you know. Yes, you'll die, but have you seen how great the shopping is? You know, we can just ignore, we can deny death by being on Instagram and, you know, consuming, right, so, I think Western culture in particular, the way we've organised our society, allows us to not think about death. James: And we've organised death to be somewhere else, usually now. To be in a hospital, to be in palliative care somewhere. And they may be good, but they're not, they're not in the cottage, are they? They're not next to, not in the bedroom. Hannah: Not in the bedroom. So, we know that, say, 70% of Australians wish to die at home. Only about 15% do. And that is a rate that is lower than all these other countries we like to compare ourselves. So Australians are more institutionalised in their death than places like Ireland, like New Zealand, the United States of America, even Canada. We tend, more than other countries, to die in institutions – aged care, hospitals, and hospices. James: Yeah, right, right. The other way in which we deny death is, or the other way in which other cultures have a different attitude to death, will be that it'll either be more accepting – we are all going to die, will be part of their every day – or they may have a notion of reincarnation and coming back, which means that that's a very different attitude to death, really, than a, than a heaven and a hell. Hannah: Yeah, it's not necessarily an end so much. I think that's kind of quite common in, say, you know, Buddhist or Hindu or other kind of dharmic religions, particularly Asian religions. And then, obviously, there's a lot of Asian religion that's part of Australian society, so that's also quite present in Australia. But we can also have a kind of more secular idea about that. You know, a lot of these, a lot of my mum's generation in particular, have kind of a green environmental kind of reincarnation model where she will say, well, I don't particularly believe in heaven, but I do believe I'm going to become compost. Food for worms, you know, I'll come back as a tree or a flower or a tomato plant, you know, and that's, that's a kind of reincarnation of like reintegration into the natural environment, as it were. So there are some kind of myths or stories we can tell ourselves that perhaps help us think about death more positively. James: I've got a, a friend of mine who'd be into her 80s has said, oh, funeral? Just put me up the top paddock, let the crows have a go. Tracey: Yeah. My dad wants to be buried in a cardboard box, and I think that's a wonderful idea. James: We all say that, don't we? That's a really common one as well. I hear that a lot on the radio. People will go, mate, just, I don't care, put me out with the, on the hard rubbish day. Hannah: In the paddock, whatever it is… James: …the paddock, that’s the same sort of thing I said. You know, like, do we really want that, do you think? Hannah: Oh, do we really want that? I do think Aussies are pretty pragmatic about death. I do think we have a certain streak in us that's kind of like, you know what, it's all a bit much fuss, it's all too much. You kind of even get these people who therefore say, don't have a funeral. You know, I really don't want to have a funeral. Please don't even, you know, no fuss. That can be kind of sad sometimes because I think it's some people kind of not acknowledging how many people love them and miss them. James: Yeah. Hannah: Um, but maybe it's also a bit of an Aussie humour, dry humour, that, that black humour again of kind of, you know, trying to laugh in the face of death. Why not? Tracey: I would agree, but then we all get sucked in when we're in the funeral home, and they show you the cardboard box, and then they show you the glossy one that's 10 or 20 thousand dollars, and you think, did I really love that person that much, or should I do it? So it all feeds into what you were talking about before, that consumerism and overcommercialisation. James: Well, I also think sometimes, I would think it's about weddings. Weddings and funerals, well, who's it actually for? Tracey: Yeah, yeah. Well it's a punctuation mark, isn't it? I'm a lifelong atheist, but Tracey: I do enjoy, it sounds terrible, going to those kind of ceremonies, whether it's a funeral or a wedding, because it's important to celebrate or commemorate these changes, these huge changes. James: I love the sharing of stories at a funeral. People start talking. Tracey: Well, you learn so much about someone's life that you may not have known. And also often they're rich for that dark humour. I'll never forget my grandmother's funeral, who I was incredibly close to. And my father's new girlfriend loved my grandmother. She was so distraught she tried to throw herself into the hole in the ground on top when she was throwing the dirt in and I thought, well, that's intense. James: That's good. Tracey: That's, I've never seen that before. That's a first. Hannah: Oh, I've seen that before. Tracey: Have you?! Hannah: I will say that, you know, when you attend enough funerals or attend enough cremations for professional reasons, um, as it were, you kind of see everything, every range of human emotions. Like, we, we kind of think, you know, all funerals are all happy families. A lot of unhappy families, a lot of punch ups at funerals, lots of, uh, mistresses coming out of the woodwork at funerals, conversions, religious, you know, more and more people have recorded messages from beyond the grave that they play at their funeral, or, uh, they've decided that we're having a dance party, or we're having some sort of festivity or an event. I mean, you can do anything these days with a funeral. James: Do you go to a lot, just to observe? Hannah: Yeah, I do my research. So I, I research in death and dying and I, I work at a crematorium and I attend funerals and I hang around with other people in the death care sector. James: Yeah. Hannah: And you do see everything. James: Why do you want to… Tracey: …What got you interested in this? It's your job and I'm just fascinated by it… James: …We'll, we'll, we'll, we'll both do it. I think you've done this sort of thing! So, yeah. Well then, then, why do you want to be around death? Hannah: Oh. I mean, personal and professional. Professional, I'm an anthropologist, and anthropologists want to know what brings us together, what makes us all human, but then also why we do it so differently. And there is nothing else. It is the question, right, it is the one thing we all experience, and yet we've all decided to do it in completely different ways, and completely different ways throughout history. And then, personally, my dad died, and I thought, gosh, what on earth is going on? I suddenly was given the catalogue, of funeral, of coffins, right. James: And you were young. Hannah: I was 22, 23 when my dad died. An age that was perfectly old and mature at the time, I thought. But looking back, obviously, it was incredibly young. But yeah, I suddenly got handed this catalogue of, of kind of coffins, and they all had these really naff names, like, you know, these rich mahoganies, and like, it was like paint colours. Someone had, someone somewhere had decided, these were the options, right, that you were, that this is what was going to represent my dad. And I just felt this massive disconnect and I thought, ‘Hang on, I've got to work out what's going on there.’ So now I spend my life in death, as it were. James: Yeah. I suppose, most of us would think being around death would be a very gloomy kind of thing to be, or way to spend your day. Hannah: It can be very gloomy. But oh my gosh, the gallows humour that those boys in the crem – the crematorium – tell, uh, you know. James: Is there a joke you can share? Hannah: Ooh. Um. Not a lot of them are safe for work or anywhere. James: Tracey, you were going to jump in and ask something there before. What were you going to ask? You know, fellow professional interviewer. Tracey: I really see a connection with you being 22 when your father died and I was 32 when my mother died. Hannah: Mm. Tracey: Even at 32 I felt like I wasn't ready for it. James: Right, no. Tracey: And especially because it happened so quickly. Mum was the linchpin for the family, you know, smart and funny and she could do anything. She was one of those early super women kind of role models. And then all of a sudden at the age of 51 she was diagnosed with pancreatic cancer with seven months to live and she lived seven months almost to the day. And it was blood and guts and gore. She was in agonising pain. My sister and I were injecting her with medication every day. We wanted her to die in the home. Tracey: But it got to the stage where we had to bring her to palliative care, and that's when we started having the conversations about voluntary assisted dying, because, um, Mum and Dad had always said, put me down like a dog. And again, it's one of those things that you think it's going to be easy at the time, but it's not. We talked to the doctor. The doctor said, I don't want to end up in jail. And my sister sat there with the morphine button. She pressed it so often she had a bruise on her thumb. James: Hmm, right Tracey: …we said, surely you can just increase the morphine, because Mum was having breakthrough pain. So everything was fine until she'd scream once an hour, and there was no way they could cap that. So it's cruel, right? It's cruel. I, I don't think there's any way they would have done it. We tried to have those conversations. James: …Yeah… Tracey: Which is why one night, because we were sleeping in a chair next to her overnight just to hold her hand when she was in pain, I picked up the pillow and I did try to put it over her face because I thought, what kind of daughter am I, to let her suffer? And then I stopped at the last minute and then I felt really ashamed of, you know, what a coward I am. Hannah: No, I was going to say the opposite. What an incredibly brave act to, to have so much love and compassion for this person and so much respect, what you knew her wishes would be, that you were willing to do that, you know, for, not – for her, not to her, for her, right? That's extraordinary. Tracey: It's lovely of you to say. James: Did she know what you were doing? Tracey: Oh no, she was out of it for about the previous two weeks, actually. In and out of it. And then she died in the next 24 hours anyway. So she was very, very close. And she'd had that kind of burst, you know, had that almost honeymoon period a couple of days beforehand where you think, Well, she seems like she's getting better and we've read about that, so we expected she was close. Hannah: …Yep, the final, the final burst… Tracey: Yeah. Is there a name for that? Hannah: You know, I don't know what it's called, but you know, that is when usually the palliative care doctors, the hospice workers will call up the family and say, guess what? They're up and about, they're talking, they're eating all of a sudden, and that's genuinely usually a sign that it's not going to be long. James: Wow, isn't that interesting. Hannah: It's the final burst of energy. One of the interesting things about the rise of voluntary assisted dying, of euthanasia, to speak more broadly in Australia, is it reflects this kind of cultural shift that we have about the importance of choice and control towards the end of our lives and how increasingly like that is becoming an important part of what we think about as a good death, right. Like I want to be able to control where I die and who I die with and when and the pain and suffering, right? And that hasn't always been the case, right, you know throughout history there's been periods of that. There's been periods of, ‘Leave it to God.’ Or there's also been periods of, ‘Yes, I must prepare. I have to write my final last note or poetry’, or whatever it is. But that's increasingly becoming important particularly for, we see within the baby boomer generation that they really want to, you know, have some sort of choice, and emphasis on choice. James: Well, I mean, I wonder whether a lot of it is a reaction to, um, the, the medical control over the end of our lives is so extreme that we can be kept alive for so long. And so, it's, it's, it's a reaction to that medical control, isn't it? To want to say, well, surely I can, we can, we can have both, can't we? You can either keep me alive or I don't want to be kept alive. Could you let me go? Hannah: It's one of the great paradoxes, they talk about this paradox of contemporary death and contemporary medicine, is that all of our interventions have increased, right. The medicalisation of death has meant that not only do we have pain control, but we can keep people alive for longer. You know, we have better medicines, drugs, palliative medicine is massively advanced. And yet, if we ask people, the quality of death and dying has not increased. James: Right… Hannah: …And if we look globally, more access to medicine doesn't necessarily correlate with a higher quality of death and dying. There's some correlation, like, do you actually have the drugs? Can you access, access them? But when it gets to kind of over a certain hurdle, just because you're dying in Australia versus dying in a country with no resources doesn't mean you're going to die better. James: What do you, what's a quality of death? How are we measuring that? What do you mean by that? Hannah: There's lots of things you can do to measure it and people try. So one of them is, you know, to ask, ask the family, to ask the dying person, to also ask the physician, did you think this was a good death? You know, how do we assess it? Because it's not just up to the dying person as well. Of course, it's also up to the family, right – How did you experience that death, that dying? It's a difficult thing to measure, right, because for some people death is never gonna be… You know, the words good death, bad death are kind of controversial now because it's like, oh my God, I have to try at everything else, do I also have to live up to a good death? Like, we can't make it good. Can we make it better? James: Yeah. What is a good death, Tracey? Tracey: I think this really intersects with, uh, competition. Everything's become a competition. And also quality of ageing. Hannah: Yes, yes… Tracey: …Because my darling dad, who's 84 and still hanging on after smoking and drinking himself almost to death when he was in his 50s – it's a miracle he's still alive. He has very close to zero quality of life. He's a lovely man, we love spending time with him, but he can barely walk. You know, where's the quality of life? So I've just written a book about artificial intelligence recently, so it worries me, that medtech space, that we're getting people to live longer, but there's no quality of life and also no quality of death. Hannah: There's this phenomenon we actually call, in scholarship, we call it prolonged dwindling. Tracey: Oh, which is so true, I love that. Hannah: What a term! But it's, it's… James: …Sounds like the worst Enya album ever… Tracey: …And it never ends… Hannah: …But yeah, it's, it's, there's exactly this thing, right. So it used to be, if you look at like the kind of time, it used to be that you'd either have a sudden illness, fall off a horse, through a sword, war, back in the day, and you, and then you would die, or you would have a, you know, a serious major illness, like a cancer or a heart attack, and then pretty soon after, you'd die, right? What we have now, what we tend to have now, is these kind of timelines towards the end of life of, you know, multiple hospitalisations, in and out of hospital, or you have something like Alzheimer's, right, where you have a very, very, very slow and long cognitive decline, potentially with very high care needs, so you're in hospital, you're in care for 20, 30 years, right? Which is unheard of previously, that you would need this level. So how we die is changing, and it's a completely different timeline. James: Yeah. Does… Tracey, let's just return to this moment when you started to perhaps really think about death. You know, you're confronting your mother's suffering, and you think about, you know, taking control of that, about doing something. Was that an impulse? Was it something that grew over time? Tracey: It was knowing my mother's character as being very forthright, and she was always in control, to speak to control. She would have liked me to try to control the situation. It was also, obviously, that you never want to see a loved one in suffering. But it taught all of us in the family a couple of important lessons. Dad’s now got an advance care directive that’s 28 pages long, so we know exactly what's going to happen. My husband and I still haven't done that, but we do talk to our kids who are aged 18 and 20 about this kind of stuff. I think part of that is my husband's a camera operator, I've been a long-time journalist, so in newsrooms, a very dark sense of humour, similar to the crematoriums, so we talk about death and dying an awful lot at home, but I think it's important to have those conversations and to prepare for a good enough death as much as you can. Tracey: I mean, what does a good enough death mean to you? Have you thought about that yourself? James: Yeah, well I have. I've had some, you know, health issues, had a cancer last year, and so that sort of thing, you know, you do start to confront it and think about it. I'm the fall asleep in the bed, you know, go to bed one night, don't wake up. Tracey: The classic. James: That's the classic. Give me the classic. I'm happy with the classic. Hannah: …Hopefully after you've just finished penning your magnum opus, surrounded by friends and family. James: The end, you know. For me to be onstage, I've just finished a searing saxophone solo, and everyone's just ‘Amazing! Unbelievable!’ Down you go. Something like I mean, sudden, seems to be, just immediate. Immediate and sudden, no suffering. Hannah: Well, that's the thing. Hannah: People always ask me, you know, do you fear death, are you afraid of death? And frankly, after studying it for this long, no, not at all. And I think in an odd way, there is some kind of horrific privilege of having at least one of your parents die young because all of a sudden, you do start thinking about all these things and you learn to live with death, even if you don't like it a lot of the time. I don't fear death, I do fear the prolonged dwindling. Right, like that, the kind of ageing poorly without support in a way that I can't make the controls, and and you know, can't make decisions. That's much more scary to me than death. Death is kind of a great mystery. James: Your interaction with your mother, Tracey, led you to looking at voluntary assisted dying. What did people say about it? What was the general, when you first started to talk about it, when you first started to campaign for it, what would people say? Tracey: What I noticed was a disconnect, that people in the community overwhelmingly supported this because they’d seen loved ones die. But in our parliaments, I saw there a lot of people, a higher percentage than the normal population, are quite religious in our parliaments. Hannah: …Completely unrepresentative... Tracey: …Unrepresentative. And so a lot of organised religions are pushing back against it and therefore there wasn't an appetite for change because of that. I think it took these wonderful lobby groups to get the politicians to listen and for them to realise that there was a groundswell of support. And also, of course, with the examples in the Netherlands and Oregon and Canada who have quite different laws to us. But very successful laws. You rarely see people, I think it's 99.9% successful – only a tiny amount of people who are abusing the legislation, tiny, tiny – but the rest of it, everyone overwhelmingly aligns with it. So it's done in a very ethical and proper kind of way. James: So do you feel as though when you first started talking about it, really, most people were on board? It wasn't something, it wasn't one of those things where we're really trying to, we had to convince people. Tracey: No, that's right, except for people who were particularly religious. Because, let's face it, everyone, pretty much, unless you're quite young, has had a loved one die, so this is something that affected everyone. James: Yeah. I suppose I was wondering. Like someone, some friend, the other day, you know, how have you been, blah, blah, blah. And he went, ‘oh, I had a weird thing yesterday, like, my uncle died’. And I went, ‘oh, that's sad’. And he said, ‘no, no, it was voluntary, he did the voluntary assisted death. He died yesterday afternoon at two o'clock’, you know. I went, ‘oh, wow, you know, you're there?’ ‘Yeah, we're all there, and, you know, it was great, we had a lovely morning with him. We had dinner the night before, and then it just all took place.’ I said, wow, how amazing. And what I was really struck by was what a normal conversation this was. It was a bit like saying, ‘we went to holiday in Queensland’. You know, like it was sort of, he wasn't describing some outlandish thing, you know, it was suddenly this thing, suddenly voluntary assisted dying was just part of the fabric of our, of our lives. You know, do you feel that that's happened in Australia? Tracey: I do feel it's become more normalised, to your point, over the last 20 years. But there's still a lot of academic debate about at what, at what point should you be able to do it. At the moment in Australia, it's overwhelmingly someone with a terminal illness. And it's done by themselves or their doctor, their practitioner. But there are people who want to bring it in for people who are elderly and, and suffering and don't want to live any longer, to support them there. So we're seeing, I guess, a fragmentation of the discussion and the arguments. And I'll be interested to see which way that goes down the track. There's a lot of debate about people, to your point earlier with Alzheimer's, people who have dementia. Hannah: Sensory pleasures. Like, people being able to taste and smell and touch and hug become really important at the end of life. Tracey: Oh, that reminds me of someone I know who did have a good death, who was my grandfather, Mum's father. He lived until 94, and I cared for him towards the end of his life. Our kids were little then, they were probably 7 and 8. And he had that burst, and they said, come on in, he'll die in the next couple of days. We brought in oysters, we brought in red wine. I brought in the kids because I think it was important for them to see that, and he had a good death within the next 24 hours. So it is possible. I think it's rare, but it's possible. James: Yeah, if you know what's happening. A lot of your speciality, Hannah, is in Buddhism. What do Buddhists make of voluntary assisted dying? Hannah: Well, I will say that Buddhism is a religion with over 500 million people in it. So it's kind of like asking, what are the Christians? James: …Right. Right. Hannah: …or what are the Western