Podcast appearances and mentions of chris morley

Games, Brrraaains & A Head-Banging Life bring you an interview with guitarist and vocalist Tim Yearsley and guitarist Chris Morley of progressive death metal band, Beyond Grace. They will release the first instalment of a trilogy of EPs, Welcome To The New Dark Ages Part 1, on the November 24th, 2023. Find out more here: https://beyondgrace.bandcamp.com/album/welcome-to-the-new-dark-ages-part-1 Website: https://gbhbl.com/ Ko-Fi (Buy us a coffee): https://ko-fi.com/gbhbl Big Cartel: https://gbhbl.bigcartel.com/ Facebook: https://www.facebook.com/GBHBL Twitter: https://twitter.com/GBHBL_Official Instagram: https://www.instagram.com/gbhbl/ TikTok: https://www.tiktok.com/@gbhbl Contact: gbhblofficial@gmail.com Soundcloud: https://soundcloud.com/gbhbl Spotify: https://open.spotify.com/show/5A4toGR0qap5zfoR4cIIBo Apple Podcasts: https://podcasts.apple.com/hr/podcast/the-gbhbl-podcasts/id1350465865 Intro/Outro music created by HexedRiffsStudios. YouTube: https://www.youtube.com/channel/UCKSpZ6roX36WaFWwQ73Cbbg Instagram: https://www.instagram.com/hexedriffsstudio

Our guest in this episode is educator Joti Weijers-Coghlan from the University of South Australia. Joti established the design and construction program at UniSA and has been the driving force behind educating students about the construction process. Joti shares why it's important for architecture students to understand construction, the need for construction knowledge when dealing with issues on site, and how design can be improved when thinking about construction from the outset. This interview is conducted by Chris Morley who is an EmAGN committee member based in South Australia.

Continue your Saturday with the best mix of music, plus a round up of the news and entertainment stories throughout the week

Continue your Saturday with the best mix of music, plus a round up of the news and entertainment stories throughout the week

Continue your Saturday with the best mix of music, plus a round up of the news and entertainment stories throughout the week

Continue your Saturday with the best mix of music, plus a round up of the news and entertainment stories throughout the week

Continue your Saturday with the best mix of music, plus a round up of the news and entertainment stories throughout the week

Continue your Saturday with the best mix of music, plus a round up of the news and entertainment stories throughout the week

Continue your Saturday with the best mix of music, plus a round up of the news and entertainment stories throughout the week

Continue your Saturday with the best mix of music, plus a round up of the news and entertainment stories throughout the week

Continue your Saturday with the best mix of music, plus a round up of the news and entertainment stories throughout the week

Continue your Saturday with the best mix of music, plus a round up of the news and entertainment stories throughout the week

Continue your Saturday with the best mix of music, plus a round up of the news and entertainment stories throughout the week

Continue your Saturday with the best mix of music, plus a round up of the news and entertainment stories throughout the week

Continue your Saturday with the best mix of music, plus a round up of the news and entertainment stories throughout the week

Continue your Saturday with the best mix of music, plus a round up of the news and entertainment stories throughout the week

Continue your Saturday with the best mix of music, plus a round up of the news and entertainment stories throughout the week

Continue your Saturday with the best mix of music, plus a round up of the news and entertainment stories throughout the week

Continue your Saturday with the best mix of music, plus a round up of the news and entertainment stories throughout the week

Continue your Saturday with the best mix of music, plus a round up of the news and entertainment stories throughout the week

Continue your Saturday with the best mix of music, plus a round up of the news and entertainment stories throughout the week

Continue your Saturday with the best mix of music, plus a round up of the news and entertainment stories throughout the week

Continue your Saturday with the best mix of music, plus a round up of the news and entertainment stories throughout the week

Continue your Saturday with the best mix of music, plus a round up of the news and entertainment stories throughout the week

Continue your Saturday with the best mix of music, plus a round up of the news and entertainment stories throughout the week

Continue your Saturday with the best mix of music, plus a round up of the news and entertainment stories throughout the week

In this first episode, Chris Morley and Chuck Daly dive deep into the driving topics. Learn about them, the show, and its future plans. With topics like the top 98, Bangor hot scale, and the “Grand Idea.” With an electrifying opening sequence, Buckle up for a fun hour and a half of the most riveting and comical commentary from 2 empty cans. #2emptycans #bangorhot #98 Email us with your comments at 2emptycans@masonsbrewingcompany.com --- Support this podcast: https://podcasters.spotify.com/pod/show/masons-brewing-company/support

Come along with Dan Gore, as he takes us on a journey to the life and career of Chris Morley.

