Australian film director
POPULARITY
2 episodes with Justin Kurzel
2 episodes with Justin Kurzel
2 episodes with Justin Kurzel
2 episodes with Justin Kurzel
2 episodes with Justin Kurzel
2 episodes with Justin Kurzel
2 episodes with Justin Kurzel
2 episodes with Justin Kurzel
2 episodes with Justin Kurzel
Director Justin Kurzel has crafted a filmography built on exploring the impact of trauma and violence on a nation. Whether it be his excoriating debut film Snowtown or the acts of cautionary storytelling with Nitram and The Order, Kurzel's work questions how violence and trauma lingers in our bodies, our minds, and in our lands. That's a notion that he explores with impressive strength with his first foray into documentary filmmaking, Ellis Park.There's catharsis in Ellis Park, partially because of Warren Ellis and his healing violin, but – as the man says himself – his presence is minimal compared to the presence of Femke and the conservationists. Yet, when paired with Kurzel and editor Nick Fenton, they collectively bring light to a horrifying trade that scars the environment. I'm shaken by Ellis Park because of its presentation of trauma, but equally so for its depiction of empathy, consideration, and support.This is, oddly, my first time talking to Justin Kurzel. Having listened to and read countless interviews by him, I was aware that I would be engaging with someone who is a deeply empathetic soul, yet I was still left disarmed by his connection to his openness about his connection to his work, his family, and to the art of cinema.To support the film, Warren Ellis and Justin Kurzel will be running Q&A sessions around the nation. All of the details are in the show notes, but make sure to pick up tickets in advance when the film kicks off with a virtual Q&A with Warren Ellis at Perth's Luna Leederville cinemas on 5 June, concluding with a Sydney Film Festival and Vivid Sydney exclusive event on 8 June at the State Theatre. Ellis Park then releases wide across Australia on 12 June 2025.The Ellis Park sanctuary is part of the Jakarta Animal Aid Network, a non-government, non-profit organisation that was established in 2004 to protect Indonesian wildlife, with a focusing on animal cruelty and rescuing animals from the noxious illegal animal trade network. To support the organisation, visit EllisPark.org.For the month of June 2025, every dollar from Patreon will be sent as a donation to Ellis Park sanctuary, so please consider joining and supporting the Curb and the sanctuary.Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your film loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories from storytellers to a wider audience. Hosted on Acast. See acast.com/privacy for more information.
Son dos de los actores favoritos de Internet. También del cine de autor y ahora de las series. El sueco Alexander Skarsgård regresa a la televisión en 'Matabot', una comedia de ciencia ficción que ya se puede ver en Apple TV+. Y Jacob Elordi, al que descubrimos en 'Euphoria', protagoniza 'El camino estrecho', el drama bélico que dirige Justin Kurzel.
This week on Primal Screen, Flick Ford is joined by Vyshnavee Wijekumar for a jam-packed episode! First up, we preview Cinema Reborn, an annual film festival dedicated to the restoration and celebration of cinema history. Flick chats with festival organisers Grace Boschetti and Digby Houghton about this year's program and the importance of film preservation. The festival runs May 8–13 at Lido Cinemas. Learn more about the program via the Cinema Reborn website. We also review two compelling new series: The Narrow Road to the Deep North is based on Richard Flanagan's acclaimed novel, is a new Australian miniseries that follows WWII army surgeon and prisoner of war on the Thai Burmese railways Dorrigo, both sustain and haunted by his past. Directed by Justin Kurzel and starring Jacob Elordi, it's now streaming on Amazon Prime.Dying for Sex is a bold new comedy-drama on Disney+ and stars Michelle Williams as a woman diagnosed with stage IV cancer who embarks on a journey of sexual discovery, with support from her best friend, played by Jenny Slate.Tune in to Primal Screen live every Monday from 7pm on Triple R 102.7FM Follow us on Instagram: @primal_screen_show
Brandon & Lorin digest the first two episodes of HBO's The Last of Us. The critically acclaimed second season finds Joel and Ellie at a crossroads just as a new threat rises. Later, the two review Justin Kurzel's The Order starring Jude Law and Nicholas Hoult, and Lorin speaks briefly on Andor season two.
We're back with an episode featuring just Neil and myself discussing a cinematic topic we both are invested in: The crime/heist genre. The core of this chat is an examination of how the structures of the genre intersect with social, racial, and economic contexts in four specific films. Sparked by our shared admiration for Justin Kurzel's The Order, we trace the lineage of socially conscious crime narratives from classic noir to contemporary thrillers. We consider genre cinema's desire to convey a sense of prestige - think of the notion of elevated horror - and revisit some of the core theoretical foundations of genre as a self-contained system, as proposed by thinkers such as Steve Neale and Rick Altman. Then we tackle four films as case studies: The Order (2023) - Justin Kurzel Odds Against Tomorrow (1959) – Robert Wise Collateral (2004) – Michael Mann Widows (2018) – Steve McQueen We analyse how each of these films, in varying ways, deploy genre frameworks to narrate the struggle for power, identity, and survival, and we interrogate the evolving relationship between cinematic pleasure and political subtext. Shownotes Rick Altman - Film/Genre (London: British Film Institute, 1999) Neil Fox - Ashley Clark Curates BFI's Black Star - Director's Notes Luis M. Garcia-Mainar - Say it with generic maps: Genre, identity and flowers in Michael Mann's Collateral - Screening the Past Steve Neale - Genre and Hollywood (London and New York: Routledge, 2000) Cayton Purdom - Mann Men - Los Angeles Review of Books ——— Visit our Patreon at www.patreon.com/cinematologists ——— You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast, so please do that if you enjoy the show. ——— Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.
