Podcasts about harvard center

Yair Rosenberg is a staff writer at The Atlantic and the author of its newsletter Deep Shtetl, about the intersection of politics, culture, and religion. Previously a senior writer at Tablet Magazine, he has also written for The Washington Post, The New York Times, The Wall Street Journal, and The Guardian, and his work has received recognition from the Religion News Association and the Harvard Center for Jewish Studies.

Yair Rosenberg is a staff writer at The Atlantic and the author of its newsletter Deep Shtetl, about the intersection of politics, culture, and religion. Previously a senior writer at Tablet Magazine, he has also written for The Washington Post, The New York Times, The Wall Street Journal, and The Guardian, and his work has received recognition from the Religion News Association and the Harvard Center for Jewish Studies.

On the first day of his second term in office, President Donald Trump signed an executive order that paused funding for USAID, the US government's main foreign aid agency, for a 90-day review. While the long-term effects remain unclear, the order has already frozen vital programs relied on by millions of people globally, forced the closure of USAID's overseas offices, and jeopardised thousands of jobs.As one of the world's largest foreign aid providers, the US plays an essential role with no other country or organisation fully able to fill the gap. But some recipient countries see this move as an opportunity to seek solutions closer to home.This week on The Inquiry, Charmaine Cozier explores the consequences of this shift in US foreign policy, asking “What is filling the USAID funding gap?”Presenter: Charmaine Cozier Producer: Matt Toulson Researcher: Katie Morgan Editor: Tara McDermott Production Co-ordinator: Liam Morrey Technical Producer: Richard HannafordContributors to this programme:Fatema Sumar, Executive Director of the Harvard Center for International Development (CID) and an Adjunct Lecturer in Public Policy at Harvard Kennedy School, USMichael Jennings, Professor of Global Development at SOAS University London, UKFrancisca Mutapi, Professor of Global Health Infection and Immunity and Deputy Director TIBA Partnership at the University of Edinburgh, UKGeorge Ingram, Senior fellow in the Center for Sustainable Development at Brookings Institution, US

Welcome to season 5 of Arkansas A.W.A.R.E.!Today we talk about how executive functioning skills develop, and the relationship between those skills and emotional intelligence.  When it comes to executive functioning skills, The Harvard Center for the Developing Child says, “Children are not born with these skills -they are born with the potential to develop them.”  How do we build them in our students?  Which skills are easier for us?  Do we expect them to be easy for everyone?  Is that when we require some emotional intelligence?  Join us as we chat!Join Betsy Kindall and Nicole Fairchild as they discuss issues related to mental health in education. Their conversations are witty and relate-able, simultaneously shedding light on issues that can sometimes be hard to confront or understand. These episodes are chunked into small bites and packed with information that would be helpful to educators, parents, children.....anyone! We want to help make everyone more A.W.A.R.E.!Project A.W.A.R.E. is a grant program funded by S.A.M.H.S.A. (the Substance Abuse and Mental Health Services Administration). The Sandy Hook school shooting happened in December of 2012. In 2013 the White House initiative "NOW IS THE TIME" came out with 2 key goals:1. Make schools safer and more nurturing.2. Increase access to mental health services.The "NOW IS THE TIME" initiative laid the foundation for federal grants like A.W.A.R.E. Arkansas applied for and received the second round of funding for A.W.A.R.E. in October of 2018. Our project is dedicated to Advancing Wellness and Resiliency in Education.Arkansas A.W.A.R.E.TranscriptResources:A.W.A.R.E. websiteProduced by Donnie LeeMusic: https://www.purple-planet.comDESE PodcastsJoin the conversation anywhere you listen to podcasts!

Why are there more MRI machines in Massachusetts than in all of Canada? Why is healthy food getting more expensive faster than processed food? Why does our medical system prioritize providing treatments over improving health outcomes?Our guest this week answers all of these and more, and he's among the most qualified people in the world to take on these questions.Dr. David Cutler is an American economist who is the Otto Eckstein Professor of Applied Economics at Harvard University. He holds a joint appointment in the economics department and at Harvard Kennedy School and the Harvard School of Public Health, is a faculty member for the Harvard Center for Population and Development Studies, and serves as commissioner on the Massachusetts Health Policy Commission.Cutler graduated summa cum laude from Harvard College with a degree in economics, and then joined the Harvard faculty after receiving his Ph.D. in economics from the Massachusetts Institute of Technology in 1991. He has served in the administration of two presidents. His book Your Money or Your Life gives an introduction on the US health care system or you can find a discussion of it in the New York Times Magazine article, "The Quality Cure" Cutler's 2003 study "Why have Americans become more obese?" discusses rising obesity as an outcome of the revolution in mass food packaging.You can find links to his peer reviewed publications hereYou can find links to much of his editorial work here

This special episode of The Anxiety Society Podcast brings back Evan Weinberger, founder of Staying Ahead of the Game, to answer listener questions on executive functioning. Hosts Dr. Elizabeth McIngvale and Cali Werner explore practical strategies for overcoming procrastination, building problem-solving skills, and understanding cultural influences on productivity. Evan shares insights on how parents, professionals, and students can develop systems tailored to their unique challenges.Key Points:- [0:40] - Procrastination and Productivity Hacks The hosts and Evan discuss their personal struggles with procrastination and strategies for initiating tasks when motivation is low. - [7:18] - Executive Functioning Defined Evan explains executive functioning as the brain's "air traffic control system" for managing multiple tasks, deadlines, and decisions. - [12:40] - Learned Helplessness in Families How well-meaning parents may unintentionally reinforce dependency in kids, limiting their executive functioning growth. - [20:45] - Teaching Problem-Solving Skills Evan shares how failure and natural consequences can help children and employees develop better problem-solving abilities. - [30:15] - Cultural Influences on Executive Functioning A fascinating discussion on how cultural norms, such as attitudes toward punctuality or politeness, shape perceptions of productivity. Quotable Moments:[7:35] "Executive functioning is like the brain's air traffic control system—it keeps all the planes from crashing." - Evan Weinberger [20:20] "We don't learn from our successes; we grow from our failures." - Evan Weinberger [33:18] "Your system might work for you, but it might not work for everyone else—and that's okay." - Dr. Elizabeth McIngvale Links Mentioned:Staying Ahead of the Game: https://saotg.com/Harvard Center on the Developing Child: https://developingchild.harvard.eduThe Anxiety Society Podcast: https://www.anxietysocietypodcast.com This episode is packed with actionable tips for tackling executive functioning challenges. Whether you're a parent looking to support your child, a professional navigating workplace demands, or someone working on personal growth, there's something here for you. Share this episode with someone who might benefit, and don't forget to leave a review to help others find The Anxiety Society Podcast.

SpaceTime Series 28 Episode 10Gaia's Sky Scanning Completion and Mid Infrared Flare from Sagittarius A*The European Space Agency's Gaia spacecraft has completed its sky scanning phase, marking a monumental achievement in astronomical missions. Over the past decade, Gaia has transformed our understanding of the Milky Way by mapping the positions and characteristics of billions of stars. This mission has provided unprecedented insights into the origins and evolution of our galaxy, revealing its structure and history like never before.Mid Infrared Flare from the Milky Way's Supermassive Black HoleAstronomers have detected a mid infrared flare from Sagittarius A*, the supermassive black hole at the center of the Milky Way. This discovery, made using NASA's Webb Space Telescope, fills a crucial gap in our understanding of black hole flares and supports existing models of magnetic reconnection in the accretion disk surrounding the black hole.Discovery of a New Type of ExoplanetNASA's Webb Space Telescope has unveiled a new type of exoplanet, unlike anything in our solar system. The planet, GJ1214B, exhibits a carbon dioxide-rich atmosphere similar to Venus, challenging previous assumptions about exoplanet atmospheres and providing new insights into planetary formation.00:00 This is space time series 28 episode 10 for broadcast of 22 January 202500:49 European Space Agency's Gaia spacecraft has completed its 10th science mission05:22 First ever detection of mid infrared flare from Milky Way's supermassive black hole11:15 NASA's Webb Space Telescope has discovered a new type of planet14:11 New study suggests eating carrots can improve the treatment of type 2 diabetes17:41 Tesla is launching satellite connectivity for regular mobile phones in Australiawww.spacetimewithstuartgary.comwww.bitesz.com

In this month's episode, host Antonio Tijerino sits down with Jonathan Jayes-Green (they/them), a trailblazing LGBTQ+ non-binary Afro-Latinx activist and advocate for justice. Jonathan shares their deeply personal journey of returning to Panama after nearly 20 years in the U.S., reflecting on the healing, reconnection, and self-discovery that accompanied this transformative experience. Jonathan also opens up about the challenges of navigating multiple intersecting identities—Black, Latinx, queer—and the societal pressures that come with them. They offer powerful insights into the realities of racism and classism, both in the U.S. and Latin America, and discuss the ongoing struggles faced by marginalized communities.Throughout the conversation, Jonathan highlights the importance of creativity, self-care, and the boldness required to push for meaningful change. Their story is one of resilience, identity, and the power of community—an inspiring reminder that our struggles are interconnected, and together, we can create a more just and inclusive world.ABOUT JONATHAN JAYES-GREEN: Jonathan is committed to the practical and innovative deployment of capital for the public good. Jonathan brings over a decade of nonprofit, philanthropy, and political experience in senior leadership roles. Jonathan earned a Master in Public Administration from the Harvard Kennedy School. Jonathan is currently a Democracy Visting Fellow at the Ash Center for Democratic Governance and Innovation. Previously, Jonathan served as a Gleitsman Fellow at the Harvard Center for Public Leadership and as a Rappaport Institute Public Finance Fellow at the Federal Funds and Infrastructure Office within the Massachusetts Executive Office of Administration and Finance.Jonathan serves on the boards of eBay Foundation, Funders of LGBTQ Issues, and Hispanics in Philanthropy. Jonathan's profile and contributions to social justice movements are featured at the Smithsonian National Museum of American History in Washington, DC.WATCH: Click here to watch this and other episodes on YouTube. FOLLOW: Follow us on Insta @FritangaPodcastCONNECT: For questions or guest recommendations, email us at Fritanga@HispanicHeritage.orgTEAM:Host: Antonio TijerinoExecutive Producer: Antonio Caro Senior Producer:  Connor Coleman Producer: Ambrose Davis  

For decades, media and academic analysis of African politics has emphasised instability, political violence, and male dominance. Yet a brilliant new article by Zoe Marks for the Journal of Democracy entitled “African Popular Protest and Political Change” reveals that in fact Africa stands out as the region globally with the largest number of nonviolent campaigns both in the 1990s and since. What is more, these nonviolent movements have been more likely to include women than those in other parts of the world and are particularly youthful. Listen as Nic Cheeseman talks to Zoe Marks about her findings, and why non-violent protests with extensive women's participation are more likely to succeed. Dr Zoe Marks is lecturer in public policy at the Harvard Kennedy School and the Faculty Director of the Harvard Center for African Studies. She conducts pioneering research on a number of topics, including why autocrats fear women and gender dynamics in rebel groups. She is the coauthor (with Erica Chenoweth) of the forthcoming book Bread and Roses: Women on the Frontlines of Revolution, which explores the impact of women's participation on mass movements. Dr Nic Cheeseman is the Professor of Democracy and International Development at the University of Birmingham and Founding Director of CEDAR. The People, Power, Politics podcast brings you the latest insights into the factors that are shaping and re-shaping our political world. It is brought to you by the Centre for Elections, Democracy, Accountability and Representation (CEDAR) based at the University of Birmingham, United Kingdom. Join us to better understand the factors that promote and undermine democratic government around the world and follow us on Twitter at @CEDAR_Bham! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

For decades, media and academic analysis of African politics has emphasised instability, political violence, and male dominance. Yet a brilliant new article by Zoe Marks for the Journal of Democracy entitled “African Popular Protest and Political Change” reveals that in fact Africa stands out as the region globally with the largest number of nonviolent campaigns both in the 1990s and since. What is more, these nonviolent movements have been more likely to include women than those in other parts of the world and are particularly youthful. Listen as Nic Cheeseman talks to Zoe Marks about her findings, and why non-violent protests with extensive women's participation are more likely to succeed. Dr Zoe Marks is lecturer in public policy at the Harvard Kennedy School and the Faculty Director of the Harvard Center for African Studies. She conducts pioneering research on a number of topics, including why autocrats fear women and gender dynamics in rebel groups. She is the coauthor (with Erica Chenoweth) of the forthcoming book Bread and Roses: Women on the Frontlines of Revolution, which explores the impact of women's participation on mass movements. Dr Nic Cheeseman is the Professor of Democracy and International Development at the University of Birmingham and Founding Director of CEDAR. The People, Power, Politics podcast brings you the latest insights into the factors that are shaping and re-shaping our political world. It is brought to you by the Centre for Elections, Democracy, Accountability and Representation (CEDAR) based at the University of Birmingham, United Kingdom. Join us to better understand the factors that promote and undermine democratic government around the world and follow us on Twitter at @CEDAR_Bham! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

For decades, media and academic analysis of African politics has emphasised instability, political violence, and male dominance. Yet a brilliant new article by Zoe Marks for the Journal of Democracy entitled “African Popular Protest and Political Change” reveals that in fact Africa stands out as the region globally with the largest number of nonviolent campaigns both in the 1990s and since. What is more, these nonviolent movements have been more likely to include women than those in other parts of the world and are particularly youthful. Listen as Nic Cheeseman talks to Zoe Marks about her findings, and why non-violent protests with extensive women's participation are more likely to succeed. Dr Zoe Marks is lecturer in public policy at the Harvard Kennedy School and the Faculty Director of the Harvard Center for African Studies. She conducts pioneering research on a number of topics, including why autocrats fear women and gender dynamics in rebel groups. She is the coauthor (with Erica Chenoweth) of the forthcoming book Bread and Roses: Women on the Frontlines of Revolution, which explores the impact of women's participation on mass movements. Dr Nic Cheeseman is the Professor of Democracy and International Development at the University of Birmingham and Founding Director of CEDAR. The People, Power, Politics podcast brings you the latest insights into the factors that are shaping and re-shaping our political world. It is brought to you by the Centre for Elections, Democracy, Accountability and Representation (CEDAR) based at the University of Birmingham, United Kingdom. Join us to better understand the factors that promote and undermine democratic government around the world and follow us on Twitter at @CEDAR_Bham! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Robert Stickgold, Director of The Harvard Center for Sleep and Cognition and Co-Author of “When Brains Dream,” talks about what dreams mean, where they come from and what purpose they serve.

