Podcast appearances and mentions of Zak Hilditch

Unnnnnnnn jooooooooooyeux anniversaire ! À qui ? À nous ! Ah bon ? Ah oui ! Et oui, ça fait 2 ans qu'on parle dans des micros et que vous nous écoutez ... Wouah. Merci.Les films de l'épisode :- 2'40" Winnie-the-Pooh: Blood and Honey [Rhys Frake-Waterfield]- 14'12" La morsure du crotale [Zak Hilditch]- 29'16" Lady Blood [Jean-Marc Vincent]- 42'11" Cyst [Tyler Russell]Foire Aux Questions ! (56'33'')Nos films préférés de la saison 2 (116'26'') ?⚠️ Attention aux spoilers ⚠️Réalisation et musique : Brice ThierionIdentité visuelle : Noah BallulPour nous aider n'hésitez pas à nous suivre @lhorreurdudimanche, à vous abonner et à mettre des étoiles sur Apple Podcasts, Spotify, Deezer, Podcast Addict, ...

Welcome to this very different episode of the Cinema Australia Podcast. So, what's so different about this episode? Well, it's the first-ever Cinema Australia Podcast recording with a live audience. This episode was recorded during the recent WA Made Film Festival, where we invited friend-of-the-fest Zak Hilditch to join me and other punters for an interview about his career and his new film, We Bury the Dead. We Bury the Dead was filmed in Western Australia and follows Ava Newman (Daisy Ridley), a desperate woman searching for her husband in the aftermath of a catastrophic military experiment. Hoping to find him alive, Ava joins a "body retrieval unit," but her search takes a chilling turn when the corpses she's burying start showing signs of life. We Bury the Dead will celebrate its official world premiere at SXSW from March 9 to March 13. As the film isn't officially out yet, and I missed it at the Adelaide Film Festival, most of this episode focuses on Zak's career as a whole—which is hard not to admire. Following Zak's Backyard Trilogy, a series of low-budget films he made in the early stages of his career, the filmmaker went on to make the cult classic These Final Hours here in Perth, followed by the Stephen King adaptation 1922 and his horror thriller Rattlesnake, both made for Netflix. Thank you to everyone who attended this session during the WA Made Film Festival. We hope to bring similar sessions to future festivals. Anyway… enjoy.

Cinematographer James Hoare is a recent graduate from Curtin University, where he worked alongside director Christopher Paik-Swan and writer Max Joyce to bring to life their final year short film Don't Talk About the Monster on the Roof, a micro-budget horror short flick inspired by the look of Ozploitation films. It's an impressively taut thriller that is drenched in sweaty tension as a group of mates head off on a road trip up to the Pinnacles, only to find that while on the trip, they each start disappearing one by one after something on the roof of the car rips them away.James' work as the cinematographer saw him utilising LED virtual production technology, alongside drone shots and on location cinematography. He comfortably blends the VFX backgrounds with on location shots, culminating in an effective and creatively engaging short that executes high concept ideas on a student budget.James was also able to present the film at the 2024 CamerImage Festival in Poland as part of their Talent Demo program. At the festival, he was able to present the film and receive detailed feedback from celebrated filmmakers like cinematographer Jarin Baschkle (Nosferatu, The Lighthouse) and director Hiro Murai (Atlanta, Mr and Mrs Smith).In the following interview, recorded ahead of the films screening at the WA Made Film Festival on Saturday 22 February as part of the Saturday Shorts line-up, James talks about his creative journey to becoming a cinematographer, what it means to be able to make films in Western Australia, and a lot more.The line-up for this years WA Made Film Festival is a stellar one, with a huge array of shorts, long shorts, features, documentaries, and a panels galore to keep you up to speed on the ins and outs of the WA film scene. The festival opens with the world premiere of Remotely Famous, directed by Brad Newland. The excitement for that is so high that the screening has already sold out. The energy continues over the weekend with a live Cinema Australia podcast recording with Matthew Eeles and director Zak Hilditch, short film showcases, screenings of award winning films like Genocide in the Wildflower State, world premieres of films like Lint, Christmas Orphans, In Sect, and Highest Treason, while acclaimed films like Jellyfish, Green: The Fight for Rock and Roll, and Everywhere get spotlight screenings.I'm proud to be part of this years festival as I join a panel of excellent WA filmmakers for The Future is Bright: Independent Filmmaker Panel on Saturday 22 February from 11:45am at the City of Perth Library Auditorium. The panel includes Sarah Legg, Tayah Lee-Traub, Steven J. Mihaljevich, Emilie Lowe, Lawrence Murphy, and Oscar Miller, each of whom will be discussing their upcoming feature films which were made completely independently.I'm continually in awe of the work that Jasmine Leivers and Matthew Eeles put into bringing the WA Made Film Festival together. It's a top tier local film festival that reminds audiences that there is a vibrant, active, and downright vital film scene in operation here in Western Australia.For all the details on the festival, and to secure your tickets, visit WAMadeFilmFestival.com.au. Hosted on Acast. See acast.com/privacy for more information.

Cinematographer James Hoare is a recent graduate from Curtin University, where he worked alongside director Christopher Paik-Swan and writer Max Joyce to bring to life their final year short film Don't Talk About the Monster on the Roof, a micro-budget horror short flick inspired by the look of Ozploitation films. It's an impressively taut thriller that is drenched in sweaty tension as a group of mates head off on a road trip up to the Pinnacles, only to find that while on the trip, they each start disappearing one by one after something on the roof of the car rips them away.James' work as the cinematographer saw him utilising LED virtual production technology, alongside drone shots and on location cinematography. He comfortably blends the VFX backgrounds with on location shots, culminating in an effective and creatively engaging short that executes high concept ideas on a student budget.James was also able to present the film at the 2024 CamerImage Festival in Poland as part of their Talent Demo program. At the festival, he was able to present the film and receive detailed feedback from celebrated filmmakers like cinematographer Jarin Baschkle (Nosferatu, The Lighthouse) and director Hiro Murai (Atlanta, Mr and Mrs Smith).In the following interview, recorded ahead of the films screening at the WA Made Film Festival on Saturday 22 February as part of the Saturday Shorts line-up, James talks about his creative journey to becoming a cinematographer, what it means to be able to make films in Western Australia, and a lot more.The line-up for this years WA Made Film Festival is a stellar one, with a huge array of shorts, long shorts, features, documentaries, and a panels galore to keep you up to speed on the ins and outs of the WA film scene. The festival opens with the world premiere of Remotely Famous, directed by Brad Newland. The excitement for that is so high that the screening has already sold out. The energy continues over the weekend with a live Cinema Australia podcast recording with Matthew Eeles and director Zak Hilditch, short film showcases, screenings of award winning films like Genocide in the Wildflower State, world premieres of films like Lint, Christmas Orphans, In Sect, and Highest Treason, while acclaimed films like Jellyfish, Green: The Fight for Rock and Roll, and Everywhere get spotlight screenings.I'm proud to be part of this years festival as I join a panel of excellent WA filmmakers for The Future is Bright: Independent Filmmaker Panel on Saturday 22 February from 11:45am at the City of Perth Library Auditorium. The panel includes Sarah Legg, Tayah Lee-Traub, Steven J. Mihaljevich, Emilie Lowe, Lawrence Murphy, and Oscar Miller, each of whom will be discussing their upcoming feature films which were made completely independently.I'm continually in awe of the work that Jasmine Leivers and Matthew Eeles put into bringing the WA Made Film Festival together. It's a top tier local film festival that reminds audiences that there is a vibrant, active, and downright vital film scene in operation here in Western Australia.For all the details on the festival, and to secure your tickets, visit WAMadeFilmFestival.com.au. Hosted on Acast. See acast.com/privacy for more information.