Few films bring together all the elements as seamlessly as The Order—a standout that earns its place as a top-tier pick for AKAPAD The Film Buff. Those who brought us The Order Cast Jude Law as Terry Husk (FBI agent) Nicholas Hoult as Robert Jay Mathews (leader of The Order) Tye Sheridan as Jamie Bowen (local deputy) Jurnee Smollett as Joanne Carney (FBI agent) Alison Oliver as Debbie Mathews Odessa Young as Zillah Craig Marc Maron as Alan Berg (radio journalist) Sebastian Pigott as Bruce Pierce George Tchortov as Gary Yarbrough Victor Slezak as Richard Butler Phillip Forest Lewitski as David Lane Matias Lucas as Tony Torres Bradley Stryker as Sam Stinson Morgan Holmstrom as Kimmy Bowen Daniel Doheny as Walter West Daniel Yip as Engineer Vanessa Holmes as Bank Teller #1 Bryan J. McHale as Bank Manager Rae Farrer as Bank Teller #2 Philip Granger as Sheriff Loftlin Ryan Chandoul Wesley as Willie Bowen Huxley Fisher as Clinton Mathews Geena Meszaros as Bonnie Sue West Sean Tyler Foley as Tony Bentley Sarah Haggeman as Connie Pierce Judith Buchan as Birdie Lane David LeReaney as Donald Lane Stafford Perry as FBI Agent Chantal Perron as Jean Craig The Crew Director: Justin Kurzel Screenwriter: Zach Baylin Producers: Bryan Haas, Stuart Ford, Justin Kurzel, Jude Law Executive Producers: Zach Baylin, Alastair Burlingham, Stephen Fuss, Ben Jackson, Sean Patrick O'Reilly, Miguel A. Palos Jr., Gary Raskin, Eric Rebalkin, Jeremy Saulnier, Kate Susman, Anant Tamirisa, Paul Weinberg Cinematography: Adam Arkapaw Editor: Nick Fenton Music Composer: Jed Kurzel Casting Directors: Rhonda Fisekci, Avy Kaufman Production Designer: Karen Murphy Costume Designer: Rachel Dainer-Best Hair Department Head: Eva Baulackey Makeup Department Head: Sharon Toohey Stunt Coordinator: Steven McMichael Script Supervisor: Ben Saracini Main Title Designer: Jeremy Chen
Few films bring together all the elements as seamlessly as The Order—a standout that earns its place as a top-tier pick for AKAPAD The Film Buff.Those who brought us The Order CastJude Law as Terry Husk (FBI agent)Nicholas Hoult as Robert Jay Mathews (leader of The Order)Tye Sheridan as Jamie Bowen (local deputy)Jurnee Smollett as Joanne Carney (FBI agent)Alison Oliver as Debbie MathewsOdessa Young as Zillah CraigMarc Maron as Alan Berg (radio journalist)Sebastian Pigott as Bruce PierceGeorge Tchortov as Gary YarbroughVictor Slezak as Richard ButlerPhillip Forest Lewitski as David LaneMatias Lucas as Tony TorresBradley Stryker as Sam StinsonMorgan Holmstrom as Kimmy BowenDaniel Doheny as Walter WestDaniel Yip as EngineerVanessa Holmes as Bank Teller #1Bryan J. McHale as Bank ManagerRae Farrer as Bank Teller #2Philip Granger as Sheriff LoftlinRyan Chandoul Wesley as Willie BowenHuxley Fisher as Clinton MathewsGeena Meszaros as Bonnie Sue WestSean Tyler Foley as Tony BentleySarah Haggeman as Connie PierceJudith Buchan as Birdie LaneDavid LeReaney as Donald LaneStafford Perry as FBI AgentChantal Perron as Jean CraigThe Crew Director: Justin KurzelScreenwriter: Zach BaylinProducers: Bryan Haas, Stuart Ford, Justin Kurzel, Jude LawExecutive Producers: Zach Baylin, Alastair Burlingham, Stephen Fuss, Ben Jackson, Sean Patrick O'Reilly, Miguel A. Palos Jr., Gary Raskin, Eric Rebalkin, Jeremy Saulnier, Kate Susman, Anant Tamirisa, Paul WeinbergCinematography: Adam ArkapawEditor: Nick FentonMusic Composer: Jed KurzelCasting Directors: Rhonda Fisekci, Avy KaufmanProduction Designer: Karen MurphyCostume Designer: Rachel Dainer-BestHair Department Head: Eva BaulackeyMakeup Department Head: Sharon TooheyStunt Coordinator: Steven McMichaelScript Supervisor: Ben SaraciniMain Title Designer: Jeremy Chen
Welcome back Snobbies. Today we have a great little flick for I FEEL PRETTY. Caleb chose a film that he thought looked pretty and created a very beautiful scene to look at. From director Justin Kurzel, “Macbeth.” This film is a tough watch if you have ever tried to watch Shakespeare adaptations before. This one was unique and we talked through how this film made us feel and Jared shares his thoughts on just how much he hates the Shakespearean language. ENJOY!Film Discussed: Macbeth (2015)Letterboxd: Eric Peterson:letterboxd.com/EricLPeterson/ Jared Klopfenstein:letterboxd.com/kidchimp/ Ethan Jasso:letterboxd.com/e_unit7/ Caleb Zehr:letterboxd.com/cjzehr/ Ricky Wickham:letterboxd.com/octopuswizard/ Cody Martin: letterboxd.com/codytmartin/Here is a COMPLETE LIST of every film that we have done an episode for. Enjoy!https://letterboxd.com/ericlpeterson/list/a-complete-list-of-every-the-film-snobs-episode/Five star reviews left on the pod get read out loud!