While all our careers are sure to encounter different twists and turns along the way, remembering your core values and knowing what drives you are things that can sustain you even in the most uncertain and challenging times. This sentiment is outlined powerfully in this week's edition of the Faculty Factory Podcast with our first-time guest, Andrew Dwyer, PhD, FNP-BC, FNAP, FAAN. Dr. Dwyer is an associate professor at the Boston College William F. Connell School of Nursing (CSON) and is a principal investigator in the Massachusetts General Hospital and G.H. Harvard Center for Reproductive Medicine. Additionally, Dr. Dwyer is a Macy Faculty Scholar (Class of 2023). When it comes to professional identity formation, it's all about reflecting on the things that fuel you, and taking the time to discover what truly aligns with your values to build that foundation for long-term success. To jumpstart this self-reflection exercise and foster self-awareness, one of the things Dr. Dwyer shares with the graduate students he works with is the importance of asking a few fundamental questions: What is it that you love? What are you good at? Does the world need it? Can you get paid for it? As Dr. Dwyer helps us navigate the intersection of personal values and professional identity, he emphasizes the theory of Ikigai. This is a concept from Japanese philosophy that inspires individuals to identify what is genuinely important to them and to lead a life rich in purpose and happiness. For more resources: https://facultyfactory.org/

Financial literacy includes understanding NFT's, DeFi, and cryptocurrency. But it's hard to separate education from hype. Harvard Business School's Scott Duke Kominers, a professor in Harvard's Entrepreneurial Management Unit, and a Faculty Affiliate of the Harvard Department of Economics and the Harvard Center of Mathematical Sciences and Applications, joins us alongside Web3 expert Steve Kacizinsky to explain the financial, technological and social significance of NFT's. NFT's, or Non-Fungible Tokens, are a rapidly growing digital asset. Comprehensive financial literacy requires understanding NFT's. While NFT's are emerging opportunity for investment diversification, they are also highly speculative and volatile. NFT's also represent how digital ownership is evolving, and have implications for the economic futures of a myriad of industries. These assets stand at the intersection of art, technology and commerce. This episode provides a deeper understanding of NFT's, taught by a Harvard Business School professor and a Web3 expert. For more information, visit the show notes at https://affordanything.com/episode498 Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this week's episode of Trending in Education, host Mike Palmer has an enlightening conversation with learning science expert Bror Saxberg. As founder of Learning Forge, Saxberg knows a tremendous amount about how learning happens in the brain, and he shares his wisdom in this episode by applying that knowledge to parenting. Resources cited in this episode: The Brain Story from the Palix Foundation: https://www.albertafamilywellness.org/what-we-know/the-brain-story/ Harvard Center for the Developing Brain: https://developingchild.harvard.edu/ Dick Clark and Bror Saxberg on Motivation: https://riverapublications.com/article/engineering-motivation-using-the-belief-expectancy-control-framework Episode Summary: Right from the start, Bror stresses the importance of "serve and return" interactions with babies and toddlers. By responding to a child's vocalizations, gestures, and interests with talk, touch and emotion, parents help build key communication circuitry in their children's brains. Language exposure in those early years pays dividends down the road. Saxberg also cautions about the damages of prolonged stress, known to flood young brains with cortisol and inhibit learning. Creating a peaceful, low-stress home environment allows a child's brain to thrive. When kids reach school-age, it's essential to leverage their working memory and long-term memory. Repeated practice of foundational skills like reading, writing and math moves them into long-term memory, freeing up working memory for higher-order thinking. The teenage years bring another window of opportunity, as adolescent brains are primed for social motivation and abstract thinking. Engaging teens in meaningful dialogue about real-world issues builds critical thinking skills that will serve them for life. On the topic of motivation, Saxberg outlines four key barriers that parents and teachers should look to address: not seeing value in an activity, feeling incompetent, blaming external factors, and wrestling with difficult emotions. The solutions involve building relevance, confidence, problem-solving skills and emotional support. Finally, Saxberg champions open communication between parents and teachers to align approaches for motivation, skill-building and meeting social-emotional needs. Continuity between home and school learning accelerates student success. This information just scratches the surface of the practical parenting guidance Saxberg shares. Don't miss this insightful episode to pick up more techniques for parent-child interactions that optimize learning throughout our lives. Subscribe to Trending in Education wherever you get your podcasts. Visit us at TrendinginEd.com for more sharp takes on what's emerging in the learning universe.

Welcome to the Harvard Center for International Development's “Road to GEM23” Climate & Development podcast. CID's "Road to GEM23" series precedes and helps launch CID's Global Empowerment Meeting (or GEM), Growing in a Green World on May 10th and 11th. At CID, we work across a global network of researchers and practitioners to build, convene, and deploy talent to address the world's most pressing challenges. On our Road to GEM23, we strive to elevate and learn from voices from the countries on the frontlines of the climate crisis and will feature important learnings from the leaders who will be active participants at GEM23. This week, we are joined by Atharv Agrawal, Wajed Nadine El-Halabi & Jina Yazdanpanah from University of Toronto to discuss their fog harvesting technology in Morocco and other climate related research. Read more about GEM here: www.hks.harvard.edu/gem

Navigating Cities and Climate Change by Harvard Center for International Development

Astrophiz 184: Hyerin Cho Meet Hyerin Cho, an inspiring young astrophysicist from Korea who is doing her PhD at the Harvard Center for Astrophysics in Cambridge, Massachusetts. Hyerin uses her formidable computational skills to simulate still-mysterious black holes using supercomputers, as well as revealing the mysteries and enigmatic fast radio bursts AKA FRBs. For her main research, she produces simulations of plasma accreting onto black holes and is on an already successful quest to discover what really makes these wonderful phenomena tick and how galaxies and their central black holes interact with each other, regardless of their relative size. An amazing researcher making supermassive discoveries!

OCTOBER HARVARD CAPS / HARRIS POLL: STRONG MAJORITIES OF AMERICANS SUPPORT ISRAEL AGAINST HAMAS AND U.S. POLICY ON ISRAEL48% OF 18–24-YEAR-OLDS SIDE MORE WITH HAMAS; WAR VIEWS DEFINED BY GENERATIONS, NOT PARTYBIDEN APPROVAL RISES ON ISRAEL RESPONSENEW YORK and CAMBRIDGE, Mass. – Stagwell (NASDAQ: STGW) today released the results of the October Harvard CAPS / Harris poll, a monthly collaboration between the Center for American Political Studies at Harvard (CAPS) and the Harris Poll and HarrisX.Israel receives overwhelming support from Americans: 84% of voters support Israel over Hamas and 88% believe Israel has a right to respond militarily against Hamas. President Joe Biden edges up to 44% approval as 58% approve of the job he is doing on Israel. Republicans in Congress have hurt themselves significantly in the breakdown over the Speaker of the House as Congressional and Republican ratings sink. Download key results here.“Americans strongly support Israel against Hamas' terrorist attacks by 80 percent or more. However, there is a split not among the parties but among the generations as 95% of seniors support Israel while support drops to only 52% among the youngest voter group,” said Mark Penn, Co-Director of the Harvard CAPS / Harris poll and Stagwell Chairman and CEO. “President Biden's vocal support of Israel is winning approval from both sides, while the Republicans' chaos in the House is doing the opposite.”AMERICANS OVERWHELMINGLY SUPPORT ISRAELAND ITS RIGHT TO RESPOND TO HAMAS ATTACKS• 84% of voters side more with Israel than with Hamas (ages 18-24: 52%; ages 65+: 95%).• 88% of voters think Israel has the responsibility to protect its citizens by retaliating against Hamas (ages 18-24: 65%; ages 65+: 97%).• 84% of voters believe Israel has the right to defend itself by launching air strikes in heavily populated Palestinian areas with warnings to those citizens (ages 18-24: 62%; ages 65+: 93%).• 70% of voters think Israel should eliminate Hamas, not end its campaign against Hamas now (ages 18-24: 48%; ages 65+: 82%).• 63% of voters believe it was right for Israel to cut off power, water and food to Gaza until its hostages are returned (ages 18-24: 41%; ages 65+: 70%).• 61% of voters say there is no moral equivalency between Hamas' murders and Israel's actions (ages 18-24: 36% – the majority believe both sides have equally just causes; ages 65+: 80%). SIGNIFICANT NUMBERS OF YOUNG VOTERS HAVE THEIR OWN FACTS, DENY ATROCITIES COMMITTED• 17% of voters think it is a false story that Hamas terrorists killed 1200 Israeli civilians by shooting, raping and beheading people (ages 18-24: 32%; ages 65+: 10%).• 46% of voters say that Israel, not Hamas, rules Gaza (ages 18-24: 53%; ages 65+: 32%).• 33% of voters think the explosion at a Gaza hospital explosion was caused by an Israeli airstrike rather than a terrorist rocket that went off-course (ages 18-24: 45%; ages 65+: 13%).BIDEN GETS GOOD RATINGS ON ISRAEL POLICY AS VOTERS THINK U.S. HAS RESPONSIBILITY TO HELP• 58% of voters approve of Biden's foreign policy on Israel(ages 18-24: 52%; ages 65+: 61%).• 64% of voters say the U.S. has a responsibility to militarily support Israel while it is under attack by terrorist groups(ages 18-24: 49%; ages 65+: 70%).• While Biden did not mention the U.S. hostages in his October 19 Oval Office address, 71% of voters think the U.S. has the responsibility to bring to safety the over a dozen Americans abducted by Hamas (ages 18-24: 42%; ages 65+: 81%).• 59% of voters say the U.S. should directly intervene if Iran attacks Israel (ages 18-24: 40%; ages 65+: 64%).REPUBLICAN VOTERS DISAPPROVE OF MCCARTHY OUSTER• 62% of GOP voters say the Republicans who ousted McCarthy are hurting the Republican Party.• 57% of GOP voters say that if House Republicans cannot elect another speaker before government funding runs out in 30 days, they should find a different candidate other than McCarthy.TRUMP LEADS THREE-WAY RACE WITH BIDEN AND RFK JR.• Donald Trump continues to lead the GOP primary race with 60% support.• Trump continues to lead Biden in a head-to-head contest, 46% to 41%.• Trump also leads in a three-way race against Biden and RFK Jr., 39% to 33% to 19%, respectively.The October Harvard CAPS / Harris poll survey was conducted online within the United States on October 18-19, 2023, among 2,116 registered voters by The Harris Poll and HarrisX. ​Follow the Harvard CAPS Harris poll podcast at https://www.markpennpolls.com/ or on iHeart Radio, Apple Podcasts, Spotify, and other podcast platforms. About The Harris Poll & HarrisXThe Harris Poll is a global consulting and market research firm that strives to reveal the authentic values of modern society to inspire leaders to create a better tomorrow. It works with clients in three primary areas: building twenty-first-century corporate reputation, crafting brand strategy and performance tracking, and earning organic media through public relations research. One of the longest-running surveys in the U.S., The Harris Poll has tracked public opinion, motivations, and social sentiment since 1963, and is now part of Stagwell, the challenger holding company built to transform marketing.HarrisX is a technology-driven market research and data analytics company that conducts multi-method research in the U.S. and over 40 countries around the world on behalf of Fortune 100 companies, public policy institutions, global leaders, NGOs and philanthropic organizations. HarrisX was the most accurate pollster of the 2020 U.S. presidential election.About the Harvard Center for American Political Studies The Center for American Political Studies (CAPS) is committed to and fosters the interdisciplinary study of U.S. politics.  Governed by a group of political scientists, sociologists, historians, and economists within the Faculty of Arts and Sciences at Harvard University, CAPS drives discussion, research, public outreach, and pedagogy about all aspects of U.S. politics. CAPS encourages cutting-edge research using a variety of methodologies, including historical analysis, social surveys, and formal mathematical modeling, and it often cooperates with other Harvard centers to support research training and encourage cross-national research about the United States in comparative and global contexts. More information at https://caps.gov.harvard.edu/.

This week on Faisel & Friends, we are discussing Leading as a Verb: Doing the Work. We are talking with Dr. Aaron Hoffman, the Chief Clinical Innovation Engineer at Atrius Health and the Harvard Center for Primary Care.Our conversation explores leading from a place of experienced knowledge, incentivizing clinicians to transform care delivery, and defining the difference between management and leadership.Being a doctor is your calling because you couldn't imagine doing anything else. Let's talk about your career goals in medicine. Connect with us and tell us how you dream of practicing medicine. Want to learn more about how we do healthcare? Visit our resource center and check out how we are transforming healthcare. Don't forget to subscribe to ChenMed Rx to receive the latest news and articles from ChenMed.