We're moving away from the Festival for a moment, and bringing you your regular @EchoChamberFP https://www.instagram.com/echochamberfp/ episode!!! Horror seems to be the theme this week, as we have three different offerings from the genre. Mainframe Pictures & Blue Finch Films start things off with an 80's summer camp homage. Tempo Productions & Shudder then bring us a tale steeped in Irish folklore and home invasion. Next is an action adventure sequel from AGBO & Netflix. AND we end on a documentary about a master horror storyteller from Les Films de la Plage & Signature Entertainment. Today we have: She Came From The Woods Watch Review: Here. https://youtu.be/xNhS-NY9cMU FrightFest: 27th August 2022 Theatrical Release Date: 10th February 2023 Tubi Release Date: 10th June 2023 Digital Release Date: 26th June 2023 Director: Erik Bloomquist Cast: Cara Buono, Clare Foley, Spencer List, William Sadler, Michael Park, Tyler Elliot Burke, Adam Weppler, Ehad Berisha, Dan Leahy, Giselle Torres, Sienna Hubert-Ross, Emily Keefe, Erik Bloomquist, Cory Asinofsky Credit: Mainframe Pictures, Blue Finch Films, Tubi Genre: Horror Running Time: 101 min Cert: 15 Trailer: Here. https://youtu.be/SQwQ-bPGYGs Digital Platforms: Amazon, iTunes, Google Play, YouTube Movies ------------ Unwelcome Watch Review: Here. https://youtu.be/xP1JJ2umiu8 Sitges Film Festival: 14th October 2022 Theatrical Release Date: 27th January 2023 Digital Release Date: 23rd June 2023 Director: Jon Wright Cast: Hannah John-Kamen, Douglas Booth, Colm Meaney, Jamie-Lee O'Donnell, Kristian Nairn, Chris Walley, Niamh Cusack, Finbar Lynch, Rick Warden Running Time: 104 min Cert: 15 Trailer: Here. https://youtu.be/vQCAgCKQ5WY Digital Platforms: Amazon, iTunes, Google Play, YouTube Movies, Vudu Watch via Apple TV+: Here. https://tv.apple.com/us/movie/unwelcome/umc.cmc.4f5as77xbd737a2j5q2q4s0mg Watch via Prime Vide: Here. https://www.amazon.com/gp/video/detail/0U7Q8THTQRKJKNFQSAYYMZN226 Watch via Prime Vide UK: Here. https://www.amazon.co.uk/Unwelcome-Hannah-John-Kamen/dp/B0B8T81DQ3/ref=sr_1_1?crid=1G60GV5P41CIF&keywords=unwelcome+2023&qid=1687626859&s=instant-video&sprefix=Unwelcom%2Cinstant-video%2C77&sr=1-1 Website: Here. https://wellgousa.com/films/unwelcome ------------ Extraction 2 Watch Review: Here. https://youtu.be/g-BBExE8VQg Theatrical Release Date: 13th June 2023 Digital Release Date: 16th June 2023 Director: Sam Hargrave Cast: Chris Hemsworth, Golshifteh Farahani, Adam Bessa, Olga Kurylenko, Daniel Bernhardt, Tinatin Dalakishvili, Idris Elba, Andro Japaridze, Miriam Kovziashvili, Marta Kovziashvili, Tornike Gogrichiani, Tornike Bziava, Dato Bakhtadze, Daniel Bernhardt, Levan Saginashvili, George Lasha, Irakli Kvirikadze Running Time: 122 min Cert: 15 Trailer: Here. https://youtu.be/mO0OuR26IZM Watch via Netflix: Here. https://www.netflix.com/browse?jbv=81098494 Website: Here. https://www.netflix.com/tudum/extraction-2 ------------ Stephen King on Screen Watch Review: Here. https://youtu.be/uMCFUoNx64Y Fantastic Fest: 24th September 2022 Digital Release Date: 26th June 2023 Blu-ray Release Date: 18th September Director: Daphné Baiwir Cast: Frank Darabont, Tim Curry, Tom Holland, James Caan, Mike Flanagan, Mick Garris, Mikael Salomon, Craig R Baxley, Taylor Hackford, John Harrison, Scott Hicks, Vincenzo Natali, Mikael Hafstrom, Fritz Kiersch, Andre Ovredal, Peter Askin, Jeff Beesley, Zak Hilditch, JP Scott, James Douglas, Stephen King Running Time: 105 min Cert: 15 Trailer: Here. https://youtu.be/-A3Q5dXRBtM Digital Platforms: Amazon, iTunes, Google Play, YouTube Movies Watch via Apple TV+: Here. https://tv.apple.com/gb/movie/stephen-king-on-screen/umc.cmc.28oppg4u8jyrh2bcxx861f69o Website: Here. https://kingonscreen.com/ ------------ *(Music) 'No One Knows' by Queens of the Stone Age - 2002 --- Send in a voice message: https://podcasters.spotify.com/pod/show/eftv/message

Boy, this episode title's looking like a damn secret code. Join us as we surf a wave of rats out of our first 100 episodes with a discussion of Zak Hilditch's 1922. We dare not spoil whether Slimer is in the movie, but we have no qualms giving you a content warning that Brahms the Boy enters into the conversation. Support us on Patreon and receive a biweekly bonus episode: www.patreon.com/kingmepod Leave us a rating (five stars) and review (nice) on Apple Podcasts: https://podcasts.apple.com/us/podcast/king-me-the-stephen-king-movie-podcast-officially/id1071620322 Follow us on Facebook and Twitter @kingmepod, and on Instagram @king.me.pod