people think about voluntary assisted dying? So, a range of views. James: Range of views. Hannah: Really huge range of views. James: I suppose I was just wondering whether there was anything in the Buddhist canon as such or the Buddhist, you know, view that just went, no, let life take its course. That, you know, you must experience suffering, so therefore you must experience all life. Hannah: Well, suffering is pretty important to Buddhism, right? And suffering well, and learning to suffer well, is really important. So there are some Buddhists who would oppose voluntary assisted dying because there's a prohibition against killing, right? But most people in Buddhism will, say, weigh that prohibition against killing against, kind of, the experience of suffering, right, and lessening people's suffering. So certainly there are some Buddhists who would say, no, you know, we need to experience suffering and learn how to experience the suffering at the end of life. And that can be quite instructive. It's also why some Buddhists may, uh, deny pain medication and even, you know, deny anything that kind of clogs their mind, because they want to be conscious at the end of life. They want to experience it all, you know, see where their consciousness goes to the next reincarnation. But there's also a, you know, a massive Buddhist movement that has always kind of seen humanity on quite a similar level to animals, right, that we are all beings of this world, and therefore in the same way that we would, you know, have compassion for the suffering of a pet and, you know, euthanase a pet that's going through unavoidable suffering, with many Buddhists who would therefore support the euthanasia of a human being that's going through suffering, right, in the same way. Because humans are not particularly special, right, we're just another being in this world and we'd want to show the same compassion for both of those. James: Yeah, yeah. Hannah: Huge range of views. James: Yeah. Tracey, you said, you said you're an atheist. Does that mean, you know, once the final curtain falls, that's it? Tracey: Well, I'm one of those very open-minded atheists, James, who, if I am diagnosed with something, I fully am open to the opportunity of religion if I end up needing it at that time. And I imagine a lot of people do that. And if, if I do decide to do that, I would choose Buddhism. Hannah: There's actually a fascinating piece of research that just came out, Professor Manning, a religious studies scholar, and she looked at older atheists and what they think about the end of life. Because we tend to think, well, religious people have beliefs, but we don't really study atheists’ beliefs, right, we just think they all think nothing. But she actually found that there was kind of three different kind of world views or narratives that came out, that can be summarised as: lights out, recycling, or mystery. James: I'm all three. I'm all three. Hannah: So the first one is this idea, it's kind of like – death is like anesthesia, you just, that's it. You're at the end, you know, there's nothing, and it's often very biomedical, right. It's like sleep, but you don't dream, so it's more like anesthesia. You know, we've all, maybe all experienced that, and that's what these people believe, that that will be the end. The second one is recycling. So this is the food for worms idea, right, that yes, I will die, but my, you know… Carl Sagan: ‘We are all made of stardust’, right, we'll go back into the universe and one day I will be an oak tree or a, you know, something, quite, you know, a beautiful idea, which I, you know, I think I subscribe to that, I quite like that. And then the third one that they described around atheists was just mystery. That, for a certain group of people, who knows? And we can't ask anyone. And so that it was, it was almost kind of curiosity and excitement towards the end of life. So there are, yeah, you know, this is quite a great mystery, it's a great adventure, right, that we should all go on. James: Yeah, fantastic. We didn't talk much about, I suppose, the emotion we might feel around death at various points. You know, like, I've observed lots of conversations on the radio where my parents' generation, ‘stiff upper lip’... Hannah: …Stoicism… James: …‘How's she doing? Oh, very well.’ Which means she wasn't feeling anything at all. There's been no, you know, like, that's sort of how you're meant to feel. We now tend to be very emotional about death, you know, like it's, like it's part of our funeral rites, I suppose, to release that, to make sure we all howl. Hannah: Yeah, we have this kind of catharsis model of the funeral, right, which is this idea that, you know, you kind of, even if you might not want to, you go to the funeral and you cry it all out with other people and you have this communal experience of grief. And somehow that is helpful, if not entirely necessary for our long-term grief. But, you know, there's many cultures around the world where wailing is a big tradition, right, so that, you know, women physically throwing themselves at the coffin, howling, collectively crying. You know, it might be an extended period of wearing a certain colour, wearing black, you know, gathering together. Those kind of rituals can also be a way for people to process grief and emotion. You think of, particularly like, you know, in the Jewish tradition of sitting shiva, right, that after someone dies, you immediately gather, right, and there's an extended period of everyone sitting together and dedicated to experiencing grief together. That's quite different to our kind of one-day funeral a week or two after the person's died, and we all go back to our home. Hannah: And it kind of depends on, like, what kind of level of social ties that your cultural society engages in the funeral, right. Do you have a very small private funeral where it's only the immediate family who are the ones that are supposed to be grieving? Or is it everyone you knew in that society, and you have a responsibility to go and be there because you're part of a much larger social fabric, right. And that can be quite different – it can be a 300 or 400-person funeral. You know, one of the largest social groups in Australia is South Asian, Indian, Hindu migration, right? Often extremely large funerals, 300, 400 people in some cases, right, because there's a different expectation about who are the mourners, who is the congregation, who are the people that gather together and stand against death, as it were. Tracey: Another big difference seems to me, and I'd love to hear more about you on this, is the cultures that sit with the body for three days, or have the open coffin for viewing… James: …the body stays at home… Tracey: …of the body, or the body stays at home. Because my sister and I sat with Mum's body for as long as we were legally and practically allowed to in the hospital, which was hours and hours and hours. And when we told a lot of our Western friends, they said what an awful thing to do. But it was really lovely because it cemented the idea that she was actually gone. We told her stories. My sister and I laughed. We cried. It was actually incredibly therapeutic. Hannah: Yeah, and this is one of the difficulties, is people feel, because they have a lot of… People don't have a lot of information, right, so if you're lucky, very lucky, then you'll organise maybe one or two funerals during your whole life, right, and probably there'll be those for your parents, right. And you just don't have a lot of information because we don't talk about it. So you don't know what you're allowed to do. But you know, in all states and territories across Australia, you are allowed to be with that body for an extended period of time. You're allowed to bring that body home. You know, you can actively resist pressures from the hospital and the hospice and everyone else to get you out the door. You can say, no, I would like to be with this body for a bit longer. And as you say, there is also technologies that can allow you to bring the body into the home. I mean, the reason we call them funeral parlours is the front parlour of the house. That is the room where we used to display the body and be with the body and that still occurs in many cultures around the world. You know, it's difficult; it can be difficult. It's not always the right decision, you know, you have to think about your particular circumstances, but it is possible. James: Yeah. Well, thank you so much. Any final words? Tracey: Only that I think we should all choose our own funeral soundtrack. I've been doing that with a girlfriend lately. James: …What's she gone with? Tracey: …Because, you know… well, I've gone with Edith Piaf. Hannah:…Ah, classic… Tracey: …‘No Regrets’, of course. Absolute classic. And my friend is still choosing from five. But I think, otherwise someone else gets a choice, and they might choose something terrible. James: Yes, no, I think that's very important, get your, get your, get your funeral songs sorted out… Hannah: Catering, funeral songs… James: …the whole soundtrack, the catering you'd be concerned about, you want everyone to have something… Hannah: … delicious. James: …any special cheeses or wines you want? Hannah: French. Yeah, this is what we did for my dad as well. It was like red wine, good French cheese, baguettes, you know. If you're going to grieve, if you're going to cry, you need some sustenance to support you. Tracey: Comfort food. Hannah: Comfort food, exactly. James: Yeah, very nice. Tracey: Before we let you go, what's your funeral song? James: Do you mean, what do I want people to hear as the coffin's going out or something like that? I don't know if I've made that choice yet. I don't know. Hannah: Hard rock? Tracey: Jazz? Hannah: Pop? James: No, it'll be something jazz, I guess, or something in that tradition. It's probably none of the Frank songs. Tracey: Something majestic, though. James: So yeah, ‘Zadok the Priest’, Handel… Hannah: …Oh, I like that. Old school. James: …Something huge! I haven't decided. Yeah, it's, it's but you're right. Like everything, do it, put some effort into it, you know, and have all that stuff ready for your children, for those that are going to have to do it, a little folder somewhere. Tracey: You could play some of your television clips from over the years. James: Oh, I don't think so, Tracey. I think yours might have something like… Hannah: …a highlights reel… Tracey: …a showreel! James: Yeah, my showreel. No, let's not do that. It's largely children's television, Tracey. No one wants to see that. Tracey: That would be great at a funeral. James: I could conduct a – I'd like to conduct a beyond-the-grave talkback session, probably, talkback radio or something. That could be very fun. Hannah: People could all call in to your funeral. James: Oh, I love that! Tracey: Interactive funerals! James: It's a ‘simil’ funeral. It's being broadcast on the station and then people can call in with their tributes. Oh, that's good. Hannah: Anything is possible. James: That is good. Okay, we've got it. Thank you for helping me sort that out. Hannah: We've done it. James: Well, thanks so much to our guests, Dr Hannah Gould and Tracey Spicer. You've been listening to Season 6 of Life's Booming, Dying Well, brought to you by Australian Seniors. Please leave a review or tell someone about it. If you want more, head to seniors.com.au/podcast. May your life be booming. I'm James Valentine.See omnystudio.com/listener for privacy information.