Quotes: “Silent suffering is suffering without the possibility of hope.” Marla Thomas“No matter how dark things get, things can get better.” Dave Thomas With so much being said in the media and posted on social media about mental health, the stigma has lessened, but mental health issues are not without preconceived prejudices. With more celebrities speaking out and sharing their own mental health struggles, it's better, but we're still nowhere near ending the discrimination that many people face every day. On this episode of Authentic Living with Roxanne, we welcome Marla and Dave Thomas to share the story of their adult children and how you can help stop the biases. Dave Thomas is a 10x Grammy Award-winning member of TAKE6. Marla is a celebrity realtor and motivational speaker. Together, they are fierce and vocal mental health awareness advocates. Married for 35 years, which is nearly unheard of in Hollywood, this power couple has raised three children in the glow of the spotlight - two of them have been diagnosed with a litany of mental health challenges. Authentic Touch Points: A bit about Marla and Dave. 3:30 Values and respect. 8:00 Staying grounded at home. 13:00 A continued connection. 18:30 Compassion for the diagnosis. 27:00 The stress of division. 37:00 Advice for parents. 44:00 Marla and Dave are dedicated to helping families find resources to care for their loved ones with mental health challenges and ending the stigma attached to mental health. Their foundation, Loving Beyond Reason, is committed to helping people with brain differences become productive and healthy members of their communities. According to the Harvard Center for Health Decision Science, the estimate for the global burden of mental disorders is approximately $5 trillion USD. They also estimate that at a regional level, the losses could account for about 8% of the gross domestic product in North America. Just how much of that amount is your company paying out, and what can you save by being proactive? It's time to take action and make a difference! Book a strategy call to discuss mental health in your workplace. https://roxannederhodge.com/chat/ Links: Loving Beyond Reason: https://www.lovingbeyondreason.org/ Donate: https://www.lovingbeyondreason.org/take-action Mental Health Mondays Podcast: https://www.youtube.com/@MentalHealthMondays NAMI: https://www.nami.org/home Canadian Alliance for Mental Health: https://www.camimh.ca Book a call with Roxanne: https://roxannederhodge.com/chat/ ROR: Return On Relationships: https://www.amazon.ca/ROR-Relationships-Authentic-Leadership-Resilient/dp/1739001923/ Harvard article link: https://chds.hsph.harvard.edu/quantifying-the-global-cost-of-mental-disorders/

Dive into the newest episode of "Pucks with Haggs" as Joe Haggerty welcomes the Boston Globe's Kevin Paul Dupont and The Standard Time's Mick Colageo to react to the Boston Bruins signing Harvard Center John Farinacci, David Krejci's retirement, and more! Tune in to a jam packed episode that Bruins fans cannot miss! TIMELINE: 0:00 Intro 4:00 John Farinacci reaction 29:30 The Legacy of David Krejčí  35:00 Bruins defense Pucks with Haggs is brought to you by: FanDuel Sportsbook, exclusive wagering partner of the CLNS Media Network. Get a NO SWEAT FIRST BET up to $1000 DOLLARS when you visit https://FanDuel.com/BOSTON! That's $1000 back in BONUS BETS if your first bet doesn't win. 21+ in select states. First online real money wager only. $10 Deposit req. Refund issued as non-withdrawable bonus bets that expire in 14 days. Restrictions apply. See full terms at fanduel.com/sportsbook. FanDuel is offering online sports wagering in Kansas under an agreement with Kansas Star Casino, LLC. Gambling Problem? Call 1-800-GAMBLER or visit FanDuel.com/RG (CO, IA, MI, NJ, OH, PA, IL, TN, VA), 1-800-NEXT-STEP or text NEXTSTEP to 53342 (AZ), 1-888-789-7777 or visit ccpg.org/chat (CT), 1-800-9-WITH-IT (IN), 1-800-522-4700 or visit ksgamblinghelp.com (KS), 1-877-770-STOP (LA), Gamblinghelplinema.org or call (800)-327-5050 for 24/7 support (MA), visit www.mdgamblinghelp.org (MD), 1-877-8-HOPENY or text HOPENY (467369) (NY), 1-800-522-4700 (WY), or visit www.1800gambler.net (WV). Factor. Visit https://factormeals.com/HAGGS50 to get 50% off your first box! Factor is America's #1 Ready-To-Eat Meal Kit, can help you fuel up fast with ready-to-eat meals delivered straight to your door. Learn more about your ad choices. Visit megaphone.fm/adchoices

My guests today are Hyram and Verlan Lewis. Hyram and Verlan are brothers. Hyram is an associate professor of history at Brigham Young University, Idaho, and Verlan is a political scientist at Harvard Center for American Political Studies. Together, Hyram and Verlan have written a very interesting new book called "The Myth of Left and Right: How the Political Spectrum Misleads and Harms America" ​​​​​​​In this book, they challenge the widely held belief that the political left and right represent two distinct philosophies, liberalism or progressivism on one end and conservatism on the other. Instead, they argue that people on the left and the right are more like sports fans. They are born into a particular tribe and then they adopt the random assortment of beliefs that tribe currently holds. Now they acknowledge that there are such things as political philosophies, like libertarianism, for example. They just think those philosophies have nothing to do with what we call the left and the right in everyday speech. In other words, the words left and right do not name philosophies. They name arbitrary tribes that then invent convenient, but false stories about what their philosophies are. That thesis is the topic of this conversation and I think it's very interesting. I really enjoyed this conversation and I hope you do too. Learn more about your ad choices. Visit megaphone.fm/adchoices

My guests today are Hyram and Verlan Lewis. Hyram and Verlan are brothers. Hyram is an associate professor of history at Brigham Young University, Idaho, and Verlan is a political scientist at Harvard Center for American Political Studies. Together, Hyram and Verlan have written a very interesting new book called "The Myth of Left and Right: How the Political Spectrum Misleads and Harms America"​​​​​​​In this book, they challenge the widely held belief that the political left and right represent two distinct philosophies, liberalism or progressivism on one end and conservatism on the other. Instead, they argue that people on the left and the right are more like sports fans. They are born into a particular tribe and then they adopt the random assortment of beliefs that tribe currently holds. Now they acknowledge that there are such things as political philosophies, like libertarianism, for example. They just think those philosophies have nothing to do with what we call the left and the right in everyday speech. In other words, the words left and right do not name philosophies. They name arbitrary tribes that then invent convenient, but false stories about what their philosophies are. That thesis is the topic of this conversation and I think it's very interesting. I really enjoyed this conversation and I hope you do too.

My guests today are Hyram and Verlan Lewis. Hyram and Verlan are brothers. Hyram is an associate professor of history at Brigham Young University, Idaho, and Verlan is a political scientist at Harvard Center for American Political Studies. Together, Hyram and Verlan have written a very interesting new book called "The Myth of Left and Right: How the Political Spectrum Misleads and Harms America"​​​​​​​In this book, they challenge the widely held belief that the political left and right represent two distinct philosophies, liberalism or progressivism on one end and conservatism on the other. Instead, they argue that people on the left and the right are more like sports fans. They are born into a particular tribe and then they adopt the random assortment of beliefs that tribe currently holds. Now they acknowledge that there are such things as political philosophies, like libertarianism, for example. They just think those philosophies have nothing to do with what we call the left and the right in everyday speech. In other words, the words left and right do not name philosophies. They name arbitrary tribes that then invent convenient, but false stories about what their philosophies are. That thesis is the topic of this conversation and I think it's very interesting. I really enjoyed this conversation and I hope you do too.

While we usually expect the summer months to be slower than usual, it has certainly not been the case over the past week. In https://www.devex.com/news/exclusive-uk-to-be-stopped-from-spending-aid-budget-on-arriving-refugees-105973, we found out that the https://www.devex.com/organizations/organisation-for-economic-co-operation-and-development-oecd-29872 will most likely declare that the United Kingdom cannot legally spend its overseas development assistance on domestic refugee costs because of a new law cracking down on arrivals. In 2022 the country spent £3.7 billion — 29% of its ODA budget — https://assets.publishing.service.gov.uk/government/uploads/system/uploads/attachment_data/file/1149594/Statistics-on-International-Development-Provisional-UK-Aid-Spend-2022.pdf, exploiting OECD rules that allow the allocation of refugees' hotel and other bills as ODA for 12 months. On the other side of the pond, the United States' https://www.devex.com/news/bipartisan-foreign-affairs-budget-bill-sails-through-us-senate-committee-105944 is set to be tangled up in debates around the country's domestic cultural wars and its competition abroad with China. To make sense of these stories, as well as UNAIDS Deputy Executive Director Angeli Achrekar's call to keep the fight against https://www.devex.com/news/hiv-aids-has-fallen-off-the-political-agenda-says-unaids-official-105896, I sat down with Global Nation co-founder Jonathan Glennie and Harvard Center for International Development Executive Director Fatema Sumar for this week's podcast episode. https://www.devex.com/account/newsletters to the Devex Newswire and our other newsletters.

As a curious child, Sarah Baumert, experimented with the yoga postures she found in a book. She found joy in how the postures stimulated intense energy or offered calm. She was far more comfortable with expressing with her body than her words and became a professional dancer. When she became a yoga teacher she learned to put her profound experience into words so she could guide students to find that for themselves.  She later realized how her dance training had an oppressive quality that was instilled in her.  This deeply affected her movement and how she related to herself. It wasn't until her Feldenkrais training, Sarah learned how to move to the music of her internal senses as a way to work through chronic dance injuries and to find freedom in her body. In this episode you'll hearThe power of postures to change our experiencesSarah's childhood experimentation with movement"There is a deep intelligence that can come from knowing the body from a movement practice" Differences and similarities between Yoga and FeldenkraisFinding a sense of expansiveness while using effortHow Sarah incorporated Feldenkrais lessons into her teaching practicesFeldenkrais is not lazy yoga (

Welcome to the Harvard Center for International Development's Road to GEM23 Climate & Development podcast. At CID, we work across a global network of researchers and practitioners to build, convene, and deploy talent to address the world's most pressing challenges. On our Road to GEM23, we strive to elevate and learn from voices from the countries on the frontlines of the climate crisis and will feature learnings from leading researchers and practitioners working to combat climate change. In this episode, we are joined by Shloka Nath, Executive Director of the India Climate Collaborative (ICC) and Head of Sustainability at the Tata Trusts; and Manavi Bhardwaj, Senior Manager at ICC. The India Climate Collaborative is a first-of-its kind, India-focused collaborative that seeks to direct funding and visibility towards climate action in India. The ICC is incubated by the Tata Trusts, and legally registered as the Council of Philanthropies for Climate Action. Shloka and Manavi are joined by Manasa Acharya, a CID Student Ambassador alum and a graduate of urban planning at the Harvard Graduate School of Design 23'. The three discussed the work of the India Climate Collaborative and the role of climate philanthropy to scale solutions in the country.

Welcome to the Harvard Center for International Development's Road to GEM23 Climate & Development podcast. At CID, we work across a global network of researchers and practitioners to build, convene, and deploy talent to address the world's most pressing challenges. On our Road to GEM23, we strive to elevate and learn from voices from the countries on the frontlines of the climate crisis and will feature learnings from leading researchers and practitioners working to combat climate change. In this episode, we are joined by Scott Sellwood, Policy Lead, Human Rights & Extractive Industries at Oxfam America. Scott is joined by CID Student Ambassador, Charles Hua, to discuss environmental justice and natural resource extraction during a transition towards clean energy globally. Read more about Scott on Oxfam's website here: https://www.oxfamamerica.org/explore/people/scott-sellwood/ And on Twitter here: https://twitter.com/scott_sellwood

Welcome to the Harvard Center for International Development's Road to GEM23 Climate & Development podcast. At CID, we work across a global network of researchers and practitioners to build, convene, and deploy talent to address the world's most pressing challenges. On our Road to GEM23, we strive to elevate and learn from voices from the countries on the frontlines of the climate crisis and will feature learnings from leading researchers and practitioners working to combat climate change. In this episode, we are joined by Michael Oppenheimer is the Albert G. Milbank Professor of Geosciences and International Affairs in the Princeton School of Public and International Affairs (SPIA), the Department of Geosciences, and the High Meadows Environmental Institute at Princeton University. He is also the Director of the Center for Policy Research on Energy and the Environment (C-PREE) at SPIA. Oppenheimer previously worked with The Environmental Defense Fund (EDF) where he served as chief scientist and manager of the Climate and Air Program. He continues to serve as a science advisor to EDF. Oppenheimer is also a long-time participant in the Intergovernmental Panel on Climate Change (IPCC) that won the Nobel Peace Prize in 2007, most recently serving as a Coordinating Lead Author on IPCC's Special Report on Oceans and Cryosphere in a Changing Climate (2019) and as a Review Editor on the upcoming Sixth Assessment Report. Oppenheimer is joined by CID Student Ambassador Yan Liang to discuss climate adaptation policies and the systemic changes for improved mitigation and resiliency across sectors.