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Hola Gerardo en la casa; Tenemos esta semana la selección de 1922; 1922 es una película de drama de terror del 2017 escrita y dirigida por Zak Hilditch, basada en la novela de 2010 de Stephen King del mismo nombre. Espero que lo disfruten ;)   Información adicional del podcast: Enlace del website official de Filmic Notion Podcast: https://filmicnotionpod.com/ Enlace a nuestra página de Facebook: https://www.facebook.com/fnpod

In this episode we check out Netflix's one hundred and eighty-fourth film, the 2019 crime drama mystery ‘Rattlesnake' directed by Zak Hilditch starring Carmen Ejogo, Theo Rossi and Emma Greenwell.   Please follow us at Flix Forum on Facebook or @flixforum on Twitter and Instagram and answer our question of the week, 'Have you been bitten by a snake?'   You can listen to us on Apple Podcasts, Spotify and Podbean so please subscribe and drop us a review or 5 star rating.    If you're interested in what else we are watching, head on over to our Letterboxd profiles; Jesse  MJ   We also have our own Flix Forum Letterboxd page! Links to all our past episodes and episode ratings can be found there by clicking here.    Next week we have 'American Son', so check out the film before then. You can see the trailer here.   Flix Forum acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Wurundjeri and Bunurong people of the Kulin Nation. We pay our respects to their Elders past, present, emerging and extend that respect to all Aboriginal and Torres Strait Islander cultures. 

Zak Hilditch is an Australian writer and director primarily known for the Netflix hits, Rattlesnake, and 1922, based on the Stephen King novella. Zak's earlier films include Transmission and These Final Hours. Zak is a very exciting director and has a very inspiring origin story, along with some great advice for pitching producers. I took a lot of notes from this conversation and hope you enjoy it. Here are some key takeaways from this conversation with Zak Hilditch. Make your feature 8 shorts in rapid succession. Hopefully, by now, you've read Save the Cat by Blake Snyder, Story by Robert Mckee, and maybe even the Hero with a Thousand Faces by Joseph Cambell. They all feature multiple formulas, etc., but one of the simplest, arguably most elegant ways to approach a feature screenplay is to make 8 12-minute shorts. For a movie to have compelling beats, every twelve minutes should feature a mini-story with a beginning, middle, and end to keep things consistently interesting. Hitchcock was known for doing this; for another example, pay close attention to The Others. Yes, this is formulaic, and yes, it's important to be original, but it's an interesting concept to observe because sometimes you need to know the rules to break them. Prep for your water bottle tour. First of all, a water bottle tour is when typically, your agent or manager sets you up with back to back to back meetings with producers so you can pitch them on yourself and your projects all at once. Each office along the way usually gives you a bottle of water while you wait hence the name, water bottle tour. If you get the chance to do a water bottle tour, make sure to have a full stable of ideas and concepts to pitch everyone you meet. Sometimes these meetings are in the context of a specific project, but this is not the way to approach water bottle tours. Yes, arrive prepared to pitch that project, but know that they may pass on it, in which case, you need backup concepts in your arsenal to tell them about. Having multiple projects enables you to pitch your sensibility as a director because there's always a chance they like you and your taste, but that one project isn't right for them. Having multiple projects makes you way more likely to get a deal since not only do they have more options to choose from as producers, but you get to showcase your sensibility in a much deeper way so that when a project comes across their desk that you're right for, they're more likely to think about you. On water bottle tours, producers meet so many people that they cannot remember most of them, so you need to leave a strong impression of yourself, your work, what you're capable of, and the kind of stuff you want to do. Keep multiple irons in the fire. This point is a natural extension to the previous one and further speaks to the importance of developing multiple projects at once. This is a paradox to the importance of focus, but the name of the game is being versatile and multi-faceted and having multiple things you're pitching at all times because you never know which one will hit or when. Zack spent years pitching one of his projects with little to no interest; meanwhile, his concept for Rattlesnake was instantly greenlit by Netflix. Hollywood is a fickle beast this way, without rhyme, reason, or logic sometimes, and it can drive you insane if you're not prepared for it. The film industry is a current, and rather than fight it; you need to learn to surf it. So get those screenplays ready, and I'll see you in Hollywood! ----- Produced by Simpler Media

This episode finds me in the esteem of another Curtin University alum. In 2012, his short film "Transmission" a tonal companion piece for "These Final Hours" was nominated for Best Film at the 2013 AACTA awards and won Best Screenplay. In 2014 his debut feature These Final Hours [a self-described “movie about the bogan apocalypse] as stated in the Screen Australia Media release dated April 22 2014 had its International premiere at the Directors' Fortnight in Cannes receiving a standing ovation after its screening.And as noted in Cinefestoz.com, "To date he is the first and [still the] only Australian to solely write and direct two exclusively Netflix original films" namely, the 2017 film titled 1922 adapted from the Full Dark, No Stars collection of four novellas by Stephen King, and the follow up original film Rattlesnake released in 2019.Please enjoy this entertaining discussion with Zak Hilditch. See acast.com/privacy for privacy and opt-out information.

Night fifteen takes us to the Netflix original film, 1922. This one is kind of on the bleak and dark side with being primarily a drama with horror elements. While this is not exactly a fun watch, it is a well made film that can definitely get under your skin! Have a listen to night fifteen to find out what I thought about this one!! --- Support this podcast: https://anchor.fm/adamanalyzes/support

Sick Folks of Cinema Ep.22 Stephen King's 1922 (2017) In this week's episode, we venture into 1922 a horror novel turned film written by the horror icon Stephen King. Let's explore the dangers of pride and greed. How dangerous is desperation? Will mankind kill for legacy. Starring actors Thomas Jane and Molly Parker. The film was directed by Zak Hilditch. Storyline: Featuring shades of Edgar Allen Poe's ["A Tell-tale Heart" and] "The Black Cat", 1922, with a Bonny and Clyde sub-plot, based on the Stephen King novella of the same name, centers on a simple but proud farmer, Wilfred James, who, with the reluctant help of his teenage son, murders his wife to gain ownership of her inherited land. Shortly after, however, strange and supernatural occurrences begin to plague both James and his farm. Is it just simple bad luck, or is it the work of something much more sinister? Guest Host: Dan Ochoa: IG @danochoa79 Hosts: Keith Graber: IG @/keithdgraber Stephen Bowman: IG @stephenbowmancomedy Heather Rogue: IG @reallifepretendpsychic Christina Ceballos: IG @ghoulishstina Also, catch us on Youtube. Go like, follow, subscribe & hit that notification bell. Thank you. In this week's episode, we venture into 1922 a horror novel turned film written by the horror icon Stephen King. Let's explore the dangers of pride and greed. How dangerous is desperation? Will mankind kill for legacy. Starring actors Thomas Jane and Molly Parker. The film was directed by Zak Hilditch. Storyline: Featuring shades of Edgar Allen Poe's ["A Tell-tale Heart" and] "The Black Cat", 1922, with a Bonny and Clyde sub-plot, based on the Stephen King novella of the same name, centers on a simple but proud farmer, Wilfred James, who, with the reluctant help of his teenage son, murders his wife to gain ownership of her inherited land. Shortly after, however, strange and supernatural occurrences begin to plague both James and his farm. Is it just simple bad luck, or is it the work of something much more sinister? Guest Host: Dan Ochoa: IG @danochoa79 Hosts: Keith Graber: IG @/keithdgraber Stephen Bowman: IG @stephenbowmancomedy Heather Rogue: IG @reallifepretendpsychic Christina Ceballos: IG @ghoulishstina Also, catch us on Youtube. Go like, follow, subscribe & hit that notification bell. Thank you.