Actress Enya Flack stops by to talk about her role on the BET+ series,  "All the Queens's Men" and her upcoming projects. 

Dans Fleur bleue, la mini-série qu'elle a créée pour Canal+, Enya Baroux joue Fleur, pour qui chaque épisode est une nouvelle rencontre "potentiellement amoureuse" qui lui permet d'évoquer des thèmes comme la déconstruction, l'éco-anxiété, l'extrême droite, les mecs qui “omettent” de te dire qu'ils ont des enfants, etc. Dans On ira, son premier long métrage sorti en mars dernier et inspiré de sa relation avec sa grand-mère, elle aborde sans détour les sujets de la fin de vie et du suicide assisté, avec notamment cinq premières minutes qui disent beaucoup en ne disant rien. Dans Passion Passions, elle vous emmène à la plage, avec un livret de mots fléchés dans son panier. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

This week we're starting off with two famous social media influencers who got bored during the pandemic and started a podcast. Enya Umanzor and Drew Philips have millions of followers and a huge audience watch them not really talk about anything. That's until they throw shade at Greta Thunberg and piss off most of the zoomers watching. Adam Busch is on with us to try to explain how being bored is Enya's entire personality. Aaron Imholte exploited his friend and only cohost left in order to feed the insatiable goal; it's his most humiliating stunt yet. Michael Ray Bower continues to watch Dabbleverse videos to try to figure out if he wants in. Opie is just full-on having a battle with his chat. Cardiff joins us as we watch Stuttering John's appearance on a morning local news show in Youngstown Ohio to promote his gig last weekend. Finally we play another round of 2 Minutes with Tom, tease the next show, and listen to your recent voicemails. Support us, get bonus episodes, and watch live every Saturday and Wednesday: http://bit.ly/watp-patreon https://watp.supercast.tech/ Come to Hackamania May 9-11 in Las Vegas with promo code WATP – https://hackamania.com/ Season 2 of the Tapes! Watch Dabble House April 11-12 – https://dabblecon.live/ Cardiff Electric's new channel - https://www.youtube.com/@cardiffelect  Learn more about your ad choices. Visit megaphone.fm/adchoices

Our typically unproblematic faves, Drew and Enya, face backlash after their controversial episode of Emergency Intercom. What advice can Trisha give them amidst the cancellation allegations? Plus, our sister Sydney Sweeney is newly single and yet again sparking romance rumors with Glen Powell. Plus, Morgan Wallen storms off 'Saturday Night Live'.