Welcome to the Harvard Center for International Development's Road to GEM23 Climate & Development podcast. At CID, we work across a global network of researchers and practitioners to build, convene, and deploy talent to address the world's most pressing challenges. On our Road to GEM23, we strive to elevate and learn from voices from the countries on the frontlines of the climate crisis and will feature learnings from leading researchers and practitioners working to combat climate change. In this episode, we are joined by Kritika Kharbanda, a Master's in Design Studies graduate(‘23)at the Harvard Graduate School of Design, specializing in Energy and Environments. During her time at Harvard, she was also the Chang Social Innovation Fellow at the Harvard Kennedy School. Kritika also co-founder of Cardinal LCA, a digital platform that helps architects reduce greenhouse emissions from their buildings throughout all stages of design. Kritika is joined by CID Student Ambassador Charles Hua to discuss the needs, process, and roadblocks for decarbonizing the building sector, especially for developing countries. Learn more about Kritika on her LinkedIn here: https://www.linkedin.com/in/kritika-kharbanda-kritika/

Welcome to the Harvard Center for International Development's Road to GEM23 Climate & Development podcast. At CID, we work across a global network of researchers and practitioners to build, convene, and deploy talent to address the world's most pressing challenges. On our Road to GEM23, we strive to elevate and learn from voices from the countries on the frontlines of the climate crisis and will feature learnings from leading researchers and practitioners working to combat climate change. In this episode, we are joined by Alvin Tian, A Post-Masters Research Fellow at the Ash Center for Democratic Governance and Innovation at the Harvard Kennedy School. Alvin founded BlockCarbon, a blockchain-based project aimed at facilitating and accelerating China's efforts to achieve carbon net-zero. Alvin has been a Mason Fellow at Harvard and a Sloan Fellow at MIT, where he has also earned an MPA degree and an MBA degree. His fields of study at Harvard and MIT include climate change, international relations, impact investing, venture capital, renewable energy, and blockchain. Alvin is joined by CID Student Ambassador Charles Hua to discuss the pathway to carbon-zero

Welcome to the Harvard Center for International Development's Road to GEM23 Climate & Development podcast. At CID, we work across a global network of researchers and practitioners to build, convene, and deploy talent to address the world's most pressing challenges. On our Road to GEM23, we strive to elevate and learn from voices from the countries on the frontlines of the climate crisis and will feature learnings from leading researchers and practitioners working to combat climate change. In this episode, we are joined by Kevin Li, a Master's in Public Policy candidate at the Harvard Kennedy School. Previously, he worked with Deloitte Climate & Sustainability, advising Chinese companies on decarbonization and ESG; he also worked with the United Nations in China coordinating UN operational activities for development in the country. Kevin is joined by CID Student Ambassador Charles Hua to discuss U.S.-China relations and global climate policy.

Tune in to learn about the promise and pitfalls of weight loss medications, with Dr. Fatima Cody Stanford, an obesity medicine physician.   This episode focuses on a popular medication called semaglutide, which is sold as Ozempic or Wegovy. Dr. Stanford explains how this drug works and shares the good, the bad, and the ugly sides of what to expect. We also discuss how medications fit into the broader picture of obesity management and why Dr. Stanford is a vocal advocate for defining and treating obesity as a chronic disease.  Dr. Stanford is an internationally recognized leader in obesity medicine. She practices and teaches at Massachusetts General Hospital (MGH) and is Associate Professor of Medicine and Pediatrics at Harvard Medical School (HMS). Dr. Stanford received her BS and MPH from Emory University as an MLK Scholar, her MD from the Medical College of Georgia School of Medicine as a Stoney Scholar, her MPA from the Harvard Kennedy School of Government as a Zuckerman Fellow in the Harvard Center for Public Leadership, and her executive MBA as a merit-based scholarship recipient from the Quantic School of Business and Technology. She completed her Obesity Medicine & Nutrition Fellowship at MGH/HMS after completing her internal medicine and pediatrics residency at the University of South Carolina. Dr. Stanford is also the recipient of numerous awards for her leadership, advocacy, and service.   Connect with Dr. Fatima Cody Stanford Twitter @askdrfatima Instgram @askdrfatima https://askdrfatima.com Disclosures: Dr. Stanford has advised or consulted for: Novo Nordisk, Calibrate, GoodRX, Pfizer, Boehringer Ingelheim, Gelesis, Eli Lilly, Rhythm, MelliCell, Vida Health, Vira Health, Sweetch

Welcome to the Harvard Center for International Development's Road to GEM23 Climate & Development podcast. At CID, we work across a global network of researchers and practitioners to build, convene, and deploy talent to address the world's most pressing challenges. On our Road to GEM23, we strive to elevate and learn from voices from the countries on the frontlines of the climate crisis and will feature learnings from leading researchers and practitioners working to combat climate change. In this episode, we are joined by Reema Nanavaty, Director, SEWA (Self-Employed Women's Association) in India. SEWA is the single largest Central Trade union registered on 12th April, 1972 with a membership of over 2.5 million (2023) poor, self-employed women workers from the informal economy across 18 states in India. Reema is joined by CID Student Ambassador and Graduate School of Design alum Manasa Acharya to discuss the implications of climate change on the informal workforce of women in India. SEWA has been working for over 5 decades to improve the livelihoods of poor self-employed women workers from the informal economy, through various initiatives using technology, technical training, microfinance, market linkages, natural resource management etc. Learn more: https://www.sewa.org/about-us/

In the second episode of the Re-examining Value series, the Medicare Team speaks with Ann Greiner, president and CEO of the Primary Care Collaborative and Brock Slabach, COO of the National Rural Health Association about ongoing opportunities to improve patients' care in the value movement. Show notes:“Wakely Risk Insight for the Medicare Shared Savings Program: Performance Year 2023 Results.” (Wakely)“Relationships Matter: How Usual is Usual Source of (Primary) Care?” (Primary Care Collaborative)“Primary Care Practice Finances in the United States Amid the COVID-19 Pandemic.” (Harvard Center for Primary Care)“The Health of US Primary Care: A Baseline Scorecard Tracking Support for High-Quality Primary Care.” (Milbank Memorial Fund)For more information about the Primary Care Collaborative, visit https://www.pcpcc.org/For more information about the National Rural Health Association, visit https://www.ruralhealth.us/

Welcome to the Harvard Center for International Development's Road to GEM23 Climate & Development podcast. CID's Road to GEM23 series precedes and helps launch CID's Global Empowerment Meeting 2023 (GEM23), Growing in a Green World on May 10th and 11th. At CID, we work across a global network of researchers and practitioners to build, convene, and deploy talent to address the world's most pressing challenges. On our Road to GEM23, we strive to elevate and learn from voices from the countries on the frontlines of the climate crisis and will feature learnings from leading researchers and practitioners working to combat climate change. In this episode, we are joined by Gavin Schmidt, Climatologist and Director of NASA Goddard Institute for Space Studies who will describe the biggest challenges with modeling and predicting climate change effects across the world. CID Student Ambassador and Harvard Graduate Student Yan Liang interviewed Gavin Schmidt to learn more about his insights on the complex mechanisms that drive climate change and identifying and mitigating effects of climate change on society in the coming years.

Welcome to the Harvard Center for International Development's Road to GEM23 Climate & Development podcast. CID's Road to GEM23 series precedes and helps launch CID's Global Empowerment Meeting 2023 (GEM23), Growing in a Green World on May 10th and 11th. At CID, we work across a global network of researchers and practitioners to build, convene, and deploy talent to address the world's most pressing challenges. On our Road to GEM23, we strive to elevate and learn from voices from the countries on the frontlines of the climate crisis and will feature learnings from leading researchers and practitioners working to combat climate change. In this episode, we are joined by Rui Su, a consultant at the Global Facility for Disaster Reduction and Recovery (GFDRR) and the Social Sustainability and Inclusion (SSI) GP. She conducts data analytics on social resilience and inclusion by combining machine learning methods, geospatial analysis, and interactive visualization. CID Student Ambassador and Harvard Graduate Student at the Graduate School of Design, Manasa Acharya, interviewed Rui Su to learn more about her work with City Resilience Program (CRP) and using data to inform communities about climate change and resilience across the world.

Welcome to the Harvard Center for International Development's Road to GEM23 Climate & Development podcast. CID's Road to GEM23 series precedes and helps launch CID's Global Empowerment Meeting 2023 (GEM23), Growing in a Green World on May 10th and 11th. At CID, we work across a global network of researchers and practitioners to build, convene, and deploy talent to address the world's most pressing challenges. On our Road to GEM23, we strive to elevate and learn from voices from the countries on the frontlines of the climate crisis and will feature learnings from leading researchers and practitioners working to combat climate change. In this episode, we are joined by Joseph Aldy, Professor of the Practice of Public Policy at the John F. Kennedy School of Government at Harvard University. His research focuses on climate change policy, energy policy, and regulatory policy. In 2009-2010, Aldy served as the Special Assistant to the President for Energy and Environment, reporting through both the National Economic Council and the Office of Energy and Climate Change at the White House. Professor Aldy is joined by Charles Hua, a CID Student Ambassador and Senior at Harvard College. Charles and Professor Aldy discussed the use of Solar Geoengineering, or solar radiation management, to manage climate risks and outlined how this strategy could be a part of the climate mitigation and adaptation toolkit for emerging economies.

Welcome to the Harvard Center for International Development's Road to GEM23 Climate & Development podcast. CID's Road to GEM23 series precedes and helps launch CID's Global Empowerment Meeting 2023 (GEM23), Growing in a Green World on May 10th and 11th. At CID, we work across a global network of researchers and practitioners to build, convene, and deploy talent to address the world's most pressing challenges. On our Road to GEM23, we strive to elevate and learn from voices from the countries on the frontlines of the climate crisis and will feature learnings from leading researchers and practitioners working to combat climate change. In this episode, we are joined by Joshua Schoop, Principal Director for Technology & Innovation and Director for Day One Project at Federation of American Scientists, and Juan Carlos Monterrey Gómez, Vice Chair for implementation of the UN Climate Convention; Director of the School for Biocultural Leadership at Geoversity. CID Student Ambassador and Harvard Graduate School of Education Master's Candidate, Aining Liang, interviewed Joshua and Juan Carlos to learn more about their insights related to climate change adaptation, especially for developing economies.

Co-host Janet Bush talks with economist Dany Bahar. He is an associate professor of practice of international and public affairs at Brown University's Watson Institute and a senior fellow of the Growth Lab at the Harvard Center for International Development. He's also a nonresident fellow at the Brookings Institution and the Center for Global Development. Two themes stand out in his work: the diffusion of technology and knowledge, and migration. In this podcast, Bahar covers topics including the following: Why some countries are rich and some are poor The role of people on the move in spreading knowledge and raising productivity The opportunity of Ukraine's refugee diaspora How companies can reap rewards by integrating migrants See www.mckinsey.com/privacy-policy for privacy information

JAMA Executive Editor Greg Curfman, MD, speaks with Robert D. Truog, MD, MA, director of the Harvard Center for Bioethics, who describes the 2 approaches to the determination of death (cardiovascular death and brain death) and discusses the possibility that the determination of brain death may soon undergo substantial change, with important implications for organ transplantation. Related Content: The Uncertain Future of the Determination of Brain Death

El Centro de Investigación de Menores de la Universidad de Harvard (Center on the Developing Child) ha publicado un estudio sobre las 5 principales habilidades que un adolescente necesita desarrollar para ser feliz y, por tanto, tener éxito en su vida. Echemos un vistazo a esas 5 habilidades de función ejecutiva para saber cómo acompañar a nuestros adolescentes hacia un presente y un futuro exitoso dentro y fuera del ámbito escolar. MASTERCLASS "Motivación y desarrollo personal en la adolescencia" RECUERDA: Puedes ayudarme a seguir creciendo con un

Welcome to the Harvard Center for International Development's “Road to GEM23” Climate & Development podcast. CID's "Road to GEM23" series precedes and helps launch CID's Global Empowerment Meeting (or GEM), Growing in a Green World on May 10th and 11th. At CID, we work across a global network of researchers and practitioners to build, convene, and deploy talent to address the world's most pressing challenges. On our Road to GEM23, we strive to elevate and learn from voices from the countries on the frontlines of the climate crisis and will feature important learnings from the leaders who will be active participants at GEM23. This week, we are joined by Joseph Asunka, CEO of Afrobarometer, a pan-African survey research organization. Afrobarometer has been collecting, analyzing, and disseminating data on the views and experiences of ordinary Africans with regard to governance, democracy, the economy, and society since 1999. CID Student Ambassador Emile Giovannie Zounon, A Master of Education Candidate at the Harvard Graduate School of Education, sat down with Joseph to discuss African citizen perceptions towards climate change and governance on the continent. Read more about GEM23 here: https://www.hks.harvard.edu/gem Read more

Dr. Sousan Abadian was raised in Washington, D.C., but was born in Tehran, Iran. She shares a uniquely cross-cultural view the rest of the world might consider.Dr. Sousan Abadian was born in Tehran, Iran, and raised in Washington, D.C. She holds a Ph.D. in Political Economy and Government and an M.A. in the Anthropology of Social Change and Development from Harvard University and an M.P.A. in International Development from Harvard's Kennedy School. She served as a Fellow at M.I.T.'s Dalai Lama Center for Ethics & Transformative Values as well as at the Harvard Center for Public Leadership. She's also served as a Franklin Fellow at the U.S. State Department's Office of International Religious Freedom, Bureau of Democracy, Human Rights and Labor, focused on preventing violent extremism. Sousan's also the author of Generative Cultural Renewal - An Effective Resource in Ending Female Genital Mutilation/Cutting & Other Harmful Practices. As we recognize International Women's Day 365 by speaking to women from all corners of the globe, we get a perspective on the plights of Iranian women from Dr. Sousan.

Yair Rosenberg is staff writer at The Atlantic, where he covers the intersection of politics, culture, and religion, and writes the Deep Shtetl newsletter. Previously a senior writer at Tablet Magazine, he has also written for the New York Times, Washington Post, Wall Street Journal, and The Guardian, and his work has received awards from the Religion Newswriters Association and the Harvard Center for Jewish Studies. He has covered everything from national elections in America and Israel, to observant Jews in baseball, to the translation of Harry Potter into Yiddish, to Muslims and Jews in comic books, and in his spare time, he composes and sings original Jewish music and creates bots that troll anti-Semites on Twitter. Ben Shapiro is an American attorney, businessman, author, columnist, conservative political commentator, and media personality. At age 17, he became the youngest nationally syndicated columnist in the United States. Shapiro writes columns for Creators Syndicate, Newsweek, and Ami Magazine, and serves as editor emeritus for The Daily Wire, which he founded. Shapiro is the host of The Ben Shapiro Show, a daily political podcast and live radio show. He was editor-at-large of Breitbart News between 2012 and 2016. Shapiro has written eleven books.