In this weeks episode of The Commentary Cast, we talk to director Zak Hilditch about his film - 1922, adapted from the Stephen King novela of the same name.

Ron West is a co-founder and principal of Thruline Entertainment, a prominent Management and Production company. Thruline manages incredible actors and writers including Oscar Winner Alison Janney, Eric Stonestreet, Michael Cera, Sarah Silverman, Rob Estes, Lindsay Sloane, Annie Mumolo (Bridesmaids), six time Emmy award winner Barry Julien, director Zak Hilditch (1922), and more. Many Thruline clients have been honored with nominations and wins at the Academy Awards, BAFTAs, Golden Globes, the Emmy Awards, Tonys, Writers/Directors/Screen Actors Guild Awards, and The Grammys, to name a few. As a production company, Thruline produced 'The Great' on Hulu (Starring Elle Fanning and Nicholas Hoult), Steven Soderbergh's new Quibi show 'Wireless,' the hit USA dramedy 'Psych,' to name a few. In this episode, we talk about: • Starting in the Mailroom at ICM Agency, including driving around a young Natalie Portman and her mother to different Studios • Becoming an agent after only 1 year and 9 months, followed by VP, Head of Television Talent at ICM (youngest Agency dept head) • Why he decided to create Thruline Entertainment with his partners • What makes a good Agent, why he was good at it, and why he likes being a Manager instead • Why he decided to create Thruline Entertainment with his partnerss being a Manager instead • How much, on average, he devotes to management, administrative, development and reading scripts • How he decides what productions and scripts to work on • How he stood out at ICM • What makes him different as a Manager and then how he attracts the sort of clients that he wants Resources: Website: https://thruline.com/ Trailer for 'The Great' on Hulu: https://www.youtube.com/watch?v=hJGedvRfHYg Trailer for 'Wireless' on Quibi: https://www.looper.com/243703/wireless-trailer-teases-steven-soderberghs-quibi-thriller/ IMDB - https://www.imdb.com/name/nm1930137/?ref_=nv_sr_srsg_1 Host: Instagram: @MentorsontheMic @MichelleSimoneMiller Twitter: @MentorsontheMic @MichelleSimoneM Website: www.michellesimonemiller.com Youtube: https://www.youtube.com/user/24mmichelle

Movies Delight Club (MDC) EP.105 . Back to the Future Part II (Robert Zemeckis, 1989) Indiana Jones and the Last Crusade (Steven Spielberg, 1989) 1922 (Zak Hilditch, 2017) . ขอให้มีความสุขกับการรับชมภาพยนตร์ครับ :) #MoviesDelightClub #InfinityPodcast

Movies Delight Club (MDC) EP.105 . Back to the Future Part II (Robert Zemeckis, 1989) Indiana Jones and the Last Crusade (Steven Spielberg, 1989) 1922 (Zak Hilditch, 2017) . ขอให้มีความสุขกับการรับชมภาพยนตร์ครับ :) #MoviesDelightClub #InfinityPodcast

Hi Friends! This week we watched 1922, released in 2017 and directed by Zak Hilditch. A stubborn farmer in the year 1922 plans to kill his wife to gain her farm land. He convinces his teenage son to assist. Listen with us as we discuss and heavily judge how the main character in this movie slowly ruins his life as we drink a lovely Vintners White! Cheers! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/tipsy-podcast/support

Listen along as we discuss Netflix’s fifty-fourth film, the 2017 horror-drama ‘1922’ directed by Zak Hilditch starring Thomas Jane, Neal McDonough and Molly Parker.   This is our sixth day of PODMAS! As a special gift to our listeners we are releasing an episode every day in the lead up to Christmas! Make sure you subscribe to ensure you don't miss a show.   Please follow us at Flix Forum on Facebook or @flixforum on Twitter and Instagram and answer our question of the day, 'In the end we all get caught. Were you happy with Wilfred’s ending?'   You can listen to us on Apple Podcasts, Spotify and Podbean so please subscribe and drop us a review or 5 star rating.    If you're interested in what else we are watching, head on over to our Letterboxd profiles; MJ Jesse    Tomorrow we look at 'Wheelman' so check out the film before then. You can see the trailer here. 

This week on On Story we’ll hear conversations from two writer/directors from the 26th annual Austin Film Festival. First up, Texas born, Trey Edward Shults, will discuss his emotional new film WAVES, which stars Sterling K. Brown, Taylor Russell and Kevin Harrison, Jr. And later, we’ll hear from Australian filmmaker Zak Hilditch, whose new horror film RATTLESNAKE is streaming now on Netflix. Writer/director Trey Edward Shults’ new film WAVES traces the emotional journey of a suburban African-American family as they navigate love, forgiveness, and coming together in the aftermath of a loss. The film stars Sterling K. Brown, Taylor Russell, and Kelvin Harrison, Jr.. This is Shults’ third feature film; previously he wrote and directed 2015’s KRISHA and 2017’s IT COMES AT NIGHT, which were also released by A24. I spoke with Shults at the 2019 Austin Film Festival after a screening of WAVES. Clips of Waves courtesy of A24. Next up, a conversation with writer/director, Zak Hilditch. Hilditch’s new film RATTLESNAKE, is a psychological horror film about a mother wrestling with the morality of paying a debt to a mysterious woman who saved her daughter’s life. The film is now streaming on Netflix after having it’s world premiere at the Austin Film Festival. Hilditch spoke about writing and directing the project with author and filmmaker Owen Egerton. Clips of Rattlesnake courtesy of Netflix and Campfire. Clips of 1922 courtesy of Netflix and Campfire.