In this podcast episode, Marc and Ray each share their top five Irish artists and songs, celebrating the diversity of Irish music. Ray's list featured iconic tracks like Van Morrison's timeless “Brown Eyed Girl,” U2's soulful ballad “All I Want Is You,” and The Cranberries' dreamy hit “Dreams.” He also highlighted Enya's ethereal “May It Be” and the haunting “Theme from Harry's Game” by Clannad. Marc's list celebrated these classics too while also considering legendary rock from Thin Lizzy and a ballad by Chris De Burg. Experience the heart of Irish music — a vibrant fusion of traditional folk, modern pop, and rock that's sure to inspire you.

To get in the mood for St Patrick's Day, on today's show we're focusing on some of Ireland's top albums (according to the Irish Times). Pour yourself a pint of whatever you please and join us! Other Diggins What do you think of these records? What's your favorite Irish album? Let us know on our […]

Julia Vignali reçoit Hélène Vincent, une grande comédienne au parcours impressionnant, ainsi qu'Enya Barou, la réalisatrice du film « On ira », qui sort en salles le 12 mars prochain.Hélène Vincent incarne dans ce film une femme atteinte d'une maladie grave qui décide de mettre fin à ses jours en Suisse, où le suicide assisté est légal. Mais elle n'ose pas l'avouer à sa famille et invente un prétexte pour faire un dernier road trip en camping-car avec son fils et sa petite-fille. C'est le point de départ d'une aventure à la fois drôle et émouvante, où les non-dits et les malentendus s'enchaînent dans une ambiance familiale attachante.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.

Tá sí ar an cheoltóir aonair is mó rath as Éirinn riamh le os coinn 85 milliún album díolta aici. Tá clú agus cáil bainte amach ag Enya ó thosaigh sí ag ceol siar ag tús an 1980óidí lena teaghlach sa bhanna ceoil Clannad. Ina dhiaidh di an ghrúpa a fhágáil tar éis dá bhliain, bhain sí a ‘big break' amach i 1988. Amharcann an leachtóir Katie Whelan siar ar na conspóidí, na bagairtí agus an saol cúlánta a chruthaigh sí. Foclóir: Osnádúrtha: Otherworldly Ceirnín: Record D'aon ghnó: Deliberately Ráth: Success Aineolas: Ignorance A bhuí le: Thanks to Bua: Gift or attribute Camchuairt: Tour Achrann: Acrimony Cúinsí: Circumstances Ag tús na mílaoise: At the turn of the millenium Uchtú: Adopted Íospartaigh: Victims De réir dealraimh: Apparently Géilleadh: To cave or to yield Fuaimrian: Soundtrack Faoi cheilt: To conceal Bean aimsire: Maid See omnystudio.com/listener for privacy information.

Enya Flack | EP 355 In this engaging conversation, host Keith Reza interviews Enya Flack, discussing her experiences in Hollywood, the pressures of acting, and her journey from guest star to series regular. They explore the realities of broadcasting, working with legends like Eddie Murphy, and her upcoming projects, including 'A Man's Promise'. Enya shares insights on unique character names and the fun of acting, all while maintaining a light-hearted and humorous tone. Keith and Enya delve into various aspects of the acting industry, including the influence of fashion on character portrayal, the evolution of female roles in Hollywood, and personal experiences in navigating fears and challenges as actors. They share insights on memorization techniques, the unique filming process of 'All the Queens Men', and the fun yet challenging experience of being a model on 'Deal or No Deal'. The discussion wraps up with reflections on personal growth and advice to younger selves. Enya's Socials IG: https://www.instagram.com/enyaflack/ FB: https://www.facebook.com/enyaflack/   Chapters 00:00 Introduction and Technical Difficulties 02:59 Guest Star vs. Series Regular: The Pressure of Acting 05:50 The Journey from Background to Main Character 08:55 Broadcasting: The Reality Behind the News 12:01 Working with Legends: Nutty Professor 2 15:00 A Man's Promise: Upcoming Projects and Roles 18:06 The Fun of Unique Character Names 21:22 The Influence of Fashion in Acting 22:52 The Evolution of Female Roles in Hollywood 24:54 Navigating Fears in the Acting Industry 27:25 Memorization Techniques for Actors 29:38 Behind the Scenes of 'All the Queens Men' 36:19 Experiences on 'Deal or No Deal' 40:56 Advice to My Younger Self Takeaways

On this episode of The Potential Podcast!,  Chris and Taylor, the dynamic duo welcomes the multitalented Enya Flack! Get ready for an engaging dive into her unique journey as an actress, TV personality, and entrepreneur. From her iconic roles in Malcolm and Eddie and Black Scorpion to her current standout performance as DA Alicia Rodds in Tyler Perry's, All the Queen's Men, Enya reflects on her impressive career and teases her upcoming film Marbles and Bullets. Enya discusses her origins in the entertainment industry  to her work both in front of and behind the camera. Tune in for behind-the-scenes stories, industry insights, and a lively chat with one of Hollywood's most versatile stars!Follow Enya Flack:IG: @enyaflackFollow us on:Instagram: https://www.instagram.com/thepotential_podcast/X: https://x.com/thepotentialpodTikTok: https://www.tiktok.com/@thepotentialpodcastSupport us on Patreon:patreon.com/thepotentialpodcastThanks to our sponsor:BetterHelp: Get 10% off your first month of therapy with BetterHelp by going to https://betterhelp.com/potentialKeen: Go to trykeen.com/potential now! As a new customer on Keen, you can try your first 5 minute reading for $1

Truth, Lies, and Work is an award-winning psychology podcast from the HubSpot Podcast Network, hosted by Chartered Occupational Psychologist Leanne Elliott and business owner Al Elliott. Every Thursday, we bring you a brand-new interview with an expert guest who knows how to create great workplace cultures. And this week's guest didn't hold back.

Actress/Model/TV Host Enya Flack and Actress/Musician/Producer/Director Susan Lanier join us on this episode of The Jimmy Star Show with Ron Russell broadcast live from the W4CY studios on Wednesday, February 26th, 2025.Support this podcast at — https://redcircle.com/the-jimmy-star-show-with-ron-russell9600/donations

We're back with Season Eight of the Dead Ladies Show Podcast!  In this episode, DLS co-founder Katy Derbyshire brings us the story of Boudica, an ancient British queen who fought the Romans. Though she led her Iceni tribe in a rebellion, the Romans prevailed, but wrote a fair bit about her in the history books.  In her afterlife, Boudica became a mascot for the suffragettes but also co-opted as a symbol for all things British; also, Enya wrote a song about her.  DLS co-founder Florian Duijsens joins producer/host Susan Stone to set the stage.   Get more info on Boudica in our episode notes: https://deadladiesshow.com/2025/3/xx/podcast-79-boudica/ For more on the Boudica-inspired perfume Susan mentioned, look here:   https://www.boudiccawode.com/ Dead Ladies NYC has a show March 6 — find out more here on their newsletter: https://deadladiesshow.substack.com/ And in Berlin we are celebrating 10 years of DLS! Come see us May 13th, and find out more via our website: https://deadladiesshowberlin.beehiiv.com/ Please consider joining our Patreon! We have lots of fun interviews and book chat and more over at patreon.com/deadladiesshowpodcast If you like, follow us on social media @deadladiesshow where we share pictures and info about all of the wonderful Dead Ladies we've covered so far. You can also drop us a line via info@deadladiesshow.com  and we're on BlueSky, too: https://bsky.app/profile/deadladiesshow.bsky.social Our theme music is  “Little Lily Swing” by Tri-Tachyon. Thanks for listening! We'll be back with a new episode next month.

