Podcasts about Excelsior

Play Episode Listen Later Jun 17, 2026 5:51

Se puede perder la cabeza por Sidney Sweeney... pero en su próxima película es que puede ser LITERAL.-CINE: The Last House, Heart of the Beast-SECUELAS: El Exorcista, Shrek 5-SERIES-CÓMICS: The Batman part IIY os recuerdo que este viernes tenéis una nueva entrega de EXCELSIOR, mi podcast de literatura y cómics, cortesía de LETRAS AL MARGEN (podéis seguir a Mónica Pelluz en Instagram, TikTok y YouTube). En EXCELSIOR esta semana os hablo de: MIS LECTURAS VERANIEGAS JUVENILES DE CÓMICS (Mis inicios en la lectura, parte VI)Podéis contactar conmigo en X (@antoniorentero)

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Live With CDP Talk Show: Guest Denise Isaac, Freelance Bilingual Meteorologist, Season #14, Episode #6, June 15th, 2026

Live With CDP Podcast

Play Episode Listen Later Jun 15, 2026 73:38

Denise Isaac works with businesses and organizations to communicate effectively and passionately with a range of audiences.In the little and culturally diverse nation of Panama, I started my journey in a small but significant town called Colon. It is where my fixation with the weather and my love of meteorology both started. I'm one of those individuals that enjoy watching thunderstorms and hurricanes.My passion for weather and meteorology led me to my first job with a Telemundo station in Washington, D.C. From there, my career developed and took me to Excelsior, Minnesota with WeatherNation, then to Telemundo Miami where I was able to serve as the main meteorologist for the popular national program "Un Nuevo Dia." I was able to earn my first National Emmy thanks to that chanceI ended up working for ABC in Detroit, MI, after six years in South Florida, and then with the triopoly of NBC, NECN, and Telemundo Nueva Inglaterra in Boston, MA. After 15 years in local and national television, I decided to step away from the full-time hustle and bustle of TV to take care of my daughters to find a balance between work and life. My current goal is to assist others to communicate and inspire them to take action.#deniseisaac #billingualmeteorologist #socialmediainfluencer #chrispomay #livewithcdptalkshow #barrycullenchevrolet https://www.deniseisaacwh.com/https://x.com/DeniseWX / deniseisaacwx https://beacons.ai/chrisdpomayhttps://www.cameo.com/chrispomay book a personalized video message from yours truly CDP! https://www.paypal.com/paypalme/chris... if you wish to support my media content on my You Tube Channel. https://podcasts.apple.com/ca/podcast...https://www.barrycullen.com/

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Gabbing About Good Times: Liam v Jim Keoghan

The Jim Hill Media Podcast Network

Play Episode Listen Later Jun 12, 2026 60:21

Back in August 2024, Liam caught up with top blue and writer Jim Keoghan.The pair discussed 96/97, the late 90's at large and the wider implications on the Toffees to this very day.The duo talk Joe Royle, Peter Johnson, transfers, the lot. And apparently, if Liam's slip of the tongue is correct, we signed Foster not Oster the following summer...Thanks to Sean Ponzini, Gary Lunt and Niall O'Donnell for their contributions to this episode, which is in association with The Excelsior. Learn more about your ad choices. Visit podcastchoices.com/adchoices

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A Doomsday Coffee Shop, Spider-Man Sightings, and Star Wars Variety Shows for the Entire Family (Ep. 19)

Play Episode Listen Later Jun 11, 2026 51:41

Jim Hill and Dan Graney talk about the latest, highly caffeinated Doomsday advertising stunt, and a certain friendly neighborhood Spider-Man makes his way to a neighborhood across the pond - what exactly is he doing there? Then take a trip down memory lane as they talk about the advertising genius that put Richard Pryor into Star Wars! Or more aptly, put Star Wars into everyone's favorite 70's variety shows. NEWS • Jim and Dan discuss the surprise pop-up “green” coffee shop which may or may not have held some hidden Doomsday clues in the menu • Spider-Man was recently spotted in London suspiciously filming something at the same time the Russo Brothers are in town, and with Brand New Day coming in July, the guys wonder if this is another Shawarma-style tag or maybe setting the scene for Spider-Man in Doomsday • Stan Lee is back, Excelsior! Only, is that such a good thing? ElevenLabs thinks so, and they're betting you want him to read you a bedtime story • Darth Vader arrives on Batuu in the new Marvel Comics series Echoes of the Empire, and the Disney folks are finally getting that sweet, sweet corporate synergy between Lucasfilm, Marvel, and the parks FEATURE • Jim and Dan talk about the “Yes, they really did that.” Star Wars television variety show appearances and of course, the much maligned and strangely beloved Star Wars Christmas Special HOSTS • Jim Hill - X/Twitter: @JimHillMedia | Instagram: @JimHillMedia | Website: jimhillmedia.com • Dan Graney - YouTube: @TheHubbubbery | Facebook: /thehubbubbery | Website: thehubbubbery.com FOLLOW • Facebook: @JimHillMediaNews • YouTube: @jimhillmedia • TikTok: @jimhillmedia SUPPORT Support the show and access bonus episodes and additional content at https://www.patreon.com/jimhillmedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - https://strongmindedagency.com SPONSOR • UnlockedMagic.com - Save on Walt Disney World and Universal Orlando tickets through the trusted team behind DVC Rental Store and DVC Resale Market: https://unlockedmagic.com/?utm_source=partner&utm_campaign=marvelus If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. https://www.jimhillmedia.com/sponsor/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Jonás y Pinocho

tiktok proyectos excelsior pinocho

Play Episode Listen Later Jun 10, 2026 6:01

Proyectos a cual más sorprendentes y traileers que nos dejan con ganas de más. Y recordad que a partir de la semana que viene EXCELSIOR vuelve a centrarse en los cómics durante tooodo el verano.-CINE: Ice Cream Man-SECUELAS: Fall (Vértigo) 2, The Social Reckoning-SERIES: Scooby Doo: Origins, Whalefall-CÓMICS: Man of TomorrowY os recuerdo que este viernes tenéis una nueva entrega de EXCELSIOR, mi podcast de literatura y cómics, cortesía de LETRAS AL MARGEN (podéis seguir a Mónica Pelluz en Instagram, TikTok y YouTube). En EXCELSIOR esta semana os hablo de: MIS LECTURAS VERANIEGAS JUVENILES (Mis inicios en la lectura, parte V)Podéis contactar conmigo en X (@antoniorentero)

