Podcasts about cinema australia

Cinematographer James Hoare is a recent graduate from Curtin University, where he worked alongside director Christopher Paik-Swan and writer Max Joyce to bring to life their final year short film Don't Talk About the Monster on the Roof, a micro-budget horror short flick inspired by the look of Ozploitation films. It's an impressively taut thriller that is drenched in sweaty tension as a group of mates head off on a road trip up to the Pinnacles, only to find that while on the trip, they each start disappearing one by one after something on the roof of the car rips them away.James' work as the cinematographer saw him utilising LED virtual production technology, alongside drone shots and on location cinematography. He comfortably blends the VFX backgrounds with on location shots, culminating in an effective and creatively engaging short that executes high concept ideas on a student budget.James was also able to present the film at the 2024 CamerImage Festival in Poland as part of their Talent Demo program. At the festival, he was able to present the film and receive detailed feedback from celebrated filmmakers like cinematographer Jarin Baschkle (Nosferatu, The Lighthouse) and director Hiro Murai (Atlanta, Mr and Mrs Smith).In the following interview, recorded ahead of the films screening at the WA Made Film Festival on Saturday 22 February as part of the Saturday Shorts line-up, James talks about his creative journey to becoming a cinematographer, what it means to be able to make films in Western Australia, and a lot more.The line-up for this years WA Made Film Festival is a stellar one, with a huge array of shorts, long shorts, features, documentaries, and a panels galore to keep you up to speed on the ins and outs of the WA film scene. The festival opens with the world premiere of Remotely Famous, directed by Brad Newland. The excitement for that is so high that the screening has already sold out. The energy continues over the weekend with a live Cinema Australia podcast recording with Matthew Eeles and director Zak Hilditch, short film showcases, screenings of award winning films like Genocide in the Wildflower State, world premieres of films like Lint, Christmas Orphans, In Sect, and Highest Treason, while acclaimed films like Jellyfish, Green: The Fight for Rock and Roll, and Everywhere get spotlight screenings.I'm proud to be part of this years festival as I join a panel of excellent WA filmmakers for The Future is Bright: Independent Filmmaker Panel on Saturday 22 February from 11:45am at the City of Perth Library Auditorium. The panel includes Sarah Legg, Tayah Lee-Traub, Steven J. Mihaljevich, Emilie Lowe, Lawrence Murphy, and Oscar Miller, each of whom will be discussing their upcoming feature films which were made completely independently.I'm continually in awe of the work that Jasmine Leivers and Matthew Eeles put into bringing the WA Made Film Festival together. It's a top tier local film festival that reminds audiences that there is a vibrant, active, and downright vital film scene in operation here in Western Australia.For all the details on the festival, and to secure your tickets, visit WAMadeFilmFestival.com.au. Hosted on Acast. See acast.com/privacy for more information.

