Podcasts about best sound

pWotD Episode 2945: Mission: Impossible (film series) Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 207,672 views on Sunday, 25 May 2025 our article of the day is Mission: Impossible (film series).Mission: Impossible is an American series of action spy films, based on the 1966 TV series created by Bruce Geller. The series is mainly produced by Tom Cruise, who plays Ethan Hunt, an agent of the Impossible Mission Force (IMF). The films have been directed, written, and scored by various filmmakers and crew, while incorporating musical themes from the original series by Lalo Schifrin.Starting in 1996, it follows the missions of the IMF's main field team, under Hunt's leadership, to stop an enemy force and prevent an impending global disaster. The series focuses on Hunt's character, and like the television series' structure, is complemented by an ensemble cast, such as Luther Stickell (played by Ving Rhames) and Benji Dunn (played by Simon Pegg), who have recurring roles.The series has experienced a generally positive reception from critics and audience. It is the 17th-highest-grossing film series of all time, earning over $4.35 billion worldwide, and is often cited as one of the best action franchises to date. The sixth film, subtitled Fallout, was released on July 27, 2018 and is currently the series' highest-grossing entry. The seventh film, Dead Reckoning Part One, was released in July 2023, and an eighth and final film, The Final Reckoning, had its theatrical release in late May 2025. The films are co-produced and released by Paramount Pictures.In 2024, the series received its first Academy Award nominations, with Dead Reckoning Part One being nominated in the categories of Best Visual Effects and Best Sound at the 96th ceremony.This recording reflects the Wikipedia text as of 02:03 UTC on Monday, 26 May 2025.For the full current version of the article, see Mission: Impossible (film series) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Ayanda.

Stu Watts chats with Louis Montgomery, who is a Melbourne based music producer, mix engineer, recording engineer, composer, and musician; working mostly between Canberra, Melbourne, and Sydney. Louis graduated from the ANU with a Bachelor of Music - First Class Honours. In this, Louis specialised in Creative Recording and was awarded the prestigious Bernard Neumann Memorial Prize, The Peter and Lena Karmel Anniversary Award, and The Friends of the School of Music Transition Award. During his studies, he also partook in a number of recording studio internships around Australia, including: Studios 301, Sydney; Sing Sing Studios, Melbourne; Infidel Studios, Canberra; work experience with ABC Classic FM, and assisted Magoo (Dr Lachlan Goold), Brisbane. Over his career his work has amassed 160+ million streams. His work with Callum Henshaw resulted in an Album of the Week on Classic FM; his work with SAFIA resulted in an Album of the Week on Triple J, 5 songs in the Hottest 100, and in 2016 saw the band nominated for an ARIA Award. He has been awarded multiple Gold and Platinum singles, as well as a Gold Certified album. He has worked at Abbey Road Studios, London; Studios 301, Sydney; Sing Sing Studios, Melbourne; Golden Retriever, Sydney; Rolling on the River, Tasmania; and Supersize Recording Studio, Budapest. In 2018 he was part of a team that won Best Sound for Interactive Media at the Australian Screen Sound Guild Awards. In 2022 Louis was nominated for Industry Legend of the Year at the Music ACT Music Awards, in 2024 he produced the Music ACT Music Awards Release of the Year (Flik - Stormchaser), in 2025 he was nominated for MPEG Breakthrough Producer of the Year. Chapters:00:00 Intro02:11 About Louis Montgomery02:32 Early experiences with music08:25 Discussing the education system10:36 Early experiences of sound engineering14:20 Interning and assisting22:39 The importance of extensive demoing25:52 How to navigate when things aren't going right29:22 What is a "great mix"?32:57 A discussion about mix notes37:14 There's no answer for how to create the "perfect" piece of art39:02 What Louis has learnt about business over the years42:45 Networking and relationships45:15 Recording live and to tape52:10 What's coming up for Louis55:01 Best bits of advice for producers/engineers and artists56:41 Conclusion/OutroHow you can support the podcast:Subscribe on YouTubeBuy some merchDonateFollow on Instagram:What's That Sound?Stu WattsLouis MontgomeryLouis Montgomery website⁠⁠⁠⁠⁠⁠Stu Watts website⁠⁠⁠⁠⁠⁠Listen to Louis' work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Stu's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠podcast.whatsthatsound@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 

QOTD: What is the best sound in sports?

For his Top 5 at 5, Jack Fritz shares his favorite sound bites of the past 24 hours.

WWJ auto analyst John McElroy reports an AKG sound system is in the new Cadillac Optiq and it's the best sound you'll hear outside of a recording studio.

Thursday's 9am hour of Mac & Cube saw Wimp Sanderson, former men's basketball coach at Alabama, tell us what's the most difficult part of getting a team ready for the NCAA Tournament, and what Tourney loss still sits with him to this day; then, we debate the best sound in all of sports; and finally, the guys reveal their Final Four teams & national championship predictions for the men's NCAA Tournament. "McElroy & Cubelic In The Morning" airs 7am-10am weekdays on WJOX-94.5!!See omnystudio.com/listener for privacy information.