Elena Poniatowska

Savage Minds Podcast

Play Episode Listen Later Jun 6, 2026 73:20

Elena Poniatowska, Mexico's most celebrated journalist and one of the most significant literary voices in the Spanish-speaking world, argues in this conversation that the crisis of contemporary journalism is inseparable from the collapse of critical reading—and that both are symptoms of a deeper cultural abandonment. Born in Paris in 1932 to a French-Polish father and Mexican mother, Poniatowska contends that her formation as a writer was shaped by displacement, by learning to listen to those rendered voiceless by history, and by understanding that journalism must be an act of solidarity before it is anything else. Widely credited with helping to establish the genre of testimonio in Latin American letters, she transformed the voices of the marginalised into literature that forced an entire nation to confront its own silence. She maintains that her landmark work La Noche de Tlatelolco was not a journalistic achievement but a moral obligation, and reflects on her decision to refuse the Xavier Villaurrutia Prize, asking who would award the dead. Poniatowska insists that the greatest threat to literature and journalism today is not artificial intelligence but the disappearance of patience—the willingness to sit with a text, a story, or a life long enough for meaning to emerge. At 94, she affirms her belief in the innate goodness of human beings as not a sentiment but a necessity.Elena Poniatowska, la periodista más célebre de México y una de las voces literarias más significativas del mundo hispanohablante, sostiene en esta conversación que la crisis del periodismo contemporáneo es inseparable del colapso de la lectura crítica—y que ambos son síntomas de un abandono cultural más profundo. Nacida en París en 1932 de padre franco-polaco y madre mexicana, Poniatowska afirma que su formación como escritora estuvo marcada por el desplazamiento, por aprender a escuchar a quienes la historia había silenciado, y por comprender que el periodismo debe ser ante todo un acto de solidaridad. Ampliamente reconocida por haber contribuido a establecer el género del testimonio en las letras latinoamericanas, transformó las voces de los marginados en literatura que obligó a una nación entera a confrontar su propio silencio. Sostiene que su obra emblemática La Noche de Tlatelolco no fue un logro periodístico sino una obligación moral, y reflexiona sobre su decisión de rechazar el Premio Xavier Villaurrutia, preguntando quién iba a premiar a los muertos. Poniatowska insiste en que la mayor amenaza para la literatura y el periodismo hoy no es la inteligencia artificial sino la desaparición de la paciencia—la disposición a permanecer con un texto, una historia o una vida el tiempo suficiente para que emerja el significado. A los 94 años, reafirma su creencia en la bondad innata de los seres humanos no como un sentimiento sino como una necesidad.English transcript:SAVAGE MINDS — Elena PoniatowskaJulian Vigo (00:00:15):Welcome to Savage Minds.Julian Vigo (00:00:26):I am your host, Julian Vigo.Julian Vigo (00:00:30):Today's guest is Elena Poniatowska Amor,Julian Vigo (00:00:33):daughter of a French father of Polish origin, Jean E.Julian Vigo (00:00:37):Poniatowski, and Mexican mother Paula Amor.Julian Vigo (00:00:41):She was born in Paris in 1932.Julian Vigo (00:00:46):She has practiced journalism since 1953 at the newspapers El Día, Excélsior, Novedades, and La Jornada.Julian Vigo (00:00:57):She is the first woman to receive the National Journalism Prize.Julian Vigo (00:01:02):Among her works is La Noche de Tlatelolco,Julian Vigo (00:01:05):a classic since its publication, for which she was awarded the Xavier Villaurrutia Prize,Julian Vigo (00:01:12):which she refused, asking who was going to award the dead.Julian Vigo (00:01:17):Her novels and stories include La Flor de Lis,Julian Vigo (00:01:20):De Noche Vienes and Tlapalería,Julian Vigo (00:01:24):Paseo de la Reforma,Julian Vigo (00:01:26):Hasta No Verte Jesús Mío,Julian Vigo (00:01:28):The Life of a Mexican Soldadera,Julian Vigo (00:01:31):Querido Diego Te Abraza Quiela, Tinísima, winner of the Mazatlán Prize in 1992, La Piel del Cielo,Julian Vigo (00:01:40):winner of the Alfaguara Novel Prize in 2001, and El Tren Pasa Primero,Julian Vigo (00:01:48):about the lives of Mexican railway workers,Julian Vigo (00:01:52):winner of the Rómulo Gallegos International Novel Prize in 2007. Leonora won the Premio Biblioteca Breve Seix Barral in 2011. El Universo o Nada (2013) is the biography ofJulian Vigo (00:02:07):astrophysicist Guillermo Haro. Ondas de la Niña Mala is her first poetry collection, andJulian Vigo (00:02:14):her children's books include Boda en Chimalistac, La Vendedora de Nubes,Julian Vigo (00:02:20):El Burro que Metió la Pata, Sansimonsi, illustrated by Rafael Barajas el Fisgón, and ElJulian Vigo (00:02:27):Niño Estrellero by Fernando Robles, and El Charito Cantor by Osvaldo Hernández.Julian Vigo (00:02:34):Her most recent novel, El Amante Polaco, portrays the last king of Poland, Stanisław AugustJulian Vigo (00:02:41):Poniatowski. Translated into 20 languages. Gabi Brimmer and Las Mil y Una, the story ofJulian Vigo (00:02:48):Paulina,Julian Vigo (00:02:49):address social issues.Julian Vigo (00:02:52):After receiving honorary doctorates from UNAM and UAM,Julian Vigo (00:02:57):she was awarded them from the University of Puebla,Julian Vigo (00:03:01):Sonora, Estado de México,Julian Vigo (00:03:04):Guerrero,Julian Vigo (00:03:06):Chiapas, and Puerto Rico.Julian Vigo (00:03:09):She also received honorary degrees from the New School for Social Research in New York,Julian Vigo (00:03:13):Manhattanville College, and Florida Atlantic University in the United States, and fromJulian Vigo (00:03:19):Paris 8,Julian Vigo (00:03:19):La Sorbonne, and Pau-Pyrénées, as well as the Maria Moors Cabot Prize for Journalism atJulian Vigo (00:03:27):Columbia University, New York, in 2004, and from the Universidad Complutense, Madrid, inJulian Vigo (00:03:32):2015.Julian Vigo (00:03:34):She received the French Legion of Honour at the rank of Officer, the Gabriela Mistral Prize from Chile, and inJulian Vigo (00:03:41):2006, the Courage Award from the International Women's Media Foundation.Julian Vigo (00:03:43):In 2013 she was awardedJulian Vigo (00:03:49):the Miguel de Cervantes Prize for literature in the Spanish language, and she received theJulian Vigo (00:03:55):Belisario Domínguez Medal in 2022.Julian Vigo (00:03:58):This is the highest honour granted by the Senate of the Mexican Republic, along with theJulian Vigo (00:04:05):Carlos Fuentes International Prize for Literary Creation in the Spanish Language in 2023.(00:04:12):I welcome Elena Poniatowska to Savage Minds.Julian Vigo (00:04:19):I wanted to begin with a memory I have of you.Julian Vigo (00:04:22):In 1993,Julian Vigo (00:04:25):I think,Julian Vigo (00:04:27):or 94 —Julian Vigo (00:04:28):one of those two years —Julian Vigo (00:04:29):I was in Puebla,Julian Vigo (00:04:31):Cholula,Julian Vigo (00:04:32):teaching at the Universidad de las Américas.Julian Vigo (00:04:35):Yes.Julian Vigo (00:04:36):And you came to give a talk at an observatory — I believe it was Tonantzintla.Elena Poniatowska (00:04:44):Yes, of course.Elena Poniatowska (00:04:46):Yes, I remember it, andJulian Vigo (00:04:49):you made a great impression on me that day. But I must confess that your entire life's work made a great impression on me — not only on me. I wanted to begin with your formation, your life, because you were born in France andJulian Vigo (00:05:12):how do you remember your childhood in France, and what elements of that world did you bring with you when you arrived in Mexico in 1942?Elena Poniatowska (00:05:21):Well, thank you very much for your interest.Elena Poniatowska (00:05:29):I can tell you that I was born in 1932 in Paris, France, because my mother Paula Amor marriedElena Poniatowska (00:05:42):Juan Poniatowski, who held a noble title — that of prince —Elena Poniatowska (00:05:54):because the last king of Poland was Stanisław Poniatowski, who was, I believe, one ofElena Poniatowska (00:06:07):the lovers —Elena Poniatowska (00:06:09):one of the younger lovers of the Empress of Russia, Catherine the Great.Elena Poniatowska (00:06:21):My mother was a woman born also in Paris, of Mexican origin, who leftElena Poniatowska (00:06:32):France because of the Mexican RevolutionElena Poniatowska (00:06:36):and went to live with her parents — Pablo Amor and Elena Iturbe de Amor — inElena Poniatowska (00:06:49):Biarritz, and they later moved to Paris. My mother always spoke Spanish with a French accent. She had two sisters who also lived in France for a long time,Elena Poniatowska (00:07:07):and they were rather Frenchified. She met my father Jean Poniatowski in Paris andElena Poniatowska (00:07:20):married him, and I was born in 1932 in Paris.Elena Poniatowska (00:07:25):I would like to knowJulian Vigo (00:07:31):more about this experience, because as you probably know — especially Americans and Canadians — they think everyone wants to come to their countries. But something they don't know until they travel is that in Mexico, Honduras, and all of Latin America there is a great deal of immigration, people from every country in the world. Why not?Elena Poniatowska (00:08:01):Her mother was in France; my mother was Mexican, born in France. Her family — she had a grandmother, my mother's great-grandmother, who was Russian, and in general her father was educated in England, so they wereElena Poniatowska (00:08:29):Mexicans — Amor is a Mexican surname — but they were very closely tied to Europe. For my mother, living in Europe was very natural becauseElena Poniatowska (00:08:49):she first attended a boarding school in Switzerland, in Lausanne,Elena Poniatowska (00:08:56):and then was in Paris. At a Rothschild ball she met my father JuanElena Poniatowska (00:09:07):Poniatowski and married him in 1931,Elena Poniatowska (00:09:17):or perhaps at the beginning of 1932, because I was born on the 19th of May 1932.Elena Poniatowska (00:09:29):My sister was born in 1933.Julian Vigo (00:09:34):As a child who spoke French and had to learn Spanish, in what way did language become your first tool for survival?Elena Poniatowska (00:09:47):Well, I also know English and French. Language, for me — learning Spanish in Mexico — was obviously about communicating with people in the streetElena Poniatowska (00:09:56):and with friends at school. But French remained my mother tongue, andElena Poniatowska (00:10:03):later I dedicated myself to speaking Spanish with the people at home, with the MexicansElena Poniatowska (00:10:14):I met at school.Elena Poniatowska (00:10:23):Curiously, I attended an English school called the Windsor School, but I learned SpanishJulian Vigo (00:10:38):in the street — one always learns Spanish better in the street. You learn so much from people in Mexico. I found people very warm and open. On the other hand, for Mexicans in my country, it's not the same at all.Julian Vigo (00:10:59):What was the first moment you felt that writing was the only possible way to understand the Mexico around you?Elena Poniatowska (00:11:11):Well, I would never say it was the only possible way.Elena Poniatowska (00:11:17):I think that at twenty,Elena Poniatowska (00:11:22):twenty-one years old, returning from studying at a convent of nuns, I had theElena Poniatowska (00:11:30):good fortune to be able to start writing at a newspaper called, at that time,Elena Poniatowska (00:11:42):Excelsior.Elena Poniatowska (00:11:43):They asked me to submit a daily article,Elena Poniatowska (00:11:48):an interview,Elena Poniatowska (00:11:51):a chronicle, and I did so with enormous enthusiasm and great pleasure, because it allowed meElena Poniatowska (00:12:00):to know Mexico much better, and also to meet great figures of Mexico such asElena Poniatowska (00:12:09):Diego Rivera,Elena Poniatowska (00:12:11):José Clemente Orozco, actresses like Dolores del Río and María Félix, architects likeElena Poniatowska (00:12:20):Luis Barragán, and writers — even writers of my own generation, or slightlyElena Poniatowska (00:12:31):older than me — such as Juan Rulfo,Elena Poniatowska (00:12:38):Rosario Castellanos, Carlos Fuentes, and of course Octavio Paz.Julian Vigo (00:12:46):What a rich life! María Félix — what a figure!Julian Vigo (00:12:52):How was your experience beginning in journalism in the early 1950s in a predominantly male environment?Elena Poniatowska (00:13:05):Well, I was truly very lucky, because people were very kind andElena Poniatowska (00:13:14):even affectionate towards me. No one ever refused me an interview. I was able to reach Alfonso Reyes, Octavio Paz,Elena Poniatowska (00:13:25):the great architect Luis Barragán, José Vasconcelos the philosopher, and all were veryElena Poniatowska (00:13:40):kind and cordial with me, as were important actors like Ignacio LópezElena Poniatowska (00:13:51):Tarso,Elena Poniatowska (00:13:52):and of course those I already mentioned — Dolores del Río, María Félix — and singers, and also many visitors who came from Europe, the United States, or Latin America to perform in Mexico.Elena Poniatowska (00:14:20):Did you know El Indio Fernández?Elena Poniatowska (00:14:23):Yes,Elena Poniatowska (00:14:24):of course —Elena Poniatowska (00:14:25):I interviewed him,Elena Poniatowska (00:14:26):I knew El Indio Fernández, who by ten in the morning was already offering me a tequila, whichElena Poniatowska (00:14:35):I did not drink, as I'm not accustomed to drinking. And also many otherElena Poniatowska (00:14:47):famous actors of that era, like the comedian Cantinflas, whoseJulian Vigo (00:14:56):real name was Mario Moreno. Cantinflas — I know his work. Wow. And you were in Mexico during the same period as Luis Buñuel?Elena Poniatowska (00:15:06):Yes, I ended up with Luis Buñuel — yes, we had a great friendshipElena Poniatowska (00:15:15):because out of affection he came to have lunch at my house several times, so I saw him on manyElena Poniatowska (00:15:24):occasions. We even went together to the prison of Lecumberri to visit, for example, aElena Poniatowska (00:15:33):Colombian who had committed an offence and was imprisoned — his name wasElena Poniatowska (00:15:42):Álvaro Mutis.Julian Vigo (00:15:45):And you have lived through and narrated great social transformations.Julian Vigo (00:15:51):Do you think that today's digital democratisation of public opinion helps social justice, or does it rather dilute real struggles into mere narratives of identity and likes?Elena Poniatowska (00:16:08):Well, I think the Mexican Revolution,Elena Poniatowska (00:16:15):led by a man like Emiliano Zapata, was extraordinary in redistributing the lands and haciendas of Mexico and in giving all MexicansElena Poniatowska (00:16:32):access to better education, better formation, a better life. I consider thatElena Poniatowska (00:16:46):Emiliano Zapata was one of the great heroes of Mexico, even though he personally took away the haciendas of my grandparents, the Amors and the Iturbes.Julian Vigo (00:17:06):What did you learn from the great intellectuals of your youth?Julian Vigo (00:17:08):You mentioned Juan Rulfo, Alfonso Reyes, and many others.Julian Vigo (00:17:15):What influenced your decision to dedicate your life to letters?Elena Poniatowska (00:17:20):No, they did not influence my decision to dedicate myself to letters.Elena Poniatowska (00:17:26):I met them later.Elena Poniatowska (00:17:30):I began as a journalist, a modest journalist, at the newspaper Excelsior in 1953 —Elena Poniatowska (00:17:42):I think 1952 or 1953. Very young. I had come from an education at a convent of nuns inElena Poniatowska (00:17:53):Philadelphia, and I decidedElena Poniatowska (00:17:57):to write chronicles and interviews to get to know Mexico better. I came to know those figures through my work as a journalist, and because I could question themElena Poniatowska (00:18:14):in the language I knew and had learned as a child — at ten years old — which is Spanish. My other languages until then had beenElena Poniatowska (00:18:22):English,Elena Poniatowska (00:18:27):and French, which is my mother tongue.Julian Vigo (00:18:32):You are known for the testimonio.Julian Vigo (00:18:36):At what exact point did you feel that traditional fiction was not sufficient to capture Mexican reality?Elena Poniatowska (00:18:47):As I mentioned, I began by engaging with many valuable MexicansElena Poniatowska (00:18:54):who received me in their homes, gave me their opinions. At the same time as I received what they wished to give me,Elena Poniatowska (00:19:04):I observed how their homes were, how they treated the people around them — their wives, their children, their servants — and all of that helped meElena Poniatowska (00:19:22):to know Mexico better. I