Cinematographer James Hoare is a recent graduate from Curtin University, where he worked alongside director Christopher Paik-Swan and writer Max Joyce to bring to life their final year short film Don't Talk About the Monster on the Roof, a micro-budget horror short flick inspired by the look of Ozploitation films. It's an impressively taut thriller that is drenched in sweaty tension as a group of mates head off on a road trip up to the Pinnacles, only to find that while on the trip, they each start disappearing one by one after something on the roof of the car rips them away.James' work as the cinematographer saw him utilising LED virtual production technology, alongside drone shots and on location cinematography. He comfortably blends the VFX backgrounds with on location shots, culminating in an effective and creatively engaging short that executes high concept ideas on a student budget.James was also able to present the film at the 2024 CamerImage Festival in Poland as part of their Talent Demo program. At the festival, he was able to present the film and receive detailed feedback from celebrated filmmakers like cinematographer Jarin Baschkle (Nosferatu, The Lighthouse) and director Hiro Murai (Atlanta, Mr and Mrs Smith).In the following interview, recorded ahead of the films screening at the WA Made Film Festival on Saturday 22 February as part of the Saturday Shorts line-up, James talks about his creative journey to becoming a cinematographer, what it means to be able to make films in Western Australia, and a lot more.The line-up for this years WA Made Film Festival is a stellar one, with a huge array of shorts, long shorts, features, documentaries, and a panels galore to keep you up to speed on the ins and outs of the WA film scene. The festival opens with the world premiere of Remotely Famous, directed by Brad Newland. The excitement for that is so high that the screening has already sold out. The energy continues over the weekend with a live Cinema Australia podcast recording with Matthew Eeles and director Zak Hilditch, short film showcases, screenings of award winning films like Genocide in the Wildflower State, world premieres of films like Lint, Christmas Orphans, In Sect, and Highest Treason, while acclaimed films like Jellyfish, Green: The Fight for Rock and Roll, and Everywhere get spotlight screenings.I'm proud to be part of this years festival as I join a panel of excellent WA filmmakers for The Future is Bright: Independent Filmmaker Panel on Saturday 22 February from 11:45am at the City of Perth Library Auditorium. The panel includes Sarah Legg, Tayah Lee-Traub, Steven J. Mihaljevich, Emilie Lowe, Lawrence Murphy, and Oscar Miller, each of whom will be discussing their upcoming feature films which were made completely independently.I'm continually in awe of the work that Jasmine Leivers and Matthew Eeles put into bringing the WA Made Film Festival together. It's a top tier local film festival that reminds audiences that there is a vibrant, active, and downright vital film scene in operation here in Western Australia.For all the details on the festival, and to secure your tickets, visit WAMadeFilmFestival.com.au. Hosted on Acast. See acast.com/privacy for more information.

In this episode of the Cinema Australia Podcast, I'm joined by internationally-renowned filmmaker Scott Hicks for what I consider to be a very special interview.  Interviews like this are the exact reason I launched Cinema Australia just over ten years ago. I set out to capture Australian filmmaking stories, and th those that Scott shares here about his career are priceless. As a keen Australian film enthusiast, I spent most of this interview in a state of awe.  Scott shares previously untold stories here, such as the complete narrative behind the production of his unreleased tele-movie, Call Me Mr. Brown, and the time he tactfully guided a inebriated Bill Hunter back on track. Scott also talks about learning from filmmaking giants like Peter Weir and Bruce Beresford, his creative partnership with Australian acting legend Chris Haywood, and of course we talk about Shine.  Scott and I actually got so caught up talking about his career that we almost ran out of time to discuss his latest film, The Musical Mind… A Portrait in Process. We do get there eventually towards the end of the interview, so if you're here specifically for that, hang in there. An Emmy, Peabody and multiple AACTA award-winning filmmaker, Scott Hicks has also been nominated for two Academy Awards as Director and Writer, and British Academy Awards for Directing and Best Film. His documentary on Philip Glass was short-listed for Oscar® nomination and nominated for an Emmy. He was honoured as South Australian of the Year in 1999 and then as Australian of the Year for South Australia in 2008. Scott received a Doctorate of Letters and a Premier's Lifetime achievement award. Together with his close friend David Chiem, CEO of global company MindChamps, Scott formed MAY30 Entertainment to create quality entertainment for the international market. The Musical Mind… A Portrait in Process marks the first releases for MAY30. Sparked by the impending 25th anniversary of the Academy award-winning blockbuster Shine, The Musical Mind… A Portrait in Process explores the power of the musical brain. Featuring exclusive, intimate footage of super-star international musicians in their private worlds, it opens an intriguing portal into the musical mind. Anyway… enjoy.

In this episode of the Cinema Australia Podcast, I'm joined by director, writer, co-producer, co-cinematographer, editor and visual effects supervisor Jack Dignan to discuss his latest film, Puzzle Box. Jack began his career as an Australian film journalist, publishing written reviews across multiple platforms while working on his own DIY short films. In the lead up to After She Died, Jack spent some time working on high-profile Hollywood productions such as Thor: Love and Thunder, Furiosa, Elvis, Shang-Chi and the Legend of the Ten Rings in various roles. Puzzle Box follows substance abuser Kait who flees to a house in the woods to self-rehabilitate, while her sister Olivia joins to document the process. Following their arrival the house's layout begins to change, trapping them inside an inescapable puzzle box. When I interview a filmmaker like Jack, I'm quickly reminded why I started Cinema Australia. To me, there's nothing quite like interviewing an independent filmmaker at the beginning of their career. Hearing Jack's stories about the making of his two films was a great thrill for me and I can't thank Jack enough for being a part of this Podcast. Anyway… enjoy.