Angourie Rice is an actor whose film credits include Spider-Man: Far From Home and Spider-Man: Homecoming. In 2018 she starred in Every Day from director Michael Sucsy (The Vow, Grey Gardens), adapted from the YA novel by David Levithan, and the period drama Ladies in Black, directed by Bruce Beresford (Driving Miss Daisy, Mao's Last Dancer), for which Angourie won the Australian Academy of Cinema & Television Arts (AACTA) and the Film Critics Circle of Australia awards for best actress. Other recent features include Sofia Coppola's The Beguiled, alongside Nicole Kidman, Colin Farrell, Kristen Dunst and Elle Fanning. She played a leading role in the feature adaptation of Jasper Jones, directed by Rachel Perkins, and starred in The Nice Guys opposite Ryan Gosling and Russell Crowe - from director Shane Black and producer Joel Silver - for which she received uniformly glowing reviews. Australian film work includes Zak Hilditch's These Final Hours, and Nowhere Boys: The Book of Shadows from David Caesar. Angourie's small screen credits include Mako Mermaids, The Doctor Blake Mysteries and The Worst Year of My Life, Again! From a creative family, Angourie began her career in Perth, Western Australia with several short films and national television commercials. She first came to industry attention at just 11 years old with her lead role in Zak Hilditch's short Transmission for which she won a Best Actress award at St Kilda Film Festival.

This week, the Grue-Crew explores a pair of families in dire troubles. The first film this week, PILGRIM from director Marcus Dunstan, follows a family looking to strengthen their bonds during the Thanksgiving holiday with a...unique...reenactment colony of pilgrims. The second film, RATTLESNAKE from director Zak Hilditch, follows a single mother on the run who must make a life-or-death decision to save her daughter. Doc Rotten from Horror News Radio. Jeff Mohr from Decades of Horror: The Classic Era. And Crystal Cleveland, the Livin6Dead6irl from Decades of Horror: 1980s share their thoughts about this week's awesome collection of streaming horror films. Joining the crew this week is Horror News Radio co-host, Dave Dreher! Gruesome Magazine Podcast - Episode 89 PILGRIM - RATTLESNAKE PILGRIM Based on a shocking true story: In an attempt to remind her family of their privilege and help them bond, Ms. Anna Barker invites Pilgrim reenactors to stay with them over Thanksgiving. When the “actors” refuse to break character, the Barker family learns that there is such a thing as too much gratitude. The next installment of Blumhouse's Into the Dark premieres November 1, only on Hulu. IMDb Director: Marcus Dunstan Cast: Kerr Smith, Courtney Henggeler, Reign Edwards Release: Currently available on HULU RATTLESNAKE When a single mother accepts the help of a mysterious woman after her daughter is bitten by a rattlesnake, she finds herself making an unthinkable deal with the devil to repay the stranger. IMDb Director: Zak Hilditch Cast: Carmen Ejogo, Theo Rossi, Emma Greenwell Release: Currently available now on NETFLIX FEEDBACK: feedback@grueosmemagazine.com FOLLOW: Instagram https://www.instagram.com/gruesomemagazine/ Facebook Group: https://www.facebook.com/groups/HorrorNewsRadioOfficial/ Events: https://gruesomemagazine.com/events/list/ Doc, Facebook: https://www.facebook.com/DocRottenHNR Crystal, Facebook: https://www.facebook.com/living6dead6irl Crystal, Instagram: https://www.instagram.com/livin6dead6irl/ Jeff, Facebook: https://www.facebook.com/jeffmohr9 Dave, Facebook: https://www.facebook.com/drehershouseofhorrors Rocky Gray, HNR Theme Song: https://www.facebook.com/OfficialRockyGray

Netflix Original Rattlesnake is closing out the month of October for the platform with solid psychological horror uses the supernatural and morality in the best ways. At the Austin Film Festival, I got a chance to speak with the film's writer-director Zak Hilditch about storytelling, subverting expectations, and how the spirit of Stephen King horror runs through the character driven film.  The film, which debuted at the Austin Film Festival was a blast to watch and from a storytelling perspective, Hilditch gives and in depth explanation about what exactly goes into making a film where audiences will be trying to guess the ending. For him, audiences like to be detectives, they like to call out the ending and in Rattlesnake it was his job to make sure he was throwing them off at every turn. Additionally, it was important that the horror in the film came from an emotional place, from the moral struggle that Katrina is put through. While the story's supernatural elements crafted a lore and world well beyond what we could imagine. 

In this episode, Reed and Nathan discuss new show updates, M. Night Shyamalan's Glass, the first episode of The Haunting of Hill House, and the listener-voted Favorite Horror Films of 2018. They then have a full discussion about Zak Hilditch's film, 1922, adapted from the novella by Stephen King.33:45 - Whatcha Watchin'/Readin'/Listenin' to54:40 - The Haunting of Hill House #tvguideposts1:09:32 - 1922 #netflixandchills #19

Neste episódio arrancamos o ciclo dedicado a Stephen King com dois filmes produzidos o ano passado com a chancela do Netflix: Gerald's Game, realizado por Mike Flanagan, e 1922, realizado por Zak Hilditch.

Episode 315 of The Harold & Maudecast "Punish This Netflix", hosts Sarah Mason and Jake Essoe review the Netflix original Series, The Punisher, Season 1 and the Netflix original movie, 1922. Marvel's The Punisher hit Netflix on November 17th. This live action serial installment of the popular comic book franchise stars Jon Berthal (The Walking Dead), Amber Rose Rivah (Indian Summer), Ebon Moss-Bachrach (Girls) and Ben Barnes (Westworld). Created by Steve Lightfoot (Hannibal, Narcos), the story picks as ex-special ops Frank Castle/The Punisher (Bernthal) tries to pick up the pieces of his tragic life after his wife and two children are brutally murdered. His revenge spawned blood quest to punish everyone responsible is dealt with as flashbacks in Ep 1. The series follows Castle, presumed dead, living low in NY under an alias, Homeland Security Agent Dina Madani pursuing the source of an anonymous source outing the CIA for murdering an innocent Afghan police officer and David Lieberman aka Micro, a former CIA agent and hacker who becomes Frank's unlikely ally. Like the other series in the Marvel Defender's universe (which this will presumably tie into), The Punisher is dark, brooding and filled with a lot of unnecessary drama. If you're looking for all out Punisher action, it's there but, with the exception of the first episode, you'll wait till the last 10 minutes of every episode to get it. That said, Bernthal is fantastic and worth all the bloated dialogue spent attempting to make this a drama. 7.5/10 1922, also now streaming on Netflix, is an adaptation of a Stephen King novella. The film stars Thomas Jane (The Mist, Hung) Molly Parker (Deadwood) and Dylan Schmid (Once Upon a Time), written and directed by Zak Hilditch (These Final Hours). After his wife Arlette (Parker) decides to sell the land they live on bequeathed to her by her father, Wilfred (Jane) conspires to kill her enlisting the help of his son Henry (Schmid). Though it appears they may escape the consequences of the law, Wilfred can not escape the karmic wrath of the spirits that haunt him leading to tragedy for all those around him. This film is dark, really dark, tragic, sometimes scary and at times hard to watch. It's filled with blood, ghosts and gore. Jane gives a career best with this performance--he is almost unrecognizable, completely transformed into a 1920s era farmer. The film has a similar vibe as the 2015 indie horror film, Witch, creepy, dark but also gripping and well written. This too is well written and Zak Hilditch takes Stephen King's story and both captures the grimness of 1920s heartland America yet modernizes it for today's very sophisticated horror fans. It's slow moving, so don't expect a lot of jump scares. This film takes its time making you uncomfortable. Justice 8.5/10 For more movie, tv, game reviews and other podcast episodes visit ww.thehmcnetwork.com