Been wondering why your favourite songs sound amazing in your car but not as good at home? Good news! You don't need to drop a fortune on fancy equipment to fix it. It's all about smart setup tricks with what you already own. Whether you're blasting playlists from your phone, binging Netflix, or dusting off old CDs, these super simple tips will make your music and movies sound way better. Ready to transform your living room into a mini concert hall? Look for your speakers' sweet spot Ever noticed how moving around at a concert completely changes what you hear? Your home works the same way! Put your speakers at the same height as your ears when you're chilling on the couch. Aim for a triangle shape between you and your speakers. Make sure it is not too close together, not too far apart. Too near a wall? Then your bass gets way too loud. Play your favourite song and push the speakers around until the singer sounds like they're right in front of you, not coming from the kitchen! Tame the musical reflections Think about trying to talk in a bathroom: all that echo makes it hard to understand anything! Your living room does the same thing to your music. Sound bounces off walls and windows, which is horrible for the way the music sounds. Acoustic wall panels are total game-changers here. These panels take up part of the sound, which calms down all those reflections. Put them where sound first hits your walls, and suddenly your music has breathing room. Importance of the dimensions of your room Your room is secretly part of your sound system. Small rooms make bass notes pile up in corners, whereas big, empty rooms can make everything sound like you're in a high school gym. Got a square room? That's actually the trickiest shape for good sound! In that case, the first step is to get panels from Akuwoodpanel. Then, it is time to break up flat surfaces with bookshelves, plants, or comfy furniture helps tons. Even throwing a thick rug on the floor works. Upgrade the material you're listening to Playing low-quality music files is like watching a beautiful movie on a dirty tv screen! Those tiny, compressed files are missing huge chunks of sound. Most streaming services nowadays offer higher quality options in their settings menu. Flip that switch and suddenly you'll hear so much more of the music! Manage all those cables Cables might seem boring, but they're actually the highways that carry the music to your speakers! Of course, you won't need gold-plated cables that cost more than your speakers but checking for loose connections takes two seconds and makes a huge difference. It is always recommended to use shielded cables, because unshielded cables can create interference with other equipment, with low music quality as a result. Sometimes the simplest fixes make the biggest difference! Do the sound modes make music better? All those flashy sound modes on your receiver or streaming app? They're like Instagram filters for your music: sometimes they're cool, but more often, they're too much! Start with everything turned off, that's your clean baseline. Then, play with features one at a time. That bass booster might sound awesome for action movies, but make podcasts sound like they're coming from inside a washing machine. Room correction features can be genuinely helpful but trust your ears above all. If your favourite song sounds better with all the fancy stuff turned off, then off is the right setting! Isolate your speakers Speakers work by vibrating, but those vibrations shouldn't travel through your furniture! When they do, it's like trying to enjoy a quiet conversation on a busy bus. Put something squishy under those speakers, such as a piece of rubber, foam pads, or even those little felt furniture protectors. For bigger floor speakers, make sure they're firmly planted on your carpet or hardwood. These tiny tweaks clean up the overall sound dramatically. Why regular maintenance pays off Your audio gear needs occasional TLC, just like y...

Tonebenders was able to do an episode with every sound team, that has been nominated in the Best Sound category, at this years Oscars. So with the award show only a few days away, this week we are going to take listen to a selection of each interview, to try to get an idea of what was done on each film, to lead to it's nomination. First up we will hear from Paul Massey, Ted Caplan and Don Sylvester from A Complete Unknown. That is followed by Hortense Bailly, Cyril Holtz, Aymeric Devoldère & Carolina Santana from Emilia Perez. Jack Dolman, Nancy Nugent Title & John Marquis speak about their work on Wicked. The only animated film nominated, The Wild Robot, is represented by Gary Rizzo, Brian Chumney, Randy Thom & Leff Lefferts. The final sound team I talk to is from Dune Part 2, with Richard King, Doug Hemphill and Ron Bartlett. What a line up on this episode! Check out Sound Ideas latest library, General Series 6000 Extension 12: www.sound-ideas.com/Product/2459/Ge…00-Extension-12 Episode Notes: https://tonebenderspodcast.com/302-2025-oscar-pool-sound-category-round-up/ Podcast Homepage: www.tonebenderspodcast.com This episode is hosted by Timothy Muirhead

It's an annual tradition to fill out our Oscar ballots together live on the podcast. This Sunday night marks the 97th Academy Awards, and we are joined by special guests Dalton Burdette and Adam Sirdoreus to predict the winner in every category and share our personal picks. Plus, we share the results of our Critics Association of Central Florida award winners.Follow Dalton and Movie Knightshttps://www.youtube.com/@MovieKnightsFollow Adam and Films for Breakfasthttps://filmsforbreakfast.comCACF Special Award Categories:Best Stunt CoordinationBest Hybrid PerformanceBest First FeatureBest Central Florida FilmBest Achievement in DiversityOutstanding Youth PerformanceSocial Impact Award2024 Critics Association of Central Florida (CACF) Award Winnershttps://weboughtamic.net/2025/01/02/2024-critics-association-of-central-florida-cacf-award-winners/Sam Speedy Oscar Ballothttps://samspeedy.com/portfolio/ballotsTimecodes Intro, our Oscars memories - 0:00 This year's Oscar race - 19:19 CACF Special Categories - 31:32 The Shorts - 54:40VFX - 01:03:44 Best Sound - 01:06:52 Production Design - 01:12:30 Makeup and Hairstyling - 01:20:11 Editing - 01:24:42Costume Design - 01:34:13 Cinematography - 01:36:31 Original Song - 01:40:39 Original Score - 01:55:30 Documentary Feature - 02:00:16 Animated Feature - 02:06:51 International Feature - 02:09:55 Adapted and Original Screenplays - 02:14:54 Supporting Actor - 02:21:15 Supporting Actress - 02:24:17 Best Actor - 02:27:40 Best Actress - 02:34:30 Best Director and Best Picture - 2:40:30

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In this episode, the guys share their predictions for the 2025 Oscars. They discuss some movies nominated this year, including a few they haven't seen yet. Each of them has their favorites in certain categories—Luis is rooting for animation, and Drew is excited about Best Sound. Who do you think will win Best Picture? Which movies will win the most Oscars? Let us know your thoughts!