also spent a great deal of time in the streets — that is, with the poorest people, whom I was able to reachElena Poniatowska (00:19:34):through my own nature and also with the help of a great Mexican illustrator, Alberto Beltrán. In the street he made sketches of everything the Mexicans did — the newspaper vendors,Elena Poniatowska (00:19:59):the taco sellers,Elena Poniatowska (00:20:03):the women making corn tortillas by hand,Elena Poniatowska (00:20:12):the bakeries, and then the hardware stores where everything was sold — from nails toElena Poniatowska (00:20:22):cleaning cloths — and all of that was a very vital andElena Poniatowska (00:20:32):generous apprenticeship in learning to see the lives of working Mexicans.Julian Vigo (00:20:40):But it is an art — to be able to listen to people, to their voices.Julian Vigo (00:20:53):How did you learn to listen to the voice of the other?Elena Poniatowska (00:20:58):Well, I think it is a natural inclination.Elena Poniatowska (00:21:03):It is not learned.Elena Poniatowska (00:21:05):It is not forced.Elena Poniatowska (00:21:06):It is a way of being.Elena Poniatowska (00:21:10):I am far more interestedElena Poniatowska (00:21:11):in speaking of what others do, how they do it, and who they are, than in speaking of myself, my sensations, my emotions. And I have done this from a very young age, so it has become a habit — it is part of my daily life.Julian Vigo (00:21:36):Do you believe that the testimonio is essentially an act of political resistance?Elena Poniatowska (00:21:44):I think so.Elena Poniatowska (00:21:45):It helps enormously to know the thinking of those who have no power, who are not in power, who do not consider themselves political, who are not leaders — although I did have the great privilege of interviewing leaders and very important figures in Mexico,Elena Poniatowska (00:22:14):such as, for example, the Spanish refugee of the Civil War, Luis Buñuel.Julian Vigo (00:22:26):And how was the process of gathering the voice of Jesusa Palancares?Julian Vigo (00:22:32):How long did it take you to absorb her story?Elena Poniatowska (00:22:38):Well, it was a privilege. I heard her — she was doing laundry in a popular building, a building where many Mexicans lived who had noElena Poniatowska (00:22:56):economic resources. Everything she said caught my attention enormously. I approached her and asked if I could visit her at her home,Elena Poniatowska (00:23:13):which was a very poor house, obviously far from the area where I lived. And so I went toElena Poniatowska (00:23:26):see her once a week. We became friends, and she began telling me her life. And that is howElena Poniatowska (00:23:36):the novel Hasta No Verte Jesús Mío came about. When it was published,Elena Poniatowska (00:23:43):she asked me to give her ten copies to give to her friends —Elena Poniatowska (00:23:52):the bricklayers or the people she had worked with.Julian Vigo (00:24:00):And why did she choose the testimonial genre for Hasta No Verte Jesús Mío?Julian Vigo (00:24:09):It is one of the testimonial novels because —Elena Poniatowska (00:24:16):She didn't really choose it — she didn't. It was I who gathered her words andElena Poniatowska (00:24:27):assembled them in the best way I could. But she did not choose it.Elena Poniatowska (00:24:34):She could not read or write. She did not know how to read or write. But she asked for the books, and I — the cover of the book, what goes on the outside, is the Santo Niño de Atocha, a small Christ child that she liked.Julian Vigo (00:25:08):And I saw it in the street, and so I put it there so she would be happy. But I was asking you about the testimonial genre — in 1969 it was not a common thing in literature.Julian Vigo (00:25:26):How was this novel received?Julian Vigo (00:25:30):I wonder if people were confused.Julian Vigo (00:25:32):Is it a true story or is it fiction?Elena Poniatowska (00:25:35):No, it was very well received. The book was greatly liked.Elena Poniatowska (00:25:41):Immediately many editions came out and it was translated into English and French.Julian Vigo (00:25:51):And I wonder if at that time — less so today — people were confused because they did not know if it was a completely real story or partly real. Because the novel Hasta No Verte Jesús Mío was categorised as a novel.Elena Poniatowska (00:26:16):Yes, that's right, that is what it was.Elena Poniatowska (00:26:19):It is a novel based on a character — a woman who was in the Mexican Revolution, the life of a soldadera. To what extent is Jesusa an invented character or a real woman? I have said it, I have written it many times: Jesusa is a real character. After that I wroteElena Poniatowska (00:26:49):other books about other women who were also real characters. I had the joy of knowing Jesusa in person, but for example Tina Modotti, the main character ofElena Poniatowska (00:27:08):the novel Tinísima, I did not know. And other novels about other women and other characters I also did not know.Julian Vigo (00:27:22):What lessons about the resilience of Mexican women did you learn from Jesusa that remain relevant today?Elena Poniatowska (00:27:31):All the women in Mexico whom I see and engage with and encounter in the streetElena Poniatowska (00:27:41):and who come to my house — they are women who have known how to struggle and continue to struggle. For example, one woman, Rosario Ibarra de Piedra, whose son was disappeared, and who searched all of Mexico — she is obviously one of the heroines who has most caught my attention.Julian Vigo (00:28:10):And especially in recent years — almost thirty years — the femicides and the disappearances of men and women. You are still fighting for your society, and I think literary words have the power to carry reality forward. I am thinking of La Noche de Tlatelolco — that was the first book of yours I read. It is incredible. I have no words. Thank you. It is one of the best books of the twentieth century, and I teach it. It is astonishing. Can you speak about why you began that work, and also for those listening now who do not know the history of what happened in Mexico?Elena Poniatowska (00:29:03):Well, in general I can tell you that I received letters from a prisoner in the jail — Jesús Sánchez García — and I began going to Lecumberri, which was called the Black Palace of Lecumberri. It was no palace — it was a prison with bars and cells. I asked permission from the prison director — I believe his name was Martín del Campo — and he gave it to me. That is how I went to gather life stories from men, and later, at the women's prison, from women who had nothing to do with my own life, who bore no resemblance to what I hadElena Poniatowska (00:30:03):lived or what I would go on to live.Elena Poniatowska (00:30:16):That was an enormous enrichment for me, and a knowledge of an unknown Mexico that also helped me understand MexicoElena Poniatowska (00:30:31):— a Mexico to which I owe a great deal.Elena Poniatowska (00:30:35):I think that everything I am I owe to the voice, and to the gift of their voice, that the poorest Mexicans gave me — those I was able to approach over years and years,Elena Poniatowska (00:30:52):going to the prison and sometimes going to their own very poor homes, called vecindades, which were located in the very neighbourhoods where the prisons were.Julian Vigo (00:31:11):How did you manage the pain and trauma of the testimonies you heard while assembling the book?Elena Poniatowska (00:31:22):Pain is not managed. To manage something is to seek something. Pain is simply assumed and lived. So the pain is in the words written in the book.Julian Vigo (00:31:46):And why did you choose the technique of a collage of voices rather than a linear, chronological narrative for this book?Elena Poniatowska (00:31:57):I have many other books that speak even of personal stories — books that contain much of biography.Julian Vigo (00:32:13):Yes, but it is very interesting how you wove those narratives together in this book. It is very beautiful, in fact.Julian Vigo (00:32:24):Was there any moment during the writing of La Noche de Tlatelolco when you felt fear or censorship?Elena Poniatowska (00:32:33):Well, there was always the dread of entering terrain unknown to me.Elena Poniatowska (00:32:40):Ultimately, I was educated —Elena Poniatowska (00:32:45):I spent time in the United States at a convent to be educated, not to become a nun — it was called the Sacred Heart Convent.Elena Poniatowska (00:33:03):When I came out I was speaking English. My mother tongue is French. And when I left there, my strongest desire was truly to know Mexico — the country I had arrived in at the age of ten, but in which I had received an educationElena Poniatowska (00:33:30):in both English and French, not in Spanish.Julian Vigo (00:33:36):More than fifty years later, what impact do you think that book has on the collective memory of young Mexicans today?Elena Poniatowska (00:33:48):Well, I think that is a question that should be put to them.Elena Poniatowska (00:33:55):What I can say is that I have receivedElena Poniatowska (00:33:59):a great deal of affection from young people — many come to find me at my home, and I give lectures and talks with some frequency. Remember that I am already 94 years old and have lost the use of my left eye, which prevents me from seeing well. So within my limitations,Elena Poniatowska (00:34:27):I remain in contact with the people who want to see me, which for me produces great enthusiasm and which I experience as great support.Julian Vigo (00:34:42):The book you wrote is something very specific — evidently about Mexico — but it is still a book with which everyone can identify. If we look around today, where there are acts of political repression in almost every country in the world in one form or another — and I know your books are translated into many languages — I wonder whether the power of La Noche de Tlatelolco came from the form of the narration itself, not only from the fact that you confronted the government, the police, and justice. You narrated a story of the people seeking justice, yes, but literature itself was also seeking truth within its pages. There are wars everywhere, there is too much sadness. After the lockdown — which was less bad in Mexico than here in Italy — we are living through a very difficult moment. Do you sometimes think of this book as a model for dialogue, for collaboration, for moving forward together, the people united?Elena Poniatowska (00:36:09):Well, what I love about this book is that it has so many voices — many voices gathered from mothers of families, from children of political prisoners. For me it was a great learning experience to go to the prison in Mexico and see a world I did not know, to be accepted in that world, to go frequently to hear and gather the voices of political prisoners and of young people whoElena Poniatowska (00:36:52):didn't even have strong political ideas but were imprisoned because they had stolen something in a market. It meant entering a world I was completely unfamiliar with,Elena Poniatowska (00:37:13):to which I did not belong. And it was an enormous lesson — a very generous lesson — in how the lives of others can be. That is what I have dedicated myself to over many years, because I remain a journalist and continue writing about disasters such asElena Poniatowska (00:37:39):not only the massacre of the 2nd of October, but what the earthquake of 1985 meant for Mexico and the loss, for many Mexicans, of their families and their homes.Julian Vigo (00:37:59):Yes. You documented the earthquake of ‘85 — a moment when the Mexican government was completely paralysed and it was civil society that took control to rescue the city.Julian Vigo (00:38:15):Do you believe that peoples are still alone in the face of tragedy, or is that organic solidarity you described an invincible force?Elena Poniatowska (00:38:29):Yes,Elena Poniatowska (00:38:29):of course.Elena Poniatowska (00:38:30):I believe — that is why I believe in the invincible force of Mexicans, who help and support each other, who run to answer a cry for help. They are the ones who save themselves by saving others. I believe in that truth. It is a truth I lived, that I witnessed,Elena Poniatowska (00:38:57):and for me it is a lesson, a way of life.Julian Vigo (00:39:03):Does it reflect the structural abandonment of the seamstresses, the inhabitants, those who live in vecindades, and the poorest?Julian Vigo (00:39:13):How did you manage, in the midst of the chaos, the dust, and the mourning of those days, to earn the trust of people so that they would share their most painful and raw testimonies?Elena Poniatowska (00:39:30):Well, I have two physical advantages.Elena Poniatowska (00:39:32):I am small in stature. I frighten no one. No one is afraid of me. I can go anywhere. I am not someone who imposes anything at all, and I know how to listen. So by listening to others' voices, I gather them, I keep them, I memorise them,Elena Poniatowska (00:40:03):and then I put them on paper.Elena Poniatowska (00:40:06):That is the most solitary and difficult moment — writing about what happens to others,Elena Poniatowska (00:40:21):their sorrows,Elena Poniatowska (00:40:22):their joys,Elena Poniatowska (00:40:24):their defeats and also their triumphs —Elena Poniatowska (00:40:28):and making books and articles from them. Because I am also a journalist sinceElena Poniatowska (00:40:38):1953. I am now 94 years old.Julian Vigo (00:40:47):You're listening to Savage Minds.Julian Vigo (00:40:49):If you're enjoying the show, take a second to subscribe at savageminds.co.Julian Vigo (00:40:54):Feel free to comment below or drop us a line to share your thoughts.Julian Vigo (00:40:59):Support independent media today.Julian Vigo (00:41:01):Now, let's get back to it.Julian Vigo (00:41:15):Many consider that the earthquake of ‘85 not only brought down buildings but also toppled the myth of the Mexican State's absolute control — marking the true birth of modern citizenship in the country.Julian Vigo (00:41:33):From your perspective as a chronicler —Elena Poniatowska (00:41:40):I think Mexicans have always had enormous character and enormous capacity to defend themselvesElena Poniatowska (00:41:49):in spite of their own poverty, or in spite of the total absence of outside help.Elena Poniatowska (00:42:02):There was in Mexico a Mexican Revolution,Elena Poniatowska (00:42:08):a country conquered by very cruel conquerors, and yet the country has continued to forge ahead and has continued to demonstrate its bravery and courage in allElena Poniatowska (00:42:28):circumstances — one of which was, for example, the earthquake, in which the neighbours themselvesElena Poniatowska (00:42:37):helped each other before the State or the so-called government did anything.Elena Poniatowska (00:42:46):So I think it is a country with many very brave men, women, and children who save themselves, who know how to look after themselves.Elena Poniatowska (00:43:03):Of course there are people who don't know how to do it, and there are people who sometimes end upElena Poniatowska (00:43:12):in prison or in hospital. But in general Mexico is a country of very solidary people, people who help each other and defend themselves.Julian Vigo (00:43:31):What I love about your books in general is that you give voice — you shed light on the lives that are forgotten.Julian Vigo (00:43:42):Do you feel that in this book, for example, or in Nadie Me Verá Llorar, the author's voice becomes more present or closer to her characters than in your earlier works?Elena Poniatowska (00:43:56):No,Elena Poniatowska (00:43:57):I think that element is present in all my works — in Hasta No Verte Jesús Mío, in the book about the 2nd of October, in the earthquake — and it is always present in everything I still do at the newspaper where I work. I am in a certain way a chronicler and aElena Poniatowska (00:44:21):participant in the lives of other Mexicans.Julian Vigo (00:44:27):And I also notice that many of your works are about women — Tinísima, the life of Tina Modotti, a woman who lived so many lives in one. Leonora. And I wanted to ask — before we get to those books — about Querido Diego Te Abraza Quiela. Why did you choose that subject? Not only Diego Rivera but his first wife.Elena Poniatowska (00:44:59):I was moved to learn that in Paris, Angelina Beloff had gone to Mexico to seeElena Poniatowska (00:45:12):Diego Rivera, whom she had supported in Paris. He had lived with her and had livedElena Poniatowska (00:45:22):off her, because she was the one with a salary. He was a very young painter withoutElena Poniatowska (00:45:33):money, without resources. She helped him. And when she went to Mexico, she had also hadElena Poniatowska (00:45:42):the only male child that Diego Rivera ever had, who died of cold in Paris. And when