Starting architecture school soon and need some advice? Chris Morley, UniSA's first year course coordinator shares with me (a third-year student) his best advice for starting architecture school. Chris talks about what separates “successful” students from “unsuccessful” students, and the key factors that will help you throughout your first years of studying architecture. Check out the full interview with Chris (part 1): https://youtu.be/7SivcVx7Fu4 Chris is also the co-chair of South Australia's Emerging Architects + Graduates Network (EmAGN) as well as sole practitioner for his practice Echelon Studios. Chris's involvement with the University has given him much experience and has allowed him to identify common habits across successful and unsuccessful students and their projects. In this episode, he breaks down what he's learned over his 10+ years of experience as a University tutor, including what makes a student stand out in first year. Prefer listening/reading and want the resources mentioned in this episode? Check out the show notes: https://successfularchistudent.com/48-advice-for-first-year-architecture-students-starting-architecture-school/ ▼DOWNLOAD THE FREE SUCCESS CHECKLIST FOR ARCHI STUDENTS ▼ → https://successfularchistudent.com/← Get my new ebook! “How to Ace Any Project in Architecture School” https://successfularchistudent.com/how-to-ace-any-project/ --------------------- Hey! My name's Kyle. On the podcast for architecture students, you'll hear from practicing architects, other students and me, Kyle, a third-year architecture student from South Australia. Doing so, you'll learn the tips and tricks to excel past the rest of your cohort and build the skills needed to take your work to another level. Check out the playlists on my channel for more videos like this one! Let's hang :) Instagram: → https://www.instagram.com/successfularchistudent/ Facebook: → https://www.facebook.com/successfularchistudent Pinterest: → https://www.pinterest.com/successfularchistudent Snapchat: → https://successfularchistudent.com/snapchat/ Website: → https://successfularchistudent.com/ --------------------- Tags:advice for first year, advice for freshman, advice, tips, hacks, secrets, tip, hack, best advice, study architecture, studying architecture, first year studying architecture, first year of architecture, first year at architecture school, architecture school, architecture student, archi student, architect student, first year architecture student, first year, first-year, 1st year, year one, freshman, college freshman, architecture student freshman, university, architecture university, architecture school advice, starting architecture school,

Ever wanted to run your own architectural firm? Today's guest, a Sole Practitioner from Australia with over 10 years of experience in the industry, shares his journey of how he made the dream of running his own practice a reality. In today's episode, I'm joined by the co-chair of South Australia's Emerging Architects + Graduates Network (EmAGN), a first-year course co-ordinator at my university as well as sole practitioner of Echelon Studio - Chris Morley. This is the third and final part of the interview with Chris where we learn about his journey from the very beginning. From getting his first architectural job as a student of architecture, to now running his own practice and working for himself. If you haven't seen the previous 2 parts, I highly recommend going back and watching the interview in order! EP.1: The Key to Success as an Architecture Student – Networking 101 https://youtu.be/7SivcVx7Fu4 EP.2: Architecture Tutor's Best Advice for Succeeding in Architecture School https://youtu.be/gzKlsm13Zlw Here are some of Chris's involvements: EmAGN: The Australian Institute of Architects & EmAGN's “Hearing Architecture” Podcast: https://www.architecture.com.au/category/podcast/ Follow EmAGN on Instragram: https://www.instagram.com/emagn_sa/ Check out their website: https://wp.architecture.com.au/emagn/ Chris's Architectural Practice, Echelon Studio: https://www.instagram.com/echelon.studio/ ----------------------------------- Here are some of the questions I asked Chris: Where was your first job as a graduate and what did it involve? How did you go about getting this job? Can you tell us about Echelon Studio? What kind of projects do you work on and who is your ideal client? Did you always have an ambition to run your own practice? When did you start your own practice and what were some of the first steps you took when transitioning from employee to sole practitioner? What are some of the key differences working for yourself, compared to working for someone else? You label yourself a “sole practitioner”, does this mean you don't have any employees? Do you do all the work yourself or do you have an assistant, contracted workers or casual employees to help? Prefer watching/reading? Check out the show notes: https://successfularchistudent.com/42/