Opening Credits: This week on Live Breathe Film with Doug and Murph...Feature Presentation: Spreading the Oscar Love - While we do agree on who we'd vote for in a majority of categories at this year's Academy Awards (step right up for another funny acceptance speech this season, Kieran Culkin), it was always going to be largely due to our mutual passion for Dune: Part Two and The Wild Robot once the nominations were announced. At the same time we do have a near equal amount of disagreement on each of our imaginary ballots even if it's mostly between winners and runner-ups. And as we each chose to abstain votes where we felt appropriate, there was only one pick where complete shenanigans were involved. It would make plenty of anonymous Academy voters proud!Yet somehow the shenanigans doesn't involve our individual or mutual bitterness with Hans Zimmer being deemed ineligible for his brilliant Dune: Part Two score, Trent Reznor & Atticus Ross being snubbed for their top-tier musical craftsmanship in multiple categories for Challengers, or Marren Morris being ignored for her beautiful song, “Kiss the Sky”, from The Wild Robot, which both captures the emotions of the film during a pivotal scene while complementing the nominated score. Needless to say, Best Sound, Best Original Score, and Best Original Song turned into a long vent session despite playing fair with our votes.End Credits: Please make sure to Like, Follow, and Subscribe to Live Breathe Film! 

Send us a textMonitor speakers are a necessity for most of our recording. But I have always had a problem with the sound of speakers, and I explain why in this episode.Speakers always exist in a space with  boundaries, even outside. Our control rooms tend to be small, and making a small room sound good for performing or listening is a challenge. The monitor speakers and the control room form a system. The acoustics of the room have a big impact on the sound.I also compare the sound of headphones or earbuds with speakers, and provide some advantages and disadvantages of each.And I talk about immersive formats, like Dolby Atmos and the increased requirements for the speakers and the room.email: dwfearn@dwfearn.comwww.youtube.com/c/DWFearnhttps://dwfearn.com/

Forrest, Conan Neutron, and Kristina Oakes are joined by Julia Linger to talk about Wicked Part One!! John M. Chu (Crazy Rich Asians) directs the film adaptation of the 2003 Stephen Schwartz Broadway musical Starring Ariana Grande, Cynthia Erivo, Michelle Yeoh, Jeff Goldblum, Ethan Slater, and Jonathan Bailey. It was nominated for Best Picture, Best Actress, Best Supporting Actress, Best Original Score, Best Production Design, Best Makeup, Best Visual Effects, Best Costume Design, Best Film Editing, and Best Sound. #wicked #wickedmusical #cynthiaerivo #arianagrande #academyawards #academyawards2025 #oscars #bestpicture #bestactress #jeffgoldblum #michelleyeoh #oz #wizardofoz Julia Linger is on all social media @ Anxiousprout and on YouTube @anxiousprout Conan's former Protonic Reversal cohost Brenna has thryoid cancer and is raising money for her treatment, if you can help please donate https://www.gofundme.com/f/support-brennas-fight-against-thyroid-cancer Join our discord: https://discord.gg/ZPejN3ej The Movie Night Extravaganza Patreon helps us keep the show going.. become a Patron and support the show!! https://patreon.com/MovieNightExtra

Today on Art of the Cut we speak with writer/director/editor, Brendan Bellomo of the Oscar-nominated documentary, Porcelain War. The film was nominated for an ASC Award for cinematography for its cinematographer, even though it was his first time using a camera. It won the DGA Award for Outstanding Directorial Achievement in Documentary. It won the PGA Award for Producing, won the Australian Screen Sound Guild Award and the HPA Award for Best Sound, and won the Sundance Grand Jury Prize award.This discussion includes - among other things - determining the structure of the film based on emotion, why color grading needed to be part of the off-line edit, and how the editing pace was determined by the personality of the documentary's subjects. You can read along with this interview and see images including the timeline and clips and trailers on the BorisFX blog at:borisfx.com/blog/aotc

"The Wild Robot" had its world premiere at the 2024 Toronto International Film Festival, where it received enthusiastic reviews for its animation, story, heart, and music. An adaptation of Peter Brown's beloved, award-winning, No. 1 New York Times bestseller, the Dreamworks Animation film has gone on to gross over $300 million worldwide, won more Best Animated Feature prizes than any other film in 2024, including the Critics Choice Award, Annie Award, and Producers Guild Of America Award. And now, it's been nominated for three Academy Awards, including Best Animated Feature, Best Original Score, and Best Sound. Composer Kris Bowers, supervising sound designer Randy Thom, supervising sound editor Brian Chumney, re-recording mixer Gary A. Rizzo, and supervising sound editor Leff Lefferts were all kind enough to spend some time speaking with us about their work on the film's soundscape, which you can listen to below. Please be sure to check out the film, which is now available to stream on Peacock from Universal Pictures and is up for your consideration for this year's Academy Awards for Best Animated Feature, Best Original Score, and Best Sound. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