On this episode of The Movie Podcast, Daniel, Shahbaz, and Anthony head down under to speak with Jacob Elordi, Simon Baker, Odessa Young, Olivia DeJonge, and Thomas Weatherall of THE NARROW ROAD TO THE DEEP NORTH, a five-part drama series based on Richard Flanagan's Booker Prize-winning novel. Set during and after World War II, the series follows Lieutenant-Colonel Dorrigo Evans, whose brief love affair with Amy Mulvaney haunts him throughout his life—from his time as a prisoner of war to his later years as a celebrated surgeon and war hero. The series is adapted by Writer Shaun Grant and Directed by Justin Kurzel. It stars Jacob Elordi, Odessa Young, Ciarán Hinds, Olivia DeJonge, Simon Baker, Thomas Weatherall, and more. All 5 episodes of THE NARROW ROAD TO THE DEEP NORTH premiere April 18 on Prime Video in Canada, New Zealand, and Australia. Watch and listen to The Movie Podcast now on all podcast platforms, YouTube, and TheMoviePodcast.ca Contact: hello@themoviepodcast.ca FOLLOW US Daniel on X, Instagram, Letterboxd Shahbaz on X, Instagram, and Letterboxd Anthony on X, Instagram, and Letterboxd The Movie Podcast on X, Instagram, TikTok, Discord, and Rotten Tomatoes Learn more about your ad choices. Visit megaphone.fm/adchoices
Brisbane-born Hollywood star Jacob Elordi fronts Justin Kurzel's TV adaptation of Richard Flanagan's Booker Prize-winning novel The Narrow Road to the Deep North.In Lost and Found, filmmaker Raoul Peck follows Ernest Cole's journey as the first Black freelance photographer in apartheid South Africa.Jason meets the directors of The Count of Monte Cristo in Paris, the new French adaptation of Alexandre Dumas' epic tale of romance and redemption.Presenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Tim JenkinsExecutive producer, Rhiannon Brown
Brisbane-born Hollywood star Jacob Elordi fronts Justin Kurzel's TV adaptation of Richard Flanagan's Booker Prize-winning novel The Narrow Road to the Deep North.In Lost and Found, filmmaker Raoul Peck follows Ernest Cole's journey as the first Black freelance photographer in apartheid South Africa.Jason meets the directors of The Count of Monte Cristo in Paris, the new French adaptation of Alexandre Dumas' epic tale of romance and redemption.Presenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Tim JenkinsExecutive producer, Rhiannon Brown
We're closing the book on our Unfinished Business series by taking a look at the scant romance of Justin Kurzel's 2016 adaptation of the Assassin's Creed video games, starring Michael Fassbender, Marion Cotillard, and a bunch of wasted character actors. Join in as we discuss the way Kurzel adapts the style and structure of the games for film, the punishing seriousness of the tone, and our love of Jeremy Irons. Plus: What was the plan for the sequels? Can you put a baby in the animus? What does anyone actually want in this movie? And, most importantly, is Cats the ultimate video game movie? Make sure to rate, review, and subscribe! Next week: An Affair to Remember (1957)------------------------------------------Key sources and links for this episode:"Sony Targets Assassin's Creed for Bigscreen" (Variety)"Michael Fassbender to Star in Assassin's Creed" (MTV News)"Fassbender Game for Assassin's Creed" (Variety)"Assassin's Creed: Michael Fassbender Explains Animus Redesign" (ScreenRant)David Ehrlich's B- Review of Assassin's Creed (IndieWire)"The Witcher Author Says Netflix 'Never Listened' to His Ideas" (The Hollywood Reporter)
Émission polar, fureur et chasser du nazi. Parce qu'on a la rage, on restera debout quoi qu'il arrive, la rage d'aller jusqu'au bout et là où veut bien nous mener la vie. Parce qu'on a la rage, rien ne pourra plus nous arrêter. Insoumis, sage, marginal, humaniste ou révolté.(Son crado dans les 4 premières minutes, ça s'arrange ensuite)Dispo itou on da tube :Au programme cette semaine :* Broken Rage, nouveau film de Beat Takeshi Kitano, son premier à parvenir officiellement chez nous depuis Outrage en 2010. Film méta essayant une nouvelle fois de combiner les deux faces de Kitano.* The Order, de Justin Kurzel. Glorieuse alopécie contre fachos.______PUBLIC SERVICE ANNOUNCEMENT: Le Film du Dimanche Soir, dimanche 02 mars, le train de la révolution passera près de chez vous.El Comandante est passé chez les camarades de Monsieur Bobine pour discuter de Bob Dylan.______Coups de cœur:THOMAS: Le Prédicateur (Robert Duvall)THIBAUT: Le Sommet des Dieux (Pascal Imbert)DOC ERWAN: Le Génie des alpages (F'muur)Margaux: Bref, saison 2PLAYLISTPrégénérique / Extrait The OrderThe Hives / Two-Timing Touch And Broken BonesChumbawamba / On the Day the Nazi DiedExtrait / The Order
Welcome to the Cinema Australia Podcast. In this episode I'm joined by Charles Williams to discuss Inside, a prison drama starring Guy Pearce, Cosmo Jarvis, Tammy MacIntosh and newcomer, Vincent Miller whose name you should make note of because you're going to hear a lot more from this impressive young actor. Here's the synopsis: After being transferred from juvenile to adult prison, Mel (Vincent Miller) is taken under the wing of both Mark (Cosmo Jarvis), Australia's most despised criminal, and Warren (Guy Pearce), a soon-to-be-paroled inmate. As a paternal triangle grows between them, we see that even the worst of men have a little bit of good inside that will be their undoing. Charles Williams is an acclaimed Australian film director whose short film All These Creatures won the Cannes Film Festival's Short Film Palme d'Or as well as an AACTA award here at home. Charles grew up in a remote country town in northern Victoria. Since then, his films have gone on to screen at more than 200 of the world's most prestigious festivals. He has also been selected as part of TIFF's Filmmaker Lab, The Golden Globes Filmmaker Residency and is a member of the Academy of Motion Picture Arts and Sciences. Inside is Charles' debut feature film. It has a discomforting psychological depth to it reminiscent of the films of Justin Kurzel like Nitram and Snowtown, and Thomas M. Wright's The Stranger. There's nothing familiar about Charles Williams' filmmaking style though. Inside feels completely unique both visually and narratively. Anyway… enjoy.
Actrice remarquée du cinéma d'auteur (Yorgos Lanthimos, Lucie Borleteau, Joanna Hogg, Justin Kurzel, Brady Corbet, les soeurs Coulin...) et du monde des séries (L'Opéra), Ariane Labed sort ce mercredi ce premier long métrage en tant que scénariste et réalisatrice. September and July, présenté à Un Certain Regard à Cannes en mai 2024, est l'adaptation d'un roman nommé Sisters de Daisy Johnson. Sisters comme les 2 soeurs au coeur de ce film. S'il fallait donner le point de départ du film aux auditeurs qui vont découvrir le film, c'est donc le lien très fort, très spécial qui lient ces deux soeurs, presque jumelles.Ariane Labed nous raconte le point de départ de ce film singulier, aux partis pris forts et qui n'hésite pas à déranger le spectateur dans son étrangeté. L'occasion aussi de parler avec cette actrice et personnalité engagée des César et de l'année 2024 marquée par les prises de parole de Judith Godrèche. September and July sort au cinéma le mercredi 19 février 2025.Crédits :Journaliste : Brigitte BaronnetMontage : Arthur Cattin Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.
Love is in the air (for at least one of the films on the docket) in this v. v. romantic instalment of the Movie Squad podcast! For this Valentine's Day special, Breakfast host Pamela Boland presses Tristan Fidler and Lucy Rutherford on their feelings about lurve. Then, Lucy leads a review of the long-awaited Bridget Jones sequel Mad About the Boy, which sees Renee Zellweger's ‘Bridge' choosing between Chiwetel Ejiofor and Leo Woodall. It's now showing in Australian cinemas. Then, lurve takes a backseat as Tristan takes a look at a slightly (okay, a lot) less romantic feature: Justin Kurzel's The Order, starring Jude Law as an FBI agent chasing down a white supremacist movement led by real-life neo-Nazi Bob Matthews (played by Nicholas Hoult). The Order is now streaming in Australia. Stay tuned for a pod-exclusive chat about Lucy and Tristan's favourite film romances. Be sure to tune in to RTRFM every Friday at 7:30am to hear Movie Squad live on Breakfast with Pam! And find out more about Movie Squad's curation of Throwback Thursdays at Joondalup Festival here!