My University Coordinator shares his best secrets for being successful in architecture school and explains what you need to do to avoid being left behind. In today's episode, I'm joined by the co-chair of South Australia's Emerging Architects + Graduates Network (EmAGN), a first-year course co-ordinator at my university as well as sole practitioner - Chris Morley. Chris's involvement with the University has given him much experience and has allowed him to identify common habits across successful and unsuccessful students and their projects. In this episode, he explains his journey of how he got this role immediately after graduating, and he breaks down what he's learnt from his 10+ years of experience as a University tutor, including what makes a student stand out. ----------------------------------- Here are some of Chris's involvements: EmAGN: The Australian Institute of Architects & EmAGN's “Hearing Architecture” Podcast: https://www.architecture.com.au/category/podcast/ Follow EmAGN on Instragram: https://www.instagram.com/emagn_sa/ Check out their website: https://wp.architecture.com.au/emagn/ Chris's Architectural Practice, Echelon Studio: https://www.instagram.com/echelon.studio/ ----------------------------------- Here are some of the questions I ask Chris: What does your work with the University involve? What are some of the common habits you've seen across successful students and/or projects? What are some of the common habits you've seen across unsuccessful students and/or projects? Interacting with students and young people would surely rub off on your own practice. How have you found working inside the University beneficial to your own work? A lot of students I speak to get upset when they receive a grade lower than they expected. What advice would you give to them to ensure they continue to move forward and not let this discourage them? Prefer listening/reading? Check out the show notes: https://successfularchistudent.com/41/ ----------------------------------- ▼DOWNLOAD THE FREE ARCHI STUDENT SUCCESS CHECKLIST▼ → https://successfularchistudent.com/← ----------------------------------- Get my new ebook! “How to Ace Any Project in Architecture School” https://successfularchistudent.com/how-to-ace-any-project/ Let's hang :) Instagram: → https://urlgeni.us/instagram/EF6o Facebook: → https://urlgeni.us/facebook/tPBQ Pinterest: → https://www.pinterest.com/successfularchistudent Snapchat: → https://successfularchistudent.com/snapchat/ Website: → https://successfularchistudent.com/

Network = net worth as an architecture student. The more I think about it – it's not WHAT you know, but WHO you know when it comes to success as an architecture student. The key to success as an architecture student is networking. In today's episode, I'm joined by the co-chair of South Australia's Emerging Architects + Graduates Network (EmAGN), a first-year course co-ordinator at my university as well as sole practitioner - Chris Morley. Chris has a lot going on, and he knows a thing or two about networking. ----------------------------------- Here are some of Chris's involvements: EmAGN: The Australian Institute of Architects & EmAGN's “Hearing Architecture” Podcast: https://www.architecture.com.au/category/podcast/ Follow EmAGN on Instragram: https://www.instagram.com/emagn_sa/ Check out their website: https://wp.architecture.com.au/emagn/ Chris's Architectural Practice, Echelon Studio: https://www.instagram.com/echelon.studio/ ----------------------------------- Here are some of the questions I ask Chris: Firstly, what is EmAGN and what is your involvement? What are some of the benefits to networking as an architecture student? Why do you think it's important? What are some of the things you did as a student or graduate to network? What did this involve? As a student, what do you do at networking events? How can you make the most of these? I often see a lot of events for architects, but I'm never too sure if it's an event for students as well. Where can students find local events to attend to interact with other students and professionals (in a time without corona virus)? When most people think of networking, they think – dress up, drink in hand, business cards, talking to professionals . . . The way we got in contact with each other was through social media, and I've noticed this is a tool you often use to network. Can you explain some of the things you do to network using social media? How do you think architecture students can utilise social media to build relationships with people in the industry? Is networking something you prioritise and put time aside for? Or, does it come naturally in your day-to-day life? If a student is meeting a professional for the first time, what are some important things to know or do to make sure they have a successful first impression? Do you have any advice for a student to gain confidence in professional networking situations? Let's say there's a student going into a networking event alone. They walk into this event knowing nobody. How would you suggest they go about this? Prefer listening/reading? Check out the show notes: https://successfularchistudent.com/40/

The design of any building is an act of looking into the future. The look of our cities and neighbourhoods evolve with every building that architects design. Throughout history, many architects have had aspirations for what our cities should look like. Some designs have shown buildings interconnected with nature, others are dystopic visions of cities run by machines without any considerations for people. Weather architects are mainly concerned with climate change, emerging technologies, or changes in the social structure of work, there are many things that are going to change the fabric of cities in the future. In this episode of Hearing Architecture, we’ve asked architects from around Australia what our cities and towns will look like in 2050. The more support we get from you the more episodes we get to make. So if you’d like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. This episode of Hearing Architecture featured the following guests: Justin Carrier, Steven Postmus, Sue Dugdale, Jane Wetherall, Damian Madigan, Dik Jarman, Jo Rees, Peter Stutchbury, Yvette Breytenbach, Jefa Greenaway, Rob McGauran Jane Caught, Nicholas Braun, Timothy Moore, Amelia Borg, Professor Philip Thalis, Andrew Maynard, Joe Agius, Shaneen Fantin and Belinda Allwood. The interviews in this episode were produced around Australia by EmAGN committee members: Jamileh Jahangiri, Daniel Hall, Kirsty Volz, Kali Marnane, Chris Morley, Sam McQueeney, Reece Currey, Brad Wetherall, Jess Beaver, Bede Taylor, Rebecca Webster, and Daniel Moore. The Australian Institute of Architects production team was Daniela Crawley, Stacey Rodda, Monique Woodward, and Thom McKenzie. Produced by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. Written and Directed by Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time.