1922 (2017) TV-MA | 1h 42min | Crime, Drama, Horror | 20 October 2017 (USA) A simple yet proud farmer in the year 1922 conspires to murder his wife for financial gain, convincing his teenage son to participate. Director: Zak Hilditch Writers: Stephen King (novel), Zak Hilditch (screenplay) Stars: Thomas Jane, Molly Parker, Dylan Schmid | Stan Against Evil TV-14 | 30min | Comedy, Fantasy, Horror | TV Series (2016– ) An aging police sheriff begrudgingly joins an alliance with a new sheriff, Evie Barret, to battle angry demons haunting their small New Hampshire town. Creator: Dana Gould Stars: John C. McGinley, Janet Varney, Deborah Baker Jr. Star Wars: Rebels TV-Y7 | 22min | Animation, Action, Adventure | TV Series (2014– ) A brave and clever ragtag starship crew stands up against the evil Empire as it tightens its grip on the galaxy and hunts down the last of the Jedi Knights. Creators: Simon Kinberg, Carrie Beck, Dave Filoni Stars: Taylor Gray, Freddie Prinze Jr., Vanessa Marshall 

1922 (2017) TV-MA | 1h 42min | Crime, Drama, Horror | 20 October 2017 (USA) A simple yet proud farmer in the year 1922 conspires to murder his wife for financial gain, convincing his teenage son to participate. Director: Zak Hilditch Writers: Stephen King (novel), Zak Hilditch (screenplay) Stars: Thomas Jane, Molly Parker, Dylan Schmid | Stan Against Evil TV-14 | 30min | Comedy, Fantasy, Horror | TV Series (2016– ) An aging police sheriff begrudgingly joins an alliance with a new sheriff, Evie Barret, to battle angry demons haunting their small New Hampshire town. Creator: Dana Gould Stars: John C. McGinley, Janet Varney, Deborah Baker Jr. Star Wars: Rebels TV-Y7 | 22min | Animation, Action, Adventure | TV Series (2014– ) A brave and clever ragtag starship crew stands up against the evil Empire as it tightens its grip on the galaxy and hunts down the last of the Jedi Knights. Creators: Simon Kinberg, Carrie Beck, Dave Filoni Stars: Taylor Gray, Freddie Prinze Jr., Vanessa Marshall 

In this episode, Tiny and I share our thoughts on Zak Hilditch’s Netflix original adaptation 1922 in a non-spoiler and spoiler review. Timestamps Contest Announcement: 00:01 Show Start - 01:00 King Check-ins - 03:08  1922 (2017) - 10:06 Non-Spoiler - 11:26 Spoilers - 27:19  Closing the Ep - 42:46 Pre-Recorded Outro - 44:14   Related Links Obsessive Viewer - Our weekly movie and TV discussion and review podcast iTunes - Google Play - Stitcher Obsessive Viewer Presents: Anthology - Matt’s solo podcast exploring science fiction anthology storytelling in television’s first golden age starting with The Twilight Zone. iTunes - Google Play - Stitcher The Secular Perspective - Check out Tiny’s side project podcast that explores the concepts of faith, religion and existence from the perspective of secular hosts Chad and Amanda Episode Homepage: http://www.towerjunkiespod.com/009 Tower Junkies Subscribe Apple Podcasts Stitcher Google Podcasts TuneIn Radio RSS Feed Social Media Facebook Twitter Instagram Episodes by Category News – Covering news items related to Stephen King and The Dark Tower Palaver – General discussions about Stephen King and/or The Dark Tower series Khef – Reviews and discussions of books and comics in The Dark Tower series Novel Reviews – Reviews of Stephen King (and related) novels Novella Reviews – Reviews of Stephen King (and related) novellas Short Story Reviews – Reviews of Stephen King (and related) short stories and short story collections Comic Reviews – Reviews of Stephen King (and related) comic books and comic adaptations Movie Reviews – Reviews of Stephen King (and related) movie adaptations TV Reviews – Reviews of Stephen King (and related) TV adaptations Commentary Tracks – Special commentary track recordings that can be listened to while watching the title or simply as a podcast episode Interviews – Interviews with people with special ties to the work of Stephen King Special Eps – Episodes that don’t fit into the other categories; usually announcement episodes pertaining to the podcast itself

Christopher Cross and Dylan Schwan began October with a Stephen King Netflix adaptation and by golly, we're gonna end it with one too. This week we took a look at 1922, written and directed by Zak Hilditch and based on a novella by Stephen King. 1922 stars Thomas Jane contorting his face as much as possible to do an accent that isn't very good, so let that set your expectations for how this review of 1922 went. Dylan caught up on a bunch of television this week, including David Fincher's Mindhunter, as well as the second season of Stranger Things. Meanwhile, Chris suffered through Suburbicon for all of you so you can hear him talk about that. And of course, there are the Blu-rays of the week and the news. Next week, we're very excited to say that we're reviewing a Marvel movie we genuinely think might be great: Thor: Ragnarok. Film Fallout is a weekly podcast about film and television, hosted on BagoGames.com. Every week, Christopher Cross and Dylan Schwan discuss news happening in the industry, blu-ray releases coming out this week, what they’ve been watching, and then a review of one movie. You can listen to it on SoundCloud, iTunes, or on BagoGames. Also follow us on Instagram for some behind-the-scenes magic. We are both on Twitter, if you’d like to follow us there. Chris is @HammerkopCross, Dylan is @DreaminDylanS, and you can follow the podcast @Filmfalloutcast. And finally, there is a Facebook page for the podcast if you’d like to ‘like’ us on that.