Dr. Rachel Berman is an Assistant Professor of Pediatrics in the Division of Academic General Pediatrics at Children's Hospital at Montefiore and Albert Einstein College of Medicine. After earning her BA in Social Anthropology at Harvard University in 2004, Dr. Berman attended Boston University's School of Medicine and School of Public Health, earning her MD and Masters of Public Health degrees in 2010. She completed her pediatric residency at the Boston Combined Residency Program in Pediatrics in 2013, followed by a residency in Preventive Medicine at Boston Medical Center in 2015. Dr. Berman practices general pediatrics, and she serves as her clinic's clinician champion for social needs screening and referrals. In this role, she has also had the opportunity to be involved in a multisite research study of biomarkers of stress and resilience in children through the Harvard Center for the Developing Child. Dr. Berman teaches residents and medical students, and through a grant from the American Medical Association's Reimagining Residency Initiative, she has been working to develop a curriculum on social and structural determinants of health for residents in Pediatrics, Internal Medicine, Family Medicine and Obstetrics and Gynecology. Most recently, she is participating in the 2022-2023 United Hospital Fund's PEDS Network Fellowship Program, which provides early career pediatricians with mentorship and support for projects that aim to improve health equity for young children and families. Her project specifically focuses on sharing opportunities for civic engagement with her patients and their families. Outside of work, Dr. Berman serves as a founding board member of the Interfaith Public Health Network, a non-profit organization that aims to engage and mobilize faith communities to improve the health of our communities through addressing social, commercial, environmental, and political determinants of health. She lives in Riverdale with her husband, Rabbi Yonah Berman, and their 3 very energetic boys.

HKS CID Speaker Series Ep 13 Mixdown (1) by Harvard Center for International Development

Today we explore the science behind getting great ideas in the shower, how regular chocolate consumption can slow down cognitive decline, and how a black hole recently burped out the remnants of a star it absorbed four YEARS ago! Shower Ideas  “The Science of Why You Have Great Ideas in The Shower” by Stacey Colinohttps://www.msn.com/en-us/news/technology/the-science-of-why-you-have-great-ideas-in-the-shower/ar-AA10ANav“An improved neuroanatomical model of the default-mode network reconciles previous neuroimaging and neuropathological findings” by Pedro Nascimento Alves, Chris Foulon, Vyacheslav Karolis, Danilo Bzdok, Daniel S. Margulies, Emmanuelle Volle & Michel Thiebaut de Schottenhttps://www.nature.com/articles/s42003-019-0611-3Medicinal Chocolate “Daily Chocolate May Rescue The Brain From Cognitive Decline” by Gary Wenkhttps://www.psychologytoday.com/us/blog/your-brain-food/202209/daily-chocolate-may-rescue-the-brain-cognitive-decline“Daily multi-vitamins may improve brain function in older people – US study” by Ian Samplehttps://www.theguardian.com/society/2022/sep/14/daily-multi-vitamins-may-improve-brain-function-in-older-people-us-studyBlack Holes Burping“‘We've Never Seen Anything Like This Before:' Black Hole Spews Out Material Years After Shredding Star” by Harvard Center for Astrophysicshttps://www.cfa.harvard.edu/news/weve-never-seen-anything-black-hole-spews-out-material-years-after-shredding-star“Ask Ethan: Are Black Holes Made Of Dark Matter?” by Ethan Siegelhttps://www.forbes.com/sites/startswithabang/2020/09/04/ask-ethan-are-black-holes-made-of-dark-matter/?sh=77bd9483438b“A Mildly Relativistic Outflow Launched Two Years after Disruption in Tidal Disruption Event AT2018hyz” by Y. Cendes et al.https://iopscience.iop.org/article/10.3847/1538-4357/ac88d0“Black hole is 'burping out' a 'spaghettified' star it devoured years ago” by Robert Leahttps://www.space.com/black-hole-spews-star-devoured-years-ago“Are black holes and dark matter the same?” by University of Miamihttps://www.sciencedaily.com/releases/2021/12/211220120813.htm#:~:text=Astrophysicists%20suggest%20that%20primordial%20black,dark%20matter%20in%20the%20universe.Follow Curiosity Daily on your favorite podcast app to get smarter with Calli and Nate — for free! Still curious? Get exclusive science shows, nature documentaries, and more real-life entertainment on discovery+! Go to https://discoveryplus.com/curiosity to start your 7-day free trial. discovery+ is currently only available for US subscribers.Find episode transcripts here: https://curiosity-daily-4e53644e.simplecast.com/episodes/shower-ideas-medicinal-chocolate-black-holes-burping