Hunter talks about how he used Enya to keep his kids in line.

What happens when a penniless writer from the 90s transforms into a celebrated author who masters the art of storytelling across genres? Josie Lloyd joins us to unravel her fascinating journey, from enjoying the wild ride of early media appearances to battling personal challenges that fuelled her creative spirit. With Josie by our side, we explore the ins and outs of the literary world, including the unexpected hilarity of public engagements and the solitary comfort of writing. We share laughs over leopard print boots and intriguing insights into the dynamics of writer partnerships that have shaped her successful career.Josie and I also take a closer look at the shifting landscape of the publishing industry, the inspiration behind "Miss Beeton's Murder Agency," and we reminisce about the nostalgic charm of mixtapes and celebrate authentic portrayals of vibrant midlife women. Miss Beeton's Murder Agency Alice Beeton never anticipated finding herself single and childless past fifty.A distant relative of the famous Mrs Beeton, Alice had once envisioned a perfect household of her own. Instead, she resides in her pristine flat in a rather shabby Kensington block, with Agatha, her brilliant, if overly protective, corgi-Jack Russell mix.Alice runs the Good Housekeeping Management Agency, supplying discreet domestic staff to luxurious townhouses and grand country estates. When Camille Messent urgently needs a new housekeeper, Alice sends Enya, a bold young woman with stellar references and fluency in French.But Alice's quiet New Year's Day is shattered when news breaks that Enya has been found dead. With the scruffy but intriguing Detective Rigby struggling to conduct a proper investigation, and the wealthy family closing ranks, Miss Beeton, along with her astute companion Agatha, takes it upon herself to crack the case.After all, it takes an organised mind to solve a well-planned crime…Follow Josie LloydSend us a textSupport the show"Enjoying 'The Conversation'? Support the podcast by buying me a cup of coffee ☕️! Every contribution helps keep the show going.https://ko-fi.com/nadinemathesonDon't forget to subscribe, download and review. You can purchase books by the authors featured in our conversations through my affiliate shop on Bookshop.org. By using this link, you'll be supporting independent bookstores, and I may earn a small commission at no additional cost to you. Follow Me:www.nadinematheson.com BlueSky: @nadinematheson.com Substack: @nadinemathesontalks Instagram: @queennadsThreads: @nadinematheson Facebook: nadinemathesonbooksTikTok: @writer_nadinematheson

The group's moment of rest was just that, as an explosion was heard and fire erupted in the Witty Glaive. The varying members of the party are trying to assess the situation, wake up the other party members, and do what they can to stop it when they come across some otherworldly beings that are the very culprits of the fire. As the group begins to fight off these creatures, which are pointed out to be similar to Bob's tentacle, Elizabeth is not a result of Bob's doing. They also find aid in a new face who has been quietly observing the group the last few days, a Unillum wildfire druid named Chantico with a wildfire spirit named Enya. With the help of this new ally and a concerted team effort, the team can stop the fires and the creatures that attacked their new home. During the aftermath of the battle, the group assesses the damage to the Glaive and introduces themselves properly to their new friend. Valen briefly mentions a strange dream about many whispers, a crown and robes made of yellow, and a throne of stone, which is unfamiliar to everyone except for Chantico. A brief discussion was had, and it was decided that it would probably be best to talk more after a proper long rest. Hebron comes to the Glaive, sees the state of things, and is in shock and panic as the group explains what happened the previous night. Chantico explains that she was sent by the Arbitor, Amina, to look into the strange, otherworldly occurrences happening throughout Sloane. During the discussion, the group clarified that the child they saved at the marketplace was Amina, and the one Valen took with him through the soft spot was Soris, which was information the group was previously unaware of as there was no mention of the child's name. The group scavenges what they can of drinks and such and discusses the plans for the day, as they still have a meeting with the Dispatch Service and would like to check back in with Izca. The first stop is with Captain Dan to check in on Izca, who informs the group she has not yet woken up but will inform the group when she does. They also informed Captain Dan about the previous night's incident at the Glaive so that it would be on his radar. Valen asks to see Izca again to cast Detect Thoughts and see if he still hears voices emanating from Izca, which he confirms that he does, but it is not nearly as prominent as last time. With that, they head out to the Dispatch Service.There's so much happening, and that's where we pick up…Find out what happens next in this episode of the Medusa's Cascade: Blood and Booze! Theme Music is written and performed by The Floating LighthouseMixed by Thomas Lapierre IIICheck out the show at themedusascascade.com

Sauce takes a ton of phone calls from people like Lorne Michaels and Enya, Mark Parrish shares his thoughts on the 4 Nations Faceoff

Sauce takes a ton of phone calls from people like Lorne Michaels and Enya, Mark Parrish shares his thoughts on the 4 Nations Faceoff

ENYA FLACK is currently in her third season in a major guest starring role playing DistrictAttorney Alicia Rodds in Tyler Perry's hit BET+ show ALL THE QUEEN'S MEN. Her character isbound and determined to bring down Atlanta mobster, Madam Marilyn De Ville, owner andoperator of a notorious male strip club and at the helm of a variety of law-breaking ventures.This season, Enya's by the book character joins forces with a female detective and finds herselfwandering outside the line of ethics in favor of a more under handed approach…all in theservice of bringing her target to justice.Other recent roles include “Cassie” in Lifetime's Twisted Sister and "Carson" in A Man'sPromise as well as guest star roles on the popular Netflix series Outer Banks, The Resident, Walker and Dynasty.She plays the iconic role of Harriet Tubman in her latest feature film project, Marbles and Bullets, which recentlywon best feature film at the Costa Brava (Spain) International Film Festival.Born and raised in in Charlotte, NC by parents who were both educators, Flack excelled in academics and as well asmusic, studying classical piano, harp and flute from age 7.Prior to becoming an actor, Flack passed on a full engineering scholarship to pursue a career in broadcasting,graduating with a degree in Radio and Television Communications from George Washington University, withminors in journalism and music. After working at her hometown ABC-affiliate station for a short time, she decidedto make the move to Los Angeles to instead pursue a career in the entertainment industry.Her early career started behind the camera, as a production secretary at Warner Bros., where she was able tolearn the “business side” of the business. Shortly thereafter, Flack began studying acting and found herselfauditioning and quickly booking parts on sitcoms like The Fresh Prince of Bel Air, The Wayans Brothers and TheSteve Harvey Show. Her first series regular role came when she landed the part of “Brigitte Goodwin” on the UPNseries Malcolm and Eddie which was followed by the role of “Veronica” on Roger Corman's Syfy comic book seriesBlack Scorpion. Additional early credits include projects such as The Sopranos, Ally McBeal, CSI: Miami, NYPDBlue and Homeland to name a very few.Enya Flack has also distinguished herself as a highly in-demand host, reporter, model and spokesperson. She hasworked as a sports reporter for FOX Sports Net and KCBS-Los Angeles, correspondent for Extra! and E! News Live,host of Travel ala Mode for Sky Radio, model for The Price is Right and Deal or No Deal and spokesperson for It's aGlam Thing.