Episode #100 | Gabriel Carrubba by Cinema Australia

Want to make your own film and have no idea where to start? This episode answers so many questions with Mentor Izzy Stevens. IZZY STEVENS is an acclaimed Aussie-American Actress, widely regarded for her lead role in Netflix's ‘Occupation' Franchise among other lead roles in films such as ‘Rainfall', ‘Underbelly', ‘Puberty Blues', and ‘Another Mother'. On top of her successful acting career, Izzy has created a name for herself as a powerhouse filmmaker and producer. Izzy's award winning films have been screened on ABC National Network, as well as at Cannes Diversity, Hollyshorts, Cinema Australia, Tropfest, Redline Int. Film Fest, (Winner: Best Experimental Film), LA Shorts, and more! Izzy is the ultimate multi-hyphenate. As the CEO and business owner of her consulting and mentorship company, Indie Spunk, Izzy is passionate about helping fellow filmmakers, producers, actors, directors etc. find success in this cutthroat industry. Now, Izzy's dedication to championing independent filmmakers has inspired her to launch her own film focused podcast ‘indie spunk' which highlights emerging industry creatives, giving them a platform to share their knowledge, advice, and experience! Izzy intends to inspire listeners through sharing her own personal anecdotes, alongside other film professionals and special guests. With her infectious personality, Izzy is determined to revamp the film sector of the podcast world, as she feels there aren't many film focused podcasts left standing.  In this episode, we talk about: • Izzy's start as a series regular role in a TV show in Australia at 17 years old, turning her into a "quiet, conservative people pleaser" • The similarities and differences between shooting Australian shows and American shows • How close she was to quitting before booking a huge Netflix film • How to navigate the film festival circuit and focusing on that during pre-production • 3 reasons to crowdfund your project: 1. make your money 2. marketing tool to talk about your project 3. helps you focus on your niche which is important in the film festival circuit • The three tiers of festivals 1. community festivals 2. industry festivals (Sundance, Cannes, Tribeca, Hollyshorts) 3. Niche festivals Sales and distributors go to niche festivals, too. Always ask for a waiver. • Her Indie Spunk podcast to help encourage filmmakers to create work from idea to script to screen • Finding your zone of genius in filmmaking so you don't have to do everything Guest: Website Instagram IMDb Facebook page Indie Spunk podcast Host: Instagram: ⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠ ⁠⁠⁠⁠@MichelleSimoneMiller⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠ ⁠⁠⁠⁠@MichelleSimoneM⁠⁠⁠⁠ Facebook page:⁠⁠⁠⁠ https://www.facebook.com/mentorsonthemic⁠⁠⁠⁠ Website:⁠⁠⁠⁠ www.michellesimonemiller.com⁠⁠⁠⁠ Youtube: ⁠⁠⁠⁠https://www.youtube.com/user/24mmichelle⁠⁠⁠ If you like this episode, check out ⁠Becoming... Film Producer Gaylyn Fraiche and former VP of Film & TV of Hello Sunshine ("Sisterhood of the Traveling Pants 2," "Cheetah Girls 2")⁠ ⁠⁠⁠⁠⁠⁠Click here to join our Mailing list.⁠⁠⁠⁠ Ads: Check out ⁠⁠⁠⁠Cave Day⁠⁠⁠ right now. Only $40 for the first 3 months! --- Support this podcast: https://podcasters.spotify.com/pod/show/michelle-miller4/support