The Best Sound,Wibes and Experience By Organic House Music

Join the composer, sound editorial team and re-recording mixers of director Chris Sanders emotional animated feature, The Wild Robot. The film has been nominated in both the Best Sound and the Best Score categories at this years Oscars. So we brought together the whole team to talk about how they found the "sonic voice" of the movie. Through unique instrumentation, in parallel with a full orchestra, and sound design that evolves along with the main characters, the sound in The Wild Robot is a driving force behind it's success. Check out Sound Ideas Latest Library Doors Gates & Hatches: https://www.sound-ideas.com/Product/2455/Doors-Gates-and-Hatches-Sound-Effects- Get Tickets to the MPSE Golden Reel Awards Here: https://www.mpse.org Full Details on the Tonebenders Los Angeles Sound Design Meet-up, Presented by The Motion Picture Sound Editors Here: https://tonebenderspodcast.com/tonebenders-sound-design-meet-up/ Episode Notes: https://tonebenderspodcast.com/299-the-wild-robot/ Podcast Homepage: www.tonebenderspodcast.com This episode is hosted by Timothy Muirhead

Dan Wiederer and Mark Grote bring you the latest edition of Listen to This. In this episode, the guys share the best sound from the week in which the Bears hired Ben Johnson as their new head coach. You'll hear from Johnson, general manager Ryan Poles, team president Kevin Warren and quarterback Caleb Williams. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In the fifth episode of the TFS Awards Season Series 2024, Siobhan and Marcelo talks sounds, more specifically, the best in sound, song, and scores in film in 2024. Voting in the 12th Annual Talk Film Society Awards, voted on by you, honoring the best in film in 2024, has begun. Go to this link for the ballot: TalkFilmSoc.com/Vote. The winners will be revealed on February 28th, 2025. Check out our Substack for more: TalkFilmSoc.com/Substack Follow the TFSPod for awards season updates: TalkFilmSoc.com/TFSPod

"Civil War" was released last spring to a positive yet somewhat polarizing reception from critics and audiences as its story drew some controversy while the technical crafts were lauded with praise. The film grossed over $126.2 million worldwide, becoming A24's second-highest-grossing film to date, and has been nominated for the American Cinema Editors Awards and won the British Independent Film Craft Awards for Best Sound and Effects. And now, the film's visual effects have been shortlisted by the Academy's visual effects branch for the 97th Academy Awards. Visual Effects Supervisor David Simpson, Visual Effects On Set Supervisor/Compositing Supervisor Chris Zeh, and CG Supervisor Freddy Salazar were all kind enough to spend some time speaking with us about their work on the film, which you can listen to below. Please be sure to check out the film, which is now available to rent or own from A24 and is up for your consideration in all eligible categories at this year's Academy Awards, including Best Visual Effects. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

"Dune: Part Two" was one of 2024's biggest films critically, financially, and now, awards-wise, as it's on a similar run as the first film was in 2021 through early 2022. "Dune" went on to receive 10 Oscar nominations and six wins: Best Cinematography, Best Film Editing, Best Production Design, Best Original Score, Best Sound, and Best Visual Effects. The second film impressively ups the scale, delivering one of the grandest big-screen achievements audiences have experienced in their lifetimes, and we're proud to have many members of the crew here to dive back into the sands of Arrakis with us as Oscar voting gets underway for the 97th Academy Awards. First, we have my interview with Academy Award-nominated Director, Co-Writer and Producer Denis Villeneuve, followed by Brendan Hodges's conversation with Academy Award-winning Cinematographer Greig Fraser, then we have Giovanni Lago's interview with Academy Award-winning Costume Designer Jacqueline West, then we have Dan Bayer's interview with Academy Award-winning Production Designer Patrice Vermette and Set Decorator Shane Vieau, followed by my interviews with Academy Award-winning Film Editor Joe Walker, Academy-Award winning sound team consisting of Supervising Sound Editor & Sound Designer Richard King, and Re-Recording Mixers Ron Bartlett and Doug Hemphill, and then we end on my conversation with Academy Award-winning Visual Effects Supervisor Paul Lambert. Please be sure to check out the film, which is now available to rent digitally from Warner Bros. Pictures or stream on HBO Max and is up for your consideration for this year's Academy Awards in all eligible categories. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Academy Award®-winning filmmaker Sir Steve McQueen joins us to discuss his latest feature, “Blitz,” alongside his acclaimed sound team. The film, which explores the harrowing experience of the London Blitz during World War II, is shortlisted for Best Sound at the upcoming Academy Awards. In this episode, McQueen and his team take a deep dive into the process of creating a visceral, immersive soundtrack that captures both the chaos and quiet moments of survival, all presented in stunning Dolby Atmos®. And the film starts off with a literal bang, all designed to plunge the audience directly into the horrors of this place and time.“The backbone of [films], for me as a filmmaker, is sound. It's always been sound. Sound is much more important to me than images in some ways. Because when you hear something, you feel the weight of it. When you hear something, you sort of even smell it… Images, yes, they illustrate. But they don't tell you about the size and the mass of things. And that's what we wanted to jump in with two feet with, immediately. With that terror.”—Sir Steve McQueen, Director, Producer, Screenwriter, “Blitz”Joining today's conversation: - Sir Steve McQueen – Director, Producer, and Screenwriter - Paul Cotterell – Re-Recording Mixer and Supervising Sound Editor - James Harrison – Re-Recording Mixer and Supervising Sound Editor - John Casali – Academy Award®-winning Production Sound MixerBe sure to check out “Blitz,” now streaming on AppleTV+ in Dolby Vision® and Dolby Atmos®.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Mark Grote brings the best sound from Caleb Williams, Jaylon Johnson full 1365 Thu, 02 Jan 2025 15:18:55 +0000 B4RB3E719TYi5dHfig2WcahmIYohG73R nfl,chicago bears,sports Mully & Haugh Show nfl,chicago bears,sports Mark Grote brings the best sound from Caleb Williams, Jaylon Johnson Mike Mulligan and David Haugh lead you into your work day by discussing the biggest sports storylines in Chicago and beyond. Along with breaking down the latest on the Bears, Blackhawks, Bulls, Cubs and White Sox, Mully & Haugh routinely interview the top beat writers in the city as well as team executives, coaches and players. Recurring guests include Bears receiver DJ Moore, Tribune reporter Brad Biggs, former Bears coach Dave Wannstedt, Pro Football Talk founder Mike Florio, Cubs president of baseball operations Jed Hoyer and Cubs pitching coach Tommy Hottovy.Catch the Mully & Haugh Show live Monday through Friday (5 a.m.- 10 a.m. CT) on 670 The Score, the exclusive audio home of the Cubs and the Bulls, or on the Audacy app. For more, follow the show on X @mullyhaugh. 2024 © 2021 Audacy, Inc. Sports False https://player.amperwave