A Customer Experience Management firm, Digitell.me, has launched out of Germany. The company’s co-founders, Christopher Morasch, Ted Osammor, and Ole Scharpe have deep backgrounds in market research and experience management. Watchout Medalia and Qualtrics! If Digitell.me is like Quantilope…you are going to have a problem. Twitter Product Designer, Cathy Heng, released an article highlighting five things she has learned throughout her career. Lessons include knowing when to say goodbye, sharing and gaining visibility, getting a mentor, building relationships, and remembering to focus on what you want. In today’s mergers and acquisitions, BDI Research, Schlesinger Group’s Spain brand, acquires ThinkPhar, a qualitative research consultancy specializing in healthcare. Dun & Bradstreet, a leading global provider of business decisioning data and analytics, acquires Orb Intelligence, a digital business identity, and firmographic data provider. In human capital news, Kantar appoints Chris Morley as the Managing Director of UK, Ireland, and the U.S.A, for the Worldpanel division; and Dom Boyd as the Managing Director of Offer for the UK Insights division. Lara M. Oerter will now be serving as the Chief Operating Officer at Avenu Insights & Analytics. She previously served as the COO for PrecisionHawk and Senior Vice President with Blackboard. Find links to these stories in our show notes. For more detailed commentary, be sure to signup for our weekly newsletter at www.happymr.com. And that’s your daily briefing of marketing research news. Find Jamin Online:Email: jamin@happymr.comLinkedIn: www.linkedin.com/in/jaminbrazilTwitter: www.twitter.com/jaminbrazil Find Us Online:Twitter: www.twitter.com/happymrxpLinkedIn: www.linkedin.com/company/happymarketresearchFacebook: www.facebook.com/happymrxpWebsite: www.happymr.com Sources: Digitell.me: https://www.digitell.me/en/ UX Planet: https://uxplanet.org/lessons-learnt-doing-ux-for-3-years-924391915c9f Schlesinger Group: https://www.schlesingergroup.com/en/thinkphar-acquisition-spain/ Dun & Bradstreet: https://www.dnb.com/perspectives/newsroom/dun-bradstreet-acquires-orb-intelligence.html LinkedIn: https://www.linkedin.com/in/chrismorley/?originalSubdomain=uk Avenu Insights & Analytics: https://www.avenuinsights.com/2020/01/09/avenu-insights-analytics-announces-lara-oerter-as-new-chief-operating-officer/

Architects used to draw everything with set squares, compasses, and rulers, then came the mechanical drafting table. During this time architects had to draw every part of their drawings individually, then came dye-line machines and printers. By this time studios were filled with large format drafting tables, printers and plotters, and then computers were slowly introduced so you could do most things on a small monitor. After this, fax machines allowed drawings to be sent by phone so it took less time for everyone in the project team to get drawings and instructions, but this was soon replaced by email. To see how engineers and architects drawings worked together, some firms started playing with Building Information Management, which allowed multiple people in a team to see how the parts of the building come together in 3D. These days there’s a lot of discussion around parametric modeling, Artificial Intelligence, and automated manufacturing. With so many ways of designing architecture throughout history, there seems to be an almost unending conveyor belt of technology that architects need to use to do their job.  In this episode of Hearing Architecture we’ve asked architects from around Australia what will happen to architecture as more advanced technology is introduced into the studio. The more support we get from you the more episodes we get to make. So if you’d like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. This episode of Hearing Architecture featured the following guests: Justin Carrier, Steven Postmus, Lee Hillam, Jo Rees, Jefa Greenaway, Rod Simpson, Sue Dugdale, Amelia Borg, Timothy Moore, Jane Caught, Shaneen Fantin, Belinda Allwood, Rob McGauran, Professor Philip Thalis, Dik Jarman, and Andrew Maynard. The interviews in this episode were produced around Australia by EmAGN committee members: Jamileh Jahangiri, Daniel Hall, Kirsty Volz, Kali Marnane, Chris Morley, Sam McQueeney, Reece Currey, Brad Wetherall, Jess Beaver, Bede Taylor, Rebecca Webster, and Daniel Moore. The Australian Institute of Architects production team was Daniela Crawley, Stacey Rodda, Monique Woodward, and Thom McKenzie. Produced by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. Written and Directed by Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time.