Tonight we welcome the beautiful star of #AllTheQueensMen on @betplus @Enya Flack is Hanging with the H.A.M. all that plus more

ENYA FLACK is currently in her third season in a major guest starring role playing District Attorney Alicia Rodds in Tyler Perrys hit BET+ show ALL THE QUEEN'S MEN. Other recent roles include “Cassie” in Lifetime's Twisted Sister and Carson in A Mans Promise as well as guest star roles on the popular Netflix series Outer Banks, The Resident, Walker and Dynasty. She plays the iconic role of Harriet Tubman in her latest feature film project, Marbles and Bullets, which recently won best feature film at the Costa Brava (Spain) International Film Festival. Her early career started behind the camera, as a production secretary at Warner Bros., where she was able to learn the “business side” of the business. Shortly thereafter, Flack began studying acting and found herself auditioning and quickly booking parts on sitcoms like The Fresh Prince of Bel Air, The Wayans Brothers and The Steve Harvey Show. Her first series regular role came when she landed the part of “Brigitte Goodwin” on the UPN series Malcolm and Eddie which was followed by the role of “Veronica” on Roger Corman's Syfy comic book series Black Scorpion. Additional early credits include projects such as The Sopranos, Ally McBeal, CSI: Miami, NYPD Blue and Homeland to name a very few. Enya Flack has also distinguished herself as a highly in-demand host, reporter, model and spokesperson. She has worked as a sports reporter for FOX Sports Net and KCBS-Los Angeles, correspondent for Extra! and E! News Live, host of Travel ala Mode for Sky Radio, model for The Price is Right and Deal or No Deal and spokesperson for It's a Glam Thing.   Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

In this episode, Alison interviews actress Enya Flack

Kaleidoscopic psychedelia from one of Australia's finest. While it might feel early to call bets on DJs of the decade, Kia Sydney, best known as Kia, is undoubtedly one of them. The Animalia founder began in Naarm's (Melbourne) underground scene in the mid-2010s, crediting a trip to the influential deep techno Japanese festival, Labyrinth, as the inspiration behind her sound. Deep techno might not cut it as a descriptor for Sydney's sound, though. Hypnotic ribbons of steely techno mix with atmospherics and nimble grooves, drawing from IDM, dub and tech house, sharing as much with DJ Nobu and Donato Dozzy (try to find the track that overlaps with Dozzy's own RA Podcast) as well as modern practitioners like Priori and Beatrice M. This distinctly Australian scuttling psychedelia has made Kia one of the most sought-after underground DJs globally. Her brainchild, Animalia, showcases a plurality of sounds and scenes, serving as living proof of the fruitful shift of the 2020s: less serious, perhaps, but with a sense of open-minded worldliness that offers a far more promising vision of what dance music can be and achieve. Sydney's rare talent lies in forging connections, bringing people, sounds and ideas together with a distinct playfulness. Her RA Podcast showcases this alchemy in abundance, weaving classics like Monolake and Enya with peers such as OK EG, Cousin and Command D. As she told us in her 2023 Breaking Through profile, "people tell me I have quite a distinctive sound but I can't tell so much because I hear so many different versions of it." RA.973 serves as confirmation that Kia's style is, to say the least, the mark of a generational talent. @kia-sydney @animalia-label @cirruslabel Read more at ra.co/podcast/973

Send us a textThis episode of The Big Scoop with Coop I have guest actress Enya Flack.  Enya is a successful actress, and host!  Enya has been killing it in the television and movie industry, and now you can catch her in the role of District Attorney Alicia Rodds on Tyler Perry's All the Queen's Men.  Enya will speak about her career, All the Queen's Men, FOX Sports.Net, Extra, and more! So sit back, relax, and enjoy this episode of The Big Scoop with Coop! #bet #podcast #interview #foryou #ncpodcast #daaliciarodds #tylerperry Follow The Big Scoop with Coop on all platforms:https://www.thebigscoopwithcoop.comwww.tiktok.com/thebigscoopwithcoopwww.facebook.com/thebigscoopwithcoopwww.instagram.com/bigscoopwithcoop

I do believe in StarClan! I do! I do!  Book: Warriors, Series 3: Power of Three #4: Eclipse Support us on Ko-fi! WCWITCast Ko-fi Follow us on BlueSky! WCWITCast Follow us on Instagram! WCWITCast  What We Are Reading (Not Sponsored): You & a Bike & a Road by Eleanor Davis The Elders' Quest - Warriors: Changing Skies #1 by Erin Hunter Cat Fact Sources: Willow the cat among awards finalists after saving the life of diabetic owner | UK News Cat saves owner's life by biting her boyfriend on the legs - Liverpool Echo Youtube - Cat saves diabetic owner's life Willow the cat who saved diabetic owner's life among finalists in National Cat Awards | The Independent National Cat Awards 2023: Meet the finalists! - BBC Newsround Deaf owner's hearing cat Zebby named National Cat of the Year 2023| Calico cat - Wikipedia Music: The following music was used for this media project: Happy Boy Theme by Kevin MacLeod  Link: https://incompetech.filmmusic.io/song/3855-happy-boy-themeLicense: http://creativecommons.org/licenses/by/4.0/

Frizz and Bob venture into beloved stout territory with Goose Island's Bourbon County Stout and a classic Irish Guinness for an Irish queen, Enya. Cheers with us as we listen to her biggest legacy album, A Day Without Rain, and decipher what made Enya an enigma in popular music. We reveal how she healed a nation during a time of mourning, uncover her literary and mythological lyrics written in over 6 languages, understand how her marketability skyrocketed against the odds, and we listen, in real time, to Bob becoming an Enya fan. Get your Pure Moods CD ready for your bath. Happy birthday, Bear!

Enya is going back to being a closeted misandrist and drew comes out as having a crush Also this isn't the last episode for a while I just wanted to see if anyone reads the description Learn more about your ad choices. Visit megaphone.fm/adchoices

For my 41st birthday party, I invited over improvisors to record scenes all taking place at the same fictional party. This is the fifth of six scenes from the party featuring Enya Maher, Jordan Wetherbee, & Dakota Toran, as two friends attempt to liberate the third from the grip of his mother. #improv #comedy #improvcomedy #improvpodcast #comedypodcast #longformimprov #nashvillecomedy #humor --- Support this podcast: https://podcasters.spotify.com/pod/show/audio-based-content/support

Truth, Lies, and Work is an award-winning psychology podcast from the HubSpot Podcast Network, hosted by Chartered Occupational Psychologist Leanne Elliott and business owner Al Elliott. We bring you workplace news, expert hot takes, and practical advice to build amazing workplace cultures.