she decided to go to Mexico — in a sense, to get to know the country of her lover — she decided to go to the Palacio de Bellas Artes because she knew that heElena Poniatowska (00:46:11):would be there. And he walked right past her — past the seat, one of those red velvet seats in the Palacio de Bellas Artes, called butacas, in which she was sitting — he walked past and did not even recognise her.Elena Poniatowska (00:46:40):That story struck me deeply, and that is why I decided to write the small book —Elena Poniatowska (00:46:55):it is not a very long book —Elena Poniatowska (00:46:58):called Querido Diego, Te Abraza Quiela.Julian Vigo (00:47:00):In Tinísima, what was it that drew you to the life of Tina Modotti?Elena Poniatowska (00:47:08):In reality it came from a request to make a film. The cinematographerElena Poniatowska (00:47:17):Gabriel Figueroa told me that a film was going to be made about Tina Modotti, the Italian woman who had been in Mexico. So I began interviewing all the people who had knownElena Poniatowska (00:47:38):Tina Modotti. And even when I was invited to France for a conference, I had theElena Poniatowska (00:47:47):opportunity to go to Udine in Italy to meet and get to know the siblings of Tina Modotti —Elena Poniatowska (00:48:00):to see them, interview them, speak with them.Elena Poniatowska (00:48:05):Then when I was told that the film about Tina Modotti in Mexico was no longer going to be made because there was no money, I — who had gone at my own expense to that conference in France and another writers' conference inElena Poniatowska (00:48:37):Italy — decided to launch into writing the novel called Tinísima, because I hadElena Poniatowska (00:48:48):interviewed many old communists whom I had gone to visitElena Poniatowska (00:48:56):in their various homes — generally very modest, very poor homes.Elena Poniatowska (00:49:03):I did not want to let them down, and so the novel Tinísima was published.Julian Vigo (00:49:10):And to what extent does Tina Modotti represent the struggle of the woman artist in the twentieth century?Elena Poniatowska (00:49:19):To the extent that she commits herself —Elena Poniatowska (00:49:23):she takes photographs of Mexico alongside Edward Weston, and then goes alongsideElena Poniatowska (00:49:33):Commander Carlos of the Fifth Regiment to Spain — she goes to the Spanish Civil War and becomes a nurse, caring evenElena Poniatowska (00:49:52):on the ground for the bodies that had fallen on the earth before taking them to the Red Cross — giving them first aid and dedicating herself to saving lives,Elena Poniatowska (00:50:08):or helping to save lives. I believe that many soldiers did not die thanks to the care of this womanElena Poniatowska (00:50:19):who was in the trench following the doctors.Julian Vigo (00:50:25):You have said that the writer must be a bridge.Julian Vigo (00:50:29):Between what worlds do you think it is most necessary to build bridges — or should we be breaking bridges today?Elena Poniatowska (00:50:38):No, I think one should never break a bridge, for anything.Elena Poniatowska (00:50:42):I think one mustElena Poniatowska (00:50:45):communicate — that the most important thing in the life of any human being is dialogue. Peoples too must dialogue with others in order to know each other. I think Mexico must have a dialogue with the United States, and that many Mexicans who have returned fromElena Poniatowska (00:51:09):the United States because TrumpElena Poniatowska (00:51:12):did not want to receive them, has rejected them — well, they nevertheless had, with another nation or with the inhabitants of another nation, knowledge and dialogue.Elena Poniatowska (00:51:28):And that I believe is what is called,Elena Poniatowska (00:51:34):within Catholicism if you like, or within any religion by whatever name it may be called — that is human fraternity. The otherElena Poniatowska (00:51:50):is the one who exists and who awaits you and whom you must help, because perhapsElena Poniatowska (00:51:58):one day you will need him to extend a hand to you.Julian Vigo (00:52:05):Trump is certainly a character, but I see the situation as too tragic for Americans — the United States, still my country — because the reality is that a large part of the Western world has absolutely no idea of the immense cultural, intellectual, and spiritual richness of Mexico.Julian Vigo (00:52:30):For me, it's not only Trump —Julian Vigo (00:52:32):but Americans, Canadians, etc.Julian Vigo (00:52:35):know nothing about the sharpest chroniclers of this country. If you had to open the eyes of an international audience completely unaware of Mexico's depth, what would you say is the most valuable treasure of Mexican identity that the rest of the world is missing?Elena Poniatowska (00:53:01):Well, I must say that many North Americans have come and written about Mexico — anthropologists and sociologists. We have Oscar LewisElena Poniatowska (00:53:17):and many others who have written about the poorest Mexicans, starting in Tepoztlán, a city near Mexico City, following them to the vecindades in the city where they took refuge and found very modest work. So yes, there have been North AmericansElena Poniatowska (00:53:44):who have written about the richness and beauty of Mexico, and their books areElena Poniatowska (00:53:53):translated into Spanish and are admired and appreciated by Mexicans who are grateful that attention is paid to them. So one cannot say that no one who has come from outside has cared about Mexico — in archaeology, in anthropology, as well as figures like Frances Toor, who was a North American woman who created a magazineElena Poniatowska (00:54:39):called Mexico Today and wrote extensively about Mexican customs and lived in Taxco.Elena Poniatowska (00:54:41):For example, a certain William Spratling enriched himself personally but helped many Mexicans inElena Poniatowska (00:54:51):Taxco to learn how to work silver and sell silver. And still today many foreigners and tourists go to buy silver objectsElena Poniatowska (00:55:10):that come from a mine discovered by foreigners — and clearly alsoElena Poniatowska (00:55:20):plundered, one might say, by foreigners.Julian Vigo (00:55:30):Because not everything is entirely good or entirely bad. But I was referring to the fact that — as you know, having been in the United States and many other countries — Trump and far too many people insufficiently educated about Mexico think that all Mexicans want to invade the United States. But the reality is otherwise. In Mexico there was a great cinematic tradition, for example. Mexican cinema has greatly influenced Hollywood — not only today but throughout history. The Oscar statuette itself was modelled on the body of El Indio Fernández. People do not know the depth of Mexican philosophy. I am thinking of Sor Juana, who contributed so much to poetry, theatre, even science — if we think of her letter to Sor Filotea, who was actually Manuel Fernández de Puebla. That dialogue was very important. Western feminists know nothing of these exchanges between those two figures. But for me Mexico has an enormous and very important force in the history of philosophy, science, and feminism. And I am thinking of Octavio Paz's book on Sor Juana Inés de la Cruz, called Sor Juana Inés de la Cruz, or The Traps of Faith. You knew Paz closely. Did you have conversations with him about his perspective on this book — especially regarding the power dynamics of the Church and the silencing she suffered as an intellectual woman?Elena Poniatowska (00:58:09):No, but I think you are mixing very many topics into one question, and it isElena Poniatowska (00:58:18):difficult to answer you because you are speaking of very diverse things that evenElena Poniatowska (00:58:27):happened in different centuries.Elena Poniatowska (00:58:30):Sor Juana — there have always been in Mexico,Elena Poniatowska (00:58:34):before Octavio Paz, people who dedicated themselves to reading,Elena Poniatowska (00:58:40):studying, and getting to know Sor Juana Inés de la Cruz.Elena Poniatowska (00:58:45):I will not add more names to those you mentioned, but there are many studies and many Sor Juana scholars in Mexico, as well as at the University of SantaElena Poniatowska (00:59:01):Barbara, California, in Paris, in France —Elena Poniatowska (00:59:04):there are many studies on the great figures of Mexico — not only The Traps of Faith by the Mexican poet Octavio Paz. So these are studies that will continue and do continue. In California, for example, Sara Poot HerreraElena Poniatowska (00:59:32):is dedicated to studying Sor Juana Inés de la Cruz, along with many other scholars — I don't know if she is still living — whose name was Rivers. All of these are studies that have been carried out in Mexico and outside Mexico.Julian Vigo (00:59:55):No, I was asking specifically about Paz's book because you knew him and —Elena Poniatowska (01:00:03):I knew him,Elena Poniatowska (01:00:04):I admired him, and I also wrote about him. I have a book about him. I admired him,Elena Poniatowska (01:00:12):I knew him, his poetry dazzled me. And he is a man whom I have admired since getting to know him, and whom I also hold with affection.Julian Vigo (01:00:29):I asked about your relationship with him because sometimes it happens to me too — with other writers — one asks or someone asks me, “Why did you do that?” It is a dialogue. Because that book, The Traps of Faith, had something very important — not only for Mexico but it placed the image of Sor Juana before the world. Many people began to ask who this nun was because it is very important. I was asking about the presentation Paz gave of her — whether you had any dialogues with Paz from your own perspective.Elena Poniatowska (01:01:20):Well, yes, of course. But there were others who also spoke at great length about Sor Juana de la Cruz — other Mexicans before Octavio Paz, other Mexicans who, for example, also concerned themselves with indigenous peoples, such as a priest — Ángel María Garibay — who was also a Sor Juana scholar. So there are many studies on Sor Juana Inés de la Cruz and there are Sor Juana scholars in Santa Bárbara, for example, such as Doctor Sara Poot Herrera and others — a woman by the name of Rivers and many more.Julian Vigo (01:02:16):You have dedicated your life to listening and giving voice to those who have none, through the chronicle and literature.Julian Vigo (01:02:26):Today,Julian Vigo (01:02:27):with social media,Julian Vigo (01:02:28):it seems that everyone has a platform for opinions.Julian Vigo (01:02:32):But are we really listening?Julian Vigo (01:02:36):What happens to the power of the word when it becomes a constant noise, as in social media?Elena Poniatowska (01:02:45):I don't know.Elena Poniatowska (01:02:46):I suppose it loses efficacy.Elena Poniatowska (01:02:49):But that depends on the activity of each human being.Elena Poniatowska (01:02:58):There are people — elderly people, for example, people already old — for whom life,Elena Poniatowska (01:03:08):even in institutions, in care homes, means turning the television on from morning until night and being entertained — that is, entertained without making the least effort of criticism or thought in front ofElena Poniatowska (01:03:29):the television.Elena Poniatowska (01:03:31):I have seen that this has been very important in keeping the elderly calm andElena Poniatowska (01:03:41):allowing them to die little by little in institutions called health facilities, where they have thisElena Poniatowska (01:03:52):constant and rather sad entertainment. ButElena Poniatowska (01:03:59):as they say in Mexico: no hay de otra — there is no other option, or no other option has been found, or there are not enough people willing to dedicate themselves to attending to and caring for others. So I see it as an end of lifeElena Poniatowska (01:04:28):for an individual who was once a thinking individual, who knew how to act,Elena Poniatowska (01:04:37):who knew how to elevate himself,Elena Poniatowska (01:04:41):to become a better human being. And I find it sad.Julian Vigo (01:04:46):Today, and for twenty years now, I have noticed as a university professor that students are reading less and less. Today, with so-called artificial intelligence — so-called because intelligence it is not — students are not reading. How can literature or journalism restore the true value and depth of words when we are in a world full of social media, opinions, and videos of a cat doing something funny?Elena Poniatowska (01:05:31):Your question is very difficult because I don't have the answer.Elena Poniatowska (01:05:37):What I can say is that ultimately it depends on the teachers.Elena Poniatowska (01:05:44):It depends on students having a good teacher,Elena Poniatowska (01:05:49):because even I have seen in classes —Elena Poniatowska (01:05:54):in different classes —Elena Poniatowska (01:05:57):that many young people continue looking at their phones while the teacher is writing onElena Poniatowska (01:06:07):the board, or speaking, or giving a class.Elena Poniatowska (01:06:13):So we shall see whether the destiny of young people will depend on what theyElena Poniatowska (01:06:21):learn from their phone. I don't have a phone —Elena Poniatowska (01:06:27):I never bought one,Elena Poniatowska (01:06:28):never got one. Or whether they will be able to go beyond themselvesElena Poniatowska (01:06:37):and beyond above all what the phone wants to give you or teach you or not teach youElena Poniatowska (01:06:46):or distract you from — because ultimately it is a distraction. Yes.Julian Vigo (01:06:53):Writing something to share — in quotation marks — they are sharing nothing in the end. I have noticed that many people are sharing articles they have not read. Young people are embracing identity politics and cancel cultureJulian Vigo (01:07:16):in the absence of any engagement with material reality today.Julian Vigo (01:07:21):That is my fear —Julian Vigo (01:07:23):that the millennials,Julian Vigo (01:07:26):this generation of thirty-year-olds,Julian Vigo (01:07:31):are fixated on pronounsJulian Vigo (01:07:36):but do nothing to help their neighbour.Julian Vigo (01:07:41):They do nothing to fight for living wages.Elena Poniatowska (01:07:46):Well, not all of them.Elena Poniatowska (01:07:49):It's a generalisation, of course.Elena Poniatowska (01:07:54):But I think you are right.Elena Poniatowska (01:07:58):It is a generalisation, because in any case there are human beings who live for others.Julian Vigo (01:08:08):We are in two camps today, because during the lockdown I noticed that many people — even on the right — were fighting for the poor in the United States, where I published. I could not publish a single article questioning the lockdown. That is when I started Savage Minds, because I was asking: what is happening? I no longer recognise this world in which the left is pushing people not to speak. We weren't talking about the lockdown, and the right was speaking very openly. And I see that politically, left and right — there is no longer that dichotomy, so to speak.Elena Poniatowska (01:09:02):Yes,Elena Poniatowska (01:09:03):I thank you greatly for your interest and I thank you enormously for this conversation. I feel animated,Elena Poniatowska (01:09:11):I feel glad to hear what you are saying.Elena Poniatowska (01:09:19):But I do feel that,Elena Poniatowska (01:09:22):as you say,Elena Poniatowska (01:09:23):the speed,Elena Poniatowska (01:09:26):the pace of all events,Elena Poniatowska (01:09:29):the television —Elena Poniatowska (01:09:32):it sets critical thinking and reflection on events to one side,Elena Poniatowska (01:09:41):because everything must be immediate, mustn't it?Elena Poniatowska (01:09:46):That is to say, everything ends in a second. Even the deepest interests sometimes last onlyElena Poniatowska (01:09:56):a few — one might even think, as we say in Mexico,Elena Poniatowska (01:10:01):un ratito — just a little while. There is no continuity in ideas orElena Poniatowska (01:10:12):even in purposes. There is something we all know called habit, and each personElena Poniatowska (01:10:21):lives according to the habits they have established in order to keep going —Elena Poniatowska (01:10:28):to keep existing, if you will. To make it to night, fall asleep, and know that you will wake the following day. Or perhaps you won't wake, because — well, for example, IElena Poniatowska (01:10:45):am a person of 94 years old and I have no certainty that I will see the following morning. ButElena Poniatowska (01:10:55):what I do believe is thatElena Poniatowska (01:10:58):I believe in the innate goodness of every human being.Elena Poniatowska (01:11:03):I have to believe in it, because I need that hope.(01:12:02): Get full access to Savage Minds at www.savageminds.co/subscribe