It's time for another edition of Listen to This! Dan Wiederer and producer Adam Studzinski bring you the best Bears-related sound they heard this week. On this episode, we hear from cornerback Jaylon Johnson, interim head coach Thomas Brown, Jets quarterback Aaron Rodgers and draft analyst Daniel Jeremiah. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

With his feature documentary debut In the Trenches: The Making of Before Dawn, Benjamin Scotford has made a rare achievement within the Australian film industry: a behind the scenes documentary which follows the muddy and tough production of Before Dawn, Jordan Prince Wright's equally rare achievement, an indie war flick shot in the remote West Aussie landscape. Benjamin dives into the ditches of this WW1 epic, taking audiences behind the scenes for the highs, the lows, and the difficulties that the production faces with pulling off the impossible on a micro-budget.Benjamin is given unparalleled access to the production, capturing honest and open discussions from cast and crew that shows off the strength that it took to bring Before Dawn to life. From freezing cold rain to escaping sheep to earthquake level explosions, In the Trenches captures it all.In the following discussion, Benjamin talks about his entry point into documentary filmmaking, how working as a wedding videographer and on corporate gigs with local legends like Tony Galati aka the Spud King informed his guerilla style filmmaking, and the kinds of behind the scenes docos that inspired his work.In the Trenches is currently available on Bluray and DVD via CaptureBehindTheScenes.com.au.For those who are also keen to check out Before Dawn, head over to Umbrella Entertainment where you can buy it on physical media, or to Netflix where it's available to stream. Before Dawn recently took home the award for Best Sound at the WA Screen Culture Awards, where the film also received nominations for Narrative Feature Film with budget over $1m, Best Cinematography or Visualisation, Best Performance for Myles Pollard, and Best Original Music. Hosted on Acast. See acast.com/privacy for more information.

With his feature documentary debut In the Trenches: The Making of Before Dawn, Benjamin Scotford has made a rare achievement within the Australian film industry: a behind the scenes documentary which follows the muddy and tough production of Before Dawn, Jordan Prince Wright's equally rare achievement, an indie war flick shot in the remote West Aussie landscape. Benjamin dives into the ditches of this WW1 epic, taking audiences behind the scenes for the highs, the lows, and the difficulties that the production faces with pulling off the impossible on a micro-budget.Benjamin is given unparalleled access to the production, capturing honest and open discussions from cast and crew that shows off the strength that it took to bring Before Dawn to life. From freezing cold rain to escaping sheep to earthquake level explosions, In the Trenches captures it all.In the following discussion, Benjamin talks about his entry point into documentary filmmaking, how working as a wedding videographer and on corporate gigs with local legends like Tony Galati aka the Spud King informed his guerilla style filmmaking, and the kinds of behind the scenes docos that inspired his work.In the Trenches is currently available on Bluray and DVD via CaptureBehindTheScenes.com.au.For those who are also keen to check out Before Dawn, head over to Umbrella Entertainment where you can buy it on physical media, or to Netflix where it's available to stream. Before Dawn recently took home the award for Best Sound at the WA Screen Culture Awards, where the film also received nominations for Narrative Feature Film with budget over $1m, Best Cinematography or Visualisation, Best Performance for Myles Pollard, and Best Original Music. Hosted on Acast. See acast.com/privacy for more information.

Dan Wiederer and Mark Grote conduct our weekly Listen to This segment, where we bring you the best Bears-related sound we heard during the week. In this episode, the guys hear from receiver Keenan Allen, tight end Marcedes Lewis, passing game coordinator Thomas Brown and quarterback Caleb Williams. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Re-recording mixer Riccardo Gruppuso reflects on working with some of the most influential Italian film directors, winning the David di Donatello for Best Sound for Ennio, and his relationship with Genelec studio monitors.