Iván (en bata y pantuflas de Batman, obviamente) le ha dado al botón de #PrimeVideo y ha visto #TheOrder, que en España, cómo no, le han incluido el subtítulo de "La hermandad silenciosa"... Este thriller policíaco está protagonizado por Jude Law, Nicolas Hoult, Jurnee Smollett y Tye Sheridan y dirigido por el interesante a la par que irregular Justin Kurzel. ¿Qué le ha parecido a Iván? Ya sabéis, ¡Dadle al play y opinad! También nos podéis encontrar aquí: Spotify: https://open.spotify.com/show/52i1iqZ56ACal18GPkCxiW Apple Podcasts: https://podcasts.apple.com/es/podcast/los-tres-amigos/id1198252523 Youtube: https://www.youtube.com/channel/UC3zK2XsnpHDGRujSTWHpL8Q Amazon Music: https://music.amazon.com/podcasts/e0b56d4f-4537-47e0-a252-9dfe56b5a490/los-tres-amigos Grupo de Telegram: https://t.me/LosTresAmigos https://www.facebook.com/LosTresAmigosPodcast/ Instagram: lostresamigospodcast Bluesky: @los3amigospodcast.bsky.social X / Twitter: @tresamigospod Threads: lostresamigospodcast Letterbox: https://letterboxd.com/LosTresAmigos/
The Order (Prime Video) | Jude Law vs. Nicholas Hoult Trotz überwiegend positiver Kritiken nach der Weltpremiere bei den Filmfestspielen von Venedig im vergangenen Jahr schafft es der Thriller „The Order“ nicht in die Kinos. Stattdessen könnt ihr das neueste Werk von Justin Kurzel – bekannt für Arthouse-Erfolge („Die Morde von Snowtown“) und Blockbuster-Flops („Assassin's Creed“) – seit dem 6. Februar 2025 exklusiv bei Prime Video streamen. Der Film folgt einem FBI-Agenten (Jude Law), der in den frühen 1980er-Jahren gegen eine radikale Bruderschaft ermittelt. Deren charismatischer Anführer (Nicholas Hoult) liefert sich ein riskantes Katz-und-Maus-Spiel mit den Behörden. Doch fesselt das Geschehen wirklich – oder ist es eher ermüdend? Theresia und Johannes diskutieren darüber im Podcast. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)
On en a presque fini avec l'année 2024 dans 24FPS, le podcast ciné avec ou sans spoiler, puisque vous retrouverez dans cet épisode les films vus en fin d'année ! Voici la liste des films abordés sans spoiler par Jérôme et Julien dans cet épisode : Planète B de Aude Léa Rapin (à partir de 0:08:14) Elevation de George Nofi (à partir de 0:14:01) Carry-On de Jaume Collet-Serra (à partir de 0:20:03) Venom - The Last Dance de Kelly Marcel (à partir de 0:30:08) Kraven The Hunter de J.C. Chandor (à partir de 0:37:32) Homestead de Ben Smallbone (à partir de 0:41:41) Heretic de Scott Beck et Bryan Woods (à partir de 0:49:35) Here - Les Plus Belles Années De Notre Vie de Robert Zemeckis (à partir de 1:05:04) The Return de Uberto Pasolini (à partir de 1:26:34) Mufasa de Barry Jenkins (à partir de 1:33:58) Y2K de Kyle Mooney (à partir de 1:41:32) Red One de Jake Kasdan (à partir de 1:54:06) Un Parfait Inconnu de James Mangold (à partir de 2:07:56) Le Seigneur Des Anneaux - La Guerre Des Rohirrim de Kenji Kamiyama (à partir de 2:17:06) The Order de Justin Kurzel (à partir de 2:36:54) Gladiator II de Ridley Scott (à partir de 2:41:48) A Real Pain de Jesse Eisenberg (à partir de 3:32:04) Conclave de Edward Berger (à partir de 3:38:11) The Substance de Coralie Fargeat (à partir de 3:51:00) Anora de Sean Baker (à partir de 4:37:28) Nosferatu de Robert Eggers (à partir de 4:55:51) Bonne écoute, et n'hésitez pas à partager votre avis sur le dernier grand film de Robert Zemeckis ! Crédits musicaux : Pump It Up (Extended Mix) de Endor (2024) 24FPS est un podcast du label PodShows
Justin Kurzel's gritty crime drama helps us continue to celebrate Nic Hoult. How does the cinematography set the tone for this period? Has Jude Law ever looked better? How happy are we that this isn't a TV show? Plus: this movie's story is uhhh pretty relevant!
The Order is a crime thriller based on true events from director Justin Kurzel, starring Jude Law and Nicholas Hoult I talk about the film on this podcast enjoy!
TENE pod gets to work in 2025 with a long look at director Justin Kurzel's 2024 film, The Order, a crime drama based on the early-80s most successful Nazi militia and its leader, Bob Matthews. Stand up like men! Subscribe to patreon.org/tenepod @tenepod.bsky.social + twitter.com/tenepod
In a special episode of Film Stories, it's a guest filmmaker and a guest interviewer! This time, director Justin Kurzel is chatting about his latest movie, The Order, that's now playing in UK cinemas. Plus, there's a bit of chat about Snowtown and Assasin's Creed in there too. Ryan Lambie of Film Stories is asking the questions, after a bit of babble from Simon at the start. And it's just the kind of longform, clickbait-free conversation we love to do... Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, Amon speaks to Kerry Washington about her WWII film THE SIX TRIPLE EIGHT (04:40) and Barry Jenkins about MUFASA: THE LION KING (48:59). We review Justin Kurzel's THE ORDER (20:42) and Robbie Williams biopic BETTER MAN (32:31). And, in our HOT TAKE (01:05:30), we share our favourite movie moments of the last year. If you would like to donate directly towards humanitarian aid in Gaza please visit https://www.map.org.uk/ https://www.safebowgazanaid.com/take-action-now Join the conversation or suggest a Hot Take for the gang to discuss tweet us at @FadeToBlackPod Follow us: @amonwarmann, @clarisselou, @hannainesflint Music by The Last Skeptik If you like the show do subscribe, leave a review and rate us too!