The Losers sort through some Needful Tweets, head to Hollywood King, review Zak Hilditch’s 1922, and talk to the filmmaker himself. Chapters include: Intro, Needful Tweets (6:00), Hollywood King (26:00), 1922 Non-Spoiler Review (51:15:00), 1922 Spoilerific Review (1:42:25), Interview with Zak Hilditch (1:53:30), and Outro (2:19:28). Follow us on Facebook | Twitter | Instagram See acast.com/privacy for privacy and opt-out information.

The Losers sort through some Needful Tweets, head to Hollywood King, review Zak Hilditch’s 1922, and talk to the filmmaker himself. Chapters include: Intro, Needful Tweets (6:00), Hollywood King (26:00), 1922 Non-Spoiler Review (51:15:00), 1922 Spoilerific Review (1:42:25), Interview with Zak Hilditch (1:53:30), and Outro (2:19:28). Follow us on Facebook | Twitter | Instagram

Welcome the newest episode of Dark Discussions, your place for the discussion of horror film, fiction, and all that’s fantastic. The party to end all parties. When the end of the world happens, why not go out in a bang. An afternoon all day rave. That's what the new film, These Final Hours, by Australian director/screenwriter Zak Hilditch seems to focus on; a quest by the lead character James (played by genre favorite, Nathan Phillips). He wants to get to this party after a meteor strikes Europe and a ball of fire is only twelve hours away to finish off Australia and the rest of the world. Not post-apocalyptic, but completely apocalyptic. James, a young man, depressed at the fate of himself and mankind, leaves his lover to head to his friend's end of the world party. Drink, drugs, sex ... a place to disappear into pleasure before death. But on his way he saves a young girl from a horrible end and suddenly he's put into a quandary: should he use his last hours alive essentially to pass the time or should he instead do something meaningful. Just maybe his own belief system has given him little choice. Part thriller, part human drama, These Final Hours asks more questions about not only one man's "journey" but essentially the human condition as a whole. Nathan Phillips (Wolf Creek, Chernobyl Diaries, Dying Breed) channels James and his story of the prodigal son and the existential passage to deliverance that ultimately the character seeks. Dark Discussions along with guest host, author Kristi Petersen Schoonover, discuss their thoughts on this intense thriller focusing on the end of the world. As always we welcome your comments: darkdiscussions@aol.com (written email or attached mp3 files) WWW.DARKDISCUSSIONS.COM

Quoi de mieux que 16 films abordés sans spoiler pour en finir avec les mois de mars et avril 2015 dans 24FPS, le podcast ciné (avec ou) sans spoiler ?Alors voici la liste des films abordés par Jérôme et Julien dans cet épisode hors-série : It Follows de David Robert Mitchell (à partir de 0h02m35) The Voices de Marjane Satrapi (à partir de 0h15m20) These Final Hours de Zak Hilditch (à partir de 0h21m40) Big Eyes de Tim Burton (à partir de 0h27m00) Son of a Gun de Julius Avery (à partir de 0h46m45) Selma de Ava DuVernay (à partir de 0h51m30) Still Alice de Richard Glatzer et Wash Westmoreland (à partir de 1h01m25) Hacker de Michael Mann (à partir de 1h10m40) Gunman de Pierre Morel (à partir de 1h27m55) Night Run de Jaume Collet-Serra (à partir de 1h33m45) Divergente 2 : L'Insurrection de Robert Schwentke (à partir de 1h41m45) Diversion de Glenn Ficarra et John Requa (à partir de 1h47m00) Enfant 44 de Daniel Espinosa (à partir de 2h00m45) Indian Palace : Suite royale de John Madden (à partir de 2h15m55) Lost River de Ryan Gosling (à partir de 2h21m25) Inherent Vice de Paul Thomas Anderson (à partir de 2h42m40)Bonne écoute, et n'hésitez pas à nous dire ce que vous avez pensé de Inherent Vice !Crédits musicaux : Ole Man Trouble de Otis Redding, issu de l'album Otis Blue/Otis Redding Sings Soul (1965).

These Final Hours er en grum film, der starter da der vitterligt kun er 12 timer tilbage til verdens undergang, og som handler om folks forskellige — men oftest meget negative — reaktioner på den overhængende apokalypse. Og det fantastiske er at på trods af at historien om dommedag er fortalt masser af gange før i amerikanske film og tv-serier, så fremstår These Final Hours som frisk og dynamisk og ikke mindst dejlig quirky på den dér australske og ikke-Hollywood-agtige måde. These Final Hours udkom på dansk blu-ray fra Another World Entertainment d. 5. marts. Hør mere om filmen i podcasten og læs om blu-rayen på bloggen.

Films discussed on this week's episode: [Ida, 2013, Pawel Pawlikowski] A novice nun and her alcoholic aunt travel through the Polish countryside in search of the remains of the nun's parents, who were murdered during WW2. All this film needs is Mickey Rooney and "a big dubble-ya" and it'd be perfect. [These Final Hours, 2013, Zak Hilditch] What would you do if the world was going to end in twelve hours? Take some drugs? Have some sex? Go some cray? Knowing my luck, I'd probably come down with a cold and miss the whole thing. [Stand By Me, 1986, Rob Reiner] Classic coming-of-age tale about four pubescent lads out to find a dead body and possibly poke it with a stick before saying "Huh. Sure seems dead all right."Hey, do you like our podcast? Why not review or rate it on iTunes? It will help us reach a few more ears, and make us feel all toasty in our heart-parts.

Comme en 2014, Jérôme s'est rendu au Festival International de Film Fantastique de Gérardmer et il vous livre ses impressions sur tous les films vus (à savoir principalement les films en compétition) dans cette émission intégralement sans spoiler !Voici la liste des films abordés : Ex_Machina de Alex Garland (à partir de 0h04m55) Goodnight Mommy de Veronika Franz & Severin Fiala (à partir de 0h15m05) Cub de Jonas Govaerts (à partir de 0h20m25) The Signal de William Eubank (à partir de 0h26m20) The Man In The Orange Jacket de Aik Karapetian (à partir de 0h35m00) Jamie Marks Is Dead de Carter Smith (à partir de 0h41m15) The Voices de Marjane Satrapi (à partir de 0h48m50) It Follows de David Robert Mitchell (à partir de 0h56m30) Réalité de Quentin Dupieux (à partir de 1h04m15) These Final Hours de Zak Hilditch (à partir de 1h09m35) Honeymoon de Leigh Janiak (à partir de 1h15m00) Tusk de Kevin Smith (à partir de 1h19m50)Ainsi que ses impressions sur le palmarès... (à partir de 1h26m10)Bonne écoute, et n'hésitez pas à partager vos impressions si vous avez pu voir certains de ces films !