In another edition of our Listen to This feature, Dan Wiederer and Mark Grote bring you the best sound we heard during the lead-up to the Bears-Commanders game Sunday. In this episode, you'll hear from Bears cornerback Jaylon Johnson, quarterback Caleb Williams' high school coach Randy Trivers, Yahoo Sports analyst Nate Tice and Bears receiver DJ Moore. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

You'll quickly learn why bringing this conversation with the legendary Willie D. Burton to you is such an incredible honor. History-making, Willie's the first Black person to ever win an Academy Award for Best Sound. It was for 1988's Bird, a biopic about the life of jazz musician Charlie Parker. In 2006, he won a second Academy Award for Dreamgirls, joining an elite club of African Americans in Hollywood who are multiple Oscar Award winners. We talk about how, at an early age, walking past a radio station ignited an interest in audio after he took a peek inside. Truly immersing himself in electronics through a school program, he graduated high school. Leaving his hometown of Tuscaloosa, Alabama with $50 in his pocket, he relocated to Long Beach, California, later becoming a sonar technician in the Navy. About three years later, he began to pursue a career in audio. After amassing some work experience in sound, Willie shares a truly remarkable story about the time Sydney Poitier took a big chance on him for what would become Willie's first time working on a feature without having any prior feature credits to his name. Now, having worked on over 140 film and television projects, Willie's earned a total of 8 Academy Award nominations. They include The Shawshank Redemption, The Green Mile and most recently, Oppenheimer. Willie's stories about working on the epic Oppenheimer movie with director Christopher Nolan provide a unique insight into their collaboration and technological approach to sound. Willie shares some great advice as well as his thoughts on the ever-evolving film industry and the power of following one's intuition in choosing projects. His latest, Captain America: Brave New World, premieres in 2025. --- Support this podcast: https://podcasters.spotify.com/pod/show/postinblack/support

In a new weekly feature episode, Adam Studzinski and Dan Wiederer bring you the best Bears-related sound from the week! The guys play the sound for you and react to what they heard. This week, we hear from Bears cornerback Jaylon Johnson, linebacker T.J. Edwards, defensive coordinator Eric Washington and Fox Sports analyst Mark Sanchez. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Welcome back to Silver Screen Social, listeners! I am your host Jackson Vickery. On this episode, I spoke to composers John Gürtler and Jan Miserre about their work on “The Outrun”.  John Gürtler and Jan Miserre, both born in 1981, are award-winning composers known for their collaborative work in film music, particularly in international co-productions. John Gürtler, a London-born, Berlin-based multi-instrumentalist, is recognized for his ability to create diverse and emotionally resonant scores. He has received awards such as the European Film Award for his work on Nora Fingscheidt's “System Crasher” and the German Film Award for Best Sound for “No One's With the Calves.” His other notable projects include “A Mouthful of Air,” the Netflix series “Dig Deeper,” and “A Pure Place,” which won the German Film Critics Award for Best Score. Gürtler has also been acclaimed for his work on “Space Dogs” and “System Crasher,” the latter earning him the European Original Score 2019.Gürtler's collaborations span artists like Berghain resident Efdemin, Thomas Bloch, and the Film Orchestra Babelsberg. Additionally, he's dedicated to fostering new talent through his teaching at film schools across Germany. Jan Miserre, from Erlangen, Bavaria, was influenced by his jazz saxophonist father and began playing piano at age four and drums at twelve. He studied Jazz Piano at the University of Arts in Berlin and has toured internationally, working with artists such as Till Brönner and Curtis Stigers. Miserre has received several awards, including the GEMA Musik Author's Prize for New Talent and the German Documentary Music Award. In 2022, he and Gürtler won Best Score from the German Film Critics Association for “A Pure Place.”  Together, Gürtler and Miserre focus on international co-productions, often working on projects from their base in Berlin. They frequently travel to other countries or invite musicians from around the globe to collaborate with them in Berlin. Their diverse backgrounds and collaborative energy create compelling scores for film and television, earning them widespread acclaim and numerous awards. MORE ABOUT THE OUTRUN: A vivid and unflinching adaptation of Amy Liptrot's wrenching personal memoir of addiction, powered by an extraordinary central performance from Saoirse Ronan. Addicted to hedonism, drink and drugs, a young woman must wrestle with recovery in the remote islands of Orkney whilst reckoning with her complex family history. Powered by a pounding soundtrack, a kinetic visual style and intricate narrative structure, this extraordinarily moving film is redemptive, cathartic and utterly riveting.

Steiny & Guru end the week with one final look at the 49ers vs. Patriots, Oakland Coliseum send off, and Steiny's post BDAY glow! Plus, Gamble of the Week, Best Sound of Bill Belichick, and an interesting conversation about Surf & Turf.