Felicity Beckett and Sam Clements talk to The Order director Justin Kurzel and the films star Jude Law. The Order opens on Boxing Day at Picturehouse Cinemas. A series bank robberies and car heists frightened communities throughout the Pacific Northwest. A lone FBI agent believes that crimes were not work of traditional, financially motivated criminals but group of dangerous domestic terrorists. If you'd like to send us a voice memo for use in a future episode, please email podcast@picturehouses.co.uk. Subscribe on Apple Podcasts. Follow us on Spotify. Find us on Twitter, Facebook and Instagram with @picturehouses. Find our latest cinema listings at picturehouses.com. Produced by Stripped Media. Thank you for listening. If you enjoy the show, please subscribe, rate, review and share with your friends. Vive le Cinema.
The Englishman, who has been one of our finest screen actors for some 30 years — he was twice Oscar-nominated before he was even 30 — reflects on his special relationship with director Anthony Minghella, the sorts of roles that he deliberately avoided and why he has done some of his best work in recent years, including as an FBI agent pursuing white nationalists in Justin Kurzel's new film. Learn more about your ad choices. Visit megaphone.fm/adchoices
Episode Description: In this episode, Christopher Schnese and Stephen David Miller bring you a review of The Order. Directed by Justin Kurzel. With Jude Law, Nicholas Hoult, and Tye Sheridan. A series of bank robberies and car heists frightened communities in the Pacific Northwest. A lone FBI agent believes that the crimes were not the work of financially motivated criminals, but rather a group of dangerous domestic terrorists. Show Notes Hosts: • Christopher Schnese and Stephen David Miller Featured Review: • The Order The Verdict: • Stephen: Must See • Christopher: Must See Music for this Episode: • Stupid Followed Evil by Benjamin Adair Murphy Contact the show: • email: fans@thespoilerwarning.com Listener Survey: • Please help us by taking our survey
Episode Description: In this episode, Christopher Schnese and Stephen David Miller bring you a review of The Order. Directed by Justin Kurzel. With Jude Law, Nicholas Hoult, and Tye Sheridan. A series of bank robberies and car heists frightened communities in the Pacific Northwest. A lone FBI agent believes that the crimes were not the work of financially motivated criminals, but rather a group of dangerous domestic terrorists. Show Notes Hosts: • Christopher Schnese and Stephen David Miller Featured Review: • The Order The Verdict: • Stephen: Must See • Christopher: Must See Music for this Episode: • Stupid Followed Evil by Benjamin Adair Murphy Contact the show: • email: fans@thespoilerwarning.com Listener Survey: • Please help us by taking our survey
Our 150th episode! Can you believe we made it? To celebrate the occasion we've got a lengthy review of “The Order”, the new film from director Justin Kurzel. Also, get used to that intro/outro music, because friend of the show Kurt has composed an official theme song for us! Whether this is the first episode you've ever listened to or you haven't missed a single one, we truly appreciate you taking the time to listen. It means the world to us. From the bottom of our hearts: thank you, and here's to 150 more! 0:00 – Introductions 15:52 – “The Order” Review (SPOILERS!!!) 1:25:17 – What We've Been Watching Original Music provided by Kurt Moren https://ofsilent.life/
"The Order" had its world premiere at the 2024 Venice International Film Festival, where it received solid reviews for its performances, social-political relevance, and homage to gritty crime dramas of the 70s. Director Justin Kurzel and leading star Jude Law were both kind enough to spend a few minutes speaking with us about their work on the film, which can be listened to below. Please be sure to check out the film, which will be released in theaters on December 6th from Vertical Entertainment and is up for your consideration for the 97th Academy Awards in all eligible categories. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices
The tension in "The Order", says Justin Kurzel, comes from Jude Law's character running out of time to prevent Bob Mathews from achieving the kind of destiny that he is wanting. The post “The Order”, an interview with director Justin Kurzel appeared first on Fred Film Radio.
The tension in "The Order", says Justin Kurzel, comes from Jude Law's character running out of time to prevent Bob Mathews from achieving the kind of destiny that he is wanting. The post “The Order”, an interview with director Justin Kurzel appeared first on Fred Film Radio.
The tension in "The Order", says Justin Kurzel, comes from Jude Law's character running out of time to prevent Bob Mathews from achieving the kind of destiny that he is wanting. The post “The Order”, an interview with director Justin Kurzel appeared first on Fred Film Radio.
The tension in "The Order", says Justin Kurzel, comes from Jude Law's character running out of time to prevent Bob Mathews from achieving the kind of destiny that he is wanting. The post “The Order”, an interview with director Justin Kurzel appeared first on Fred Film Radio.
The tension in "The Order", says Justin Kurzel, comes from Jude Law's character running out of time to prevent Bob Mathews from achieving the kind of destiny that he is wanting. The post “The Order”, an interview with director Justin Kurzel appeared first on Fred Film Radio.
The tension in "The Order", says Justin Kurzel, comes from Jude Law's character running out of time to prevent Bob Mathews from achieving the kind of destiny that he is wanting. The post “The Order”, an interview with director Justin Kurzel appeared first on Fred Film Radio.
In a new film "The Order," Jude Law plays an FBI agent who tracks down a domestic terrorist gang planning an armed uprising against the U.S. government. Law joins us alongside the film's director Justin Kurzel to discuss. "The Order" opens in theaters this Friday.