  Tristan Barr was the first writer/director down under to shoot a full-length feature film in one single take, across the span of 9 different locations and a running time of 82 minutes, ‘Watch the Sunset', which won Cinema Australia's "Top five films of the year" and was acquired as a STAN Original after a successful cinema season. Recently, Tristan was the lead producer of the neo-western thriller feature 'Head Count' starring Ryan Kwanten (True Blood, Kindred), Aaron Jakubenko (Tidelands, The Shanarra Chronicles), Melanie Zanetti (Bluey, Raven's Hollow) being distributed by Shout Factory (Old Henry) & Umbrella Entertainment (The Babadook). ​  In 2021 Tristan also produced the short films 'Reklaw' and 'Suspense' that played at SXSW & Fantasia Film festivals, and Won "Hollyshorts" thriller section, as well as directing feature film 'Subject' that was selected for Cannes Frontiers. ​  His other work has received consistent praise, including an accolade for ‘Best Director' at the Canada International Film Festival. Tristan also produced the horror/comedy pilot ‘Cursed' which played at SXSW in association with Screen QLD. Tristan was selected for Screen Australia's Emerging Talent delegation at the Cannes Film Festival. Tristan's Website: www.tristanbarr.com/ Tristan's insta: www.instagram.com/trisbarr/  Don't Be So Dramatic Podcast: Podcast instagram:@dbsdpodcast Rachel's instagram:@rachel.lauren.baker Email: info@asmanagement.com.au Produced by: Alyssa Stevenson, Rachel Baker Network: Diamantina Media (DM Podcasts) Audio Editor: Echidna Audio https://echidnaaudio.com/ Video Content: Nicole TabuenaSee omnystudio.com/listener for privacy information.

In this episode Cinema Australia is joined by the makers of new Australian black comedy, Sissy - Hannah Barlow & Kane Senes. Hannah and Kane co-wrote and co-directed the film and Hannah also stars in the film as one of the lead characters, Emma. The film follows social media influencer, Sissy, who is invited away on a hen's weekend with some old school friends. Little does she know she will be stuck in a remote cabin with her high school bully… #triggered. Hannah and Kane have been making movies for a while now. Most recently the two made the independent mumblecore, For Now. This is a deep dive into the making of the film, so obviously there are going to be some plot spoilers, but listeners should know that when we do discuss the ending of the film I do warn when to switch off.

James Ashton is an AACTA Award winning sound designer, known for his work on Lion (which he shared in the Best Sound award at the 2017 AACTA awards), Mortal Kombat, Tanna, and Justin Kurzel's latest film, Nitram. In this deep discussion about Nitram and Lion, James talks about his creative process, the art of building a soundscape, and how one of the most intense and powerful scenes in a film this year was sonically crafted. It was a genuine treat to be able to explore a different side of fimlmaking with James, and we wrap up this interview discussing what the future of sound design might be in Australia, highlighting the hopeful aspect of how having major Hollywood films like Mortal Kombat and Shang-Chi being made here will strengthen and showcase the excellent talent of Australian creatives. Make sure to see Nitram in cinemas from Sept 30th 2021, with an eventual release on Stan. down the line. Read Andrew's review of Nitramhere, and listen to Matthew Eeles from Cinema Australia interview Justin Kurzel and Shaun Grant here. Clips in this episode: Nitram trailer // Cannes first look at Nitram // Rider from True History of the Kelly Gang. See omnystudio.com/listener for privacy information.

Last week on the first installment of this series Diary of a Podcaster from OZ to NZ we kicked things with Matthew Eeles of Cinema Australia. For this second instalment of celebrating individuals who celebrate national and international cinema via their podcasts among other things we jet back to Sydney and chat with the handsome and dynamic duo of Simon Foster and Dan Barrett who have garnered reputations as both podcasters and national film and television critics.Additional Show Links:https://www.facebook.com/screenwatchingpodcastSimon Foster:https://www.facebook.com/screenspaceDan Barrett:https://www.alwaysbewatching.com See acast.com/privacy for privacy and opt-out information.

Welcome to this limited series run that will focus on celebrating individuals who celebrate national and international cinema via their podcasts amongst other things. So please buckle in and observe the no smoking signs as we take-off in the month of August with this special series called Diary of a Podcaster from OZ to NZ.To kick things off we touch down in the great state of WA. Joining me is a Perth based cinephile, who in 2013 launched the respected and highly esteemed Cinema Australia. Where he regularly posts reviews and promotes Aussie films via this dedicated online space. When he's not programming the WA made film festival you can catch him every other fortnight engaged in informative interviews with film makers via his Cinema Australia podcast. Its Mr Matthew Eeles.Additional Links:https://cinemaaustralia.com.au/ See acast.com/privacy for privacy and opt-out information.