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Excelsior Update, Wine Chat 4.0 and Rose for your Summer!

Haskell's

Play Episode Listen Later Jun 6, 2026 14:49

We are off an running on a new era with Wine Chat as Laura Oakes takes the helm for Denny on Saturday mornings - we get a quick update from Ted on the Excelsior location after the tragic fire a month ago and also we are implementing a new feature for listeners to send emails to Ted Farrell asking any wine or beverage question to be answered at the end of each month then we dive into today's topic of rose and pairing it with your summer gatherings! Be sure to check out the selection at any one of the Haskell's location or visit them at haskells.com

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Consumo gusto - EXCELSIOR - 04/06/26

Consumo gusto

Play Episode Listen Later Jun 4, 2026 3:38

Unos son VIP, otros PREMIUM, otros PLUS. Unos tratamientos se aplican a personas, otros a productos, otros a ambos. Pero unos y otros se van desgastando por el uso y abuso. ¿Qué será lo siguiente? ALTA GAMA, EXTRA, GOURMET, “DE LA ABUELA”, DE AUTOR, LUXURY…Escuchar audio

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Las habitaciones de atrás

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Play Episode Listen Later Jun 3, 2026 5:50

Todavía no se ha estrenado (mañana lo hace) la por otra parte recomendabilísima "Backrooms" y ya se ha confirmado que habrá segunda parte. Pero no celebréis tanto estas cosas, que Zack Snyder ha anunciado que quiere hacer un remake de "1997: Rescate en Nueva York". Sí, la de John Carpenter.-CINE-SECUELAS-SERIES-CÓMICS: Man of Tomorrow-ADAPTACIONESY os recuerdo que este viernes tenéis una nueva entrega de EXCELSIOR, mi podcast de literatura y cómics, cortesía de LETRAS AL MARGEN (podéis seguir a Mónica Pelluz en Instagram, TikTok y YouTube). En EXCELSIOR esta semana os hablo de: GRADY HENDRIX.Podéis contactar conmigo en X (@antoniorentero)

Make Mine Multiversity Episode #144: “Fantastic Four” (2022) #1-6 with Joe Skonce; or, You Can't Clobber Your Way Out of a Time Loop

Make Mine Multiversity

Play Episode Listen Later May 29, 2026 95:47

Welcome Back to Make Mine Multiversity: A Marvel Podcast! Each episode we'll be looking at Marvel books, old and new! We discuss fun Marvel comics, Marvel news, Marvel history and, now, are putting the "mine" back into Make Mine Multiversity. For those who're new, each month I talk with a guest about a Marvel comic that's memorable to them. Sometimes they're personally meaningful, sometimes it's "I read this a few months ago and its still sticking around."This month I welcome back to the show, after quite a few years, Joe Skonce! A friend and former reviewer for Multiversity Comics, he picked a comic I was so excited to revisit: "Fantastic Four" (2022) #1-6 aka the start of the Ryan North run. We've got science! We've got goofy antics! We've got body horror! We've got Johnny Storm's glorious mustache.Oh, and point of order. North's big science degree is in Computer Science, not physics, so...close enough I guess?Next time: I'm taking a little break for the summer to recharge my editing batteries and potentially get a couple episodes ahead before coming back. See y'all in the fall!Elias can be found writing here at eliasrwrites.ghost.io. Joe is a partial hermit on the internet but you can find his old reviews over at Multiversity Comics.Our theme music is “Excelsior” by Carol Romo and our audio editor is me, Elias.The show is available on Apple Podcasts, Spotify, (Stitcher is apparently dead and buried) and other places so please subscribe!