paypal.me/LibroTobias Esta semana en nuestra “Sección principal” tenemos una petición de nuestro mecenas de Ivoox Martin Guevara que ha solicitado la película “Nitram” de Justin Kurzel que narra los 4 años previos a la Masacre de Port Arthur en la vida de su perpetrador Martin Bryant, magníficamente interpretado por Caleb Landry Jones. Además en nuestra sección “El callejón oscuro” os traigo a Javier Rosado y Félix Martínez, dos jóvenes de 21 y 17 años respectivamente que cometieron el llamado “Crimen del rol” el 30 de abril de 1994 en Hortaleza, Madrid. El ensañamiento y la brutalidad con la que apuñalaron a Carlos Moreno son propios de la película gore más enfermiza. Tiempos: Sección principal: del 00:02:21 al 02:08:34 Sección “El callejón oscuro”: del 02:08:35 al 02:59:15 Presentación, dirección, edición y montaje: Asier Menéndez Marín Diseño logo Podcast: albacanodesigns (Alba Cano) Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals
On this Thursday bonus episode we are going to play the interview from episode 264 from May 2020 with director Justin Kurzel who talks about his feature the True History of the Kelly Gang and how he parlayed a successful indie feature into directing studio features. Alrik thought this was a good match for Stephen Chbosky because they are both writer/directors working at at the studio level. After that we play another round of You're the expert, enjoy! Don't forget to support us on Patreon! www.patreon.com/mmihpodcast Leave us a Review on Apple Podcasts! https://podcasts.apple.com/us/podcast/making-movies-is-hard-the-struggles-of-indie-filmmaking/id1006416952
Our second London Film Festival main episode is here, and it's a bumper edition. Dario is in Falmouth visiting Neil, so it's something of a nostalgic live taping from the place where The Cinematologists started. The first film on the agenda is Alex Ross Perry's Pavements, which is a meta-documentary on a mercurial 90s band, Pavement. Neil, with his music film expertise, gives detailed context to the history and mythology of the band, whose cult status is deliberately explored by Ross Perry. It is another film that plays with multiple forms and perspectives and is also an instructive counterpoint to Soundtrack to a Coup d'etat (which we covered in the previous main show). This episode also features an interview with Australian director Justin Kurzel, who previously made the somewhat underrated version of Macbeth with Michael Fassbender and Marion Cotillard (among an impressive ouvre). His LFF entry this year is a documentary focusing on Australian musician Warren Ellis. The film follows his career but also explores his dedication to a wildlife sanctuary in Sumatra, where rescued trafficked animals are nursed back to health. Dario then discusses the psychological drama Under the Volcano by Polish director Damian Kocur. It tells the story of a middle-class Ukrainian family finishing a holiday in Tenerife just as the war starts. It's another film that keeps the spectre of apocalypse in the background while focusing on the nuances of familial trauma and the ethical decisions they are forced to confront. Finally, Hailey and Ben join us to discuss Elton John: Never Too Late, a look back at the singer-songwriter's huge career in the context of his final concert in North America at Dodger Stadium. Our extended coverage of the festival is on our Patreon channel, to support the show please consider subscribing for as little as £2.50 per month. You get access to all our bonus content. We also really appreciate any reviews you might write (please send us what you have written, and we'll mention it). Sharing on Social Media is the lifeblood of the podcast, so please do that if you enjoy the show. Instagram: https://www.instagram.com/drdariofilms/ TikTok: https://www.tiktok.com/@cinematologistspodcast --- Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.
Josh and Jamie got invited to attend the Toronto International Film Festival as members of the press to check out and cover some of new international art and genre cinema that will be coming out over the next few months and awards season, including new films by David Cronenberg, Paul Schrader, Kiyoshi Kurosawa, Luca Guadagnino, Francis Ford Coppola, Steven Soderbergh, Mike Flanagan, Guy Maddin, Sean Baker, Mike Leigh, Coralie Fargeat, Brady Corbet, Timo Tjahjanto, Justin Kurzel, Conner O'Malley, Matt Farley and more! We did our best to avoid spoilers and such but be warned. Next week's episode is a patron-exclusive bonus episode on APOCALYPSE NOW (1979) + ONE FROM THE HEART (1981), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-08:47 TIFF 2024 // 08:47-3:56:03 Outro // 3:56:03-4:01:18 (Apologies for the slight echo that appears throughout, this was our first time recording in person together in a few years so our mics were set-up a little too close together. Rookie moves!) MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667 WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl/ Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller/
The order by Justin Kurzel is a tense cat and mouse thriller written by Zach Baylin and led by actor and producer Jude Law The post “The order”, interview with director Justin Kurzel and screenwriter Zach Baylin appeared first on Fred Film Radio.
Jessica Coughlan is a campaigner with Neighbours of Fish Farming - a community organisation in southern Tasmania. The goal of NOFF is to promote sustainable, responsible fish farming, regulated by transparent government and commercial processes. In this chat, we talk about what it's like to be a neighbour of a fish farm, what Atlantic Salmon farming is really like, and what you can do about it.Useful links:Jessica's email: secretary@noff.auOff the TableNeighbours of Fish FarmingVimeo of the The Maugean Skate: https://vimeo.com/864263625Vimeo "Toxic Truth": https://vimeo.com/707402254Vimeo "Essie Davis, A Toxic Future": https://vimeo.com/742916685Vimeo "Paradise Lost by Justin Kurzel and Connor Castles Lynch": https://vimeo.com/742666590 For further information about Ocean Protect, check us out at www.oceanprotect.com.au Hosted on Acast. See acast.com/privacy for more information.
As longtime listeners know, we are quite fond of hardass, Australian movies. There is a unique quality to these bleak, nihilistic movies that really connect to a primal part of your brain and inspire an almost visceral reaction. Necromaniacs joined up with artist and outback movie aficionado Seldon Hunt to give you Mayhem Down Under, our exploration of these grim, violent films. First up, is the classic SNOWTOWN MURDERS, the 2011 hard-as-nails film directed by Justin Kurzel based on the true events that took place in Adelaide, South Australia between 1992 and 1999. Proceed is you dare, this film is not for the faint of heart. Intro: “We Can't be Beaten” – Rose Tattoo Outro: “My Hate is Strong” – Werewolves
Hi Guys, welcome back to TV Reload. Thank you for clicking or downloading on today's episode with Lucy Coleman who is the creator of Exposure on Stan Australia….! Which the whole series is available to view on the your streaming service. Lucy Coleman is an Australian screenwriter and director, producing original work under her label Loose As Hell Productions. Lucy Coleman's first TV series, EXPOSURE, premieres on STAN 20th June. Lucy is the Creator & Sole Writer of the 6x30min series, commissioned by STAN and partnered with ALL3 Media. The series is produced by Justin Kurzel, Shaun Grant and Nicole O'Donahue, under their newly established production banner Thirdborn. This is a really interesting chat with Lucy and she is very generous with her ability to unpack this series. This series is something that was born out of a real life situation but has inspired a fictitious crime drama that is quite bleak and yet beautiful at the same time. I will talk about how the project was green lighted. What parameters were given and even how they created the young voices and nuances with these characters. We will unpack the darker themes and how Lucy wants people to approach this story. Including survivors of sexual assault. There are so many great actors in this series including Alice and Essie but Lucy will talk about the bravery some of the male actors had during the shoot too. You will find out what is next for Lucy and why female driven stories will always be important to her. There is so much to unpack with Lucy.. So sit back and relax as we unpack the world of the Stan original series exposure!See omnystudio.com/listener for privacy information.
Assassin's Creed wasn't supposed to be a bad movie. It was supposed to be the rare video game adaptation that got the source material right. Boasting a talented arthouse director, Justin Kurzel, and one of the most exciting leading men of the era, Michael Fassbender, this was supposed to kick off a fantasy action franchise that would put anything else based on video games to shame. Alas, it didn't work out that way, with the film being panned critically and only grossing $54 million domestically, posting a loss for 20th Century Fox from $75-100 million. The film should have been a hit as it was based on Ubisoft's wildly popular game series. So what happened? Find out about it in this episode of WTF Happened to this Movie!