We all have a creative entity within us, but how do we get to that path of creativity? In Roger Ungers documentary, Finding Creativity, he seeks to answer that question by interviewing various creative minds, like a glass blower, a chef, a musician, and more. And, stretching deeper into the well of creativity, Andrew interviews Roger about his creative process. Finding Creativity screens at the 6th Melbourne Documentary Film Festival and tickets can be purchased here. Check out Rogers other work here, and read more about Finding Creativity on Cinema Australia here. The music featured at the end is by Rollo Grey. Support The Curb on Patreon, and make sure to follow us on Facebook and Twitter. Get in contact with us via our email.See omnystudio.com/listener for privacy information. Hosted on Acast. See acast.com/privacy for more information.

In this episode Cinema Australia's Matthew Eeles is joined by Mark Lamprell, the director of new Australian comedy, Never Too Late. Never Too Late follows four Vietnam veterans, famous for escaping out of a POW camp, who must now break out of the nursing home from hell to fulfil their unrealised dreams. Mark is a pleasure to interview and is very generous with his answers and stories which I appreciate. Mark has worked in the film industry for many years. In this interview we discuss launching his career with Kennedy Miller productions, working with George Miller on an abandoned script for Hollywood film, Contact, his time working with an incredible cast of acting veterans with Never too Late, and I get real geeky by asking Mark about working with Australian producing veteran Antony Ginnane and working on the cult classic slasher film, Cut! Anyway… Enjoy.

50 EPISODES! In the 50th episode of this Podcast, Cinema Australia's Matthew Eeles chats with Rams director Jeremy Sims. Rams is a remake of an Icelandic film and follows two Brothers Colin (Sam Neill) and Les (Michael Caton) who have been fighting for decades. Both are award-winning sheep farmers but when disaster strikes and disease threatens their flocks, will they be able to work together to save their sheep, their legacy, and their community? Jeremy is a director, producer and writer of film, television and theatre. Prior to directing Rams, he made Last Cab to Darwin, Beneath Hill 60 and Last Train to Freo.

In this episode of the Cinema Australia, host Matthew Eeles is joined by multi award-winning director, animator and visual artist Isabel Peppard and award winning horror, comedy, documentary and porn filmmaker Josie Hess. These two very talented filmmakers have teamed up to co-direct a very unique documentary called, Morgana. In short, Morgana is an artistic character portrait of a 50-year-old housewife, who reinvents herself as a sex-positive feminist porn star. I assure you, once you’ve seen Morgana, it will remain with you long after viewing. Anyway... enjoy!

On this episode, the audio from the Q&A discussion that Matthew Eeles from Cinema Australia, Travis Johnson from Celluloid & Whiskey, and Andrew F Peirce from The Curb had about the state of Australian film, festivals, and media, is presented. Support The Curb on Patreon, and make sure to follow us on Facebook and Twitter. Get in contact with us via our email.See omnystudio.com/listener for privacy information. Hosted on Acast. See acast.com/privacy for more information.

On this episode, the audio from the Q&A discussion that Matthew Eeles from Cinema Australia, Travis Johnson from Celluloid & Whiskey, and Andrew F Peirce from The Curb had about the state of Australian film, festivals, and media, is presented.  Support The Curb on Patreon, and make sure to follow us on Facebook and Twitter. Get in contact with us via our email. See omnystudio.com/listener for privacy information.

On this episode, the audio from the Q&A discussion that Matthew Eeles from Cinema Australia, Travis Johnson from Celluloid & Whiskey, and Andrew F Peirce from The Curb had about the state of Australian film, festivals, and media, is presented. This is part one, with part two coming later in the week. Support The Curb on Patreon, and make sure to follow us on Facebook and Twitter. Get in contact with us via our email.See omnystudio.com/listener for privacy information. Hosted on Acast. See acast.com/privacy for more information.

On this episode, the audio from the Q&A discussion that Matthew Eeles from Cinema Australia, Travis Johnson from Celluloid & Whiskey, and Andrew F Peirce from The Curb had about the state of Australian film, festivals, and media, is presented.  This is part one, with part two coming later in the week.  Support The Curb on Patreon, and make sure to follow us on Facebook and Twitter. Get in contact with us via our email. See omnystudio.com/listener for privacy information.