Becoming an architect takes a long time. In Australia, a student has to spend a minimum of 5 years at university in order to get an architecture degree. During this time, students learn about the design process, the history and theories that have shaped the profession, and practical building techniques. After graduation, it still takes at least 2 years to get enough experience to become registered. Despite having all those years of study under their belt, architects need to continue educating themselves in order to keep up with the evolving built environment landscape. Not only do architects have to stay up-to-date with the core areas of competency, but they can also tailor their professional development towards the areas that they specialize in. With so many elements that architects need to understand from business through to detailing, it’s an ongoing task for architects to keep their knowledge base current. In this episode of Hearing Architecture, we’ve asked architects from around Australia how they continue to learn and develop their practices in their fast-evolving profession. This episode of Hearing Architecture features the following guests: Jefa Greenaway, Justin Carrier, Steven Postmus, Damian Madigan, Andrew Maynard, Sue Dugdale, Peter Stutchbury, Yvette Breytenbach, Joe Agius, Amelia Borg, Nicholas Braun, Shaneen Fantin, Belinda Allwood, Dik Jarman, Lee Hillam, and Joe Rees. The interviews in this episode were produced around Australia by EmAGN committee members: Jamileh Jahangiri, Daniel Hall, Kirsty Volz, Kali Marnane, Chris Morley, Sam McQueeney, Reece Currey, Brad Wetherall, Jess Beaver, Bede Taylor, Rebecca Webster, and Daniel Moore. The Australian Institute of Architects production team was Daniela Crawley, Stacey Rodda, Monique Woodward, and Thom McKenzie. Produced by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. Written and Directed by Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time.

As Australia’s population continues to rise, the demand for housing continues to intensify. To meet this demand, apartment buildings are building built at a rapid pace. Most high streets around the country are growing 6 storeys taller above the existing 2 storey row houses. In some streets, you might notice a single house being torn down to clear space for 2 or 3 townhouses on the same block. All of these types of developments increase housing density. While this meets the need for more houses, it is also increasing the number of people who want to use services like public transport, library’s, and schools. While there’s so much focus on getting the houses built, there’s a parallel need to make sure all the extra people in a community don’t exhaust the services and amenities in an area. As our cities as towns continue to grow, we need to make sure that while we make buildings that accommodate everyone we don’t reduce the amenity that made an area so good in the first place.  In this episode of Hearing Architecture, we’ve asked architects from around Australia if high-density developments are being planned with communities in mind. This episode of Hearing Architecture featured the following guests: Damian Madigan, Jane Wetherall, Jefa Greenaway, Rod Simpson, Shaneen Fantin, Belinda Allwood, Rob McGauran, Amelia Borg, Timothy Moore, Jane Caught, Andrew Maynard, Professor Philip Thalis, Lee Hillam, and Dik Jarman. The interviews in this episode were produced around Australia by EmAGN committee members: Jamileh Jahangiri, Daniel Hall, Kirsty Volz, Kali Marnane, Chris Morley, Sam McQueeney, Reece Currey, Brad Wetherall, Jess Beaver, Bede Taylor, Rebecca Webster, and Daniel Moore. The Australian Institute of Architects production team was Daniela Crawley, Stacey Rodda, Monique Woodward, and Thom McKenzie. Produced by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. Written and Directed by Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time.

One of the things that makes Australia great is our richness of diversity. There are people from so many cultural backgrounds, language groups, and belief systems, which influences the way they want to live and shape their buildings. Allowing for these differences in the architecture process can raise some interesting opportunities. When an architect works with a client from a different background they’ll need to learn how to design for that clients needs and the architect might not have experienced that before. It’s these collaborations that can help the way Australian buildings evolve over time. However, when buildings are designed to meet the needs of large number of people in Australia, the results sometimes only meet the minimum requirements for a narrow demographic of our diverse community. By working with an architect, it should be possible to get much closer to the individual needs of all the people who make up our rich multicultural society. In this episode of Hearing Architecture we’ve asked architects from around Australia how empathy, understanding and diversity impacts their clients and the community. This episode of Hearing Architecture featured the following guests: Jefa Greenaway, Shaneen Fantin, Belinda Allwood, Andrew Maynard, Sue Dugdale, Dik Jarman, Professor Philip Thalis, Jo Rees, Jessica Mountain, Emily Van Eyk, Kylee Schoonens, and Lee Hillam. The interviews in this episode were produced around Australia by EmAGN committee members: Jamileh Jahangiri, Daniel Hall, Kirsty Volz, Kali Marnane, Chris Morley, Sam McQueeney, Reece Currey, Brad Wetherall, Jess Beaver, Bede Taylor, Rebecca Webster, and Daniel Moore. The AIA production team was Daniela Crawley, Stacey Rodda, Monique Woodward, and Thom McKenzie. Produced by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. Written and Directed by Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time.