Le nouveau jeu Assassin's Creed sort ce jeudi 5 octobre. Ubisoft a déjà écoulé 200 millions d'exemplaires de cette série de jeu vidéo d'aventure historique. Dans « La Story », le podcast d'actualité des « Echos », Pierrick Fay et ses invités reviennent sur le succès qui a placé Ubisoft dans la cour des grands du divertissement.La Story est un podcast des « Echos » présenté par Pierrick Fay. Cet épisode a été enregistré en octobre 2023. Rédaction en chef : Clémence Lemaistre. Invités : Nicolas Richaud (journaliste aux Echos) et Thomas Méreur (auteur de «Les secrets d'Assassin's Creed» chez Third Editions). Réalisation : Willy Ganne. Musique : Théo Boulenger. Identité graphique : Upian. Photo : Ubisoft. Sons : Ubisoft, France Info, «Assassin's Creed» de Justin Kurzel, Game Movie Land. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
We return to address some of the nerdier and more bizarre aspects of 2016's Assassin's Creed and the game series that it is based on! We explore the idea of epigenetic memory more closely (or as closely as two artsy dudes who know science-minded people possibly can), consider possibilities for other time periods this series could visit, explore the genuinely weird truth of what's going on with the Macguffins in the AC universe, and finally get around to Joe's fix for this movie. We talk about which of our ancestors we would want to see the experiences of, Jack's head nearly explodes, and we manage to also turn this episode into a love letter to the John Wick films. Join us as we try to make this expensive pseudo-art film a little better. CW: Violence, discussion of fictional conspiracy nonsense that some might consider blasphemous, mention of Henry Kissinger Podcast Plugged in this Episode: I Hate It Let's Watch It (@ih8itletswatch on Twitter) Stuff Mentioned in this Episode: Jack the Ripper, Robert Evans, Behind the Bastards, the Mafia, Adolf Hitler, Benito Mussolini, Al Capone, Michael Fassbender, Marion Cotillard, Justin Kurzel, Sesame Street, Ron DeSantis, the Holocaust, Netflix, Resident Evil, the Third Crusade, the Renaissance, the American Revolution, the Golden Age of Piracy, the French Revolution, the Victorian Era, World War I, Ptolemaic Egypt, the Peloponnesian War, Asgard, the Islamic Golden Age, Abraham Lincoln: Vampire Hunter, Pride & Prejudice & Zombies, MK Ultra, Sandinistas, Bay of Pigs, Ben Affleck, Argo, Ajax, HBO's Watchmen, the United States Civil War, World War II, the Dulles Brothers, the Troubles, the Boxer Rebellion, Feudal Japan, Teenage Mutant Ninja Turtles, Isu, Celestials, Prometheus Myth, Adam and Eve, Mayan Apocalypse, LOST, Kevin Spacey, Jeffrey Jones, Howard the Duck, Alicia Vikander, Jason Bourne, Jordana Brewster, The Fast & The Furious, Adam Arkapaw, Chad Stahelski, John Wick, Derek Kolstad, Haley Berry, Hitman: Agent 47, Timothy Oliphant, Zachary Quinto, Captain America: Civil War, The Brothers Grimsby --- Support this podcast: https://podcasters.spotify.com/pod/show/derazzled/support
Our hosting switcheroo continues as Joe helms a full analysis and fix of 2016's Assassin's Creed, Justin Kurzel and Michael Fassbender's attempt to adapt the hit video game franchise to the silver screen. It didn't win any Razzies, but Jack got to do Caligula. In this 1st part, we breakdown what did and didn't work about the film, explore the connections between the film and games and briefly look into the series' history, and look into what some critics had to say. Jack laments his lack of virtual parkour skills, Joe gives a scattered overview of the games, and take a moment to laugh about cringeworthy presidential announcements. Join us as we explore what could have been a hit film series, where nothing is real and everything is permitted (as long as its PG-13, I guess). CW: Brief mention of the alleged sexual misconduct and misogynist culture within Ubisoft, violence, Christopher Columbus, a reminder that the Uwe Boll adaptation of Bloodrayne exists. Podcast Plugged In This Episode: Doom Generation (@DoomGenPod on Twitter) Stuff Mentioned In This Episode: Lovecraft, Marion Cotillard, Michael K. Williams, Ariane Labed, Jeremy Irons, Patsy Cline, BioShock, Mass Effect, Portal, The Witcher, Rock Band, Clive Barker's Jericho, Donald Trump, Ron DeSantis, Michael Madsen, Henry Kissinger, Tomas de Torquemada, Javier Gutierrez, Brendan Gleeson, Spanish Inquisition, Prince of Persia, Altair Ibn-La'Ahad, Quidditch, Shroud of Turin, Macbeth, WIlliam Shakespeare, Robert DeNiro, Dirty Grandpa, Order of Assassins, Hashishin, History Hit, vikings, Crusades, Leonardo da Vinci, Marvel Comics, SHIELD, Benjamin Franklin, Arno Dorian, John L. Beiswenger, Link, John Wilkes Booth, The Lion King, Inception, Christopher Nolan, Oppenheimer, Barbie, Sony Pictures, DMC Films, genetic memory, Ambush Bug, IDW Comics, Desmond Miles, Ezio Auditore da Firenze, X-Men, Oscar Isaac, The Matrix, Popcorn with Peter Travers, Rolling Stone, Snowtown, the Cold War, Michael Lesslie, Scott Frank, Minority Report, Logan, Adam Cooper, Bill Collage, New York Minute, Accepted, The Transporter Refueled, Allegiant, Ely Catherdral, Damien Walters, Batman Begins, Sing, Passengers, Rogue One: A Star Wars Story, Gareth Edwards, WGA Strike, color theory, Alien Resurrection, Sigourney Weaver, Ron Perlman, Sin City, Umbrella Corp, Jackie Chan, American Horror Story, Casino Royale, Daniel Craig --- Support this podcast: https://podcasters.spotify.com/pod/show/derazzled/support
Maha Dakhil, the powerhouse behind Hollywood's beloved talents like Tom Cruise, Reese Witherspoon, and Natalie Portman, knows the secret to striking game-changing deals. Her journey began when she courageously chose the entertainment industry over law school, despite her immigrant parents' concerns. Maha's determination to succeed in Hollywood proved fruitful, paving her way to triumph. Raised with sisters, Maha learned early on the power of female leadership. She carved her unique path in the entertainment world, undeterred by the lack of diversity she encountered. Embracing every opportunity, Maha's passion for empowering storytellers and productions has driven her to excel as an agent. In this insightful podcast, Maha reveals how her fearless nature and unwavering resilience allow her to thrive. She candidly discusses embracing confrontation, standing up for clients, and balancing victories with setbacks. Maha shares the importance of remaining composed amid challenges, and imparts invaluable wisdom from her transformative journey. Visit www.gobeyondbarriers.com where you will find