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Episode 419: Hutt Stuff

Nick's Nerd News

Play Episode Listen Later May 28, 2026 69:55

Let's do Hutt Stuff while Mando is away. We've got a review of The Mandalorian and Grogu, and Nick updates his Star Wars Ranking. Plus The Steam Deck is the latest gaming device to get a price hike, but hey at least a new Witcher 3 DLC is coming out! Excelsior! Stan Lee is coming back, but i'm not so sure everyone will be happy about that, and Bungie is taking the light out of Destiny 2.

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05-26: Benton vs Excelsior Springs Class 4 Sectional Baseball

Cliff Notes Podcast

Play Episode Listen Later May 27, 2026 11:45

On this episode of the Cliff Notes Podcast:Benton baseballs season comes to an end at the hands of Excelsior Springs. Hear from Cardinals coach Johnny Coy.Mid-Buchanan baseball and soccer also fall in Wednesday action.Wanna thank all of our great year long Sponsors who make all of this possible.Tolly & Associates Little Caesars of St. Joseph John Anderson InsuranceMeierhofer Funeral Home & Crematory HiHo Bar & Grill Barnes Roofing Jayson & Mary Watkins Matt & Jenni Busby Michelle Cook Group Russell Book & Bookball 365 The St. Joseph MustangsB's Tees KT Logistics LLC Hixson-Klein Funeral Home James L. Griffith Law Firm of Maysville Toby Prussman of Premier Land & Auction Group, HK Quality Sheet Metal, Redman Farms of Maysville, Melissa WinnHenke Family Farms, Green Hills Insurance LLC., Cintas, Thrive Family Chiropractic, IV Nutrition of St. Joseph, Roth Kid Nation Serve Link Home Care out of Trenton, Barnett's Floor Renewal LLC., Balloons D'Lux, B3 Renovations, The Hamilton Bank member FDIC, Wompas Graphix & Embroidery of LibertyEllis Sheep Company of Maysville, Bank Northwest of Cameron, Akey's Catering & Event Rentals, Brown Bear of St. Joseph, Wolf Black Herefords, Rob & Stacia Studer, Annie & Noah Roseberry of Re/Max Professionals, Moseley Farms, Jake Anderson of Shelter Insurance A slice & a swirl of Maysville Adkison Barber ShopMoyer Concrete of Maysville Cody Vaughn Wealth Advisor with ThriventGallatin Truck & Tractor Grandmas Gun Shop in Agency Nash Gas in Dearborn Accurate Appraisal in St. Joseph Ryan Meyerkorth SeedB.W. Timber of Bethany Mosaic Medical Center of Maryville Exclusive P.R. of Chicago Great Than Financial Hogue Lumber Company of Albany Stifel in ChillicotheUnited Cooperates, INC out of Osborn & Pattonsburg MP and Sons Contracting in Maysville JA White Construction in Maysville BTC Bank Seth & Marcie Davis of the Fitz Group Home and LandGRM Networks Perry Plumming & Septic LLC of Rock PortCitizens Bank and Trust of Rock Port C&M Business Machines Deal Travel and Cruises LLCKovacs FireworksBray Farms of Cameron The Drug Store in Cameron Pettijohn Auto Center in Bethany Terry Implement Co., INC. Of Gallatin Re/Max Partners of Cameron- Dan & Staci Early The Bunker Club of Savannah North Central Missouri College in Trenton & SavannahCooters Plumbing in Lathrop Steven Frieden Excavating Gregg Lawn & Landscape North Mercer Athletic Booster ClubStronger Starts Now Heather Bennett AgencyLathrop Chiropractic CenterSchulenberg Contracting LLCGabe EdgarThe Waldinger CooperationWigfield Farms in Chillicothe

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Krypto begins

Play Episode Listen Later May 27, 2026 7:00

Si sale Krypto, estamos en el equipo de esa película, tanto nuestro patrocinador TRÍFERO como yo mismo.-CINE: Primetime-SECUELAS: The resurrection of the Christ-SERIES: Vought Rising-CÓMICS: SupergirlY os recuerdo que este viernes tenéis una nueva entrega de EXCELSIOR, mi podcast de literatura y cómics, cortesía de LETRAS AL MARGEN (podéis seguir a Mónica Pelluz en Instagram, TikTok y YouTube). En EXCELSIOR esta semana os hablo de: MIS INICIOS EN LA LECTURA IV: Libros que debe haber en las estanterías de casaPodéis contactar conmigo en X (@antoniorentero)

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Good Times - Number 38: 2015/16 (Part 2)

Needs Some Introduction - House of the Dragon/The Patient

Play Episode Listen Later May 21, 2026 186:34

As Leicester City march on unopposed to their first ever league title, Everton have got their eyes on the other two domestic trophies.Sadly, our friends from down the East Lancs have got other ideas, and Roberto Martinez's rapidly receding hairline becomes a stark metaphor for his remaining time at the club.And to this day we don't know just what inspiration he took from the creative mind of Jason Derulo."Bobby, try Bryan Oviedo at right back.""Okay that's quite unique, thanks Jase."All that plus the coach ride to Hell (via Walsall) on the podcast that knows The Dixies should've gone ahead.This episode is supported by The Excelsior. Thanks to Sean Ponzini and Gary Lunt for their contributions. Learn more about your ad choices. Visit podcastchoices.com/adchoices

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311: Painting Gallery With No Name 13: Yellow Theme: Season Entries and Winners

Vaders Finest

Play Episode Listen Later May 15, 2026 41:33

In this episode, we announce the Fury's Finest Painting Gallery With No Name latest 1st and 2nd place winners, and end the episode with the season announcement of the next contest. Additionally, we talk about painting technique and exceptional work done throughout the contest.Painting Gallery With No Name Gallery: ⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠Send your initial pre-painted model picture, and your 4 pictures of your completed model with your name on it to: Chris by email to furysfinest@gmail.com or on Discord to Chris Finest (StrongStyle).Fury's Finest is a podcast and resource devoted to the discussion of the tabletop game ⁠⁠⁠⁠⁠⁠⁠⁠Marvel Crisis Protocol⁠⁠⁠⁠⁠⁠⁠⁠.___________________________________Fury's Finest is supported by our wonderful patrons on Patreon. If you would like to help the show go to ⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/furysfinest⁠⁠⁠⁠⁠⁠⁠⁠ and pledge your support. Fury's Finest Patrons directly support the show and its growth by helping pay our monthly and annual fees, while contributing to future projects and endeavors.Check out our Fury's Finest apparel and merchandise on ⁠⁠⁠⁠⁠⁠⁠⁠TeePublic⁠⁠⁠⁠⁠⁠⁠⁠.___________________________________Twitch I ⁠⁠⁠⁠⁠⁠⁠⁠twitch.tv/furysfinest⁠⁠⁠⁠⁠⁠⁠⁠Twitter I ⁠⁠⁠⁠⁠⁠⁠⁠@FurysFinestCast⁠⁠⁠⁠⁠⁠⁠⁠Instagram I ⁠⁠⁠⁠⁠⁠⁠⁠@FurysFinest⁠⁠⁠⁠⁠⁠⁠⁠Facebook I ⁠⁠⁠⁠⁠⁠⁠⁠Fury's Finest⁠⁠⁠⁠⁠⁠⁠⁠YouTube I ⁠⁠⁠⁠⁠⁠⁠⁠Fury's Finest⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠ l⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ l⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Google Podcasts⁠⁠⁠⁠⁠⁠⁠⁠___________________________________Thanks to ⁠⁠⁠⁠⁠⁠⁠⁠Approaching Nirvana⁠⁠⁠⁠⁠⁠⁠⁠ for our music.Help spread the word of our show. Subscribe, rate, and review!Send feedback, Marvel thoughts, and show inquires to ⁠⁠⁠⁠⁠⁠⁠⁠FurysFinest@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠Fury's Finest is hosted by ⁠⁠⁠⁠⁠⁠⁠⁠Jesse Eakin⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠Chris Bruffett⁠⁠⁠⁠⁠⁠⁠⁠.Excelsior!