In 1980 the median house price in Melbourne was $40,800. Fast forward to 2016 and the median price of a house was $713,000. With property prices rising across the country, the concept of the Australian Dreamhouse on its own block with a front and back yard is becoming more like a fantasy. This was in part because median income didn’t have the same rate of growth as property prices, so the gap between house income and house expense became wider every year. This increased gap means that many Australian’s are finding it harder to own a home. To address this there are more apartments being built in our major cities than ever before, with most apartments having smaller floor areas than stand-alone houses. As Australians look for homes they can afford, architects are designing new forms of housing that can meet the needs of a growing population with complex financial burdens.  In this episode of Hearing Architecture, we’ve asked architects from around Australia how architects can play an active role in addressing housing affordability. This episode of Hearing Architecture featured the following guests: Rob McGauran, Shaneen Fantin, Belinda Allwood, Jo Rees, Rod Simpson, Kylee Schoonens, Professor Philip Thalis, Joe Agius, Lee Hillam, Peter Stutchbury, Timothy Moore, Jane Caught, Andrew Maynard, Yvette Breytenbach, and Jefa Greenaway. The interviews in this episode were produced around Australia by EmAGN committee members: Jamileh Jahangiri, Daniel Hall, Kirsty Volz, Kali Marnane, Chris Morley, Sam McQueeney, Reece Currey, Brad Wetherall, Jess Beaver, Bede Taylor, Rebecca Webster, and Daniel Moore. The Australian Institute of Architecture production team was Daniela Crawley, Stacey Rodda, Monique Woodward, and Thom McKenzie. Produced by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. Written and Directed by Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time.

Most Australians live in cities. The 2016 census showed that 71% of Australian’s live in major cities, and only 10% of Australians live in towns with less than 10,000 people. With this gap on the rise, it’s important that the small communities around the country are not forgotten while large cities continue to grow. In order for small towns to function they need access to important infrastructure like hospitals, schools, and markets, but they also need buildings that help foster a community’s social development. These gathering places have helped small towns around Australia develop some of the best examples of social resilience in the whole country, and architects who are based in these regional areas designed the majority of those buildings. In this episode of Hearing Architecture, we’ve asked architects from around Australia how architects have contributed to Australia’s regional communities and how we can nurture regional areas as we plan for our country’s future. This episode of Hearing Architecture features the following guests: Shaneen Fantin, Belinda Allwood, Jessica Mountain, Emily Van Eyk, Yvette Breytenbach, Sue Dugdale, Kylee Schoonens, Jo Rees, Peter Stutchbury, Dik Jarman, Rob McGauran, Jefa Greenaway, Joe Agius, Professor Philip Thalis, and Lee Hillam. The interviews in this episode were produced around Australia by EmAGN committee members: Jamileh Jahangiri, Daniel Hall, Kirsty Volz, Kali Marnane, Chris Morley, Sam McQueeney, Reece Currey, Brad Wetherall, Jess Beaver, Bede Taylor, Rebecca Webster, and Daniel Moore. The AIA production team was Daniela Crawley, Stacey Rodda, Monique Woodward, and Thom McKenzie. Produced by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. Written and Directed by Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time.

The beginning of an architecture project usually starts with some form of communication. It can be a conversation over a coffee, through an email from a client listing a dozen items that they “must have”, or standing in an old building with a bunch of people describing what they can see in their head while they gesticulate in the direction of where new windows and walls could be. After this, everyone wants to agree on what was just discussed so there’s as little difference between what was implied and what was inferred. To do this, an architect will usually start making drawings. This process is so successful that architects are now synonymous with drawings. Even the idea of building something without a drawing sounds like a paradox. This makes architects experts in explaining what the end result of a project will look and feel like, which helps minimise the chance of clients turning up to a building site and being surprised by what’s been built. It may be second nature to architects, but even when a project has literally hundreds of drawings, it can still be difficult to understand what’s going to end up on-site. In this episode of Hearing Architecture we’ve asked architects from around Australia why drawings are so important to the profession of architecture and how drawings can help communicate to clients and the wider community. This episode of Hearing Architecture featured the following guests: Peter Stutchbury, Shaneen Fantin, Belinda Allwood, Joe Agius, Amelia Borg, Nicholas Braun, Timothy Moore, Jo Rees, Damian Madigan, Andrew Maynard, Lee Hillam, Steven Postmas, Jessica Mountain, Emily Van Eyk, Jane Wetherall, Professor Philip Thalis, Dik Jarman, Sue Dugdale, and Jefa Greenaway. The interviews in this episode were produced around Australia by EmAGN committee members: Jamileh Jahangiri, Daniel Hall, Kirsty Volz, Kali Marnane, Chris Morley, Sam McQueeney, Reece Currey, Brad Wetherall, Jess Beaver, Bede Taylor, Rebecca Webster, and Daniel Moore. The AIA production team was Daniela Crawley, Stacey Rodda, Monique Woodward, and Thom McKenzie. Produced by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. Written and Directed by Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published but does not accept responsibility for content that may or will become inaccurate over time.