show notes and links to all the resources referenced in this episode, including the best way to get in touch with Maha. Highlights: [02:49] Maha's story and her pursuit of the entertainment business [07:27] Finding mentors and finding her role in the industry [18:42] Standing up for what she believes in [23:07] Receiving feedback [26:25] Promoting tolerance of diverse cultures and background in Hollywood [30:18] Celebrating her accomplishments [33:56] Having courageous conversations and negotiating for her clients [40:59] Bouncing back from a setback [43:21] Maha's proudest achievement [46:13] Lightning Round Questions Quotes: “It's important to keep our eyes open and our minds flexible to see what we can offer and what is resonating.” – Maha Dakhil “It's really important to be aware of how you're being perceived in a team culture.” – Maha Dakhil “You can't live too long in victory, and you also don't have to live too long in any defeat.” – Maha Dakhil Lightning Round Questions: What book has greatly influenced you? - “The Alchemist” by Paulo Coelho What is your favorite inspiring quote or saying? - (Paraphrased) You don't have to be aggressive to be strong What is one word or moniker you would use to describe yourself? - Empathetic troublemaker What is one change you've implemented that made your life better? - Being on time What power song would you want playing as you walk out onto a stage? - Anything by Beyoncé About Maha Dakhil: Co-Head of the Motion Picture Group and Co-Head of the agency's International Film Group, Maha Dakhil also serves on the CAA board that is responsible for the day-to-day management of the agency. Additionally, she represents some of the world's most successful actors and actresses, moving seamlessly between such talent and literary clients as Tom Cruise, Ava DuVernay, Reese Witherspoon, Gina Prince-Bythewood, Mindy Kaling, Madonna, Sam Mendes, Natalie Portman, Lena Dunham, Melina Matsoukas, Juan Antonio Bayona, Yorgos Lanthimos, Olivia Wilde, Aaron Sorkin, Denis Villeneuve, Steve McQueen, Lenny Abrahamson, Danny Strong, Johan Renck, H.E.R., Anne Hathaway, Jeymes Samuel, Hwang Dong-hyu, and Higher Ground, among others. An 18-year veteran of the agency, Dakhil has long been at the forefront of cultivating opportunities for diverse talent and championing underserved voices and their stories. Gina Prince-Bythewood's action epic THE WOMAN KING, made its world premiere earlier this month at the Toronto Film Festival and went on to open #1 at the box office. Lena Dunham's CATHERINE CALLED BIRDY, which also had its world premiere at Toronto, opens in theaters September 23. She most recently signed Higher Ground, Obama's media company. In addition, Dakhil brokered a bevy of deals for client Olivia Wilde of late (BOOKSMART), including a female-led comedy for Universal, which Wilde will produce and direct; DON'T WORRY DARLING, in which Wilde stars in and directed; and a new Marvel movie. Dakhil has also guided client Reese Witherspoon on building out her production company, Hello Sunshine, which focuses on female-driven content across multiple platforms. Hello Sunshine, which was sold to a venture backed by private- equity giant Blackstone Group in August 2021, has produced such films as WHERE THE CRAWDADS SING, GONE GIRL, and WILD, as well as the Emmy-winning television series THE MORNING SHOW with Jennifer Aniston for Apple TV+, which has been renewed for a third season, BIG LITTLE LIES for HBO, and the original thriller SURFACE for Apple TV+. It also has the popular Reese's Book Club. In addition to co-leading the successful integration of CAA and ICM's motion picture departments, Dakhil has positioned her clients at the forefront of the biggest moments in pop culture this past year. Client highlights include the record breaking success of Tom Cruise's TOP GUN: MAVERICK, which has earned more than $1.4 billion at the worldwide box office; Natalie Portman's starring role in THOR: LOVE AND THUNDER; a deal for Mindy Kaling to co-write LEGALLY BLONDE 3, with Witherspoon set to reprise her iconic role as “Elle Woods” and Hello Sunshine producing; Denis Villeneuve directing a sequel to the six-time Oscar-winning DUNE; and Danny Strong serving as the creator, showrunner, and director of the seven-time Emmy nominated DOPESICK, which marks his first limited series. Dakhil also orchestrated a deal for Madonna to co-write an original screenplay based on her life, which the iconic artist will direct. As Co-Head of CAA's International Film Group, Dakhil plays an integral role in building the Motion Picture department's global footprint, opening doors for talent regardless of geographic location. Her roster of global filmmakers continues to grow, signing SQUID GAME creator Hwang Dong-Hyuk; Jasmila Žbanić, whose film QUO VADIS, AIDA? was nominated for the Best International Feature at the 93rd Academy Awards; Kornél Mundruczó, director of the acclaimed film PIECES OF A WOMAN, which premiered at the 77th Venice International Film Festival; Mohamad Diab,whose film AMIRA received strong critical praise at the 2021 Venice International Film Festival;Ali Abbasi, winner of the Un Certain Regard prize for BORDER at the 2019 Cannes Film Festival; Justin Kurzel, director of NITRAM, which premiered at the 2021 Cannes Film Festival; Lukas Dhont, director of GIRL, which won the Caméra d'Or at Cannes for best first feature film, along with the Queer Palm, awarded for best LGBT-themed film; and Rungano Nyoni, whose film I AM NOT A WITCH won a 2018 BAFTA Award for Outstanding Debut by a British Writer, Director or Producer. In her role on the CAA Board, Dakhil focuses on the agency's diversity and inclusion initiatives.She also plays a leadership role in CAA Amplify, an annual invitation-only summit convening diverse leading artists and executives from the most impactful organizations in entertainment, sports, media, brands, technology, and social justice. In addition, Dakhil is a founding member of Time's Up, an initiative that addresses systemic inequality and injustice in the workplace. She is a champion for underrepresented storytellers, creating opportunities for them to transition into the global marketplace. Dakhil also serves on the boards of Baby2Baby and the UCLA Lab School. Dakhil began her career at Genesis, a literary agency. She joined CAA in 2004. Dakhil graduated from the University of California, Los Angeles with a degree in sociology. Links: Instagram: https://www.instagram.com/secretagentm/
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