When it comes to films that have left a lasting mark on the horror genre, few can rival the terrifying power of The Exorcist (1973). Directed by William Friedkin and adapted from William Peter Blatty's 1971 novel, The Exorcist shattered boundaries with its unflinching portrayal of demonic possession and the battle between good and evil. Released in December 1973, the film captivated audiences and sparked controversy for its graphic content and shocking themes. This review will explore why The Exorcist (1973) remains a pinnacle of horror cinema, from its groundbreaking storytelling to its cultural and cinematic significance.A Simple Story Elevated by Complex ThemesAt its core, The Exorcist (1973) tells a simple yet profoundly disturbing story. It revolves around the possession of a young girl, Regan MacNeil (played by Linda Blair), and the desperate efforts of her mother, Chris (Ellen Burstyn), to save her. The family's only hope rests with two priests, Father Karras (Jason Miller) and the seasoned exorcist, Father Merrin (Max von Sydow). While the premise seems straightforward—a child in peril, religious figures battling a supernatural force—the film digs deeper into themes of faith, guilt, and the fragility of human existence.One of the key elements that makes The Exorcist so unsettling is its exploration of faith, or rather, the loss of it. Father Karras is a man wracked by doubt. He's a priest who has lost his mother, a psychiatrist struggling to reconcile his beliefs with the suffering he sees in the world. His personal crisis mirrors the larger question the film asks: what do we do when confronted with something truly evil? This is the tension at the heart of The Exorcist, elevating the film from mere shock value to something far more existential and terrifying.Unforgettable PerformancesThe performances in The Exorcist (1973) are nothing short of iconic, particularly that of Linda Blair as the possessed Regan. Blair's transformation from a sweet, innocent child to a terrifying vessel for a demon is astonishing. It's a performance that pushes the limits of what was previously expected from child actors, and it's still regarded as one of the most chilling portrayals in horror history. Her physical and emotional range—enhanced by the groundbreaking makeup effects of Dick Smith—leaves a lasting impact. Every contorted expression every guttural sound that emerges from her during the possession sequences is haunting.Ellen Burstyn's portrayal of a desperate mother is equally powerful. Chris MacNeil's descent from a successful actress to a mother on the verge of breakdown is heart-wrenching. The film builds up her growing terror and helplessness as Regan worsens, creating a harrowing portrait of maternal despair.Jason Miller's conflicted Father Karras is a revelation. His nuanced performance of a man wrestling with his faith adds emotional depth to the film's supernatural elements. Meanwhile, Max von Sydow's Father Merrin is the stoic, wise counterpoint to Karras' inner turmoil. Although Merrin's character is more of a traditional hero, von Sydow brings gravitas and world-weariness to the role, making the final confrontation all the more gripping.Pushing the Boundaries of Special EffectsIn 1973, audiences had never seen anything quite like The Exorcist. The special effects, many of which were practical, broke new ground in horror filmmaking. From Regan's spider-walk down the stairs to the levitation scenes, the film's visual shocks have become legendary. The makeup that transforms Blair's face into something grotesque, the vomit spewing, the rotating head—these effects still hold up today and remain unsettling even in a world where digital effects dominate.But it's not just the visual effects that make The Exorcist so memorable. The sound design plays a crucial role in heightening the terror. The eerie soundscape, from the unnatural voices Regan speaks to, to the house's creaking, creates a sensory overload that gets under your skin. And who could forget Mike Oldfield's Tubular Bells? While not initially composed for the film, the track has become synonymous with The Exorcist, its hypnotic rhythm forever tied to the creeping sense of dread the movie invokes.Cultural Impact and ControversyThe release of The Exorcist (1973) sparked widespread debate and controversy. Audiences were reportedly fainting, vomiting, and fleeing theatres in panic due to the intensity of the film. In fact, the film was banned in several countries and faced resistance from religious groups who considered it blasphemous. The stark depiction of exorcism and the visceral horrors it presented hit a nerve with the public. It challenged not just what could be shown on screen but how far filmmakers could push the boundaries of audience tolerance.Despite—or perhaps because of—its controversy, The Exorcist was a massive commercial success. It became the first horror film nominated for Best Picture at the Academy Awards, ultimately taking home two Oscars for Best Adapted Screenplay and Best Sound. More importantly, it shifted the landscape of horror cinema. The film proved that horror could be more than just campy monster flicks or psychological thrillers; it could be raw, visceral, and deeply disturbing. It opened the door for a more sophisticated brand of horror, one that wasn't afraid to tackle profound themes alongside graphic imagery.Enduring LegacyWhat makes The Exorcist (1973) endure over fifty years later is not just its capacity to shock but its ability to ask timeless questions. The film doesn't merely present a battle between good and evil; it challenges viewers to confront their own beliefs about the nature of evil, faith, and redemption. This is why The Exorcist still resonates with audiences today—it forces us to consider the fragility of the human condition and the possibility that something incomprehensible, something truly terrifying, may lurk in the shadows.Moreover, The Exorcist set the bar for future horror films, influencing a generation of filmmakers. Its blend of psychological depth, religious horror, and disturbing imagery can be seen in countless horror classics that followed, from The Omen to Hereditary. The film also left its mark on pop culture, referencing Regan's possession and the infamous exorcism scenes becoming staples in parody, tribute, and analysis.Final ThoughtsThe Exorcist (1973) remains one of the most important and influential films in horror history. Its stellar performances, groundbreaking special effects, and thought-provoking themes make it more than just a scary movie—it's a cinematic experience that forces audiences to confront their deepest fears. Whether you've seen it once or a dozen times, The Exorcist never loses its power to horrify, disturb, and provoke. As a film that redefined the genre and pushed cinematic and cultural boundaries, it stands as a testament to what horror can achieve when it's done right.Please follow the Podcast and join our community at https://linktr.ee/borntowatchpodcasthttps://www.borntowatch.com.au/

In this edition Julian & Ashea are joined by Miles Fulwider,  Producer, Engineer & Educator working extensively in Immersive formats and CEO of ADK Microphones. where they discuss how to take the simplistic, ‘less is more' approach by capturing the best sound at source.  Talking Points:You can't polish a ****, why capturing the best sound in the recording process will make your life easier.Mic and recording techniques for a ‘Grammy' worthy sound. The only gear you'll ever need. If we could only use a handful of tools for the rest of our careers, what would they be and whyHow might these approaches and philosophies apply to audio education?Applications in immersive audio (such as off-axis freq response). Finds of the week:Julian: AirsoundAshea:Charli XCX Album- BratMiles: Maag PreQ2