Before any architecture project starts, there needs to be a client who has the vision to build something. Once they’ve committed to build, they’ll need some specialists to work through all of the mandatory building requirements. In Australia, these include the local planning scheme, national construction code, and some specific design guidelines. So with all of those requirements being handled by the professionals, what is the client’s role while all of this is going on? Some might think that they’re just meant to sit back until they’re called upon to pay a bill or attend a design meeting? But the client had the vision to have the project built in the first place. So does that mean they get their monies worth by getting involved in every single aspect of the architectural process as it moves from one consultant to the next? Or would this slow down the project team from achieving their aspirations? In this episode of Hearing Architecture, we’ve asked architects from around Australia what makes a good client and what a client can do to get the most out of an architect. This episode of Hearing Architecture featured the following guests: Damian Madigan, Rod Simpson, Sue Dugdale, Peter Stutchberry, Justin Carrier, Kylee Schoonens, Steven Postmus, Shaneen Fantin, Belinda Allwood, Professor Philip Thalis, Rob McGauran, Jo Rees, Lee Hillam, Dik Jarman, Yvette Breytenbach, Jefa Greenaway, Hugh Mcguire, and Andrew Maynard. The interviews in this episode were produced around Australia by EmAGN committee members: Jamileh Jahangiri, Daniel Hall, Kirsty Volz, Kali Marnane, Chris Morley, Sam McQueeney, Reece Currey, Brad Wetherall, Jess Beaver, Bede Taylor, Rebecca Webster, and Daniel Moore. The AIA production team was Daniela Crawley, Stacey Rodda, Monique Woodward, and Thom McKenzie. Produced by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. Written and Directed by Daniel Moore.

Australians love to renovate their homes. You can tell we do because there are so many DIY TV programs that show us how to give it a go. But when you watch programs like Grand Designs, The Block, or House Rules there’s rarely an architect to be seen. With many programs like this out there a lot of people might assume that design, renovation, and building can all be easily undertaken by anyone at home as long as they have the time and money. Now, this is true to some extent, and a lot of people have a great deal of fun renovating their homes. But it might be hard to know how far you can go yourself before things start to get dangerous or it becomes more costly than if some professionals had taken it on. In this episode of Hearing Architecture we’ve asked architects from around Australia how architects are portrayed to the public and how clients can be involved in the design process. This episode of Hearing Architecture featured the following guests: Damian Madigan, Rod Simpson, Sue Dugdale, Lee Hillam, Peter Stutchberry, Justin Carrier, Steven Postmus, Nicholas Braun, Jane Caught, Timothy Moore, Shaneen Fantin, Belinda Allwood, Joe Agius, Rob McGauran, Jo Rees, Dik Jarman, Hugh Mcguire, and Andrew Maynard. The interviews in this episode were produced around Australia by EmAGN committee members: Jamileh Jahangiri, Daniel Hall, Kirsty Volz, Kali Marnane, Chris Morley, Sam McQueeney, Reece Currey, Brad Wetherall, Jess Beaver, Bede Taylor, Rebecca Webster, and Daniel Moore. The AIA production team was Daniela Crawley, Stacey Rodda, Monique Woodward, and Thom McKenzie. Produced by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. Written and Directed by Daniel Moore.  This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time.

In 2017 the Australian Institute of Architects awarded Melbourne based Architect Peter Elliot with the Gold Medal, which is the Institutes highest honour. As part of his gold medal tour, he told younger architects “to let the theory come later”. Some Architects were taken aback by this because they’d spent so much time studying how to embed design theory into their work. In this episode of Hearing Architecture, we’ve asked architects from around Australia to tell us what they think about the use of theory in architecture. This episode of Hearing Architecture featured the following guests: Damian Madigan, Rod Simpson, Sue Dugdale, Kylee Schoonens, Peter Stutchberry, Justin Carrier, Steven Postmus, Nicholas Braun, Jane Caught, Timothy Moore, Shaneen Fantin, Belinda Allwood, Professor Philip Thalis, Joe Agius,Yvette Breytenbach, Jefa Greenaway, Rob McGauran, Jo Rees, Dik Jarman, Andrew Maynard and Peter Elliott. The interviews in this episode were produced around Australia by EmAGN committee members: Jamileh Jahangiri, Daniel Hall, Kirsty Volz, Kali Marnane, Chris Morley, Sam McQueeney, Reece Currey, Brad Wetherall, Jess Beaver, Bede Taylor, Rebecca Webster, and Daniel Moore. The AIA production team was Daniela Crawley, Stacey Rodda, and Thom McKenzie. Produced by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. Written and Directed by Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time.