This week's episode looks at “Tomorrow Never Knows”, the making of Revolver by the Beatles, and the influence of Timothy Leary on the burgeoning psychedelic movement. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifteen-minute bonus episode available, on "Keep on Running" by the Spencer Davis Group. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Errata A few things -- I say "Fairfield" at one point when I mean "Fairchild". While Timothy Leary was imprisoned in 1970 he wasn't actually placed in the cell next to Charles Manson until 1973. Sources differ on when Geoff Emerick started at EMI, and he *may* not have worked on "Sun Arise", though I've seen enough reliable sources saying he did that I think it's likely. And I've been told that Maureen Cleave denied having an affair with Lennon -- though note that I said it was "strongly rumoured" rather than something definite. Resources As usual, a mix of all the songs excerpted in this episode is available at Mixcloud.com. I have read literally dozens of books on the Beatles, and used bits of information from many of them. All my Beatles episodes refer to: The Complete Beatles Chronicle by Mark Lewisohn, All The Songs: The Stories Behind Every Beatles Release by Jean-Michel Guesdon, And The Band Begins To Play: The Definitive Guide To The Songs of The Beatles by Steve Lambley, The Beatles By Ear by Kevin Moore, Revolution in the Head by Ian MacDonald, and The Beatles Anthology. For this episode, I also referred to Last Interview by David Sheff, a longform interview with John Lennon and Yoko Ono from shortly before Lennon's death; Many Years From Now by Barry Miles, an authorised biography of Paul McCartney; and Here, There, and Everywhere: My Life Recording the Music of the Beatles by Geoff Emerick and Howard Massey. For information on Timothy Leary I used a variety of sources including The Most Dangerous Man in America by Bill Minutaglio and Steven L. Davis; Timothy Leary: Outside Looking In by Robert Forte; The Starseed Signals by Robert Anton Wilson; and especially The Harvard Psychedelic Club by Don Lattin. I also referred to both The Tibetan Book of the Dead and to The Psychedelic Experience. Leary's much-abridged audiobook version of The Psychedelic Experience can be purchased from Folkways Records. Sadly the first mono mix of "Tomorrow Never Knows" has been out of print since it was first issued. The only way to get the second mono mix is on this ludicrously-expensive out-of-print box set, but the stereo mix is easily available on Revolver. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start this episode, I'd like to note that it deals with a number of subjects some listeners might find upsetting, most notably psychedelic drug use, mental illness, and suicide. I think I've dealt with those subjects fairly respectfully, but you still may want to check the transcript if you have worries about these subjects. Also, we're now entering a period of music history with the start of the psychedelic era where many of the songs we're looking at are influenced by non-mainstream religious traditions, mysticism, and also increasingly by political ideas which may seem strange with nearly sixty years' hindsight. I'd just like to emphasise that when I talk about these ideas, I'm trying as best I can to present the thinking of the people I'm talking about, in an accurate and unbiased way, rather than talking about my own beliefs. We're going to head into some strange places in some of these episodes, and my intention is neither to mock the people I'm talking about nor to endorse their ideas, but to present those ideas to you the listener so you can understand the music, the history, and the mindset of the people involved, Is that clear? Then lets' turn on, tune in, and drop out back to 1955... [Opening excerpt from The Psychedelic Experience] There is a phenomenon in many mystical traditions, which goes by many names, including the dark night of the soul and the abyss. It's an experience that happens to mystics of many types, in which they go through unimaginable pain near the beginning of their journey towards greater spiritual knowledge. That pain usually involves a mixture of internal and external events -- some terrible tragedy happens to them, giving them a new awareness of the world's pain, at the same time they're going through an intellectual crisis about their understanding of the world, and it can last several years. It's very similar to the more common experience of the mid-life crisis, except that rather than buying a sports car and leaving their spouse, mystics going through this are more likely to found a new religion. At least, those who survive the crushing despair intact. Those who come out of the experience the other end often find themselves on a totally new path, almost like they're a different person. In 1955, when Dr. Timothy Leary's dark night of the soul started, he was a respected academic psychologist, a serious scientist who had already made several substantial contributions to his field, and was considered a rising star. By 1970, he would be a confirmed mystic, sentenced to twenty years in prison, in a cell next to Charles Manson, and claiming to different people that he was the reincarnation of Gurdjieff, Aleister Crowley, and Jesus Christ. In the fifties, Leary and his wife had an open relationship, in which they were both allowed to sleep with other people, but weren't allowed to form emotional attachments to them. Unfortunately, Leary *had* formed an emotional attachment to another woman, and had started spending so much time with her that his wife was convinced he was going to leave her. On top of that, Leary was an alcoholic, and was prone to get into drunken rows with his wife. He woke up on the morning of his thirty-fifth birthday, hung over after one of those rows, to find that she had died by suicide while he slept, leaving a note saying that she knew he was going to leave her and that her life would be meaningless without him. This was only months after Leary had realised that the field he was working in, to which he had devoted his academic career, was seriously broken. Along with a colleague, Frank Barron, he published a paper on the results of clinical psychotherapy, "Changes in psychoneurotic patients with and without psychotherapy" which analysed the mental health of a group of people who had been through psychotherapy, and found that a third of them improved, a third stayed the same, and a third got worse. The problem was that there was a control group, of people with the same conditions who were put on a waiting list and told to wait the length of time that the therapy patients were being treated. A third of them improved, a third stayed the same, and a third got worse. In other words, psychotherapy as it was currently practised had no measurable effect at all on patients' health. This devastated Leary, as you might imagine. But more through inertia than anything else, he continued working in the field, and in 1957 he published what was regarded as a masterwork -- his book Interpersonal Diagnosis of Personality: A Functional Theory and Methodology for Personality Evaluation. Leary's book was a challenge to the then-dominant idea in psychology, behaviourism, which claimed that it made no sense to talk about anyone's internal thoughts or feelings -- all that mattered was what could be measured, stimuli and responses, and that in a very real sense the unmeasurable thoughts people had didn't exist at all. Behaviourism looked at every human being as a mechanical black box, like a series of levers. Leary, by contrast, analysed human interactions as games, in which people took on usual roles, but were able, if they realised this, to change the role or even the game itself. It was very similar to the work that Eric Berne was doing at the same time, and which would later be popularised in Berne's book Games People Play. Berne's work was so popular that it led to the late-sixties hit record "Games People Play" by Joe South: [Excerpt: Joe South: "Games People Play"] But in 1957, between Leary and Berne, Leary was considered the more important thinker among his peers -- though some thought of him as more of a showman, enthralled by his own ideas about how he was going to change psychology, than a scientist, and some thought that he was unfairly taking credit for the work of lesser-known but better researchers. But by 1958, the effects of the traumas Leary had gone through a couple of years earlier were at their worst. He was starting to become seriously ill -- from the descriptions, probably from something stress-related and psychosomatic -- and he took his kids off to Europe, where he was going to write the great American novel. But he rapidly ran through his money, and hadn't got very far with the novel. He was broke, and ill, and depressed, and desperate, but then in 1959 his old colleague Frank Barron, who was on holiday in the area, showed up, and the two had a conversation that changed Leary's life forever in multiple ways. The first of the conversational topics would have the more profound effect, though that wouldn't be apparent at first. Barron talked to Leary about his previous holiday, when he'd visited Mexico and taken psilocybin mushrooms. These had been used by Mexicans for centuries, but the first publication about them in English had only been in 1955 -- the same year when Leary had had other things on his mind -- and they were hardly known at all outside Mexico. Barron talked about the experience as being the most profound, revelatory, experience of his life. Leary thought his friend sounded like a madman, but he humoured him for the moment. But Barron also mentioned that another colleague was on holiday in the same area. David McClelland, head of the Harvard Center for Personality Research, had mentioned to Barron that he had just read Diagnosis of Personality and thought it a work of genius. McClelland hired Leary to work for him at Harvard, and that was where Leary met Ram Dass. [Excerpt from "The Psychedelic Experience"] Ram Dass was not the name that Dass was going by at the time -- he was going by his birth name, and only changed his name a few years later, after the events we're talking about -- but as always, on this podcast we don't use people's deadnames, though his is particularly easy to find as it's still the name on the cover of his most famous book, which we'll be talking about shortly. Dass was another psychologist at the Centre for Personality Research, and he would be Leary's closest collaborator for the next several years. The two men would become so close that at several points Leary would go travelling and leave his children in Dass' care for extended periods of time. The two were determined to revolutionise academic psychology. The start of that revolution didn't come until summer 1960. While Leary was on holiday in Cuernavaca in Mexico, a linguist and anthropologist he knew, Lothar Knauth, mentioned that one of the old women in the area collected those magic mushrooms that Barron had been talking about. Leary decided that that might be a fun thing to do on his holiday, and took a few psilocybin mushrooms. The effect was extraordinary. Leary called this, which had been intended only as a bit of fun, "the deepest religious experience of my life". [Excerpt from "The Psychedelic Experience"] He returned to Harvard after his summer holiday and started what became the Harvard Psilocybin Project. Leary and various other experimenters took controlled doses of psilocybin and wrote down their experiences, and Leary believed this would end up revolutionising psychology, giving them insights unattainable by other methods. The experimenters included lecturers, grad students, and people like authors Allen Ginsberg and William Burroughs, jazz trumpeter Maynard Ferguson, and Alan Watts, who popularised Zen Buddhism in the West. Dass didn't join the project until early 1961 -- he'd actually been on the holiday with Leary, but had arrived a few days after the mushroom experiment, and nobody had been able to get hold of the old woman who knew where to find the mushrooms, so he'd just had to deal with Leary telling him about how great it was rather than try it himself. He then spent a semester as a visiting scholar at Berkeley, so he didn't get to try his first trip until February 1961. Dass, on his first trip, first had a revelation about the nature of his own true soul, then decided at three in the morning that he needed to go and see his parents, who lived nearby, and tell them the good news. But there was several feet of snow, and so he decided he must save his parents from the snow, and shovel the path to their house. At three in the morning. Then he saw them looking out the window at him, he waved, and then started dancing around the shovel. He later said “Until that moment I was always trying to be the good boy, looking at myself through other people's eyes. What did the mothers, fathers, teachers, colleagues want me to be? That night, for the first time, I felt good inside. It was OK to be me.” The Harvard Psilocybin Project soon became the Harvard Psychedelic Project. The term "psychedelic", meaning "soul revealing", was coined by the British psychiatrist Humphrey Osmond, who had been experimenting with hallucinogens for years, and had guided Aldous Huxley on the mescaline trip described in The Doors of Perception. Osmond and Huxley had agreed that the term "psychotomimetic", in use at the time, which meant "mimicking psychosis", wasn't right -- it was too negative. They started writing letters to each other, suggesting alternative terms. Huxley came up with "phanerothyme", the Greek for "soul revealing", and wrote a little couplet to Osmond: To make this trivial world sublime Take half a gramme of phanerothyme. Osmond countered with the Latin equivalent: To fathom hell or soar angelic Just take a pinch of psychedelic Osmond also inspired Leary's most important experimental work of the early sixties. Osmond had got to know Bill W., the founder of Alcoholics Anonymous, and had introduced W. to LSD. W. had become sober after experiencing a profound spiritual awakening and a vision of white light while being treated for his alcoholism using the so-called "belladonna cure" -- a mixture of various hallucinogenic and toxic substances that was meant to cure alcoholism. When W. tried LSD, he found it replicated his previous spiritual experience and became very evangelistic about its use by alcoholics, thinking it could give them the same kind of awakening he'd had. Leary became convinced that if LSD could work on alcoholics, it could also be used to help reshape the personalities of habitual criminals and lead them away from reoffending. His idea for how to treat people was based, in part, on the ideas of transactional analysis. There is always a hierarchical relationship between a therapist and their patient, and that hierarchical relationship itself, in Leary's opinion, forced people into particular game roles and made it impossible for them to relate as equals, and thus impossible for the therapist to truly help the patient. So his idea was that there needed to be a shared bonding experience between patient and doctor. So in his prison experiments, he and the other people involved, including Ralph Metzner, one of his grad students, would take psilocybin *with* the patients. In short-term follow-ups the patients who went through this treatment process were less depressed, felt better, and were only half as likely to reoffend as normal prisoners. But critics pointed out that the prisoners had been getting a lot of individual attention and support, and there was no control group getting that support without the psychedelics. [Excerpt: The Psychedelic Experience] As the experiments progressed, though, things were becoming tense within Harvard. There was concern that some of the students who were being given psilocybin were psychologically vulnerable and were being put at real risk. There was also worry about the way that Leary and Dass were emphasising experience over analysis, which was felt to be against the whole of academia. Increasingly it looked like there was a clique forming as well, with those who had taken part in their experiments on the inside and looking down on those outside, and it looked to many people like this was turning into an actual cult. This was simply not what the Harvard psychology department was meant to be doing. And one Harvard student was out to shut them down for good, and his name was Andrew Weil. Weil is now best known as one of the leading lights in alternative health, and has made appearances on Oprah and Larry King Live, but for many years his research interest was in mind-altering chemicals -- his undergraduate thesis was on the use of nutmeg to induce different states of consciousness. At this point Weil was an undergraduate, and he and his friend Ronnie Winston had both tried to get involved in the Harvard Psilocybin Project, but had been turned down -- while they were enthusiastic about it, they were also undergraduates, and Leary and Dass had agreed with the university that they wouldn't be using undergraduates in their project, and that only graduate students, faculty, and outsiders would be involved. So Weil and Winston had started their own series of experiments, using mescaline after they'd been unable to get any psilocybin -- they'd contacted Aldous Huxley, the author of The Doors of Perception and an influence on Leary and Dass' experiments, and asked him where they could get mescaline, and he'd pointed them in the right direction. But then Winston and Dass had become friends, and Dass had given Winston some psilocybin -- not as part of his experiments, so Dass didn't think he was crossing a line, but just socially. Weil saw this as a betrayal by Winston, who stopped hanging round with him once he became close to Dass, and also as a rejection of him by Dass and Leary. If they'd give Winston psilocybin, why wouldn't they give it to him? Weil was a writer for the Harvard Crimson, Harvard's newspaper, and he wrote a series of exposes on Leary and Dass for the Crimson. He went to his former friend Winston's father and told him "Your son is getting drugs from a faculty member. If your son will admit to that charge, we'll cut out your son's name. We won't use it in the article."  