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'Your Friends & Neighbors' S02E07 "Out East" Recap: Hamptons, FBI Heat, and the Deer in the Headlights

Play Episode Listen Later May 15, 2026 61:25

n this episode of Needs Some Introduction, we recap Season 2, Episode 7 of Your Friends & Neighbors (“Out East”), share podcast/Patreon updates, and explain why we keep watching despite listener criticism of our negative coverage. Victor breaks down the Hamptons-set episode: Coop signs back on at Excelsior with Ash's $400M investment while haunted by visions of his late father; Elena shows up to reset the season's stakes around money tied up and debts to Chivo; the group flies out to Ash's rebuilt mansion, where the FBI unexpectedly investigates Ash and he admits to “import/export” that sometimes includes guns. At the MDMA-fueled party, Coop's interactions with Cricket, Grace, and Sam escalate tensions, Ash sees Coop with Sam, Mel and Ali's porta-potty stunt leads to arrests, Tori gets arrested for drunk driving, and Coop and Grace nearly hit a deer. The episode ends with someone surveilling Coop at home, likely tied to Chivo. Join the Patreon for bonus content https://www.patreon.com/cw/NeedsSomeIntroduction Mailto:needssomeintroduction@gmail.com 00:00 Welcome and Episode Setup 00:19 Patreon and Feed Updates 01:35 Why Keep Watching 02:28 Coop Rejoins Excelsior 03:00 Elena Resets the Stakes 04:10 Hamptons Arrival and Mansion 07:15 Ash Under FBI Scrutiny 10:57 Party Night and Temptations 14:33 Mel and Ali Porta Potty Chaos 16:51 Tori at Graduation Party 18:26 Deer Near Miss and Symbolism 19:27 Mysterious Car Watching Coop 20:07 Sona Joins and Review Response 24:45 Hamptons Logistics Talk 27:50 Ghost Dad and Excelsior Meaning 32:02 Elena Shows Up Again 32:41 Elena Stakes Recap 33:33 Cash Flow Logic Gaps 35:13 Movie Clues Breakdown 37:47 Hamptons House Talk 38:43 FBI Raid Or Ruse 43:18 Sam Performance Praise 45:05 Grace Confronts Coop 47:22 Deer Symbolism Debate 50:20 Arms Dealer Law Questions 52:46 Party Drugs And Kisses 55:47 Women Plotlines Critique 57:08 Tori Crash Fallout 58:54 Next Week Money Stakes 59:59 Podcast Plans And Signoff Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

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La Excelsior, spectacolul "Adrenalină" explorează tema adicției contemporane și cultura pop recentă

Presa internaţională

Play Episode Listen Later May 14, 2026 21:18

Teatrul Excelsior, teatrul din București dedicat tinerilor, a programat pentru joi, 14 mai, la Sala Studio, spectacolului "Adrenalină" de Gabriel Sandu, o producție ce explorează tema adicției contemporane în diferite forme și cultura pop recentă. Vorbim astăzi despre un spectacol-confesiune, spectacol ce relatează experiențele intense de viață ale trei femei care și-au trăit adolescența în lumina reflectoarelor. Oana Predescu și Camelia Pintilie, invitatele emisiunii RFI360. Adrenalină reprezintă o călătorie în timp, în inima anilor 2000, prin prisma unei trupe dance formate din trei adolescente care au șocat o întreagă țară. Succesul lor fulminant a durat doar o vară, dar emoția de a fi pe scenă în fața miilor de oameni care le scandau numele le-a legat destinul pe viață. 20 de ani mai târziu, cele trei decid să se reunească pentru un concert aniversar, oferind publicului o incursiune sinceră în lumea faimei de-o vară și în toate controversele care au urmat. Spectacolul devine o oportunitate de a revizita și readuce în discuție estetica anilor 2000, sunetul, valorile și obsesiile vremii, prin prisma a trei personaje puternice. Costumele reflectorizante și ritmurile dance le însoțesc pe cele trei femei de la glorie până în adâncurile vieții fiecăreia. Dependențele și relațiile toxice se împletesc într-o poveste organică. Reuniunea trupei nu reprezintă doar un moment de sărbătoare, ci și o ocazie de autodescoperire, în care decorul vibrant al anilor 2000 se transformă sub ochii noștri, reflectând realitățile actuale. Gabriel Sandu, autorul și regizorul spectacolului Alături de Gabriel Sandu, care semnează textul și regia spectacolului, din echipa de creație fac parte Clara Ștefana (scenografie), Ruxandra Bobleagă (coregrafie și lighting design), Miruna Croitoru (video și lighting design), PLUSHY (muzică), Andreea Găzdaru (consultant psihologic) și Maria Alexievici (pregătire muzicală). "Adrenalină este un spectacol-confesiune. Relatează experiențele intense de viață ale trei femei care și-au trăit adolescența în lumina reflectoarelor. Aspirațional, nu? Dar cu ce costuri? Tina, personajul pe care îl interpretez, este o femeie talentată, inteligentă, dar cu o patimă care îi va distruge viața. Întâlnirea cu celelalte două colege de formație este un prilej să se scuture de vechile obiceiuri și să se schimbe. Spectacolul ridică o întrebare importantă: dependențele sunt problema sau ceea ce se ascunde în spatele lor? Ratarea, frica de abandon, rușinea, lipsa de sens — care este sursa durerii?" Oana Predescu, actriță, interpreta personajului Tina Sori a făcut parte dintr-o formație pop-dance când avea 14 ani. Ea, Tina și Lala au cântat o vară întreagă prin toată țara. Aveau doar două melodii compuse, dar asta nu a contat. Apoi a urmat un scandal monstru legat de un turneu antidrog și au ieșit din atenția publică. În spectacol ne întâlnim cu ele după 20 de ani. Sori a ajuns o corporatistă de succes care muncește mult și încearcă să se definească doar prin ceea ce face profesional. Tot ce a fost în trecut a fost tăiat, ascuns, renegat, uitat. Așa a făcut față durerii. Lala este o nostalgică, o femeie-copil cu copil, un om rămas suspendat într-un trecut căruia încearcă să-i găsească un sens. Un om care se predă hazardului și se afundă în spiritualitate din nevoia de apartenență și de control, iar derapajele ei devin simpatice datorită umorului și optimismului. Dana Marineci, actriță, despre rolul Lala Regia: Gabriel Sandu Scenografia: Clara Ștefana Coregrafia: Ruxandra Bobleagă Lighting design: Ruxandra Bobleagă, Miruna Croitoru Video: Miruna Croitoru Muzica: PLUSHY Consultant psihologic: Andreea Găzdaru Pregătirea muzicală: Maria Alexievici Producător delegat: Camelia Moroianu Afiș: Ale Trușcă Durata spectacolului: 1h 40min Recomandare de vârstă: 14+ Biletele se pot achiziționa online, direct de pe site-ul Teatrului EXCELSIOR, precum și în format fizic, de la casa de bilete a teatrului.

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Marvel Comics

Doctor DC Podcast

Play Episode Listen Later May 12, 2026 94:35

Excelsior, True Believers! This week we assemble to talk all about Marvel Comics, the MCU, and what little we know of the OTHER comic publisher.Follow us on Instagram!Submit your topics and vote on others on our subreddit!Get even more content from us on Patreon!Proudly part of The Sonar Network! Hosted on Acast. See acast.com/privacy for more information.

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S8E228: 'Lot van Ajax ligt nu in handen van PSV'

AD Voetbal podcast

Play Episode Listen Later May 10, 2026 41:10

Het is de tijd van beslissingen. Zo is Feyenoord definitief verzekerd van Champions League voetbal gisteren en dat leverde applaus op voor de vertrekkende directeur en de staf. Excelsior verzekerde zich van nog een jaar eredivisie en NAC gaat naar de KKD. In Amsterdam zijn ze nog nergens zeker van, net als in Enschede, Nijmegen, Volendam en Velsen-Zuid. In de AD Voetbalpodcast nemen Etienne Verhoeff en Mikos Gouka het voetbalweekend door. Beluister de hele AD Voetbalpodcast nu via AD.nl, de AD App of jouw favoriete podcastplatform.De mooiste voetbalnaam kan je hier doorgeven: https://www.ad.nl/voetbal/wat-is-volgens-jou-de-allermooiste-voetbalnaam~ad2732a5/ Bestel het boek De vraag van Vandaag hier: https://webwinkel.ad.nl/product/de-vraag-van-vandaagSupport the show: https://krant.nl/See omnystudio.com/listener for privacy information.

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Fire at Haskell's Port of Excelsior

Haskell's

Play Episode Listen Later May 9, 2026 13:44

Ted shares the latest details after a devastating fire at Haskell's Port of Excelsior. He also has some ideas to celebrate both the fishing opener and Mother's Day. For more information, and to check out some of the incredible selections Ted and the team at Haskell's has to offer, visit Haskells.com.

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Dit zijn de scenario's voor plek 3 & 16

VI Podcast

Play Episode Listen Later May 8, 2026 25:38

Cijferman Bart Frouws vertelt wat er opvalt richting speelronde 33 van de Eredivisie. Samen met Sjoerd Keizer bespreekt hij deze keer alle scenario's voor plek 3 & 16. NEC, Ajax en FC Twente strijden om plek drie en Excelsior, FC Volendam en Telstar willen plek 16 ontlopen.See omnystudio.com/listener for privacy information.

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Dit zijn de scenario's voor plek 3 & 16 in de Eredivisie

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Play Episode Listen Later May 8, 2026 25:38

Cijferman Bart Frouws vertelt in Scorebordjournalistiek wat er opvalt richting speelronde 33 van de Eredivisie. Samen met Sjoerd Keizer bespreekt hij deze keer alle scenario's voor plek 3 & 16. NEC, Ajax en FC Twente strijden om plek drie en Excelsior, FC Volendam en Telstar willen plek 16 ontlopen. 00:00 Scenario's plek 16 09:30 Scenario's plek 3See omnystudio.com/listener for privacy information.

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HR. 1 - The Dirty H

The Power Trip

Play Episode Listen Later May 6, 2026 69:30 Transcription Available

The guys talk abut another disappointing Wild loss in Denver, a famous spot in Excelsior burned down over night, the Hindenburg disaster is discussedSee omnystudio.com/listener for privacy information.

HR. 1 - The Dirty H

The Power Trip

Play Episode Listen Later May 6, 2026 70:51

The guys talk abut another disappointing Wild loss in Denver, a famous spot in Excelsior burned down over night, the Hindenburg disaster is discussed

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Tom Hauser on an HHS leadership change, Amy Klobuchar, the Haskell's fire and more!

Chad Hartman

Play Episode Listen Later May 6, 2026 21:15

KSTP-TV political reporter Tom Hauser joins Chad with talk about the fire destroying Haskell's in Excelsior early this morning. Plus, good stuff from Tom on the biggest political stories in the state like a leadership change at HHS, Amy Klobuchar's Sunday press conference, gun legislation at the State Capitol and more.

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Tom Hauser, a strange ruling on liability & Tom Homan looking back at Operation Metro Surge

Chad Hartman

Play Episode Listen Later May 6, 2026 35:39

Tom Hauser joins for two segments on state politics and the first this morning that gutted Haskell's in Excelsior before Chad jumps in a few topics tied to politics and legal issues.

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Excelsior landmark victim of an early morning blaze.