When you start to look for it, architecture is everywhere and it’s the stage on which we play out our lives. It doesn’t matter whether we’re working in it, living in it, or resting in it, it’s part of our lives and memories. In this episode of Hearing Architecture we’ve asked architects from around Australia to tell us what they think architecture’s role is in culture: is it informed by culture or does it inform culture? This episode of Hearing Architecture features the following guests: Damian Madigan, Rod Simpson, Sue Dugdale, Kylee Schoonens, Peter Stutchberry, Justin Carrier, Steven Postmus, Nicholas Braun, Jane Caught, Timothy Moore, Shaneen Fantin, Belinda Allwood, Professor Philip Thalis, Joe Agius, Rob McGauran, Jefa Greenaway, Dik Jarman, and Andrew Maynard. The interviews in this episode were produced around Australia by EmAGN committee members: Jamileh Jahangiri, Daniel Hall, Kirsty Volz, Kali Marnane, Chris Morley, Sam McQueeney, Reece Currey, Brad Wetherall, Jess Beaver, Bede Taylor, Rebecca Webster, and Daniel Moore. The AIA production team was Daniela Crawley, Stacey Rodda, and Thom McKenzie. Produced by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. Written and Directed by Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time.

Christopher Morley joins us this week to talk about prior authorizations, or PAs – a bureaucratic headache well known to anyone in primary care in which a physician’s office must complete additional paperwork or phone calls to a patient’s insurance company in order to get a medication or procedure covered by the insurance. This used to be a fairly rare occurrence, but it has dramatically increased in frequency over the last 20 years or so. Dr. Morley set out with some colleagues to try to quantify how much the PA process may cost, and moreover, to help us all think about who pays those costs in reality – ultimately, it is our patients. Dr. Morley is the Chair of the Department of Public Health and Preventive Medicine at SUNY Upstate Medical University, as well as the Vice Chair for Research in the Department of Family Medicine. He is a medical social scientist with principal interests in health disparities, particularly those that occur in primary care settings; health workforce development and medical education. Review of Systems is a podcast hosted by Audrey Provenzano featuring conversations about the changing healthcare landscape from the Harvard Center for Primary Care. Check out our website, primarycare.hms.harvard.edu to find our podcast library, subscribe in your favorite podcast app, and find us at @rospodcast and @audreymdmph Tweet us feedback and suggestions or email us at reviewofsystemspod@gmail.com. If you enjoy the show, please rate, review & subscribe to us wherever you listen, it helps others find the show, and share us on social media and with our friends and colleagues.

We talk with Chris Morley of Morley Associates to explore the benefits of flame-free brazing options and the Zoomlock set of tools that can help perform this task.

Part 4 of Creation Care series

Georgia Senator Hunter Hill joined us on the show this week. He was instrumental in passing SB 63 - which led to this year's passage of SB 85. We talk small business, sensible laws, and why he's running for governor.  We also talk to Chris Morley, owner of Mason's Brewing in Brewer, Maine. He got an interesting letter from ABInbev's legal department. Truck and Tap's Beers of the Week: Foolproof Shakolad Wild Heaven Mavis Mason's Hipster Apocalypse DIPA (see news below) Sole Brewing Koji-Mon Headlines: Your Pie Grant Park gearing up for November opening. (Their FB page has a link to a post with more info.) Akademia Brewpub opens in Athens Good People purchases Avondale Brewing Cherry Street opening second location in Alpharetta Russian River Raises Money for California Wildfire Victims with Pliny the Younger Contest (CraftBeer.com, 10/13) 10 Barrel sends C&D to small Maine Brewery. Small Maine brewery fights back.

Chris Morley of UK alt-rock band Ellis Red discusses the band's name, songwriting, life as a musician, and the new EP V:IV. [...]

Chris Morley of UK alt-rock band Ellis Red discusses the band's name, songwriting, life as a musician, and the new EP V:IV. [...]

Chris Morley of UK alt-rock band Ellis Red discusses the band's name, songwriting, life as a musician, and the new EP V:IV. [...]

This born and bred New Yorker, knows all there is to know about real estate in NYC. But that’s not all! We discuss when to put your properties up for sale, and the best ways to put tenants into your rentals after one showing TODAY!     Best Ever Tweet:   Make sure you position your properties to come on the market at the tight time.   Chris Morley’s real estate background: -          Owner of -          Focus is on residential rentals and sales -          Used to do 70 transactions and now 20 transactions -          Based out of NYC, NY     Subscribe in   and    so you don't miss an episode!   Made Possible Because of Our Best Ever Sponsor:   - Want to learn more about crowdfunding? Let the leading expert in the crowdfunding space, Patch of Land, give you all the info you need to get started. Grab your FREE copy of Top Ten Answers to the Top Ten Crowdfunding Questions at     - Are you looking for a step by step guide for starting your flipping career? Head on over to Amazon to pick up The Book On Flipping Houses by professional house flipper J Scott. 

Part 2 of Chris Morley Hall's interview, about winning a best award, Weta Parties and Running away with the circus.