Winston did admit to the charge, under pressure from his father, and was brought to tell the Dean, saying to the Dean “Yes, sir, I did, and it was the most educational experience I've had at Harvard.” Weil wrote about this for the Crimson, and the story was picked up by the national media. Weil eventually wrote about Leary and Dass for Look magazine, where he wrote “There were stories of students and others using hallucinogens for seductions, both heterosexual and homosexual.” And this seems actually to have been a big part of Weil's motivation. While Dass and Winston always said that their relationship was purely platonic, Dass was bisexual, and Weil seems to have assumed his friend had been led astray by an evil seducer. This was at a time when homophobia and biphobia were even more prevalent in society than they are now, and part of the reason Leary and Dass fell out in the late sixties is that Leary started to see Dass' sexuality as evil and perverted and something they should be trying to use LSD to cure. The experiments became a national scandal, and one of the reasons that LSD was criminalised a few years later. Dass was sacked for giving drugs to undergraduates; Leary had gone off to Mexico to get away from the stress, leaving his kids with Dass. He would be sacked for going off without permission and leaving his classes untaught. As Leary and Dass were out of Harvard, they had to look for other sources of funding. Luckily, Dass turned William Mellon Hitchcock, the heir to the Mellon oil fortune, on to acid, and he and his brother Tommy and sister Peggy gave them the run of a sixty-four room mansion, named Millbrook. When they started there, they were still trying to be academics, but over the five years they were at Millbrook it became steadily less about research and more of a hippie commune, with regular visitors and long-term residents including Alan Ginsberg, William Burroughs, and the jazz musician Maynard Ferguson, who would later get a small amount of fame with jazz-rock records like his version of "MacArthur Park": [Excerpt: Maynard Ferguson, "MacArthur Park"] It was at Millbrook that Leary, Dass, and Metzner would write the book that became The Psychedelic Experience. This book was inspired by the Bardo Thödol, a book allegedly written by Padmasambhava, the man who introduced Buddhism to Tibet in the eighth century, though no copies of it are known to have existed before the fourteenth century, when it was supposedly discovered by Karma Lingpa. Its title translates as Liberation Through Hearing During the Intermediate State, but it was translated into English under the name The Tibetan Book of the Dead, as Walter Evans-Wentz, who compiled and edited the first English translation was, like many Westerners who studied Buddhism in the early part of the twentieth century, doing so because he was an occultist and a member of the Theosophical Society, which believes the secret occult masters of the world live in Tibet, but which also considered the Egyptian Book of the Dead -- a book which bears little relationship to the Bardo Thödol, and which was written thousands of years earlier on a different continent -- to be a major religious document. So it was through that lens that Evans-Wentz was viewing the Bardo Thödol, and he renamed the book to emphasise what he perceived as its similarities. Part of the Bardo Thödol is a description of what happens to someone between death and rebirth -- the process by which the dead person becomes aware of true reality, and then either transcends it or is dragged back into it by their lesser impulses -- and a series of meditations that can be used to help with that transcendence. In the version published as The Tibetan Book of the Dead, this is accompanied by commentary from Evans-Wentz, who while he was interested in Buddhism didn't actually know that much about Tibetan Buddhism, and was looking at the text through a Theosophical lens, and mostly interpreting it using Hindu concepts. Later editions of Evans-Wentz's version added further commentary by Carl Jung, which looked at Evans-Wentz's version of the book through Jung's own lens, seeing it as a book about psychological states, not about anything more supernatural (although Jung's version of psychology was always a supernaturalist one, of course). His Westernised, psychologised, version of the book's message became part of the third edition. Metzner later said "At the suggestion of Aldous Huxley and Gerald Heard we began using the Bardo Thödol ( Tibetan Book of the Dead) as a guide to psychedelic sessions. The Tibetan Buddhists talked about the three phases of experience on the “intermediate planes” ( bardos) between death and rebirth. We translated this to refer to the death and the rebirth of the ego, or ordinary personality. Stripped of the elaborate Tibetan symbolism and transposed into Western concepts, the text provided a remarkable parallel to our findings." Leary, Dass, and Metzner rewrote the book into a form that could be used to guide a reader through a psychedelic trip, through the death of their ego and its rebirth. Later, Leary would record an abridged audiobook version, and it's this that we've been hearing excerpts of during this podcast so far: [Excerpt: The Psychedelic Experience "Turn off your mind, relax, float downstream" about 04:15] When we left the Beatles, they were at the absolute height of their fame, though in retrospect the cracks had already begun to show.  Their second film had been released, and the soundtrack had contained some of their best work, but the title track, "Help!", had been a worrying insight into John Lennon's current mental state. Immediately after making the film and album, of course, they went back out touring, first a European tour, then an American one, which probably counts as the first true stadium tour. There had been other stadium shows before the Beatles 1965 tour -- we talked way back in the first episodes of the series about how Sister Rosetta Tharpe had a *wedding* that was a stadium gig. But of course there are stadiums and stadiums, and the Beatles' 1965 tour had them playing the kind of venues that no other musician, and certainly no other rock band, had ever played. Most famously, of course, there was the opening concert of the tour at Shea Stadium, where they played to an audience of fifty-five thousand people -- the largest audience a rock band had ever played for, and one which would remain a record for many years. Most of those people, of course, couldn't actually hear much of anything -- the band weren't playing through a public address system designed for music, just playing through the loudspeakers that were designed for commentating on baseball games. But even if they had been playing through the kind of modern sound systems used today, it's unlikely that the audience would have heard much due to the overwhelming noise coming from the crowd. Similarly, there were no live video feeds of the show or any of the other things that nowadays make it at least possible for the audience to have some idea what is going on on stage. The difference between this and anything that anyone had experienced before was so great that the group became overwhelmed. There's video footage of the show -- a heavily-edited version, with quite a few overdubs and rerecordings of some tracks was broadcast on TV, and it's also been shown in cinemas more recently as part of promotion for an underwhelming documentary about the Beatles' tours -- and you can see Lennon in particular becoming actually hysterical during the performance of "I'm Down", where he's playing the organ with his elbows. Sadly the audio nature of this podcast doesn't allow me to show Lennon's facial expression, but you can hear something of the exuberance in the performance. This is from what is labelled as a copy of the raw audio of the show -- the version broadcast on TV had a fair bit of additional sweetening work done on it: [Excerpt: The Beatles, "I'm Down (Live at Shea Stadium)"] After their American tour they had almost six weeks off work to write new material before going back into the studio to record their second album of the year, and one which would be a major turning point for the group. The first day of the recording sessions for this new album, Rubber Soul, started with two songs of Lennon's. The first of these was "Run For Your Life", a song Lennon never later had much good to say about, and which is widely regarded as the worst song on the album. That song was written off a line from Elvis Presley's version of "Baby Let's Play House", and while Lennon never stated this, it's likely that it was brought to mind by the Beatles having met with Elvis during their US tour. But the second song was more interesting. Starting with "Help!", Lennon had been trying to write more interesting lyrics. This had been inspired by two conversations with British journalists -- Kenneth Allsop had told Lennon that while he liked Lennon's poetry, the lyrics to his songs were banal in comparison and he found them unlistenable as a result, while Maureen Cleave, a journalist who was a close friend with Lennon, had told him that she hadn't noticed a single word in any of his lyrics with more than two syllables, so he made more of an effort with "Help!", putting in words like "independence" and "insecure". As he said in one of his last interviews, "I was insecure then, and things like that happened more than once. I never considered it before. So after that I put a few words with three syllables in, but she didn't think much of them when I played it for her, anyway.” Cleave may have been an inspiration for "Norwegian Wood (This Bird Has Flown)". There are very strong rumours that Lennon had an affair with Cleave in the mid-sixties, and if that's true it would definitely fit into a pattern. Lennon had many, many, affairs during his first marriage, both brief one-night stands and deeper emotional attachments, and those emotional attachments were generally with women who were slightly older, intellectual, somewhat exotic looking by the standards of 1960s Britain, and in the arts. Lennon later claimed to have had an affair with Eleanor Bron, the Beatles' co-star in Help!, though she always denied this, and it's fairly widely established that he did have an affair with Alma Cogan, a singer who he'd mocked during her peak of popularity in the fifties, but who would later become one of his closest friends: [Excerpt: Alma Cogan, "Why Do Fools Fall in Love?"] And "Norwegian Wood", the second song recorded for Rubber Soul, started out as a confession to one of these affairs, a way of Lennon admitting it to his wife without really admitting it. The figure in the song is a slightly aloof, distant woman, and the title refers to the taste among Bohemian British people at the time for minimalist decor made of Scandinavian pine -- something that would have been a very obvious class signifier at the time. [Excerpt: The Beatles, "Norwegian Wood (This Bird Has Flown)"] Lennon and McCartney had different stories about who wrote what in the song, and Lennon's own story seems to have changed at various times. What seems to have happened is that Lennon wrote the first couple of verses while on holiday with George Martin, and finished it off later with McCartney's help. McCartney seems to have come up with the middle eight melody -- which is in Dorian mode rather than the Mixolydian mode of the verses -- and to have come up with the twist ending, where the woman refuses to sleep with the protagonist and laughs at him, he goes to sleep in the bath rather than her bed, wakes up alone, and sets fire to the house in revenge. This in some ways makes "Norwegian Wood" the thematic centrepiece of the album that was to result, combining several of the themes its two songwriters came back to throughout the album and the single recorded alongside it. Like Lennon's "Run For Your Life" it has a misogynistic edge to it, and deals with taking revenge against a woman, but like his song "Girl", it deals with a distant, unattainable, woman, who the singer sees as above him but who has a slightly cruel edge -- the kind of girl who puts you down when friends are there,  you feel a fool, is very similar to the woman who tells you to sit down but has no chairs in her minimalist flat. A big teaser who takes you half the way there is likely to laugh at you as you crawl off to sleep in the bath while she goes off to bed alone. Meanwhile, McCartney's two most popular contributions to the album, "Michelle" and "Drive My Car", also feature unattainable women, but are essentially comedy songs -- "Michelle" is a pastiche French song which McCartney used to play as a teenager while pretending to be foreign to impress girls, dug up and finished for the album, while "Drive My Car" is a comedy song with a twist in the punchline, just like "Norwegian Wood", though "Norwegian Wood"s twist is darker. But "Norwegian Wood" is even more famous for its music than for its lyric. The basis of the song is Lennon imitating Dylan's style -- something that Dylan saw, and countered with "Fourth Time Around", a song which people have interpreted multiple ways, but one of those interpretations has always been that it's a fairly vicious parody of "Norwegian Wood": [Excerpt: Bob Dylan, "Fourth Time Around"] Certainly Lennon thought that at first, saying a few years later "I was very paranoid about that. I remember he played it to me when he was in London. He said, what do you think? I said, I don't like it. I didn't like it. I was very paranoid. I just didn't like what I felt I was feeling – I thought it was an out and out skit, you know, but it wasn't. It was great. I mean he wasn't playing any tricks on me. I was just going through the bit." But the aspect of "Norwegian Wood" that has had more comment over the years has been the sitar part, played by George Harrison: [Excerpt: The Beatles, "Norwegian Wood"] This has often been called the first sitar to be used on a rock record, and that may be the case, but it's difficult to say for sure. Indian music was very much in the air among British groups in September 1965, when the Beatles recorded the track. That spring, two records had almost simultaneously introduced Indian-influenced music into the pop charts. The first had been the Yardbirds' "Heart Full of Soul", released in June and recorded in April. In fact, the Yardbirds had actually used a sitar on their first attempt at recording the song, which if it had been released would have been an earlier example than the Beatles: [Excerpt: The Yardbirds, "Heart Full of Soul (first version)"] But in the finished recording they had replaced that with Jeff Beck playing a guitar in a way that made it sound vaguely like a sitar, rather than using a real one: [Excerpt: The Yardbirds, "Heart Full of Soul (single)"] Meanwhile, after the Yardbirds had recorded that but before they'd released it, and apparently without any discussion between the two groups, the Kinks had done something similar on their "See My Friends", which came out a few weeks after the Yardbirds record: [Excerpt: The Kinks, "See My Friends"] (Incidentally, that track is sometimes titled "See My Friend" rather than "See My Friends", but that's apparently down to a misprint on initial pressings rather than that being the intended title). As part of this general flowering of interest in Indian music, George Harrison had become fascinated with the sound of the sitar while recording scenes in Help! which featured some Indian musicians. He'd then, as we discussed in the episode on "Eight Miles High" been introduced by David Crosby on the Beatles' summer US tour to the music of Ravi Shankar. "Norwegian Wood" likely reminded Harrison of Shankar's work for a couple of reasons. The first is that the melody is very modal -- as I said before, the verses are in Mixolydian mode, while the middle eights are in Dorian -- and as we saw in the "Eight Miles High" episode Indian music is very modal. The second is that for the most part, the verse is all on one chord -- a D chord as Lennon originally played it, though in the final take it's capoed on the second fret so it sounds in E. The only time the chord changes at all is on the words "once had" in the phrase “she once had me” where for one beat each Lennon plays a C9 and a G (sounding as a D9 and A). Both these chords, in the fingering Lennon is using, feel to a guitarist more like "playing a D chord and lifting some fingers up or putting some down" rather than playing new chords, and this is a fairly common way of thinking about stuff particularly when talking about folk and folk-rock music -- you'll tend to get people talking about the "Needles and Pins" riff as being "an A chord where you twiddle your finger about on the D string" rather than changing between A, Asus2, and Asus4. So while there are chord changes, they're minimal and of a kind that can be thought of as "not really" chord changes, and so that may well have reminded Harrison of the drone that's so fundamental to Indian classical music. Either way, he brought in his sitar, and they used it on the track, both the version they cut on the first day of recording and the remake a week later which became the album track: [Excerpt: The Beatles, "Norwegian Wood (This Bird Has Flown)"] At the same time as the group were recording Rubber Soul, they were also working on two tracks that would become their next single -- released as a double A-side because the group couldn't agree which of the two to promote. Both of these songs were actual Lennon/McCartney collaborations, something that was increasingly rare at this point. One, "We Can Work it Out" was initiated by McCartney, and like many of his songs of this period was inspired by tensions in his relationship with his girlfriend Jane Asher -- two of his other songs for Rubber Soul were "I'm Looking Through You" and "You Won't See Me".  The other, "Day Tripper",  was initiated by Lennon, and had other inspirations: [Excerpt: The Beatles, "Day Tripper"] John Lennon and George Harrison's first acid trip had been in spring of 1965, around the time they were recording Help! The fullest version of how they came to try it I've read was in an interview George Harrison gave to Creem magazine in 1987, which I'll quote a bit of: "I had a dentist who invited me and John and our ex-wives to dinner, and he had this acid he'd got off the guy who ran Playboy in London. And the Playboy guy had gotten it off, you know, the people who had it in America. What's his name, Tim Leary. And this guy had never had it himself, didn't know anything about it, but he thought it was an aphrodisiac and he had this girlfriend with huge breasts. He invited us down there with our blonde wives and I think he thought he was gonna have a scene. And he put it in our coffee without telling us—he didn't take any himself. We didn't know we had it, and we'd made an arrangement earlier—after we had dinner we were gonna go to this nightclub to see some friends of ours who were playing in a band. And I was saying, "OK, let's go, we've got to go," and this guy kept saying, "No, don't go, finish your coffee. Then, 20 minutes later or something, I'm saying, "C'mon John, we'd better go now. We're gonna miss the show." And he says we shouldn't go 'cause we've had LSD." They did leave anyway, and they had an experience they later remembered as being both profound and terrifying -- nobody involved had any idea what the effects of LSD actually were, and they didn't realise it was any different from cannabis or amphetamines. Harrison later described feelings of universal love, but also utter terror -- believing himself to be in hell, and that world war III was starting. As he said later "We'd heard of it, but we never knew what it was about and it was put in our coffee maliciously. So it really wasn't us turning each other or the world or anything—we were the victims of silly people." But both men decided it was an experience they needed to have again, and one they wanted to share with their friends. Their next acid trip was the one that we talked about in the episode on "Eight Miles High", with Roger McGuinn, David Crosby, and Peter Fonda. That time Neil Aspinall and Ringo took part as well, but at this point Paul was still unsure about taking it -- he would later say that he was being told by everyone that it changed your worldview so radically you'd never be the same again, and he was understandably cautious about this. Certainly it had a profound effect on Lennon and Harrison -- Starr has never really talked in detail about his own experiences. Harrison would later talk about how prior to taking acid he had been an atheist, but his experiences on the drug gave him an unshakeable conviction in the existence of God -- something he would spend the rest of his life exploring. Lennon didn't change his opinions that drastically, but he did become very evangelistic about the effects of LSD. And "Day Tripper" started out as a dig at what he later described as weekend hippies, who took acid but didn't change the rest of their lives -- which shows a certain level of ego in a man who had at that point only taken acid twice himself -- though in collaboration with McCartney it turned into another of the rather angry songs about unavailable women they were writing at this point. The line "she's a big teaser, she took me half the way there" apparently started as "she's a prick teaser": [Excerpt: The Beatles, "Day Tripper"] In the middle of the recording of Rubber Soul, the group took a break to receive their MBEs from the Queen. Officially the group were awarded these because they had contributed so much to British exports. In actual fact, they received them because the Prime Minister, Harold Wilson, had a government with a majority of only four MPs and was thinking about calling an election to boost his majority. He represented a Liverpool constituency, and wanted to associate his Government and the Labour Party with the most popular entertainers in the UK. "Day Tripper" and "We Can Work it Out" got their TV premiere on a show recorded for Granada TV,  The Music of Lennon and McCartney, and fans of British TV trivia will be pleased to note that the harmonium Lennon plays while the group mimed "We Can Work it Out" in that show is the same one that was played in Coronation Street by Ena Sharples -- the character we heard last episode being Davy Jones' grandmother. As well as the Beatles themselves, that show included other Brian Epstein artists like Cilla Black and Billy J Kramer singing songs that Lennon and McCartney had given to them, plus Peter Sellers, the Beatles' comedy idol, performing "A Hard Day's Night" in the style of Laurence Olivier as Richard III: [Excerpt: Peter Sellers, "A Hard Day's Night"] Another performance on the show was by Peter and Gordon, performing a hit that Paul had given to them, one of his earliest songs: [Excerpt: Peter and Gordon, "A World Without Love"] Peter Asher, of Peter and Gordon, was the brother of Paul McCartney's girlfriend, the actor Jane Asher. And while the other three Beatles were living married lives in mansions in suburbia, McCartney at this point was living with the Asher family in London, and being introduced by them to a far more Bohemian, artistic, hip crowd of people than he had ever before experienced. They were introducing him to types of art and culture of which he had previously been ignorant, and while McCartney was the only Beatle so far who hadn't taken LSD, this kind of mind expansion was far more appealing to him. He was being introduced to art film, to electronic composers