Ronnie Adams and Mark Radulich present our Twister 1996 Movie Review!Twister is a 1996 American disaster thriller film directed by Jan de Bont and written by Michael Crichton and Anne-Marie Martin. It was produced by Crichton, Kathleen Kennedy, and Ian Bryce, with Steven Spielberg, Walter Parkes, Laurie MacDonald, and Gerald R. Molen serving as executive producers. The film stars an ensemble cast that includes Helen Hunt, Bill Paxton, Jami Gertz, Cary Elwes, Philip Seymour Hoffman, Alan Ruck, and Todd Field as a group of amateur but spirited storm chasers trying to deploy a tornado research device during a severe outbreak in Oklahoma. Twister was released in theaters on May 10, 1996. It is notable for being among the first films to be released on DVD in the United States.Twister grossed $495 million worldwide and became the second-highest-grossing film of 1996; it sold an estimated 54.7 million tickets in the United States. It received generally positive reviews from critics and received Academy Award nominations for Best Visual Effects and Best Sound. A standalone sequel, Twisters, is scheduled to be released on July 19, 2024.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Ep259-Art Bell-Best Sound Clips

5-28 Tolbert & Crowley Hour 4: Bill Walton's Best Sound Bites See omnystudio.com/listener for privacy information.

In this episode of the SoundBites podcast, host Dave Fabry compiles answers from various guests to three personal questions about hearing. The first question asks what sound the guests would miss the most if they couldn't hear their best. Answers range from the sound of heels clicking on tile to children's laughter and the music of family. The second question asks for memorable moments or events where sound played a key role, with responses including performing on stage, hearing the bugling of an elk, and the sound of birds in the morning. The final question asks about the guests' least favorite sound, with answers including people brushing their teeth, a child's shriek, and the screeching of subway wheels. The episode also promotes Starkey's Best Sound Ever contest, where people can vote for the best sound in the world.

Oscars 2024 recap, Mr. Skin's Anatomy Awards, Nancy Mace v. George Stephanopoulos, North West solo album, and a very entitled cop cam. Nobody cares about Kate Middleton's photo. She doesn't have a real job. Meghan Markle spoke at SXSW to repeat the same story she tells over and over and over. Kim Kardashian & Kanye's kid, North West is dropping a solo album. Kanye keeps selling out arena. Guess Model Zita Vass wants to use the n-word at concerts. Celebrities love starting schools either for the money or the write off. Kanye is relaunching the Donda Academy. The Academy Awards were live last night. Robert Downey Jr. took some shots. Jimmy Kimmel and Donald Trump sparred on TV. Killers of the Flower Moon's Lily Gladstone was ROBBED! Oppenheimer cleaned up, except for Best Sound. Pamela Anderson partied after hours with her kid. Wolfgang Van Halen performed with Slash and Ryan Gosling. Kate Beckinsale always wants attention. Damian Hurley and his mom have a closer relationship than you and your mom. Mr. Skin joins us to promote the 25th Annual Nude Anatomy Awards! Music: Bruce Springsteen and John Mellencamp collab live, but Bruce isn't allowed to have a guitar. Ace Frehley has hit the charts Here is David Bowie Footstompin'. Sting is coming to town. Joe Rogan had a guest that murdered and dismembered a guy. Truman Capote drank a lot. Sports: Jim Nantz received a ball-washing from Houston. Michigan lost their last game, but Juwan Howard thinks he's coming back. Xavier Worthy's mom is hot. Detroit Piston's GM Troy Weaver and a fan went back and forth. We watch an amazing cop cam with an entitled lady that has amazing drunk stamina. George Stephanopoulos vs Nancy Mace. Fox 2's Rob Wolchek makes Crazy Clips. WATP Karl joins us tomorrow. Final Poll Results: Scott Disick… NOT hot. Visit Our Presenting Sponsor Hall Financial – Michigan's highest rated mortgage company If you'd like to help support the show… consider subscribing to our YouTube Page, Facebook, Instagram and Twitter (Drew and Mike Show, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

'Oppenheimer' (written and directed by Christopher Nolan) stars Cillian Murphy, Emily Blunt, Robert Downey Jr. and many more Hollywood stars. It is the heavy favorite to win Best Picture at the Oscars and is nominated for a total of 13 academy awards: Best Picture, Best Director, Best Actor - Cillian Murphy, Best Supporting Actor - Robert Downey Jr., Best Supporting Actress - Emily Blunt, Best Adapted Screenplay, Best Cinematography, Best Costume Design, Best Film Editing, Best Makeup and Hairstyling, Best Original Score - Ludwig Göransson, Best Production Design and Best Sound.

'The Zone of Interest' is a Holocaust drama about a Nazi commandant's family living next to the Auschwitz concentration camp. Though the death that surrounds this idyllic home is not shown, frequent reminders of the atrocities juxtaposed with the family's cold demeanor make for a squeamish one hour and 45 minutes. “The Zone of Interest” carries a 93 on Rotten Tomatoes with an audience score of 78.  It is nominated for five Academy Awards: Best Picture, Best Director - Jonathan Glazer, Best Adapted Screenplay - Jonathan Glazer, Best International Feature Film, Best Sound 

“Maestro,” from director Bradley Cooper, is a biopic of Leonard Bernstein. It stars Bradley Cooper and Carey Mulligan and is the first time a movie has ever been about the life of a musician. With a 79, it has the lowest Rotten Tomatoes score of any of the Best Picture noms and also carries an audience score of 59. “Maestro” runs two hours and nine minutes.  It is nominated for seven Academy Awards: Best Picture, Best Actor - Bradley Cooper, Best Actress - Carey Mulligan, Best Original Screenplay - Bradley Cooper and Josh Singer, Best Cinematography, Best Makeup and Hairstyling and Best Sound.