Zak Hilditch is a Perth based Writer/Director who released his first feature film These Final Hours to much acclaim last year.  On the podcast Zak discusses writing the film, how he obtained funding from ScreenWest and Screen Australia, being introduced to Rob Connolly, alternate endings and how he bounced back from the disappointing Australian box office.

Nathan Phillips, Angourie Rice, Jessica De Gouw, Actors, These Final Hours. Festival Section: Quinzaine des Réalisateurs – Directors’ Fortnight. Fred meets with the actors from THESE FINAL HOURS by Zak Hilditch. Nathan Phillips, Jessica de Gouw and young Angourie Rice talk about their role in the film and how they would spend [...] The post Nathan Phillips, Angourie Rice, Jessica De Gouw – These Final Hours #Cannes2014 appeared first on Fred Film Radio.

Nathan Phillips, Angourie Rice, Jessica De Gouw, Actors, These Final Hours. Festival Section: Quinzaine des Réalisateurs – Directors’ Fortnight. Fred meets with the actors from THESE FINAL HOURS by Zak Hilditch. Nathan Phillips, Jessica de Gouw and young Angourie Rice talk about their role in the film and how they would spend [...] The post Nathan Phillips, Angourie Rice, Jessica De Gouw – These Final Hours #Cannes2014 appeared first on Fred Film Radio.

Nathan Phillips, Angourie Rice, Jessica De Gouw, Actors, These Final Hours. Festival Section: Quinzaine des Réalisateurs – Directors’ Fortnight. Fred meets with the actors from THESE FINAL HOURS by Zak Hilditch. Nathan Phillips, Jessica de Gouw and young Angourie Rice talk about their role in the film and how they would spend [...] The post Nathan Phillips, Angourie Rice, Jessica De Gouw – These Final Hours #Cannes2014 appeared first on Fred Film Radio.

Nathan Phillips, Angourie Rice, Jessica De Gouw, Actors, These Final Hours. Festival Section: Quinzaine des Réalisateurs – Directors’ Fortnight. Fred meets with the actors from THESE FINAL HOURS by Zak Hilditch. Nathan Phillips, Jessica de Gouw and young Angourie Rice talk about their role in the film and how they would spend [...] The post Nathan Phillips, Angourie Rice, Jessica De Gouw – These Final Hours #Cannes2014 appeared first on Fred Film Radio.

Nathan Phillips, Angourie Rice, Jessica De Gouw, Actors, These Final Hours. Festival Section: Quinzaine des Réalisateurs – Directors’ Fortnight. Fred meets with the actors from THESE FINAL HOURS by Zak Hilditch. Nathan Phillips, Jessica de Gouw and young Angourie Rice talk about their role in the film and how they would spend [...] The post Nathan Phillips, Angourie Rice, Jessica De Gouw – These Final Hours #Cannes2014 appeared first on Fred Film Radio.

Nathan Phillips, Angourie Rice, Jessica De Gouw, Actors, These Final Hours. Festival Section: Quinzaine des Réalisateurs – Directors’ Fortnight. Fred meets with the actors from THESE FINAL HOURS by Zak Hilditch. Nathan Phillips, Jessica de Gouw and young Angourie Rice talk about their role in the film and how they would spend [...] The post Nathan Phillips, Angourie Rice, Jessica De Gouw – These Final Hours #Cannes2014 appeared first on Fred Film Radio.

Zak Hilditch – Director – These Final Hours FRED meets Zak Hilditch for his first feature film THESE FINAL HOURS which has been presented in the Directors’ Fortnight section at the 67th edition of Festival de Cannes. These Final Hours takes place during the last day on earth, twelve hours [...] The post Zak Hilditch – These Final Hours #Cannes2014 appeared first on Fred Film Radio.

Zak Hilditch – Director – These Final Hours FRED meets Zak Hilditch for his first feature film THESE FINAL HOURS which has been presented in the Directors’ Fortnight section at the 67th edition of Festival de Cannes. These Final Hours takes place during the last day on earth, twelve hours [...] The post Zak Hilditch – These Final Hours #Cannes2014 appeared first on Fred Film Radio.

Zak Hilditch – Director – These Final Hours FRED meets Zak Hilditch for his first feature film THESE FINAL HOURS which has been presented in the Directors’ Fortnight section at the 67th edition of Festival de Cannes. These Final Hours takes place during the last day on earth, twelve hours [...] The post Zak Hilditch – These Final Hours #Cannes2014 appeared first on Fred Film Radio.

Zak Hilditch – Director – These Final Hours FRED meets Zak Hilditch for his first feature film THESE FINAL HOURS which has been presented in the Directors’ Fortnight section at the 67th edition of Festival de Cannes. These Final Hours takes place during the last day on earth, twelve hours [...] The post Zak Hilditch – These Final Hours #Cannes2014 appeared first on Fred Film Radio.

Zak Hilditch – Director – These Final Hours FRED meets Zak Hilditch for his first feature film THESE FINAL HOURS which has been presented in the Directors’ Fortnight section at the 67th edition of Festival de Cannes. These Final Hours takes place during the last day on earth, twelve hours [...] The post Zak Hilditch – These Final Hours #Cannes2014 appeared first on Fred Film Radio.

Zak Hilditch – Director – These Final Hours FRED meets Zak Hilditch for his first feature film THESE FINAL HOURS which has been presented in the Directors’ Fortnight section at the 67th edition of Festival de Cannes. These Final Hours takes place during the last day on earth, twelve hours [...] The post Zak Hilditch – These Final Hours #Cannes2014 appeared first on Fred Film Radio.

1922 (2017) TV-MA | 1h 42min | Crime, Drama, Horror | 20 October 2017 (USA) A simple yet proud farmer in the year 1922 conspires to murder his wife for financial gain, convincing his teenage son to participate. Director: Zak Hilditch Writers: Stephen King (novel), Zak Hilditch (screenplay) Stars: Thomas Jane, Molly Parker, Dylan Schmid | Stan Against Evil TV-14 | 30min | Comedy, Fantasy, Horror | TV Series (2016– ) An aging police sheriff begrudgingly joins an alliance with a new sheriff, Evie Barret, to battle angry demons haunting their small New Hampshire town. Creator: Dana Gould Stars: John C. McGinley, Janet Varney, Deborah Baker Jr. Star Wars: Rebels TV-Y7 | 22min | Animation, Action, Adventure | TV Series (2014– ) A brave and clever ragtag starship crew stands up against the evil Empire as it tightens its grip on the galaxy and hunts down the last of the Jedi Knights. Creators: Simon Kinberg, Carrie Beck, Dave Filoni Stars: Taylor Gray, Freddie Prinze Jr., Vanessa Marshall