like Stockhausen, and to ideas about philosophy and art that he had never considered. Peter Asher was a friend of John Dunbar, who at the time was Marianne Faithfull's husband, though Faithfull had left him and taken up with Mick Jagger, and of Barry Miles, a writer, and in September 1965 the three men had formed a company, Miles, Asher and Dunbar Limited, or MAD for short, which had opened up a bookshop and art gallery, the Indica Gallery, which was one of the first places in London to sell alternative or hippie books and paraphernalia, and which also hosted art events by people like members of the Fluxus art movement. McCartney was a frequent customer, as you might imagine, and he also encouraged the other Beatles to go along, and the Indica Gallery would play an immense role in the group's history, which we'll look at in a future episode. But the first impact it had on the group was when John and Paul went to the shop in late 1965, just after the recording and release of Rubber Soul and the "Day Tripper"/"We Can Work It Out" single, and John bought a copy of The Psychedelic Experience by Leary, Dass, and Metzner. He read the book on a plane journey while going on holiday -- reportedly while taking his third acid trip -- and was inspired. When he returned, he wrote a song which became the first track to be recorded for the group's next album, Revolver: [Excerpt: The Beatles, "Tomorrow Never Knows"] The lyrics were inspired by the parts of The Psychedelic Experience which were in turn inspired by the Tibetan Book of the Dead. Now, it's important to put it this way because most people who talk about this record have apparently never read the book which inspired it. I've read many, many, books on the Beatles which claim that The Psychedelic Experience simply *is* the Tibetan Book of the Dead, slightly paraphrased. In fact, while the authors use the Tibetan Book of the Dead as a structure on which to base their book, much of the book is detailed descriptions of Leary, Dass, and Metzner's hypotheses about what is actually happening during a psychedelic trip, and their notes on the book -- in particular they provide commentaries to the commentaries, giving their view of what Carl Jung meant when he talked about it, and of Evans-Wentz's opinions, and especially of a commentary by Anagarika Govinda, a Westerner who had taken up Tibetan Buddhism seriously and become a monk and one of its most well-known exponents in the West. By the time it's been filtered through so many different viewpoints and perspectives, each rewriting and reinterpreting it to suit their own preconceived ideas, they could have started with a book on the habitat of the Canada goose and ended with much the same result. Much of this is the kind of mixture between religious syncretism and pseudoscience that will be very familiar to anyone who has encountered New Age culture in any way, statements like "The Vedic sages knew the secret; the Eleusinian Initiates knew it; the Tantrics knew it. In all their esoteric writings they whisper the message: It is possible to cut beyond ego-consciousness, to tune in on neurological processes which flash by at the speed of light, and to become aware of the enormous treasury of ancient racial knowledge welded into the nucleus of every cell in your body". This kind of viewpoint is one that has been around in one form or another since the nineteenth century religious revivals in America that led to Mormonism, Christian Science, and the New Thought. It's found today in books and documentaries like The Secret and the writings of people like Deepak Chopra, and the idea is always the same one -- people thousands of years ago had a lost wisdom that has only now been rediscovered through the miracle of modern science. This always involves a complete misrepresentation of both the lost wisdom and of the modern science. In particular, Leary, Dass, and Metzner's book freely mixes between phrases that sound vaguely scientific, like "There are no longer things and persons but only the direct flow of particles", things that are elements of Tibetan Buddhism, and references to ego games and "game-existence" which come from Leary's particular ideas of psychology as game interactions. All of this is intermingled, and so the claims that some have made that Lennon based the lyrics on the Tibetan Book of the Dead itself are very wrong. Rather the song, which he initially called "The Void", is very much based on Timothy Leary. The song itself was very influenced by Indian music. The melody line consists of only four notes -- E, G, C, and B flat, over a space of an octave: [Demonstrates] This sparse use of notes is very similar to the pentatonic scales in a lot of folk music, but that B-flat makes it the Mixolydian mode, rather than the E minor pentatonic scale our ears at first make it feel like. The B-flat also implies a harmony change -- Lennon originally sang the whole song over one chord, a C, which has the notes C, E, and G in it, but a B-flat note implies instead a chord of C7 -- this is another one of those occasions where you just put one finger down to change the chord while playing, and I suspect that's what Lennon did: [Demonstrates] Lennon's song was inspired by Indian music, but what he wanted was to replicate the psychedelic experience, and this is where McCartney came in. McCartney was, as I said earlier, listening to a lot of electronic composers as part of his general drive to broaden his mind, and in particular he had been listening to quite a bit of Karlheinz Stockhausen. Stockhausen was a composer who had studied with Olivier Messiaen in the 1940s, and had then become attached to the Groupe de Recherche de Musique Concrète along with Messiaen, Pierre Boulez, Edgard Varese and others, notably Pierre Schaeffer and Pierre Henry. These composers were interested in a specific style of music called musique concrète, a style that had been pioneered by Schaeffer. Musique concrète is music that is created from, or at least using, prerecorded sounds that have been electronically altered, rather than with live instruments. Often this would involve found sound -- music made not by instruments at all, but by combining recorded sounds of objects, like with the first major work of musique concrète, Pierre Schaeffer's Cinq études de bruits: [Excerpt: Pierre Schaeffer, "Etude aux Chemins de faire" (from Cinq études de bruits)] Early on, musique concrète composers worked in much the same way that people use turntables to create dance music today -- they would have multiple record players, playing shellac discs, and a mixing desk, and they would drop the needle on the record players to various points, play the records backwards, and so forth. One technique that Schaeffer had come up with was to create records with a closed groove, so that when the record finished, the groove would go back to the start -- the record would just keep playing the same thing over and over and over. Later, when magnetic tape had come into use, Schaeffer had discovered you could get the same effect much more easily by making an actual loop of tape, and had started making loops of tape whose beginnings were stuck to their ending -- again creating something that could keep going over and over. Stockhausen had taken up the practice of using tape loops, most notably in a piece that McCartney was a big admirer of, Gesang der Jeunglinge: [Excerpt: Karlheinz Stockhausen, "Gesang der Jeunglinge"] McCartney suggested using tape loops on Lennon's new song, and everyone was in agreement. And this is the point where George Martin really starts coming into his own as a producer for the group. Martin had always been a good producer, but his being a good producer had up to this point mostly consisted of doing little bits of tidying up and being rather hands-off. He'd scored the strings on "Yesterday", played piano parts, and made suggestions like speeding up "Please Please Me" or putting the hook of "Can't Buy Me Love" at the beginning. Important contributions, contributions that turned good songs into great records, but nothing that Tony Hatch or Norrie Paramor or whoever couldn't have done. Indeed, his biggest contribution had largely been *not* being a Hatch or Paramor, and not imposing his own songs on the group, letting their own artistic voices flourish. But at this point Martin's unique skillset came into play. Martin had specialised in comedy records before his work with the Beatles, and he had worked with Peter Sellers and Spike Milligan of the Goons, making records that required a far odder range of sounds than the normal pop record: [Excerpt: The Goons, "Unchained Melody"] The Goons' radio show had used a lot of sound effects created by the BBC Radiophonic Workshop, a department of the BBC that specialised in creating musique concrète, and Martin had also had some interactions with the Radiophonic Workshop. In particular, he had worked with Maddalena Fagandini of the Workshop on an experimental single combining looped sounds and live instruments, under the pseudonym "Ray Cathode": [Excerpt: Ray Cathode, "Time Beat"] He had also worked on a record that is if anything even more relevant to "Tomorrow Never Knows". Unfortunately, that record is by someone who has been convicted of very serious sex offences. In this case, Rolf Harris, the man in question, was so well-known in Britain before his arrest, so beloved, and so much a part of many people's childhoods, that it may actually be traumatic for people to hear his voice knowing about his crimes. So while I know that showing the slightest consideration for my listeners' feelings will lead to a barrage of comments from angry old men calling me a "woke snowflake" for daring to not want to retraumatise vulnerable listeners, I'll give a little warning before I play the first of two segments of his recordings in a minute. When I do, if you skip forward approximately ninety seconds, you'll miss that section out. Harris was an Australian all-round entertainer, known in Britain for his novelty records, like the unfortunately racist "Tie Me Kangaroo Down Sport" -- which the Beatles later recorded with him in a non-racist version for a BBC session. But he had also, in 1960, recorded and released in Australia a song he'd written based on his understanding of Aboriginal Australian religious beliefs, and backed by Aboriginal musicians on didgeridoo. And we're going to hear that clip now: [Excerpt. Rolf Harris, "Sun Arise" original] EMI, his British label, had not wanted to release that as it was, so he'd got together with George Martin and they'd put together a new version, for British release. That had included a new middle-eight, giving the song a tiny bit of harmonic movement, and Martin had replaced the didgeridoos with eight cellos, playing a drone: [Excerpt: Rolf Harris, "Sun Arise", 1962 version ] OK, we'll just wait a few seconds for anyone who skipped that to catch up... Now, there are some interesting things about that track. That is a track based on a non-Western religious belief, based around a single drone -- the version that Martin produced had a chord change for the middle eight, but the verses were still on the drone -- using the recording studio to make the singer's voice sound different, with a deep, pulsating, drum sound, and using a melody with only a handful of notes, which doesn't start on the tonic but descends to it. Sound familiar? Oh, and a young assistant engineer had worked with George Martin on that session in 1962, in what several sources say was their first session together, and all sources say was one of their first. That young assistant engineer was Geoff Emerick, who had now been promoted to the main engineer role, and was working his first Beatles session in that role on “Tomorrow Never Knows”. Emerick was young and eager to experiment, and he would become a major part of the Beatles' team for the next few years, acting as engineer on all their recordings in 1966 and 67, and returning in 1969 for their last album. To start with, the group recorded a loop of guitar and drums, heavily treated: [Excerpt: "Tomorrow Never Knows", loop] That loop was slowed down to half its speed, and played throughout: [Excerpt: "Tomorrow Never Knows", loop] Onto that the group overdubbed a second set of live drums and Lennon's vocal. Lennon wanted his voice to sound like the Dalai Lama singing from a mountaintop, or like thousands of Tibetan monks. Obviously the group weren't going to fly to Tibet and persuade monks to sing for them, so they wanted some unusual vocal effect. This was quite normal for Lennon, actually. One of the odd things about Lennon is that while he's often regarded as one of the greatest rock vocalists of all time, he always hated his own voice and wanted to change it in the studio. After the Beatles' first album there's barely a dry Lennon solo vocal anywhere on any record he ever made. Either he would be harmonising with someone else, or he'd double-track his vocal, or he'd have it drenched in reverb, or some other effect -- anything to stop it sounding quite so much like him. And Geoff Emerick had the perfect idea. There's a type of speaker called a Leslie speaker, which was originally used to give Hammond organs their swirling sound, but which can be used with other instruments as well. It has two rotating speakers inside it, a bass one and a treble one, and it's the rotation that gives the swirling sound. Ken Townsend, the electrical engineer working on the record, hooked up the speaker from Abbey Road's Hammond organ to Lennon's mic, and Lennon was ecstatic with the sound: [Excerpt: The Beatles, "Tomorrow Never Knows", take one] At least, he was ecstatic with the sound of his vocal, though he did wonder if it might be more interesting to get the same swirling effect by tying himself to a rope and being swung round the microphone The rest of the track wasn't quite working, though, and they decided to have a second attempt. But Lennon had been impressed enough by Emerick that he decided to have a chat with him about music -- his way of showing that Emerick had been accepted. He asked if Emerick had heard the new Tiny Tim record -- which shows how much attention Lennon was actually paying to music at this point. This was two years before Tim's breakthrough with "Tiptoe Through the Tulips", and his first single (unless you count a release from 1963 that was only released as a 78, in the sixties equivalent of a hipster cassette-only release), a version of "April Showers" backed with "Little Girl" -- the old folk song also known as "In the Pines" or "Where Did You Sleep Last Night?": [Excerpt: Tiny Tim, "Little Girl"] Unfortunately for Emerick, he hadn't heard the record, and rather than just say so he tried bluffing, saying "Yes, they're great". Lennon laughed at his attempt to sound like he knew what he was talking about, before explaining that Tiny Tim was a solo artist, though he did say "Nobody's really sure if it's actually a guy or some drag queen". For the second attempt, they decided to cut the whole backing track live rather than play to a loop. Lennon had had trouble staying in sync with the loop, but they had liked the thunderous sound that had been got from slowing the tape down. As Paul talked with Ringo about his drum part, suggesting a new pattern for him to play, Emerick went down into the studio from the control room and made some adjustments. He first deadened the sound of the bass drum by sticking a sweater in it -- it was actually a promotional sweater with eight arms, made when the film Help! had been provisionally titled Eight Arms to Hold You, which Mal Evans had been using as packing material. He then moved the mics much, much closer to the drums that EMI studio rules allowed -- mics can be damaged by loud noises, and EMI had very strict rules about distance, not allowing them within two feet of the drum kit. Emerick decided to risk his job by moving the mics mere inches from the drums, reasoning that he would probably have Lennon's support if he did this. He then put the drum signal through an overloaded Fairfield limiter, giving it a punchier sound than anything that had been recorded in a British studio up to that point: [Excerpt: The Beatles, "Tomorrow Never Knows", isolated drums] That wasn't the only thing they did to make the record sound different though.  As well as Emerick's idea for the Leslie speaker, Ken Townsend had his own idea of how to make Lennon's voice sound different. Lennon had often complained about the difficulty of double-tracking his voice, and so Townsend had had an idea -- if you took a normal recording, fed it to another tape machine a few milliseconds out of sync with the first, and then fed it back into the first, you could create a double-tracked effect without having to actually double-track the vocal. Townsend suggested this, and it was used for the first time on the first half of "Tomorrow Never Knows", before the Leslie speaker takes over. The technique is now known as "artificial double-tracking" or ADT, but the session actually gave rise to another term, commonly used for a similar but slightly different tape-manipulation effect that had already been used by Les Paul among others. Lennon asked how they'd got the effect and George Martin started to explain, but then realised Lennon wasn't really interested in the technical details, and said "we take the original image and we split it through a double-bifurcated sploshing flange". From that point on, Lennon referred to ADT as "flanging", and the term spread, though being applied to the other technique. (Just as a quick aside, some people have claimed other origins for the term "flanging", and they may be right, but I think this is the correct story). Over the backing track they added tambourine and organ overdubs -- with the organ changing to a B flat chord when the vocal hits the B-flat note, even though the rest of the band stays on C -- and then a series of tape loops, mostly recorded by McCartney. There's a recording that circulates which has each of these loops isolated, played first forwards and then backwards at the speed they were recorded, and then going through at the speed they were used on the record, so let's go through these. There's what people call the "seagull" sound, which is apparently McCartney laughing, very distorted: [Excerpt: Tomorrow Never Knows loop] Then there's an orchestral chord: [Excerpt: Tomorrow Never Knows loop] A mellotron on its flute setting: [Excerpt: Tomorrow Never Knows loop] And on its string setting: [Excerpt: Tomorrow Never Knows loop] And a much longer loop of sitar music supplied by George: [Excerpt: Tomorrow Never Knows loop] Each of these loops were played on a different tape machine in a different part of Abbey Road -- they commandeered the entire studio complex, and got engineers to sit with the tapes looped round pencils and wine-glasses, while the Beatles supervised Emerick and Martin in mixing the loops into a single track. They then added a loop of a tamboura drone played by George, and the result was one of the strangest records ever released by a major pop group: [Excerpt: The Beatles, "Tomorrow Never Knows"] While Paul did add some backwards guitar -- some sources say that this is a cut-up version of his solo from George's song "Taxman", but it's actually a different recording, though very much in the same style -- they decided that they were going to have a tape-loop solo rather than a guitar solo: [Excerpt: The Beatles, "Tomorrow Never Knows"] And finally, at the end, there's some tack piano playing from McCartney, inspired by the kind of joke piano parts that used to turn up on the Goon Show. This was just McCartney messing about in the studio, but it was caught on tape, and they asked for it to be included at the end of the track. It's only faintly audible on the standard mixes of the track, but there was actually an alternative mono mix which was only released on British pressings of the album pressed on the first day of its release, before George Martin changed his mind about which mix should have been used, and that has a much longer excerpt of the piano on it. I have to say that I personally like that mix more, and the extra piano at the end does a wonderful job of undercutting what could otherwise be an overly-serious track, in much the same way as the laughter at the end of "Within You, Without You", which they recorded the next year. The same goes for the title -- the track was originally called "The Void", and the tape boxes were labelled "Mark One", but Lennon decided to name the track after one of Starr's malapropisms, the same way they had with "A Hard Day's Night", to avoid the track being too pompous. [Excerpt: Beatles interview] A track like that, of course, had to end the album. Now all they needed to do was to record another thirteen tracks to go before it. But that -- and what they did afterwards, is a story for another time. [Excerpt, "Tomorrow Never Knows (alternate mono mix)" piano tag into theme music]