Prepare yourself for a bit of effusive praise. If you haven't already seen, I quite love Koko: A Red Dog Story, calling it a 'dogsterpiece' and naming it the second best Australian film of 2019, so it was with great pleasure that I got the chance to sit down with directors Aaron McCann and Dominic Pearce for a second time to discuss their latest film.This is a proudly family friendly film that I cannot recommend highly enough. I loved every second of it and urge you to see it this weekend. And once you've seen it, make sure to vote for it in the upcoming Cinema Australia best film awards.Support The Curb on Patreon, and make sure to follow us on Facebook and Twitter. Get in contact with us via our email.See omnystudio.com/listener for privacy information. Hosted on Acast. See acast.com/privacy for more information.

Andrew caught up with multi-hyphenate writer-director-actor Steve Vidler to talk about his new comedy Standing Up for Sunny. This is a treat of a film, genuinely hilarious and superbly acted. Standing Up for Sunny will be having screenings around Australia in December, and is definitely a film best served with a large audience. Head over to the Facebook page for more information about dates, and check out the website as well for more info. If the film isn't coming to your area, fear not! You can always organise a FanForce screening. In the meantime, make sure to check out Andrew's review here, and if you like the film, then make sure to vote for it in the upcoming Cinema Australia best film awards. Support The Curb on Patreon, and make sure to follow us on Facebook and Twitter. Get in contact with us via our email.See omnystudio.com/listener for privacy information. Hosted on Acast. See acast.com/privacy for more information.

Andrew caught up with multi-hyphenate writer-director-actor Steve Vidler to talk about his new comedy Standing Up for Sunny. This is a treat of a film, genuinely hilarious and superbly acted. Standing Up for Sunny will be having screenings around Australia in December, and is definitely a film best served with a large audience. Head over to the Facebook page for more information about dates, and check out the website as well for more info. If the film isn't coming to your area, fear not! You can always organise a FanForce screening. In the meantime, make sure to check out Andrew's review here, and if you like the film, then make sure to vote for it in the upcoming Cinema Australia best film awards. Support The Curb on Patreon, and make sure to follow us on Facebook and Twitter. Get in contact with us via our email. See omnystudio.com/listener for privacy information.

In this episode of the Cinema Australia we catch up with actor and filmmaker Steven Vidler to discuss his classic Australian film Blackrock and his new Australian film Standing Up For Sunny starring RJ Mitte (Breaking Bad).

Episode #37 | Davo Hardy & Richard Littlehales by Cinema Australia

In this episode of the Cinema Australia, Matthew Eeles chats with filmmaker Andrew Garton about his new documentary FORGED FROM FIRE which charts the valleys and peaks of the heartwarming project known as The Blacksmiths Tree. On Black Saturday, 7 February 2009, townships north-east of Melbourne were engulfed by firestorms. After the horror of immediate losses, people embarked on various journeys of repair and recovery. The Blacksmiths Tree was one of them.

In this episode of the Cinema Australia, host Matthew Eeles is joined by filmmaker Stevie Cruz-Martin to discuss her new film, Pulse. Pulse is the story of a gay disabled teenage boy who is devastated when he is neglected after his two best friends start dating. He changes into the body of a beautiful woman, so that he too can find love, at whatever cost.

Rachele and Lewis were joined by Matt Eeles, from Cinema Australia, to discuss the new Aussie flick Book Week. Lewis reviews Fantastic Beasts: The Crimes of Grindlewald and the team pay their respects to icon Stan Lee. Excelsior!

In the latest episode of the Cinema Australia podcast, Matthew Eeles chats with Australian actor, Matt Day, about his time working in film and television as well as his new short film, Perry.

In episode 5 of the Cinema Australia podcast I chat with actors Dan Ewing and Tim Pocock and director Luke Sparke about their new, highly-anticipated Australian horror/thriller RED BILLABONG.

In episode 4 of the Cinema Australia podcast we chat with WATCH THE SUNSET cinematographer Damien Lipp and producer/director Michael Gosden.

A chat with web site Cinema Australia's creator Matthew Eels.