The Morning News with Vineeta Sawkar

Play Episode Listen Later May 6, 2026 5:07

Open for nearly 75 years in Excelsior, the Haskells Liquor store and Port was found to be engulfed in flames early this morning. Owner Ted Farrell was at the scene of the blaze and joined Vineeta live with an update on the WCCO Morning News. Catch Ted and Denny Long with their Wine Chat on Saturday morning at 7:45 on WCCO! Photo courtesy of Ted Farrell

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Beans Talk | SCOTUS Reform Plan

The Daily Beans

Play Episode Listen Later May 4, 2026 19:23

Monday, May 4th, 2026 Excelsior!...Ex-shell-sior? Bug Story A Plan The Daily beans is donating $10,000 and invites you to give what you can to support their life-affirming work at https://itgetsbetter.org/dailybeansdonate Subscribe to the MSW YouTube Channel - MSW Media - YouTube Dr. Allison Gill - The Breakdown | Allison Gill, Mueller, She Wrote (@muellershewrote.com) — Bluesky, MSW & The Daily Beans Podcast (@muellershewrote) - Instagram, MSW Media - YouTube Dana Goldberg - @dgcomedy.bsky.social on Bluesky, Dana Goldberg (@dgcomedy) - Instagram, Dana Goldberg - Facebook, DanaGoldberg.com More from MSW Media - Shows - MSW Media, Cleanup On Aisle 45 pod, The Breakdown | Allison Gill Beans Talk is the video companion to The Daily Beans with Allison Gill and Dana Goldberg. Subscribe now to stay informed and entertained! Reminder - you can see the pod pics if you become a Patron. The good news pics are at the bottom of the show notes of each Patreon episode! That's just one of the perks of subscribing! patreon.com/muellershewrote Listener Survey:http://survey.podtrac.com/start-survey.aspx?pubid=BffJOlI7qQcF&ver=shortFollow the Podcast on Apple:https://apple.co/3XNx7ckWant to support the show and get it ad-free and early?https://patreon.com/thedailybeanshttps://dailybeans.supercast.com/https://apple.co/3UKzKt0 Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

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Bosz heeft vóór jubileum alle records al verbroken

Play Episode Listen Later May 2, 2026 27:59

Cijferman Bart Frouws vertelt wat er opvalt richting speelronde 32 van de Eredivisie. Samen met Sjoerd Keizer bespreekt hij deze keer PSV, Excelsior en PEC Zwolle.00:00 Excelsior09:45 PSV (& kort Ajax)18:45 PECSee omnystudio.com/listener for privacy information.

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Make Mine Multiversity #143: "Alf" #22 & 44 with Colleen AF Venable; or, Mellmak in the Middle

Make Mine Multiversity

Play Episode Listen Later May 1, 2026 55:02

Welcome Back to Make Mine Multiversity: A Marvel Podcast! Each episode we'll be looking at Marvel books, old and new! We discuss fun Marvel comics, Marvel news, Marvel history and, now, are putting the "mine" back into Make Mine Multiversity. For those who're new, each month I talk with a guest about a Marvel comic that's memorable to them. Sometimes they're personally meaningful, sometimes it's "I read this a few months ago and its still sticking around."This month I welcome on Colleen Venable to discuss a comic I vaguely knew existed but didn't realize how much of it there was: "Alf." From sitcom star to comics "hero," it's everyone's favorite Melman. The two issues Colleen chose were, thankfully for me, X-men related.I'm not going to try to do any of the puns Alf is known for. I think it might do my head in.For some bonafides, Colleen is a comics writer and former designer for First Second Books. She's written "Kiss Number 8," the "Katie the Catsitter" series and is now writing the "Junie B. Jones" adaptations with art by Honie Beam (oh hey, there's an interview about that.)Next time: "Fantastic Four" (2022) #1-6 aka the start of the current era with Ryan North. Science! Comedy! Existential angst! You can find it collected as "Fantastic Four, Vol. 1: Whatever Happened to the Fantastic Four?" or on Marvel Unlimited.Elias can be found writing here at eliasrwrites.ghost.io. Colleen can be found on most platforms @colleenAF, on her website, and her books are in stores now! The big one's probably the Junie B. Jones adaptations with Honie Beam.Our theme music is “Excelsior” by Carol Romo and our audio editor is me, Elias.The show is available on Apple Podcasts, Spotify, (Stitcher is apparently dead and buried) and other places so please subscribe!

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Bosz heeft vóór jubileum alle records al verbroken

VI Podcast

Play Episode Listen Later May 1, 2026 27:59

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Guardiola vs Reijnders: moordneigingen en perspectief

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Play Episode Listen Later Apr 27, 2026 21:01

In de nieuwe aflevering van VI ZSM bespreken Pieter Zwart en Jarno Verweij de wedstrijden in de Eredivisie van zondag. Verder komt ook een opmerkelijk moment tussen Pep Guardiola en Tijjani Reijnders en de wereldgoal van Mika Godts aan bod. 00:00-05:41 Degradatie Heracles een feit 06:26-09:53 Excelsior overtuigt met 5-0 10:15-12:21 De strijd onderin 12:28-17:34 Guardiola vs Reijnders: Moordneigingen en Perspectief 17:41-20:54 Godts en het geheim van de 'Vanenburg-connectie'See omnystudio.com/listener for privacy information.

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How Would You Re-Design Spider-Man? with Adam Carnevale

Plumbing the Death Star

Play Episode Listen Later Apr 26, 2026 63:52

JD is missing, presumed dead. We can only assume that all his bad decisions have finally caught up with him. But never fear true believer, we have Adam Carnevale from the hit podcast series 'D&D is for Nerds' to join us instead. Today we examine the friendly neighbourhood Spider-Man and see how we could re-design that amazing and spectacular wall-crawler. We take the first suggestion of attempting to get a sponsorship from Velcro and really run with it. From the Val-Crow to the Valentine Crow Man, we do our best to avoid getting sued by the general public, Charles Xavier and Val Kilmer's estate before turning on a dime to try and get that lucrative cigarette sponsorship money. Spiders are scary, we do not know why Peter Parker themed himself that way. Is he stupid? Excelsior!Links to everything at https://linktr.ee/plumbingthedeathstar including our terrible merch, social media garbage and where to become a subscriber to Bad Brain Boys+ Hosted on Acast. See acast.com/privacy for more information.

'Feyenoord nog altijd topfavoriet voor plek 2'

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Play Episode Listen Later Apr 25, 2026 24:58

Cijferman Bart Frouws vertelt in Scorebordjournalistiek wat er opvalt richting speelronde 31 van de Eredivisie. Samen met Sjoerd Keizer bespreekt hij deze keer Feyenoord & FC Groningen, FC Twente en de strijd onderin de Eredivisie.See omnystudio.com/listener for privacy information.

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‘Feyenoord nog altijd topfavoriet voor plek 2'

VI Podcast

Play Episode Listen Later Apr 24, 2026 24:58

Cijferman Bart Frouws vertelt wat er opvalt richting speelronde 31 van de Eredivisie. Samen met Sjoerd Keizer bespreekt hij deze keer Feyenoord & FC Groningen, FC Twente en de strijd onderin de Eredivisie.See omnystudio.com/listener for privacy information.

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Washougal Schools Lock Gates, Add Security During Day

Clark County Today News

Play Episode Listen Later Apr 23, 2026

Washougal School District is implementing immediate security changes at three campuses after increased activity during school hours created safety concerns. Gates at Washougal High School, Gause Elementary, and Excelsior will be locked weekdays from 7:30 a.m. to 4 p.m., with new fencing and additional staff monitoring access points. Superintendent Aaron Hansen says student safety remains the top priority while keeping campuses open for community use after hours. https://www.clarkcountytoday.com/news/washougal-schools-announce-campus-safety-measures-and-tightened-enforcement-of-closed-campus-policy/ #WashougalSchools #CampusSafety #StudentSafety #ClarkCounty #Education

Good Times - Number 36: 2019/20 (Part 2)

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Play Episode Listen Later Apr 9, 2026 159:11

Everton head into a new decade suddenly in the top half and with Jurgen Klopp planning to play a team of young children in the FA Cup derby. Liam's about to realise his lifelong dream by being in an actual Batman film, while Kev's got four overseas jollies planned throughout 2020. Some clumsy bastard in a lab in Wuhan has other ideas, though. This episode is supported by The Excelsior on Dale Street. Thanks to Sean Ponzini and Gary Lunt for their contributions. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Make Mine Multiversity #142: "Marvel Super Heroes Secret Wars" #1-12 with Hans and Jesse Buetow; or, The Sweetness of Memory

Make Mine Multiversity

Play Episode Listen Later Apr 3, 2026 164:48

Welcome Back to Make Mine Multiversity: A Marvel Podcast! Each episode we'll be looking at Marvel books, old and new! We discuss fun Marvel comics, Marvel news, Marvel history and, now, are putting the "mine" back into Make Mine Multiversity.For those who're new, each month I talk with a guest about a Marvel comic that's memorable to them. Sometimes they're personally meaningful, sometimes it's "I read this a few months ago and its still sticking around."This month I welcome on Hans Buetow and his brother Jesse Buetow to discuss the Ur-superhero event "Marvel Super Heroes Secret Wars" #1-12 from 1984. Yes, that is the full title.For some bonafides, Hans is an award-wining audio producer who has been working in sound, music, and audio recording for 20 years. Jesse is a teacher and he's happy that's all there is to know.Next time: "Alf" #22 and #44. Yep. You're reading that right. Break out the longboxes and get hunting folks! No Marvel Unlimited for us this time.Elias can be found writing here at eliasrwrites.ghost.io. Hans is currently part of a podcast I like quite a lot called "Never Post." It's about the internet! If you ever watched PBS Idea Channel, it's hosted by Mike Rugnetta. $4 a month to keep it going. Worth every penny.Our theme music is “Excelsior” by Carol Romo and our audio editor is me, Elias. Hans was my unofficial producer and mixer/masterer (one day I'll learn which term is right) and a big thank you to Jaina for bringing her knowledge back to the pod.The show is available on Apple Podcasts, Spotify, (Stitcher is apparently dead and buried) and other places so please subscribe!

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Nieuwe trainer Ajax, PSV kampioen en het Eredivisieweekend! | FCA Daily | S08E181

FC Afkicken

Play Episode Listen Later Apr 3, 2026 38:35

In de FC Afkicken Daily van vrijdag 3 april bespreken Mart ten Have, Hugo Heinen en Kenneth Lentze het laatste voetbalnieuws. Met vandaag onder meer Girona coach Míchel, die in verband wordt gebracht met Ajax, Branco die openlijk solliciteert naar Feyenoord, wederom een nieuw hoofdstuk in 'Paspoort Gate', en blikken de heren vooruit op het aankomende Eredivisie weekend.(00:00) Intro(01:00) Míchel nieuwe trainer Ajax(05:20) Ajax neemt het op tegen Twente(10:30) Coach Van Het Jaar(15:00) PSV kan officieus kampioen worden tegen Utrecht(18:30) Feyenoord reist af naar Volendam(22:30) Branco solliciteert bij Feyenoord(25:30) AZ verwelkomt Fortuna Sittard(26:20) Paspoort Gate(27:20) Excelsior in eigen huis tegen NEC(29:40) De IJsselderby(35:00) Overige wedstrijden(36:00) DEDB in de VolkskrantDe Macht van het WK, dé geopolitieke WK-voorbeschouwing met Simon Kuper!Van de bestuurskamer van FIFA-baas Infantino tot de banlieues van Mbappé: De Macht van het WK Voetbal geeft je een unieke blik op de sport én de wereldpolitiek. Waarom helpt voetbal ons om de wereld beter te begrijpen?Kaarten vindt je via: https://www.haagschcollege.nl/college/machtvanhetwkvoetbalCoach van het JaarInschrijven voor onze FC Afkicken subleague bij Coach van het Jaar? Dat kan via: https://www.coachvanhetjaar.nl/app/RØDEBen je zelf op zoek naar de beste podcast apparatuur voor in de studio of onderweg? Check: https://rode.com/en-nlSee omnystudio.com/listener for privacy information.

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Good Times: Number 35 - 2019/20 (Part 1)