The gangs all here so the group comes in hot this week with Joy, Superman & Lois, Yacht Rock, Three Women, Star Wars Skeleton Crew, and Creature Commandos. Before getting to the nitty gritty, Andrew has a heart to heart with the audience at home. That's right, after some gentle soul searching and badgering from the internet, Andrew has come to the realization that Arcane is an amazing show. Peer pressure is real, kids!! After Andrew completes his apology, the show kicks off with Lauren talking about the new film. Joy, on Netflix. It's the true story of the birth (pun intended because I'm hilarious) of IVF treatment. While maybe not the most compelling film in the world, the acting and the message are solid and Lauren enjoyed it enough. Next up, at the behest of Andrew, Kevin discusses Superman and Lois and the recent series finale. This will go down as a show that deserved better but gave us so much. Is it perfect? No. But it does an amazing job portraying an older Superman/Clark Kent as a man and father along side his wife, Lois Lane. This is a debate with no winner, but the argument could be made this was both best Superman and the best Lois we've ever been given. If you love Superman and can handle that little bit of CW cheese, this deserves a watch. The finale is an actual tear jerker! Andrew then helps us sail away (an Enya song, not related to this at alll) with the new DOCKumentary (HBO's pun, not mine) about the Yacht Rock explosion. It's a fun hour plus of great music and storytelling about one of the most fun genres of music in the last 50 years or so. If the music industry interests you at all, or you're just a big Michael McDonald fan (you know you are...), then you'll love this one. unlike Joy, which Lauren felt was pretty serviceable, Three Women on Starz is a show with a lot of unfulfilled potential. Despite a really solid cast and being based on a best seller, the show starts of hot and steamy in the beginning and just kind of fades off into the ether. Lauren was ultimately a little sad that she watched, but at least she took the bullet for you! Kevin and Andrew go to nerd town next discussing the first episodes of Star Wars Skeleton Crew and DCs Creature Commandos. Neither one is absolutely mind blowing but both are a lot of fun and have a great path forward through their respective seasons. They should also both have a solid impact on the film universes the inhabit going forward. Finally, the show ends on a fun but whiny note. Kevin and Andrew discuss and then eviscerate The Madness and The Dark Tower. At least The Madness has some potential, albeit not a ton. The Dark Tower is an abomination for anyone who has read the source material or even just, you know, watched movies...  As always, thank you for watching. If you haven't already, don't forget to Like & Subscribe. We love new viewers! Also, leave us comments and let is know how we are doing and what we can be doing better. Enjoy the episode and have a great week! Facebook: @apncpodcast Twitter: @APNCPodcast Instagram: AllPopNoCulture

Annabeth is the ethereal force behind Anmara, a project merging organic synth-pop, dreamy ambient folk, and “post new-age” into sonic catharsis. Echoing strains of Enya and Florence & The Machine, she invites us on a journey of emotional exploration and beckons us not just to listen, but to dive deep and fall in love with life anew. The word Anmara refers to a mystical land made manifest when we cultivate HARMONY- between self, others, and planet.Prepare to be transported, only to wind up back in the center of your Self.Connect with Anmara:https://www.annabethsings.com/My Current Offerings:Inlighten Retreat, PanamaSupport the showThanks for listening.xo-JackieWant to calm your mind, have better focus, and relieve inflammation in your body using organic plant medicine? Reach out to me at madreandthemuse@gmail.com or order directly from this link -https://jackiedeconti.greencompassglobal.com/Interested in taking the next yoga teacher training or working with me as your Ayurveda Health Counselor? Check out the Madre & The Muse website.www.madreandthemuse.comdeep gratitude to Jared Sales + ALLIN. for the intro/outro musicwww.tinkmusik.com

Miss Heard celebrates Season 6, Episode 274 with Enya's classic “Orinoco Flow.” You will learn how this song is connected to a 2011 David Fincher movie and how the the title of the song is an allusion both to Orinoco Studios (now Miloco Studios), where it was recorded, and to the river of the same name. You can listen to all our episodes at our website at: https://pod.co/miss-heard-song-lyrics Or iTunes, Stitcher, Spotify and many more platforms under Podcast name “Miss Heard Song Lyrics” Don't forget to subscribe/rate/review to help our Podcast in the ratings. Please consider supporting our little podcast via Patreon at https://www.patreon.com/MissHeardSongLyrics or via PayPal at https://www.paypal.com/paypalme/MissHeardSongLyrics #missheardsonglyrics #missheardsongs #missheardlyrics #misheardsonglyrics #podcastinavan #vanpodcast #Enya #OrinocoFlow #SailAwaySailAway #SavetheWhale #Watermark   https://www.youtube.com/watch?v=LTrk4X9ACtw https://en.wikipedia.org/wiki/Orinoco_Flow https://en.wikipedia.org/wiki/Enya https://www.songfacts.com/facts/enya/orinoco-flow-sail-away  

This week we hit you with the truth and nothing but it! Tim watches a true crime cat and mouse thriller from South Korea, Max takes us all for a drive, the difference a pee break can make, and slashed faces and tires alike. Enjoy. Max's Movie: Gran Turismo (2023) Tim's Movie: The Gangster, The Cop, And The Devil (2019) --- Support this podcast: https://podcasters.spotify.com/pod/show/capesandscowls/support

The first recorded bank robbery in the U.S. resulted in the wrong man sitting in jail, a very strange confession, and a serious lawsuit for the administrators of the bank that was robbed. Research: Avery, Ron. “America's First Bank Robbery.” Carpenters' Hall. https://www.carpentershall.org/americas-first-bank-robbery “Democratic Mystery Unraveled.” The North American. Nov. 20, 1798. https://www.newspapers.com/image/593171719/?match=1&terms=%22isaac%20davis%22 Hunt, Kristin. “The first major bank heist in America happened 225 years ago in Philly — and the wrong guy went to prison.” Philly Voice. Aug. 31, 2023. https://www.phillyvoice.com/first-bank-robbery-us-philly-carpenters-hall-patrick-lyon/ Lloyd, Thomas. “Robbery of the Bank of Pennsylvania in 1798. The Trial in the Supreme Court of the State of Pennsylvania. Reported from the Notes by T. Lloyd. Upon Which the President of That Bank, the Cashier, One of the Directors (Who Was an Alderman) and Another Person Who Was the High Constable of Philadelphia; Were Sentenced to Pay Patrick Lyon Twelve Thousand Dollars Damages, for a False and Malicious Prosecution against Him, without Either Reasonable or Probable Cause.” Philadelphia: Printed for the publishers. 1808. https://play.google.com/store/books/details?id=WfcdAAAAMAAJ&rdid=book-WfcdAAAAMAAJ&rdot=1 Lyon, Patrick. “The narrative of Patrick Lyon, who suffered three months severe imprisonment in Philadelphia gaol; on merely a vague suspicion, of being concerned in the robbery of the Bank of Pennsylvania: : with his remarks thereon.” Philadelphia. Francis and Robert Bailey. 1799. Accessed online: https://quod.lib.umich.edu/e/evans/N26860.0001.001/1:3?rgn=div1;view=fulltext “Pat Lyon at the Forge.” MFABoston. https://collections.mfa.org/objects/34216/pat-lyon-at-the-forge?ctx=797a5f9d-a27a-4ae4-996d-f277ad579544&idx=0 Rakich, Whitney, PhD. “Patrick Lyon (1769-1829).” Mount Vernon. https://www.mountvernon.org/library/digitalhistory/digital-encyclopedia/article/patrick-lyon-1769-1829#note2 “Well-known Tenants of Carpenters' Hall.” Carpenters Hall. https://www.carpentershall.org/tenants Xiang, Enya. “Carpenters' Hall in Philadelphia: A Crossroads for Early American History.” Global Philadelphia. Aug. 11, 2023. https://globalphiladelphia.org/news/carpenters-hall-philadelphia-crossroads-early-american-history See omnystudio.com/listener for privacy information.

Bunnie and Meme dive into another set of Patreon family questions this week! Bunnie spills on how she & J keep it spicy after all these years, the art of manifestation, and if she ever misses single life. She also gives a shout out to the perfect playlist (with Enya of course), what's going on with that pinky nail, and they unleash some of your burning confessions - from backyard hookups to rubbing alcohol booty burns.Watch Full Episodes & More: www.dumbblondeunrated.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.